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Warrior (comics)

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489:. The first issue was dated March 1982, with Skinn's editorial noting work had begun in April 1981, but the creators had been encouraged to work at getting the first issue "right" rather than working towards a deadline. The issue included a two-page article introducing the creators behind the magazine. Both the editorial-cum-contents page and Skinn's replies to readers' letters would adopt a similarly candid approach, giving a generally unvarnished look at the magazine's frequent production problems. Letters page 'Dispatches' would print both positive and negative missives, with the latter often being upbraided by Skinn or other members of the creative team. 349:, which mixed reprints of extant American material and work sourced from the burgeoning British comics scene, much of it drawn from Skinn's contacts in both the industry and fanzines. In 1980, Skinn left Marvel UK – later explaining that he felt the demands on the wing's output had reduced it from making "quality material" to "quantity material". In response he set up Quality Communications, planning to follow the same successful template with a creator-owned ethos. He revived the name of the 70s fanzine for the project: 584:. The Marvelman strip "The Yesterday Gambit" was set three years in the universe's future, featuring the title character teaming up with 'Warpsmith' to battle Kid Marvelman, with a call-out for the mysterious Firedrake and "the others". Otherwise few of these connections reached print before the title was cancelled, and neither the completed V for Vendetta nor the ongoing Miracleman showed any sign of being connected. However Moore did incorporate the Warpsmiths in 3445: 646:, and then a one-off war strip by Parkhouse and John Ridgway. Tensions were also growing among the creative staff, with those behind the magazine's more popular features feeling the division of spoils was unfair as they were carrying the less popular features. This was exacerbated by the general lack of spoils themselves; despite acclaim 1306:- Big Ben was a shape-shifting alien that had taken on the guise of Lord Benjamin Charterhouse Fortescue. As Big Ben, Fortescue fought crime from a headquarters in the Westminster clock tower, which he accessed via a secret lift in the House of Lords, with the assistance of valet Fosdyke and assistant Tanya. These strips appeared in 525:#15 saw the first of the 'Sweatshop Talk' articles featuring interviews with creators – beginning with Steve Moore being 'interviewed' by his pseudonym Pedro Henry; the pair being one and the same was something of an open secret at the time. Later issues saw 'Henry' interview Skinn, Alan Moore, Leach and Austin. 658:
Marvelman became something of a nexus in the problems surrounding the title. Firstly Alan Moore and artist Alan Davis fell out over an unrelated matter, involving their parallel work on Marvel's Captain Britain, and refused to allow anyone else to continue the story - vetoing a mooted continuation by
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s losses finally became too much for Skinn. After 26 issues he shuttered the title, and would later estimate that its run had cost him between $ 36-40,000 in losses. He would later state the loss of Marvelman played no role in the cancellation. As well as the planned 'Project' stories, other victims
956:. While the initial reprints featured artwork by Bolton the new material was drawn by Jackson. It was one of the most consistent features of the magazine with either Father Shandor or spin-off Jaramsheela (featuring a demonic succubus enemy of the priest) appearing in #1-10, #13-19, #21 and #23-25. 713:
Instead Skinn focused on attempting to sell the reprint rights for the lucrative American market. After some unsuccessful negotiations, Alan Moore and David Lloyd broke ranks to make their own deal with DC Comics, while Skinn and Mike Friedrich of Star*Reach brokered a deal with Pacific Comics for
548:-style super-team tentatively called Challenger Force. Marvelman, Warpsmith/Aza Chorn, Big Ben and a new character called Firedrake were among the mooted members. As part of the plans for the book, Alan Moore and Steve Moore sketched a far-reaching chronology tying together some of the events from 1078:
A science fiction story written by Alan Moore and drawn by Garry Leach concerning the Warpsmiths, a highly advanced race of aliens with the ability to teleport instantaneously. They are locked in a cold war with the Qys Imperium. The characters featured strongly in the mooted chronology of the
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was losing money, being propped up by the takings of Skinn's Quality Comics store. Deadlines were also a problem, as the difficulty in using fill-in artists meant one strip being late could knock a whole issue off schedule. Further problems arose when creative staff began receiving offers from
40: 663:. Secondly, Alan Moore's relationship with Skinn deteriorated; a key point of the dispute was a growing suspicion that the editor had not correctly licensed the character in contrary to what he had told the writer. Thirdly, the publishing of a one-off 1079:
magazine, first posing as allies of Earth before gradually colonising the world. However, after one - later revealed to be Aza Chorn, but initially only named Warpsmith - appeared as a guest character in "The Yesterday Gambit", only two episodes (in
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A Summer Special was planned in 1982 to be a separate special edition alongside the regular issues, featuring self-contained stories. However, various production issues saw some of the planned material merged into various regular issues of
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Set on a dystopian future Earth, where the little life remaining on the planet is threatened by Castle Core, the planet's faulty defence system. Jay Verlane and the alien Fylar set out to destroy it. Written by Steve Moore and drawn by
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instead; in 2007, Skinn would attribute this to himself getting excited and overextending. Repurposed material included the cover for #4 – which bore the text 'Summer Special' instead of a date. As a result, both Big Ben and Raiko from
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in July 1984 had drawn legal action for trademark infringement from Marvel Comics; while the strip had already stalled this made potential syndication partners wary as Skinn was attempting to find a package deal for entirety of
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The 52-page magazine had colour front and back covers (the latter usually carrying advertising, but occasionally containing a 'clean' version of the front cover) but was otherwise in black-and-white; initially it was priced at
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The high level of creator control led to problems; issues began to turn up late when contributors missed deadlines and fill-in artists could not be commissioned, as the originating artists owned the properties.
