Knowledge

Veedu

Source 📝

237:
unsuccessful as her family could not afford the rents fixed by them. At this juncture, she is advised by Iyengar, one of her colleagues, to start constructing a new house. Though initially hesitant, she decides to build a house after Iyengar motivates her. Sudha's grandfather already owns two construction sites in the outskirts of the city. They decide to construct the house on one of them and sell the other one to raise money. In addition, she also seeks a housing loan and pledges her jewels for money. During this time, Sudha gets introduced to a building contractor who drafts a plan for the house. To get the plan approved they had to bribe a government official. By this time, unexpected rains halt the construction thereby inflating the cost. Though Gopi comes forward to provide financial assistance, Sudha declines it stating that his sister's marriage would get affected if he provided money.
380:, Balu Mahenddra becomes the first auteur (author) in Tamil cinema Balu Mahendra, always among the frontline directors in the South, has with Veedu set himself quite apart making it a tall order for others to bridge the gap". Balu Mahendra admitted that he did not expect the film to be a box-office success or a failure, but would have the satisfaction of having made a good film. Archana's portrayal as a middle-class woman fetched her a lot of accolades from the critics. Chokkalinga Bhagavathar, who played her grandfather, received equal praise. He was a strong contender for that year's 241:
construction work resumes. Meanwhile, as the sanctioning of loan gets delayed, Sudha seeks monetary help from her superior. She becomes even more dejected only to know that he is a womanizer. With all her funds exhausted, she decides to halt the construction. But Gopi offers some assistance and the work continues to progress further. An excited Murugesan visits the site alone on a Sunday and dies while returning home. Sudha becomes depressed over the situation. When the house is nearing completion, and when Sudha and Gopi appraise each other, an official from the
2139: 31: 339:
Made on a shoestring budget of ₹12 lakh (worth ₹4 crore in 2021 prices), the film's central theme revolved around the struggle of a middle-class family to build a house. It also marginally focussed on the change in human behaviour and corruption. The story was credited to Balu Mahendra's wife Akhila
326:
was inspired from his mother. He recalled in an interview that his mother started building a house when he was eight years old, which affected her psychologically. He cites, "She was not the same after that. She became temperamental. She forgot to laugh. She had no time to teach us or play with us.
240:
A kind-hearted Mangamma, a construction worker, helps Sudha in the construction. When she finds that the contractor steals materials from the site, she informs Sudha which in turn leads to the contractor quitting. Mangamma along with her supervisor, and Iyengar help Sudha during this time as the
451:
was a "striking departure" from the previous films of Balu Mahendra, as it was devoid of commercial elements like dance, songs, fight and comedy sequences. While analysing Archana's characterisation, Baskaran noted Balu Mahendra's penchant for strong characterisation of his female leads. Balu
438:
was one of the few Tamil films that scores good on both content and narration, and also appreciated Balu Mahendra's directorial skills. Critics praised the film for being more visual and Balu Mahendra's understanding of cinema as a visual medium. However, the magazine criticised the usage of
236:
with her younger sister Indhu and grandfather Murugesan. She is engaged to her colleague Gopi. The owner of the tenement wants all the families to vacate the place as he intends to construct another building on the same site. Sudha's attempts for searching an alternative house turn out to be
331:
brought this transformation to life." The childhood event affected Balu Mahendra, and he developed the script based on it. He opted to make the film in Tamil as he felt not many good films were made in Tamil cinema then. The filming began in 1987, coinciding with the
452:
Mahendra had to construct a house which was mean to be a set for the house which was shown in the film. The building which was later fully constructed, now houses the film school started by Balu Mahendra in 2007. In many interviews, Balu Mahendra had claimed that
245:
lands at the site and asks them how can they construct a house in a land which was already acquired by the authority. In the end, Sudha is shown sitting in the panchayat office and a voice over states that she is seeking justice in the court.
470:
was screened as part of a six-day workshop jointly conducted by the Department of Journalism and Communication and the Mass Communication Alumni Association of the University of Madras; it focussed on the impact of cinema on society.
