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175:), she began freelancing for other newspapers, first within Massachusetts, then republishing local stories on topics like housing and the local park in other parts of the country. By the late teens, she was publishing in newspapers nationwide, and her sometimes eccentric range ran the gamut: from film scores to, more adventurously, the burgeoning aviation industry and arctic exploration. But she also wrote on lighter topics, profiling a barber to the stars in a piece called "Famous Men I Have Shaved," as well as under-reported stories like "Pilots of Industry at Ninety Guide Giant Business." Her takes were frequently inventive, and sometimes also quite compassionate, as evidenced by pieces like "Lip-Reading Folk Get Small Enjoyment from Movies."
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144:(1891–1970) was an American journalist in the 1920s. Although a features writer, rather than an investigative reporter, she matched her investigative peers in originality and, like them, also wrote on under-reported "women's issues." In long-form articles like "What is Least on which a Working Woman Can Live?" she focused on practical issues, such as women's poverty-level wages. But there were also numerous profiles of brave female role models, including
228:, she describes already having completed, and sold, a set of plays that could be performed at home as entertainment at holiday parties, with sets and costumes so simple they allowed for improvisation only a year or so out of college. Around that time, she also published three children's books, each in a different genre:
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In a prolific career, Getchell also wrote for children, and her books, plays and "playlets" stand out for their emphasis on the independence and imagination of her audience, and her dismay that more dramatists weren't adapting plays with children in mind. She argued that children were "natural
265:
With Maggie
Parsons went, possibly, the last of the rugged individualists ... she was old Worcester, a concentrated version, rare as an uncooked beefsteak, quick to speak her mind, highhearted, loud of voice, opinionated, fearless; once heard, never
236:, and featuring a swan, a bear, a fish and other creatures, who appear, willy-nilly, in miniature, on any part of the page in "their" chapter with Dorothy Ann, the little girl heroine whose greatest adventures were at night. Her second book
406:
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Getchell went on to write several other children's books, and she became the full-time book editor at the
Worcester Telegram & Gazette in 1929. She maintained her post at the paper until 1960 when she retired. She died in 1970.
275:
Getchell and her sister Ruth came from a sophisticated background. Their father Dr. Albert Colby, was a "prominent specialist in throat and lung diseases, and a pioneering treatment of tuberculosis." Their mother
240:
features two comedic acts, and a makeshift diagram showing children how to organize their own sets. The third was more commercial in intent, akin to
Getchell's holiday and rainy day plays still to come, only
163:
In 1929, Getchell, by then known as
Parsons, became a full-time writer and book critic for the Worcester-based Sunday Telegram and Evening Gazette where she remained until 1960.
41:
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303:. In 1921, she married Eugene Olian Parsons, garden editor for the Sunday Telegram and Evening Gazette. Their only child was Carol E. Parsons Rader (1932–2019).
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For the first decade or so of
Getchell's career, starting around 1916 when she was hired onto the editorial staff of the Worcester Gazette (now known as the
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Spruce, Cone and
Bunchberry. A play about an unpleasant family which becomes pleasant when the Camp Fire spirit enters the home.
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Early into her career, Getchell was already balancing her journalism for adults with books, stories and plays for children. In
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Getchell, Margaret C. (August 3, 1919). "Dirigible, Not
Airplane to Be Commercial Flier for Transatlantic Trips".
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285:
102:
17:
543:
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Getchell, Margaret C. (October 12, 1921). "Barton's
Birthplace Becomes a Shrine to a Noble Woman's Memory".
518:
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Getchell, Margaret C. (November 28, 1920). "Pilots of
Industry at Ninety Guide Giant Business".
897:
Getchell, Margaret C. (February 15, 1920). "Lip-Reading Folk Get Small
Enjoyment from Movies".
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Getchell, Margaret C. (July 27, 1919). "The Dirible's Advantages Over the Plane in Commerce".
952:
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Getchell, Margaret C. (February 1, 1920). "How Camera Captured the Midnight Sun on Horizon".
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Getchell, Margaret C. (June 13, 1920). "A Great Field in Cinema Music Remains Unexplored".
284:, and a prominent artist with an international career whose work has been collected by the
212:
A full-page analysis of poverty-level wages for women that fell far below the 1919 minimum.
592:
Getchell, Margaret C. (May 26, 1919). "What is least on which a Working Woman Can Live?".
8:
637:
Getchell, Margaret C. (April 6, 1919). "Beautiful Queen Didn't Live Happily Ever After".
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playwrights," and that making them think would reduce the need for family discipline.
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568:"On the "Girl Stunt Reporters" Who Pioneered a New Genre of Investigative Journalism"
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On the “Girl Stunt Reporters” Who Pioneered a New Genre of Investigative Journalism
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A 1917 photo accompanying an interview about children's plays in the Boston Globe.
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156:, who "fled the fairy tale" to minister to wounded soldiers during World War I.
