Knowledge

Vertical interval timecode

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To help prevent these problems, SMPTE time code contains a color framing bit, which can be used to indicate that the video material the timecode refers to follows a standard convention regarding the synchronization of video time code and the color framing sequence. If the color framing bit was set in
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As a practical matter, VITC can be more 'frame-accurate' than LTC, particularly at very slow tape speeds on analog formats. LTC readers can lose track of code at slow jog speeds whereas VITC can be read frame-by-frame if need be. Conversely, at high speeds (FF/rew.), the VITC is often unreadable due
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Preserving the color framing sequence of video across edits and between channels in video effects was an important issue in early analog composite videotape editing systems, as cuts between different color sequences would cause jumps in subcarrier phase, and mixing two signals of different field
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Field flag (bit 35 for 29.97/30 frame/s, bit 75 for 25 frame/s): This is an additional least-significant bit for the frame number, distinguishing the two interlaced fields in one video frame. It is set to 0 during the first field of a frame, and to 1 during the second. This bit replaces the
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The exact nature of the color frame sequence depends on the video standard being used. In the case of the three main composite video standards, PAL video has an 8-field (4 frame) color frame sequence, and NTSC and SECAM both have 4-field (2 frame) color frame sequences.
434:"Binary group flag" bits BGF0 and BGF2 (bits 55 and 75 for 29.97/30 frame/s, bits 35 and 55 for 25 frame/s): These indicate the format of the user bits. Both bits zero indicates no (or unspecified) format. Only BGF0 set indicates four 8-bit characters (transmitted 467:
both types of material, the editing system could then always ensure that color framing was preserved by constraining edit decisions between input sources to keep the correct relationship between the timecode sequences, and hence the color framing sequences.
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A video frame may contain more than one VITC code if necessary, recorded on different lines. This is often used in production, where different entities may want to encode different sets of time-code metadata on the same tape.
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numbering is in use; frame numbers 0 and 1 are skipped during the first second of every minute, except multiples of 10 minutes. This converts 30 frame/second time code to the 29.97 frame/second
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Bit 74 ("Binary group flag 1") was previously unassigned, but is used to indicate that the time code is synchronized to an external clock. If zero, the timecode start time is arbitrary.
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Recommendation ITU-R BR.780-2: Time and control code standards, for production applications in order to facilitate the international exchange of television programmes on magnetic tapes
60:(LTC), embedded in a new frame structure with extra synchronization bits and an error-detection checksum. The exception is that VITC is encoded twice per 30:
VITC Timecode, presented in the VBI space above the active picture area of a SVHS-C camcorder tape. (928x624 crop of 4fsc 1135x625 25i PAL frame via
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to image distortions, so the LTC is often used instead. Some VCRs have an auto selection between the two formats to provide the highest accuracy.
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VITC is 90 bits long: 32 bits of time code, 32 bits of user data, 18 synchronization bits, and 8 bits of checksum. It is transmitted using
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This is an example of the 25 frame/s bit assignments, which are different from the more commonly seen 30/29.97 bit assignments.
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dominance would result in color artifacts on the part of the signal that was not in sync with the output color frame sequence.
