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Echoes occur when there is an audible gap between the direct sound and its reflection. The walls surrounding the stage on which the seats are banked help provide the early reflections of sound from the side that are generally considered favourable. Installation of acoustic reflectors is another way
106:
writing to the judges "of all the designs submitted, one seems to stand out above the others... founded on the principle that the performers should be in the middle... the deployment of the walls certainly makes good sense acoustically, but the most impressive of all is the complete concentration of
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observed that "people always gather in circles when listening to music informally". His design won the ensuing competition, with
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Concert hall design that features sloping terraced seating sections around the stage
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1279:"International Activities - Shenzhen Concert Hall's Symphony Hall, Shenzhen"
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1219:"The new Copenhagen concert hall: It looks seductive and sounds terrific"
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1018:
Proceedings of the
International Symposium on Room Acoustics, ISRA 2010
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754:"Aspen Ideas Festival: How the vineyard style trumped the shoebox"
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1314:"Acoustical design of Shenzhen Concert Hall, Shenzhen China"
1307:
1004:
399:
1469:"International Activities - Elbephilharmonie, Hamburg"
1447:"Making acoustic choices for the future symphony hall"
1417:"Helsinki Music Centre Concert Halls and Other Spaces"
900:"Making acoustic choices for the future symphony hall"
62:). Other possibilities are the fan-shaped (as at the
956:"Early lateral reflections in modern concert halls"
1392:"Helsinki's new Music Centre garners rave reviews"
1362:"International Activities - Helsinki Music Centre"
852:"The first vineyard concert hall in North America"
814:
1588:
1582:1:10 acoustic model of the Philharmonie de Paris
812:
930:The New Grove Dictionary of Music and Musicians
693:
953:
923:
751:
414:MHS Planners, Architects & Engineers Ltd.
86:When faced with designing a new home for the
1319:Journal of the Acoustical Society of America
1216:
961:Journal of the Acoustical Society of America
857:Journal of the Acoustical Society of America
701:Journal of the Acoustical Society of America
74:). The design might be considered a musical
1011:"Stage acoustics for vineyard concert hall"
850:Jaffe, Christopher; Rivera, Carlos (2002).
534:Architectural office Laiho-Pulkkinen-Raunio
126:. The style is now found globally. For the
46:in the manner of the sloping terraces of a
1166:"Muza Kawasaki Symphony Hall - Facilities"
747:
745:
743:
741:
739:
985:
808:
806:
786:"Concert Hall Acoustics: Art and Science"
780:
778:
776:
1188:"Danish Radio Concert Hall, Copenhagen"
736:
335:Hokkaido Engineering Consultant Company
181:
169:
14:
1589:
1558:National Kaohsiung Center for the Arts
1396:Ministry for Foreign Affairs (Finland)
803:
773:
637:National Kaohsiung Center for the Arts
184:
178:
175:
172:
166:
163:
1529:"Wei-Wu-Ying Performing Arts Centre"
817:Herbert von Karajan: A Life in Music
107:the listener on the musical event".
156:
24:
58:and a stage at one end (as at the
25:
1608:
1575:
1217:Hewett, Ivan (4 February 2009).
670:
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50:. It may be contrasted with the
38:where the seating surrounds the
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1499:"Elbphilharmonie - The Project"
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933:. Vol. 1. pp. 70–97.
998:
947:
917:
892:
843:
752:Adams, Richard (2 July 2011).
687:
13:
1:
1328:Acoustical Society of America
1251:"Koncerthuset - Presentation"
1168:. Muza Kawasaki Symphony Hall
970:Acoustical Society of America
866:Acoustical Society of America
710:Acoustical Society of America
696:"Concert hall acoustics—1992"
680:
110:Following the example of the
88:Berlin Philharmonic Orchestra
18:Vineyard style (architecture)
1036:Leipzig Gewandhaus Orchestra
133:
7:
1057:"Suntory Hall - Facilities"
580:Marshall Day Acoustics and
394:Muza Kawasaki Symphony Hall
114:, the first example in the
10:
1613:
1138:"Walt Disney Concert Hall"
137:
81:
54:, which has a rectangular
813:Osborne, Richard (1998).
694:Beranek, Leo L. (1992).
351:Walt Disney Concert Hall
153:of solving the problem.
1449:. Philharmonie de Paris
954:Cremer, Lothar (1987).
