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Wallace Clement Sabine

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stopwatch, Sabine performed thousands of careful measurements (though inaccurate by present standards) of the time required for different frequencies of sounds to decay to inaudibility in the presence of the different materials. He tested reverberation time with several different types of Oriental rugs inside Fogg Lecture Hall, and with various numbers of people occupying its seats, and found that the body of an average person decreased reverberation time by about as much as six seat cushions. Once the measurements were taken and before morning arrived, everything was quickly replaced in both lecture halls, in order to be ready for classes the next day.
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featured reverberation times of slightly under 1 second. Regarding the Fogg Museum lecture room, Sabine noted that a spoken word remained audible for about 5.5 seconds, or about an additional 12-15 words if the speaker continued talking. Listeners thus contended with a very high degree of resonance and echo. Sabine's work was continued by his cousin
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By studying various rooms judged acoustically optimal for their intended uses, Sabine determined that acoustically appropriate concert halls had reverberation times of 2-2.25 seconds (with shorter reverberation times, a music hall seems too "dry" to the listener), while optimal lecture hall acoustics
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department at Harvard. (The original Fogg Museum was designed by Richard Morris Hunt and constructed in 1893. After the completion of the present Fogg Museum the building was repurposed for academic use and renamed Hunt Hall in 1935.) The assignment was passed down until it landed on the shoulders
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was considered acoustically excellent. For the next several years, Sabine and his assistants spent each night moving materials between the two lecture halls and testing the acoustics. On some nights they would borrow hundreds of seat cushions from the Sanders Theater. Using an organ pipe and a
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After graduating, Sabine became an assistant professor of physics at Harvard in 1889. He became an instructor in 1890 and a member of the faculty in 1892. In 1895, he became an assistant professor and in 1905, he was promoted to professor of physics. In October 1906, he became dean of the
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Using what he discovered, Sabine deployed sound absorbing materials throughout the Fogg Lecture Hall to cut its reverberation time and reduce the "echo effect." This accomplishment cemented Wallace Sabine's career, and led to his hiring as the acoustical consultant for Boston's
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time, which is still the most important characteristic currently in use for gauging the acoustical quality of a room, as number of seconds required for the intensity of the sound to drop from the starting level, by an amount of 60 dB
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Sabine was able to determine, through the experiments, that a definitive relationship exists between the quality of the acoustics, the size of the chamber, and the amount of absorption surface present. He formally defined the
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to be designed using quantitative acoustics. His acoustic design was successful and Symphony Hall is generally considered one of the best symphony halls in the world.
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Sabine tackled the problem by trying to determine what made the Fogg Lecture Hall different from other, acoustically acceptable facilities. In particular, the
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The soundscape of modernity : architectural acoustics and the culture of listening in America, 1900 - 1933
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https://wayback.archive-it.org/5488/20170330145539/http://hul.harvard.edu/lib/archives/refshelf/cba/c.html
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professor, Sabine. Although considered a popular lecturer by the students, Sabine had never received his
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This article is about the founder of acoustic science. For the composer and organist, see
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Gerrit Petersen; Steven Ledbetter & Kimberly Alexander Shilland (June 26, 1998).
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January 10, 1919: Death of Wallace Sabine, pioneer of architectural acoustics,
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F. Alton Everest, Master Handbook of Acoustics, Fourth Edition, 2001
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Sabine's career is the story of the birth of the field of modern
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and did not have any particular background dealing with sound.