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in a 2017 interview, Skinn surmised: "So did the experiment work? Not for the publisher, no. At least not financially. But it did provide a brilliant showcase for creators not shackled by tradition".
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A group of rebels fights the alien Metamorphs in the post-apocalyptic London of 2470; the strip was one of the few to feature clear connections to others in the magazine, with concepts related to
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ended before a second arc could begin. The completed material was later repackaged as a two-issue 'micro-series' by Eclipse Comics, which was nominated for 'Best Limited Series' at the 1986
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strip in #17, Skinn's editorial claimed the artist had "disappeared" with the artwork for the title. The story would return in #21 and appear again in #24-25, now drawn by Alan Davis. The
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Publicly, Skinn railed against Marvel and their legal tactics, even going as far as printing his correspondence with the rival publisher's British legal representatives in columns in
1581:#5's 'Dispatches' Skinn claimed the US market accounted for 25% of the magazine's sales. While large-format black-and-white magazines were falling out of fashion and the exported 833:, and would continue until 1993 when the American company folded. Following a long hiatus while copyright issues were resolved it returned to publication under the auspices of 714:
the remainder. Before anything could be published the Pacific folded and its assets were purchased by Eclipse Comics. Eclipse would publish series based on Marvelman (renamed
1036:#2 and ran in #3-5 & #7. As Neary's workload at Marvel UK increased Austin took over art duties from #5. After the planned conclusion failed to arrive for publication in 853:
Sociopathic cyborg assassin Axel Pressbutton had been created by Steve Moore and Alan Moore (under the pseudonyms Pedro Henry and Curt Vile, respectively) for music magazine
876: 1346:(some of his earliest professional work) then appeared in #26; due to Warrior's cancellation the second instalment wouldn't be printed until the 1996 'Spring Special'. 3537: 3502: 1189:. The strip bore one of the few explicit shared connections in the magazine - Mysta Mystralis was cloned from cell tissue of the title character, effectively making 689:
while implying that the action was preventing the continuation of Marvelman. However, before the matter could go to court or the creative impasse could be resolved
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by Lloyd, printed in #5. The editorial asked readers to write in if they wanted to see it, though in fact Lloyd's schedule would prevent any follow-up.
518:#5. The magazine would fluctuate between monthly and bi-monthly, which Skinn would state was in response to the industry slowing down in the winter. 2498: 977:
and Bolton, concerning the travails of Caed and his friend's daughter Bethbara in the land of Tairngir. It appeared in #1-2 & #4-12 but
2583:"Art For Art's Sake # 149: Celebrating The Art Of Garry Leach – Warpsmiths, Global Rescue Organisations, And; Sweaty Little Alien Perverts" 502:
were featured in the illustration but not in the magazine's content, causing some confusion to readers. The Summer Special also bequeathed
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note the magazine was "incredible, it set the mold for so much of what would come later, and it's a slightly lost portion of UK comics".
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issues only reached speciality stores it drew some influential readers. Skinn would later attribute Alan Moore's selection as writer for
1494: 755:. A masked vigilante battles a fascist British government in an alternate 1997. Episodes of the serial appeared in all but one issue of 3030: 3527: 1290:
fame, was intended to prevent Skinn using Big Ben as a title character. Later, new material featuring the character was created for
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folded in 1985. "Cold War, Cold Warrior" was subsequently coloured by Leach and reprinted by Eclipse in the second issue of their
867:, Skinn requested the creation of a female co-star and Axel was joined by the Laser Eraser Mysta Mystralis. The strip appeared in 581: 544:
a fictional universe, with connections between the strips to be gradually developed, with the various heroes eventually forming a
1565:, its lead characters and writer Alan Moore were also honoured. The following year it retained the 'Favourite Comic (UK)' award. 3522: 1673:
as a whole showed that British comics didn't have to always pander to kids or be restricted to the old ways of storytelling".
