558:
766:"Vienna For Art's Sake ! Contemporary Art Show", created by Peter Noever; 161 exceptional artists, architects, designers, 13 solo exhibitions / site-specific interventions: Vito + Maria Elena Acconci, Zaha hadid, Magdalena JetelovĂĄ, Michael Kienzer, Hans Kupelwieser, Hermann Nitsch, Eva Schlegel, Kiki Smith, the next ENTERprise, Iv Toshain, Atelier Van Lieshout, Koen Vanmechelen, Manfred Wakolbinger; Winter Palace/Belvedere Wien; starting point: Imago Mundi/Luciano Benetton Collection, Archive Austria, curated by Peter Noever, Wien, 2015
158:
596:. The project replaced the existing facade with a series of twelve panels that pivot vertically or horizontally to open the entire length of the gallery directly onto the street. The project blurs the boundary between interior and exterior and, by placing the panels in different configurations, creates a multitude of different possible facades, and is now regarded as a contemporary architectural landmark. Another example of his work is
268:, whose diverse practice eventually included sculpture, architectural design, and landscape design. His performance and video art was characterized by "existential unease," exhibitionism, discomfort, transgression and provocation, as well as wit and audacity, and often involved crossing boundaries such as publicâprivate, consensualânonconsensual, and real worldâart world. His work is considered to have influenced artists including
199:
184:
31:
173:
511:
In the piece
Acconci is filming himself pointing directly at himself for about 25 minutes; by doing so Acconci makes a nonsensical gesture that exemplifies the critical aspects of a work of art through the beginning of the 20th century. Krauss also goes on to explain the psychological basis behind
537:
which was his first permanent installation. The work sparked immense controversy on the college's campus, and was eventually set on fire and destroyed in 1985. Despite this, the sculpture marked a transition for
Acconci's career from performance artist to architectural designer. He turned to the
312:
In the late-1970s, he turned to sculpture, architecture and design, greatly increasing the scale of his work, if not his art world profile. Over the next two decades he developed public artworks and parks, airport rest areas, artificial islands and other architectural projects that frequently
647:
and the connection it had to the performance, stating, "I knew what my goal had to be: I had to produce seed, the space I was in should become a bed of seed, a field of seed â in order to produce seed, I had to masturbate â in order to masturbate, I had to excite myself."
538:
creation of furniture and prototypes of houses and gardens in the late 1980s, and in 1988, the artist founded
Acconci Studio, which focused on theoretical design and building. Acconci Studio is located on Jay Street in Brooklyn. Acconci designed the United Bamboo store in
520:
In the 1980s, Acconci turned to permanent sculptures and installations. During this time he invited viewers to create artwork by activating machinery that erected shelters and signs. One of the most prominent examples of these temporary installations is titled
506:
refers to aspects of
Narcissism apparent in the video work of Acconci. "A line of sight begin Acconci's plane of vision ends on the eyes of his projected double." Krauss uses this description to underline aspects of narcissism in the Vito Acconci work
1353:
1357:
608:. The wall begins outside the Arvada Center and extends inside, rising from ground level to a height of 24 feet. The glass and steel wall contains a mixture of volcanic rock, various types of sand, red
932:
1713:
1598:
2811:
868:
1602:
628:. It has been there since 2009. The installation fills the lobby with a web of white Corian, creating a long, undulating wall resembling giant paper snowflakes.
406:. He noted: "There wasn't a woman in my classroom between kindergarten and graduate school." Then he returned to New York City to pursue a career as a poet.
357:(1986). In addition to his art and design work, Acconci taught at many higher learning institutions. Acconci died on April 28, 2017, in Manhattan at age 77.
757:
in the 1960s. Acconci died on April 28, 2017. He was 77. His cause of death has not been released by his estate. He is survived by his wife, Maria
Acconci.
693:. "I think what unbuildable stuff leads to is maybe a possible reexamination, not so much of the past, but of what's to come," he said in the interview.
1322:
2801:
1021:
805:
542:
in 2003, and collaborated on concept designs for interactive art vehicle Mister Artsee in 2006, among others including the highly acclaimed:
1523:
612:, and topsoil which are visible through the glass panels, and represents an attempt to bring what is underground up, and what is outside in.
157:
295:-influenced performances in the street or for small audiences that explored the body and public space. Two of his most famous pieces were
2831:
2826:
2821:
2796:
562:
557:
459:. Most of his early work incorporated subversive social comment. His performance and video work was marked heavily by confrontation and
2791:
1635:
601:
588:
and provide seating at both ends. An example of this interest on the private/public space is the collaboration he did with architect
350:
1777:
656:
1561:
2123:
1857:
488:
was to involve the public in the work's production by creating a situation of reciprocal interchange between artist and viewer.
2841:
2836:
2771:
1753:
718:
2776:
1137:
1096:
702:
569:
The artist has focused on architecture and landscape design that integrates public and private space. One example of this is
878:
526:
484:
while vocalizing into a loudspeaker his fantasies about the visitors walking above him on the ramp. One motivation behind
1567:
2520:
1537:
1302:
593:
334:
299:(1969), in which he selected random passersby on New York City streets and followed them for as long as he was able, and
2298:
1410:
1380:
2816:
2033:
383:
741:
in the Art
Department and Performance and Interactive Media Arts programs and was an Adjunct Associate Professor at
2374:
2188:
901:
710:
2786:
2781:
1792:
998:
346:
2477:
342:
1335:
1628:
1881:
1769:
967:
1925:
1889:
1833:
706:
468:
301:
183:
1761:
1681:
1608:
460:
2379:
2048:
1705:
1575:
571:
395:
319:
83:
1571:
2806:
2715:
2630:
2472:
1913:
1737:
1729:
1697:
1621:
1541:
1287:
Donadio, Emmie. "Vito
Acconci's Way Station at Middlebury: A Turning Point in the Artists Career."