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Biographical Memoirs of the National Academy of Sciences
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Christopher Hail, Cambridge Buildings and Architects
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Wallace Clement Sabine was born on June 13, 1868, in
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Reverberation and the Art of Architectural Acoustics
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Hollis Chair of Mathematicks and Natural Philosophy
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Sabine of Harvard Dead". 450:Sabine had a wife and two daughters. 753:(Cambridge, Mass.: MIT Press, 2002). 564: 548: 484:of the Acoustical Society of America 701:The Acoustical Foundations of Music 24: 736: 438:The unit of sound absorption, the 374: 369: 25: 1055: 776: 410:A = the effective absorption area 445: 235:in the world for its acoustics. 644:"Acoustics Engineering - Sabin" 689: 650: 636: 624: 542: 495: 13: 1: 792:Mathematics Genealogy Project 762:Collected Papers on Acoustics 617:Ohio State University Monthly 488: 238: 1024:Ohio State University alumni 482:Wallace Clement Sabine Medal 7: 465: 10: 1060: 1034:Harvard University faculty 1019:People from Richwood, Ohio 442:, was named in his honor. 404:T = the reverberation time 281:Lawrence Scientific School 29: 1029:Harvard University alumni 870: 821: 812: 804: 799: 675:10.1080/0161-118591859960 273: 223:who founded the field of 210: 199: 195: 191: 181: 169: 159: 152: 144: 117: 109: 86: 60: 48: 41: 961:John Hasbrouck Van Vleck 759:Wallace Clement Sabine, 453: 953:Percy Williams Bridgman 657:Kranz, Fred W. (1985). 588:: 2. January 11, 1919. 549:Hall, Edwin H. (1924). 509:. National Park Service 292:architectural acoustics 225:architectural acoustics 931:Wallace Clement Sabine 923:Benjamin Osgood Peirce 808:Benjamin Osgood Peirce 788:Wallace Clement Sabine 530:Cite journal requires 421:Riverbank Laboratories 391: 229:Boston's Symphony Hall 217:Wallace Clement Sabine 43:Wallace Clement Sabine 460:Boston, Massachusetts 392: 259:and graduated with a 253:Ohio State University 122:Ohio State University 703:. New York: Norton. 342: 55:Photograph of Sabine 32:Wallace Arthur Sabin 1044:American physicists 407:V = the room volume 268:Annie W. S. Siebert 204:Annie W. S. Siebert 387: 257:Harvard University 132:Harvard University 996: 995: 989: 981: 977:Bertrand Halperin 973: 965: 957: 949: 941: 935: 927: 919: 911: 903: 895: 887: 879: 831: 830: 822:Succeeded by 800:Academic offices 417:Paul Earls Sabine 359: 214: 213: 182:Doctoral students 154:Scientific career 16:(Redirected from 1051: 987: 979: 971: 963: 955: 947: 939: 933: 925: 917: 909: 901: 893: 885: 877: 857: 850: 843: 834: 833: 805:Preceded by 797: 796: 747:Emily Thompson, 730: 729: 693: 687: 686: 654: 648: 647: 640: 634: 628: 622: 621: 612: 606: 605: 585:The Boston Globe 579: 562: 561: 555: 546: 540: 539: 533: 528: 526: 518: 516: 514: 508: 499: 396: 394: 393: 388: 386: 385: 384: 360: 352: 285:Nathaniel Shaler 249:Bachelor of Arts 171:Doctoral advisor 140: 130: 93: 90:January 19, 1919 70: 68: 53: 39: 38: 21: 1059: 1058: 1054: 1053: 1052: 1050: 1049: 1048: 999: 998: 997: 992: 915:Joseph Lovering 891:Samuel Williams 875:Isaac Greenwood 866: 861: 827: 818: 810: 783:Sanders Theatre 779: 739: 737:Further reading 734: 733: 711: 694: 