203:
as the central character, it depicts the difficulties faced by a middle-class family in building a house. Apart from directing, Balu Mahendra wrote the script, photographed and did the editing as well. The film score by
2219: 1046: 2204: 809: 1039: 652: 370:
Although filming began in 1987, the film was released only a year after. It turned out to be a box-office failure but won critical acclaim. N. Krishnaswamy of
878: 1032: 242: 405: 393: 213: 900: 573: 2160: 434:
level. Further, it praised the film for highlighting the plight of Indian middle-class families and the political set up of the nation. It stated
1055: 333: 980: 220:
won the National Film Award for Best Actress in 1987 for her role in this film. The film was also screened at the "Indian Panorama" of the
690: 340:
Mahendra, while he wrote the screenplay, filmed and edited apart from directing the film. The film does not feature any soundtrack.
2214: 2209: 344:, a Balu Mahendra regular, was signed as the composer. On the latter's request, he used portions of his composition from the album 619: 799: 766: 530: 948: 732: 2229: 2224: 401: 397: 221: 845: 2199: 2092: 381: 642: 868: 1225: 727: 462:
were the only films that satisfied him the most as he made in these two the fewest mistakes and compromises. The
583: 984: 1130: 910: 2194: 2119: 2096: 2084: 2072: 2060: 2048: 2036: 2024: 2012: 2000: 1988: 1976: 1964: 1952: 1940: 1928: 1916: 1904: 1892: 1880: 1868: 1845: 1833: 1821: 1809: 1805: 1797: 1785: 1773: 1761: 1749: 1737: 1725: 1713: 1701: 1693: 1681: 1669: 1657: 1645: 1633: 1621: 1589: 1577: 1565: 1547: 1500: 1488: 1476: 1468: 1456: 1448: 1436: 1428: 1416: 1404: 1392: 1380: 1368: 1356: 1344: 1332: 1320: 1308: 1296: 389: 209: 2149: 1529: 1284: 1253: 1235: 1217: 1199: 1187: 1175: 1163: 1134: 1122: 1110: 1102: 1094: 1086: 1078: 1024: 400:
for Archana. The film was among the 16 films to be screened at the Indian Panorama section of the
1243: 1183: 873: 268: 988: 1972: 1817: 1388: 1280: 463: 1876: 1757: 1653: 1464: 1328: 962: 409: 291: 1841: 936: 804: 569: 440: 355: 439:
background score in the film as it felt it lessened the impact of an otherwise good film.
8: 2189: 1936: 1733: 1412: 1364: 784: 708: 283: 2080: 1721: 1641: 1629: 1561: 1543: 1496: 1316: 1171: 771: 695: 372: 296: 609: 2044: 1996: 1924: 1665: 1617: 1537: 1444: 1424: 1292: 1249: 1019: 968: 944: 256: 217: 200: 78: 2115: 2020: 1984: 1948: 1340: 1159: 1118: 520: 359: 346: 1900: 1864: 1781: 1585: 1573: 1304: 1207: 722: 305: 2156: 2008: 1709: 1352: 1231: 1213: 958: 840: 835: 831: 614: 458: 422: 192: 2183: 2056: 1793: 972: 319: 262: 196: 82: 44: 1912: 1829: 1745: 1074: 431: 385: 408:. In 2002, the film was screened under the "Indian Summer" section of the 1677: 1484: 1400: 1376: 341: 274: 205: 108: 1013: 1153: 525: 362:. The final length of the film stood at 3,039 metres (9,970 ft). 2032: 1519: 1195: 905: 647: 578: 1769: 1555: 1525: 1054: 351: 2220:
Films featuring a Best Actress National Award-winning performance
1960: 1888: 233: 2138: 350:
for the film score. Most of the sequences were narrated through
2068: 232:
Sudha, a 22-year-old unmarried woman, lives in an apartment in
30: 552: 550: 548: 747: 672: 670: 545: 667: 224:
in 1988.also it was the biggest success film in the year
500: 498: 496: 494: 492: 490: 488: 486: 484: 941:
The Eye of the Serpent: An Introduction to Tamil Cinema
445:
The Eye of The Serpent: An Introduction To Tamil Cinema
800:"No Man's Land producer to head Locarno festival jury" 2163:
to it so that it can be listed with similar articles.
