2470:, a science fiction trade journal, "Ackerman says he has had no contact with publisher Forbes, does not know what will happen to the material he put together, and is as much in the dark as everybody else. Lamont says that he is still renegotiating his contract and is not sure where he stands". The original plan was for the first issue to appear in August 1984, dated July/August, but before it appeared the decision was taken to change the contents, and a new, completely reset issue finally appeared at the end of the year, dated Fall 1984. Even with this delay a final agreement had not yet been reached with Weinberg over licensing. Only 12,500 copies were printed; these were sent to two distributors who both went into bankruptcy. As a result, few copies were sold, and Forbes was not paid by the distributors. Despite the financial setback, Forbes attempted to continue, and a second issue eventually appeared. Its cover date was Winter 1985 but it was not published until June 1986. Few copies were printed; reports vary between 1,500 and 2,300 in total. Mark Monsolo was the fiction editor, but Garb continued as editorial director; Lamont was no longer involved with the magazine.
3276:' subtitle was "The Unique Magazine", and Wright's story selections were as varied as the subtitle promised; he was willing to print strange or bizarre stories with no hint of the fantastic if they were unusual enough to fit in the magazine. Although Wright's editorial standards were broad, and although he personally disliked the restrictions that convention placed on what he could publish, he did exercise caution when presented with material that might offend his readership. E. Hoffmann Price records that his story "Stranger from Kurdistan" was held after purchase for six months before Wright printed it in the July 1925 issue; the story includes a scene in which Christ and Satan meet, and Wright was worried about the possible reader reaction. The story nevertheless proved to be very popular, and Wright reprinted it in the December 1929 issue. He also published "The Infidel's Daughter" by Price, a satire of the
4111:
5232:
in 1942, as a result of import restrictions placed on U.S. magazines. Canadian editions from 1942 up to
January 1948 were not identical to the U.S. editions, but they match closely enough that the originals are easily identified. From the May 1942 to January 1945 issues, they correspond to the U.S. editions two issues earlier, that is, from January 1942 to September 1944. There was no Canadian issue corresponding to the November 1944 U.S. issue, so from that point the Canadian issues were only one behind the U.S. ones: the issues from March 1945 to January 1948 correspond to the U.S. issues from January 1945 to November 1947. There was no Canadian issue of the January 1948 U.S. issue, and from the next issue, March 1948, till the end of the Canadian run in November 1951, the issues were identical to the U.S. versions.
5252:
4338:
1980s were published by Zebra Books. The next two issues were from
Bellerophon, and then from Spring 1988 to Winter 1996 the publisher was Terminus. From Summer 1998 to July/August 2003 the publisher was DNA Publications and Terminus, listed either as DNA Publications/Terminus or just as DNA Publications. The September/October 2003 issue listed the publisher as DNA Publications/Wildside Press/Terminus, and through 2004 this remained the case, one issue dropping Terminus from the masthead. Thereafter Wildside Press was the publisher, sometimes with Terminus listed as well, until the September/October 2007 issue, after which only Wildside Press were listed. The issues published from 2012 through 2014 were from Nth Dimension Media.
3361:
1310:, and over the course of his editorship the symptoms grew gradually worse. By the end of the 1920s he was unable to sign his name, and by the late 1930s Bill Sprenger was helping him get to work and back home. The first issue with Wright as editor was dated November 1924, and the magazine immediately resumed a regular monthly schedule, the format changing back to pulp again. The pay rate was initially low, with a cap of half a cent per word until 1926, when the top rate was increased to one cent per word. Some of Popular Fiction Publishing's debts were paid off over time, and the highest pay rate eventually rose to one and a half cents per word. The magazine's cover price was high for the time.
1957:
failed to increase sales. In
September 1939 the page count went down to 128, and the price was cut from 25 cents to 15 cents. From January 1940 the frequency was reduced to bimonthly, a change which stayed in effect until the end of the magazine's run fourteen years later. None of these changes had the intended effect, and sales continued to languish. In March 1940, Wright was let go because of his increasing health problems—he was by now suffering from Parkinson's so severely that he had trouble walking unassisted. and was replaced by McIlwraith as editor. Wright then had an operation to reduce the pain with which he suffered, but never fully recovered. He died in June of that year.
4120:
4102:
5284:. These were all undated; the first issue had no volume or issue number but subsequent issues were numbered sequentially. Most were priced at 1/-; issues 11 to 15 were 1/6. All were 96 pages long. The first issue corresponds to the July 1949 U.S. issue; the next 20 issues correspond to the U.S. issues from November 1949 to January 1953, and the final two issues correspond to May 1953 and March 1953, in that order. Another five bimonthly issues appeared from Thorpe & Porter dated November 1953 to July 1954, with the volume numbering restarted at volume 1 number 1. These correspond to the U.S. issues from September 1953 to May 1954.
4093:
3554:
two sides being divided about equally. For years it was the most discussed topic in the magazine's letter column. Many of the authors Wright published wrote letters too, including
Lovecraft, Howard, Kuttner, Bloch, Smith, Quinn, Wellman, Price, and Wandrei. In most cases these letters praised the magazine, but occasionally a critical comment was raised, as when Bloch repeatedly expressed his dislike for Howard's stories of Conan the Barbarian, referring to him as "Conan the Cimmerian Chipmunk". Another debate that was aired in the letter column was the question of how much science fiction the magazine should include. Until
3438:
4144:
3259:
3499:
3129:
3575:
1281:
3116:
pit of mediocrity". In
Weinberg's opinion the poor cover art, frequently by R. M. Mally, was probably partly to blame for the magazine's lack of success under Baird. Weinberg also regards the interior art during the magazine's first year as very weak; most of the interior drawings were small, and with little of the atmosphere one would expect from a horror magazine. All the illustrations were by Heitman, whom Weinberg describes as "... notable for his complete lack of imagination. Heitman's specialty was taking the
3026:
3713:
3870:. In Ashley's opinion, the magazine "had the feel of a museum piece with nothing new or progressive", though Weinberg describes the magazine as having "an interesting jumble of contents". The subsequent paperback series edited by Lin Carter was criticized in similar terms: Weinberg regards it as having "too much reliance ... on the old names like Lovecraft, Howard and Smith by reprinting mediocre material ... New writers were not sufficiently encouraged", though Weinberg does add that
6544:
3041:, was not an ideal choice for the job as he disliked horror stories; his expertise was in crime fiction, and most of the material he acquired was bland and unoriginal. The writers Henneberger had been hoping to publish, such as Garland and Hough, failed to submit anything to Baird, and the magazine published mostly traditional ghost fiction, many of the stories being narrated by characters in lunatic asylums, or told in diary format. The cover story for the first issue was "Ooze", by
47:
3413:, one of the most important figures in the history of science fiction and fantasy art, made his first sale to Wright in 1935; Wright only bought one interior illustration from Finlay at that time because he was concerned that Finlay's delicate technique would not reproduce well on pulp paper. After a test print on pulp stock demonstrated that the reproduction was more than adequate, Wright began to buy regularly from Finlay, who became a regular cover artist for
10744:
4349:. The Terminus issues reverted to pulp format until the Winter 1992/1993 issue, which was large pulp. A single pulp issue appeared in Fall 1998, and then the format returned to large pulp until the Fall 2000 issue, which was quarto. The format varied between large pulp and quarto until January 2006, which was large pulp, as were all issues after that date until Fall 2009, except for a quarto-sized November 2008. From Summer 2010 the format was quarto.
3391:, was perhaps the best known artist. Many of Brundage's covers were for stories by Seabury Quinn, and Brundage later commented that once Quinn realized that Wright always commissioned covers from Brundage that included a nude, "he made sure that each de Grandin story had at least one sequence where the heroine shed all her clothes". For over three years in the early 1930s, from June 1933 to August/September 1936, Brundage was the only cover artist
10734:
1952:, a successful general fiction pulp magazine based in New York. Sprenger and Wright both received a share of the stock from Cornelius; Sprenger did not remain with the company but Wright moved to New York and stayed on as editor. Henneberger's share of Popular Fiction Publishing was converted to a small interest in the new company, Weird Tales, Inc., a subsidiary of Delaney's Short Stories, Inc. Dorothy McIlwraith, the editor of
38:
2725:, who formed Terminus Publishing, based in Philadelphia, and licensed the rights from Weinberg. Rather than focus on newsstand distribution, which was expensive and had become less effective in the 1980s, they planned to build a base of direct subscribers and distribute the magazine for sale through specialist stores. The first issue had a cover date of Spring 1988, but it was produced early enough to be available at the 1987
3076:, agrees with Ashley that the quality of Baird's issues was poor, but comments that some good stories were published: "it was just that the percentage of such stories was dismally small". Weinberg singles out "A Square of Canvas" by Rud, and "Beyond the Door" by Paul Suter as "exceptional"; both appeared in the April 1923 issue. Weinberg also regards "The Floor Above" by M. L. Humphries and "Penelope" by
2452:, edited by Lin Carter, appearing between 1981 and 1983; these were originally planned to be quarterly, but in fact the first two both appeared in December 1980 and were both dated Spring 1981. The next was dated Fall 1981; Carter's rights to the title were terminated by Weinberg in 1982 for non-payment, but the fourth issue was already in the works and finally appeared with a date of Summer 1983.
3430:
delivered her artwork in person, but it was also because
Brundage's popularity was beginning to decline. When Delaney acquired the magazine in late 1938, the fee for a cover painting was cut to $ 50, and in Weinberg's opinion the quality of the artwork declined immediately. Nudes no longer appeared, though it is not known if this was a deliberate policy on Delaney's part. In 1939 a campaign by
1348:, but the magazine was not a success, though it managed to last for over three years before Cornelius gave up. Another financial blow occurred in late 1930 when a bank failure froze most of the magazine's cash. Henneberger changed the schedule to bimonthly, starting with the February/March 1931 issue; six months later, with the August 1931 issue, the monthly schedule returned. Two years later
2464:
Weinberg was only able to contact Forbes by phone, and even that was not always reliable, so negotiations were slow. Forbes' editorial director was Gordon Garb and the fiction editor was Gil Lamont; Forrest
Ackerman also assisted, mainly by obtaining material to include. There was a good deal of confusion between the participants in the project: according to
1246:. This did not address the debt, $ 43,000 of which was owed to the magazine's printer, Cornelius Printing Company. Cornelius agreed to an arrangement in which they would control a new company, to be called Popular Fiction Publishing, until the debt was paid off. Not all of the magazine's debts were eliminated by this transaction, but it meant that
2365:. Five of the Winter issues were dated with two years: 1988/1989, 1992/1993; 1996/1997, 2001/2002, and 2002/2003. Editors were Moskowitz (gray), Carter (purple), Ackerman & Lamont (bright pink), Garb (green), Schweitzer, Scithers and Betancourt (orange); Schweitzer (dark pink); and Scithers and Schweitzer (yellow).
327:
404:, a pulp magazine that appeared twice a month, starting with the October 1, 1922 issue. It was initially unsuccessful, and as part of a refinancing plan, Henneberger decided to publish another magazine that would allow him to split some of his costs between the two titles. Henneberger had long been an admirer of
3721:
Wright's highpoints, they also omitted the lows". L. Sprague de Camp, toward the end of McIlwraith's time as editor, agreed that the 1930s were the magazine's heyday, citing Wright's death and the departure for other, better-paying, markets of several of its contributors as factors in the magazine's decline.
3978:. The decision was made despite the protests of VanderMeer, and prompted her to end her association with the magazine. Kaye wrote an essay titled "A Thoroughly NONRACIST Novel" defending his decision to publish the excerpt. Both the essay and Kaye's decision to publish the excerpt were heavily criticized,
3491:: the stories in the weird menace magazines appeared to be based on occult or supernatural events, but at the end of the tale the mystery was always revealed to have a logical explanation. In 1935 Wright began running weird detective stories to try to attract some of the readers of these magazines to
5307:
Prices of the magazine drop over the succeeding decades, the McIlwraith issues being worth far less than the ones edited by Wright. Ashley quotes the digest-sized issues from the end of McIlwraith's tenure as fetching ÂŁ8 to ÂŁ10 each as of 2008. The revived editions are not particularly scarce, with
5295:
is widely collected, and many issues command very high prices. In 2008, Mike Ashley estimated the first issue to be worth ÂŁ3,000 in excellent condition, and added that the second issue is much rarer and commands higher prices. Issues with stories by
Lovecraft or Howard are very highly sought-after,
5272:
distributed in the United
Kingdom. In early 1942, three issues abridged from the September 1940, November 1940, and January 1941 U.S. issues were published in the U.K. by Gerald Swan; they were undated, and had no volume numbers. The middle issue was 64 pages long; the other two were 48 pages. All
5235:
There were numerous differences between the
Canadian issues from May 1942 to January 1948 and the corresponding U.S. issues. All the covers were repainted by Canadian artists until the January 1945 issue; thereafter the artwork from the original issues was used. Initially the fiction content of the
5231:
appeared from June 1935 to July 1936; all fourteen issues are thought to be identical to the U.S. issues of those dates, though "Printed in Canada" appeared on the cover, and in at least one case another text box was placed on the cover to conceal part of a nude figure. Another Canadian series began
4352:
The first run of the magazine was priced at 25 cents for the first fifteen years of its life except for the oversized May/June/July 1924 issue, which was 50 cents. In September 1939 the price was reduced to 15 cents, where it stayed until the September 1947 issue, which was 20 cents. The price went
2968:
to Marvin Kaye and John Harlacher of Nth Dimension Media. Marvin Kaye took over chief editorial duties. Issue 359, the first under the new publishers, was published in late February 2012. Some months before the release of issue 359, a special World Fantasy Convention preview issue was given away for
2422:
finally appeared from Renown Publications, in April 1973, edited by Moskowitz. It had weak distribution and sales were too low for sustainability; according to Moskowitz the average sales were 18,000 copies per issue, well short of the 23,000 that would have been needed for the magazine to survive.