1014:#1 it then disappeared until #11, due to what Skinn's editorial called a "catalogue of ill-luck"; the story was now drawn by 3299: 1902: 1356:
Whimsical comedy story, in which the title character escapes his mundane everyday life by indulging in fantasy. Written by
3101: 66: 2940: 1264:, the existence of a completed unpublished story with the character led to the editor requesting Big Ben be included in 1236:
by Skinn, appearing in #22-23 & #26. Not to be confused with Antonio Ghura's 1975 British underground comix volume
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An absurdist black comedy by Alan Moore and Steve Parkhouse about the eccentric, monstrous Bojefferies family from
3517: 3492: 22: 3472: 3023: 1032:. The story concerned the mental journey of Martin Schiller, a catatonic mental patient. The strip debuted in 476:, with the various strips both syndicated overseas and, as each reached enough material, in collected albums. 232:. It featured early work by numerous figures who would go on to successful careers in the industry, including 3285: 3139: 3111: 3050: 2858: 1643: 3507: 3482: 1610:
Letters page 'Dispatches' meanwhile would attract letters from established industry figures including then-
1518: 486: 1493:, intended as the first of an anthology-style series of unconnected strips. A second in #21 saw Leach and 357:
seemed an obvious choice nobody else had picked up on — both times! It fit perfectly as a newsstand logo".
3512: 3477: 1329: 926: 463: 381: 1310:#19-26; another completed before the cancellation was later included in the "Spring Special" edition of 3371: 1498: 454:
s unusual payment model. While page rates for the initial work were lower than those offered by rivals
436: 241: 3547: 3542: 3345: 3016: 1631: 1592: 1402: 788: 423:. Skinn recruited many of the writers and artists he had previously worked with at Marvel, including 257: 189: 1719:) working for American publishers. Both have received considerable commercial and critical acclaim; 3396: 3162: 1732: 1557:; in 1984 it won 'Favourite Comic (UK)' and 'Favourite Comic Cover (UK)' for Mick Austen's work on 1384: 1040:#8 it was simply abandoned - Skinn would later say Neary "went off the radar in the West Country". 934:(the film's credits referred to the character as 'Sandor'). The comic version had been created by 3497: 3487: 3391: 3055: 1587: 1466:
originally created by Parkhouse in 1977, this tale of demon-battling samurai Raiko and Tsannu in
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by Skinn (now credited under his real name); Leach was initially announced as artist but instead
921: 767:, who eventually published the material and its continuation in a ten-issue 1988 limited series. 439:, adding established creators like Bolland and Bolton, as well as emerging young talent such as 3255: 3199: 3119: 2845: 2828: 2811: 2794: 2774: 2757: 2740: 2720: 2652: 2629: 2482: 2399: 2379: 2362: 2345: 2328: 2311: 2294: 2171: 2142: 2118: 2098: 2076: 2059: 2042: 2003: 1945: 792: 589: 569: 229: 71: 599:
A second attempt at more strongly connected series of strips was planned in 1985, with strips
588:, making several references to "The Yesterday Gambit". A draft of the timeline was printed in 3325: 3262: 2985: 2958: 2697: 2543: 2523: 1984: 1724: 1693: 1509:
a previously-unpublished Alan Booth/David Jackson strip created for the 1970s incarnation of
1295: 1171:, the story ran in #14-17. It was later reprinted in colour as back-up material in Eclipse's 1007: 812: 2904: 1782: 1015: 935: 752: 722:
Marvelman and Warpsmith material has since been reprinted in updated form in Marvel's 2014
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from 1987. Another story, "Ghostdance", was scripted but did not reach publication before
8: 3532: 3450: 3218: 2926: 2568: 1257: 1135: 811:. Marvelman featured in #1-11, #15-16, #18 and #20-21; related flashback strips drawn by 615:
planned to all be connected to a mysterious foundation called The Project. However, only
419: 310: 2269: 3424: 3376: 2999: 2607: 1887: 1870: 1397: 1342:#22, written by Skinn and drawn by Ridgway. The first of a two-part prequel written by 409: 289:. The fanzine featured reprints and new strips, art, and writing from such creators as 1573:
As well as syndication rights, Skinn and Friedrich also arranged for unsold issues of
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was announced as artist but no further instalments appeared before the magazine ended.
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was cancelled. These would subsequently be reprinted as back-up material in Eclipse's
564:. Due to being potentially irreconcilable due to their relatively close time periods, 3248: 2407: 2011: 1957: 1798: 1651: 970: 859: 642: 2602: 1977:
Harvey, Allan (June 2009). "Blood and Sapphires: The Rise and Demise of Marvelman".
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Steve Moore would contribute both under his own name and his pseudonym Pedro Henry.