481: 212:, the film received two awards including one for the 430:
to be among the two films that took Tamil cinema to
2205:
Best Tamil Feature Film National Film Award winners
406:
Cinema Express Award for Best Director – Tamil
610:"தமிழ் சினிமாவின் எல்லையை மாற்றியமைத்த கலைஞர்கள்!" 767:"Cinema Express readers choose Agni Nakshathiram" 2181: 775:. Express News Service. 11 March 1989. p. 4 1056:National Film Award for Best Tamil Feature Film 1040: 979: 753: 556: 688: 957: 676: 1047: 1033: 29: 836:"பாலுமகேந்திரா... தமிழ் சினிமாவின் வீடு!" 603: 601: 935: 866: 568: 521:"Balu Mahendra: The method, the madness" 515: 513: 504: 466:of the film is lost. In September 2002, 869:"Balu Mahendra: A legend that lives on" 634: 2182: 867:Krishnan, Rukmini (18 February 2014). 797: 598: 327:The changes confused me. Years later, 1028: 655:from the original on 22 February 2014 510: 2132: 881:from the original on 5 December 2014 830: 533:from the original on 4 February 2016 402:International Film Festival of India 222:International Film Festival of India 860: 824: 607: 185: 13: 2148:needs additional or more specific 2093:Sivaranjiniyum Innum Sila Pengalum 909:. 2 September 2002. Archived from 392:, the film won in two categories: 382:National Film Award for Best Actor 14: 2241: 1007: 848:from the original on 4 March 2016 812:from the original on 4 March 2016 735:from the original on 14 June 2020 640: 622:from the original on 4 March 2016 2137: 964:Pride of Tamil Cinema: 1931–2013 798:Rodier, Melanie (28 June 2002). 689:Krishnaswamy, N. (8 July 1988). 641:B, Kolappan (14 February 2014). 608:மோ., அருண் (24 September 2013). 208:earned critical acclaim. At the 2215:Films directed by Balu Mahendra 2210:Films about corruption in India 929: 893: 791: 759: 728:The Illustrated Weekly of India 404:in 1988. Balu Mahendra won the 715: 682: 562: 1: 985:Directorate of Film Festivals 474: 334:International Year of Shelter 313: 987:. p. 76. Archived from 365: 243:Metropolitan Water Authority 7: 2230:Tamil-language Indian films 2225:Films scored by Ilaiyaraaja 643:"Balu Mahendra passes away" 195:-language film directed by 10: 2246: 2200:1980s Tamil-language films 394:Best Feature Film in Tamil 137:25 November 1988 16:1988 film by Balu Mahendra 2107: 1856: 1609: 1511: 1275: 1268: 1145: 1069: 1062: 967:. Blue Ocean Publishers. 415: 390:35th National Film Awards 384:, but eventually lost to 210:35th National Film Awards 169: 161: 151: 128: 114: 104: 96: 88: 74: 66: 58: 50: 40: 28: 23: 1226:Veerapandiya Kattabomman 1597:Discontinued after 1965 1244:Paadhai Theriyudhu Paar 874:Daily News and Analysis 269:Chokkalinga Bhagavathar 249: 227: 1973:Thenmerku Paruvakaatru 1389:Raman Ethanai Ramanadi 1281:Kappalottiya Thamizhan 901:"The impact of cinema" 574:"Music for the people" 358:, shot mostly using a 123:Sri Kala International 1877:Kannathil Muthamittal 1654:Achamillai Achamillai 1465:Agraharathil Kazhutai 1329:Kuzhandaiyum Deivamum 937:Baskaran, S. Theodore 570:Baskaran, S. Theodore 410:Locarno Film Festival 292:Oru Viral Krishna Rao 1512:Certificate of Merit 1146:Certificate of Merit 981:"Indian Cinema 1988" 834:(15 February 2014). 