1071:
1095:
82:
85:
While the row is not necessary for understanding any good twelve-note piece, an awareness of it in this concerto is useful because the row is very much in the foreground, and is quite obviously abstracted from
Schoenberg's concrete melodic-thematic thinking.
139:
with an unusually dynamic development. It only gradually becomes clear that the underlying character is that of a march. There is a second cadenza just before the end, which rounds off the whole work in
1120:
733:
31:
dates from
Schoenberg's time in the United States, where he had moved in 1933 to escape Nazi Germany. The piece was written in 1936, the same year as the
538:
1053:
204:
1125:
529:
585:
697:
603:
533:
1135:
690:
200:
40:
1003:
704:
678:
890:
1009:
670:
821:
785:
464:
910:
578:
419:
501:
478:
Earle, Ben. 2003. "Taste, Power, and Trying to
Understand Op. 36: British Attempts to Popularize Schoenberg".
795:
430:. 1961. "No Bridge to Nowhere: An Introduction to Stravinsky's Movements and Schoenberg's Violin Concerto".
813:
750:
121:
32:
727:
81:
79:
technique used in his earlier work in favour of a thematic structure. The basic row of the concerto is:
1130:
1085:
1074:
571:
553:
974:
542:
515:
415:
407:
1115:
766:
684:
489:
487:
Hall, Anne C. 1975. "A Comparison of
Manuscript and Printed Scores of Schoenberg's Violin Concerto".
443:
900:
104:. Opinion is divided about the form of the first movement. According to one authority, it is in
1099:
1034:
870:
173:
161:
36:
629:
1058:
939:
805:
299:
227:
185:
64:
60:
1024:
1014:
963:
649:
8:
1029:
209:
181:
1040:
957:
480:
758:
215:
594:
460:
441:
Mead, Andrew. 1985. "Large-Scale
Strategy in Arnold Schoenberg's Twelve-Tone Music".
432:
165:
28:
852:
239:
90:
508:
Wilker, Ulrich. 2015. "Aus der Neuen Welt. Tradition und
Innovation in Schönbergs
930:
496:
920:
980:
639:
307:
547:
1109:
968:
862:
452:
247:
169:
76:
1047:
842:
459:, with a new preface. Chicago and London: The University of Chicago Press.
275:
117:
109:
44:
120:. It employs a wide variety of row forms, often in families associated by
557:
427:
255:
149:
141:
105:
24:
985:
303:
295:
177:
59:
writing upon his move to
America and, though the Violin Concerto uses
1019:
619:
283:
279:
196:
563:
263:
243:
94:
72:
56:
271:
259:
251:
231:
172:
as the soloist (Krasner had previously given the premiere of the
113:
68:
291:
287:
319:
556:, Randy Schoenberg, Arnold Schoenberg's grandson, interviews
136:
214:, violin; Orchestra Sinfonica di Roma della Radio Italiana,
267:
235:
35:. At the time of its completion, Schoenberg was living in
180:). Krasner later made a recording of the concerto, with
420:"Concerto for Violin and Orchestra – extensive details"
350:
348:
346:
160:
The concerto was premiered on
December 6, 1940, by the
1083:
499:. 1966. "Zur Theorie einiger Reihen-Kombinationen".
343:
414:
410:". University of Pavia (accessed 20 February 2018).
331:
325:
39:, and had just accepted a teaching position at the
372:
360:
1107:
384:
201:Festival internazionale di musica contemporanea
1121:Twelve-tone compositions by Arnold Schoenberg
579:
928:
918:
908:
898:
888:
850:
840:
819:
803:
793:
783:
756:
668:
647:
637:
627:
617:
148:The concerto was first published in 1939 by
586:
572:
734:Concerto for String Quartet and Orchestra
698:Begleitungsmusik zu einer Lichtspielscene
534:International Music Score Library Project
493:14, no. 1 (Autumn-Winter, 1975): 182–196.