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Indian Standard IS: 12429 (Part 2) Time and Control Code for Video Tape Recorders: Part 2 Vertical-Interval Time Code (VITC)
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the sync bits, so bit 82 is the XOR of bits 74, 66, ..., 2), which can be described as a CRC with generator polynomial
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bit, is set to 1 if the time code is synchronized to a (color) video signal. The frame number modulo 2 (for NTSC and
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frame, once in each field, and one additional bit (the "field flag") is used to distinguish the two fields.
19:"VITC" redirects here. For the South African music Festival often referred to as "Vodacom In The City", see 1578: 1415: 1329: 504: 80: 1003: 606: 1342: 1286: 1115: 1051: 993: 988: 983: 978: 973: 968: 917: 907: 654: 577: 79:
encoding at a bit rate of 115 times the line rate. (The unused 25 bit times are to leave room for the
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Bits 35, 55, and 75 differ between 25 frame/s time code, and 30/29.97 frame/s. The bits are:
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encoded on one scan line in a video signal. These lines are typically inserted into the
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The checksum in bits 82–89 is a simple bytewise XOR of the previous 82 bits (
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With one exception, VITC contains the same payload as SMPTE
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VITC Timecode - via digital 720x512 NTSC export process.
340: 285: 230: 175: 1632: 438:). The combinations with BGF2 set are reserved. 607: 431:"polarity correction" bit in linear timecode. 621: 381: 323: 320: 268: 265: 213: 210: 155: 152: 614: 600: 524: 522: 520: 1502: 1500: 85: 25: 517: 1633: 1494:Also used in China's DVB-S/S2 network. 1532: 1497: 1490: 1488: 633: 595: 1533: 454:+1. (Preset to zero, no inversion.) 45:, pronounced "vitsee") is a form of 21:In the City (South African festival) 475:Related technologies and standards 13: 1485: 16:Type of timecode in a video signal 14: 1657: 95:SMPTE vertical interval timecode 371: 367: 364: 357: 346: 316: 312: 302: 291: 261: 257: 247: 236: 206: 202: 199: 192: 181: 148: 634: 561: 542: 1: 999:Field-sequential color system 549:Timecode bit assignment table 510: 1579:Reverse Standards Conversion 505:Rewritable consumer timecode 81:horizontal blanking interval 7: 470: 97:(compliant with SMPTE 12M) 10: 1662: 578:Bureau of Indian Standards 51:vertical blanking interval 39:Vertical Interval Timecode 18: 1646:Film and video technology 1539: 1528: 1480: 1439: 1366: 1328: 1310: 1257: 1239: 1216: 1198: 1153: 1067: 1025: 1016: 951: 880: 837: 821: 805: 783: 711: 671: 653: 644: 640: 629: 500:AES-EBU embedded timecode 353: 350: 347: 317: 298: 295: 292: 262: 243: 240: 237: 207: 188: 185: 182: 149: 109: 106: 103: 554:January 5, 2011, at the 623:Broadcast video formats 1589:Television transmitter 580:. 2002 . pp. 2–5. 422:chrominance subcarrier 397:Bit 14 is set to 1 if 91: 35: 1574:MPEG transport stream 1401:MPEG-1 Audio Layer II 964:Mechanical television 872:Zweikanalton (A2/IGR) 89: 53:of the video signal. 29: 1609:Widescreen signaling 1584:Standards conversion 1569:Moving image formats 1564:Display motion blur 416:) or modulo 4 (for 98: 1615:Analogue TV Topics 178:(0–23, 24, or 29) 94: 92: 77:non-return-to-zero 36: 1628: 1627: 1624: 1623: 1524: 1523: 1520: 1519: 1516: 1515: 1406:MPEG Multichannel 1012: 1011: 558:, Charles Poynton 485:Burnt-in timecode 394: 393: 1653: 1604:Video processing 1534:Technical issues 1530: 1529: 1507: 1504: 1495: 1492: 1023: 1022: 755:(Color systems: 683:(Color systems: 651: 650: 642: 641: 631: 630: 616: 609: 602: 593: 592: 583: 581: 575: 565: 559: 546: 540: 539: 526: 115: Bit  99: 93: 62:interlaced video 1661: 1660: 1656: 1655: 1654: 1652: 1651: 1650: 1631: 1630: 1629: 1620: 1599:Video on demand 1544:14:9 compromise 1535: 1512: 1511: 1510: 1505: 1498: 1493: 1486: 1476: 1435: 1431:MPEG-H 3D Audio 1362: 1324: 1306: 1253: 1235: 1212: 1194: 1149: 1063: 1008: 947: 876: 833: 817: 801: 779: 707: 667: 636: 625: 620: 589: 587: 586: 573: 567: 566: 562: 