1206:
also worked on the magazine, assisting Baird. Payment rates were low, usually between a quarter and a half cent per word; the budget went up to one cent per word for the most popular writers. Sales were initially poor, and Henneberger soon decided to change the format from the standard pulp size to
3553:
included a letters column, titled "The Eyrie", for most of its existence, and during Wright's time as editor it was usually filled with long and detailed letters. When Brundage's nude covers appeared, a lengthy debate over whether they were suitable for the magazine was fought out in the Eyrie, the
3234:
in 1935; he was a fan of Lovecraft's work, and asked Lovecraft's permission to include Lovecraft as a character in one of his stories, and to kill the character off. Lovecraft gave him permission, and reciprocated by killing off a thinly disguised version of Bloch in one of his own stories not long
3052:
In the middle of the year Baird received five stories submitted by H. P. Lovecraft; Baird bought all five of them. Lovecraft, who had been persuaded by friends to submit the stories, included a cover letter that was so remarkably negative about the quality of the manuscripts that Baird published it
1956:
became Wright's assistant, and over the next two years Delaney tried to increase profits by adjusting the page count and price. An increase from 144 pages to 160 pages starting with the February 1939 issue, along with the use of cheaper (and hence thicker) paper, made the magazine thicker, but this
1250:
could continue to publish, and perhaps return to profitability. The business manager of the new company was William (Bill) Sprenger, who had been working for Rural Publishing. Henneberger had hopes of eventually refinancing the debt with the help of another printer, Hall Printing Company, owned by
197:
as the new editor. The first issue to list Wright as editor was dated November 1924. The magazine was more successful under Wright, and despite occasional financial setbacks, it prospered over the next 15 years. Under Wright's control, the magazine lived up to its subtitle, "The Unique Magazine",
4079:
as the venue where writers, editors and an engaged readership "elevated speculated fiction to new heights" with influence that "reverberates through modern popular culture". In Ashley's words, "somewhere in the imagination reservoir of all U.S. (and many non-U.S.) genre-fantasy and horror writers
3445:
In 1936, Howard committed suicide, and the following year Lovecraft died. There was so much unpublished work by Lovecraft that Wright was able to use that he printed more material under Lovecraft's byline after his death than before. In Howard's case, there was no such trove of stories available,
3417:
starting with the December 1935 issue. Demand from readers for Finlay's artwork was so high that in 1938 Wright commissioned a series of illustrations from Finlay for lines taken from famous poems, such as "O sweet and far, from cliff and scar/The horns of Elfland faintly blowing", from Tennyson's
3115:
The cover art during Baird's tenure was dull; Ashley calls it "unattractive", and Weinberg describes the color scheme of the first issue's cover as "less than inspired", though he considers the next month's cover to be an improvement. He adds that from the May 1923 issue "the covers plunged into a
3111:
Robert Weinberg reports that he found no evidence of the magazine being banned, and the financial state of the magazine implies there was no benefit to sales either. S. T. Joshi, Lovecraft's biographer, contends that the magazine was indeed removed from newsstands in Indiana, but according to John
2703:
from 2003 to 2008, showing volume and issue numbers. Most issues were titled with either the month or with two months (e.g. "March/April 2004"). One issue, Spring 2003, was titled with the season instead. Editors were Scithers and Schweitzer (yellow); Scithers, Schweitzer and Betancourt (orange);
1314:
recalled that "in the late Twenties and Thirties of this century...at a time when most pulp periodicals sold for a dime, its price was a quarter". Although Popular Fiction Publishing continued to be based in Chicago, the editorial offices were in Indianapolis for a while, at two separate addresses,
4337:
The publisher for the first year was Rural Publishing Corporation; this changed to Popular Fiction Publishing with the November 1924 issue, and to Weird Tales, Inc. with the December 1938 issue. The four issues in the early 1970s came from Renown Publications, and the four paperbacks in the early
2740:
received in 1992 made it apparent that the magazine was successful in terms of quality, but sales were insufficient to cover costs. To save money the format was changed to a larger flat size, starting with the Winter 1992/1993 issue, but the magazine remained in financial trouble, issues becoming
4365:
were also printed in hardcover format, in limited editions of 200 copies. These were signed by the contributors, and were available at $ 40 as part of a subscription offer. Issues produced in this format include Summer 1988, Spring/Fall 1989, Winter 1989/1990, Spring 1991, and Winter 1991/1992.
4357:
began in Spring 1988 priced at $ 3.50; this went up to $ 4.00 with the Fall 1988 issue, and to $ 4.95 with the Summer 1990 issue. The next price increase was to $ 5.95, in Spring 2003, and then to $ 6.99 with the January 2008 issue. The first two issues from Nth Dimension Media were priced at $
3429:
During the 1930s, Brundage's rate for a cover painting was $ 90. Finlay received $ 100 for his first cover, which appeared in 1937, over a year after his first interior illustrations were used; Weinberg suggests that the higher fee was partly to cover postage, since Brundage lived in Chicago and
4065:
The magazine was, unusually for a pulp, included by the editors of the annual Year in Fiction anthologies, and was generally regarded with more respect than most of the pulps. This remained true long after the magazine's first run ended, as it became the main source of fantasy short stories for
5392:
Histories of the magazine differ as to whether he was fired because of poor sales, or quit because of his health. Ashley says Wright's health made it "impossible to continue", but Weinberg says Delaney let Wright go "in a move to further cut costs". However, in a later history of the magazine,
3956:
from John Gregory Betancourt with Kaye taking over chief editorial duties from VanderMeer. Issue 359, the first under the new publishers, was published in late February 2012. Some months before the release of issue 359, a special World Fantasy Convention preview issue was given away for free to
3720:
In Weinberg's opinion, the magazine lost variety under McIlwraith's editorship, and "much of the uniqueness of the magazine was gone". In Ashley's view, the magazine became more consistent in quality, rather than worse; Ashley comments that though the issues edited by McIlwraith "seldom attain
3136:
The new editor, Farnsworth Wright, was much more willing than Baird had been to publish stories that did not fit into any of the existing pulp categories. Ashley describes Wright as "erratic" in his selections, but under his guidance the magazine steadily improved in quality. His first issue,
2463:
met with Weinberg to propose taking over as licensees, but Weinberg decided not to pursue the offer. The following year, Brian Forbes approached Weinberg with another offer. Forbes' company, the Bellerophon Network, was an imprint of a Los Angeles company named The Wizard. Ashley reports that
292:
ceased publication in 1954, but since then, numerous attempts have been made to relaunch the magazine, starting in 1973. The longest-lasting version began in 1988 and ran with an occasional hiatus for over 20 years under an assortment of publishers. In the mid-1990s, the title was changed to
3053:
in the September 1923 issue, with a note appended saying that he had bought the stories "despite the foregoing, or because of it". Baird insisted that the stories be resubmitted as typed double-spaced manuscripts; Lovecraft disliked typing, and initially decided to resubmit only one story, "
1266:
as "a brand-new magazine to cover the field of Poe-Machen shudders". Lovecraft did not wish to leave New York, where he had recently moved with his new bride; his dislike of cold weather was another deterrent. He spent several months considering the offer in mid-1924 without making a final
3806:
Club" was started. Joining the Club simply meant writing in to receive a free membership card; the only other benefit was that the magazine listed all the members' names and addresses, so that members could contact each other. Among the names listed in the January 1943 issue was that of
2927:
under license once again. The first issue was dated Summer 1998, and, other than the omission of the Winter 1998 issue, a regular quarterly schedule was maintained for the next four and a half years. Sales were weak, never rising above 6,000 copies, and DNA began to experience financial
1226:, Rural switched to a cheaper printer, but it meant that the magazine began at a financial disadvantage. The magazine lost a considerable amount of money under Baird's editorship: after thirteen issues, the total debt was over $ 40,000 and perhaps as much as $ 60,000. In the meantime,
5327:
Lin Carter gives the debt as $ 41,000, and adds that the original capital was "reputedly" $ 11,000, meaning that during Baird's tenure the magazine had lost $ 52,000. L. Sprague de Camp quotes Henneberger's debt as "at least $ 43,000, and perhaps as much as $ 60,000". John Locke, in
3280:, which drew an angry letter and a cancelled subscription from a Klan member. Price later recalled Wright's response: "a story that arouses controversy is good for circulation ... and anyway it would be worth a reasonable loss to rap bigots of that caliber". Wright also printed
3092:", appeared under Houdini's name in the May/June/July 1924 issue, though it was nearly lost—Lovecraft left the typed manuscript on the train he took to New York to get married, and as a result spent much of his wedding day retyping the manuscript from the longhand copy he still had.
4344:
was in pulp format for its entire first run except for the issues from May 1923 to April 1924, when it was a large pulp, and the last year, from September 1953 to September 1954, when it was a digest. The four 1970s issues were in pulp format. The two Bellerophon issues were
2411:. The latter two were ghost-edited by Moskowitz, who proposed to Margulies that when the time was right to start the magazine up again, it should include reprints from obscure sources that Moskowitz had found, rather than just stories reprinted from the first incarnation of
5308:
two exceptions. The two Bellerophon issues received such poor distribution that they fetch high prices: Ashley quotes a 2008 price of ÂŁ40 to ÂŁ50 for the first one, and twice that for the second one. The other valuable recent issues are the hardback versions of the Terminus
3145:, who became popular contributors. Over the following year, Wright established a group of writers as regulars, including Long and La Spina, and published many stories by writers who would be closely associated with the magazine for the next decade and more. In April 1925,
1359:
also hit the Hall Printing Company, which Henneberger had been hoping would take over the debt from Cornelius; Robert Eastman, the owner of Hall, at one point was unable to meet payroll. Eastman died in 1932, and with him went Henneberger's plans for recovering control of
4353:
up again to 25 cents in May 1949; the digest-sized issues from September 1953 to September 1954 were 35 cents. The first three paperbacks edited by Lin Carter were priced at $ 2.50; the fourth was $ 2.95. The two Bellerophon issues were $ 2.50 and $ 2.95. The Terminus
3638:. After saying that the magazine would still publish "all types of weird and fantasy fiction", Lowndes reported that Delaney did not want "stories which center about sheer repulsiveness, stories which leave an impression not to be described by any other word than 'nasty
3562:' readers, but after that point letters began to appear asking Wright to exclude science fiction, and only publish weird fantasy and horror. The pro-science fiction readers were in the majority, and as Wright agreed with them, he continued to include science fiction in
1271:
in mid-1924, but by the end of the year he had been hired as its new editor. The last issue under Baird's name was a combined May/June/July issue, with 192 pages—a much thicker magazine than the earlier issues. It was assembled by Wright and Kline, rather than Baird.
3344:
offices shortly after Wright read the manuscript for it, and recalls that Wright was so enthusiastic about the story that he closed the office, declaring it "C.L. Moore day". The story was very well received by readers, and Moore's work, including her stories about
1211:, to make the magazine more visible. This had little long-term effect on sales, though the first issue at the new size, dated May 1923, was the only one that first year to sell out completely—probably because it contained the first instalment of a popular serial,
3446:
but other writers such as Henry Kuttner provided similar material. By the end of Wright's tenure as editor, many of the writers who had become strongly associated with the magazine were gone; Kuttner, and others such as Price and Moore, were still writing, but
3284:'s "The Copper Bowl", a story about a young woman being tortured; she dies when her torturer forces a rat to eat through her body. Weinberg suggests that the story was so gruesome that it would have been difficult to place in a magazine even fifty years later.
3566:. Hugh B. Cave, who sold half-a-dozen stories to Wright in the early 1930s, commented on "The Eyrie" in a letter to a fellow writer: "No other magazine makes such a point of discussing past stories, and letting the authors know how their stuff is received".
