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convinced
Petrillo to allow the union's musicians to make records for the military as long as the discs were not sold and the masters were disposed of. Musicians who had contracts with different record labels were now able to record together for this nonprofit enterprise. A group consisting of
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in
December 1943, introduced a record by saying, "This is Captain Glenn Miller speaking for the Army Air Force's Training Command Orchestra and we hope that you soldiers of the Allied forces enjoy these V-Discs that we're making just for you." The
216:" to refer to whites. In addition to a window into black entertainment styles, the Jubilee series chronicled the development of swing music on the cusp of bebop. V-disc recordings provide important archives of the
235:'s Office confiscated and destroyed V-Discs that servicemen had smuggled home. An employee at a Los Angeles record company served a prison sentence for the illegal possession of over 2,500 V-Discs.
212:, was provided for black servicemen. The banter between Whitman and guests sometimes ventured into risque and racial humor, including the use of the ethnic slur "
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Many V-Discs contained spoken-word introductions by bandleaders and musicians wishing good luck and prayers for the soldiers.
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recorded concerts that were released as V-Discs. Captain
Vincent ran the program from the Special Services Division.
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were destroyed. Leftover V-Discs at bases and on ships were discarded. On some occasions, the FBI and the
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132:) was a record label that was formed in 1943 to provide records for U.S. military personnel. Captain
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in which there was a recording ban on four recording companies. On
October 27, 1943
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224:. The "V" stands for "Victory" although Vincent said the "V" stood for "Vincent".
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responsibilities were handled by Steve
Scholes and Walt Heebner, both of
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Many popular singers, big bands, and orchestras recorded V-discs.
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The V-Disc program ended in 1949. Audio masters and
335:. Westport, Connecticut, The Greenwood Press, 1980.
121:", by Glenn Miller and His Orchestra, November 1943
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287:Rye, Howard (2002). Kernfeld, Barry (ed.).
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246:The Columbia Years 1943–1952: The V-Discs
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254:The Real Complete Columbia Years V-Discs
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404:Record labels disestablished in 1949
34:. For the digital virtual disk, see
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222:International Sweethearts of Rhythm
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333:V-Discs: A History and Discography
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30:For the digital media format, see
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399:Record labels established in 1941
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289:The New Grove Dictionary of Jazz
360:American Music Research Center
262:V-Disc Recordings, Jo Stafford
136:supervised the label from the
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368:, Florida Atlantic University
340:V-Discs: The First Supplement
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208:series, hosted by comedian
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249:– Frank Sinatra collection
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342:. Greenwood Press, 1986.
161:1942–44 musicians' strike
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362:, University of Colorado
151:Under the leadership of
414:American Forces Network
366:Recorded Sound Archives
210:Ernie "Bubbles" Whitman
394:American record labels
374:, Collector's database
182:Artists and repertoire
159:) was involved in the
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165:George Robert Vincent
153:James Caesar Petrillo
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257:– Sinatra collection
192:, and Tony Janak of
409:Jazz record labels
338:Sears, Richard S.
331:Sears, Richard S.
220:Orchestra and the
188:, Morty Palitz of
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119:Moonlight Serenade
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104:Country of origin
16:(Redirected from
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170:Louis Armstrong
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130:"V" for Victory
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178:Art Tatum
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239:See also
229:stampers
206:Jubilee
147:History
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75:Defunct
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126:V-Disc
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344:ISBN
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214:ofay
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94:Jazz
82:1949
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