342:
551:
646:
25:
1483:
947:
724:
331:
861:
110:
671:. Permutations of geometric forms are cut out of a coloured square and rearranged. He worked with a strictly defined palette of colours and forms (three reds, three greens, three blues, two violets, two yellows, black, white, gray; three circles, two squares, two rhomboids, two long rectangles, one triangle, two dissected circles, six ellipses) which he later enlarged and numbered. Out of this
327:. Jean-Pierre was also an artist and used the professional name 'Yvaral'. He worked for a ball-bearing company in accounting and designing advertising posters in Budapest. Vasarely became a graphic designer and a poster artist during the 1930s combining patterns and organic images.
679:, an endless permutation of forms and colours worked out by his assistants. (The creative process is produced by standardized tools and impersonal actors which questions the uniqueness of a work of art.) In 1963, Vasarely presented his palette to the public under the name of
341:
738:
invited
Vasarely to make a presentation to Burtin's Vision '67 conference, held at New York University. On 5 June 1970, Vasarely opened his first dedicated museum with over 500 works in a renaissance palace in
755:, two years after his death. The museum is now in a state of disrepair, several of the pieces on display have been damaged by water leaking from the ceiling. Also, in 1976 his large kinematic object
1125:
577:
panes create dynamic, moving impressions depending on the viewpoint. In the black-white period he combined the frames into a single pane by transposing photographies in two colors.
934:
423:. Over the next three decades, Vasarely developed his style of geometric abstract art, working in various materials but using a minimal number of forms and colours:
767:, Hungary, was established with a large donation of works by Vasarely. In the same decade, he took a stab at industrial design with a 500-piece run of the upscale
923:
712:
964:
723:
1157:
997:
296:. In 1927, he abandoned medicine to learn traditional academic painting at the private Podolini-Volkmann Academy. In 1928/1929, he enrolled at
1152:
1575:
476:
paintings without developing a unique style. Afterwards, he said he was on the wrong track. He exhibited his works in the gallery of
361:(1930â1935). His interactions with other artists during this time were limited. He thought of opening an institution modeled after
434:: Vasarely experimented with textural effects, perspective, shadow, and light. His early graphic period resulted in works such as
1565:
1555:
1580:
1067:
1018:
261:; 9 April 1906 â 15 March 1997) was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader of the
751:, a museum housed in a distinct structure specially designed by Vasarely. It was inaugurated in 1976 by French president
312:
could not offer all that the
Bauhaus offered. Instead, it concentrated on applied graphic art and typographical design.
1595:
1585:
839:
Inaugurated in July 2024, a permanent exhibition of
Vasarely's work in the Arkas Collection is being displayed in the
799:. In 1987, the second Hungarian Vasarely museum was established in Zichy Palace in Budapest with more than 400 works.
1272:
1226:
1203:
908:
68:
46:
890:
357:
in 1930. He worked as a graphic artist and as a creative consultant at the advertising agencies Havas, Draeger, and
39:
1354:
1308:
882:
730:, 1970, Screenprint in colours, Edition of 250, 50.8 cm Ă 50.8 cm (20.0 in Ă 20.0 in)
510:: Finally, Vasarely found his own style. The overlapping developments are named after their geographical heritage.
539:
293:
1600:
582:
555:
1499:
886:
515:
1590:
369:
and developed some teaching material for it. Having lived mostly in cheap hotels, he settled in 1942/1944 in
323:. In 1930, he married his fellow student Claire Spinner (1908â1990). Together they had two sons, Andre and
1570:
697:
series consists of endless transformations of indentations and relief adding color variations, creating a
1550:
546:. He worked on the problem of empty and filled spaces on a flat surface as well as the stereoscopic view.
1293:
586:
550:
1560:
871:
822:
33:
397:
875:
833:
92:
1412:
50:
929:
1437:
788:
1545:
1540:
1397:
1347:
702:
622:
304:(lit. "Workshop", in existence until 1938), then widely recognized as Budapest's center of
1504:
1447:
1324:
645:
637:) relied on the perception of the viewer who is considered the sole creator, playing with
602:
374:
8:
1319:
1509:
1472:
1457:
1192:
1072:
979:
707:
480:(1946) and the gallery René Breteau (1947). Writing the introduction to the catalogue,
324:
272:, created in 1937, is considered by some to be one of the earliest examples of Op art.
