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intently follows the ongoing space race between the U.S. and the Soviet Union. He no longer sees his Jewish mother, who was chased out of the family home by his imperious, dictator-like father (Agresti). He misses her badly but hardly remembers her. His anti-Semitic father only occasionally visits his mother and son, preferring to live the life of an
Argentine playboy.
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something about this kid, and the way he talks and listens and watches people, that is very convincing. Perhaps it helped that he was directed by a man who was once
Valentin himself. The film is warm and intriguing, and he is the engine that pulls us through it. We care about what happens to him; high praise."
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One day a thoughtful man visits Valentín and gives him a shirt that his mother sent for him. They have a conversation about his mother and Valentín begins to understand why his mother has stayed away for such a long time. The film ends as he sets up a blind date between
Leticia and his piano teacher
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lauded the film and casting of the young boy as Valentín, writing, "I am not always sure what I mean when I praise a child actor, especially one as young as
Rodrigo Noya. Certainly casting has a lot to do with his appeal; he looks the part and exudes a touching solemnity. But there is more. There's
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as a man "who believed in an ideal, and who believed that injustice could be overcome. Please, don't leave here before you've asked yourselves, in all sincerity: Who of you would give, not his whole life, but a year or even just one day, for an ideal, the way that Che gave all he had?". Many in the
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One day Valentín realizes that his grandmother is ill but refuses to see a doctor. Valentín makes plans on how to get her to see Dr. Galaburri (Carlos Roffé). The plan he cooks up seems to work and she makes certain lifestyle changes. To thank the doctor, Valentín is thoughtful and buys a painting
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Valentín is friends with his uncle Chiche (Jean Pierre Noher) and the piano teacher Rufo who lives across the street (Mex
Urtizberea). Both talk to Valentín as if he were an adult, and it seems Valentín is wise beyond his years. His uncle takes him to mass where a priest (Fabián Vena) talks about
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Leticia (Julieta
Cardinali), his father's latest romantic interest, pays a visit and both she and Valentin spend the day together going to the park, seeing a movie and sharing a meal. Valentín tells her personal things about his life and father. Due to Valentín's tales about his family, Leticia
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In the DVD interview with director
Alejandro Agresti, he said the film was based on one year of his childhood. Furthermore, Agresti stated he was motivated by what he perceived as the nature of kids. He made the case that kids have an ability to deal with life's difficulties and have a natural
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The story takes place in 1969 and is told through the eyes of Valentín, an eight-year-old small, cross-eyed boy (Noya) whose thick black-rimmed glasses sit heavily on his face. He lives with his grandmother (Maura) due to the divorce of his parents. He dreams of being an astronaut one day and
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liked the film and wrote, "Written and directed by
Alejandro Agresti, this remarkable drama takes us right into the yearning heart of a very smart and lonely young boy...The hopeful finale gives Valentin an opportunity to play matchmaker, something he finds much to his liking. This tender and
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Dave Kehr wrote, " has become all too familiar in the art houses: the cute child who awakens the cranky grown-ups around him to the infinite possibilities of life... neglects few opportunities to pander to its public... soon enough the bouncy pop score takes over again, and
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Argentine Film
Critics Association Awards: Silver Condor; Best Cinematography, Jose Luis Cajaraville; Best Sound, Fernando Soldevila; Best Supporting Actor, Mex Urtizberea; Best Supporting Actress, Julieta Cardinali, Best Supporting Actress, Carmen Maura;
564:: Silver Condor; Best Art Direction, Floris Vos; Best Director, Alejandro Agresti; Best Editing, Alejandro Brodersohn; Best Film; Best Music, Paul M. van Brugge; Best New Actor, Rodrigo Noya; Best Original Screenplay, Alejandro Agresti; 2004.
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for Dr. Galaburri to display in his office. However, one day his grandmother dies when she goes to the hospital and Valentín goes to stay with one of his friends from school.
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Rufo. They all have a meal together and Valentín tells us he decided to become a writer and that
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audience walk out and Valentín comments: "But just like my uncle said, the priest couldn't change anything. Everything stayed the same".
