400:"characteristic of Wall's engagement in his art of the 1980s with social issues". A 198 Ă— 226 cm. colour transparency, it shows a white couple and an Asian man walking towards the camera. The sidewalk, flanked by parked cars and residential and light-industrial buildings, suggests a North American industrial suburb. The woman is wearing red shorts and a white top displaying her midriff; her bearded, unkempt boyfriend wears a denim vest. The Asian man is casual but well-dressed in comparison, in a collared shirt and slacks. As the couple overtake the man, the boyfriend makes an ambiguous but apparently obscene and racist gesture, holding his upraised middle finger close to the corner of his eye, "slanting" his eye in mockery of the Asian man's eyes. The picture resembles a
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day's horse races, and the 6-minute filmed loop is repeated from different angles on a split screen, each cycle presenting ever-changing configurations of point of view. The takes are edited together in real time by a computer during the exhibition, generating an almost endless series of montages.
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redevelopment, the installation explores the modernist notion of urban renewal with the demolition of existing architecture in favour of grids of apartment blocks. Two men share a dormitory room on a rainy day off from their blue-collar jobs. The conversation flares up during a discussion of the
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starting in the 1980s. Critics and curators began writing about artists reacting to both older conceptual art practices and mass media by countering with "photographs of high intensity and complex content that probed, obliquely or directly, the social force of imagery." No formal
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In the early 1980s an attempt at what
William Wood refers to as a "re-branding" of Vancouver and a desire for a larger recognition within Canada and internationally, the Vancouver School designation functioned to present Vancouver art to the larger international market.
849:
334:" exists and the grouping remains both informal and often controversial even amongst the artists themselves, who often resist the term. Artists associated with the term include
477:(2003), two increasingly obsolete technologies, the typewriter and film projector, face off against one another—with the latter projecting a film of the former.
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that captures the moment and its implicit social tensions, but is actually a recreation of an exchange witnessed by the artist.
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In 1994 Rodney Graham began a series of films and videos in which he himself appears as the principal character:
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Michaels, Walter Benn (2010). "The
Politics of a Good Picture: Race, Class, and Form in Jeff Wall's "Mimic"".
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and puts forward an argument for the relation between sound and image in film. In
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Professional Native Indian
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Marsha
Lederman "Behind the Lens: The Vancouver School Debate"
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Vancouver artists at Museum van
Hedendaagse Kunst Antwerpen
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The
Vancouver School: A city's place in the realm of ideas
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751:"Rodney Graham. Rheinmetall/Victoria 8. 2003 | MoMA"
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Sarah Milroy "Is Arden our next greatest photographer?"
325:) is a loose term applied to a grouping of artists from
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Rhodes, Richard. "Newsmakers: The
Vancouver School."
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457:(1997) (shown at Canadian pavilion of the 1997
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588:# "The Insufficiency of the World."
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554:(October 20, 2007): R13.
414:(1998) installation view
840:, Chief curator of the
682:The Wall Street Journal
538:(October 27, 2007): R1.
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766:O'Brian, Melanie, ed.
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1082:London Regionalism
852:2016-12-07 at the
818:2019-01-29 at the
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834:CBC Radio 3
402:candid shot
352:Ian Wallace
112:Regina Five
51:Collectives
1261:Categories
1087:Plasticien
965:Intermedia
736:2010-01-31
575:2010-07-07
493:References
443:Strathcona
431:The Client
315:conceptual
145:Indigenous
140:Plasticien
1170:Parachute
1070:Movements
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867:Jeff Wall
375:Key works
348:Jeff Wall
340:Roy Arden
327:Vancouver
239:Parachute
150:Inuit art
124:Movements
1177:Vanguard
850:Archived
816:Archived
774:, 2007.
687:March 1,
658:25614447
481:See also
465:(1999).
453:(1994),
246:Vanguard
24:a series
22:Part of
1187:Related
862:Belgium
858:Antwerp
704:"Mimic"
366:History
344:Ken Lum
1101:Styles
799:
778:
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461:) and
429:drama
386:(1982)
332:school
252:Awards
169:Styles
26:on the
1127:Media
990:Vtape
726:2000"
708:Geist
654:JSTOR
435:takes
393:Mimic
384:Mimic
197:Media
1163:Fuse
797:ISBN
776:ISBN
689:2017
646:PMLA
358:and
232:Fuse
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299:e
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