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or grained were frequently found on doors and woodwork. "Graining" was meant to imitate woods of higher quality that were more difficult to work. There were specific rules for interior color choice and placement. The theory of “harmony by analogy” was to use the colors that lay next to each other on
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The choice of paint color on the walls in
Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork. Also on walls
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of the
Victorian era are noted for orderliness and ornamentation. A house from this period was idealistically divided in rooms, with public and private space carefully separated. A bare room was considered to be in poor taste, so every surface was filled with objects that reflected the owner's
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For Wilde, however, the inner meaning of
Victorian decorative arts is fourfold: one must first reconstruct one’s inside so as to grasp what is outside in terms of both living quarters and mind, whilst hearkening back to von Humboldt on the way to Plato so as to be immersed in contemporaneous
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and was applied much like wallpaper. This process made it easy to then go over the oil and make it resemble wood or different types of leather. On the ceilings that were 8–14 feet the color was tinted three shades lighter than the color that was on the walls and usually had a high quality of
347:, during which period the styles known as Victorian were used in construction. However, many elements of what is typically termed "Victorian" architecture did not become popular until later in Victoria's reign, roughly from 1850 and later. The styles often included interpretations and
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By changing one’s immediate dwelling quarters, one changed one’s mind as well; Wilde believed that the way forward in cosmopolitanism began with as a means eclipse the societally mundane, and that such guidance would be found not in books or classrooms, but through a lived
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Wallpaper and wallcoverings became accessible for increasing numbers of householders with their wide range of designs and varying costs. This was due to the introduction of mass production techniques and, in
England, the repeal in 1836 of the
1020:. An aesthetic shift in the home’s Victorian decorative arts reached its highest outcome in the literal transformation of the individual into cosmopolitan, as Wilde was regarded and noted among others in his tour of America.
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The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house. The
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who maintained that imagination was not the
Romantic figment of scarcity and mystery but rather something anyone could begin to develop with other methods, including organic elements in
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There was not one dominant style of furniture in the
Victorian period. Designers rather used and modified many styles taken from various time periods in history like
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362:. The name represents the British and French custom of naming architectural styles for a reigning monarch. Within this naming and classification scheme, it followed
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Although
Victoria did not reign over the United States, the term is often used for American styles and buildings from the same period, as well as those from the
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The Chevy Chase
Sideboard by Gerrard Robinson. Often considered to be one of the finest furniture pieces of the 19th century and an icon of Victorian furniture.
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was most often the focal point, which attracts visitor’s eyes immediately when they go into a room or space, of the dining room and very ornately decorated.
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695:. And the second was the “harmony by contrast” that was to use the colors that were opposite of one another on the color wheel. There was a favored
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was one of the most influential designers of wallpaper and fabrics during the latter half of the
Victorian period. Morris was inspired and used
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who created linoleum in 1863 created the process for embossing semi-liquid linseed oil, backed with waterproofed paper or canvas. It was called
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272:. Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and
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and others. The Gothic and Rococo revival style were the most common styles to be seen in furniture during this time in history.
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revival of historic styles mixed with the introduction of Asian and Middle
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1292:"Visualising the Critical: Artistic Convention and Eclecticism in Oscar Wilde's Writings on the Decorative Arts"
747:(red, blue, and yellow) in the backgrounds and overprinted with colours of cream and tan. This was followed by
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1081: – egg-shaped item originally made of porcelain, marble, glass or crystal, cooled and carried in the hand
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Blanchard, Mary W. (1995). "Boundaries and the Victorian Body: Aesthetic Fashion in Gilded Age America".
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it was common to score into wet plaster to make it resemble blocks of stone. Finishes that were either
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cosmopolitanism, thereby in the ideal state becoming oneself admirably aesthetical.
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including ceramics, furniture, glass, jewelry, metalwork, and textiles.
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inspired papers in earth tones with stylized leaf and floral patterns.
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Chief among the literary practitioners of decorative aestheticism was
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external links, and converting useful links where appropriate into
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have their beginnings in the late Victorian era and gothic period.
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in his work. Embossed paper were used on ceilings and friezes.
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1526 New Hampshire Avenue, Dupont Circle, Washington, D.C
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ornamentation because decorated ceilings were favored.
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Pages displaying wikidata descriptions as a fallback
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Pages displaying wikidata descriptions as a fallback
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at the top. This was popular into the 20th century.
1260:. New York: W.W. Norton & Co. pp. 200–202.
90:. Unsourced material may be challenged and removed.
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660:The Commandant drawing room, Port Arthur, Tasmania
1340:may not follow Knowledge's policies or guidelines
743:was often made in elaborate floral patterns with
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1416:Late Victorian Era Furniture History in England
996:Oscar Wilde's aesthetic of Victorian decoration
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1406:Early Victorian Furniture History in England
428:townhouse, New York City (1873, demolished).
