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424:, in Orledge's view "a celebration of traditional Catholic regionalism as opposed to modern liberal democracy and capitalist values". After the war he increased his activities as a conductor, giving concert tours throughout Europe and the US. 1920 he married the much younger Caroline Janson; Orledge writes that this "brought a true creative rebirth, witnessed in the serene Mediterranean-inspired compositions of his final decade".
385:, the death of d'Indy's first wife in 1905 removed the stabilising influence in the composer's life, and he became "increasingly vulnerable to politically motivated attacks on the Schola Cantorum and apprehensive of dangerously decadent trends in contemporary music in both France and Germany". His aesthetic ideas, Orledge argues, became "increasingly reactionary and dogmatic" and his political views right-wing and
353:, of which his teacher, Franck, had been a founding member in 1871. Like Franck, d'Indy revered German music, and he resented the society's exclusion of non-French music and composers. He became the society's joint secretary in 1885, and succeeded in overturning its French-only rule the following year. The founders of the society,
506:
says of his chamber works: "D'Indy's somewhat academic corpus of chamber music (including three completed string quartets) is generally less interesting than his orchestral works". He also wrote piano music (including a Sonata in E minor), songs and a number of operas, including
304:
says, "A solid grounding in technique was encouraged, rather than originality", and comments that few graduates could stand comparison with the best
Conservatoire students. D'Indy later taught at the Conservatoire and privately, while retaining his post at the Schola Cantorum.
499:
said of his music that the influence of
Berlioz, Franck, and Wagner is strong in almost all his work, "that of Franck showing itself chiefly in the shapes of his tunes, that of Wagner in their development, and that of Berlioz in their orchestration".
449:
comments that his famed veneration for
Beethoven and Franck "has unfortunately obscured the individual character of his own compositions, particularly his fine orchestral pieces descriptive of southern France". Among his best known pieces are the
566:
commented that his study of the former was "one of the most vivid and individual of modern French biographies", and the latter, published in 1912, showed "the closeness of the lifelong study which he devoted to that master".
361:
resigned in protest. Franck refused the formal title of president of the society, but when he died in 1890, d'Indy took the post. His regime, however, alienated a younger generation of French composers, who, led by
340:, who studied there for three years and later wrote, "Why on earth had I gone to d'Indy? The things I had written before were so full of charm. And now? What nonsense! What dullness!" Nonetheless, according to
1188:
D'Indy Trio for
Clarinet, Cello & Piano, Op. 29, Piano Quartet Op. 7, String Quartet No. 1 and String Sextet, Op. 92 soundbites and discussion of works
48:; 27 March 1851 – 2 December 1931) was a French composer and teacher. His influence as a teacher, in particular, was considerable. He was a co-founder of the
256:
came from around this time. In 1887 appeared his Suite in D for trumpet, 2 flutes and string quartet. That same year he was involved in
Lamoureux's production of Wagner's
346:, d'Indy's influence as a teacher was "enormous and wide-ranging, with benefits for French music far outweighing the charges of dogmatism and political intolerance".
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370:
in 1910, which attracted leading young composers from France and other countries. In an attempt to further a proposed merger of the two organisations during the
2328:
905:"La musique française pendant la Guerre 1914–1918: Autour de la tentative de fusion de la Société Nationale de Musique et de la Société Musicale Indépendante"
876:
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752:
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141:, d'Indy enlisted in the National Guard, but returned to musical life as soon as the hostilities were over. He entered Franck's organ class at the
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91:, and was strongly influenced by Franck's admiration for German music. At a time when nationalist feelings were high in both countries (circa the
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Inspired by his studies with Franck and yet dissatisfied with the standard of teaching at the
Conservatoire, d'Indy, together with
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of 1871), this brought Franck into conflict with other musicians who wished to separate French music from German influence.