805:Screen International 731:. 1989. p. 57. 441:S. Theodore Baskaran 1734:Vanna Vanna Pookkal 1700: – 1475: – 1455: – 1435: – 1413:Pattikada Pattanama 1365:Thillana Mohanambal 1109: – 1101: – 1093: – 1085: – 785:Google News Archive 709:Google News Archive 191:) is a 1988 Indian 2195:1980s Indian films 1642:Oru Indhiya Kanavu 1630:Ezhavathu Manithan 1497:Nenjathai Killathe 1317:Kai Kodutha Deivam 1172:Mangaiyar Thilakam 772:The Indian Express 754:Indian Cinema 1988 696:The Indian Express 572:(6 January 2002). 557:Indian Cinema 1988 529:. 7 January 2002. 420:In a 2013 review, 373:The Indian Express 2178: 2177: 2161:adding categories 2130: 2129: 1997:Vazhakku Enn 18/9 1666:Muthal Mariyathai 1618:Thanneer Thanneer 1605: 1604: 1445:Apoorva Raagangal 1425:Dikkatra Parvathi 1293:Nenjil Or Aalayam 1264: 1263: 1250:Kalathur Kannamma 950:978-93-83260-74-4 177: 176: 2237: 2173: 2170: 2164: 2141: 2133: 2122: 2116:Kadaisi Vivasayi 2099: 2087: 2075: 2063: 2051: 2039: 2027: 2021:Kuttram Kadithal 2015: 2003: 1991: 1985:Vaagai Sooda Vaa 1979: 1967: 1955: 1949:Vaaranam Aayiram 1943: 1931: 1919: 1907: 1895: 1883: 1871: 1848: 1836: 1824: 1812: 1800: 1788: 1776: 1764: 1752: 1740: 1728: 1716: 1704: 1696: 1684: 1672: 1660: 1648: 1636: 1624: 1598: 1592: 1580: 1568: 1550: 1532: 1503: 1491: 1479: 1471: 1459: 1451: 1439: 1431: 1419: 1407: 1395: 1383: 1371: 1359: 1347: 1335: 1323: 1311: 1299: 1287: 1273: 1272: 1256: 1238: 1220: 1202: 1190: 1178: 1166: 1160:Edhir Paradhathu 1137: 1131:Parthiban Kanavu 1125: 1119:Bhaaga Pirivinai 1113: 1105: 1097: 1089: 1081: 1067: 1066: 1049: 1042: 1035: 1026: 1025: 1003: 1001: 999: 993: 976: 954: 923: 922: 920: 918: 897: 891: 890: 888: 886: 864: 858: 857: 855: 853: 828: 822: 821: 819: 817: 795: 789: 788: 782: 780: 763: 757: 751: 745: 744: 742: 740: 719: 713: 712: 706: 704: 686: 680: 677:Dhananjayan 2014 674: 665: 664: 662: 660: 638: 632: 631: 629: 627: 605: 596: 595: 593: 591: 586:on 27 March 2002 582:. Archived from 566: 560: 554: 543: 542: 540: 538: 517: 508: 502: 360:hand-held camera 190: 187: 144: 142: 33: 21: 20: 2245: 2244: 2240: 2239: 2238: 2236: 2235: 2234: 2180: 2179: 2174: 2168: 2165: 2154: 2142: 2131: 2126: 2120: 2103: 2097: 2085: 2073: 2061: 2049: 2037: 2025: 2013: 2001: 1989: 1977: 1965: 1953: 1941: 1929: 1917: 1905: 1893: 1881: 1869: 1865:Ooruku Nooruper 1852: 1846: 1834: 1822: 1810: 1798: 1786: 1782:Anthimanthaarai 1774: 1762: 1750: 1738: 1726: 1714: 1702: 1694: 1682: 1670: 