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was a spur to the creation of Frith's own most famous compositions. Following the precedent of Wilkie, but also imitating the work of his friend
Dickens, Frith created complex multi-figure compositions depicting the full range of the Victorian class system, meeting and interacting in public places.
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Frith was married twice. He had twelve children with his first wife, Isabelle, whilst a mile down the road maintaining a mistress (Mary Alford, formerly his ward) and seven more children – all a marked contrast to the upright family scenes depicted in paintings like
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420:, 1881, is in the Mercer Art Gallery. His work was also shown at the Whitechapel Gallery in London during an exhibition running from 25 October – 1 December 1951. Frith has paintings in the collection of several British institutions including
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on 9 January 1819. He had originally intended to be an auctioneer. His mother was Jane Frith, née Powell (1779–1851). Frith was encouraged to take up art by his father, a hotelier in
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in 1908. It is a book of childhood reminiscences describing her father and the family's set of artist and literary friendships, chiefly members of The Clique.
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The first major retrospective in Frith's native
Britain for half a century was staged at the Guildhall Art Gallery, London in November 2006. It transferred to
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265:. This 1858 composition was bought by Jacob Bell for £1,500. It was so popular that it had to be protected by a specially installed rail when shown at the
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In his later years, he painted many copies of his famous paintings, as well as more sexually uninhibited works, such as the nude
251:' (also known as 'Life at the Seaside', 1854) he depicted visitors and entertainers at the seaside resort. He followed this with
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Bills, Mark. "William Powell Frith's 'The
Crossing Sweeper': An Archetypal Image of Mid-Nineteenth Century London (2004-05)".
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326:(1880) about reckless financial speculation. He retired from the Royal Academy in 1890 but continued to exhibit until 1902.
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has been described as breaking "new ground in its description of the collision of wealth and poverty on a London street."
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Frith was a traditionalist who made known his aversion to modern-art developments in a couple of autobiographies –
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Later in his career he painted two series of five pictures each, telling moral stories in the manner of
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as his
Diploma work. He has been described as the "greatest British painter of the social scene since
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441:. Frith married Alford a year after the death of Isabelle in 1880. A daughter from his first family,
381:, as part of a series of portraits of "fine artists". The picture was among a group exhibited at the
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is depicted discoursing on art while Frith's friends look on disapprovingly. Fellow traditionalist
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374:. A well-known raconteur, his writings, most notably his chatty autobiography, were very popular.
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238:. The principal influence on his work was the hugely popular domestic subjects painted by Sir
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882:"Charles Dickens | Frith, William Powell (RA) | V&A Explore the Collections"
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in 1838. In the 1840s he often based works on the literary output of writers such as
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123:(9 January 1819 – 2 November 1909) was an English painter specialising in
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167:. Frith was great uncle and an advisor to the English school portrait painter
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1202:‘Sherry, Sir?’ de William Powell Frith y las Bodegas Williams & Humbert
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337:(1888) – and other writings. He was also an inveterate enemy of the
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Phryne's list of pictures by Frith in accessible collections in the UK
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William Powell Frith chronology at the Mercer Art
Gallery, Harrogate.
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In 1856, Frith was photographed at "The
Photographed Institute" by
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1016:"Where's Mary? Hunt is on for Victorian artist's secret mistress"
870:. 13 May 1906. p. 8 – via chroniclingamerica.loc.gov.
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William Powell Frith page at the Mercer Art
Gallery, Harrogate.
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The
Saturday Review of Politics, Literature, Science, and Art
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829:. Harrogate Borough Council, 2011. Retrieved 19 April 2013.
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is featured in the painting, which also portrays painter
916:"In the collection of Royal Holloway, London University"
416:, in March 2007. Frith's study for his last major work,
1001:"Many Happy Returns of the Day by William Powell Frith"
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Wedding of Prince Albert Edward and
Princess Alexandra
658:, 1874. From Act I, Scene 5 of William Shakespeare's
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1158:(images from various Museums and image galleries)
178:in 1835 where he began his formal art studies at
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1101:William Powell Frith: Painting the Victorian Age
827:William Powell Frith: Painting the Victorian Age
815:, London: Griffith and Farran, pp. 129–134
505:The Two Central Figures in "Derby Day", at the
322:(1878), about the dangers of gambling, and the
624:A Sentimental Journey Through France and Italy
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1117:William Powell Frith: A Painter and His World
261:, which was based on photographic studies by
225:, 10 May 1873. Caption reads "The Derby-Day".
127:and panoramic narrative works of life in the
1190:95 artworks by or after William Powell Frith
1185:Profile on Royal Academy of Arts Collections
1087:(11th ed.). Cambridge University Press.
392:Frith died in 1909 aged 90 and is buried in
299:Pope Makes Love To Lady Mary Wortley Montagu
198:, whose portrait he painted (in 1859), and
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1156:William Powell Frith at Artcyclopedia
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733:(1887). (BiblioBazaar reprint, 2009:
351:(1883; Private collection), in which
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279:. In 1863 he was chosen to paint the
48:Self-Portrait at the Age of 82 (1901)
1014:Wainwright, Martin (26 March 2007).