734:
625:
354:
1323:"Installation: "Lobby-For-The-Time-Being," Acconci Studio, Bronx Museum | Architect Magazine"
561:
A "surreal constellation of inhabitable orbs" by
Acconci was installed outside of Klapper Hall at
2640:
2513:
1865:
1173:
1436:
681:, in which he talks about a few of his favorite projects that were never completed, including a
2313:
1594:
835:"Vito Acconci, Whose Poetic, Menacing Work Forms Bedrock of Performance, Video Art, Dies at 77"
1546:
463:. In the mid-1970s, Acconci expanded his métier into the world of audio/visual installations.
2537:
2078:
2058:
1905:
1667:
1271:
Krauss, Rosalind. "Video: The
Aesthetics of Narcissism." October 1 (1976): 50-64. JSTOR. Web.
1154:
1127:
1086:
834:
2766:
2761:
2615:
2258:
1556:
686:
660:
338:
172:
1113:"Vito Acconci and Bernadette Mayer - 0 to 9 : The Complete Magazine : 1967-1969"
498:
in 1971. Nemser also later did an interview with
Acconci which became the cover piece for
8:
2103:
2073:
1988:
1745:
1473:
1239:
989:
962:
525:
which was first created in 1980, but was recently exhibited in the summer of 2012 at the
399:
107:
1933:
329:, for Graz, Austria (2003). Retrospectives of Acconci's work have been organized by the
2735:
2595:
2575:
2506:
2482:
2359:
2278:
2038:
1897:
1590:
UbuWeb Film & Video: Vito Acconci - Willoughby Sharp Videoviews Vito Acconci (1973)
1307:
873:
726:
671:
530:
436:
403:
92:
1188:
313:
embraced participation, change and playfulness. Notable works of this period include:
2467:
2308:
2193:
1841:
1133:
1092:
477:
466:
One installation/performance work from this period, perhaps his best known work, is
306:
305:(1972), in which he claimed that he masturbated while under a temporary floor at the
2680:
2414:
2349:
2293:
2268:
2213:
1354:"Renowned architect confronted by resurrection of early work at Middlebury College"
1174:"Revisiting Vito Acconci's 5 Most Infamousâand TransgressiveâPerformance Art Works"
1064:
738:
577:
425:
391:
330:
265:
231:
224:
111:
87:
2173:
2695:
2550:
2013:
1973:
1948:
1644:
742:
730:
690:
609:
503:
419:
288:
269:
261:
132:
115:
1589:
2740:
2705:
2690:
2620:
2560:
2555:
2406:
2328:
2253:
2248:
2093:
2003:
1993:
1968:
1785:
1721:
1221:
1112:
906:
784:
754:
379:
337:(1980), and his work is in numerous public collections, including those of the
1998:
1046:
428:
in the late 1960s. Produced in quantities of 100 to 350 copies per issue on a
2755:
2670:
2655:
2645:
2635:
2625:
2457:
2437:
2288:
2273:
2233:
2228:
2203:
2183:
2168:
2153:
2083:
2063:
2053:
1849:
1689:
1050:
670:
a work that was vandalized and destroyed in 1985 after being constructed for
632:
387:
375:
2163:
2725:
2700:
2675:
2665:
2650:
2590:
2570:
2565:
2442:
2369:
2364:
2333:
2323:
2243:
2198:
2178:
2148:
2143:
2118:
2113:
2088:
2028:
2018:
2008:
1983:
1978:
1943:
1388:
937:
714:
491:
481:
292:
277:
273:
2730:
2605:
2585:
2487:
2389:
2283:
2208:
2133:
1958:
1873:
589:
456:
444:
281:
2720:
2685:
2610:
2580:
2354:
2263:
2218:
2158:
2128:
2108:
2098:
2043:
1580:
1437:"Vito Acconci, Transgressive Progenitor of Performance Art, Dies at 77"
682:
678:
429:
191:
2600:
2529:
2462:
2452:
2238:
2068:
2023:
1953:
1801:
1659:
869:"Vito Acconci, Performance Artist and Uncommon Architect, Dies at 77"
585:
581:
440:
432:
machine, the magazine mixed contributions by both poets and artists.
371:
119:
769:"Vito Acconci. The City Inside Us", edited by Peter Noever/MAK, 1993
2710:
2660:
2432:
2223:
2138:
1963:
1825:
1817:
1809:
1257:
Nemser, Cindy (SeptemberâOctober 1971). "Subject=Object=Bedy Art".
779:
605:
543:
476:
Acconci lay hidden underneath a gallery-wide ramp installed at the
325:
202:
198:
165:
96:
1613:
1552:
663:. Part of the piece is indoors and part of the piece is outdoors.
2303:
674:, was reinstalled along with an exhibit at the college's museum.
551:
512:
the actions of video in comparison to discussions of object art.
210:
2447:
1714:
Couple in The Cage: Two Undiscovered Amerindians Visit the West
1674:
1584:
677:
In 2014, Acconci was featured in a video segment, produced by
1469:, DuMont Verlag, Cologne, Germany, (2009): p. 282 â 287.
539:
452:
287:
Acconci was initially interested in radical poetry, creating
249:
2498:
1291:. Middlebury College Museum of Art: Middlebury, 2013. Print.
1088:
Language to Cover a Page: The Early Writings of Vito Acconci
2384:
2318:
806:"Vito Acconci, an Artist as Influential as He Is Eccentric"
722:
547:
529:. Later, in January 1983, Acconci was a visiting artist at
448:
415:
252:
234:
206:
30:
745:
in the Graduate Architecture and Urban Design Department.
