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in between each window, and doubles the small columns supporting the side lintels, placing the second column behind rather than beside the first. This is introduced in the
Basilica Palladiana in Vicenza, where it is used on both storeys; this feature was less often copied. Here the openings are not
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that has given the window its alternative name of the
Venetian window; it is also known as a Serlian window. Whatever the name or the origin, this form of window has probably become one of the most enduring features of Palladio's work seen in the later architectural styles evolved from Palladianism.
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that unifies the motif, is not
Palladian, though Burlington seems to have assumed it was so, in using a drawing in his possession showing three such features in a plain wall (see illustration of Claydon House right). Modern scholarship attributes the drawing to
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331:
Parada LĂłpez de
Corselas, Manuel (2015). La serliana en el Imperio Romano: paradigma de la arquitectura del poder: una lectura de la arquitectura y la iconografĂa arquitectĂłnica romanas. Roma: L'Erma di Bretschneider.
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for his brother-in-law Lord Bruce (since remodelled). Kent picked it up in his designs for the Houses of
Parliament, and it appears in Kent's executed designs for the north front of
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varied the design by substituting columns for the two inner pilasters. To describe its origin as being either
Palladian or Venetian is not accurate; the motif was first used by
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suggests that the omission of the doubled columns may be allowed, but "the term "Palladian motif" should be confined" to cases where the larger order is present.
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expounding the ideals of
Vitruvius and Roman architecture, this arched window is flanked by two lower rectangular openings, a motif that first appeared in the
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were inspired by
Hellenistic and Roman examples which are part of the classical tradition and related to prestige and sacredness.
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or "Palladio motif" is
Palladio's elaboration of this, normally used in a series. It places a larger or
301:(begun 1757), here the Venetian window in the central bay is surrounded by a unifying blind arch
47:(1475–1554) did not invent it, the window features largely in the work of the Italian architect
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The
Venetian window consists of an arched central light, symmetrically flanked by two shorter
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supporting the semicircular arch that tops the central light. In the library at Venice,
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Palladio used the motif extensively, most notably in the arcades of the
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and later mentioned by Serlio in his seven-volume architectural book
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137:, its first appearance in Britain was in the remodeled wings of
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A variant, in which the motif is enclosed within a relieving
195:. Burlington employed the motif in 1721 for an elevation of
39:) is a large tripartite window which is a key element in
128:. It is perhaps this extensive use of the motif in the
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Pair of Palladian windows on wings of south front of
141:, London, where the immediate source was actually in
262:, the earliest appearance of the element in Britain
174:might replace columns, as in other contexts. Sir
274:A Venetian window, with blind sides, designed by
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83:. Each sidelight is flanked by two columns or
476:Crank Out & Casement Windows Comparison
124:. It is also a feature of his entrance to
106:Tutte l'opere d'architettura et prospetiva
149:rather than drawn from Palladio himself.
239:, with Palladian window openings to the
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411:
483:
448:The Classical Language of Architecture
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354:Andrea Palladio, Caroline Constant.
166:strictly windows, as they enclose a
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59:is an elaborated version. Both the
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345:(series "Architect and Society")
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27:in Norfolk, England, c. 1734-64
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418:The Ipswich Society Newsletter
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55:of his early career. The true
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360:Princeton Architectural Press
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91:. The entablatures serve as
51:(1508–1580) and is almost a
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402:James Lees-Milne 1962:133f.
341:Ackerman, Jaaes S. (1994).
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432:Great Houses of Britain
412:Gayland, Robin (2018).
501:Architectural elements
496:Palladian architecture
87:and topped by a small
41:Palladian architecture
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434:, London, 1978, p.125
373:The Earls of Creation
282:1647, south front of
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420:(210, January 2018).
286:, Wiltshire, England
214:is another variant.
233:Basilica Palladiana
118:Basilica Palladiana
23:Venetian window at
430:Nicholson, Nigel,
384:Summerson, 129-130
356:The Palladio Guide
126:Villa Forni Cerato
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453:Thames and Hudson
414:"Ipswich Windows"
113:of ancient Rome.
45:Sebastiano Serlio
35:(also known as a
16:Tripartite window
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256:Burlington House
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231:A corner of the
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201:Savernake Forest
159:Palladian window
153:Palladian window
147:Whitehall Palace
139:Burlington House
135:James Lees-Milne
111:triumphal arches
69:Palladian window
57:Palladian window
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61:Venetian window
49:Andrea Palladio
33:Venetian window
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25:Holkham Hall
375:, 1962:100.
260:Westminster
163:giant order
143:Inigo Jones
89:entablature
43:. Although
485:Categories
464:0500201773
319:References
188:blind arch
81:sidelights
278:(d.1648)
172:Pilasters
97:Sansovino
85:pilasters
53:trademark
458:series,
343:Palladio
307:See also
193:Scamozzi
182:Variants
75:Overview
67:and the
491:Windows
237:Vicenza
218:Gallery
122:Vicenza
93:imposts
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241:loggia
168:loggia
130:Veneto
280:circa
460:ISBN
210:The
157:The
199:in
170:.
120:in
63:or
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358:.
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31:A
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