144:Architectural acoustics
1110:"Sapporo Concert Hall"
620:Herzog & de Meuron
148:Acoustical engineering
1421:Helsinki Music Centre
904:Philharmonie de Paris
790:University of Salford
555:Philharmonie de Paris
514:Helsinki Music Centre
471:Shenzhen Concert Hall
191:Berliner Philharmonie
128:Philharmonie de Paris
112:Berliner Philharmonie
92:Die alte Philharmonie
312:Sapporo Concert Hall
76:theatre in the round
1479:on 24 December 2011
1372:on 24 December 2011
1336:2008ASAJ..123.2973T
1289:on 24 December 2011
1231:on 14 February 2009
1224:The Daily Telegraph
1198:on 24 December 2011
978:1987ASAJ...81...52F
874:2002ASAJ..112.2255J
823:Chatto & Windus
718:1992ASAJ...92....1B
120:Sala Nezahualcoyotl
104:Herbert von Karajan
98:in 1944, architect
1509:on 18 January 2012
1427:on 5 February 2012
1554:"About Weiwuying"
1344:10.1121/1.2932462
987:10.1121/1.2024280
940:978-0-19-517067-2
882:10.1121/1.4778988
678:
677:
72:Royal Albert Hall
34:is a design of a
16:(Redirected from
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1505:. Archived from
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1475:. Archived from
1473:Nagata Acoustics
1465:
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1423:. Archived from
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1368:. Archived from
1366:Nagata Acoustics
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1346:. Archived from
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1285:. Archived from
1283:Nagata Acoustics
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1192:Nagata Acoustics
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1005:Wei-hwa Chiang (
1002:
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990:. Archived from
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728:. Archived from
726:10.1121/1.404283
691:
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663:Albert Yaying Xu
645:
625:Nagata Acoustics
607:
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582:Nagata Acoustics
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497:Nagata Acoustics
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418:Nagata Acoustics
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377:Nagata Acoustics
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339:Nagata Acoustics
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295:Nagata Acoustics
291:Yasui Architects
267:
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157:Notable examples
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599:Elbphilharmonie
257:Wolfgang Fasold
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138:Main articles:
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94:, destroyed by
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42:, rising up in
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1576:External links
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1350:on 2012-07-01.
1308:Oguchi Keiji;
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1101:
1082:"Suntory Hall"
1073:
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997:
994:on 2012-07-07.
946:
939:
927:, ed. (2001).
925:Sadie, Stanley
916:
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888:on 2012-07-08.
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732:on 2012-07-01.
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1597:Concert halls
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868:: 2255–2256.
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836:1-55553-425-2
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100:Hans Scharoun
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52:shoebox style
49:
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37:
33:
19:
1561:. Retrieved
1548:
1536:. Retrieved
1523:
1511:. Retrieved
1507:the original
1493:
1481:. Retrieved
1477:the original
1463:
1451:. Retrieved
1441:
1429:. Retrieved
1425:the original
1411:
1399:. Retrieved
1386:
1374:. Retrieved
1370:the original
1356:
1348:the original
1323:
1317:
1303:
1291:. Retrieved
1287:the original
1273:
1261:. Retrieved
1258:Koncerthuset
1245:
1233:. Retrieved
1229:the original
1222:
1212:
1200:. Retrieved
1196:the original
1182:
1170:. Retrieved
1160:
1148:. Retrieved
1132:
1120:. Retrieved
1104:
1092:. Retrieved
1076:
1064:. Retrieved
1061:Suntory Hall
1051:
1039:. Retrieved
1032:"Great Hall"
1026:
1017:
1006:
1000:
992:the original
965:
959:
949:
928:
919:
907:. Retrieved
894:
886:the original
861:
855:
845:
816:
793:. Retrieved
763:. Retrieved
759:The Guardian
757:
730:the original
705:
699:
689:
428:Koncerthuset
273:Suntory Hall
253:Rudolf Skoda
151:
109:
91:
85:
44:serried rows
36:concert hall
31:
29:
1041:17 February
825:. pp.
576:Jean Nouvel
449:Jean Nouvel
366:Los Angeles
185:Auditorium
124:Mexico City
122:of 1976 in
90:to replace
70:(as at the
60:Musikverein
1563:28 October
1538:28 October
1009:) (2010).
681:References
443:Copenhagen
232:Gewandhaus
179:Acoustics
176:Architect
66:) and the
56:auditorium
1172:1 October
652:Kaohsiung
616:, Germany
531:, Finland
445:, Denmark
249:, Germany
208:, Germany
182:Capacity
173:Location
167:Exterior
140:Acoustics
134:Acoustics
116:New World
1591:Category
1330:: 2973.
1312:(2008).
712:: 1–39.
654:, Taiwan
572:, France
529:Helsinki
486:Shenzhen
409:Kawasaki
118:was the
64:Barbican
48:vineyard
1513:5 March
1483:5 March
1453:5 March
1431:5 March
1401:5 March
1376:5 March
1332:Bibcode
1293:5 March
1263:5 March
1235:4 March
1202:5 March
1150:5 March
1122:5 March
1094:5 March
1066:5 March
974:Bibcode
909:5 March
870:Bibcode
795:5 March
765:5 March
714:Bibcode
614:Hamburg
488:, China
411:, Japan
327:Sapporo
247:Leipzig
170:Opened
96:bombing
82:History
1007:et al.
972:: 52.
937:
833:
206:Berlin
146:, and
1326:(5).
1254:(PDF)
1141:(PDF)
1113:(PDF)
1085:(PDF)
1014:(PDF)
968:(1).
864:(5).
708:(1).
570:Paris
422:1997
368:, USA
331:Japan
287:Japan
283:Tokyo
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1565:2019
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566:2015
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525:2011
501:1680
482:2007
458:1800
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