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On his return to France Laloux rose quickly through the academic system, serving on many juries, societies and foundations. As practitioner, he produced major commissions in a highly ornamented neo-classical surface style, collaborating with sculptors and muralists squarely in the
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when André died in 1890. Laloux would ultimately train about 600 students through the years, including 132 Americans. Laloux had the distinction of training the greatest number of
American students at the Ecole, with
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competition, and by this measure Laloux was also the school's most successful teacher, training 16 winners. At Laloux's death in 1937, his student and partner
Charles Lemaresquier succeeded him as head of the studio.
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tradition, but doing so on innovative cast-iron frames. Metal framing allowed higher interior spaces, more generous fenestration, and glass roofs, notably in the sunlit barrel-vault of the Gare d'Orsay.
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Long Island country houses and their architects, 1860–1940 By Robert B. MacKay, Anthony K. Baker, Carol A. Traynor, page 128
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Long Island country houses and their architects, 1860–1940 By Robert B. MacKay, Anthony K. Baker, Carol A. Traynor, page 128
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as an
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in second place. Laloux's influence is visible in the U.S. in buildings like the 1921
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The architecture of Delano & Aldrich By Peter
Pennoyer, Anne Walker, page 13
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The architecture of Delano & Aldrich By Peter
Pennoyer, Anne Walker, page 13
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Palais du
Hanovre, Paris, with his student Charles Lemaresquier, 1932
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The elements of classical architecture By
Georges Gromort, page 11
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As professor, Laloux assumed the direction of Louis-Jules André's
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467:. The Harwell-Evans Co. 1 August 1910. p. 15
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64:; 15 November 1850 – 13 July 1937) was a French
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530:The architecture of Delano & Aldrich By
509:The Architecture of the Ecole des Beaux-Arts
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103:in 1878. He spent 1879 through 1882 at the
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127:in 1929. In 1932, he was elected into the
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623:Members of the Académie des beaux-arts
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95:, with his studies interrupted by the
61:[viktɔʁalɛksɑ̃dʁfʁedeʁiklalu]
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511:. Museum of Modern Art. p. 459.
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618:Recipients of the Royal Gold Medal
507:Drexler, Arthur (1 January 1977).
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282:The students educated in Laloux's
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633:Recipients of the AIA Gold Medal
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192:the Paris Gare d'Orsay, now the
119:Laloux was awarded the American
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44:interior, Gare d'Orsay, now the
270:training in the context of the
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161:Basilica of St. Martin, Tours
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613:École des Beaux-Arts alumni
25:Victor Laloux; portrait by
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421:William Lawrence Bottomley
205:Alphonse-Amédée Cordonnier
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155:Laloux's work includes:
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262:San Francisco City Hall
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68:architect and teacher.
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274:focused on the annual
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183:Jean Antoine Injalbert
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123:in 1922, and the RIBA
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391:José Marques da Silva
383:John Walter Cross of
347:Gustave Louis Jaulmes
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211:Hôtel de Ville, Tours
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135:was his own student,
57:French pronunciation:
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36:Hôtel de Ville, Tours
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403:Miguel Ventura Terra
397:Lucien Weissenburger
378:Jacques Debat-Ponsan
189:(Limoges and Nantes)
187:Jean-Baptiste Hugues
151:Gare de Tours, Tours
137:Charles Lemaresquier
84:École des Beaux-Arts
366:Hippolyte Delaporte
225:U.S. Embassy, Paris
97:Franco-Prussian War
628:Railway architects
341:Guillaume Tronchet
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216:completion of the
159:the neo-Byzantine
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486:Palais de Hanovre
431:Chrysler Building
296:Charles Weeks of
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27:Adolphe Déchenaud
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316:George Howe
572:Categories
449:References
423:, American
417:, American
387:, American
324:, American
318:, American
306:, Romanian
300:, American
293:, American
113:Beaux-Arts
66:Beaux-Arts
286:include:
239:Influence
107:in Rome.
399:, French
380:, French
374:, French
368:, French
362:, French
349:, French
343:, French
337:, French
312:, French
76:Born in
284:atelier
268:Atelier
253:atelier
201:Roubaix
133:atelier
89:atelier
231:, 1931
207:, 1903
196:, 1900
48:, 1900
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335:]
272:École
179:Tours
177:, in
165:Tours
163:, in
78:Tours
473:2021
223:the
143:Work
72:Life
91:of
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358:fr
333:fr
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