1980:
by 1953 was one cent per word, well below the top rates of other science fiction and fantasy magazines of the day. War shortages also caused problems, and the page count was reduced, first to 112 pages in 1943, and then to 96 pages the following year.
1337:
more popular serials, as a hardcover book, including three other stories from the magazine's first year. One of the stories, "An Adventure in the Fourth Dimension", was by Wright himself. The book sold poorly, and it remained on offer in the pages of
2940:
The first Wildside Press edition appeared in September 2005, and starting with the following issue, dated February 2006, the magazine was able to stay on a more or less bimonthly schedule for some time. In early 2007, Wildside announced a revamp of
3291:", a story about a mutilated corpse taking revenge on the undertaker responsible, was because it was "too gruesome", but Wright changed his mind a few years later, and the story eventually appeared in April 1932. Wright also rejected Lovecraft's "
1262:, to see if he would be interested in taking the job. Henneberger offered ten weeks advance pay, but made it a condition that Lovecraft move to Chicago, where the magazine was headquartered. Lovecraft described Henneberger's plans in a letter to
3736:
began contributing in the 1940s; he was a friend of Bok's and the two occasionally collaborated, signing the result "Dolbokgov". Weinberg regards Dolgov's illustration for Robert Bloch's "Yours Truly, Jack the Ripper" as one of his best works.
3709:, and as a result McIlwraith often reprinted lesser-known stories. They were not advertised as reprints, which led in a couple of cases to letters from readers asking for more stories from H. P. Lovecraft, whom they believed to be a new author.
2433:, a science fiction magazine historian, records that Moskowitz was unwilling to continue in any case, as he was annoyed by Margulies's detailed involvement in the day-to-day editorial tasks such as editing manuscripts and writing introductions.
4070:
was the most influential, helped to form the modern fantasy genre, and that Wright, "if he was not a perfect editor ... was an extraordinary one, and one of the most influential figures in modern American fantasy fiction", adding that
3986:
saying he was "highly disturbed that the editor ever thought this was in any way a good idea, that he was so supportive of this novel that he was going out of his way to defend and support it … up until the Internet landed on his head."
2749:, and the volume numbering was restarted at volume 1 number 1, but in every other way the magazine was unchanged, and the four issues under this title, issued between 1994 and 1996, are regarded by bibliographers as part of the overall
5264:
pending story file. Because of the reorganization of material, it often happened that one of the Canadian issues would have more than a single story by the same author. In these cases a pseudonym was invented for one of the stories.
3045:; there was also the first installment of a serial, "The Thing of A Thousand Shapes", by Otis Adelbert Kline, and 22 other stories. Ashley suggests that the better pulp writers from whom Baird did manage to acquire material, such as
4043:
that Lovecraft, Howard, and Clark Ashton Smith became widely known, and it was the first and one of the most important markets for weird and science fantasy artwork. Many of the horror stories adapted for early radio shows such as
4386:. These were considered an unofficial U.K. edition of the magazine, the stories sometimes appearing in the anthology before the magazine's U.S. version appeared. The ones which drew a substantial fraction of their contents from
3516:
appeared in February 1939 and lasted for just over two years; Weinberg describes it as "top-quality", though Ashley is less complimentary, describing it as largely unoriginal and imitative. The following month the first issue of
3084:", in the March 1924 issue, was one of Lovecraft's finest stories. Baird is also credited with discovering and encouraging Lovecraft. It was Henneberger who came up with another idea involving Lovecraft: Henneberger contacted
2912:
from 2009 to 2014, showing volume and issue numbers. The issue labelled "nn" was not numbered; it was a preview copy given away at the World Fantasy Convention. Editors were Vandermeer (gray); Segal (blue); and Kaye (mauve).
3763:
The art editor, Lamont Buchanan, was able to establish five artists as regulars by the mid-1940s; they remained regular contributors until 1954, when the magazine's first incarnation ceased publication. The five were Dolgov,
5259:
In a couple of instances a story appeared in the Canadian edition of the magazine before its appearance in the U.S. version, or simultaneously with it, so it is evident that whoever assembled the issues had access to the
2932:
returned to a mostly regular schedule for a few months. A long hiatus ended with the December 2004 issue, which appeared in early 2005; this was the last issue under the arrangement with DNA. Wildside Press then bought
3013:, each of whom had said they avoided writing stories of "fantasy, the bizarre, and the outré" because of the likelihood of rejection by existing markets. He added "I must confess that the main motive in establishing
5304:, the holder of a remarkably complete early science fiction archive, has "only a few scattered issues" from the early years, and the librarian recorded in 1983 that "dealers laugh when Eastern enquires about these".
5277:. A single issue was released in late 1946 by William Merrett; it also was undated and unnumbered. It was 36 pages long, and was priced at 1/6. The three stories included came from the October 1937 U.S. issue.
189:, all of whom went on to be popular writers, but within a year, the magazine was in financial trouble. Henneberger sold his interest in the publisher, Rural Publishing Corporation, to Lansinger, and refinanced
3693:
in the early 1930s, had continued to appear under Farnsworth Wright; they all but disappeared during McIlwraith's tenure. McIlwraith also focused more on short fiction, and serials and long stories were rare.
343:
magazine was the first to switch to printing only fiction, and in December of that year, it changed to using cheap wood-pulp paper. This is now regarded by magazine historians as having been the start of the
3731:
artwork suffered when Delaney cut the rates. Bok, whose first cover had appeared in December 1939, moved to New York and joined the office art staff for a while; he eventually left because of the low pay.
3159:, which Baird had rejected as "too commonplace". It proved to be extremely popular with readers, and Weinberg comments that Baird's rejection was "just one of the many mistakes made by the earlier editor".
3200:, a fictional universe in which Lovecraft set several stories. Over time other writers began to contribute their own stories with the same shared background, including Frank Belknap Long, August Derleth,
3000:
the subtitle "The Unique Magazine" from the first issue. Henneberger had been hoping for submissions of "off-trail", or unusual, material. He later recalled talking to three well-known Chicago writers,
3295:" in mid-1933. Price had revised the story before passing it to Wright, and after Wright and Price discussed the story, Wright bought it, in November of that year. Wright turned down Lovecraft's novel
3149:'s first story, "When the Green Star Waned", appeared; although Weinberg regards it as very dated, it was highly regarded at the time, Wright listing it in 1933 as the most popular story to appear in
2733:. The size was the same as the original pulp version, though it was printed on better paper. There were also limited edition hardcover versions of each issue, signed by the contributors. A special
1960:
Wright was replaced by McIlwraith, whose first issue was dated April 1940. From 1945 through 1949, she was assisted by Lamont Buchanan, who worked for her as associate editor and art editor for both
3795:
in the 1940s. Weinberg speaks highly of both Napoli and Coye, whom Weinberg describes as "the master of the weird and grotesque illustration". Coye did a series of full-page illustrations for
3017:
was to give the writer free rein to express his innermost feelings in a manner befitting great literature", but it is unlikely any of these authors promised to submit anything to Henneberger.
3301:
in 1935, though in this case it was probably because of the story's length—running a serial required paying an author for material that would not appear until two or three issues later, and
334:
In the late 19th century, popular magazines typically did not print fiction to the exclusion of other content; they would include nonfiction articles and poetry, as well. In October 1896,
3882:
were among the newer writers who contributed good material. Ashley's opinion of the two Bellerophon issues is low: he describes them as lacking "any clear editorial direction or acumen".
4046:
5463:
Lowndes was later to discover that it was almost certainly Smith's story "The Coming of the White Worm" which Delaney was referring to; it was eventually published by Donald Wollheim in
10780:
3933:
category, along with receiving two Hugo Award nominations in subsequent years and its first World Fantasy Award nomination, for Segal and Vandermeer, in more than seventeen years.
3107:. According to Eddy, this led to the magazine being removed from the newsstands in several cities, and beneficial publicity for the magazine, helping sales, but in his history of
3376:", but soon most of the poetry was original, with contributions from Lovecraft, Howard, and Clark Ashton Smith, among many others. Lovecraft's contributions included ten of his "
2440:, a science fiction fan and editor, was one of the interested parties, but she chose instead to sell to Victor Dricks and Robert Weinberg. Weinberg in turn licensed the title to
1267:
decision; Henneberger visited him in Brooklyn more than once, but eventually either Lovecraft declined or Henneberger simply gave up. Wright briefly severed his connection with
1242:, though for a while he remained on the staff. A financial reorganization was also necessary, and Henneberger decided to sell both magazines to Lansinger and invest the money in
3057:". It appeared in the October 1923 issue, which was the most noteworthy of Baird's tenure, since it included stories by three writers who would become frequent contributors to
5364:
In the same letter to Long, the 34-year-old Lovecraft, who often affected the airs of an aged gentleman, declared "think of the tragedy of such a move for an aged antiquarian".
314:
in significance and influence", adding that "somewhere in the imagination reservoir of all U.S. (and many non-U.S.) genre-fantasy and horror writers is part of the spirit of
5437:
On a business trip to New Orleans, Quinn was taken to an upmarket brothel by his business associates, and discovered that the women who worked there were regular readers of
4035:
in significance and influence". Weinberg goes further, calling it "the most important and influential of all fantasy magazines". Weinberg argues that much of the material
3368:
As well as fiction, Wright printed a substantial amount of poetry, with at least one poem included in most issues. Originally this often included reprints of poems such as
2375:, a well-known figure in the magazine publishing world, launched a new company, Renown Publications, with plans to publish several titles. He acquired the rights to both
11348:
11313:
11277:
11049:
3582:
McIlwraith was an experienced magazine editor, but she knew little about weird fiction, and unlike Wright she also had to face real competition from other magazines for
6484:
3531:" stories to Wright, but Wright rejected all of them (as did McIlwraith when she took over the editorship). Leiber subsequently sold them all to John W. Campbell for
6340:
5300:, fetching comparable prices to the first two issues. The first few volumes are so rare that very few academic collections have more than a handful of these issues:
3925:. This period also saw the addition of a broader range of content, ranging from narrative essays to comics to features on weird culture. The magazine won its first
3112:
Locke, a magazine historian, the suggestion that there was ever a public reaction to the story is a misinterpretation of comments made by Lovecraft about the story.
6104:
8925:
7435:
4058:
school of writing". Justin Everett and Jeffrey H. Shanks, the editors of a recent scholarly collection of literary criticism focused on the magazine, argue that "
3287:
On several occasions Wright rejected a story of Lovecraft's only to reconsider later; de Camp suggests that Wright's rejection at the end of 1925 of Lovecraft's "
1364:. The magazine advertised in the early science fiction pulps, usually highlighting one of the more science-fictional stories. Often the advertised story was by
5428:
Bloch's story was "The Shambler From the Stars", which appeared in the September 1935 issue; Lovecraft's riposte was "The Haunter of the Dark", in December 1936.
3898:
as fiction editor, during the next few years the magazine "won a number of awards and great acclaim." In 2010 VanderMeer became the magazine's editor-in chief.
8747:
7387:
6366:
3854:, serialized over three issues, along with some rare stories of Hodgson's that Moskowitz had unearthed. Many of the other stories were reprints, either from
2741:
irregular over the next couple of years. The Summer 1993 issue was the last to have a hardcover edition; it was also the last, for a while, to bear the name
10773:
3756:
in the early 1940s, recalled later that he was paid $ 5 for a single-page drawing, and $ 10 for a double-page spread; he worked slowly and the low pay meant
1342:, at reduced prices, for twenty years. It was at one point provided as a bonus to readers who subscribed. In 1930 Cornelius launched a companion magazine,
7691:
3834:
3744:
paper was of very poor quality, which meant that the reproductions were poor, and along with the low pay rate for art this meant that many artists treated
3483:
had little competition for most of Wright's sixteen years as editor. In the early 1930s, a series of pulp magazines began to appear that became known as "
3165:, who would go on to be a very successful pulp writer, appeared under both his real name and under a pseudonym, used for his first sale, in January 1925.
2928:
difficulties. Wildside Press, owned by John Betancourt, joined DNA and Terminus Publishing as co-publisher, starting with the July/August 2003 issue, and
7498:
3677:. As Wright had done, McIlwraith continued to buy Lovecraft stories submitted by August Derleth, though she abridged some of the longer pieces, such as "
3495:, and asked readers to write in with comments. Reader reaction was uniformly negative, and after a year he announced that there would be no more of them.
11282:
7536:
4379:
7561:
6317:
173:
founded by J. C. Henneberger and J. M. Lansinger in late 1922. The first issue, dated March 1923, appeared on newsstands February 18. The first editor,
11070:
10972:
3185:
reprint" department, which showcased old weird stories, typically horror classics. Often these were translations, and in some cases the appearance in
3634:
Delaney's personal taste also reduced McIlwraith's latitude. In an interview with Robert A. Lowndes in early 1940, Delaney spoke about his plans for
3426:, who painted 45 covers early in Wright's tenure, "was one of Sprenger's bargains", meaning that he produced poor art, but worked fast for low rates.
