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Volume Two (The Soft Machine album)

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guesting on soprano and tenor saxophones. Multi-sectional suites like "Rivmic Melodies" and "Esther's Nose Job" rely on complex time signatures, Dadaist humour, short spoken word interludes, and Wyatt's idiosyncratic vocals which were often put through heavy echo delay. By contrast, "Dedicated To You
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The outer sleeve featured an abstract collage of a girl with electronic wires and reels in place of a torso. The US version of the album featured a gatefold with expanded liner notes and a B&W photo of the group, whereas the UK version did not have a gatefold. A passage in the US liner notes
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took Ayers' place on bass and a second album (the first released in their home country UK) was recorded in early 1969. The group's sound had been radically altered from the first album, pushing much further in a complex
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After guesting on the album, Brian Hopper joined Soft Machine as a fourth member for a few months later in 1969.
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The Soft Machine had split up in September 1968 but reunited that December without bassist/singer
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But You Weren't Listening" is a brief melodic tune performed with an acoustic guitar.
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In the lyrics to "Have You Ever Bean Green?" Soft Machine thank the
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in order to fulfill contractual obligations. Their road manager
877: 290: 70: 282: 41: 699:(1969) album review, credits & releases | AllMusic" 302: 294: 847:(1969) album review by Peter Kurtz, credits & releases 374: 662:"[Review] The Soft Machine: Volume Two (1969)" 1296: 571:(on 3); harpsichord (on 12); flute (on 3 and 10) 206: 893: 756: 501:"Dedicated to You But You Weren't Listening" 244: 900: 886: 511:"Fire Engine Passing with Bells Clanging" 29: 18:1969 studio album by The Soft Machine 688: 686: 684: 682: 1297: 722: 608:Henry Epstein - cover and liner design 881: 750: 494:"As Long as He Lies Perfectly Still" 436:"A Concise British Alphabet – Pt. 2" 410:"A Concise British Alphabet – Pt. 1" 305:. In 2000 it was voted number 715 in 187: 679: 471:"Pataphysical Introduction – Pt. 2" 399:"Pataphysical Introduction – Pt. 1" 1228:Alive & Well: Recorded in Paris 860:(1969) album releases & credits 605:Byron Goto - cover and liner design 208: 13: 362:Pataphysical Introduction – Pt. 2, 14: 1326: 836: 692: 246: 907: 583:– drums, lead and backing vocals 385: 265: 260: 255: 250: 245: 227: 222: 217: 212: 207: 539:"10:30 Returns to the Bedroom" 364:which also includes a quote of 806: 784: 716: 654: 340:direction with Hugh's brother 1: 729:Encyclopedia of Popular Music 647: 596:– soprano and tenor saxophone 239:Encyclopedia of Popular Music 121:SPB 1002 (UK); CPLP-4505 (US) 549: 508:"Esther's Nose Job" – 11:13 464:"Have You Ever Bean Green?" 