1295:The Marriage of the Prince of Wales
794:"Royal Academy of Arts Collections"
713:The Marriage of the Prince of Wales
348:A Private View at the Royal Academy
190:painter and first exhibited at the
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1046:My Autobiography and Reminiscences
782:. Vol. 59. 1907. p. 643.
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546:, and satirising the influence of
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269:. Another well-known painting was
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1412:19th-century English male artists
1407:20th-century English male artists
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1058:(1671): 631–632. 5 November 1887.
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813:Sketches of living celebrities
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1138:Works by William Powell Frith
1078:"Frith, William Powell"
751:John Leech, His Life and Work
439:Many Happy Returns of the Day
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1279:Charles Dickens in His Study
1199:La Sacristía del Caminante:
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809:"William Powell Frith, R.A."
472:Charles Dickens in His Study
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990:, BBC, accessed August 2011
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242:. Wilkie's famous painting
27:English painter (1819–1909)
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1114:Wood, Christopher (2006).
697:Paddington railway station
507:Metropolitan Museum of Art
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426:Victoria and Albert Museum
1392:English portrait painters
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1120:. Sutton Publishing Ltd.
1104:. Yale University Press.
958:. Oxford University Press
716:, 1865. Depiction of the
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383:Art Treasures Exhibition
161:West Riding of Yorkshire
131:. He was elected to the
1084:Encyclopædia Britannica
938:The Burlington Magazine
807:Wilman, George (1882),
776:"FRITH, William Powell"
758:References and sources
615:The Beautiful Grisette
601:At My Window, Boulogne
400:Exhibitions and legacy
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244:The Chelsea Pensioners
234:, which also included
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1397:People from Harrogate
1382:English male painters
745:Further Reminiscences
695:, 1862. Depiction of
617:, 1853. A scene from
394:Kensal Green Cemetery
335:Further Reminiscences
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267:Royal Academy of Arts
213:
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1271:The Crossing Sweeper
1240:William Powell Frith
1098:Bills, Mark (2006).
988:William Powell Frith
834:18 July 2015 at the
489:The Crossing Sweeper
361:John Everett Millais
308:The Crossing Sweeper
289:Alexandra of Denmark
169:Henry Keyworth Raine
135:in 1853, presenting
116:William Powell Frith
36:William Powell Frith
1303:Salon d'Or, Homburg
1287:The Railway Station
977:Whitechapel Gallery
692:The Railway Station
573:by Charles Dickens.
272:The Railway Station
230:He was a member of
192:British Institution
1372:Royal Academicians
896:"A thousand words"
848:"A thousand words"
552:Aesthetic movement
523:The Little Gleaner
406:Mercer Art Gallery
343:Aesthetic Movement
305:His 1858 painting
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277:Paddington station
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137:The Sleeping Model
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1334:Jane Ellen Panton
1142:Project Gutenberg
753:, 2 vols. (1891).
443:Jane Ellen Panton
422:Derby Art Gallery
357:Frederic Leighton
318:. These were the
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174:He moved to
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81:(1909-11-02)
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1367:1909 deaths
1362:1819 births
1266:(1856–1858)
1258:(1851–1854)
1044:"Review of
548:Oscar Wilde
396:in London.
353:Oscar Wilde
341:and of the
333:(1887) and
259:Epsom Downs
222:Vanity Fair
1356:Categories
1336:(daughter)
1329:The Clique
921:24 October
387:Manchester
232:The Clique
147:Early life
109:The Signal
60:1819-01-09
1247:Paintings
962:22 August
780:Who's Who
763:Citations
410:Harrogate
389:in 1857.
165:Harrogate
89:, England
70:, England
1028:26 March
1024:. London
1021:Guardian
832:Archived
725:Writings
550:and the
188:portrait
153:Aldfield
98:Painting
68:Aldfield
18:WP Frith
1322:Related
1164:at the
1149:at the
1066:Sources
747:(1888).
457:Gallery
283:(later
155:, near
141:Hogarth
1314:(1883)
1306:(1871)
1298:(1865)
1290:(1862)
1282:(1859)
1274:(1858)
1194:Art UK
1124:
1108:
737:
678:, 1860
643:, 1854
588:, 1847
509:, 1860
492:, 1858
475:, 1859
301:(1852)
206:Career
176:London
111:, 1858
87:London
1342:(son)
157:Ripon
1196:site
1122:ISBN
1106:ISBN
1030:2007
964:2012
923:2014
735:ISBN
247:In '
76:Died
54:Born
1140:at
621:'s
408:in
385:in
219:in
217:Spy
182:in
143:".
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1081:.
1056:64
1054:.
1050:.
1018:.
954:.
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850:.
811:,
778:.
428:.
412:,
367:.
291:.
202:.
120:RA
1232:e
1225:t
1218:v
1205:.
1032:.
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925:.
884:.
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741:)
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