1238:. Henneberger decided early in 1924 on a reorganization of the editorial staff, which meant that by late spring Baird was no longer actively editing
9016:
5393:
Weinberg says that Wright, "who had been in bad health for many years, stepped down as editor", and does not give any other reason for his departure.
2782:
were executive producers, and each was expected to direct an episode. Stone was to be director of the pilot, but the series never came to fruition.
400:
7598:
10766:
3769:
354:, the first title that focused on a particular niche. Other titles that specialized in particular fiction genres followed, starting in 1915 with
1368:, who was popular in the sf magazines. Wright also sold hardcovers of books by some of his more popular authors, such as Kline, in the pages of
6453:
10260:
5255:
The U.S. and Canadian covers for the November 1935 issue, with part of the nude figure (by Margaret Brundage) obscured for the Canadian version
3828:. Brennan had already sold over a dozen stories to other pulps when he finally made a sale to McIlwraith, but he had always wanted to sell to
3783:
interior art, he describes Humiston's work as ranging "from bad to terrible", but he is more positive about the others. Napoli had worked for
3733:
2460:
398:, formed Rural Publishing Corporation of Chicago, in partnership with his former fraternity brother, J. M. Lansinger. Their first venture was
7581:
348:
era. For years, pulp magazines were successful without restricting their fiction content to any specific genre, but in 1906, Munsey launched
7671:
4545:
3423:
3316:, who investigated supernatural events, and for a while he was the most popular writer in the magazine. Other regular contributors included
375:
all appeared frequently in the pulps of the day, but by the early 1920s, still no single magazine was focused on any of these genres, though
6396:
9788:
7651:
6423:
3173:'s "The Werewolf of Ponkert" appeared in July 1925, and in the same issue Wright printed "Spear and Fang", the first professional sale of
249:
was launched, no magazines were specializing in science fiction, but he continued this policy even after the launch of magazines such as
11133:
10888:
8577:
7405:
3487:" magazines. These lasted until the end of the decade, but despite the name there was little overlap in subject matter between them and
3450:
rates were too low to attract submissions from them. Clark Ashton Smith had stopped writing, and two other writers who were well-liked,
225:, a detective who specialized in cases involving the supernatural, was very popular with the readers. Other well-liked authors included
3631:, the same authors selling to both markets. In Weinberg's words, "only the quality of the stories their work between the two pulps".
5355:
Henneberger later recalled that Cornelius was in a position to ensure that the debt was never paid off, so that they retained control.
4012:
as the editorial director, with issue #363 being released at the end of that year. This issue featured the story "Up from Slavery" by
9362:
3208:. Robert E. Howard and Clark Ashton Smith were friends of Lovecraft's, but did not contribute Cthulhu stories; instead Howard wrote
7473:
2953:
as the new fiction editor. In January 2010, the magazine announced Segal was leaving the top editorial post to become an editor at
213:" in 1928. These were well-received, and a group of writers associated with Lovecraft wrote other stories set in the same milieu.
11308:
4062:
functioned as a nexus point in the development of speculative fiction from which emerged the modern genres of fantasy and horror".
1972:
also provided assistance and advice, although he had no formal connection with the magazine. Most of McIlwraith's budget went to
11338:
10965:
4017:
6807:
6552:
3940:
saw the number of subscriptions triple as the magazine "came to symbolise what was good about the changes in the SF community."
11333:
11232:
11216:
9652:
6207:
4110:
288:, continued to appear, the magazine is considered by critics to have declined under McIlwraith from its heyday in the 1930s.
11161:
9716:
8933:
8865:
8798:
8695:
8484:
8450:
3469:
1356:
8130:
6492:
6344:
3080:, both from the May 1923 issue, and "Lucifer" by John Swain, from the November 1923 issue, as memorable, and comments that "
11203:
8160:
8070:
4075:
and its competitors "served as the bedrock upon which much of modern fantasy rests". Everett and Shanks agree, and regard
8100:
8010:
7980:
7950:
7920:
7890:
7860:
7631:
4054:. The magazine's "Golden Age" was under Wright, and de Camp argues that one of Wright's accomplishments was to create a "
3642:". Lowndes later added that Delaney had told him he found some of Clark Ashton Smith's stories on the "disgusting side".
2415:. These stories would be as good as new for most readers, and the money saved could be used for an occasional new story.
11014:
9664:
6096:
3292:
6522:
3802:
The letter column, "The Eyrie", was much reduced in size during McIlwraith's tenure, but as a gesture to the readers a "
11318:
10677:
10003:
9748:
8040:
6165:
5551:
7830:
7788:
4132:. From left to right, the artists are Finlay (1938), Bok (1941), Dolgov (1943), and Coye (late 1940s or early 1950s).
3598:
published many successful humorous fantasy stories, and McIlwraith responded by including some humorous material, but
2361:
from 1988 to 2002, showing volume and issue numbers. Note that the four issues starting with Summer 1994 were titled
11328:
11323:
9998:
9743:
9279:
9240:
9214:
9188:
9162:
9136:
9110:
9088:
9058:
9032:
9005:
8959:
8891:
8839:
8820:
8775:
8737:
8670:
8639:
8612:
8590:
8562:
8536:
8514:
8424:
8398:
8372:
8322:
8252:
7391:
7005:
6975:
6370:
3434:, the mayor of New York, to eliminate sex from the pulps led to milder covers, and this may also have had an effect.
10839:
10621:
9883:
9736:
9731:
9726:
3623:
readership appreciated getting access to classic stories "often mentioned but rarely found". Without the reprints
3088:
and made arrangements to have Lovecraft ghost-write a story for him using a plot supplied by Houdini. The story, "
2770:
series. The deal for the rights was facilitated by screenwriters Mark Patrick Carducci and Peter Atkins. Directors
2766:
1218:
Even before the launch, Rural had incurred higher than expected costs from the printer for the first few issues of
7443:
10853:
9687:
9657:
3930:
10789:
7688:
7495:
4334:
Baird was listed as editor for the May/June/July 1924 issue, but that issue was assembled by Wright and Kline.
3612:, with predictable effects on quality. In 1940 the policy of reprinting horror and weird classics ceased, and
2449:
7528:
6309:
3964:
became involved in a media altercation after Kaye announced the magazine was going to publish an excerpt from
3137:
November 1924, was little better than those edited by Baird, although it included two stories by new writers,
2436:
Margulies died the following year, and his widow, Cylvia Margulies, decided to sell the rights to the title.
11147:
9355:
7558:
5301:
3463:
5240:
dropped some of the original stories in each issue, replacing them with either stories from other issues of
3701:
once again began to include reprints, in an attempt to reduce costs, but by that time the earlier issues of
304:
considering it "the most important and influential of all fantasy magazines". Weinberg's fellow historian,
11091:
11056:
8785:
Everett, Justin; Shanks, Jeffrey H. (2015). "Introduction". In Everett, Justin; Shanks, Jeffrey H. (eds.).
3890:
The April/May 2007 edition featured the magazine's first all-new design in almost seventy-five years. With
3419:
3317:
3089:
2425:
20:
7517:"The Weird Tales Controversy-Part Four," Tellers of Weird Tales, August 23, 2015, accessed March 28, 2021.
3681:". Sword and sorcery stories, a genre which Howard had made much more popular with his stories of Conan,
3360:
10554:
10290:
9893:
9705:
8506:
7606:
5312:; Ashley gives prices of between ÂŁ40 and ÂŁ90, with some of the special author issues fetching a premium.
3860:
3297:
2423:
The fourth issue, dated Summer 1974, was the last, as Margulies closed down all his magazines except for
3196:", but eventually bought it, and printed it in the February 1928 issue. This was the first tale of the
2919:
No issues appeared in 1997, but in 1998 Scithers and Schweitzer negotiated a deal with Warren Lupine of
11210:
11168:
11140:
10930:
10140:
9795:
8951:
8390:
5342:
4375:
3616:
began using the slogan "All Stories New – No Reprints". Weinberg suggests that this was a mistake, as
3528:
3512:
3120:
scene in a frightening story that featured nothing at all frightening or weird and illustrating that".
2969:
free to interested attendees. Four issues then appeared, with issue #362 published in Spring of 2014.
8364:
8348:
6461:
5336:, reports $ 51,000 as the debt owed by Rural Publishing in January 1924, rather than just incurred by
4031:
was one of the most important magazines in the fantasy field; in Ashley's view, it is "second only to
3407:, for the cover of the December 1939 issue; he became a frequent contributor over the next few years.
3399:, whose covers were more action-oriented, and who designed the title logo used from 1933 until 2007.
11084:
11035:
10993:
10951:
10860:
10832:
10599:
10150:
9898:
8767:
8751:
8662:
8650:
5251:
4066:
anthologists for several decades. Weinberg argues that the fantasy pulps, of which, in his opinion,
3678:
3666:
3539:". The stories grew into a very popular sword and sorcery series, but none of them ever appeared in
3255:". This was published in the August 1928 issue under the author's real name, Thomas Lanier Williams.
3252:
1320:
5340:, and suggests that $ 60,000 - the number comes from a letter from Wright in the July 1924 issue of
2391:
that there was little market for weird and horror fiction at the time. Instead Margulies mined the
1934:
Dorothy McIlwraith. Associate editor Lamont Buchanan (red) had primary editing responsibilities from
1352:' bank was still having financial problems, and payment to authors was being substantially delayed.
10986:
10793:
10255:
10202:
10008:
9758:
9584:
9397:
9348:
9228:
9224:
9202:
9198:
9176:
9172:
9150:
9146:
9124:
9120:
9098:
9068:
9042:
8989:
8550:
7578:
5465:
3590:
folded in 1943, in its four years of existence it transformed the field of fantasy and horror, and
3475:
3046:
2726:
1948:
1373:
1286:
390:
356:
301:
272:
263:, though after a few years, he used the magazine for his more fantastic stories, and submitted his
9015:
Walker, Mary Jo (1983). "Out of the Closet: Science Fiction at Eastern New Mexico University". In
7668:
4101:
11343:
11196:
10979:
10958:
10923:
10916:
10902:
10874:
10719:
10345:
9682:
9574:
8790:
6408:
5419:
Henneberger later claimed that he overrode Baird and that Baird did not like Lovecraft's writing.
3787:
from 1932 to the mid-1930s, when he began selling to the science fiction pulps, but his work for
2718:
1306:, and did not get involved with story selection. In about 1921, Wright had begun to suffer from
7648:
6431:
1984:
The price was increased to 20 cents in 1947, and again to 25 cents in 1949, but it was not only
1936:
about summer 1945 through his resignation in 1949. The last issue to list him on the masthead is
1380:, records a rumor that Wright was unpaid for much of his work on the magazine, but according to
300:
The magazine is regarded by historians of fantasy and science fiction as a legend in the field,
11353:
11000:
10825:
10572:
10076:
9721:
9697:
9647:
8849:
3431:
3155:
1307:
1251:
Robert Eastman, though it is not known when Eastman and Henneberger discussed the possibility.
363:
9928:
7409:
11154:
11119:
11021:
11007:
10895:
10758:
9863:
9827:
9642:
9443:
9046:
8729:
8658:
8387:
The Time Machines: The Story of the Science-Fiction Pulp Magazines from the beginning to 1950
7206:
Letter, undated, but "apparently early 1932" according to Cave, quoted in Cave (1994), p. 14.
3281:
3081:
3850:
The four issues edited by Sam Moskowitz in the early 1970s included a detailed biography of
3832:, and three years after the magazine folded he launched a small-press horror magazine named
1988:
that was suffering—the entire pulp industry was in decline. Delaney switched the format to
1946:
In 1938 Popular Fiction Publishing was sold to William J. Delaney, who was the publisher of
1938:
September 1949. The issue marking the precise start of his editorship is currently unknown.
1174:
Editors were Edwin Baird (yellow), Farnsworth Wright (blue), and Dorothy McIlwraith (green).
11303:
11246:
11077:
10937:
10697:
10589:
9774:
9767:
9438:
9076:
8627:
8546:
8472:
8460:
8434:
8408:
8382:
8344:
8332:
8306:
8298:
7239:
Connors & Hilger (2011), seventh unnumbered page of the Foreword in the online edition.
3866:
3851:
3825:
2958:
2775:
2730:
2430:
305:
8244:
4669:
The hardback edition (but not the paperback) reproduces the original stories in facsimile
3820:
Toward the end of McIlwraith's time as editor a couple of new writers appeared, including
2984:
as the editorial director. Issue #363-367 (2019-2023) became available to purchase at the
8:
11260:
10846:
10584:
10081:
9970:
9933:
9908:
9711:
9562:
8857:
8759:
8687:
8356:
7465:
5236:
Canadian issues was unchanged from the U.S., but starting in September 1942 the Canadian
5221:
that issue had no number. The numerous oddities in volume numbering are correctly shown.