592:
when commissioned on a collaborative building project for
243:
1538:
Oral history interview with Vito Acconci, 2008 June 21-28
1501:
1022:"Vito Acconci Named Designer of the Year by Design Miami"
144:
502:. In the article "Video: the Aesthetics of Narcissism,"
1472:"Vito Acconci." MoMA. MoMA, n.d. Web. 9 May 2013. <
435:
In the late 1960s, Acconci transformed himself into a
323:
at the Wisconsin Center, in Milwaukee, WI (1998); and
737:. Prior to his death, he had most recently taught at
260:; January 24, 1940 â April 27, 2017) was an American
246:
240:
1465:
Peter Lodermeyer, Karlyn De Jongh & Sarah Gold,
1303:"Vito Acconci: Designs That Are Meant to Be Touched"
933:"Vito Acconci and the Shelf Life of Sensational Art"
494:
was the first art critic to write about Acconci for
1479:Lee, A. C. "Exhibits From 2 Artists in Their 70s."
1244:
The Metropolitan Museum of Art, i.e. The Met Museum
701:Acconci taught at many institutions, including the
345:. He has been recognized with fellowships from the
309:, as visitors walked above and heard him speaking.
237:
418:, editing and self-publishing the poetry magazine
2812:Skowhegan School of Painting and Sculpture alumni
1581:Art videos directed and performed by Vito Acconci
2753:
1411:"Bernadette Mayer on Rosemary Mayer (1943â2014)"
576:which flow through structural boundaries of the
1595:Art en Route: A Guide to Art in the MTA Network
1549:at the Israel Museum. Retrieved September 2016.
1486:Frazer Ward, Mark C. Taylor, Jennifer Bloomer,
1125:
655:a water feature at the visitors' center of the
317:, designed for Zwolle, the Netherlands (1994);
1210:. Barcelona: Ediciones Poligrafa. p. 154.
624:is an installation in the North Wing Lobby of
168:, relief and shaped embossing by Acconci, 1985
2514:
1629:
1205:
1084:
963:"Vito Acconci, Guggenheim Collection Online"
957:
955:
1119:
1078:
563:Queens College, City University of New York
2521:
2507:
1636:
1622:
1342:, 17 April 2008. Retrieved 4 January 2013.
1283:
1281:
1279:
1277:
994:, Vito Acconci, The Met Collection Online"
926:
924:
748:
291:, but by the late 1960s he began creating
29:
1467:Personal Structures: Time Space Existence
1129:Encyclopedia of the New York School Poets
952:
862:
860:
858:
856:
828:
826:
602:Arvada Center for the Arts and Humanities
351:John Simon Guggenheim Memorial Foundation
2802:Regis High School (New York City) alumni
1778:Mattress Performance (Carry That Weight)
1045:Richard Prince interviews Vito Acconci,
893:
657:Newtown Creek Wastewater Treatment Plant
556:
197:
182:
171:
156:
1356:. Burlington Free Press. Archived from
1274:
921:
866:
832:
803:
753:Acconci had been married to the artist
16:American performance artist (1940â2017)
2754:
1754:How to Explain Pictures to a Dead Hare
1428:
1256:
1155:"'SEEDBED', Vito Acconci, 1972 - Tate"
1019:
853:
823:
719:School of the Art Institute of Chicago
2502:
1617:
1434:
1300:
1186:
1171:
930:
902:"Postscript: Vito Acconci, 1940â2017"
899:
703:Nova Scotia College of Art and Design
223:
1222:"Vito Acconci. Seedbed. 1972 - MoMA"
1187:Jones, Jonathan (23 November 2002).
643:at length. Vito discussed the title
527:Museum of Contemporary Art San Diego
443:using his own body as a subject for
1643:
1132:. Infobase Learning. pp. 20â.
900:Scott, Andrea K. (April 28, 2017).
594:Storefront for Art and Architecture
335:Museum of Contemporary Art, Chicago
13:
2832:21st-century American male artists
2827:20th-century American male artists
2822:American people of Italian descent
2797:Academic staff of NSCAD University
1459:
1351:
1240:"Vito Acconci - Seedbed - The Met"
1189:"See Through, Vito Acconci (1969)"
1020:Gopnik, Blake (October 24, 2012).
982:
696:
402:in literature and poetry from the
370:Born Vito Hannibal Acconci in the
14:
2853:
1609:Public Art Fund:Face of the Earth
1599:West 8th Street-New York Aquarium
1531:
1378:
1126:Terence Diggory (22 April 2015).
867:Kennedy, Randy (April 28, 2017).
833:Russeth, Andrew (28 April 2017).
533:. During that time, he completed
2792:College of the Holy Cross alumni
1152:
711:California Institute of the Arts
409:
382:elementary school, high school (
360:
230:
1403:
1372:
1345:
1329:
1315:
1301:Nobel, Philip (April 8, 1999).
1294:
1265:
1250:
1232:
1214:
1199:
1180:
1165:
1146:
1105:
1057:
999:Metropolitan Museum of New York
347:National Endowment for the Arts
2478:Survival Research Laboratories
1336:"Art Space Talk: Vito Acconci"
1039:
1013:
931:Capps, Kriston (May 3, 2017).
804:Kennedy, Randy (2 June 2016).
797:
760:
668:Way Station I (Study Chamber),
631:In 2008, in an interview with
535:Way Station I (Study Chamber),
414:Acconci began his career as a
390:), and college. He received a
343:Whitney Museum of American Art
1:
2842:21st-century American artists
2837:20th-century American artists
2772:American installation artists
2528:
1564:from the Fales Library at NYU
1502:"Interview with Vito Acconci"
790:
2777:American performance artists
2375:LaBeouf, Rönkkö & Turner
1435:Davis, Ben (28 April 2017).