257:
946:
481:
362:
297:
1442:
1417:
1268:
1222:
1199:
1092:
811:
542:. There, the cubic houses led him to the composition of the group of works labelled
1519:
1402:
1236:
1162:
840:
752:
638:
590:
469:
420:
381:
1299:
Victor
Vasarely profile and video documentary at the Central European Art Database
1298:
719:
series plays with spherical swelling grids creating an optical illusion of volume.
402:
1605:
1452:
1422:
1407:
1387:
1340:
1130:
983:
951:
940:
784:
760:
748:
406:
370:
346:
244:
141:
589:, is a major work of this period. Kinetic art flourished and works by Vasarely,
1462:
1314:
772:
594:
461:
410:
1028:
610:
477:
1534:
1432:
1427:
1096:
606:
574:
465:
385:
285:
84:
1309:
Online petition to save Museum
Fondation Vasarely in Aix-en-Provence, France
1514:
1494:
1482:
1392:
1382:
1260:
1248:
1023:
844:
393:
581:, a ceramic wall picture of 100 m (1,100 sq ft) adorns the
527:
1377:
818:
735:
653:
345:
Vasarely's expositions had always huge success. This is one from 1977 in
676:
485:
473:
776:
519:
514:
refers to the works influenced by the white tiled walls of the Paris
330:
193:
860:
1005:
972:
792:
523:
358:
289:
189:
1001:
109:
1218:
626:
598:
389:
305:
990:
764:
392:, a suburb about 10 kilometers from the center of Paris (in the
335:
281:
137:
1363:
968:
796:
740:
535:
534:
works. Since 1948, Vasarely usually spent his summer months in
457:
419:
Vasarely eventually went on to produce art and sculpture using
262:
216:
763:
in Paris and the
Vasarely Museum located at his birthplace in
354:
159:
585:, Venezuela which he co-designed in 1954 with the architect
1288:
227:
1303:
828:
In 2019, a temporary exhibition of
Vasarely's work titled
522:
pebbles and shells found during a vacation in 1947 at the
1332:
1112:
David Bowie All the Songs: The Story Behind Every Track
573:
works he developed his kinematic images, superimposed
825:' (1969) features Vasarely's work in the background.
743:(closed in 1996). A second major undertaking was the
1053:
1294:
Vasarely: Images, Exhibits, Descriptions, Biography
667:: On 2 March 1959, Vasarely patented his method of
334:Outdoor Vasarely artwork at the church of PĂĄlos in
1191:
492:(images + noir, black) to describe the paintings.
1194:A Decade of Sculpture: the New Media in the 1960s
775:that Vasarely decorated for the German Rosenthal
665:Folklore planétaire, permutations, and serial art
456:: During this period, Vasarely experimented with
1532:
292:, where, in 1925, he took up medical studies at
1153:"Arkas Sanat Alaçatı İki Farklı Sergiyle Açıld"
1086:
1068:"Victor Vasarely, Op Art Patriarch, Dies at 90"
810:A new Vasarely exhibit was mounted in Paris at
508:Developing geometric abstract art (optical art)
1059:
1348:
1255:. Studio Vista and New York Graphic Society.
1052:Birth registered at county archives of PĂ©cs
889:. Unsourced material may be challenged and
1355:
1341:
802:He died age 90 in Paris on 15 March 1997.
108:
1087:(1976). "Faenza-Goldmedaille fĂŒr SUOMI".
909:Learn how and when to remove this message
567:Kinetic images, black-white photographies
69:Learn how and when to remove this message
1198:. The Art Alliance Press: Philadelphia.
945:
928:1970: French Chevalier de L'Ordre de la
722:
644:
549:
340:
329:
32:This article includes a list of general
1304:Vasarely Museum, Zichy Palace, Budapest
1212:
787:were taken into space by the cosmonaut
701:. In 1965 Vasarely was included in the
500:(1946) are associated with this period.
454:Les Fausses Routes â On the wrong track
1533:
1253:Origins and Development of Kinetic Art
1247:
1235:
791:on board the French-Soviet spacecraft
1336:
1259:
1189:
1109:
1065:
617:(the motion). Vasarely published his
353:Vasarely left Hungary and settled in
256:
243:
887:adding citations to reliable sources
854:
699:perpetual mobile of optical illusion
18:
1576:Ballets designed by Victor Vasarely
13:
1183:
795:and later sold for the benefit of
405:). In 1961, he finally settled in
38:it lacks sufficient corresponding
14:
1617:
1282:
783:. In 1982, 154 specially created
711:, created under the direction of
1481:
1066:Smith, Roberta (18 March 1997).