457:"Thank You Pierrot Lunaire" 7: 318: 10: 1331: 1193:Soft Machine Legacy albums 532:"A Door Opens and Closes" 425:"Hibou, Anemone and Bear" 396:"Rivmic Melodies" – 17:07 1271: 1246: 1219: 1192: 1093: 915: 820:(in Dutch). 2 August 1969 792:"Hugh Hopper - 1962-1972" 615: 541:(Ratledge, Hopper, Wyatt) 488: 480:(Ratledge, Hopper, Wyatt) 390: 195: 192: 143: 135: 125: 112: 96: 76: 61: 53: 40: 28: 23: 869:Soft Machine discography 763:All Time Top 1000 Albums 312:All Time Top 1000 Albums 567:Holiday De Luxe organ; 360:) in the next section, 350:Jimi Hendrix Experience 65:February–March 1969 at 1255:Love Makes Sweet Music 1236:Live at the Proms 1970 366:"These Foolish Things" 354:"Are You Experienced?" 1315:Probe Records albums 695:"The Soft Machine - 602:- executive producer 588:Additional personnel 466:(Hopper, arr. Wyatt) 459:(Hopper, arr. Wyatt) 452:(Hopper, arr. Wyatt) 445:(Hopper, arr. Wyatt) 438:(Hopper, arr. Wyatt) 183:Professional ratings 1305:Soft Machine albums 856:The Soft Machine - 843:The Soft Machine - 637:Dutch Album Top 100 621: 525:"Orange Skin Food" 184: 35:International cover 620: 611:Eric Goto - photos 182: 1292: 1291: 1279:The Wilde Flowers 645: 644: 542: 535: 528: 521: 514: 504: 497: 496:(Ratledge, Wyatt) 481: 474: 467: 460: 453: 446: 439: 432: 421: 406: 274: 273: 180: 179: 176: 175: 1322: 1272:Related articles 1174:Land of Cockayne 1102:The Soft Machine 1025:Allan Holdsworth 902: 895: 888: 879: 878: 830: 829: 827: 825: 810: 804: 803: 801: 799: 788: 782: 781: 766:(3rd ed.). 754: 748: 747: 732:(5th ed.). 720: 714: 713: 711: 709: 690: 677: 676: 674: 672: 658: 622: 619: 540: 533: 526: 519: 512: 502: 495: 479: 472: 465: 458: 451: 450:"Dada Was Here" 444: 437: 426: 411: 400: 287:The Soft Machine 270: 269: 268: 264: 263: 259: 258: 254: 253: 249: 248: 232: 231: 230: 226: 225: 221: 220: 216: 215: 211: 210: 185: 181: 150:The Soft Machine 145: 144: 137:The Soft Machine 131:The Soft Machine 108: 107: 103: 87:Progressive rock 83:Canterbury scene 47:The Soft Machine 33: 21: 20: 1330: 1329: 1325: 1324: 1323: 1321: 1320: 1319: 1295: 1294: 1293: 1288: 1267: 1242: 1215: 1209:Burden of Proof 1188: 1089: 1080:Paul Carmichael 911: 906: 839: 834: 833: 823: 821: 812: 811: 807: 797: 795: 790: 789: 785: 778: 770:. p. 229. 755: 751: 744: 721: 717: 707: 705: 691: 680: 670: 668: 660: 659: 655: 650: 618: 600:Michael Jeffrey 552: 491: 478:"Out of Tunes" 393: 388: 358:George Chkiantz 321: 266: 261: 256: 251: 228: 223: 218: 213: 171: 162: 153: 105: 101: 100: 67:Olympic Studios 49: 36: 19: 12: 11: 5: 1328: 1318: 1317: 1312: 1307: 1290: 1289: 1287: 1286: 1281: 1275: 1273: 1269: 1268: 1266: 1265: 1258: 1250: 1248: 1244: 1243: 1241: 1240: 1232: 1223: 1221: 1217: 1216: 1214: 1213: 1205: 1196: 1194: 1190: 1189: 1187: 1186: 1182:Hidden Details 1178: 1170: 1162: 1154: 1146: 1138: 1130: 1122: 1114: 1106: 1097: 1095: 1091: 1090: 1088: 1087: 1082: 1077: 1072: 1067: 1062: 1060:Dick Morrissey 1057: 1052: 1047: 1042: 1037: 1032: 1027: 1022: 1020:Roy Babbington 1017: 1012: 1007: 1002: 997: 992: 987: 982: 977: 972: 967: 962: 957: 952: 946: 945: 938: 931: 924: 921:John Etheridge 916: 913: 912: 905: 904: 897: 890: 882: 876: 875: 866: 853: 838: 837:External links 835: 832: 831: 814:"Soft Machine" 805: 783: 776: 749: 743:978-0857125958 742: 715: 693:Kurtz, Peter. 