1658: 1646: 1634: 1622: 1601: 1596: 1590: 1586:Thiruvilaiyadal 1578: 1574:Server Sundaram 1566: 1548: 1530: 1507: 1501: 1489: 1477: 1469: 1457: 1449: 1437: 1429: 1417: 1405: 1393: 1381: 1369: 1357: 1345: 1333: 1321: 1309: 1305:Naanum Oru Penn 1297: 1285: 1260: 1254: 1236: 1218: 1208:Thanga Padhumai 1200: 1188: 1176: 1164: 1141: 1135: 1123: 1111: 1103: 1095: 1087: 1079: 1058: 1053: 1010: 997: 995: 994:on 4 March 2016 991: 959:Dhananjayan, G. 951: 932: 927: 926: 916: 914: 899: 898: 894: 884: 882: 865: 861: 851: 849: 829: 825: 815: 813: 796: 792: 778: 776: 765: 764: 760: 752: 748: 738: 736: 721: 720: 716: 702: 700: 687: 683: 675: 668: 658: 656: 639: 635: 625: 623: 606: 599: 589: 587: 567: 563: 555: 546: 536: 534: 519: 518: 511: 503: 482: 477: 418: 368: 347:How to Name It? 316: 311: 252: 230: 214:Best Tamil Film 188: 154: 147: 140: 138: 131: 124: 119: 117: 81: 62:Akhila Mahendra 36: 17: 12: 11: 5: 2243: 2233: 2232: 2227: 2222: 2217: 2212: 2207: 2202: 2197: 2192: 2176: 2175: 2145: 2143: 2136: 2128: 2127: 2125: 2124: 2111: 2109: 2105: 2104: 2102: 2101: 2089: 2077: 2065: 2053: 2041: 2029: 2017: 2009:Thanga Meenkal 2005: 1993: 1981: 1969: 1957: 1945: 1933: 1921: 1909: 1897: 1885: 1873: 1860: 1858: 1854: 1853: 1851: 1850: 1838: 1826: 1814: 1802: 1790: 1778: 1766: 1754: 1742: 1730: 1718: 1710:Pudhea Paadhai 1706: 1698: 1686: 1674: 1662: 1650: 1638: 1626: 1613: 1611: 1607: 1606: 1603: 1602: 1600: 1599: 1594: 1582: 1570: 1552: 1534: 1515: 1513: 1509: 1508: 1506: 1505: 1493: 1481: 1473: 1461: 1453: 1441: 1433: 1421: 1409: 1397: 1385: 1373: 1361: 1349: 1337: 1325: 1313: 1301: 1289: 1276: 1270: 1266: 1265: 1262: 1261: 1259: 1258: 1240: 1232:Kalyana Parisu 1222: 1214:Annaiyin Aanai 1204: 1192: 1180: 1168: 1149: 1147: 1143: 1142: 1140: 1139: 1127: 1115: 1107: 1099: 1091: 1083: 1070: 1064: 1060: 1059: 1052: 1051: 1044: 1037: 1029: 1023: 1022: 1009: 1008:External links 1006: 1005: 1004: 977: 955: 949: 931: 928: 925: 924: 913:on 7 June 2014 892: 859: 841:Ananda Vikatan 823: 790: 758: 756:, p. 103. 746: 714: 681: 679:, p. 298. 666: 633: 615:Ananda Vikatan 597: 561: 544: 509: 479: 478: 476: 473: 459:Sandhya Raagam 423:Ananda Vikatan 417: 414: 367: 364: 315: 312: 310: 309: 303: 300: 294: 289: 288:Veera Raghavan 286: 281: 280:Indhu as Indhu 278: 272: 266: 260: 253: 251: 248: 229: 226: 175: 174: 171: 167: 166: 163: 159: 158: 155: 152: 149: 148: 146: 145: 134: 132: 129: 126: 125: 122: 120: 115: 112: 111: 106: 102: 101: 98: 94: 93: 90: 89:Cinematography 86: 85: 76: 72: 71: 68: 64: 63: 60: 56: 55: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 2242: 2231: 2228: 2226: 2223: 2221: 2218: 2216: 2213: 2211: 2208: 2206: 2203: 2201: 2198: 2196: 2193: 2191: 2188: 2187: 2185: 2172: 2162: 2158: 2152: 2151: 2146:This article 2144: 2140: 2135: 2134: 2123: 2118: 2117: 2113: 