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rethinks her relationship with his father and breaks up with him. His father is quite upset and blames Valentín.
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of 6.1 out of 10. The site's consensus is: "A coming-of-age tale that's more cloying than affecting." At
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549:: ACCA Jury - Special Mention Best Film; Special Jury Award; both for Alejandro Agresti; 2003.
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Newport International Film Festival: Audience Award, Best Feature, Alejandro Agresti; 2003.
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as the grandmother. Director Alejandro Agresti also stars as Valentín's father.
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garnered mostly mixed reviews from film critics. On review aggregate website
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the death of an Argentinian doctor who was killed recently. He talks about
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543:: Golden Calf; Best Director of a Feature Film, Alejandro Agresti; 2002.
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on September 29, 2002. It opened in Argentina on March 12, 2003 at the
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returns to its true business, tugging at well-worn heart strings."
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In the United States it opened on a limited basis on May 7, 2004.
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714:, film review, May 7, 2004. Last accessed: December 18, 2007.
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The film was shown at various film festivals, including: the
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The producers used the following tagline to market the film:
596:: Young Artist Award Best International Feature Film; 2004.
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Critics Frederic and Mary Ann Brussat of the website
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Rotterdams Fonds voor de Film en Audiovisuele Media
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441:heart-warming Argentinian film is a winner!"
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558:: Audience Award; Alejandro Agresti; 2003.
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1741:El romance del Aniceto y la Francisca
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2149:Films directed by Alejandro Agresti
2079:El patrón: radiografía de un crimen
570:: Imagen Award, Best Picture; 2004.
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1701:The Old Young People
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293:. The film features
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151:Patagonik Film Group
142:First Floor Features
118:Alejandro Brodersohn
19:For other uses, see
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1421:The Act in Question
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1833:Darse cuenta
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1795:Juan Moreira
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1653:La Quintrala
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1212:The Intruder
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1076:Lost Embrace
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766:(in Spanish)
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674:Ebert, Roger
669:
657:. Retrieved
655:. Metacritic
647:
635:. Retrieved
625:
613:
608:
506:
483:
472:
467:
462:
459:Distribution
452:
444:
443:
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428:Film critic
427:
410:
409:
400:
390:Carlos Roffé
354:Carmen Maura
348:Rodrigo Noya
336:
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315:
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299:Carmen Maura