16:1936 violin concerto by Arnold Schoenberg
75:melody, and hence a renunciation of the
1126:Music dedicated to students or teachers
1108:
426:
354:
108:, while another asserts it is a large
593:
567:
451:
405:
390:
337:
93:fast–slow–fast form, traditional for
41:University of California, Los Angeles
530:Violin Concerto, Op. 36 (Schoenberg)
440:
378:
366:
191:
13:
472:
221:
14:
1147:
1004:Arnold Schönberg Complete Edition
523:
510:Concerto for Violin and Orchestra
447:24, no. 1 (Fall-Winter): 120–157.
155:
50:
1093:
1070:
1069:
55:Schoenberg had made a return to
1136:Concertos by Arnold Schoenberg
436:102, no. 1417 (March): 156–58.
1:
911:Das Buch der hängenden Gärten
484:84, no. 4 (November): 608–43.
313:
203:, Primo concerto sinfonico).
502:Archiv fĂĽr Musikwissenschaft
7:
408:Biennale Musica (1930–1972)
43:. The work is dedicated to
10:
1152:
796:Sechs kleine KlavierstĂĽcke
226:The orchestra calls for 3
1067:
995:
950:
881:
833:
776:
743:
714:
685:Five Pieces for Orchestra
661:
610:
601:
560:about the Violin Concerto
490:Perspectives of New Music
444:Perspectives of New Music
135:. The last movement is a
691:Variations for Orchestra
988:(Relatives by marriage)
543:Arnold Schönberg Center
516:Arnold Schönberg Center
416:Arnold Schönberg Center
326:Arnold Schönberg Center
199:, 6 September 1948 (XI
176:by Schoenberg's pupil,
1035:Second Viennese School
929:
919:
909:
899:
889:
871:A Survivor from Warsaw
851:
841:
820:
804:
794:
784:
757:
705:Chamber Symphony No. 2
679:Chamber Symphony No. 1
669:
648:
638:
628:
618:
162:Philadelphia Orchestra
37:Brentwood, Los Angeles
1059:Twelve-tone technique
940:Four Orchestral Songs
671:Pelleas und Melisande
186:New York Philharmonic
61:twelve-tone technique
1025:Developing variation
753:(Opp. 7, 10, 30, 37)
650:Von heute auf morgen
604:List of compositions
112:, concluding with a
33:String Quartet No. 4
1030:Expressionist music
630:Die glĂĽckliche Hand
519:12 (2015): 105–121.
481:Music & Letters
182:Dimitri Mitropoulos
122:hexachordal content
102:Poco allegro—Vivace
822:Zwei KlavierstĂĽcke
806:FĂĽnf KlavierstĂĽcke
786:Drei KlavierstĂĽcke
505:23, no. 3:170–212.