2112: 2110: 2106: 2100: 2095: 2094: 2090: 2088: 2083: 2082: 2078: 2076: 2071: 2070: 2066: 2064: 2059: 2058: 2054: 2052: 2047: 2046: 2042: 2040: 2035: 2034: 2030: 2028: 2023: 2022: 2018: 2016: 2011: 2010: 2006: 2004: 1999: 1998: 1994: 1992: 1987: 1986: 1982: 1980: 1975: 1974: 1970: 1968: 1963: 1962: 1958: 1956: 1951: 1950: 1946: 1944: 1939: 1938: 1934: 1932: 1927: 1926: 1922: 1920: 1915: 1914: 1910: 1908: 1903: 1902: 1898: 1896: 1891: 1890: 1886: 1884: 1879: 1878: 1874: 1872: 1867: 1866: 1862: 1861: 1859: 1855: 1849: 1844: 1843: 1839: 1837: 1832: 1831: 1827: 1825: 1820: 1819: 1815: 1813: 1808: 1807: 1806:The Terrorist 1803: 1801: 1796: 1795: 1794:Kadhal Kottai 1791: 1789: 1784: 1783: 1779: 1777: 1772: 1771: 1767: 1765: 1760: 1759: 1755: 1753: 1748: 1747: 1743: 1741: 1736: 1735: 1731: 1729: 1724: 1723: 1719: 1717: 1712: 1711: 1707: 1705: 1699: 1697: 1692: 1691: 1687: 1685: 1680: 1679: 1675: 1673: 1668: 1667: 1663: 1661: 1656: 1655: 1651: 1649: 1644: 1643: 1639: 1637: 1632: 1631: 1627: 1625: 1620: 1619: 1615: 1614: 1612: 1608: 1595: 1593: 1588: 1587: 1583: 1581: 1576: 1575: 1571: 1569: 1564: 1563: 1558: 1557: 1553: 1551: 1546: 1545: 1540: 1539: 1535: 1533: 1528: 1527: 1522: 1521: 1517: 1516: 1514: 1510: 1504: 1499: 1498: 1494: 1492: 1487: 1486: 1482: 1480: 1474: 1472: 1467: 1466: 1462: 1460: 1454: 1452: 1447: 1446: 1442: 1440: 1434: 1432: 1427: 1426: 1422: 1420: 1415: 1414: 1410: 1408: 1403: 1402: 1398: 1396: 1391: 1390: 1386: 1384: 1379: 1378: 1374: 1372: 1367: 1366: 1362: 1360: 1355: 1354: 1350: 1348: 1343: 1342: 1338: 1336: 1331: 1330: 1326: 1324: 1319: 1318: 1314: 1312: 1307: 1306: 1302: 1300: 1295: 1294: 1290: 1288: 1283: 1282: 1278: 1277: 1274: 1271: 1267: 1257: 1252: 1251: 1246: 1245: 1241: 1239: 1234: 1233: 1228: 1227: 1223: 1221: 1216: 1215: 1210: 1209: 1205: 1203: 1198: 1197: 1193: 1191: 1186: 1185: 1181: 1179: 1174: 1173: 1169: 1167: 1162: 1161: 1156: 1155: 1151: 1150: 1148: 1144: 1138: 1133: 1132: 1128: 1126: 1121: 1120: 1116: 1114: 1108: 1106: 1100: 1098: 1092: 1090: 1084: 1082: 1077: 1076: 1072: 1071: 1068: 1065: 1061: 1057: 1050: 1045: 1043: 1038: 1036: 1031: 1030: 1027: 1021: 1017: 1016: 1012: 1011: 990: 986: 982: 978: 974: 970: 966: 965: 960: 956: 952: 946: 942: 938: 934: 933: 912: 908: 907: 902: 896: 880: 876: 875: 870: 863: 847: 843: 842: 837: 833: 827: 811: 807: 806: 801: 794: 786: 774: 773: 768: 762: 755: 750: 734: 730: 729: 724: 718: 710: 698: 697: 692: 685: 678: 673: 671: 654: 650: 649: 644: 637: 621: 617: 616: 611: 604: 602: 585: 581: 580: 575: 571: 565: 559:, p. 76. 558: 553: 551: 549: 532: 528: 527: 522: 516: 514: 507:, p. 47. 