1289:Vito Acconci: Thinking Space
1172:Zhong, Fan (28 April 2017).
968:Solomon R. Guggenheim Museum
378:in 1940, Acconci attended a
365:
333:in Amsterdam (1978) and the
179:, sculpture by Acconci, 1988
7:
1603:161st Street-Yankee Stadium
1562:Guide to the 0 TO 9 archive
1527:, edited by Rosetta Brooks.
1494:
1091:. MIT Press. pp. 12â.
773:
707:San Francisco Art Institute
689:and a museum of needles in
651:In 2010, Acconci completed
10:
2858:
1682:Breathing in/breathing out
1206:Gloria Moure, ed. (2001).
841:. Sarah Douglas. Art Media
472:(January 15â29, 1972). In
349:(1976, 1980, 1983, 1993),
2536:
2425:
2398:
2380:Los Angeles Urban Rangers
2342:
1924:
1651:
1576:University College London
572:Walkways Through the Wall
396:College of the Holy Cross
320:Walkways Through the Wall
225:[ËviËtoakËkontÊi]
139:
125:
103:
84:College of the Holy Cross
79:
63:
40:
28:
21:
2817:Brooklyn College faculty
2716:Steina and Woody Vasulka
2473:Performance art in China
1738:Empathy and Prostitution
1542:Archives of American Art
1490:, Phaidon, London, 2002.
1226:The Museum of Modern Art
735:Parsons School of Design
626:Bronx Museum of the Arts
622:Lobby-for-the-Time-Being
620:One of his later works,
615:
515:
355:American Academy in Rome
2641:Virginia Lee Montgomery
1866:The Death of The Artist
1762:I'm too sad to tell you
1572:Small Press Collections
1547:Vito Acconci collection
1381:"Unbuilt: Vito Acconci"
749:Personal life and death
653:Waterfall Out & In,
394:in literature from the
2787:Artists from the Bronx
2782:American video artists
2314:Mierle Laderman Ukeles
1706:Ceci N'est Pas Un Viol
566:
213:
195:
180:
169:
1906:Untitled (Rape Scene)
1858:The Artist Is Present
1668:Amen or The Pederasty
1597:See Acconci works at
1500:Alessandra Orlandoni
1085:Vito Acconci (2006).
560:
201:
186:
177:Face of the Earth, #3
175:
160:
45:Vito Hannibal Acconci
2049:Guillermo Gómez-Peña
1557:Museum of Modern Art
1483:. 26 Apr. 2012. Web.
1054:, referenced 25/4/12
661:Greenpoint, Brooklyn
604:Sculpture Garden in
339:Museum of Modern Art
2104:Natalie Jeremijenko
1746:Food for the Spirit
1474:Vito Acconci | MoMA
1360:on 19 December 2013
666:In 2013, Acconci's
266:installation artist
108:Landscape architect
74:New York City, U.S.
58:New York City, U.S.
2736:Krzysztof Wodiczko
2576:Doris Totten Chase
2483:Viennese Actionism
2360:COUM Transmissions
2279:Carolee Schneemann
2124:Ragnar Kjartansson
1898:Three Weeks in May
1521:from London-based
1515:, AprilâJune 2005.
1481:The New York Times
1443:. artnet worldwide
1308:The New York Times
874:The New York Times
810:The New York Times
727:University of Iowa
672:Middlebury College
567:
531:Middlebury College
404:University of Iowa
284:, among others.
214:
205:(in the night) in
196:
181:
170:
93:University of Iowa
2749:
2748:
2496:
2495:
2468:Participatory art
2309:Melati Suryodarmo
2194:Charlotte Moorman
1842:Seven Easy Pieces
1511:Frederic Maufras
1417:. 9 December 2014
1139:978-1-4381-4066-7
1098:978-0-262-01224-9
478:Sonnabend Gallery
384:Regis High School
307:Sonnabend Gallery
164:, photointaglio,
155:
154:
2849:
2681:Raymond Pettibon
2523:
2516:
2509:
2500:
2499:
2415:Kusama: Infinity
2294:Barbara T. Smith
2269:Rachel Rosenthal
2214:Pauline Oliveros
1934:Marina AbramoviÄ
1638:
1631:
1624:
1615:
1614:
1605:subway stations.
1453:
1452:
1450:
1448:
1432:
1426:
1425:
1423:
1422:
1415:www.artforum.com
1407:
1401:
1400:
1398:
1396:
1391:on 29 April 2017
1387:. Archived from
1376:
1370:
1369:
1367:
1365:
1349:
1343:
1333:
1327:
1326:
1319:
1313:
1312:
1298:
1292:
1285:
1272:
1269:
1263:
1262:
1254:
1248:
1247:
1236:
1230:
1229:
1218:
1212:
1211:
1203:
1197:
1196:
1184:
1178:
1177:
1169:
1163:
1162:
1150:
1144:
1143:
1123:
1117:
1116:
1109:
1103:
1102:
1082:
1076:
1075:
1073:
1071:
1061:
1055:
1043:
1037:
1036:
1034:
1032:
1017:
1011:
1010:
1008:
1006:
986:
980:
979:
977:
975:
959:
950:
949:
947:
945:
928:
919:
918:
916:
914:
897:
891:
890:
888:
886:
877:. Archived from
864:
851:
850:
848:
846:
830:
821:
820:
818:
816:
801:
739:Brooklyn College
578:Wisconsin Center
426:Bernadette Mayer
331:Stedelijk Museum
259:
258:
255:
254:
251:
248:
245:
242:
239:
236:
227:
222:
194:by Acconci, 1999
151:
148:
146:
128:
112:Installation art
70:
55:January 24, 1940
54:
52:
33:
19:
18:
2857:
2856:
2852:
2851:
2850:
2848:
2847:
2846:
2807:Walking artists
2752:
2751:
2750:
2745:
2696:Mika Rottenberg
2551:John Baldessari
2532:
2527:
2497:
2492:
2421:
2394:
2338:
2074:Newton Harrison
2014:James Lee Byars
1974:Rebecca Belmore
1949:Laurie Anderson
1920:
1914:Untitled , 2008
1786:One & Other
1647:
1645:Performance art
1642:
1568:0 TO 9 magazine
1534:
1497:
1462:
1460:Further reading
1457:
1456:
1446:
1444:
1433:
1429:
1420:
1418:
1409:
1408:
1404:
1394:
1392:
1377:
1373:
1363:
1361:
1352:Pollak, Sally.