3193:
3178:
3166:
3062:
3054:
2734:
1295:
1203:
218:
210:
9315:
4119:
3364:
Illustration by Virgil Finlay for Tennyson's "The Princess", from the October 1938 issue
11225:
11098:
11028:
10737:
10250:
10230:
10220:
10093:
10031:
9988:
9802:
9674:
9634:
9589:
9504:
9489:
9387:
9382:
9268:
8717:
8705:
8680:
Connors, Scott; Hilger, Ron (2011). "Foreword". In Connors, Scott; Hilger, Ron (eds.).
8499:
8494:
8439:
8413:
6031:
5980:
5801:
5281:
4245:
4226:
4196:
3650:
3519:
3455:
3441:
Finlay's illustration for Earl Peirce's "The Homicidal Diary" in the October 1937 issue
3437:
3377:
3244:
3226:
3138:
3049:
and Austin Hall, were sending Baird stories which had already been rejected elsewhere.
2722:
2714:
2437:
1316:
1263:
310:
277:
186:
4092:
3982:
saying "This is how you destroy something beautiful" with regards to the magazine and
11126:
10702:
10616:
10295:
10170:
9913:
9567:
9478:
9472:
9433:
9421:
9275:
9236:
9210:
9184:
9158:
9132:
9106:
9084:
9054:
9028:
9001:
8985:
8955:
8929:
8887:
8883:
8861:
8835:
8816:
8794:
8771:
8733:
8722:
8691:
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8635:
8608:
8586:
8558:
8532:
8510:
8480:
8446:
8420:
8394:
8368:
8318:
6799:
4186:
4148:
4143:
4039:
published would never have appeared if the magazine had not existed. It was through
3674:
3396:
3384:
3217:
3209:
3201:
1195:
382:
350:
339:
230:
194:
144:
8477:
Science Fiction Rebels: The Story of the Science-Fiction Magazines from 1981 to 1990
3936:
In addition to winning or being nominated for awards, under VanderMeer's editorship
3422:". Not every artist was as successful as Brundage and Finlay: Price suggested that
3328:, and Frank Owen, who wrote fantasies set in an imaginary version of the Far East.
11175:
11042:
10944:
10881:
10747:
10611:
10457:
10313:
10282:
9983:
9781:
9551:
9453:
9392:
8909:
8582:
7628:
5441:. When they discovered who he was, they offered him their services free-of-charge.
4323:
4009:
3906:
3891:
3879:
3821:
3313:
3312:' most prolific author, with a long-running sequence of stories about a detective,
3240:
3174:
3077:
2981:
2964:
On August 23, 2011, John Betancourt announced that Wildside Press would be selling
2946:
2920:
2466:
1381:
1344:
1291:
222:
214:
10135:
8182:
5383:, in about 1931; and Hugh Cave quotes one cent per word as the rate in early 1933.
3132:
One of Margaret Brundage's nude covers. This one is for the September 1937 issue.
385:
with the intention of printing "different", or unusual, stories, was a near miss.
11189:
10867:
10818:
10692:
10240:
9838:
9613:
9556:
9263:
8808:
8681:
8314:
8122:
7695:
7675:
7655:
7635:
7585:
7565:
7502:
5379:
5296:
with the October 1923 issue, containing "Dagon", Lovecraft's first appearance in
5280:
A longer run of 23 issues appeared between November 1949 and December 1953, from
4254:
4249:
3970:
3871:
3506:
In 1939 two more serious threats appeared, both launched to compete directly for
3373:
3369:
3350:
3321:
3162:
3146:
2456:
1365:
1255:
405:
377:
256:
251:
242:
226:
178:
8441:
Gateways to Forever:The Story of the Science-Fiction Magazines from 1970 to 1980
8152:
6157:
5978:
Additional data on Buchanan's tenure as editor was taken from market reports in
3705:
had been extensively mined for reprints by August Derleth's publishing venture,
11253:
11105:
11063:
10672:
10667:
10165:
9993:
9943:
9868:
9692:
9529:
9448:
8997:
8092:
8002:
7972:
7942:
7912:
7882:
7852:
6199:
5988:. Other data points come from correspondence between Buchanan and contributors.
4300:
4013:
3922:
3895:
3773:
3346:
3205:
3197:
3170:
3142:
3100:
3096:
3042:
3002:
2950:
2000:
ceased publication; in both cases the last issue was dated September 1954. For
1976:, since that was the more successful magazine; the payment rate for fiction in
1969:
238:
202:
167:
71:
3799:
called "Weirdisms", which ran intermittently from November 1948 to July 1951.
2961:
joined the staff as art director and Segal became senior contributing editor.
1372:. Although the magazine was never greatly profitable, Wright was paid well.
11297:
11112:
10796:
10567:
10444:
10417:
10113:
10022:
9955:
9923:
9878:
9873:
9596:
9579:
9072:
9024:
8943:
8623:
8302:
8062:
6514:
4287:
4206:
3979:
3965:
3910:
3686:
3662:
3451:
3410:
3128:
3085:
3066:
3006:
2388:
2372:
408:, so he created a fiction magazine that would focus on horror, and titled it
368:
345:
182:
170:
76:
8787:
The Unique Legacy of Weird Tales: The Evolution of Modern Fantasy and Horror
8415:
Transformations:The Story of the Science-Fiction Magazines from 1950 to 1970
8032:
3574:
3258:
10909:
10594:
10235:
9978:
9918:
9858:
9630:
9524:
9499:
9494:
9460:
8901:
8600:
8524:
7822:
7780:
6200:"Culture : Weird Tales : SFE : Science Fiction Encyclopedia"
3983:
3975:
3749:
3706:
3682:
3670:
3654:
3524:
3498:
3484:
3325:
3288:
3277:
3221:
3213:
2779:
2387:
in 1962, using reprints from the original magazine, after being advised by
1932:
from 1941 to 1954, showing volume/issue number. (1) The primary editor was
1311:
1199:
335:
281:
234:
6997:
6967:
5406:
in 1956, but had only produced five issues; Margulies also tried to bring
3305:
often had little cash to spare. In this case he did not change his mind.
3061:: as well as Lovecraft, it marked the first appearance in the magazine of
2383:, and hoped to bring both magazines back. He abandoned a plan to restart
1992:
with the September 1953 issue, but there was to be no reprieve. In 1954,
326:
10811:
10661:
10646:
10579:
10422:
10407:
10397:
10350:
10308:
10300:
10130:
9903:
9519:
9484:
8969:
8875:
8852:(2008). "Afterword: A Gentleman of Providence". In Jones, Stephen (ed.).
4548:
in 1928; this selected 25 stories from the series, 24 of them drawn from
4346:
4313:
4176:
3949:
3808:
3765:
3329:
3239:, became a regular, and Wright also published science fiction stories by
3236:
3104:
3025:
2954:
2445:
1989:
1183:
264:
174:
149:
46:
5543:
1384:, a close friend of Wright's who occasionally read manuscripts for him,
10656:
10507:
10432:
10402:
10382:
10377:
10340:
10330:
10323:
10318:
10304:
10272:
9965:
9888:
9606:
9546:
9541:
9416:
8917:
8755:
8572:
8352:
4216:
3997:
After the fall 2012 issue #360, Kaye only published two more issues of
3926:
3875:
3712:
3400:
2771:
2441:
1940:(2) The apparent error in duplicating volume 39/11 is in fact correct.
1280:
285:
52:
3535:
Campbell commented each time to Leiber that "these would be better in
3153:. That issue also contained the first instalment of La Spina's novel
1315:
but moved to Chicago toward the end of 1926. After a short period on
280:
as editor. Although some successful new authors and artists, such as
11182:
10707:
10497:
10412:
10392:
10225:
10210:
10061:
9601:
8815:. Bowling Green, Ohio: Bowling Green State University Popular Press.
6097:"Miskatonic University library Periodical Reading Room – Weird Tales"
5346:-- also represents Rural's total indebtedness, in the summer of 1924.
3918:
3905:
published works by a wide range of strange-fiction authors including
3649:
most popular authors, including Quinn, Derleth, Hamilton, Bloch, and
3547:, beginning with "The Automatic Pistol", which appeared in May 1940.
3333:
3010:
221:
stories in the magazine, and Seabury Quinn's series of stories about
9833:
9021:
Science/Fiction Collections: Fantasy, Supernatural & Weird Tales
5219:
from 1941 to 1954, showing volume/issue number. "nn" indicates that
3383:
The artwork was an important element of the magazine's personality;
3380:" poems, a series of sonnets on weird themes that he wrote in 1930.
2937:, and Betancourt again joined Scithers and Schweitzer as co-editor.
2745:, as Weinberg did not renew the license. The magazine was retitled
270:
In 1938, the magazine was sold to William Delaney, the publisher of
10641:
10492:
10387:
10335:
10267:
10123:
10071:
9960:
9534:
9465:
4001:, issue #361 in the summer of 2013 and #362 in the spring of 2014.
3914:
1208:
297:
because of licensing issues, the original title returning in 1998.
37:
10192:
9340:
9235:. Berkeley Heights, New Jersey: Wildside Press. pp. 119–131.
7436:""Weird" wins: Tallahassee sci-fi editor brings home a Hugo Award"
6545:"WEIRD TALES IS BACK! The magazine that... - Weird Tales Magazine"
10517:
10512:
10487:
10452:
10427:
10372:
10215:
10187:
10175:
10118:
9371:
9209:. Berkeley Heights, New Jersey: Wildside Press. pp. 79–111.
9053:. Englewood Cliffs, New Jersey: Salem Press. pp. 2447–2463.
7529:"Racism row over SF novel about black 'Coals' and white 'Pearls'"
4718:
Stefan Dziemianowicz, Martin H. Greenberg & Robert Weinberg
3813:
2395:
backfile for four anthologies which appeared in the early 1960s:
372:
163:
66:
9183:. Berkeley Heights, New Jersey: Wildside Press. pp. 62–78.
9157:. Berkeley Heights, New Jersey: Wildside Press. pp. 19–47.
9103:
A Biographical Dictionary of Science Fiction and Fantasy Artists
8557:. Berkeley Heights, New Jersey: Wildside Press. pp. 59–61.
7638:," The Encyclopedia of Science Fiction, accessed March 28, 2021.
10606:
10522:
10502:
10482:
10180:
10145:
10086:
9514:
9509:
10788:
9131:. Berkeley Heights, New Jersey: Wildside Press. pp. 3–6.
5274:
132:
10712:
10682:
10651:
10562:
10544:
10477:
10472:
10357:
10155:
10108:
10066:
10054:
10049:
10044:
10039:
9426:
9333:
7588:" by Jim. C. Hines, August 20, 2012, accessed March 28, 2021.
5410:
back, and kept it alive from December 1957 until August 1959.
3990:
The publisher subsequently overruled Kaye and announced that
3558:
was launched in April 1926, science fiction was popular with
276:, and within two years, Wright, who was ill, was replaced by
19:
This article is about the pulp magazine. For other uses, see
9083:. Westport, Connecticut: Greenwood Press. pp. 727–736.
8634:. Westport, Connecticut: Greenwood Press. pp. 694–697.
7568:" by N.K. Jemisin, August 20, 2012, accessed March 28, 2021.
4147:
Virgil Finlay's interior illustration for H.P. Lovecraft's "
11278:
History of US science fiction and fantasy magazines to 1950
10687:
10529:
10362:
10245:
10160:
10103:
5377:
was paying one cent per word, "rather more reliably" than
4378:
edited a series of horror story anthologies, published by
10539:
10534:
10467:
10462:
10098:
8922:
The Thing's Incredible! The Secret Origins of Weird Tales
5583:
The Thing's Incredible: The Secret Origins of Weird Tales
5489:
The Thing's Incredible: The Secret Origins of Weird Tales
2949:
the editorial and creative director and later recruiting
2757:
245:, along with the fantasy and horror, partly because when
9312:, 4, No 5 (whole number 30) (Eastertide 1985):29-32, 52.
8033:"Publication: Weird Tales: The Magazine that Never Dies"
5681:
3266:, by J. Allen St. John, illustrating Robert E. Howard's
3224:, later to become well known as the writer of the movie
217:
was a regular contributor, and published several of his
8980:(14). Barrington Hills, Illinois: Tattered Pages Press.
6079:(Silver Spring, MD: Adventure House, 2000), p. 300-301.
5454:
by August Derleth, who had corresponded with Lovecraft.
3033:, dated March 1923. The cover art is by R. R. Epperly.