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was a critical rather than commercial hit. It obtained considerable success at the
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deliberately mimicked the successful elements from his work for other publishers -
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and Marvel UK, the creators of each strip would receive a share in their output's
3386: 3181: 2499:"Miracleman #4 To Include Marvelman Summer Special And Warpsmith Stories From A1" 2474: 2163: 2134: 2034: 974: 940: 678: 541: 466:
and increased royalties for reprints, instead of the normal industry practice of
432: 372: 318: 290: 102: 2896: 3429: 3350: 3229: 3124: 2921: 2668: 2563: 2432: 1617: 1525: 1388:-style piece from the first issue, written by Steve Moore and drawn by Bolland. 1361: 1343: 1286: 1281: 1221: 1215: 830: 800: 742: 660: 573: 545: 387: 249: 89: 2990: 3466: 3273: 3091: 2673: 2503: 2437: 2200: 2191: 1765: 1596: 1490: 1357: 1273: 1059: 1004: 895:
in 1984, after which the American publisher would run new material, first in
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Skinn had once edited/published; in 1974-1975, he had produced six issues of
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that ran for 26 issues between March 1982 and January 1985. It was edited by
1148:(in #12-13 & #19-20). The series was later continued in the anthologies 3340: 3330: 3320: 3134: 2687: 2647: 1697: 1662: 1639: 1635: 1627: 1554: 1474: 1451: 1423: 1000: 982: 914: 872: 428: 306: 294: 245: 185: 52: 1058:#3, written by Steve Moore (under his Pedro Henry pseudonym) and drawn by 1050:
The magazine's ersatz mascot, sweaty, amorous blob Zirk was spun off from
3355: 3335: 3096: 3081: 2881: 2692: 2587: 1979: 1768:. This included "Ghostdance", a previously-unfinished Alan Moore-written 1760: 1740: 1674: 1620: 1467: 1349: 1186: 1141: 1121: 931: 880: 804: 444: 404: 393: 261: 197: 177: 1454:
story from Parkhouse and Ridgway, printed in #17 in lieu of the planned
1144:(Moore's home town) and their bizarre antics. Only four episodes ran in 883:
would also provide art for some episodes. However, after a reprint of a
3292: 3241: 3086: 3076: 3071: 3039: 3008: 2196:"Marvel Brings Back Dez Skinn & Ian Gibson's Big Ben To Miracleman" 1728: 1647: 1298:
would draw the strip. This posited that - contrary to the depiction in
1168: 1029: 825: 808: 784: 778: 748: 710:, which was a submission by readers Paul Alexander and Mike Nicholson. 699: 640:#16 was replaced by a reprint of one of Pressbutton's appearances from 459: 447:. Leach would subsequently be assigned as the magazine's art director. 440: 367: 345: 237: 233: 193: 167: 157: 2538: 2518: 1442:
a short science fiction strip by Parkhouse and Ridgway printed in #13.
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Science fiction fantasy set on the planet Naglfar, by Steve Moore and
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early in his life in the 'regular' universe. Fate, the computer from
341: 337: 225: 207: 147: 2452:"With One Magic Word, Part Two: The Miraculous Revival of Marvelman" 985:. The story teased a possible continuation, with the title given as 920:
turned demon hunter. The character had actually debuted in the 1966
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In late 1983, the magazine had a print run of around 30,000 copies.
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stalled when Skinn lost contact with Dillon; material intended for
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strips. As of 2024 the Warpsmiths still feature in the continuing
1010:) by Steve Parkhouse and John Bolton. While the strip appeared in 2456: 1843: 1197: 967: 282: 676:#25, the magazine briefly expanded when fellow Quality magazine 39: 2877:"Brawler: The New UK Anthology With Aspirations To Be Warrior" 1314:, and has been subsequently used in Marvel Comics' revival of 568:
was designated as taking place in an alternate universe where
1470: 1419: 1364:, the story was another imported from Spain, and appeared in 1229: 803:. The strip was written by Alan Moore and initially drawn by 718:) and Pressbutton but would go bankrupt themselves in 1994. 623:
would reach publication before the magazine's cancellation.
470:. Skinn hoped to follow the example of the French anthology 917: 891:
strips would be reprinted by Eclipse in the limited series
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in 1979, and subsequently appeared in the more-widely read
580:, was posited as an invention of Marvelman Family creator 572:
had never returned; Skinn would joke that V was killed by
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series before the characters themselves were folded into
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in 1996, featuring previously completed but unpublished
1018:. However, after #12 it would again disappear for good. 528: 2897:"'No Cricket Strips Here!' An Interview with Dez Skinn" 1903:"Interview: The Past, Present, and Future of Dez Skinn" 651:
American publishers and had less time to contribute to
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The Many World of Cyril Tomkins - Chartered Accountant
340:. There, his work included creating the well-received 260:, while many of the magazine's painted covers were by 1083:#9-10), of their own story would be published before 1054:. The Sultan of Slime received his own solo strip in 1704:
for 1986. However, the title would not be released.