506: 505:Baskaran 2013 501: 499: 497: 495: 493: 491: 489: 487: 485: 480: 472: 469: 465: 461: 460: 455: 450: 446: 442: 437: 433: 429: 425: 424: 413: 411: 407: 403: 399: 395: 391: 387: 383: 379: 376:wrote, "With 375: 374: 363: 361: 357: 353: 349: 348: 343: 337: 335: 330: 325: 321: 320:Balu Mahendra 318:According to 307: 304: 301: 298: 295: 293: 290: 287: 285: 282: 279: 276: 273: 270: 267: 264: 263:Bhanu Chander 261: 258: 255: 254: 247: 244: 238: 235: 225: 223: 219: 215: 211: 207: 202: 198: 197:Balu Mahendra 194: 183: 182: 172: 168: 164: 160: 156: 150: 136: 135: 133: 127: 121: 113: 110: 107: 103: 100:Balu Mahendra 99: 95: 92:Balu Mahendra 91: 87: 84: 83:Bhanu Chander 80: 77: 73: 69: 65: 61: 57: 54:Balu Mahendra 53: 51:Screenplay by 49: 46: 45:Balu Mahendra 43: 39: 32: 27: 22: 19: 2166: 2147: 2114: 2108:2021–present 2091: 2079: 2067: 2055: 2043: 2031: 2019: 2007: 1995: 1983: 1971: 1959: 1947: 1935: 1923: 1913:Aadum Koothu 1911: 1899: 1887: 1875: 1863: 1840: 1828: 1816: 1804: 1792: 1780: 1768: 1756: 1746:Thevar Magan 1744: 1732: 1720: 1708: 1689: 1688: 1676: 1664: 1652: 1640: 1628: 1616: 1584: 1572: 1560: 1554: 1542: 1536: 1524: 1518: 1495: 1483: 1463: 1443: 1423: 1411: 1399: 1387: 1375: 1363: 1351: 1339: 1327: 1315: 1303: 1291: 1279: 1248: 1242: 1230: 1224: 1212: 1206: 1194: 1182: 1170: 1158: 1152: 1129: 1117: 1075:Malaikkallan 1073: 1014: 996:. Retrieved 989:the original 963: 943:. Westland. 940: 930:Bibliography 915:. Retrieved 911:the original 904: 895: 883:. Retrieved 872: 862: 850:. Retrieved 844:(in Tamil). 839: 826: 814:. Retrieved 803: 793: 783:– via 777:. Retrieved 770: 761: 749: 737:. Retrieved 726: 723:"Way to go!" 717: 707:– via 701:. Retrieved 694: 684: 657:. Retrieved 646: 636: 624:. Retrieved 618:(in Tamil). 613: 588:. Retrieved 584:the original 577: 564: 535:. Retrieved 524: 467: 457: 453: 448: 447:states that 444: 435: 432:world cinema 427: 421: 419: 398:Best Actress 386:Kamal Haasan 377: 371: 369: 345: 338: 328: 323: 317: 271:as Murugesan 239: 231: 189: House 180: 179: 178: 153:Running time 130:Release date 18: 1678:Mouna Ragam 1401:Veguli Penn 1377:Iru Kodugal 1184:Kula Deivam 779:19 February 699:. p. 5 342:Ilaiyaraaja 299:as Manager 284:Senthamarai 277:as Mangamma 275:Pasi Sathya 206:Ilaiyaraaja 199:. Starring 157:108 minutes 109:Ilaiyaraaja 67:Produced by 41:Directed by 2190:1988 films 2184:Categories 2150:categories 1818:House Full 1154:Andha Naal 703:31 January 526:Rediff.com 475:References 314:Production 308:as postman 302:Nair Raman 297:Rallapalli 141:1988-11-25 116:Production 2033:Visaranai 1857:2001–2020 1758:Mahanadhi 1610:1981–2000 1520:Pasamalar 1269:1961–1980 1196:Mudhalali 1063:1954–1960 973:898765509 906:The Hindu 739:9 October 648:The Hindu 579:The Hindu 388:. At the 366:Reception 352:jump cuts 97:Edited by 2169:May 2024 2157:help out 1901:Navarasa 1770:Nammavar 1556:Karpagam 1526:Kumudham 998:19 April 961:(2014). 939:(2013). 