295:Rodrigo Noya
270:
269:
268:
235:Running time
146:De Productie
127:Luis Salinas
100:Rodrigo Noya
78:Carmen Maura
75:Rodrigo Noya
2047:Las acacias
1959:Nine Queens
1825:Plata dulce
1717:The Escaped
1645:Barrio Gris
1621:Los Isleros
1004:Wild Horses
836:Summer Skin
659:October 20,
637:October 20,
575:Nominations
496:, USA; the
430:Roger Ebert
397:Development
380:as a barman
350:as Valentín
323:Che Guevara
253:Netherlands
156:Duque Films
96:Narrated by
64:Produced by
46:Directed by
2134:2002 films
2128:Categories
1927:Autumn Sun
1629:Dark River
1605:Almafuerte
1156:Wild Tales
1108:Lion's Den
1092:Family Law
892:The Island
708:Kehr, Dave
601:References
423:Metacritic
362:as Leticia
287:drama film
274:is a 2002
239:86 minutes
222:2003-03-12
211:2002-09-29
154:DMVB Films
135:Production
56:Written by
2071:Refugiado
1787:La maffia
1779:La Valija
1557:Juvenilia
1365:City Life
1060:Kamchatka
1036:Manuelita
972:The Tombs
860:The Truce
406:Reception
386:as Father
306:astronaut
276:Argentine
247:Argentina
244:Countries
160:Surf Film
137:companies
114:Edited by
16:2002 film
2103:El Angel
2039:Carancho
1999:The Aura
1983:Valentín
1911:Cortázar
1677:La caída
1469:Valentín
1309:La araña
1188:El Angel
1164:The Clan
1124:Carancho
1084:The Aura
1068:Valentín
818:for the
773:Valentín
761:Valentín
753:Valentín
739:Valentín
728:Valentín
614:Valentín
453:Valentín
411:Valentín
271:Valentín
260:Language
185:(France)
124:Music by
72:Starring
29:Valentín
2023:Aniceto
1669:El jefe
1589:Albéniz
1445:La cruz
1413:Hexagon
1132:Aballay
780:YouTube
775:trailer
742:at the
284:Italian
263:Spanish
220: (
209: (
2114:(2020)
2106:(2019)
2098:(2018)
2090:(2017)
2082:(2016)
2074:(2015)
2066:(2014)
2058:(2013)
2050:(2012)
2042:(2011)
2034:(2010)
2026:(2009)
2018:(2008)
2010:(2007)
2002:(2006)
1994:(2005)
1986:(2004)
1978:(2003)
1970:(2002)
1962:(2001)
1954:(2000)
1946:(1999)
1938:(1998)
1930:(1997)
1922:(1996)
1914:(1995)
1906:(1994)
1898:(1993)
1890:(1992)
1884:(1991)
1876:(1990)
1868:(1989)
1860:(1988)
1852:(1987)
1844:(1986)
1836:(1985)
1828:(1983)
1820:(1982)
1812:(1981)
1804:(1974)
1790:(1973)
1782:(1972)
1768:(1971)
1760:(1970)
1752:(1969)
1744:(1968)
1736:(1967)
1728:(1966)
1720:(1965)
1712:(1964)
1704:(1963)
1696:(1962)
1688:(1961)
1685:Shunko
1680:(1960)
1672:(1959)
1664:(1957)
1656:(1958)
1648:(1955)
1640:(1954)
1632:(1953)
1624:(1952)
1616:(1951)
1608:(1950)
1600:(1949)
1592:(1948)
1584:(1947)
1576:(1946)
1568:(1945)
1560:(1944)
1552:(1943)
1496:(2013)
1488:(2006)
1480:(2004)
1472:(2002)
1464:(2000)
1456:(1998)
1448:(1997)
1440:(1997)
1432:(1996)
1424:(1994)
1416:(1994)
1408:(1992)
1400:(1992)
1392:(1991)
1384:(1991)
1376:(1990)
1368:(1990)
1360:(1989)
1352:(1987)
1344:(1986)
1336:(1984)
1328:(1981)
1320:(1981)
1312:(1980)
1304:(1979)
1296:(1978)
1239:(2024)
1231:(2023)
1223:(2022)
1215:(2021)
1207:(2020)
1199:(2019)
1191:(2018)
1183:(2017)
1175:(2016)
1167:(2015)
1159:(2014)
1151:(2013)
1143:(2012)
1135:(2011)
1127:(2010)
1119:(2009)
1111:(2008)
1103:(2007)
1095:(2006)
1087:(2005)
1079:(2004)
1071:(2003)
1063:(2002)
1055:(2001)
1047:(2000)
1039:(1999)
1031:(1998)
1023:(1997)
1015:(1996)
1007:(1995)
999:(1994)
991:(1993)
983:(1992)
975:(1991)
967:(1990)
959:(1989)
951:(1988)
943:(1987)
935:(1986)
927:(1985)
919:(1984)
916:Camila
911:(1982)
903:(1981)
895:(1979)
887:(1977)
879:(1976)
871:(1975)
863:(1974)
855:(1965)
847:(1962)
839:(1961)
530:Awards
280:French
249:France
1581:Celos
1028:Tango
587:2004.
255:Spain
251:Italy
163:INCAA
2095:Zama
1991:Roma
1373:Luba
1301:Sola
1180:Zama
822:for
733:IMDb
661:2013
639:2013
619:IMDb
535:Wins
342:Cast
312:Plot
2015:XXY
1100:XXY
778:on
731:at
617:at
148:RWA
2130::
1798:/
1776:/
710:.
694:.
676:.
448:'s
1529:e
1522:t
1515:v
1272:e
1265:t
1258:v
808:e
801:t
794:v
663:.
641:.
282:-
278:-
224:)
213:)
23:.
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