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was announced as the first in an occasional series;
694:of the cancellation included Leach superhero strip 1700:, Skinn announced a new 48-page colour version of 906: 450:Part of the attraction for the creative staff was 3538:Monthly magazines published in the United Kingdom 252:; it also included contributions by the likes of 3503:Comics magazines published in the United Kingdom 3464: 2827:, no. 4 (Summer Special 1982). 1062:. Another appeared in #13, with art from Leach. 23:Guy Gardner (comics) § Guy Gardner: Warrior 2430:Plowright, Frank (January 1, 1985). "Warrior". 2402:(2001). "A Chronology of Everything (almost)". 1758:characters were revived for the 1989 anthology 840: 2941:"Warrior #0 - How it all began, available now" 1268:. This allowed the strip to be printed in the 863:from 1980. For the character's appearances in 626: 3024: 2690:(October 2010). "Department of Corrections". 2190: 1687: 992: 2293:, no. 13 (September 1983). 2267: 1252:List of Miracleman characters § Big Ben 952:#8, #16, and #21; the rest were original to 759:, only missing #17. Following the demise of 2773:, no. 24 (November 1984). 2719:, no. 5 (September 1982). 2493: 2491: 2481:, no. 25 (December 1984). 2327:, no. 16 (December 1983). 2310:, no. 15 (November 1983). 2186: 2184: 2182: 2180: 2170:, no. 5 (September 1982). 2117:, no. 15 (November 1983). 1272:(where Skinn was credited as Edgar Henry). 1256:Originally created by Dez Skinn and artist 287:Warrior: Heroic Tales Of Swords and Sorcery 3031: 3017: 2844:, no. 8 (December 1982). 2739:, no. 7 (November 1982). 2628:, no. 14 (October 1983). 2556: 2554: 1797:In 2018, Skinn produced a limited edition 871:#1-12 and #15-16 with 'Henry' writing and 38: 3003:bibliography and interview with Dez Skinn 2810:, no. 9 (January 1983). 2429: 2263: 2261: 2259: 2257: 2255: 2253: 2251: 2249: 2247: 2245: 2243: 2241: 2239: 2237: 2235: 2233: 2231: 2097:, no. 12 (August 1983). 2075:, no. 6 (October 1982). 3038: 3005:by Richard J. Arndt at Enjolrasworld.com 2756:, no. 10 (April 1983). 2488: 2361:, no. 18 (April 1984). 2344:, no. 17 (March 1984). 2229: 2227: 2225: 2223: 2221: 2219: 2217: 2215: 2213: 2211: 2177: 2155: 2153: 2151: 2037:). "Freedom's Road - Editorial" 1751:were also exported via Eclipse Comics. 1220:Future-set private eye story written by 1028:Created, written and initially drawn by 417:fitted the sword-and-sorcery profile of 2912: 2785: 2783: 2731: 2729: 2711: 2709: 2707: 2620: 2618: 2551: 2378:, no. 19 (June 1984). 2285: 2283: 2141:, no. 2 (April 1982). 2109: 2107: 2089: 2087: 2085: 2058:, no. 1 (March 1982). 2041:, no. 1 (March 1982). 2006:(2001). "The Architect of Miracleman". 1692:After Quality Communications took over 47:#1 (March 1982), featuring an image of 3465: 2889: 2793:, no. 3 (July 1982). 2635: 2425: 2423: 2398: 2394: 2392: 2390: 2388: 2368: 2351: 2334: 2317: 2300: 2002: 1976: 1944: 1940: 1938: 1936: 1577:to be shipped and sold in America; in 1127: 948:; issues #1–3 reprinted material from 371:was planned to emulate the revival of 267: 3300:Miracleman by Gaiman & Buckingham 3012: 2464: 2208: 2148: 2048: 1998: 1996: 1994: 1970: 1934: 1932: 1930: 1928: 1926: 1924: 1922: 1920: 1918: 1916: 1159: 2834: 2817: 2800: 2780: 2763: 2746: 2726: 2704: 2686: 2615: 2280: 2124: 2104: 2082: 2065: 1707:Alan Moore went on to complete both 655:, slowing or curtailing storylines. 2659: 2420: 2385: 2024: 1630:, as well as future comics figures 13: 2863:Blimey! The Blog of British Comics 1991: 1913: 1868:"'Marvel Revolution' in England". 959: 336:to take over the company's ailing 14: 3559: 2973: 2859:"30 Year Flashback: WARRIOR No.1" 1841: 1815: 1371: 1338:. The first story was printed in 1321: 1112:from 2014 onwards, including the 1003:(and not to be confused with the 829:in 1985 when it was published by 734: 510:strip "Vertigo" and the two-page 21:For the DC Comics character, see 3528:Magazines disestablished in 1985 3444: 3443: 3153: 3130:Young Marvelman/Young Miracleman 2404:Kimota! The Miracleman Companion 2008:Kimota! The Miracleman Companion 1954:Kimota! The Miracleman Companion 1885:"Dez Skinn Leaves Marvel U.K.". 