6485:"Lois Tilton Reviews Short Fiction, Mid November 2012"
5860:
First World Fantasy Convention: Three Authors Remember
3235:
afterward. Edmond Hamilton, a leading early writer of
3095:
The May/June/July 1924 issue included another story: "
2713:
was more lastingly revived at the end of the 1980s by
9081:
Science Fiction, Fantasy, and Weird Fiction Magazines
8632:
Science Fiction, Fantasy, and Weird Fiction Magazines
8311:
Science Fiction, Fantasy, and Weird Fiction Magazines
7505:" by Damien Walter, 8-21-12, accessed March 28, 2021.
3845:
3838:, which he published for some years, in imitation of
3502:
Cover of the January 1938 issue, by Margaret Brundage
3461:
Except for a couple of short-lived magazines such as
2764:
into a three-episode anthology show similar to their
1254:
Baird stayed with Lansinger, so Henneberger wrote to
8854:
Necronomicon: The Best Weird Tales of H.P. Lovecraft
8529:
Once Around the Bloch: An Unauthorized Autobiography
3594:was no longer regarded as the leader in its field.
2429:, which was the only one that was making a profit.
11283:
George Kelley Paperback and Pulp Fiction Collection
9293:. Indianapolis: Popular Fiction Publishing Company.
1326:In 1927, Popular Fiction Publishing issued Birch's
11349:Science fiction magazines established in the 1920s
11314:Bimonthly magazines published in the United States
9267:
8721:
8498:
8438:
8412:
6424:"Locus Online News » Kaye to Buy Weird Tales"
6369:. Weirdtales.net. January 25, 2010. Archived from
3909:and Tanith Lee, as well as newer writers such as
3479:, all between the late 1920s and the early 1930s,
9256:Locus: The Newspaper of the Science Fiction Field
8948:Strange Horizons: The Spectrum of Science Fiction
6341:"Top helmers on 'Tales' team… Sky-high Sly price"
4811:Weird Tales Presents & Blackstone Publishing
3974:, which many critics accused of featuring racist
3543:. Leiber did eventually sell several stories to
16:American fantasy and horror fiction pulp magazine
11295:
9051:Survey of Modern Fantasy Literature: Volume Five
8683:The Miscellaneous Writings of Clark Ashton Smith
8063:"Publication: Weird Tales: 32 Unearthed Terrors"
7698:," Bram Stoker Website, accessed March 28, 2021.
7375:The Best Science Fiction and Fantasy of the Year
6454:"World Fantasy Convention Special Preview Issue"
5727:
5725:
4819:
4358:7.95 and $ 6.99; the last two were $ 9.99 each.
8834:. West Linn, Oregon: FAX Collector's Editions.
7658:" by John ONeill, Black Gate, January 21, 2020.
6310:"List of Conventions| World Fantasy Convention"
5542:Nicholls, Peter; Ashley, Mike (July 18, 2012).
4536:series, of which 20 had originally appeared in
3578:Cover of the November 1941 issue, by Hannes Bok
1388:was paying Wright about $ 600 a month in 1927.
1172:from 1923 to 1940, showing volume/issue number.
420:
198:and published a wide range of unusual fiction.
5541:
3653:. She also added new contributors, including
3387:, who painted many covers featuring nudes for
2957:. VanderMeer was elevated to editor-in-chief,
2448:, in the project. The result was a series of
10774:
9789:The Magazine of Fantasy & Science Fiction
9356:
8153:"Title: Weird Tales: Seven Decades of Terror"
7377:by Jonathan Strahan, Night Shade Books, 2012.
6338:
6044:Harriet Bradfield, "New York Market Letter,"
6029:Harriet Bradfield, "New York Market Letter,"
5722:
3716:Cover of the May 1952 issue, by Virgil Finlay
3189:was the story's first appearance in English.
1275:
388:In 1922, J. C. Henneberger, the publisher of
6797:
6482:
6421:
6155:
5862:(West Warwick, RI: Necronomicon Press), p. 8
5804:, 1924-03-21; cited in Carter (1976), p. 43.
3177:, who would become famous as the creator of
8578:Lovecraft: A Look Behind the Cthulhu Mythos
7559:This is how you destroy something beautiful
6075:Doug Ellis, John Locke, and John Gunnison.
4554:Numerous other anthologies of stories from
3811:, later to become famous as the founder of
10781:
10767:
9363:
9349:
9105:. Westport, Connecticut: Greenwood Press.
8622:Clareson, Thomas D. (1985). "Unknown". In
7433:
7235:
7233:
6968:"Summary Bibliography: Clark Ashton Smith"
6197:
6142:
6140:
6138:
6136:
6134:
6124:
6122:
4544:, edited by Herbert Asbury, appeared from
3395:used. Another prominent cover artist was
2976:Facebook magazine announced the return of
2473:
2004:, the September 1954 issue was its 279th.
45:
8766:. New York: St. Martin's Press. pp.
8479:. Liverpool: Liverpool University Press.
8445:. Liverpool: Liverpool University Press.
8419:. Liverpool: Liverpool University Press.
7513:
7511:
7373:From "Introduction" by Jonathan Strahan,
6926:
6924:
6581:
6579:
6483:Publications, Locus (November 19, 2011).
6390:
6388:
5858:"Time-Travelling with H.P. Lovecraft" in
4696:Weird Tales: The Magazine That Never Dies
2991:
259:wrote a good deal of science fiction for
8363:. New York: St Martin's Press. pp.
8183:"Title: Weird Tales: 100 Years of Weird"
7434:Laufenberg, Kathleen (August 23, 2009).
7388:"January 2010 Weird Tales Press Release"
6998:"Summary Bibliography: Robert E. Howard"
6367:"January 2010 Weird Tales Press Release"
5332:, his history of the first two years of
5250:
4292:April/May 2007 – September/October 2007
4142:
4138:
3994:no longer had plans to run the excerpt.
3943:
3711:
3645:McIlwraith continued to publish many of
3627:was left to survive on the rejects from
3573:
3497:
3436:
3359:
3257:
3216:stories, many of which were part of his
3212:fiction, and Smith produced a series of
3127:
3024:
2007:
1302:Henneberger gave Wright full control of
1279:
325:
10966:Flash Gordon Strange Adventure Magazine
8272:
8270:
8230:
8228:
8226:
8207:
8205:
8203:
8163:from the original on September 16, 2016
8133:from the original on September 17, 2016
8103:from the original on September 16, 2016
8073:from the original on September 16, 2016
8043:from the original on September 16, 2016
8013:from the original on September 16, 2016
7983:from the original on September 16, 2016
7953:from the original on September 16, 2016
7923:from the original on September 17, 2016
7893:from the original on September 16, 2016
7863:from the original on September 16, 2016
7833:from the original on September 17, 2016
7808:
7806:
7791:from the original on September 17, 2016
7775:
7773:
7771:
7769:
7767:
7429:
7427:
7360:
7358:
7356:
7292:
7290:
7230:
7223:
7221:
7166:
7164:
7127:
7125:
7115:
7113:
7111:
7109:
7107:
7034:
7032:
7008:from the original on September 16, 2016
6978:from the original on September 16, 2016
6878:
6876:
6861:Jaffery & Cook (1985), pp. 87, 105.
6848:
6846:
6525:from the original on September 16, 2016
6515:"Publication: Weird Tales, Spring 2014"
6422:Publications, Locus (August 23, 2011).
6131:
6119:
5386:
4528:There was also a 1937 anthology titled
4361:Some of the early Terminus editions of
3894:as editorial and creative director and
3192:Wright initially rejected Lovecraft's "
3169:'s first story appeared in March 1925;
2923:which allowed them to start publishing
11296:
11233:Vargo Statten Science Fiction Magazine
9304:William Fulwiler and Graeme Flanagan.
8653:. In Clute, John; Grant, John (eds.).
8255:from the original on December 14, 2021
8123:"Title: The Best of Weird Tales: 1923"
7752:Everett & Shanks (2015), p. xviii.
7539:from the original on November 19, 2016
7508:
7496:Weird Tales editor has insulted us all
6921:
6855:
6827:
6825:
6784:
6782:
6780:
6761:
6759:
6757:
6755:
6753:
6751:
6749:
6747:
6745:
6743:
6679:
6677:
6631:
6629:
6619:
6617:
6607:
6605:
6603:
6576:
6555:from the original on December 14, 2021
6395:Strock, Ian Randal (August 23, 2011).
6394:
6385:
6295:
6293:
6291:
6289:
6287:
6265:
6263:
6261:
6193:
6191:
6189:
6187:
6185:
6183:
6091:
6089:
6087:
6085:
6077:The Adventure House Guide to the Pulps
5843:
5834:
5766:
5764:
5648:
5646:
5644:
5642:
5640:
5638:
5636:
5634:
4772:John Betancourt & Robert Weinberg
415:
10762:
9717:Internet Speculative Fiction Database
9344:
8335:(1985b). "That Other 'Weird Tales'".
7526:
7476:from the original on January 14, 2017
7466:"Nominees | World Fantasy Convention"
7047:Jaffery & Cook (1985), pp. 39–49.
6593:
6591:
6016:
6014:
6012:
5964:
5962:
5960:
5958:
5956:
5954:
5952:
5950:
5948:
5929:
5927:
5925:
5923:
5921:
5919:
5917:
5915:
5913:
5876:
5874:
5872:
5870:
5868:
5831:Jaffery & Cook (1985), pp. 41–42.
5778:
5776:
5706:
5704:
5702:
5674:
5672:
5670:
5668:
5666:
5664:
5662:
5660:
5658:
5624:
5622:
5620:
5618:
5616:
5614:
5604:
5602:
5600:
5525:
5523:
5513:
5511:
5509:
5499:
5497:
5268:There were four separate editions of
4532:, which selected 35 stories from the
4262:September 2005 – February/March 2007
3569:
2704:Segal (blue); and Vandermeer (gray).
11204:Two Complete Science-Adventure Books
8813:The Collectors' Index to Weird Tales
8267:
8237:
8223:
8200:
7803:
7764:
7689:The 2019 Bram Stoker Award finalists
7678:," Locus Magazine, November 9, 2020.
7520:
7424:
7353:
7287:
7278:
7218:
7182:
7161:
7122:
7104:
7029:
6873:
6843:
5537:
5535:
5487:John Locke, "The Birth of Weird" in
4768:Weird Tales: Seven Decades of Terror
3752:, who sold some interior artwork to
3340:in November 1933; Price visited the
3123:
1323:, where it would remain until 1938.
11015:Miracle Science and Fantasy Stories
9370:
8549:(1999). "Joseph Payne Brennan". In
6822:
6777:
6740:
6728:Jaffery & Cook (1985), pp. 4–9.
6701:Joshi & Schultz (2004), p. 156.
6674:
6626:
6614:
6600:
6476:
6284:
6258:
6231:
6180:
6082:
5761:
5749:Locke (2018), pp. 124-125, 133-135.
5713:
5631:
4540:. In the U.S. an anthology titled
4305:November/December 2007 – Fall 2009
3523:appeared from Street & Smith.
3293:Through the Gates of the Silver Key
3072:Robert Weinberg, in his history of
13:
10678:LGBT themes in speculative fiction
10004:Works inspired by J. R. R. Tolkien
9298:
7716:Everett & Shanks (2015), p. x.
7669:Victor LaValle: Destroy the Reader
7179:Jaffery & Cook (1985), p. 104.
6810:from the original on March 8, 2024
6588:
6460:. January 16, 2012. Archived from
6210:from the original on July 13, 2016
6107:from the original on March 4, 2016
6009:
5945:
5910:
5865:
5773:
5699:
5655:
5611:
5597:
5566:
5554:from the original on June 17, 2016
5520:
5506:
5494:
5244:, or, occasionally, material from
4754:Marvin Kaye & John Betancourt
4151:", from the October 1937 issue of
4018:Stoker Award for Best Long Fiction
3858:or from other early pulps such as
3846:Moskowitz, Carter, and Bellerophon
3748:as a last resort for their work.
3403:'s first professional sale was to
308:, describes it as "second only to
51:Cover of the March 1942 issue, by
14:
11365:
9325:
9227:(1999e) . "Out of the Eyrie". In
8988:(1999) . "Farnsworth Wright". In
8607:. Chicago: Tattered Pages Press.
7761:Jaffery & Cook (1985), p. 50.
7527:Flood, Alison (August 21, 2012).
7408:. August 18, 2009. Archived from
7314:Jaffery & Cook (1985), p. 91.
7215:Jaffery & Cook (1985), p. 62.
6900:de Camp (1975), pp. 243–244, 276.
6671:Jaffery & Cook (1985), p. 99.
6320:from the original on July 9, 2016
6168:from the original on June 4, 2016
5889:Wright (1927), table of contents.
5532:
5287:
4714:Weird Tales: 32 Unearthed Terrors
4128:Four interior illustrations from
3885:
3760:was not a viable market for him.