556:Wayback Machine 547: 543: 528: 527: 518: 513: 480:Linear timecode 473: 342: 287: 232: 177: 96: 58:linear timecode 24: 17: 12: 11: 5: 1659: 1649: 1648: 1643: 1626: 1625: 1622: 1621: 1619: 1618: 1611: 1606: 1601: 1596: 1591: 1586: 1581: 1576: 1571: 1566: 1561: 1554:Digital cinema 1551: 1549:Broadcast-safe 1546: 1540: 1537: 1536: 1526: 1525: 1522: 1521: 1518: 1517: 1514: 1513: 1509: 1508: 1496: 1483: 1482: 1481: 1478: 1477: 1475: 1474: 1469: 1464: 1459: 1454: 1452:Broadcast flag 1449: 1443: 1441: 1440:Hidden signals 1437: 1436: 1434: 1433: 1428: 1423: 1418: 1413: 1408: 1403: 1398: 1393: 1388: 1383: 1372: 1370: 1364: 1363: 1361: 1360: 1355: 1350: 1345: 1340: 1334: 1332: 1326: 1325: 1323: 1322: 1316: 1314: 1308: 1307: 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419: 415: 411: 410:color framing 407: 404: 400: 396: 395: 389: 385: 378: 375: 372: 361: 358: 339: 335: 332: 329: 326: 309: 306: 303: 284: 280: 277: 274: 271: 254: 251: 248: 229: 225: 222: 219: 216: 196: 193: 174: 167: 164: 161: 158: 144: 141: 138: 135: 132: 129: 126: 123: 120: 117: 114: 113: 101: 100: 88: 84: 82: 78: 73: 69: 65: 63: 59: 54: 52: 48: 44: 40: 33: 28: 22: 1155:MPEG-2 Video 932: 693:Clear-Vision 588: 569: 563: 544: 530: 490:CTL timecode 474: 465: 461: 457: 451: 447: 408:Bit 15, the 387: 383: 176:Frame number 74: 70: 66: 55: 42: 38: 37: 1613:Templates ( 1330:MPEG-H HEVC 1069:Progressive 1635:Categories 1457:Captioning 1259:MPEG-4 AVC 1027:Interlaced 952:Historical 888:Captioning 847:BTSC (MTS) 822:1250 lines 806:1125 lines 635:Television 511:References 399:drop frame 382:CRC bits ( 171:User bits 110:User bits 32:VHS-Decode 1641:Timecodes 1594:Test card 1267:ATSC A/72 1173:DVB 3D-TV 785:819 lines 713:625 lines 673:525 lines 655:405 lines 448:including 405:standard. 107:Timecode 1506:Defunct. 1472:Teletext 1338:ATSC 3.0 994:567-line 989:455-line 984:441-line 979:375-line 974:343-line 969:180-line 959:Pre-1940 913:Teletext 793:System E 721:System B 681:System M 663:System A 552:Archived 471:See also 1353:ISDB-S3 1302:MobaHo! 1249:MobaHo! 1018:Digital 765:PALplus 343:(0–23) 288:(0–59) 286:Minutes 233:(0–59) 231:Seconds 1426:HE-AAC 1348:HD DMB 893:CGMS-A 829:HD-MAC 689:NTSC-J 646:Analog 1368:Audio 1320:ABS-S 1292:SBTVD 1231:ABS-S 1190:ABS-S 1133:UHDTV 1126:1080p 1057:1080i 857:NICAM 839:Audio 769:SECAM 761:PAL-N 703:B-MAC 697:PAL-M 574:(PDF) 414:SECAM 390:+ 1) 341:Hours 104:Sync 1462:CPCM 1416:LPCM 1386:AC-4 1376:AC-3 1358:DTMB 1312:AVS2 1297:1seg 1282:DTMB 1272:CMMB 1226:DTMB 1218:AVS+ 1208:CMMB 1185:DTMB 1180:ISDB 1163:ATSC 1121:720p 1116:HDTV 1109:576p 1104:480p 1099:EDTV 1092:288p 1087:240p 1082:1seg 1077:LDTV 1052:HDTV 1045:576i 1040:480i 1035:SDTV 1004:OSKM 933:VITC 923:VEIL 852:EIAJ 813:MUSE 685:NTSC 403:NTSC 384:g(x) 43:VITC 1558:DCI 1467:EPG 1447:AFD 1421:AAC 1411:PCM 1396:DRA 1391:DTS 1380:5.1 1343:DVB 1287:DVB 1277:DMB 1200:AVS 1168:DVB 943:XDS 938:WSS 928:VIT 918:VBI 908:PDC 903:GCR 898:EPG 862:SAP 775:MAC 757:PAL 536:ITU 418:PAL 373:80 348:70 318:60 293:50 263:40 238:30 208:20 183:10 83:.) 1637:: 1499:^ 1487:^ 1143:8K 1138:4K 795:, 767:, 763:, 759:, 751:, 747:, 743:, 739:, 735:, 731:, 727:, 723:, 695:, 691:, 687:, 576:. 534:. 519:^ 386:= 379:0 368:F 362:20 359:10 354:0 336:8 324:0 313:F 310:40 307:20 304:10 299:0 281:8 269:0 258:F 255:40 252:20 249:10 244:0 226:8 214:0 203:C 197:20 194:10 189:0 168:8 156:0 150:0 34:) 1617:) 1560:) 1556:( 1382:) 1378:( 797:F 771:) 753:N 749:L 745:K 741:I 737:H 733:G 729:D 725:C 699:) 615:e 608:t 601:v 452:x 424:. 388:x 376:1 365:S 351:1 333:4 330:2 327:1 321:1 296:1 278:4 275:2 272:1 266:1 241:1 223:4 220:2 217:1 211:1 200:D 186:1 165:4 162:2 159:1 153:1 41:( 23:.

Index

In the City (South African festival)

VHS-Decode
SMPTE timecode
vertical blanking interval
linear timecode
interlaced video
non-return-to-zero
horizontal blanking interval

drop frame
NTSC
color framing
SECAM
PAL
chrominance subcarrier
little-endian
Linear timecode
Burnt-in timecode
CTL timecode
MIDI timecode
AES-EBU embedded timecode
Rewritable consumer timecode



Recommendation ITU-R BR.780-2: Time and control code standards, for production applications in order to facilitate the international exchange of television programmes on magnetic tapes
ITU
Timecode bit assignment table
Archived

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