1780:was published in #67 of Skinn's 1591:- a key factor in the so-called 1276:has speculated that Marvel UK's 1232:and translated into English for 999:A retelling of the story of the 899:and then as a backup feature in 594:Kimota! The Miracleman Companion 281:was recycled from a short-lived 2951: 2933: 2869: 2851: 2680: 2603:"Garry Leach: A Life in Comics" 2595: 2575: 2531: 2511: 2444: 1711:and his planned storylined for 1400:'s pulp science fiction series 1302:and later minor appearances in 989:, but this never materialized. 908:Father Shandor... Demon Stalker 823:). The story was later renamed 2539:"Laser Eraser and Pressbutton" 1895: 1878: 1861: 1835: 1430:#8 after the final episode of 128: 1: 3523:Magazines established in 1982 1828: 1021: 913:The adventures of a medieval 763:, the story was picked up by 536:Skinn wanted the material in 532:universe and Challenger Force 228:and published by his company 3125:Kid Marvelman/Kid Miracleman 2959:"Warrior is back (kind of!)" 1745:Laser Eraser and Pressbutton 1568: 1540: 1456:Laser Eraser and Pressbutton 1195:Laser Eraser and Pressbutton 1173:Laser Eraser and Pressbutton 1065: 1052:Laser Eraser and Pressbutton 897:Laser Eraser and Pressbutton 842:Laser Eraser and Pressbutton 770: 634:Laser Eraser and Pressbutton 514:strip "ChronoCycle Mk.1" to 391:traded on similar motifs to 7: 1463:Demon at the Gates of Dawn: 1330:The Liberators (comic book) 927:Dracula: Prince of Darkness 682:was merged into the title. 627:Creative and legal problems 479: 328:, Skinn was head-hunted by 272: 10: 3564: 3314:Other notable contributors 3286:Marvelman: Family's Finest 2340:"Sweat Shop Talk III" 1772:story. A "Spring Special" 1688:Continuations and revivals 1532:universe that featured in 1528:based in the cartoonist's 1327: 1260:as a possible addition to 1249: 1243: 1213: 1133: 1120:storyline, now written by 1071: 1008:character of the same name 994:The Legend of Prester John 846: 776: 740: 729: 500:Demon at the Gates of Dawn 20: 3438: 3405: 3364: 3313: 3272: 3228: 3198: 3163:L. Miller & Son, Ltd. 3161: 3152: 3148: 3110: 3064: 3046: 2406:. TwoMorrows Publishing. 2357:"Sweat Shop Talk IV" 2323:"Sweat Shop Talk II" 2010:. TwoMorrows Publishing. 1956:. TwoMorrows Publishing. 1727:in 2005 and inspired the 1696:'s overseas licence from 1657: 1545: 1524:A comic fantasy strip by 1178: 807:before he handed over to 316:Following the success of 297:(who designed the logo), 203: 173: 153: 143: 138: 127: 111: 95: 85: 77: 65: 60: 37: 30: 2374:"Sweat Shop Talk V" 2166:). "All Change" 2137:). "Dispatches" 1808: 1805:s original dummy issue. 1418:pastiche by underground 1396:a partial adaptation of 1207: 1200:. The strip appeared in 1108:Marvel Comics reprinted 1001:legendary Christian king 18:British comics anthology 2477:). "Editorial" 1764:, published by Leach's 1588:Saga of the Swamp Thing 1485:an edited reprint of a 1043: 403:had a similar theme to 61:Publication information 3518:Defunct British comics 3493:Science fiction comics 3200:Quality Communications 2846:Quality Communications 2829:Quality Communications 2812:Quality Communications 2795:Quality Communications 2775:Quality Communications 2758:Quality Communications 2741:Quality Communications 2721:Quality Communications 2630:Quality Communications 2483:Quality Communications 2380:Quality Communications 2363:Quality Communications 2346:Quality Communications 2329:Quality Communications 2312:Quality Communications 2306:"Sweat Shop Talk" 2295:Quality Communications 2172:Quality Communications 2143:Quality Communications 2119:Quality Communications 2099:Quality Communications 2077:Quality Communications 2060:Quality Communications 2043:Quality Communications 1948:(2001). "Reign of the 1891:(#54): 15. March 1980. 