1131:1936 compositions
1081:
1080:
595:Arnold Schoenberg
457:Arnold Schoenberg
433:The Musical Times
192:European première
166:Leopold Stokowski
89:It is in a three
29:Arnold Schoenberg
1143:
1116:Violin concertos
1098:
1097:
1096:
1089:
1073:
1072:
1041:Schönberg Family
934:
924:
914:
904:
894:
856:
853:Die Jakobsleiter
846:
825:
809:
799:
789:
762:
674:
653:
643:
633:
623:
588:
581:
574:
565:
564:
550:
532:: Scores at the
497:Klemm, Eberhardt
468:
448:
437:
423:
411:
394:
388:
382:
376:
370:
364:
358:
352:
341:
335:
329:
323:
240:piccolo clarinet
213:
205:Arrigo Pelliccia
197:Teatro La Fenice
128:Andante grazioso
67:form demanded a
1151:
1150:
1146:
1145:
1144:
1142:
1141:
1140:
1106:
1105:
1104:
1100:Classical music
1094:
1092:
1084:
1082:
1077:
1063:
991:
971:(Grandchildren)
946:
931:Pierrot lunaire
877:
829:
814:Suite for Piano
772:
759:Verklärte Nacht
751:String quartets
739:
722:Violin Concerto
710:
657:
606:
597:
592:
548:
526:
514:Journal of the
475:
473:Further reading
397:
389:
385:
377:
373:
365:
361:
353:
344:
336:
332:
324:
320:
316:
224:
222:Instrumentation
216:Artur Rodziński
207:
194:
174:Violin Concerto
158:
133:Finale: Allegro
83:
53:
21:Violin Concerto
17:
12:
11:
5:
1149:
1139:
1138:
1133:
1128:
1123:
1118:
1103:
1102:
1079:
1078:
1068:
1065:
1064:
1062:
1061:
1056:
1051:
1044:
1037:
1032:
1027:
1022:
1017:
1012:
1007:
999:
997:
993:
992:
990:
989:
983:
981:Rudolf Kolisch
978:
972:
966:
961:
954:
952:
948:
947:
945:
944:
936:
926:
916:
906:
896:
885:
883:
879:
878:
876:
875:
867:
858:
848:
837:
835:
831:
830:
828:
827:
817:
811:
801:
791:
780:
778:
774:
773:
771:
770:
764:
754:
747:
745:
741:
740:
738:
737:
731:
728:Piano Concerto
725:
718:
716:
712:
711:
709:
708:
702:
694:
688:
682:
676:
665:
663:
659:
658:
656:
655:
645:
640:Moses und Aron
635:
625:
614:
612:
608:
607:
602:
599:
598:
591:
590:
583:
576:
568:
562:
561:
545:
536:
525:
524:External links
522:
521:
520:
506:
494:
485:
474:
471:
470:
469:
453:Rosen, Charles
449:
438:
424:
412:
396:
395:
383:
371:
359:
342:
330:
317:
315:
312:
230:(3rd doubling
223:
220:
193:
190:
157:
156:World première
154:
146:
145:
130:
125:
52:
51:Style and form
49:
15:
9:
6:
4:
3:
2:
1148:
1137:
1134:
1132:
1129:
1127:
1124:
1122:
1119:
1117:
1114:
1113:
1111:
1101:
1091:
1090:
1087:
1076:
1066:
1060:
1057:
1055:
1052:
1050:
1049:
1045:
1043:
1042:
1038:
1036:
1033:
1031:
1028:
1026:
1023:
1021:
1018:
1016:
1013:
1011:
1008:
1006:
1005:
1001:
1000:
998:
994:
987:
984:
982:
979:
977:(Grandnephew)
976:
975:Claude-Michel
973:
970:
967:
965:
962:
960:(Second wife)
959:
956:
955:
953:
949:
942:
941:
937:
933:
932:
927:
923:
922:
917:
913:
912:
907:
903:
902:
897:
893:
892:
887:
886:
884:
880:
873:
872:
868:
865:
864:
863:Genesis Suite
859:
855:
854:
849:
845:
844:
839:
838:
836:
832:
824:
823:
818:
815:
812:
808:
807:
802:
798:
797:
792:
788:
787:
782:
781:
779:
775:
768:
765:
761:
760:
755:
752:
749:
748:
746:
742:
735:
732:
729:
726:
723:
720:
719:
717:
713:
706:
703:
700:
699:
695:
692:
689:
686:
683:
680:
677:
673:
672:
667:
666:
664:
660:
652:
651:
646:
642:
641:
636:
632:
631:
626:
622:
621:
616:
615:
613:
609:
605:
600:
596:
589:
584:
582:
577:
575:
570:
569:
566:
559:
555:
551:
546:
544:
540:
537:
535:
531:
528:
527:
518:
517:
511:
507:
504:
503:
498:
495:
492:
491:
486:
483:
482:
477:
476:
466:
465:0-226-72643-6
462:
458:
454:
450:
446:
445:
439:
435:
434:
429:
425:
421:
417:
413:
409:
404:
403:
402:
401:
392:
387:
380:
375:
368:
363:
356:
351:
349:
347:
339:
334:
327:
322:
318:
311:
309:
305:
301:
297:
293:
289:
285:
281:
277:
273:
269:
265:
261:
257:
253:
249:
248:bass clarinet
245:
241:
237:
233:
229:
219:
218:, conductor.