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in 1894. D'Indy taught there until his death, becoming principal in 1904. Of the teaching at the Schola
Cantorum,
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treatise on orchestration, which inspired him to become a composer. He wrote a piano quartet which he sent to
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609:
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D'Indy helped revive a number of then largely forgotten
Baroque works, for example making his own edition of
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206:. Around this time he married Isabelle de Pampelonne, one of his cousins. In 1875 his symphony dedicated to
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was performed. That same year he played a minor role – the prompter – at the premiere of Bizet's opera
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persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to
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in 1871 remaining there until 1875, when he joined the percussion section of the orchestra at the
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d'Indy stepped down as president of the Société nationale to make way for the more "progressive"
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1976:
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2007:
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893:"Maurice Ravel et la Société Musicale Indépendante: 'Projet Mirifique de Concerts Scandaleux'"
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d'Indy served on cultural missions to allied countries, and completed his third music drama,
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Vincent d'Indy: Ma Vie. Journal de jeunesse. Correspondance familiale et intime, 1851–1931
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Paul Marie Théodore
Vincent d'Indy was born in Paris into an aristocratic family of
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D'Indy died on 2 December 1931 in his native Paris, aged 80, and was buried in the
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Vincent d'Indy and Moral Order' and 'Fervaal': French Opera at the Fin de Siècle
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Among d'Indy's other works are more orchestral pieces, including a
Symphony in B
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1109:, 'D'Indy's "Fervaal": Reconstructing French Identity at the Fin-de-Siècle',
984:, International Astronomical Union Minor Planet Center. Retrieved 15 May 2021
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231:. This made a great impression on him and he became a fervent Wagnerian.
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81:
877:"150ème anniversaire de la naissance de la Société nationale de musique"
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19:"d'Indy" redirects here. For the asteroid named after the composer, see
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Few of d'Indy's works are performed regularly in concert halls today.
1981:
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to gain practical experience. He also served as chorus-master to the
2073:
580:
542:. D'Indy also contributed to the incipient revival of the works of
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was premiered. His piano suite ("symphonic poem for piano") called
240:
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was performed at a Pasdeloup concert, sandwiched between works by
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972:, École de musique Vincent-d'Indy, 2021. Retrieved 15 May 2021
409:
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810:(Second edition, revised and enlarged ed.). New York.
550:) were edited by d'Indy as cello concerti and published by
186:
During the summer of 1873 he visited Germany, where he met
583:, Canada, is named after the composer, as is the asteroid
794:, edited by Alison Latham, Oxford University Press, 2011.
554:
in 1922. His musical writings include the three-volume
349:
D'Indy played an important part in the history of the
216:. In 1876 he was present at the first production of
1154:French Opera at the Fin de Siècle: Vincent d'Indy
2240:
590:
167:The first of his works he heard performed was a
1002:(fifth ed.). New York: St Martin's Press.
183:, with whom he had already become acquainted.
122:From the age of 14 d'Indy studied harmony with
2349:Academic staff of the Schola Cantorum de Paris
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546:, whose sonatas for cello and basso continuo (
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807:International encyclopedia of women composers
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393:(League of the French Fatherland) during the
2289:Academic staff of the Conservatoire de Paris
1157:. Oxford Univ. Press, US. pp. 301–350.
1090:
468:in which the theme appears only at the end.
126:. When he was 16 an uncle introduced him to
2329:Members of the Ligue de la patrie française
1214:Performance of Lied for cello and orchestra
1145:Vincent d'Indy: His Greatness and Integrity
879:, Concertclassic.com. Retrieved 13 May 2021
1258:
1244:
1085:(Oxford, 1999), pp. 301–08 and 317–50
838:: CS1 maint: location missing publisher (
718:
493:, written on the death of his first wife.
1197:International Music Score Library Project
1000:Grove's Dictionary of Music and Musicians
684:Grove's Dictionary of Music and Musicians
475:d'Indy and a harmonium (11 February 1913)
343:Grove's Dictionary of Music and Musicians
238:was performed. In 1882 he heard Wagner's
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753:"Indy, (Paul Marie Théodore) Vincent d'"
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27:
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1076:Vincent d'Indy: Champion of Classicism
1014:
441:List of compositions by Vincent d'Indy
320:(who later wrote d'Indy's biography),
1239:
1019:. New York: Oxford University Press.
887:
885:
871:
869:
867:
803:
751:Orledge, Robert, and Andrew Thomson.