1874:(#45): 14. March 1979. 1739:has been continued by 1482:Zee-Zee's Terror Zone: 359: 230:Quality Communications 72:Quality Communications 3473:British comics titles 3263:Miracleman: Apocrypha 2986:Grand Comics Database 2698:TwoMorrows Publishing 2544:Grand Comics Database 2524:Grand Comics Database 1985:TwoMorrows Publishing 1499:Enrique Sánchez AbulĂ­ 1385:Tharg's Future Shocks 944:and was continued in 351: 3120:Marvelman/Miracleman 3040:Marvelman/Miracleman 2905:University of Dundee 1783:Comics International 1312:Comics International 1278:The Thing is Big Ben 875:drawing most of it; 791:British superheroes 3508:Comics publications 3483:1985 comics endings 2996:on Dez Skinn's site 2927:Fantagraphics Books 2569:Fantagraphics Books 2507:. 14 February 2014. 2054:"Warriors All" 1909:. 23 December 2010. 1844:"WARRIOR: TAKE ONE" 1634:, Bambos Georgiou, 1530:Thrud the Barbarian 1447:Home is the Sailor: 1136:The Bojeffries Saga 1129:The Bojeffries Saga 420:Conan the Barbarian 311:Barry Windsor-Smith 268:Publication history 119:1982 â€“ January 3513:Comics anthologies 3478:1982 comics debuts 3425:Catherine Yronwode 3377:Captain Marvel Jr. 3365:Related characters 2945:Comic Book News UK 2676:. August 15, 1985. 2655:on March 14, 2012. 2608:The Comics Journal 2519:"Axel Pressbutton" 2268:Richard J. Arndt. 2194:(5 October 2022). 1888:The Comics Journal 1871:The Comics Journal 1725:adapted for cinema 1398:John Russell Fearn 1393:The Golden Amazon: 1161:The Twilight World 698:, Steve Moore and 410:Doctor Who Monthly 3460: 3459: 3309: 3308: 3278: 3249:Miracleman Family 3234: 3219:Marvelman Special 3204: 3167: 2929:. April 15, 1985. 2840:"Dispatches" 2823:"Dispatches" 2806:"Dispatches" 2789:"Dispatches" 2769:"Dispatches" 2752:"Dispatches" 2735:"Dispatches" 2715:"Dispatches" 2624:"Dispatches" 2289:"Dispatches" 2113:"Dispatches" 2093:"Dispatches" 2071:"Dispatches" 1652:Richard Starkings 1519:The Black Currant 1513:, printed in #20. 1434:failed to appear. 1270:Marvelman Special 987:The Silver Circle 971:sword and sorcery 815:appeared in #12 ( 783:A revival of the 672:s contents. From 665:Marvelman Special 609:The Project Files 504:The Golden Amazon 213: 212: 3555: 3548:Warrior (comics) 3543:Superhero comics 3447: 3446: 3382:Captain Universe 3276: 3232: 3202: 3189:Marvelman Family 3165: 3150: 3149: 3140:Other characters 3033: 3026: 3019: 3010: 3009: 2967: 2966: 2955: 2949: 2948: 2937: 2931: 2930: 2916: 2910: 2909: 2901: 2893: 2887: 2886: 2873: 2867: 2866: 2865:. 14 March 2012. 2855: 2849: 2838: 2832: 2821: 2815: 2804: 2798: 2787: 2778: 2767: 2761: 2750: 2744: 2733: 2724: 2713: 2702: 2701: 2684: 2678: 2677: 2663: 2657: 2656: 2651:. 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No. 69. 2919:"Newsflashes". 2918: 2917: 2913: 2899: 2895: 2894: 2890: 2875: 2874: 2870: 2857: 2856: 2852: 2839: 2835: 2822: 2818: 2805: 2801: 2788: 2781: 2768: 2764: 2751: 2747: 2734: 2727: 2714: 2705: 2685: 2681: 2672:. No. 77. 2666:"Newsflashes". 2665: 2664: 2660: 2641: 2640: 2636: 2623: 2616: 2601: 2600: 2596: 2591:. 9 April 2022. 2581: 2580: 2576: 2571:. June 1, 1986. 2567:. No. 96. 2560: 2559: 2552: 2537: 2536: 2532: 2517: 2516: 2512: 2497: 2496: 2489: 2469: 2465: 2460:. 15 July 2010. 2450: 2449: 2445: 2436:. 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993: 986: 983:Kirby Awards 978: 965: 960: 953: 949: 945: 939: 930:, played by 925: 912: 907: 900: 896: 892: 888: 884: 873:Steve Dillon 868: 864: 858: 854: 852: 841: 824: 820: 816: 813:John Ridgway 782: 771: 760: 756: 746: 735: 723: 719: 715: 712: 707: 703: 695: 690: 686: 684: 677: 673: 669: 664: 657: 652: 647: 641: 637: 633: 630: 620: 616: 612: 608: 604: 600: 598: 593: 585: 577: 565: 561: 557: 553: 549: 537: 535: 529: 522: 520: 515: 511: 507: 503: 499: 494: 491: 483: 471: 451: 449: 429:Steve Dillon 418: 414: 408: 398: 392: 386: 382:Black Knight 380: 377:Hulk Weekly' 376: 366: 362: 360: 354: 352: 344: 323: 317: 315: 307:Don Lawrence 295:Dave Gibbons 286: 278: 276: 246:Steve Dillon 216: 215: 214: 186:Steve Dillon 53:Steve Dillon 44: 31: 15: 3392:Miracle Man 3356:Joe Quesada 3336:Rick Veitch 3233:(1985–1993) 3203:(1982–1985) 3166:(1954–1963) 3097:Neil Gaiman 3082:Garry Leach 2963:Comic Scene 2882:Comicon.com 2693:Back Issue! 