1350:
1346:
1334:
1330:
1321:
1320:
1316:
1299:
1295:
1286:
1275:
1270:
1266:
1255:
1251:
1238:
1237:
1233:
1220:
1219:
1215:
1204:
1200:
1185:
1181:
1170:
1166:
1151:
1147:
1140:
1124:
1120:
1111:
1110:
1106:
1099:
1083:
1079:
1069:
1067:
1063:
1062:
1058:
1044:
1040:
1030:
1028:
1026:The Daily Beast
1018:
1014:
1004:
1002:
988:
987:
983:
973:
971:
961:
960:
953:
943:
941:
929:
922:
912:
910:
898:
894:
884:
882:
865:
854:
844:
842:
831:
824:
814:
812:
802:
798:
793:
776:
763:
751:
743:Pratt Institute
731:Pratt Institute
699:
697:Academic career
691:Ichihara, Japan
639:Vito discussed
618:
518:
504:Rosalind Krauss
412:
398:in 1962 and an
368:
363:
315:Personal Island
297:Following Piece
289:0 to 9 Magazine
270:Laurie Anderson
233:
229:
220:
143:
126:
118:
116:Performance art
114:
110:
91:
75:
72:
68:
59:
56:
50:
48:
47:
46:
36:
35:Acconci in 1973
24:
17:
12:
11:
5:
2855:
2845:
2844:
2839:
2834:
2829:
2824:
2819:
2814:
2809:
2804:
2799:
2794:
2789:
2784:
2779:
2774:
2769:
2764:
2747:
2746:
2744:
2743:
2741:Jordan Wolfson
2738:
2733:
2728:
2723:
2718:
2713:
2708:
2706:Ryan Trecartin
2703:
2698:
2693:
2691:Pipilotti Rist
2688:
2683:
2678:
2673:
2668:
2663:
2658:
2653:
2648:
2643:
2638:
2633:
2628:
2623:
2621:Shigeko Kubota
2618:
2613:
2608:
2603:
2598:
2593:
2588:
2583:
2578:
2573:
2568:
2563:
2561:Scott Bartlett
2558:
2556:Matthew Barney
2553:
2548:
2542:
2540:
2534:
2533:
2526:
2525:
2518:
2511:
2503:
2494:
2493:
2491:
2490:
2485:
2480:
2475:
2470:
2465:
2460:
2455:
2450:
2445:
2440:
2435:
2429:
2427:
2423:
2422:
2420:
2419:
2411:
2407:Mondo New York
2402:
2400:
2396:
2395:
2393:
2392:
2387:
2382:
2377:
2372:
2367:
2362:
2357:
2352:
2346:
2344:
2340:
2339:
2337:
2336:
2331:
2329:Robert Whitman
2326:
2321:
2316:
2311:
2306:
2301:
2296:
2291:
2286:
2281:
2276:
2271:
2266:
2261:
2256:
2254:Dorothy Podber
2251:
2249:Petr Pavlensky
2246:
2241:
2236:
2231:
2226:
2221:
2216:
2211:
2206:
2201:
2196:
2191:
2186:
2181:
2176:
2171:
2166:
2161:
2156:
2151:
2146:
2141:
2136:
2131:
2126:
2121:
2116:
2111:
2106:
2101:
2096:
2094:Tehching Hsieh
2091:
2086:
2081:
2076:
2071:
2066:
2061:
2056:
2051:
2046:
2041:
2036:
2031:
2026:
2021:
2016:
2011:
2006:
2004:Nancy Buchanan
2001:
1996:
1994:Stuart Brisley
1991:
1986:
1981:
1976:
1971:
1969:Matthew Barney
1966:
1961:
1956:
1951:
1946:
1941:
1936:
1930:
1928:
1922:
1921:
1919:
1918:
1910:
1902:
1894:
1886:
1878:
1870:
1862:
1854:
1846:
1838:
1830:
1822:
1814:
1806:
1798:
1790:
1782:
1774:
1766:
1758:
1750:
1742:
1734:
1726:
1718:
1710:
1702:
1694:
1686:
1678:
1672:
1664:
1655:
1653:
1649:
1648:
1641:
1640:
1633:
1626:
1618:
1612:
1611:
1606:
1592:
1587:
1578:
1565:
1559:
1550:
1544:
1533:
1532:External links
1530:
1529:
1528:
1519:Altered States
1516:
1509:
1496:
1493:
1492:
1491:
1484:
1477:
1470:
1461:
1458:
1455:
1454:
1427:
1402:
1371:
1344:
1328:
1314:
1293:
1273:
1264:
1249:
1231:
1213:
1198:
1179:
1164:
1145:
1138:
1118:
1104:
1097:
1077:
1065:"Vito Acconci"
1056:
1038:
1012:
981:
951:
920:
907:The New Yorker
892:
852:
822:
795:
794:
792:
789:
788:
787:
785:Conceptual art
782:
775:
772:
771:
770:
767:
762:
759:
755:Rosemary Mayer
750:
747:
698:
695:
617:
614:
600:(1992) at the
523:Instant House,
517:
514:
411:
408:
380:Roman Catholic
367:
364:
362:
359:
153:
152:
141:
137:
136:
129:
123:
122:
105:
104:Known for
101:
100:
81:
77:
76:
73:
71:(aged 77)
67:April 27, 2017
65:
61:
60:
57:
44:
42:
38:
37:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
2854:
2843:
2840:
2838:
2835:
2833:
2830:
2828:
2825:
2823:
2820:
2818:
2815:
2813:
2810:
2808:
2805:
2803:
2800:
2798:
2795:
2793:
2790:
2788:
2785:
2783:
2780:
2778:
2775:
2773:
2770:
2768:
2765:
2763:
2760:
2759:
2757:
2742:
2739:
2737:
2734:
2732:
2729:
2727:
2724:
2722:
2719:
2717:
2714:
2712:
2709:
2707:
2704:
2702:
2699:
2697:
2694:
2692:
2689:
2687:
2684:
2682:
2679:
2677:
2674:
2672:
2671:Nam June Paik
2669:
2667:
2664:
2662:
2659:
2657:
2656:Shirin Neshat
2654:
2652:
2649:
2647:
2646:Shana Moulton
2644:
2642:
2639:
2637:
2636:Eric Millikin
2634:
2632:
2631:Steve McQueen
2629:
2627:
2626:Paul McCarthy
2624:
2622:
2619:
2617:
2614:
2612:
2609:
2607:
2604:
2602:
2599:
2597:
2594:
2592:
2589:
2587:
2584:
2582:
2579:
2577:
2574:
2572:
2569:
2567:
2564:
2562:
2559:
2557:
2554:
2552:
2549:
2547:
2544:
2543:
2541:
2539:
2535:
2531:
2524:
2519:
2517:
2512:
2510:
2505:
2504:
2501:
2489:
2486:
2484:
2481:
2479:
2476:
2474:
2471:
2469:
2466:
2464:
2461:
2459:
2458:Hunger artist
2456:
2454:
2451:
2449:
2446:
2444:
2441:
2439:
2438:Endurance art
2436:
2434:
2431:
2430:
2428:
2424:
2417:
2416:
2412:
2409:
2408:
2404:
2403:
2401:
2397:
2391:
2388:
2386:
2383:
2381:
2378:
2376:
2373:
2371:
2368:
2366:
2363:
2361:
2358:
2356:
2353:
2351:
2348:
2347:
2345:
2341:
2335:
2332:
2330:
2327:
2325:
2322:
2320:
2317:
2315:
2312:
2310:
2307:
2305:
2302:
2300:
2299:Michael Smith
2297:
2295:
2292:
2290:
2289:Aliza Shvarts
2287:
2285:
2282:
2280:
2277:
2275:
2274:Martha Rosler
2272:
2270:
2267:
2265:
2262:
2260:
2257:
2255:
2252:
2250:
2247:
2245:
2242:
2240:
2237:
2235:
2234:Nam June Paik
2232:
2230:
2227:
2225:
2222:
2220:
2217:
2215:
2212:
2210:
2207:
2205:
2204:Shirin Neshat
2202:
2200:
2197:
2195:
2192:
2190:
2187:
2185:
2184:Linda Montano
2182:
2180:
2177:
2175:
2174:Marta MinujĂn
2172:
2170:
2169:Eric Millikin
2167:
2165:
2162:
2160:
2157:
2155:
2154:Phoebe Legere
2152:
2150:
2147:
2145:
2142:
2140:
2137:
2135:
2132:
2130:
2127:
2125:
2122:
2120:
2117:
2115:
2112:
2110:
2107:
2105:
2102:
2100:
2097:
2095:
2092:
2090:
2087:
2085:
2084:Lynn Hershman
2082:
2080:
2077:
2075:
2072:
2070:
2067:
2065:
2064:David Hammons
2062:
2060:
2057:
2055:
2054:Cai Guo-Qiang
2052:
2050:
2047:
2045:
2042:
2040:
2037:
2035:
2032:
2030:
2027:
2025:
2022:
2020:
2017:
2015:
2012:
2010:
2007:
2005:
2002:
2000:
1997:
1995:
1992:
1990:
1987:
1985:
1982:
1980:
1977:
1975:
1972:
1970:
1967:
1965:
1962:
1960:
1957:
1955:
1952:
1950:
1947:
1945:
1942:
1940:
1937:
1935:
1932:
1931:
1929:
1927:
1923:
1916:
1915:
1911:
1908:
1907:
1903:
1900:
1899:
1895:
1892:
1891:
1887:
1884:
1883:
1879:
1876:
1875:
1871:
1868:
1867:
1863:
1860:
1859:
1855:
1852:
1851:
1850:Shot Marilyns
1847:
1844:
1843:
1839:
1836:
1835:
1831:
1828:
1827:
1823:
1820:
1819:
1815:
1812:
1811:
1807:
1804:
1803:
1799:
1796:
1795:
1791:
1788:
1787:
1783:
1780:
1779:
1775:
1772:
1771:
1767:
1764:
1763:
1759:
1756:
1755:
1751:
1748:
1747:
1743:
1740:
1739:
1735:
1732:
1731:
1727:
1724:
1723:
1719:
1716:
1715:
1711:
1708:
1707:
1703:
1700:
1699:
1695:
1692:
1691:
1690:Body Pressure
1687:
1684:
1683:
1679:
1676:
1673:
1670:
1669:
1665:
1662:
1661:
1657:
1656:
1654:
1650:
1646:
1639:
1634:
1632:
1627:
1625:
1620:
1619:
1616:
1610:
1607:
1604:
1600:
1596:
1593:
1591:
1588:
1586:
1582:
1579:
1577:
1573:
1569:
1566:
1563:
1560:
1558:
1554:
1551:
1548:
1545:
1543:
1539:
1536:
1535:
1526:
1525:
1520:
1517:
1514:
1513:Parachute 118
1510:
1507:
1503:
1499:
1498:
1489:
1485:
1482:
1478:
1475:
1471:
1468:
1464:
1463:
1442:
1438:
1431:
1416:
1412:
1406:
1390:
1386:
1382:
1379:Santo, Marc.