1019:Groupe de Recherche dâArt Visuel
859:
275:
23:
556:Ciudad Universitaria de Caracas
1566:Hungarian contemporary artists
1145:
1118:
1103:
1080:
1046:
967:in the Saint-Firmin Palace in
621:. Building on the research of
1:
1556:Hungarian emigrants to France
1315:Fondation Vasarely 3D Project
1243:. New York: George Braziller.
1034:
950:Museum Fondation Vasarely in
629:pioneers, he postulated that
554:Tribute to Malevitch (1954),
300:'s private art school called
258:[ËvaËÊaËrhÉjiËÉĂžËzĂžË]
1581:20th-century French painters
308:studies. Cash-strapped, the
95:when mentioning individuals.
7:
1213:Holzhey, Magdalena (2005).
1091:. Vol. 29. p. 8.
1012:
935:Art Critics Prize, Brussels
488:. Prévert creates the term
10:
1622:
1362:
1126:"Vasarely â Sharing Forms"
957:
817:The original UK cover for
734:In October 1967, designer
691:Hommage Ă l'hexagone, Vega
540:Provence-Alpes-CĂŽte d'Azur
484:placed Vasarely among the
82:
1596:Hungarian graphic artists
1586:20th-century male artists
1490:
1479:
1370:
1311:(Archived on 16 Apr 2009)
975:, France (closed in 1996)
850:
805:
222:
212:
199:
185:
177:
167:
148:
119:
107:
100:
1190:Busch, Julia M. (1974).
613:gallery under the title
315:In 1929, he painted his
294:Eötvös Lorånd University
245:[viktÉÊvazaÊeli]
91:. This article uses
83:The native form of this
996:1987: Vasarely Museum,
989:1976: Vasarely Museum,
834:Centre Georges Pompidou
228:Victor Vasarely website
53:more precise citations.
16:Hungarian-French artist
1601:French graphic artists
1413:Gerhard von Graevenitz
1110:Clerc, Benoit (2021).
954:
731:
695:Tribute to the hexagon
656:
609:were exhibited at the
587:Carlos RaĂșl Villanueva
558:
350:
338:
1438:Arnold Alfred Schmidt
949:
832:was displayed in the
830:Le Partage des Formes
759:was installed in the
726:
648:
583:University of Caracas
553:
344:
333:
280:Vasarely was born in
1591:French male painters
1398:Richard Anuszkiewicz
1325:Tate Victor Vasarely
1289:Association Vasarely
883:improve this section
703:Museum of Modern Art
579:Tribute to Malevitch
530:inspired him to the
745:Foundation Vasarely
681:Folklore planetaire
635:plastique cinétique
516:Denfert â Rochereau
288:(then Pöstény) and
1551:Hungarian painters
1510:Hard-edge painting
1473:Jean-Pierre Yvaral
1458:Gregorio Vardanega
1073:The New York Times
980:Fondation Vasarely
955:
939:Gold Medal at the
789:Jean-Loup Chrétien
732:
708:The Responsive Eye
657:
559:
351:
339:
93:Western name order
1528:
1527:
1505:François Morellet
1448:JesĂșs Rafael Soto
1443:Francisco Sobrino
1418:Edwin Mieczkowski
1237:Morgan, Robert C.
1056:ref. no. 330/1906
1054:http://www.bml.hu
919:
918:
911:
821:'s second album '
669:unités plastiques
639:optical illusions
234:
233:
79:
78:
71:
1613:
1571:People from PĂ©cs
1520:Optical illusion
1485:
1403:Carlos Cruz-Diez
1357:
1350:
1343:
1334:
1333:
1278:
1267:. H. N. Abrams.
1256:
1244:
1232:
1209:
1197:
1177:
1176:
1174:
1172:
1166:
1149:
1143:
1142:
1140:
1138:
1122:
1116:
1115:
1114:. Running Press.