248:appeared. In 1884 his symphonic poem
43:
2339:Pupils of Antoine François Marmontel
1088:Vincent d'Indy (Marie d'Indy, ed.),
997:
899:, vol. 80, no. 2, 1994, pp. 251–281
707:
705:
703:
701:
699:
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456:for piano and orchestra (1886), and
308:Among d'Indy's renowned pupils were
268:occupied him between 1889 and 1895.
2117:Tchaikovsky and the Belyayev circle
194:. On 25 January 1874, his overture
171:, at an orchestral rehearsal under
13:
2284:20th-century French male musicians
2269:19th-century French male musicians
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1068:
882:
864:
234:In 1878 d'Indy's symphonic ballad
37:Paul Marie Théodore Vincent d'Indy
14:
2360:
1203:Free scores by Vincent d'Indy
1172:
694:
570:
558:as well as studies of Franck and
453:Symphony on a French Mountain Air
2294:Burials at Montparnasse Cemetery
2274:20th-century classical composers
2259:19th-century classical composers
2222:
2213:
2212:
1179:Works by or about Vincent d'Indy
1113:84/2 (May 2003), pp. 209–40
1051:Templier, Pierre-Daniel (1969).
1017:Noël and Cole: The Sophisticates
924:"Les obsèques de Vincent d'Indy"
852:McBrien, p 94; and Citron, p. 56
759:, Oxford University Press, 2001
378:, but the plan came to nothing.
262:as choirmaster. His music drama
2309:French male non-fiction writers
2304:French male classical composers
975:
963:
933:
917:
687:, 5th edition, 1954, volume V,
577:École de musique Vincent-d'Indy
1055:. Cambridge, Mass: MIT Press.
855:
846:
797:
781:
765:
602:
519:Le Légende de Saint Christophe
422:La Légende de Saint-Christophe
87:D'Indy studied under composer
1:
2299:Conservatoire de Paris alumni
2279:20th-century French composers
2264:19th-century French composers
1193:Free scores by Vincent d'Indy
911:, 1996, T. 82, No. 1, p. 148
792:The Oxford Companion to Music
659:
591:Notes, references and sources
556:Cours de composition musicale
368:Société musicale indépendante
332:. Two atypical students were
302:The Oxford Companion to Music
137:At the age of 19, during the
1207:Choral Public Domain Library
1135:Vincent d'Indy and his World
942:Sonates en concert: Sonate 5
391:Ligue de la patrie française
381:According to the biographer
351:Société nationale de musique
7:
2160:Gothic Revival architecture
1121:Vincent d'Indy et son temps
16:French composer (1851–1931)
10:
2365:
2101:Neue Zeitschrift für Musik
1276:List of Romantic composers
991:
575:The private music college
438:
244:. In 1883 his choral work
175:; the work was admired by
113:Antoine François Marmontel
18:
2319:French Romantic composers
2192:
2137:
2082:
2016:
1995:
1282:
1273:
1227:English Chamber Orchestra
1034:McBrien, William (1998).
539:L'incoronazione di Poppea
485:, a vast symphonic poem,
2122:Tchaikovsky and The Five
1151:Huebner, Steven (2006).
1015:Citron, Stephen (1993).
804:Cohen, Aaron I. (1987).
715:, 4 December 1931, p. 16
608:Other students included
595:
517:(1902). His music drama
487:Jour d'été à la montagne
464:in the form of a set of
434:
366:, founded the breakaway
298:Schola Cantorum de Paris
56:. His students included
50:Schola Cantorum de Paris
945:, Paris: Senart, 1922,
930:, 5 December 1931, p. 2
913:(subscription required)
901:(subscription required)
772:"Courrier des théâtres"
761:(subscription required)
525:, was premiered at the
521:, based on themes from
98:
52:and also taught at the
2344:Pupils of César Franck
2314:French Roman Catholics
2145:Common practice period
1091:
642:Anne Terrier Laffaille
587:, discovered in 1992.
