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Walter Pach

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Pach's fluency in French, German, and Spanish made it possible for him to understand and interpret the avant-garde ideas developing in Europe and translate them for the English-speaking audience. He was able to communicate personally with many noted artists in Europe and Mexico and mediate between
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in 1914, and their son Raymond was born at the end of that year. He began advising Walter and Louise Arensberg on their art collecting and introduced them to Marcel Duchamp in 1915. The following year, with Duchamp and the Arensbergs, he was a major force in the creation of the
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gallery dealers and museum curators on their behalf. His correspondence with major figures in 20th-century art are an important source of information, not only about the artists but about the art world during the first half of the 20th century.
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While he is not remembered today as a painter, Pach devoted much of his creative efforts to painting. He thought of himself both an artist and a writer, despite advice from friends like art historian
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His writings include monographs on a wide range of subjects, social commentary on the art world, and a book on museum structures. His first publications included brochures for the 1913
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and championed its cause. Through his numerous books, articles, and translations of European art texts Pach brought the emerging modernist viewpoint to the American public.
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circle, and moved among the Parisian avant-garde, exhibiting with them and writing about their work and new artistic vision. In 1908 he wrote the first article on
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called into question the relevance, responsibility, and future of the American art museum. He long championed the artists of Mexico and published an essay on
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a seminal figure in the development of modern art and was the first historian to lecture on him in America. He published his well-received monograph,
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and a monograph on Duchamp-Villon in French were published the following year. The first solo exhibition of his own art took place in 1925 at
626: 317: 152: 140:(July 1, 1883 – November 27, 1958) was an artist, critic, lecturer, art adviser, and art historian who wrote extensively about 313: 621: 147:
He organized exhibitions of contemporary art for New York City galleries of the period. He was also extremely helpful to
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and helped organize the Mexican chapter of the Society of Independent Artists. In 1923 he began an affiliation with
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that year and published an article about him in the same periodical. He helped manage and teach in several of
410: 457:"Walter Pach, 75, Painter, is Dead. Art Critic and Historian Taught at City College. Author of Biographies" 581: 221: 197: 224:. The young Pach often accompanied his father on museum assignments. In 1903, Pach graduated from the 163:, by bringing together leading contemporary European and American artists. Another original founder 433: 225: 54: 325: 289: 257: 233: 171: 178:
gather their collections. He also secured individual works for museums, such as a portrait by
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Walter Pach (1883-1958): The Armory Show and the Untold Story of Modern Art in America.
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and others. Pach was responsible for securing loans from these painters for the 1913
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A Finding Aid to the Walter Pach Papers, 1883-1980, in the Archives of American Art.
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Walter Pach Papers Online at the Smithsonian Archives of American Art
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Pach was the only American artist to be closely affiliated with the
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spent over a year supervising the American portion of the show.
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College Park, PA: Pennsylvania State University Press, 2011.
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The Armory Show and the Untold Story of Modern Art in America
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Pach was born in New York City on July 11, 1883. His father,
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Laurette E. McCarthy, Walter Pach, Walter Pach (1883-1958),
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In 1907, Pach moved to France and became part of the
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later cited by as an important text on the artist.