217:
211:
206:
202:
198:
189:
187:
183:
179:
175:
171:
170:Louis Krasner
167:
164:conducted by
163:
153:
151:
143:
138:
134:
131:
129:
126:
123:
119:
115:
111:
107:
103:
100:
99:
98:
96:
92:
87:
80:
78:
74:
70:
66:
62:
58:
48:
46:
42:
38:
34:
30:
26:
22:
1048:Sprechstimme
1046:
1039:
1002:
938:
921:Herzgewächse
891:Zwei Gesänge
869:
861:
843:Gurre-Lieder
777:Instrumental
767:Wind Quintet
721:
696:
539:Work details
513:
509:
500:
488:
479:
456:
442:
431:
428:Keller, Hans
406:Anon. n.d. "
399:
398:
386:
374:
362:
333:
321:
276:glockenspiel
225:
195:
159:
147:
132:
127:
110:ternary form
101:
88:
84:
65:neoclassical
54:
45:Anton Webern
20:
18:
964:Eric Randol
901:Vier Lieder
860:Prelude to
847:(1900–1911)
715:Concertante
558:Hilary Hahn
355:Keller 1961
208: [
150:G. Schirmer
106:sonata form
1110:Categories
986:Luigi Nono
662:Orchestral
338:Rosen 1996
314:References
304:tambourine
296:snare drum
178:Alban Berg
1020:Atonality
857:(1917–22)
644:(1930–32)
620:Erwartung
512:op. 36".
391:Anon. n.d
379:Mead 1985
367:Mead 1985
284:bass drum
280:xylophone
264:trombones
95:concertos
1075:Category
1054:Students
943:, Op. 22
935:, Op. 21
925:, Op. 20
915:, Op. 15
874:, Op. 46
866:, Op. 44
826:, Op. 33
816:, Op. 25
810:, Op. 23
800:, Op. 19
790:, Op. 11
769:, Op. 26
730:, Op. 42
724:, Op. 36
707:, Op. 38
701:, Op. 34
693:, Op. 31
687:, Op. 16
654:, Op. 32
634:, Op. 18
624:, Op. 17
455:. 1996.
300:triangle
260:trumpets
252:bassoons
244:clarinet
184:and the
144:fashion.
91:movement
996:Related
969:Marlena
958:Gertrud
905:, Op. 2
895:, Op. 1
763:, Op. 4
744:Chamber
681:, Op. 9
675:, Op. 5
554:YouTube
549:Q&A
400:Sources
308:strings
288:cymbals
272:timpani
232:piccolo
114:cadenza
77:motivic
69:mimesis
27:36) by
1086:Portal
951:Family
834:Choral
736:(1933)
463:
381:, 141.
369:, 140.
357:, 157.
340:, 101.
306:, and
292:tamtam
228:flutes
142:cyclic
116:and a
63:, its
1015:6-Z44
882:Vocal
611:Opera
256:horns
236:oboes
234:), 3
212:]
168:with
137:rondo
73:tonal
57:tonal
1010:6-20
461:ISBN
268:tuba
262:, 3
258:, 3
254:, 4
250:, 3
118:coda
19:The
552:on
71:of
25:Op.
1112::
541:,
418:.
345:^
310:.
302:,
298:,
294:,
290:,
286:,
282:,
278:,
274:,
270:,
266:,
246:,
242:,
238:,
210:it
188:.
152:.
97::
47:.
1088::
587:e
580:t
573:v
467:.
422:.
393:.
328:.
124:.
23:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.