1107:
1101:
1100:
1084:
1078:
1077:
1063:
1057:
1050:
930:LĂ©gion d'honneur
924:Guggenheim Prize
914:
907:
903:
900:
894:
863:
855:
841:Arkas Art Center
757:Georges Pompidou
753:Georges Pompidou
713:William C. Seitz
673:plastic alphabet
421:optical illusion
382:Second World War
268:His work titled
260:
255:
250:GyĆzĆ VĂĄsĂĄrhelyi
247:
242:
230:
202:
155:
133:
131:
124:GyĆzĆ VĂĄsĂĄrhelyi
114:Vasarely c. 1930
112:
98:
97:
89:VĂĄsĂĄrhelyi GyĆzĆ
74:
67:
63:
60:
54:
49:this article by
40:inline citations
27:
26:
19:
1621:
1620:
1616:
1615:
1614:
1612:
1611:
1610:
1561:Modern painters
1531:
1530:
1529:
1524:
1486:
1477:
1468:Victor Vasarely
1453:Julian Stanczak
1423:Andrzej Nowacki
1408:Wojciech Fangor
1388:Getulio Alviani
1366:
1361:
1330:
1320:Victor Vasarely
1285:
1275:
1265:Victor Vasarely
1229:
1206:
1186:
1184:Further reading
1181:
1180:
1170:
1168:
1160:
1151:
1150:
1146:
1136:
1134:
1131:Centre Pompidou
1124:
1123:
1119:
1108:
1104:
1085:
1081:
1064:
1060:
1051:
1047:
1037:
1015:
984:Aix-en-Provence
965:Vasarely Museum
960:
952:Aix-en-Provence
941:Milan Triennial
915:
904:
898:
895:
880:
864:
853:
808:
761:Centre Pompidou
749:Aix-en-Provence
631:visual kinetics
619:Yellow Manifest
518:metro station.
482:Jacques Prévert
466:expressionistic
407:Annet-sur-Marne
384:, he opened an
363:SĂĄndor Bortnyik
347:Aix-en-Provence
298:SĂĄndor Bortnyik
284:and grew up in
278:
253:
240:
237:Victor Vasarely
226:
200:
172:
163:
157:
153:
144:
142:Austria-Hungary
135:
129:
127:
126:
125:
115:
103:
102:Victor Vasarely
96:
75:
64:
58:
55:
45:Please help to
44:
28:
24:
17:
12:
11:
5:
1619:
1609:
1608:
1603:
1598:
1593:
1588:
1583:
1578:
1573:
1568:
1563:
1558:
1553:
1548:
1543:
1526:
1525:
1523:
1522:
1517:
1512:
1507:
1502:
1497:
1491:
1488:
1487:
1480:
1478:
1476:
1475:
1470:
1465:
1463:Grazia Varisco
1460:
1455:
1450:
1445:
1440:
1435:
1430:
1425:
1420:
1415:
1410:
1405:
1400:
1395:
1390:
1385:
1380:
1374:
1372:
1368:
1367:
1360:
1359:
1352:
1345:
1337:
1328:
1327:
1322:
1317:
1312:
1306:
1301:
1296:
1291:
1284:
1283:External links
1281:
1280:
1279:
1273:
1257:
1245:
1233:
1227:
1210:
1204:
1185:
1182:
1179:
1178:
1144:
1117:
1102:
1079:
1058:
1044:
1043:
1042:
1041:
1036:
1033:
1032:
1031:
1026:
1021:
1014:
1011:
1010:
1009:
994:
987:
976:
959:
956:
944:
943:
937:
932:
926:
917:
916:
867:
865:
858:
852:
849:
812:Musée en Herbe
807:
804:
773:Timo Sarpaneva
721:
720:
684:
643:
642:
623:constructivist
548:
547:
544:Gordes/Cristal
501:
447:
432:Early graphics
411:Seine-et-Marne
277:
274:
232:
231:
224:
220:
219:
214:
210:
209:
203:
197:
196:
187:
186:Known for
183:
182:
179:
175:
174:
169:
165:
164:
158:
156:(aged 90)
150:
146:
145:
136:
123:
121:
117:
116:
113:
105:
104:
101:
77:
76:
31:
29:
22:
15:
9:
6:
4:
3:
2:
1618:
1607:
1604:
1602:
1599:
1597:
1594:
1592:
1589:
1587:
1584:
1582:
1579:
1577:
1574:
1572:
1569:
1567:
1564:
1562:
1559:
1557:
1554:
1552:
1549:
1547:
1544:
1542:
1539:
1538:
1536:
1521:
1518:
1516:
1513:
1511:
1508:
1506:
1503:
1501:
1500:Figureâground
1498:
1496:
1493:
1492:
1489:
1484:
1474:
1471:
1469:
1466:
1464:
1461:
1459:
1456:
1454:
1451:
1449:
1446:
1444:
1441:
1439:
1436:
1434:
1433:Bridget Riley
1431:
1429:
1428:Julio Le Parc
1426:
1424:
1421:
1419:
1416:
1414:
1411:
1409:
1406:
1404:
1401:
1399:
1396:
1394:
1391:
1389:
1386:
1384:
1381:
1379:
1376:
1375:
1373:
1369:
1365:
1358:
1353:
1351:
1346:
1344:
1339:
1338:
1335:
1331:
1326:
1323:
1321:
1318:
1316:
1313:
1310:
1307:
1305:
1302:
1300:
1297:
1295:
1292:
1290:
1287:
1286:
1276:
1274:0-8109-0532-9
1270:
1266:
1262:
1261:Spies, Werner
1258:
1254:
1250:
1249:Popper, Frank
1246:
1242:
1238:
1234:
1230:
1228:3-8228-3908-6
1224:
1220:
1216:
1211:
1207:
1205:0-87982-007-1
1201:
1196:
1195:
1188:
1187:
1167:
1164:
1159:
1154:
1148:
1133:
1132:
1127:
1121:
1113:
1106:
1098:
1094:
1090:
1083:
1075:
1074:
1069:
1062:
1055:
1049:
1045:
1039:
1038:
1030:
1027:
1025:
1022:
1020:
1017:
1016:
1007:
1003:
999:
995:
992:
988:
985:
981:
977:
974:
970:
966:
962:
961:
953:
948:
942:
938:
936:
933:
931:
927:
925:
921:
920:
913:
910:
902:
899:December 2018
892:
888:
884:
878:
877:
873:
868:This section
866:
862:
857:
856:
848:
846:
842:
837:
835:
831:
826:
824:
820:
815:
813:
803:
800:
798:
794:
790:
786:
782:
778:
774:
771:tableware by
770:
766:
762:
758:
754:
750:
746:
742:
737:
729:
725:
718:
714:
710:
709:
704:
700:
696:
692:
688:
685:
682:
678:
675:, he started
674:
670:
666:
662:
659:
658:
655:
652:(1959â61) in
651:
647:
640:
636:
632:
628:
624:
620:
616:
612:
608:
604:
600:
596:
592:
588:
584:
580:
576:
575:acrylic glass
572:
568:
564:
561:
560:
557:
552:
545:
541:
537:
533:
529:
525:
521:
517:
513:
509:
505:
502:
499:
498:The Blind Man
495:
494:Self Portrait
491:
487:
483:
479:
475:
471:
467:
463:
459:
455:
451:
448:
445:
441:
437:
433:
429:
426:
425:
424:
422:
417:
415:
412:
408:
404:
403:Ăle-de-France
400:
399:
395:
391:
387:
383:
379:
376:
372:
368:
364:
360:
356:
348:
343:
337:
332:
328:
326:
322:
318:
313:
311:
307:
303:
299:
295:
291:
287:
283:
276:Life and work
273:
271:
266:
264:
259:
251:
246:
238:
229:
225:
221:
218:
215:
211:
207:
204:
198:
195:
191:
188:
184:
180:
176:
170:
166:
161:
152:15 March 1997
151:
147:
143:
139:
122:
118:
111:
106:
99:
94:
90:
86:
85:personal name
81:
73:
70:
62:
52:
48:
42:
41:
35:
30:
21:
20:
1515:M. C. Escher
1495:Color theory
1467:
1393:Edna Andrade
1383:Josef Albers
1329:
1264:
1252:
1240:
1214:
1193:
1169:. Retrieved
1156:
1147:
1135:. Retrieved
1129:
1120:
1111:
1105:
1088:
1082:
1071:
1061:
1048:
1024:M. C. Escher
998:Zichy Palace
905:
896:
881:Please help
869:
838:
829:
827:
816:
809:
801:
781:Studio Linie
780:
768:
756:
744:
733:
727:
716:
706:
698:
694:
690:
686:
680:
672:
668:
664:
660:
649:
634:
630:
618:
615:Le Mouvement
614:
578:
570:
566:
562:
543:
532:Belles-Isles
531:
511:
507:
503:
497:
493:
489:
474:surrealistic
453:
449:
443:
442:(1935), and
439:
435:
431:
427:
418:
413:
396:
394:Val-de-Marne
380:. After the
377:
366:
352:
320:
316:
314:
309:
301:
279:
269:
267:
249:
236:
235:
205:
201:Notable work
154:(1997-03-15)
134:9 April 1906
88:
80:
65:
56:
37:
1546:1997 deaths
1541:1906 births
1378:Yaacov Agam
1161: [
1029:Janos Major
963:1970â1996:
823:David Bowie
819:David Bowie
736:Will Burtin
705:exhibition
654:Tate Modern
611:Denise René
569:: From his
496:(1941) and
490:imaginaries
486:surrealists
478:Denise René
470:symbolistic
440:Chess Board
414:département
398:département
378:département
325:Jean-Pierre
321:Green Study
168:Nationality
51:introducing
1535:Categories
1035:References
836:in Paris.