707:at the bottom, a field in the middle and a
550:Victorian kitchen, Dalgarven Mill, Ayrshire
53:Learn how and when to remove these messages
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1459:The history of wallcoverings and wallpaper
478:Parlor in a New York House from the 1850s.
1376:Learn how and when to remove this message
1296:Australasian Journal of Victorian Studies
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230:Learn how and when to remove this message
212:Learn how and when to remove this message
150:Learn how and when to remove this message
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521:James A. Garfield National Historic Site
454:Victorian style parlor, USA, early 1900s
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175:This article includes a list of general
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1043: – items from the Victorian period
466:Room with Victorian design, early 1900s
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1096: – English architect and designer
1090: – English architect and designer
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618:, 1048 Washington Street, New Jersey
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88:adding citations to reliable sources
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1400:Victorian Design (victorianweb.org)
503:Preserved interiors, private spaces
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845:woven wool furnishing fabric, 1878
571:Preserved interiors, public spaces
181:it lacks sufficient corresponding
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440:Victorian style dining room, USA,
335:in the mid-to-late 19th century.
34:This article has multiple issues.
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2074:Bronze and brass ornamental work
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1271:English Literature in Transition
1122:"Focal Point In Interior Design"
1100:William Morris wallpaper designs
1058: – Wood finishing technique
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75:needs additional citations for
42:or discuss these issues on the
1411:Interior decoration and design
1229:The American Historical Review
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1052: – Architectural movement
534:Victorian bedroom exhibition,
385:Interior decoration and design
16:Style of art from 1837 to 1901
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1433:"Victorian Furniture Styles"
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562:Victorian kitchen, Dalgarven
333:architectural revival styles
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1395:Victorian Room Virtual Tour
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397:interests and aspirations.
318:St. Pancras railway station
99:"Victorian decorative arts"
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1464:Interior design: Victorian
1441:Victoria and Albert Museum
1074:Staffordshire dog figurine
1064: – Aesthetic movement
798:Victoria and Albert Museum
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249:'s drawing room at No. 16
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1258:Inside the Victorian Home
1256:Flanders, Judith (2002).
981:Christmas tree decoration
950:Albert Chevallier Tayler
648:, interior, billiard room
262:Victorian decorative arts
1265:Monsman, Gerald (2002).
934:Albert Chevallier Tayler
861:printed textile, 1881–83
343:(1837–1901), called the
282:Arts and Crafts movement
2209:Painting in Hälsingland
1102: – Interior design
587:A Victorian sittingroom
339:refers to the reign of
264:refers to the style of
196:more precise citations.
2331:Victorian architecture
1006:Alexander von Humboldt
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426:Theodore Roosevelt Sr.
372:Edwardian architecture
329:Victorian architecture
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307:Victorian architecture
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247:Dante Gabriel Rossetti
1018:Platonic epistemology
937:The Grey Drawing Room
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830:printed textile, 1876
699:wall that included a
370:and was succeeded by
364:Georgian architecture
320:and Midland Hotel in
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2336:History of furniture
2229:Pressed flower craft
1426:Mostly-Victorian.com
1346:improve this article
1187:van der Plaat (2015)
1175:van der Plaat (2015)
1151:van der Plaat (2015)
1139:van der Plaat (2015)
1120:Nguyen Hoang, Viet.
737:introduced in 1712.
672:Workhouse schoolroom
616:Emlen Physick Estate
368:Regency architecture
290:Anglo-Japanese style
84:improve this article
1646:Spinning (textiles)
1564:Friendship bracelet
1421:Victorian Bookmarks
1390:Victorian Furniture
1358:footnote references
1165:, pp. 200–202.
1153:, pp. 1–2, 12.
424:Dining room of the
390:Interior decoration
354:of historic styles
278:interior decoration
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843:Peacock and Dragon
681:Walls and ceilings
600:Vanderbilt Mansion
490:The parlor of the
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286:aesthetic movement
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255:Henry Treffry Dunn
2346:English furniture
2321:Victorian culture
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2152:Hardstone carving
2100:Balloon modelling
1614:Ribbon embroidery
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1213:, pp. 26–29.
1201:, pp. 39–45.
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1177:, pp. 11–14.
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1035:Victorian fashion
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294:Art Nouveau style
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101: –
100:
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95:Find sources:
89:
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79:
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73:This article
71:
67:
62:
61:
56:
54:
47:
46:
41:
40:
35:
30:
21:
20:
2192:Glass mosaic
2110:Bone carving
1910:Wood carving
1905:Wood burning
1880:Chip carving
1837:Scrapbooking
1822:Papier-mâché
1788:Papercutting
1741:Iris folding
1729:Photomontage
1724:Papier collé
1689:Altered book
1549:Cross-stitch
1449:. Retrieved
1445:the original
1436:
1372:
1363:
1348:by removing
1335:
1299:
1295:
1277:(1): 26–29.