1375:
1359:
1355:
1348:
1341:
1337:
1332:
1324:
1318:
1310:
1309:
1304:
1297:
1290:
1284:
1282:
1280:
1278:
1268:
1260:
1259:Arts Magazine
1253:
1245:
1241:
1235:
1227:
1223:
1217:
1209:
1202:
1194:
1190:
1183:
1175:
1168:
1160:
1156:
1149:
1141:
1135:
1131:
1130:
1122:
1114:
1108:
1100:
1094:
1090:
1089:
1081:
1066:
1060:
1053:
1052:
1051:BOMB Magazine
1047:
1042:
1027:
1023:
1016:
1001:
1000:
995:
993:
985:
970:
969:
964:
958:
956:
940:
939:
934:
927:
925:
909:
908:
903:
896:
881:on 2017-04-30
880:
876:
875:
870:
863:
861:
859:
857:
840:
836:
829:
827:
811:
807:
800:
796:
786:
783:
781:
778:
777:
768:
765:
764:
758:
756:
746:
744:
740:
736:
732:
728:
724:
720:
716:
712:
708:
704:
694:
692:
688:
684:
680:
675:
673:
669:
664:
662:
658:
654:
649:
646:
642:
638:
634:
633:Brian Sherwin
629:
627:
623:
613:
611:
607:
603:
599:
595:
591:
587:
583:
579:
575:
573:
564:
559:
555:
553:
549:
545:
541:
536:
532:
528:
524:
513:
510:
505:
501:
500:Arts Magazine
497:
496:Arts Magazine
493:
489:
487:
483:
479:
475:
471:
470:
464:
462:
458:
454:
450:
446:
442:
438:
433:
431:
427:
423:
422:
417:
410:1960s and 70s
407:
405:
401:
397:
393:
389:
388:New York City
385:
381:
377:
373:
361:Life and work
358:
356:
352:
348:
344:
340:
336:
332:
328:
327:
322:
321:
316:
310:
308:
304:
303:
298:
294:
290:
285:
283:
279:
275:
271:
267:
263:
257:
226:
218:
212:
208:
204:
200:
193:
189:
188:City of Words
185:
178:
174:
167:
163:
159:
150:
142:
138:
135:
134:
130:
124:
121:
117:
113:
109:
106:
102:
98:
94:
89:
85:
82:
78:
66:
62:
43:
39:
32:
27:
20:
2726:Wolf Vostell
2701:Diana Thater
2676:Sondra Perry
2666:Tony Oursler
2651:Bruce Nauman
2591:Valie Export
2571:Peter Campus
2566:Chris Burden
2546:Vito Acconci
2545:
2443:Feminist art
2413:
2405:
2370:General Idea
2365:Fallen Fruit
2334:Hannah Wilke
2324:Wolf Vostell
2244:Mark Pauline
2199:Bruce Nauman
2179:Kent Monkman
2149:Suzanne Lacy
2144:Yayoi Kusama
2119:Andy Kaufman
2114:Allan Kaprow
2089:Rebecca Horn
2079:Sharon Hayes
2059:Ann Hamilton
2034:Bob Flanagan
2029:Valie Export
2019:Sophie Calle
2009:Chris Burden
1984:David Blaine
1979:Joseph Beuys
1944:Bas Jan Ader
1939:Vito Acconci
1938:
1912:
1904:
1896:
1888:
1880:
1872:
1864:
1856:
1848:
1840:
1832:
1824:
1816:
1808:
1800:
1793:
1784:
1776:
1768:
1760:
1752:
1744:
1736:
1728:
1720:
1712:
1704:
1696:
1688:
1680:
1666:
1658:
1553:Vito Acconci
1522:
1518:
1512:
1508:, June 2007.