690: 655: 651: 642: 641: 637: 629: 625: 614: 613: 609: 581: 580: 565: 553: 547: 543: 531: 529: 520: 519: 512: 510: 506: 500: 496: 491: 468: 456: 448: 377: 373: 368: 351: 343: 340: 339: 335:His formula is 316:Sanders Theater 296:Fogg Art Museum 276: 266:His sister was 241: 176:John Trowbridge 134: 124: 118:Alma mater 105: 95: 91: 82: 72: 66: 64: 56: 44: 35: 28: 23: 22: 15: 12: 11: 5: 1057: 1047: 1046: 1041: 1036: 1031: 1026: 1021: 1016: 1011: 994: 993: 991: 990: 982: 974: 969:Andrew Gleason 966: 958: 950: 945:Theodore Lyman 942: 936: 928: 920: 912: 904: 896: 888: 880: 871: 868: 867: 860: 859: 852: 845: 837: 829: 828: 825:Theodore Lyman 823: 820: 811: 806: 802: 801: 795: 794: 785: 778: 777:External links 775: 774: 773: 766: 757: 754: 745: 738: 735: 732: 731: 709: 688: 669:(3): 240–246. 649: 635: 623: 607: 563: 541: 532:|journal= 493: 492: 490: 487: 486: 485: 479: 474: 467: 464: 455: 452: 447: 444: 412: 411: 408: 405: 398: 397: 383: 380: 376: 371: 366: 363: 358: 355: 350: 347: 275: 272: 261:Master of Arts 245:Richwood, Ohio 240: 237: 212: 211: 208: 207: 201: 197: 196: 193: 192: 189: 188: 186:Percy Bridgman 183: 179: 178: 173: 167: 166: 161: 157: 156: 150: 149: 146: 142: 141: 119: 115: 114: 111: 107: 106: 96: 94:(aged 50) 88: 84: 83: 73: 62: 58: 57: 54: 46: 45: 42: 26: 18:Wallace Sabine 9: 6: 4: 3: 2: 1056: 1045: 1042: 1040: 1037: 1035: 1032: 1030: 1027: 1025: 1022: 1020: 1017: 1015: 1012: 1010: 1007: 1006: 1004: 986: 983: 978: 975: 970: 967: 962: 959: 954: 951: 946: 943: 937: 932: 929: 924: 921: 916: 913: 908: 905: 900: 899:Samuel Webber 897: 892: 889: 884: 883:John Winthrop 881: 876: 873: 872: 869: 865: 858: 853: 851: 846: 844: 839: 838: 835: 826: 817: 816: 809: 803: 798: 793: 789: 786: 784: 781: 780: 771: 767: 764: 763: 758: 755: 752: 751: 746: 744: 741: 740: 728: 726: 720: 716: 712: 710:0-393-09834-6 706: 702: 698: 692: 684: 680: 676: 672: 668: 664: 660: 653: 645: 639: 633: 627: 619: 618: 611: 603: 599: 595: 591: 587: 586: 578: 576: 574: 572: 570: 568: 559: 552: 545: 537: 524: 505: 498: 494: 483: 480: 478: 475: 473: 470: 469: 463: 461: 451: 446:Personal life 443: 441: 436: 434: 430: 429:Symphony Hall 424: 422: 418: 409: 406: 403: 402: 401: 381: 378: 364: 361: 356: 353: 348: 345: 338: 337: 336: 333: 331: 326: 325:reverberation 320: 317: 312: 310: 306: 301: 297: 293: 288: 286: 283:, succeeding 282: 271: 269: 264: 262: 258: 254: 250: 246: 236: 234: 233:concert halls 230: 226: 222: 218: 209: 205: 202: 198: 194: 190: 187: 184: 180: 177: 174: 172: 168: 165: 162: 158: 155: 151: 147: 143: 138: 133: 128: 123: 120: 116: 112: 108: 103: 102:Massachusetts 99: 89: 85: 80: 76: 71:June 13, 1868 63: 59: 52: 47: 40: 37: 33: 19: 930: 813: 760: 748: 724: 722: 700: 697:Backus, John 691: 666: 662: 652: 638: 626: 616: 610: 583: 557: 544: 523:cite journal 511:. 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Index

Wallace Sabine
Wallace Arthur Sabin

Richwood
Ohio
Boston
Massachusetts
Ohio State University
AB
Harvard University
AM
Acoustics
Doctoral advisor
John Trowbridge
Percy Bridgman
Annie W. S. Siebert
physicist
architectural acoustics
Boston's Symphony Hall
concert halls
Richwood, Ohio
Bachelor of Arts
Ohio State University
Harvard University
Master of Arts
Annie W. S. Siebert
Lawrence Scientific School
Nathaniel Shaler
architectural acoustics
Fogg Art Museum

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