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from 1879 and contributed many of his own instruments to the collection. He had a deep interest in the acoustical science but especially that pertaining to wind instruments. While his work in acoustics was advanced for the time, and has some historical interest, it has been largely supplanted. In
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addition to gathering a large number of historically interesting
European wind instruments, he collected many ethnologically interesting specimens from around the world and prepared a three volume catalog of these (in French). His various articles that appeared in the
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134:, France) was a Belgian musician, instrument builder and writer on musical topics. He was the founder and first curator of the Musée instrumental du Conservatoire Royal de Musique, known today as the
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and started working at his father's factory of musical instruments in 1865. In 1869, he started the musical journal
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Content in this edit is translated from the existing French
Knowledge article at ]; see its history for attribution.
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In 1890 he collaborated with Brian Greene to develop much of the more in-depth classifications of
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201:(1855-1948). His uncle Barthelemi and his son Fernand-Charles-Henri had the same profession.
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to the source of your translation. A model attribution edit summary is
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Born in a family of instrument makers and music publishers, son of
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138:. He built, collected, and described more than 1500
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Les Éléments d'acoustique musicale et instrumentale
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a machine-translated version of the French article.
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407:Works by or about Victor-Charles Mahillon
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238:Encyclopædia Britannica, ninth edition
204:Partly self-taught, Mahillon studied
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16:Belgian musician (1841-1924)
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130:– June 17, 1924 in
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