885:24 April 879:Archived 852:24 April 846:Archived 816:24 April 810:Archived 733:Archived 659:22 April 653:Archived 626:24 April 620:Archived 590:19 April 537:19 April 531:Archived 464:negative 356:montages 259:as Sudha 170:Language 105:Music by 75:Starring 59:Story by 2155:Please 1961:Pasanga 1937:Periyar 1889:Iyarkai 1842:Bharati 1353:Aalayam 917:20 June 691:"Veedu" 443:in his 426:called 265:as Gopi 257:Archana 218:Archana 201:Archana 186:transl. 162:Country 139: ( 118:company 79:Archana 70:Kaladas 2121:(2021) 2098:(2020) 2086:(2019) 2081:Asuran 2074:(2018) 2069:Baaram 2062:(2017) 2057:To Let 2050:(2016) 2038:(2015) 2026:(2014) 2014:(2013) 2002:(2012) 1990:(2011) 1978:(2010) 1966:(2009) 1954:(2008) 1942:(2007) 1930:(2006) 1918:(2005) 1906:(2004) 1894:(2003) 1882:(2002) 1870:(2001) 1847:(2000) 1835:(1999) 1823:(1998) 1811:(1997) 1799:(1996) 1787:(1995) 1775:(1994) 1763:(1993) 1751:(1992) 1739:(1991) 1727:(1990) 1722:Anjali 1715:(1989) 1703:(1988) 1695:(1987) 1683:(1986) 1671:(1985) 1659:(1984) 1647:(1983) 1635:(1982) 1623:(1981) 1591:(1965) 1579:(1964) 1567:(1963) 1562:Karnan 1549:(1962) 1544:Sarada 1531:(1961) 1502:(1980) 1490:(1979) 1478:(1978) 1470:(1977) 1458:(1976) 1450:(1975) 1438:(1974) 1430:(1973) 1418:(1972) 1406:(1971) 1394:(1970) 1382:(1969) 1370:(1968) 1358:(1967) 1346:(1966) 1334:(1965) 1322:(1964) 1310:(1963) 1298:(1962) 1286:(1961) 1255:(1960) 1237:(1959) 1219:(1958) 1201:(1957) 1189:(1956) 1177:(1955) 1165:(1954) 1136:(1960) 1124:(1959) 1112:(1958) 1104:(1957) 1096:(1956) 1088:(1955) 1080:(1954) 971:  947:  416:Legacy 396:, and 234:Madras 35:Poster 2045:Joker 1925:Veyil 1830:Sethu 1690:Veedu 1538:Annai 1015:Veedu 992:(PDF) 468:Veedu 454:Veedu 449:Veedu 436:Veedu 428:Veedu 378:Veedu 329:Veedu 324:Veedu 193:Tamil 181:Veedu 173:Tamil 165:India 24:Veedu 1559:and 1541:and 1523:and 1485:Pasi 1341:Ramu 1247:and 1229:and 1211:and 1157:and 1020:IMDb 1000:2015 969:OCLC 945:ISBN 919:2024 887:2015 854:2015 832:ராம் 818:2015 781:2021 741:2016 705:2022 661:2015 628:2015 592:2015 539:2015 456:and 354:and 306:Bala 250:Cast 228:Plot 2159:by 1018:at 2186:: 983:. 903:. 877:. 871:. 838:. 808:. 802:. 769:. 725:. 693:. 669:^ 651:. 645:. 612:. 600:^ 576:. 547:^ 523:. 512:^ 483:^ 412:. 336:. 322:, 216:. 2171:) 2167:( 2153:. 1048:e 1041:t 1034:v 1002:. 975:. 953:. 921:. 889:. 856:. 820:. 787:. 743:. 711:. 663:. 630:. 594:. 541:. 184:( 143:)

Index


Balu Mahendra
Archana
Bhanu Chander
Ilaiyaraaja
Tamil
Balu Mahendra
Archana
Ilaiyaraaja
35th National Film Awards
Best Tamil Film
Archana
International Film Festival of India
Madras
Metropolitan Water Authority
Archana
Bhanu Chander
Chokkalinga Bhagavathar
Pasi Sathya
Senthamarai
Oru Viral Krishna Rao
Rallapalli
Bala
Balu Mahendra
International Year of Shelter
Ilaiyaraaja
How to Name It?
jump cuts
montages
hand-held camera

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.