476:
413:
406:Cimetière Montparnasse
285:
164:
143:Conservatoire de Paris
33:
778:, 22 March 1878, p. 3
711:"M. Vincent d'Indy",
474:
429:Montparnasse Cemetery
403:
274:
246:Le Chant de la cloche
159:
45:[vɛ̃sɑ̃dɛ̃di]
31:
2334:Musicians from Paris
2182:Romantic nationalism
2128:War of the Romantics
1231:Yan Pascal Tortelier
909:Revue de Musicologie
897:Revue de Musicologie
891:Duchesneau, Michel.
646:Emiliana de Zubeldia
614:Léon Destroismaisons
2324:Composers for piano
2177:Musical nationalism
2095:Musical nationalism
1223:Julian Lloyd Webber
1038:. New York: Knopf.
998:Blom, Eric (1954).
681:"Indy, Vincent d'",
359:Camille Saint-Saëns
254:Poème des montagnes
169:Symphonie italienne
139:Franco-Prussian War
93:Franco-Prussian War
54:Paris Conservatoire
2090:Indianist movement
2008:Romantic orchestra
1123:(Sprimont, 2006).
757:Grove Music Online
638:Ahmet Adnan Saygun
610:Pierre Capdevielle
477:
414:
404:d'Indy's grave in
294:Alexandre Guilmant
286:
236:La Forêt enchantée
165:
160:Bust of d'Indy by
34:
2236:
2235:
2107:New German School
1702:Felix Mendelssohn
1697:Fanny Mendelssohn
1164:978-0-19-518954-4
1147:(Melbourne, 1994)
1111:Music and Letters
1026:978-0-19-508385-9
788:"Schola Cantorum"
618:Déodat de Séverac
318:Joseph Canteloube
162:Antoine Bourdelle
2356:
2226:
2216:
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2112:Post-romanticism
1977:Vaughan Williams
1260:
1253:
1246:
1237:
1236:
1215:
1183:Internet Archive
1168:
1133:Andrew Thomson,
1117:Manuela Schwartz
1094:
1081:Steven Huebner,
1064:
1047:
1030:
1011:
985:
982:"(11530) d'Indy"
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967:
961:
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959:
957:
937:
931:
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915:
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902:
889:
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875:Cochard, Alain.
873:
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801:
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630:Rodolphe Mathieu
606:
529:on 6 June 1920.
484:
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389:. He joined the
275:Illustration by
151:Concerts Colonne
147:Châtelet Theatre
47:
42:
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2205:Modernist music
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2198:Classical music
2188:
2133:
2078:
2059:Romantic ballet
2054:Orchestral song
2034:Chorale prelude
2029:Character piece
2012:
2003:Romantic guitar
1996:Instrumentation
1991:
1827:Rimsky-Korsakov
1447:Ferdinand David
1284:
1278:
1269:
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1096:(Paris, 2001).
1074:Norman Demuth,
1071:
1069:Further reading
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544:Antonio Vivaldi
523:Gregorian chant
489:, and another,
481:
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443:
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418:First World War
372:First World War
326:Arthur Honegger
310:Albéric Magnard
196:Les Piccolomini
192:Johannes Brahms
173:Jules Pasdeloup
124:Albert Lavignac
101:
66:Arthur Honegger
58:Albéric Magnard
40:
32:d'Indy, c. 1895
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296:, founded the
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117:Louis Diémer
102:
89:César Franck
86:
36:
35:
25:
21:11530 d'Indy
2254:1931 deaths
2249:1851 births
2150:Romanticism
1932:Tchaikovsky
1867:R. Schumann
1862:C. Schumann
1847:Saint-Saëns
1742:Niedermeyer
1632:Leoncavallo
1602:Kalkbrenner
1377:Bortkiewicz
1036:Cole Porter
527:Paris Opéra
513:(1897) and
416:During the
334:Cole Porter
322:Celia Torra
188:Franz Liszt
82:Cole Porter
2243:Categories
2138:Background
2039:Intermezzo
1972:Wieniawski
1952:Vieuxtemps
1917:R. Strauss
1842:Rubinstein
1767:Paderewski
1737:Mussorgsky
1732:Moszkowski
1707:Mercadante
1107:James Ross
1061:1034659768
1053:Erik Satie
1044:1148597196
951:1114800864
660:References
534:Monteverdi
515:L'Étranger
466:variations
460:(1896), a
338:Erik Satie
78:Erik Satie
1752:Offenbach
1727:Moscheles
1722:Moniuszko
1717:Meyerbeer
1672:Marschner
1657:MacDowell
1472:Donizetti
1417:Cherubini
1407:Chaminade
1332:Beethoven
1317:Balakirev
1307:Atterberg
1285:musicians
834:cite book
776:Le Figaro
713:The Times
689:Eric Blom
564:The Times
560:Beethoven
536:'s opera
496:The Times
491:Souvenirs
259:Lohengrin
204:Beethoven
128:Berlioz's
2218:Category
2195: ←
2074:Symphony
1937:Thalberg
1902:Spontini
1877:Sibelius
1872:Scriabin
1857:Schubert
1852:Sarasate
1817:Respighi
1812:Reinecke
1772:Paganini
1682:Massenet
1677:Masarnau
1662:Madetoja
1607:Kreisler
1597:Kalivoda
1542:J. Gomis
1527:Glazunov
1522:Giuliani
1412:Chausson
1402:Chadwick
1392:Bruckner
1225:and the
928:Comoedia
826:16714846
581:Montreal
482:♭
241:Parsifal
229:Bayreuth
109:Catholic
105:royalist
2208:→
2170:Science
2049:Mazurka
2024:Ballade
1957:Voříšek
1927:Tárrega
1922:Taneyev
1882:Smetana
1837:Rossini
1792:Puccini
1787:Prudent
1747:Nielsen
1712:Méreaux
1687:Medtner
1652:Lysenko
1622:Lachner
1587:Joachim
1567:Herbert
1487:Farrenc
1452:Delibes
1427:Crusell
1372:Borodin
1362:Berwald
1352:Berlioz
1342:Bennett
1337:Bellini
1322:Bazzini
1302:Arensky
1219:YouTube
1205:in the
1199:(IMSLP)
1195:at the
1181:at the
1119:(ed.),
1008:1192249
992:Sources
956:18 July
510:Fervaal
282:Fervaal
265:Fervaal
41:French:
2228:Portal
2165:Poetry
2017:Genres
1962:Wagner
1942:Tobias
1807:Reicha
1782:Popper
1762:Pacini
1757:Onslow
1667:Mahler
1647:Lumbye
1612:Kuhlau
1592:Joplin
1582:Hummel
1572:Hérold
1562:Halévy
1547:Gounod
1532:Glinka
1512:Franck
1507:Foster
1477:Dvořák
1467:d'Indy
1457:Delius
1437:Czerny
1422:Chopin
1397:Busoni
1382:Brahms
1357:Bertin
1347:Bériot
1161:
1127:
1100:
1059:
1042:
1023:
1006:
949:
903:; and
824:
814:
548:op. 14
213:Carmen
76:, and
2155:Chess
1987:Ysaÿe
1967:Weber
1947:Verdi
1897:Spohr
1892:Sousa
1777:Paine
1692:Méhul
1642:Loewe
1637:Liszt
1617:Kuula
1577:Holst
1557:Grieg
1537:Gomes
1517:Franz
1502:Foote
1497:Field
1492:Fauré
1482:Elgar
1462:Denza
1387:Bruch
1367:Bizet
1327:Beach
1312:Auber
1297:Alkan
596:Notes
504:Grove
458:Istar
447:Grove
435:Works
410:Paris
225:cycle
2044:Lied
1982:Wolf
1832:Rode
1822:Ries
1802:Raff
1627:Lalo
1292:Adam
1159:ISBN
1125:ISBN
1098:ISBN
1057:OCLC
1040:OCLC
1021:ISBN
1004:OCLC
958:2022
947:OCLC
840:link
822:OCLC
812:ISBN
648:and
357:and
328:and
292:and
279:for
223:Ring
202:and
200:Bach
190:and
179:and
115:and
107:and
99:Life
1887:Sor
1432:Cui
1221:by
1217:on
691:ed.
579:in
227:at
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842:)
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408:(
39:(
23:.
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