1274:
1270:
1257:
1235:(1): 39–45.
1232:
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1125:
1115:
1068:Pteridomania
1022:
1014:
1010:pteridomania
999:
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936:
916:Neoclassical
897:
874:
858:
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827:
812:
793:
778:
739:
731:
684:
646:Dunedin Club
442:early 1900s.
399:
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355:
336:
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300:Architecture
261:
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226:
208:
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180:
146:
137:
127:
120:
113:
106:
94:
82:Please help
77:verification
74:
50:
43:
37:
36:Please help
33:
2305:Visual arts
2219:Pietra dura
2182:Micromosaic
2115:Doll making
2069:Silversmith
1986:Cameo glass
1943:Earthenware
1915:Woodturning
1827:Pop-up book
1812:Papermaking
1699:Calligraphy
1694:Bookbinding
1624:Rug hooking
1594:Needlepoint
1574:Lace-making
1539:Canvas work
1366:August 2022
1302:(1): 5–19.
1220:Works cited
1079:Hand cooler
1002:Oscar Wilde
987:(1862-1942)
908:Elizabethan
857:Design for
759:and Gothic
705:wainscoting
693:color wheel
358:Historicism
268:during the
253:, 1882, by
251:Cheyne Walk
202:August 2022
194:introducing
2315:Categories
2254:Wall decal
2177:Miniatures
2095:Assemblage
1963:Terracotta
1938:Bone china
1817:Paper toys
1783:Papercraft
1709:Cast paper
1704:Cardmaking
1651:String art
1641:Shoemaking
1629:Rug making
1599:Needlework
1554:Embroidery
1544:Crocheting
1505:handicraft
1451:2011-04-03
1108:References
1041:Victoriana
910:, English
875:Woodpecker
873:Detail of
828:Snakeshead
761:tapestries
749:Gothic art
697:tripartite
688:marbleized
538:, Ayrshire
366:and later
177:references
110:newspapers
39:improve it
2249:Taxidermy
2239:Scrimshaw
2214:Pargeting
2140:Grotesque
2120:Dollhouse
2064:Goldsmith
2059:Jewellery
2049:Engraving
2006:Glassware
1991:Chip work
1958:Stoneware
1948:Porcelain
1900:Marquetry
1875:Carpentry
1870:Cabinetry
1847:Wallpaper
1773:Embossing
1766:Moneygami
1719:Decoupage
1604:Patchwork
1589:Millinery
1437:Furniture
1350:excessive
1308:1327-8746
1283:1559-2715
966:Breakfast
886:Furniture
782:wallpaper
779:Artichoke
741:Wallpaper
728:Wallpaper
721:Lincrusta
402:sideboard
337:Victorian
140:June 2009
45:talk page
2204:Ornament
2167:Lapidary
2162:Lath art
2145:Gargoyle
2105:Beadwork
2079:Ironwork
1895:Intarsia
1890:Fretwork
1885:Ébéniste
1865:Bentwood
1842:Stamping
1832:Quilling
1778:Marbling
1761:Kirigami
1751:Kamikiri
1656:Tapestry
1609:Quilting
1569:Knitting
1028:See also
859:Windrush
813:Acanthus
757:Medieval
352:revivals
349:eclectic
274:eclectic
2293:Fashion
2281:History
2267:Portals
2199:Netsuke
2054:Etching
2034:Andiron
1953:Pottery
1933:Azulejo
1925:Ceramic
1793:Chinese
1756:Origami
1746:Jianzhi
1714:Collage
1671:Weaving
1666:Tie-dye
1661:Tatting
1584:Macrame
1559:Felting
1526:Textile
1516:History
1344:Please
1336:use of
1249:2167982
713:cornice
190:improve
124:scholar
2187:Mosaic
2044:Enamel
2011:Mirror
1803:Slavic
1798:Jewish
1636:Sewing
1619:Carpet
1306:
1281:
1247:
912:Rococo
900:Gothic
796:1897 (
709:frieze
322:London
292:, and
284:, the
280:. The
179:, but
126:
119:
112:
105:
97:
2088:Other
2026:Metal
1978:Glass
1736:Decal
1681:Paper
1579:Lucet
1245:JSTOR
904:Tudor
794:circa
784:, by
356:(see
131:JSTOR
117:books
2157:Inro
1968:Tile
1857:Wood
1503:and
1304:ISSN
1279:ISSN
788:for
701:dado
691:the
392:and
103:news
1352:or
1237:doi
1233:100
983:by
711:or
703:or
86:by
2317::
1439:.
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1300:19
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1294:.
1275:45
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2269::
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128:·
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114:·
107:·
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55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