3353:, appeared almost exclusively in
3037:Edwin Baird, the first editor of
2972:On August 14, 2019, the official
2760:announced they had plans to turn
1284:The May 1934 cover, illustrating
1176:There was no issue numbered 4/1.
10910:Dusty Ayres and His Battle Birds
10743:
10742:
10732:
9289:Wright, Farnsworth, ed. (1927).
9123:(1999a) . "A Brief History". In
8996:. Berkeley Heights, New Jersey:
8501:Science-Fiction: The Early Years
8301:(1985a). "Oriental Stories". In
8279:
8214:
8175:
8145:
8115:
8093:"Title: The Best of Weird Tales"
8085:
8055:
8025:
7995:
7965:
7935:
7905:
7875:
7845:
7815:
7755:
7746:
7737:
7728:
7719:
7710:
7701:
7681:
7661:
7641:
7621:
7591:
7571:
7551:
7488:
7458:
7398:
7380:
7367:
7344:
7335:
7326:
7317:
7308:
7299:
7269:
7260:
7251:
7242:
7209:
7200:
7191:
7173:
7152:
7143:
7134:
7095:
7086:
7077:
7068:
7059:
7050:
7041:
7020:
6990:
6960:
6951:
6942:
6933:
6912:
6903:
6894:
6885:
6864:
6339:Variety Staff (April 10, 1995).
5457:
5444:
5431:
5422:
5402:Delaney had attempted to revive
4558:have been published, including:
4181:March 1923 – May/June/July 1924
4118:
4109:
4100:
4091:
3181:. In late 1925 Wright added a "
1234:and was making a profit, as was
36:
11309:1923 establishments in Illinois
10733:
9688:Ballantine Adult Fantasy series
7725:Weinberg (1983), pp. 2452–2453.
6834:
6791:
6768:
6731:
6722:
6713:
6704:
6695:
6686:
6665:
6656:
6647:
6638:
6567:
6537:
6507:
6446:
6415:
6359:
6332:
6302:
6272:
6249:
6240:
6222:
6198:Ashley, Mike; Nicholls, Peter.
6149:
6069:
6060:
6051:
6038:
6023:
6000:
5991:
5971:
5936:
5901:
5892:
5883:
5852:
5825:
5816:
5807:
5794:
5785:
5752:
5743:
5734:
5690:
5585:(Off-Trail Publications, 2018).
5491:(Off-Trail Publications, 2018).
5413:
5396:
5367:
5358:
5349:
5321:
4804:Weird Tales: 100 Years of Weird
4271:Spring 1991 – Winter 1996/1997
3336:", her first sale, appeared in
1258:, who had sold some stories to
11339:Magazines published in Chicago
11183:Terence X. O'Leary's War Birds
8880:An H.P. Lovecraft Encyclopedia
8830:Jones, Robert Kenneth (1975).
8211:Weinberg (1985a), pp. 733–734.
7812:Weinberg (1985a), pp. 734–735.
7599:"A Message from the Publisher"
7188:Weinberg (1999e), pp. 122–124.
7074:Weinberg (1985b), pp. 110–116.
6597:Weinberg (1985a), pp. 727–728.
6246:Weinberg (1985a), pp. 732–734.
5933:Weinberg (1985a), pp. 729–730.
5652:Weinberg (1985a), pp. 735–736.
5588:
5575:
5503:Weinberg (1985a), pp. 730–731.
5481:
5450:The stories were submitted to
4650:Ghost edited by Sam Moskowitz
4631:Ghost edited by Sam Moskowitz
4369:
3230:, began publishing stories in
3020:
2747:Worlds of Fantasy & Horror
2444:, who interested a publisher,
2363:Worlds of Fantasy & Horror
1:
11334:Magazines established in 1923
10840:A. Merritt's Fantasy Magazine
9201:(1999d) . "Interior Art". In
8878:; Schultz, David E. (2004) .
8463:(April 2008). "Weird Tales".
7579:Thoroughly Nonracist Nonsense
7332:Weinberg (1999d), pp. 96–103.
7296:Weinberg (1999d), pp. 93–103.
7170:Clareson (1985), pp. 694–697.
7083:Weinberg (1999d), pp. 92, 98.
6948:Dziemianowicz (1997), p. 661.
6237:Ashley (1997), pp. 1000–1003.
5475:
5373:Jack Williamson recalls that
5302:Eastern New Mexico University
4820:Canadian and British editions
4750:The Best of Weird Tales: 1923
3952:and John Harlacher purchased
3586:' core readership. Although
3251:, with a short story titled "
330:Jacob Clark Henneberger, 1913
321:
11092:Scientific Detective Monthly
11057:Out of This World Adventures
9149:(1999b) . "The Stories". In
9045:(1983). "Fantasy Pulps". In
8712:. New York: Hermitage House.
7323:Weinberg (1999d), pp. 86–88.
7101:Weinberg (1999c), pp. 72–74.
7056:Weinberg (1985b), pp. 58–61.
6788:Weinberg (1999b), pp. 23–25.
6662:de Camp (1975), pp. 186–187.
6653:Weinberg (1999b), pp. 19–21.
6635:de Camp (1975), pp. 178–179.
6057:de Camp (1953), pp. 111–121.
5907:Ashley (1985a), pp. 454–456.
5791:de Camp (1975), pp. 203–204.
4282:Summer 1998 – December 2004
4158:The editorial succession at
3473:, and a weak challenge from
3103:which included a mention of
3090:Imprisoned with the Pharaohs
2426:Mike Shayne Mystery Magazine
1222:. After the first issue of
421:Rural Publishing Corporation
295:Worlds of Fantasy and Horror
107:; 101 years ago
21:Weird Tales (disambiguation)
7:
9706:The Encyclopedia of Fantasy
9071:(1985a). "Weird Tales". In
8764:The Encyclopedia of Fantasy
8655:The Encyclopedia of Fantasy
8507:Kent State University Press
8465:Book and Magazine Collector
8361:The Encyclopedia of Fantasy
6269:Ashley (2016), pp. 110–112.
6128:Ashley (2005), pp. 162–164.
5986:The Author & Journalist
5800:H. P. Lovecraft, letter to
5758:Locke (2018), pp. 175, 200.
5343:The Author & Journalist
4191:November 1924 – March 1940
3776:. In Weinberg's review of
3357:over the next three years.
3298:At the Mountains of Madness
3262:Cover of the December 1936
10:
11370:
11162:Tales of Magic and Mystery
10931:Famous Fantastic Mysteries
9175:(1999c) . "Cover Art". In
8752:"Moore, Catherine Lucille"
8391:Liverpool University Press
8291:
8234:Ashley (1985b), pp. 31–35.
7883:"Title: The Ghoul Keepers"
7674:February 27, 2021, at the
7350:Brennan (1999), pp. 60–61.
7266:de Camp (1953), pp. 80–81.
7248:Clute (1997), pp. 481–482.
7140:Jones (1975), pp. x, 3–10.
7131:Joshi (2004), pp. 292–294.
5813:Locke (2018), pp. 157-161.
5731:Locke (2018), pp. 169-170.
5628:Weinberg (1999a), pp. 3–4.
5581:John Locke, "The Pals" in
5214:
4376:Christine Campbell Thomson
4307:Summer 2010 – Winter 2012
4260:Spring 1988 – Winter 1990
4221:Spring 1981 – Summer 1983
4201:May 1940 – September 1954
3529:Fafhrd and the Gray Mouser
3527:submitted several of his "
3470:Tales of Magic and Mystery
3243:and Otis Adelbert Kline.
2698:
2450:four paperback anthologies
2269:
2125:
2079:
2060:
1927:
1391:
1319:, the office moved to 840
1276:Popular Fiction Publishing
1167:
205:stories first appeared in
18:
11319:Fantasy fiction magazines
11270:
11085:Science Fiction Quarterly
10952:Fantastic Story Quarterly
10833:Amazing Stories Quarterly
10803:
10728:
10634:
10553:
10443:
10281:
10201:
10030:
10021:
9951:
9942:
9851:
9819:
9757:
9744:List of story collections
9673:
9629:
9622:
9585:Occult detective fiction‎
9406:
9378:
9306:Weird Tales on Television
8686:. Westport, Connecticut:
8313:. Westport, Connecticut:
8276:Ashley (2008), pp. 24–37.
7743:Weinberg (1983), p. 2463.
7734:Weinberg (1983), p. 2450.
7634:October 20, 2012, at the
7364:Weinberg (1985a), p. 732.
7341:Weinberg (1999e), p. 129.
7197:Weinberg (1999e), p. 120.
7149:Weinberg (1999e), p. 125.
7065:Moskowitz (1976), p. 251.
6957:Weinberg (1983), p. 2451.
6800:"Index by Date: Page 180"
6623:Ashley (2000), pp. 41–42.
6299:Ashley (2008), pp. 34–36.
6066:Ashley (2005), pp. 72–73.
5840:Williamson (1984), p. 78.
5782:Carter (1976), pp. 41–46.
5710:Carter (1976), pp. 35–37.
4440:You'll Need a Night Light
4211:April 1973 – Summer 1974
4080:is part of the spirit of
4023:
3679:The Shadow over Innsmouth
3667:Mary Elizabeth Counselman
3268:The Fire of Asshurbanipal
3253:The Vengeance of Nitocris
2907:
2693:
2690:
2687:
2680:
2677:
2669:
2666:
2661:
2658:
2655:
2643:
2640:
2568:
2565:
2553:
2550:
2539:
2491:
2488:
2485:
2482:
2356:
1376:, author of a history of
1114:
1000:
792:
789:
786:
517:
486:
336:Frank A. Munsey Company's
241:. Wright published some
143:
127:
119:
101:
93:
85:
59:
44:
35:
11329:Hugo Award-winning works
11324:Horror fiction magazines
11134:Stirring Science Stories
10009:World Fantasy Convention
8791:Rowman & Littlefield
8710:Science-Fiction Handbook
7943:"Title: Worlds of Weird"
7649:Yes, Weird Tales is Back
7284:Weinberg (1999d), p. 93.
7275:Weinberg (1999c), p. 74.
7257:Weinberg (1999b), p. 47.
7227:Weinberg (1999b), p. 44.
7119:Weinberg (1999b), p. 43.
7092:Weinberg (1999c), p. 64.
7038:Weinberg (1999c), p. 68.
6939:Weinberg (1999b), p. 37.
6891:Weinberg (1999b), p. 31.
6870:Weinberg (1999b), p. 30.
6852:Bloch (1993), pp. 78–79.
6831:Weinberg (1999b), p. 26.
6798:Stephensen-Payne, Phil.
6774:Weinberg (1999b), p. 23.
6719:Weinberg (1999d), p. 79.
6683:Weinberg (1999b), p. 22.
6611:Weinberg (1999b), p. 19.
6585:Weinberg (1999c), p. 62.
6158:"Short Stories Magazine"
6156:Stephensen-Payne, Phil.
5942:Cave (1994), pp. 38, 41.
5696:Locke (2018), pp. 29–30.
5466:Stirring Science Stories
5315:
4786:The Women of Weird Tales
4318:Fall 2012 – Spring 2014
2727:World Fantasy Convention
1287:Queen of the Black Coast
357:Detective Story Magazine
177:, printed early work by
11197:Tops in Science Fiction
10980:G-8 and His Battle Aces
10924:Dynamic Science Stories
10917:Dynamic Science Fiction
10077:Fire-breathing monsters
9258:(285): 4. October 1984.
8952:Charles Scribner's Sons
8924:. Elkhorn, California:
8730:Doubleday & Company
8337:Etchings & Odysseys
8003:"Title: Weird Legacies"
7853:"Title: The Unexpected"
7707:de Camp (1975), p. 216.
7694:April 17, 2021, at the
7654:March 29, 2021, at the
7584:April 17, 2021, at the
7564:April 15, 2021, at the
7501:April 11, 2021, at the
7026:de Camp (1975), p. 317.
6930:de Camp (1975), p. 217.
6918:de Camp (1975), p. 346.
6909:de Camp (1975), p. 368.
6840:de Camp (1975), p. 273.
6765:Ashley (1997), p. 1001.
6692:de Camp (1975), p. 183.
6491:. Locus. Archived from
6430:. Locus. Archived from
6401:; will edit it himself"
5968:Weinberg (1999a), p. 6.
5880:Weinberg (1999a), p. 5.
5719:de Camp (1975), p. 203.
5678:Weinberg (1999a), p. 4.
5594:Locke (2018), p. 12–14.
5529:Ashley (1997), p. 1002.
5517:Ashley (1997), p. 1000.
5330:The Thing's Incredible!