773:"The Worcester magazine: devoted to good citizenship and municipal development"
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Getchell, Margaret C. (November 18, 1919). "City Solves its Housing Problem".
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The Woman Journalist of the 1920s and 1930s in Fiction and in Autobiography.
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in 1914, the first year they were offering degrees, Getchell later attended
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996:
Rennie, Dorothy B. (September 1968). "The Portraiture of Thomas Eakin".
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Good Turns, or Only a Tenderfoot: A boy scout play in three acts (1928)
867:
Getchell, Margaret C. (January 17, 1926). "Famous Men I Have Shaved".
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An undated etching called "A Windswept Road," by her mother, artist
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Colette of the Red Cross: A play in two scenes for Red Cross juniors
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Journalist, critic, children's book writer and children's playwright
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Professional use of some combination of first, middle and surnames.
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A 1922 woodcut accompanying a quote in Pennsylvania's Daily Times.
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Parsons, Margaret Colby Getchell; Parsons, Mrs Getchell (1918).
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Worcester Chamber of Commerce; Worcester Board of Trade (1901).
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Almost Rehearsal-less Plays; Stunts and Novelty Programs (1931)
622:
Getchell, Margaret C. (April 6, 1919). "Saint Jeanne d'Arc".
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Cover of Getchell's 1916 book The Cloud Bird, illustrated by
1062:"Carol E. Rader Obituary (1932 - 2019) MetroWest Daily News"
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Massachusetts, U.S., Marriage Index, 1901-1955 and 1966-1970
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One Night Stand: five one-act plays for young people (1942)
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Scoops: A comedy in three acts for female characters (1930)
261:
Ivan Sandrof, her successor, memorialized her by writing:
249:, with enough parts for a dozen girls, plus casting tips.
544:"Ione Quinby, Chicago's Underappreciated "Girl Reporter""
369:
Off the Old Block: A one act-comedy for all women (1935)
1051:. Provo, UT, USA: Ancestry.com Operations, Inc., 2013.
682:"She Prescribes Play Acting for Active Children".
292:in Washington, D.C. and other major institutions.
198:, a contemporary queen who "fled the fairy tale."
1131:20th-century American dramatists and playwrights
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1033:"Wheaton College Gives Degrees for First Time".
1018:"Dr. and Mrs. Getchell Observe Golden Wedding".
474:Courtesy of the Smithsonian American Art Museum.
337:Jack-i'-the-green and the Petentate of Weaterdom
372:A modern Thanksgiving, a play in one act (1937)
226:Writer: A Monthly Magazine for Literary Workers
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704:Worcester Historical Museum (July 14, 2020).
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982:Proposal Number Seven: A Comedy in Two Acts
325:Proposal Number Seven: A comedy in two acts
519:The Secret History of Women and Journalism
514:The Lost Legacy of the Girl Stunt Reporter
40:
1136:20th-century American short story writers
1126:20th-century American non-fiction writers
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436:Portrait of Dr. Albert Colby Getchell by
232:, a fairy tale adventure, illustrated by
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295:One of only two to earn a B.A. from
280:(née Pierce) was a former student of
652:"Children Are Natural Playwrights".
339:(1920) (as Margaret Colby Getchell.)
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348:In the Children's Play-house (1923)
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1022:. April 23, 1936. p. 19.
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390:Library of Congress: For the
245:, as it says in subtitle, is
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1156:American children's writers
824:The Jackson Citizen Patriot
671:. Feb 11, 1917. p. 44.
667:"Fits Play to the Family".
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392:full text of the Cloud Bird
154:Marie, Romania's last queen
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1161:Writers from Massachusetts
985:. Penn Publishing Company.
656:. Dec 19, 1921. p. 5.
654:The Meridien Daily Journal
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386:Hathitrust Digital Library
243:Spruce Cone and Bunchberry
220:Children's Books and Plays
1181:American feminist writers
706:"A Pretty Powerful Woman"
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639:Cleveland Plain Dealer
594:The Grand Forks Herald
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173:Telegram & Gazette
899:The Morning Oregonian
839:The Milwaukee Journal
809:The Washington Herald
470:Edith Loring Getchell
454:Edith Ballinger Price
278:Edith Loring Getchell
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247:A Campfire Girls Play
238:Proposal Number Seven
234:Edith Bollinger Price
134:Edith Loring Getchell
884:The Sunday Oregonian
854:The Sunday Oregonian
624:The Lexington Herald
343:Red Letter Day Plays
124:Eugene Olian Parsons
917:Library of Congress
492:Women in Journalism
132:Daughter of artist
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752:: v. 1887.
548:JSTOR Daily
380:Collections
150:Joan of Arc
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1071:2021-11-22
1066:Legacy.com
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553:2022-02-18
530:References
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91:Occupation
58:1891-08-25
945:0036-6463
758:0043-9517
301:Radcliffe
129:Relatives
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