678: 652: 651: 649: 646: 643: 642: 639: 633: 632: 626: 617: 614: 613: 612: 609: 606: 603: 597: 590: 589: 585: 584: 578: 572: 557: 556: 551: 548: 547: 546: 545: 544: 537: 530: 523: 516: 506: 499: 490: 487: 486: 485: 484: 483: 476: 469: 462: 455: 448: 441: 434: 423: 408: 392: 389: 387: 384: 370:Thomas Pynchon 320: 317: 281:is the second 272: 271: 242: 234: 233: 204: 198: 197: 194: 190: 189: 178: 177: 174: 173: 164: 155: 141: 140: 133: 132: 129: 123: 122: 116: 110: 109: 98: 94: 93: 80: 74: 73: 63: 59: 58: 55: 51: 50: 45: 38: 37: 34: 26: 25: 17: 9: 6: 4: 3: 2: 1327: 1316: 1313: 1311: 1308: 1306: 1303: 1302: 1300: 1285: 1282: 1280: 1277: 1276: 1274: 1270: 1263: 1259: 1256: 1252: 1251: 1249: 1245: 1238: 1237: 1233: 1230: 1229: 1225: 1224: 1222: 1218: 1211: 1210: 1206: 1203: 1202: 1198: 1197: 1195: 1191: 1184: 1183: 1179: 1176: 1175: 1171: 1168: 1167: 1163: 1160: 1159: 1155: 1152: 1151: 1147: 1144: 1143: 1139: 1136: 1135: 1131: 1128: 1127: 1123: 1120: 1119: 1115: 1112: 1111: 1107: 1104: 1103: 1099: 1098: 1096: 1094:Studio albums 1092: 1086: 1083: 1081: 1078: 1076: 1073: 1071: 1068: 1066: 1063: 1061: 1058: 1056: 1053: 1051: 1048: 1046: 1043: 1041: 1038: 1036: 1033: 1031: 1028: 1026: 1023: 1021: 1018: 1016: 1013: 1011: 1010:John Marshall 1008: 1006: 1003: 1001: 998: 996: 993: 991: 988: 986: 983: 981: 978: 976: 973: 971: 968: 966: 963: 961: 958: 956: 953: 951: 950:Mike Ratledge 948: 947: 944: 943: 939: 937: 936: 932: 930: 929: 925: 923: 922: 918: 917: 914: 910: 903: 898: 896: 891: 889: 884: 883: 880: 874: 873:Calyx website 870: 867: 865: 861: 859: 854: 852: 848: 846: 841: 840: 819: 815: 809: 794:. Hulloder.nl 793: 787: 779: 777:0-7535-0493-6 773: 769: 765: 764: 759: 758:Larkin, Colin 753: 745: 739: 735: 734:Omnibus Press 731: 730: 725: 724:Larkin, Colin 719: 704: 700: 698: 689: 687: 685: 683: 667: 663: 657: 653: 640: 638: 635: 634: 631: 627: 625:Chart (1969) 624: 623: 610: 607: 604: 601: 598: 595: 592: 591: 587: 586: 582: 579: 576: 573: 570: 569:Hammond organ 566: 562: 561:Mike Ratledge 559: 558: 554: 553: 538: 531: 524: 517: 510: 509: 507: 500: 493: 492: 477: 470: 463: 456: 449: 442: 435: 430: 429:Mike Ratledge 424: 419: 415: 409: 404: 398: 397: 395: 394: 386:Track listing 383: 379: 377: 376: 371: 367: 363: 359: 355: 351: 346: 343: 339: 335: 330: 326: 316: 314: 313: 308: 304: 300: 296: 292: 288: 284: 280: 279: 243: 241: 240: 236: 235: 205: 203: 200: 199: 191: 188:Review scores 186: 170: 169: 165: 161: 160: 156: 152: 151: 147: 146: 142: 138: 134: 130: 128: 124: 120: 117: 115: 111: 99: 95: 92: 88: 84: 81: 79: 75: 72: 68: 64: 60: 56: 52: 48: 43: 39: 32: 27: 22: 16: 1262:Joy of a Toy 1234: 1226: 1207: 1199: 1180: 1172: 1164: 1156: 1148: 1140: 1132: 1124: 1116: 1109: 1108: 1100: 1035:Ray Warleigh 1030:Alan Wakeman 1015:Karl Jenkins 980:Brian Hopper 970:Andy Summers 965:Daevid Allen 955:Robert Wyatt 940: 933: 926: 919: 909:Soft Machine 857: 844: 824:16 September 822:. 