2588:Comicon.com 1980:Back Issue! 1853:January 25, 1776:'issue' of 1741:Neil Gaiman 1675:Comicon.com 1621:Martin Lock 1439:The Shroud: 1411:Stir Crazy: 1280:, starring 1187:Cam Kennedy 1142:Northampton 1122:Neil Gaiman 1016:John Stokes 936:Steve Moore 932:Andrew Keir 881:Mick Austin 819:) and #17 ( 805:Garry Leach 753:David Lloyd 747:Created by 445:Garry Leach 437:David Lloyd 427:, Gibbons, 425:Steve Moore 405:Abslom Daak 394:Night Raven 262:Mick Austin 258:John Bolton 242:David Lloyd 198:Mick Austin 190:John Bolton 182:David Lloyd 178:Garry Leach 164:Steve Moore 3533:Miracleman 3467:Categories 3293:Miracleman 3242:Miracleman 3112:Characters 3087:Alan Davis 3077:Alan Moore 3072:Mick Anglo 3051:Story arcs 2994:background 2471:Skinn, Dez 2160:Skinn, Dez 2131:Skinn, Dez 2031:Skinn, Dez 1829:References 1792:Liberators 1737:Miracleman 1729:hacktivist 1717:Miracleman 1680:Musing on 1665:acclaimed 1648:Rik Levins 1624:Bill Black 1561:#7, while 1432:The Madman 1316:Miracleman 1304:Miracleman 1258:Ian Gibson 1250:See also: 1169:Jim Baikie 1118:Miracleman 1110:Miracleman 1093:Miracleman 1030:Paul Neary 1023:The Madman 901:Miracleman 826:Miracleman 809:Alan Davis 789:Golden Age 785:Mick Anglo 779:Miracleman 749:Alan Moore 724:Miracleman 716:Miracleman 700:Jim Baikie 586:Miracleman 460:DC Thomson 441:Alan Moore 346:Hulk Comic 277:The title 238:Alan Davis 234:Alan Moore 194:Paul Neary 168:Paul Neary 158:Alan Moore 154:Written by 144:Created by 3420:Dez Skinn 3414:Warpsmith 3346:D'Israeli 3175:Marvelman 3056:Ownership 1799:facsimile 1794:strips. 1774:flip book 1770:Warpsmith 1733:Anonymous 1713:Marvelman 1607:readers. 1569:Influence 1563:Marvelman 1541:Reception 1495:John Boix 1489:strip by 1416:EC Comics 1300:Marvelman 1282:Ben Grimm 1266:Marvelman 1114:Warpsmith 1074:Warpsmith 1067:Warpsmith 973:strip by 855:Dark Star 837:in 2014. 793:Marvelman 787:-created 772:Marvelman 765:DC Comics 596:in 2001. 570:Marvelman 558:Warpsmith 550:Marvelman 464:ownership 368:Marvelman 342:anthology 325:Starburst 226:Dez Skinn 208:Dez Skinn 204:Editor(s) 174:Artist(s) 148:Dez Skinn 131:of issues 67:Publisher 3451:Category 3406:See also 3065:Creators 1987:: 69–76. 1803:Warrior' 1754:Several 1735:, while 1694:Fleetway 1601:Len Wein 1497:adapt a 1368:#25-26. 1105:series. 726:series. 691:Warrior' 670:Warrior' 613:Wardroid 480:Contents 452:Warrior' 330:Stan Lee 273:Creation 78:Schedule 3212:Warrior 3001:Warrior 2992:Warrior 2984:at the 2981:Warrior 2842:Warrior 2825:Warrior 2808:Warrior 2791:Warrior 2771:Warrior 2754:Warrior 2737:Warrior 2717:Warrior 2626:Warrior 2479:Warrior 2473: ( 2457:Tor.com 2376:Warrior 2359:Warrior 2342:Warrior 2325:Warrior 2308:Warrior 2291:Warrior 2168:Warrior 2162: ( 2139:Warrior 2133: ( 2115:Warrior 2095:Warrior 2073:Warrior 2056:Warrior 2039:Warrior 2033: ( 1952:King". 1950:Warrior 1788:Big Ben 1778:Warrior 1756:Warrior 1702:Warrior 1682:Warrior 1671:Warrior 1667:Warrior 1616:editor 1613:2000 AD 1605:Warrior 1583:Warrior 1579:Warrior 1575:Warrior 1559:Warrior 1551:Warrior 1534:Warrior 1511:Warrior 1501:story. 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Index

Guy Gardner (comics) § Guy Gardner: Warrior

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Publisher
Quality Communications
Ongoing series
Science fantasy
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Alan Moore
Steve Moore
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comics anthology
Dez Skinn
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