1506:The Plan 020
1505:
1488:Vito Acconci
1487:
1480:
1466:
1445:. Retrieved
1440:
1430:
1419:. Retrieved
1414:
1405:
1393:. Retrieved
1389:the original
1384:
1374:
1362:. Retrieved
1358:the original
1347:
1339:
1331:
1317:
1306:
1296:
1288:
1267:
1258:
1252:
1243:
1234:
1225:
1216:
1208:Vito Acconci
1207:
1201:
1193:the Guardian
1192:
1182:
1167:
1158:
1148:
1128:
1121:
1107:
1087:
1080:
1068:. Retrieved
1059:
1049:
1041:
1029:. Retrieved
1025:
1015:
1003:. Retrieved
997:
991:
984:
972:. Retrieved
966:
942:. Retrieved
938:The Atlantic
936:
911:. Retrieved
905:
895:
883:. Retrieved
879:the original
872:
843:. Retrieved
838:
813:. Retrieved
809:
799:
752:
725:University;
715:Cooper Union
713:, Valencia;
700:
676:
667:
665:
652:
650:
644:
640:
636:
630:
621:
619:
597:
570:
568:
534:
522:
519:
508:
499:
495:
492:Cindy Nemser
490:
485:
482:masturbating
473:
467:
465:
461:Situationism
441:video artist
434:
420:
413:
369:
353:(1979), and
324:
318:
314:
311:
300:
296:
293:Situationist
286:
278:Bruce Nauman
274:Karen Finley
264:, video and
217:Vito Acconci
216:
215:
187:
176:
161:
131:
127:Notable work
69:(2017-04-27)
23:Vito Acconci
2767:2017 deaths
2762:1940 births
2731:Andy Warhol
2616:Mike Kelley
2606:Arthur Jafa
2586:Tony Conrad
2488:Process art
2418:(2018 film)
2410:(1988 film)
2390:The Yes Men
2284:Tino Sehgal
2259:Jim Pomeroy
2209:Pat Oleszko
2189:Frank Moore
2134:Terence Koh
1999:GĂŒnter Brus
1959:Abel Azcona
1874:The Fathers
1794:Rest Energy
1781:(2014â2015)
1524:ZG Magazine
1395:27 February
1364:19 December
761:Exhibitions
705:, Halifax;
637:Myartspace,
590:Steven Holl
457:performance
445:photography
437:performance
282:Tracey Emin
262:performance
2756:Categories
2721:Bill Viola
2686:Walid Raad
2611:Joan Jonas
2581:Tony Cokes
2355:Concept 21
2264:Duke Riley
2229:Eiko Otaki
2219:Mihai Olos
2164:Miki Malör
2159:James Luna
2129:Yves Klein
2109:Joan Jonas
2099:Zhang Huan
2044:Coco Fusco
1989:Mark Bloch
1882:The Shadow
1770:Luminosity
1421:2022-10-23
1340:Myartspace
791:References
733:; and the
683:Skate Park
679:Marc Santo
430:mimeograph
192:lithograph
51:1940-01-24
2601:Gary Hill
2596:Terry Fox
2530:Video art
2463:monochrom
2453:Happening
2239:Gina Pane
2069:Jo Hanson
2039:Terry Fox
2024:Papo Colo
1954:Ron Athey
1890:The Shame
1802:Rhythm 10
1765:(1970â71)
1722:Cut Piece
1717:(1992â93)
1660:7000 Oaks
1540:from the
1031:August 5,
1005:March 20,
974:March 20,
944:March 20,
913:March 20,
885:April 30,
598:Dirt Wall
586:Wisconsin
582:Milwaukee
366:Education
120:Video art
80:Education
2711:Wu Tsang
2661:Yoko Ono
2433:Body art
2350:Ant Farm
2224:Yoko Ono
2139:Paul Kos
1964:Franko B
1826:Rhythm 0
1818:Rhythm 2
1810:Rhythm 5
1495:Articles
1447:28 April
1385:Crane.tv
845:28 April
780:Murinsel
774:See also
687:San Jose
610:dolomite
606:Colorado
565:in 1995.
544:Murinsel
509:Centers.
376:New York
326:Murinsel
221:Italian:
203:Murinsel
166:aquatint
147:.acconci
2538:Artists
2304:Stelarc
1926:Artists
1834:Seedbed
1570:in the
1555:at the
1070:28 July
992:Seedbed
839:ARTnews
645:Seedbed
641:Seedbed
552:Austria
486:Seedbed
474:Seedbed
469:Seedbed
302:Seedbed
211:Austria
140:Website
2448:Fluxus
2343:Groups
1917:(2008)
1909:(1973)
1901:(1977)
1893:(2018)
1885:(2014)
1877:(2016)
1869:(2018)
1861:(2010)
1853:(1964)
1845:(2005)
1837:(1972)
1829:(1974)
1821:(1974)
1813:(1974)
1805:(1973)
1797:(1980)
1789:(2009)
1773:(1997)
1757:(1965)
1749:(1971)
1741:(2013)
1733:(2012)
1730:Eating
1725:(1964)
1709:(2015)
1701:(2015)
1698:Buried
1693:(1974)
1685:(1977)
1677:(1969)
1675:Bed-in
1671:(2015)
1663:(1982)
1585:UbuWeb
1441:artnet
1153:Tate.
1136:
1095:
815:3 June
455:, and
421:0 TO 9
280:, and
133:0 to 9
2426:Other
2399:Media
1476:>.
616:2000s
540:Tokyo
516:1980s
453:video
424:with
372:Bronx
162:Crash
2385:Mavo
2319:Ulay
1652:Work
1601:and
1449:2017
1397:2017
1366:2013
1159:Tate
1134:ISBN
1093:ISBN
1072:2022
1033:2014
1007:2018
976:2018
946:2018
915:2018
887:2017
847:2017
817:2016
723:Yale
635:for
548:Graz
449:film
439:and
416:poet
341:and
207:Graz
149:.com
64:Died
41:Born
1583:on
729:,
685:in
659:in
580:in
546:in
400:MFA
386:in
145:www
97:MFA
2758::
1574:,
1504:â
1439:.
1413:.
1383:.
1338:,
1305:.
1276:^
1242:.
1224:.
1191:.
1157:.
1048:,
1024:.
996:.
965:.
954:^
935:.
923:^
904:.
871:.
855:^
837:.
825:^
808:.
721:;
717:;
709:;
584:,
554:.
550:,
480:,
451:,
447:,
392:BA
374:,
276:,
272:,
250:tÊ
228:,
209:,
190:,
88:BA
2522:e
2515:t
2508:v
1637:e
1630:t
1623:v
1451:.
1424:.
1399:.
1368:.
1325:.
1311:.
1261:.
1246:.
1228:.
1195:.
1176:.
1161:.
1142:.
1115:.
1101:.
1074:.
1035:.
1009:.
990:"
978:.
948:.
917:.
889:.
849:.
819:.
574:,
256:/
253:i
247:n
244:É
241:k
238:Ë
235:É
232:/
219:(
99:)
95:(
90:)
86:(
53:)
49:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