785:serigraphs
677:serial art
650:Supernovae
462:futuristic
444:Girl-power
371:Saint-Céré
317:Blue Study
265:movement.
254:Hungarian:
208:(c. 1930s)
130:1906-04-09
34:references
1097:0004-3842
1040:Citations
1008:, Hungary
993:, Hungary
870:does not
814:in 2012.
777:porcelain
661:1955â1965
563:1951â1955
528:Belle Ăle
526:coast at
520:Ellipsoid
504:1947â1951
450:1944â1947
428:1929â1944
194:sculpture
178:Education
171:Hungarian
1263:(1971).
1251:(1968).
1241:Vasarely
1239:(2004).
1215:Vasarely
1013:See also
1006:Budapest
986:, France
973:Vaucluse
793:Salyut 7
779:maker's
728:Kezdi-Ga
607:Tinguely
458:cubistic
438:(1937),
409:(in the
359:Devambez
290:Budapest
286:PieĆĄĆ„any
213:Movement
190:Painting
162:, France
59:May 2022
1371:Artists
1219:Taschen
1171:27 July
958:Museums
891:removed
876:sources
845:Alaçatı
627:Bauhaus
599:Man Ray
595:Duchamp
512:Denfert
446:(1934).
401:of the
390:Arcueil
386:atelier
373:in the
306:Bauhaus
248:; born
241:French:
223:Website
47:improve
1606:Op art
1364:Op art
1271:
1225:
1202:
1095:
978:1976:
969:Gordes
922:1964:
851:Awards
806:Legacy
797:UNESCO
741:Gordes
715:. His
693:: The
591:Calder
571:Gordes
536:Gordes
524:Breton
436:Zebras
367:mƱhely
310:mƱhely
302:MƱhely
263:Op art
217:Op art
181:MƱhely
173:French
36:, but
1165:]
1158:Arkas
1137:7 May
1089:Artis
1002:Ăbuda
769:Suomi
687:1965â
355:Paris
270:Zebra
206:Zebra
160:Paris
1269:ISBN
1223:ISBN
1200:ISBN
1173:2024
1139:2019
1093:ISSN
991:PĂ©cs
874:any
872:cite
765:PĂ©cs
717:Vega
625:and
603:Soto
472:and
336:PĂ©cs
319:and
282:PĂ©cs
149:Died
138:PĂ©cs
120:Born
885:by
843:in
747:in
538:in
416:).
388:in
375:Lot
365:'s
87:is
1537::
1221:.
1217:.
1163:tr
1155:.
1128:.
1070:.
1004:,
1000:,
982:,
971:,
847:.
689::
663::
605:,
601:,
597:,
593:,
565::
506::
468:,
464:,
460:,
452::
430::
252:,
192:,
140:,
1356:e
1349:t
1342:v
1277:.
1231:.
1208:.
1175:.
1141:.
1099:.
1076:.
912:)
906:(
901:)
897:(
893:.
879:.
683:.
641:.
633:(
349:.
239:(
132:)
128:(
72:)
66:(
61:)
57:(
43:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_magyar-francia_fest%C5%91_alap%C3%ADtv%C3%A1nyi_m%C3%BAzeuma._Balr%C3%B3l_a_m%C3%A1sodik_V%C3%A1s%C3%A1rhelyi_Gy%C5%91z%C5%91._Fortepan_100608.jpg)