269:'s summer art schools in various European locales. 220:. They did most of the photographic work for the 588: 382:He created a stir in 1928 in the art world with 255:to be published in the U.S., which appeared in 343:who urged him to devote his time to writing. 544:. New York: Henry Holt and Company, 1996. 29: 316:. In the summer of 1922 he taught at the 318:National Autonomous University of Mexico 523:, Smithsonian Archives of American Art. 112: 1914; died 1950) 589: 451: 449: 429:, was published posthumously in 1959. 228:with a degree in art. He studied with 153:International Exhibition of Modern Art 516:Malloy, Nancy and Stover, Catherine. 427:The Classical Tradition in Modern Art 320:, where he lectured and wrote about 314:University of California at Berkeley 159:, as well as to one of its founders 476: 446: 16:Artist, proselytizer for modern art 13: 405:was published in 1939, as well as 14: 643: 555: 432:He died on November 27, 1958, in 240:in the summers of 1903 and 1904. 627:Historians from New York (state) 336:, where he taught periodically. 109: 491: 310:Society of Independent Artists 236:and went abroad to paint with 1: 521:The Walter Pach Papers Online 439: 423:National Museum of Fine Arts 384:Ananias, or The False Artist 276:group of artists, including 207: 7: 10: 648: 622:Artists from New York City 510: 411:1939 New York World's Fair 222:Metropolitan Museum of Art 198:Metropolitan Museum of Art 500:A Sculptor's Architecture 415:The Art Museum in America 356:A Sculptor's Architecture 127: 119: 93: 85: 77: 61: 40: 28: 21: 487:, Penn State Press, 2011 434:Manhattan, New York City 226:City College of New York 72:Manhattan, New York City 55:Manhattan, New York City 617:American art historians 607:American art collectors 526:McCarthy, Laurette E. 367:, a book art historian 290:Raymond Duchamp-Villon 261:. He also interviewed 234:New York School of Art 612:American art curators 399:Queer Thing, Painting 379:Galleries, New York. 373:Masters of Modern Art 267:William Merritt Chase 238:William Merritt Chase 193:The Death of Socrates 89:artist, art historian 562:Works by Walter Pach 542:Duchamp: A Biography 401:, appeared in 1938. 361:In 1923, Pach wrote 326:JosĂ© Clemente Orozco 303:Pach married artist 582:Self-Portrait, 1955 465:. November 28, 1958 407:Masterpieces of Art 334:New York University 322:Native American art 284:, Duchamp brothers 258:Scribner's Magazine 188:Jacques-Louis David 572:AskArt artist page 409:, written for the 305:Magdalene Frohberg 99:Magdalene Frohberg 540:Tomkins, Calvin. 135: 134: 65:November 27, 1958 639: 504: 495: 489: 480: 474: 473: 471: 470: 453: 421:in 1951 for the 395:Vincent Van Gogh 391:Vincent van Gogh 389:Pach considered 341:Bernard Berenson 176:Walter Arensberg 155:," known as the 149:Arthur B. Davies 113: 111: 68: 50: 48: 33: 19: 18: 647: 646: 642: 641: 640: 638: 637: 636: 587: 586: 558: 513: 508: 507: 496: 492: 481: 477: 468: 466: 455: 454: 447: 442: 210: 115: 107: 103: 100: 73: 70: 66: 57: 52: 46: 44: 36: 35:Pach circa 1909 24: 17: 12: 11: 5: 645: 635: 634: 629: 624: 619: 614: 609: 604: 599: 585: 584: 579: 574: 569: 557: 556:External links 554: 553: 552: 538: 524: 512: 509: 506: 505: 490: 475: 462:New York Times 444: 443: 441: 438: 377:Joseph Brummer 364:Georges Seurat 294:Jacques Villon 286:Marcel Duchamp 282:Jean Metzinger 278:Albert Gleizes 209: 206: 133: 132: 129: 125: 124: 121: 117: 116: 105: 101: 98: 97: 95: 91: 90: 87: 83: 82: 79: 75: 74: 71: 69:(aged 75) 63: 59: 58: 53: 42: 38: 37: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 644: 633: 630: 628: 625: 623: 620: 618: 615: 613: 610: 608: 605: 603: 600: 598: 595: 594: 592: 583: 580: 578: 575: 573: 570: 567: 563: 560: 559: 551: 550:0-8050-5789-7 547: 543: 539: 537: 536:9780271037400 533: 529: 525: 522: 519: 515: 514: 503: 501: 498:Walter Pach, 494: 488: 486: 479: 464: 463: 458: 452: 450: 445: 437: 435: 430: 428: 424: 420: 416: 412: 408: 404: 400: 396: 392: 387: 385: 380: 378: 374: 370: 366: 365: 359: 357: 353: 349: 344: 342: 337: 335: 331: 327: 323: 319: 315: 311: 306: 301: 299: 295: 291: 287: 283: 279: 275: 270: 268: 264: 260: 259: 254: 250: 246: 241: 239: 235: 231: 227: 223: 219: 215: 214:Gotthelf Pach 205: 201: 199: 195: 194: 189: 185: 181: 180:Thomas Eakins 177: 173: 168: 166: 162: 158: 154: 150: 145: 143: 139: 131:Gotthelf Pach 130: 126: 122: 118: 96: 92: 88: 86:Occupation(s) 84: 80: 76: 64: 60: 56: 43: 39: 32: 27: 20: 541: 527: 517: 499: 493: 484: 478: 467:. Retrieved 460: 431: 426: 419:Diego Rivera 414: 406: 402: 398: 394: 388: 383: 381: 372: 362: 360: 355: 352:Odilon Redon 350:, including 345: 338: 330:Diego Rivera 302: 274:Section d'Or 271: 263:Claude Monet 256: 242: 230:Robert Henri 211: 202: 191: 170:Pach helped 169: 165:Jerome Myers 146: 137: 136: 123:Raymond Pach 67:(1958-11-27) 51:July 1, 1883 602:1958 deaths 597:1883 births 369:John Rewald 348:Armory Show 298:Armory Show 157:Armory Show 138:Walter Pach 78:Nationality 23:Walter Pach 632:Modern art 591:Categories 566:Faded Page 469:2016-08-02 440:References 172:John Quinn 142:modern art 47:1883-07-01 249:Leo Stein 218:Pach Bros 208:Biography 161:Walt Kuhn 568:(Canada) 245:Gertrude 196:for the 182:for the 120:Children 81:American 511:Sources 253:CĂ©zanne 232:at the 114:​ 106:​ 102:​ 548:  534:  403:Ingres 186:, and 184:Louvre 128:Parent 94:Spouse 108:( 104: 546:ISBN 532:ISBN 328:and 247:and 174:and 62:Died 41:Born 564:at 190:'s 593:: 459:. 448:^ 436:. 358:. 292:, 288:, 280:, 200:. 110:m. 472:. 49:) 45:(

Index


Manhattan, New York City
modern art
Arthur B. Davies
International Exhibition of Modern Art
Armory Show
Walt Kuhn
Jerome Myers
John Quinn
Walter Arensberg
Thomas Eakins
Louvre
Jacques-Louis David
The Death of Socrates
Metropolitan Museum of Art
Gotthelf Pach
Pach Bros
Metropolitan Museum of Art
City College of New York
Robert Henri
New York School of Art
William Merritt Chase
Gertrude
Leo Stein
CĂ©zanne
Scribner's Magazine
Claude Monet
William Merritt Chase
Section d'Or
Albert Gleizes

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