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Retrieved 666:Progrogrophy 665: 656: 629: 594:Brian Hopper 581:Robert Wyatt 555:Soft Machine 403:Robert Wyatt 380: 373: 361: 347: 342:Brian Hopper 322: 310: 307:Colin Larkin 277: 276: 275: 237: 166: 158: 157: 148: 42:Studio album 15: 1310:1969 albums 1220:Live albums 1085:Dave MacRae 1075:John Taylor 1070:Tony Rivers 1065:Alan Parker 1045:Percy Jones 1040:Ric Sanders 1005:Phil Howard 995:Mark Charig 975:Hugh Hopper 960:Kevin Ayers 942:Asaf Sirkis 928:Theo Travis 575:Hugh Hopper 443:"Hulloder" 414:Hugh Hopper 338:jazz-fusion 329:Hugh Hopper 325:Kevin Ayers 299:psychedelia 1299:Categories 1110:Volume Two 1055:Stu Calver 1050:Jack Bruce 1000:Nick Evans 990:Lyn Dobson 985:Elton Dean 935:Fred Baker 858:Volume Two 845:Volume Two 798:3 December 697:Volume Two 648:References 534:(Ratledge) 527:(Ratledge) 520:(Ratledge) 513:(Ratledge) 278:Volume Two 159:Volume Two 139:chronology 57:April 1969 24:Volume Two 1284:Soft Heap 630:position 563:– piano, 550:Personnel 372:'s novel 91:jazz rock 1264:" (1968) 1257:" (1967) 851:AllMusic 760:(2000). 726:(2007). 503:(Hopper) 431:, Wyatt) 319:Overview 202:AllMusic 127:Producer 62:Recorded 54:Released 44: by 1247:Singles 1158:Bundles 864:Discogs 708:25 July 473:(Wyatt) 172:(1970) 163:(1969) 154:(1968) 1239:(1988) 1231:(1978) 1212:(2013) 1204:(2007) 1185:(2018) 1177:(1981) 1169:(1976) 1161:(1975) 1153:(1973) 1145:(1973) 1137:(1972) 1129:(1971) 1126:Fourth 1121:(1970) 1113:(1969) 1105:(1968) 774:  740:  616:Charts 565:Lowrey 543:– 4:14 536:– 1:09 529:– 1:52 522:– 2:08 518:"Pig" 515:– 1:50 505:– 2:30 498:– 2:30 489:Side 2 482:– 2:30 475:– 0:50 468:– 1:23 461:– 0:47 454:– 3:25 447:– 0:52 440:– 0:12 433:– 5:58 422:– 0:10 420:Wyatt) 407:– 1:00 391:Side 1 291:humour 196:Rating 193:Source 97:Length 71:London 1201:Steam 1166:Softs 1150:Seven 1134:Fifth 1118:Third 628:Peak 283:album 168:Third 119:Probe 114:Label 78:Genre 826:2024 800:2011 772:ISBN 738:ISBN 710:2011 673:2024 418:arr. 336:and 334:prog 303:jazz 301:and 295:dada 1142:Six 871:at 862:at 849:at 309:'s 285:by 1301:: 816:. 736:. 701:. 681:^ 664:. 641:2 416:, 375:V. 315:. 297:, 293:, 106:20 102:33 89:, 85:, 69:, 1260:" 1253:" 901:e 894:t 887:v 828:. 802:. 780:. 746:. 712:. 675:. 427:( 412:( 405:) 401:( 104::

Index


Studio album
The Soft Machine
Olympic Studios
London
Genre
Canterbury scene
Progressive rock
jazz rock
Label
Probe
Producer
The Soft Machine
The Soft Machine
Third
AllMusic
Encyclopedia of Popular Music
album
The Soft Machine
humour
dada
psychedelia
jazz
Colin Larkin
All Time Top 1000 Albums
Kevin Ayers
Hugh Hopper
prog
jazz-fusion
Brian Hopper

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