4732:The Best of Weird Tales
4050:originally appeared in
3968:'s controversial novel
3929:in August 2009, in the
2719:John Gregory Betancourt
2474:Terminus and successors
371:, science fiction, and
351:Railroad Man's Magazine
11001:Marvel Science Stories
10973:Future Science Fiction
10826:Amazing Stories Annual
9828:Dungeons & Dragons
9274:. New York: Blue Jay.
8926:Off-Trail Publications
8724:Lovecraft: A Biography
8651:"Howard, Robert Ervin"
8245:"Weird Tales (Canada)"
8220:Ashley (1985b), p. 35.
7823:"Series: Not at Night"
7603:Weirdtalesmagazine.com
7158:Ashley (2000), p. 139.
6281:in Limbo (1984), p. 4.
6255:Ashley (2016), p. 110.
6228:Ashley (2007), p. 284.
6146:Ashley (2007), p. 283.
6020:Ashley (2000), p. 140.
5898:Bleiler (1990), p. 66.
5256:
5227:A Canadian edition of
4328:Summer 2019 – present
4155:
4016:, which later won the
3957:interested attendees.
3717:
3579:
3503:
3442:
3365:
3270:
3156:Invaders from the Dark
3133:
3034:
2992:Contents and reception
1299:
381:, launched in 1919 by
364:Western Story Magazine
331:
11155:Super Science Stories
9894:International Fantasy
9319:: The Unique Magazine
9233:The Weird Tales Story
9207:The Weird Tales Story
9181:The Weird Tales Story
9155:The Weird Tales Story
9129:The Weird Tales Story
8994:The Weird Tales Story
8811:; Cook, Fred (1985).
8748:Dziemianowicz, Stefan
8555:The Weird Tales Story
8547:Brennan, Joseph Payne
8285:Walker (1983), p. 55.
7781:"Series: Weird Tales"
7446:on September 11, 2015
7305:Knight (1977), p. 90.
6737:Ashley (2008), p. 27.
6710:Locke (2018), p. 173.
6644:Locke (2018), p. 112.
6101:www.yankeeclassic.com
6006:Jones (2008), p. 857.
5997:Locke (2018), p. 219.
5822:Locke (2018), p. 169.
5770:Locke (2018), p. 234.
5740:Ashley (2000), p. 42.
5687:Ashley (2008), p. 25.
5608:Ashley (2000), p. 41.
5572:Murray (2011), p. 26.
5254:
4146:
4139:Bibliographic details
4047:Stay Tuned for Terror
4008:returned with author
3944:Marvin Kaye and after
3715:
3605:rates were less than
3577:
3501:
3440:
3363:
3282:George Fielding Eliot
3261:
3131:
3082:The Rats in the Walls
3028:
2008:1970s and early 1980s
1321:North Michigan Avenue
1283:
329:
11078:Science-Fiction Plus
10938:Fantastic Adventures
10698:Supernatural fiction
9775:Fantastic Adventures
8860:. pp. 831–878.
8690:. pp. 454–456.
8688:Simon & Schuster
8649:Clute, John (1997).
8605:Magazines I Remember
8317:. pp. 454–456.
7973:"Title: Weird Tales"
7913:"Title: Weird Tales"
7470:www.worldfantasy.org
7440:Tallahassee Democrat
6882:Price (1999), p. 11.
6573:Locke (2018), p. 30.
6347:on February 20, 2016
6314:www.worldfantasy.org
6164:. Galactic Central.
4530:Not at Night Omnibus
3852:William Hope Hodgson
3826:Joseph Payne Brennan
3791:brought him back to
3247:' first sale was to
2959:Mary Robinette Kowal
2776:Francis Ford Coppola
2767:Tales from the Crypt
2731:Nashville, Tennessee
1232:Real Detective Tales
367:following in 1919.
11261:Wonder Story Annual
10847:Astonishing Stories
9999:Tolkien's influence
9712:Fantasy Masterworks
9665:Television programs
9473:Fairy tale parodies
8793:. pp. ix–xix.
8718:de Camp, L. Sprague
8706:de Camp, L. Sprague
8495:Bleiler, Everett F.
7394:on August 25, 2010.
6551:. August 14, 2019.
6464:on January 20, 2012
6204:sf-encyclopedia.com
5849:Cave (1994), p. 31.
5282:Thorpe & Porter
5215:Canadian issues of
4775:Barnes & Noble
4739:Barnes & Noble
4466:Switch on the Light
4276:Darrell Schweitzer
4268:Darrell Schweitzer
3661:regularly featured
3194:The Call of Cthulhu
3179:Conan the Barbarian
3167:Robert Spencer Carr
2735:World Fantasy Award
2418:The new version of
1308:Parkinson's disease
1296:Conan the Barbarian
1204:Otis Adelbert Kline
416:Publication history
396:The Magazine of Fun
219:Conan the Barbarian
211:The Call of Cthulhu
32:
10854:Astounding Stories
10221:Damsel in distress
9989:Mythopoeic Society
9590:Paranormal romance
9505:Historical fantasy
9490:Fantasy of manners
9444:Children's fantasy
9027:. pp. 49–58.
8986:Price, E. Hoffmann
8659:St. Martin's Press
7406:"2009 Hugo Awards"
6397:"Marvin Kaye buys
6373:on August 25, 2010
5802:Frank Belknap Long
5257:
4374:Starting in 1925,
4246:Darrell Schweitzer
4227:Forrest J Ackerman
4197:Dorothy McIlwraith
4156:
3718:
3651:Manly Wade Wellman
3580:
3570:Dorothy McIlwraith
3504:
3443:
3432:Fiorello LaGuardia
3378:Fungi from Yuggoth
3366:
3324:, Greye La Spina,
3271:
3245:Tennessee Williams
3139:Frank Belknap Long
3134:
3035:
2723:Darrell Schweitzer
2715:George H. Scithers
2371:In the mid-1950s,
1300:
1264:Frank Belknap Long
1230:had been retitled
1182:Henneberger chose
383:Street & Smith
332:
278:Dorothy McIlwraith
187:Clark Ashton Smith
28:
11291:
11290:
11247:The Witch's Tales
11127:Startling Stories
10756:
10755:
10630:
10629:
10555:Places and events
10017:
10016:
9847:
9846:
9568:Planetary romance
9479:Fairytale fantasy
9434:Alternate history
9422:Sword and sorcery
9413:Action-adventure
9073:Tymn, Marshall B.
9000:. pp. 7–15.
8935:978-1-935-03125-3
8884:Hippocampus Press
8867:978-0-575-08157-4
8832:The Shudder Pulps
8800:978-1-4422-5621-7
8697:978-1-59780-297-0
8624:Tymn, Marshall B.
8531:. New York: Tor.
8486:978-1-78138-260-8
8452:978-1-84631-003-4
8303:Tymn, Marshall B.
6411:on July 10, 2012.
5225:
5224:
4817:
4816:
4808:Jonathan Maberry
4793:Valancourt Books
4790:Melanie Anderson
4703:Nelson Doubleday
4666:Neville Spearman
4603:The Ghoul Keepers
4526:
4525:
4505:Keep on the Light
4427:More Not at Night
4380:Selwyn and Blount
4332:
4331:
4187:Farnsworth Wright
4149:The Shunned House
3901:During this time
3768:, Fred Humiston,
3675:Theodore Sturgeon
3397:J. Allen St. John
3385:Margaret Brundage
3218:Hyperborean cycle
3210:sword and sorcery
3202:E. Hoffmann Price
3124:Farnsworth Wright
2996:Henneberger gave
2917:
2916:
2708:
2707:
2401:The Ghoul-Keepers
2369:
2368:
1944:
1943:
1382:E. Hoffmann Price
1215:, by A.G. Birch.
1196:Farnsworth Wright
1180:
1179:
231:E. Hoffmann Price
209:, starting with "
195:Farnsworth Wright
155:
154:
89:J. C. Henneberger
11361:
11176:10 Story Fantasy
11043:Oriental Stories
10945:Fantastic Novels
10783:
10776:
10769:
10760:
10759:
10746:
10745:
10736:
10735:
10612:Enchanted forest
10256:Occult detective
10028:
10027:
9984:Lovecraft fandom
9949:
9948:
9653:highest-grossing
9627:
9626:
9614:West‎ern fantasy
9365:
9358:
9351:
9342:
9341:
9337:
9336:
9334:Official website
9310:Crypt of Cthulhu
9294:
9285:
9273:
9264:Williamson, Jack
9259:
9246:
9229:Weinberg, Robert
9225:Weinberg, Robert
9220:
9203:Weinberg, Robert
9199:Weinberg, Robert
9194:
9177:Weinberg, Robert
9173:Weinberg, Robert
9168:
9151:Weinberg, Robert
9147:Weinberg, Robert
9142:
9125:Weinberg, Robert
9121:Weinberg, Robert
9116:
9099:Weinberg, Robert
9094:
9069:Weinberg, Robert
9064:
9043:Weinberg, Robert
9038:
9017:Hall, Halbert W.
9011:
8990:Weinberg, Robert
8981:
8965:
8939:
8913:
8897:
8871:
8845:
8826:
8809:Jaffery, Sheldon
8804:
8781:
8743:
8727:
8713:
8701:
8676:
8645:
8618:
8596:
8583:Ballantine Books
8568:
8551:Weinberg, Robert
8542:
8520:
8504:
8490:
8468:
8456:
8444:
8430:
8418:
8404:
8378:
8340:
8328:
8286:
8283:
8277:
8274:
8265:
8264:
8262:
8260:
8249:Galactic Central
8241:
8235:
8232:
8221:
8218:
8212:
8209:
8198:
8197:
8195:
8193:
8179:
8173:
8172:
8170:
8168:
8149:
8143:
8142:
8140:
8138:
8119:
8113:
8112:
8110:
8108:
8089:
8083:
8082:
8080:
8078:
8059:
8053:
8052:
8050:
8048:
8029:
8023:
8022:
8020:
8018:
7999:
7993:
7992:
7990:
7988:
7969:
7963:
7962:
7960:
7958:
7939:
7933:
7932:
7930:
7928:
7909:
7903:
7902:
7900:
7898:
7879:
7873:
7872:
7870:
7868:
7849:
7843:
7842:
7840:
7838:
7819:
7813:
7810:
7801:
7800:
7798:
7796:
7777:
7762:
7759:
7753:
7750:
7744:
7741:
7735:
7732:
7726:
7723:
7717:
7714:
7708:
7705:
7699:
7685:
7679:
7665:
7659:
7645:
7639:
7625:
7619:
7618:
7616:
7614:
7605:. Archived from
7595:
7589:
7575:
7569:
7555:
7549:
7548:
7546:
7544:
7524:
7518:
7515:
7506:
7492:
7486:
7485:
7483:
7481:
7462:
7456:
7455:
7453:
7451:
7442:. Archived from
7431:
7422:
7421:
7419:
7417:
7402:
7396:
7395:
7390:. Archived from
7384:
7378:
7371:
7365:
7362:
7351:
7348:
7342:
7339:
7333:
7330:
7324:
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6994:
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6862:
6859:
6853:
6850:
6841:
6838:
6832:
6829:
6820:
6819:
6817:
6815:
6804:Galactic Central
6795:
6789:
6786:
6775:
6772:
6766:
6763:
6738:
6735:
6729:
6726:
6720:
6717:
6711:
6708:
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6699:
6693:
6690:
6684:
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6672:
6669:
6663:
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6624:
6621:
6612:
6609:
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6562:
6560:
6541:
6535:
6534:
6532:
6530:
6511:
6505:
6504:
6502:
6500:
6489:www.locusmag.com
6480:
6474:
6473:
6471:
6469:
6450:
6444:
6443:
6441:
6439:
6428:www.locusmag.com
6419:
6413:
6412:
6407:. Archived from
6392:
6383:
6382:
6380:
6378:
6363:
6357:
6356:
6354:
6352:
6343:. Archived from
6336:
6330:
6329:
6327:
6325:
6306:
6300:
6297:
6282:
6276:
6270:
6267:
6256:
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6112:
6093:
6080:
6073:
6067:
6064:
6058:
6055:
6049:
6048:, November 1949.
6042:
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6018:
6007:
6004:
5998:
5995:
5989:
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5969:
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5708:
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5650:
5629:
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5579:
5573:
5570:
5564:
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5539:
5530:
5527:
5518:
5515:
5504:
5501:
5492:
5485:
5470:
5461:
5455:
5448:
5442:
5435:
5429:
5426:
5420:
5417:
5411:
5400:
5394:
5390:
5384:
5371:
5365:
5362:
5356:
5353:
5347:
5325:
5273:were priced at 6
4824:
4823:
4736:John Betancourt
4561:
4560:
4479:At Dead of Night
4453:By Daylight Only
4393:
4392:
4324:Jonathan Maberry
4278:George Scithers
4165:
4164:
4162:was as follows:
4122:
4113:
4104:
4095:
4010:Jonathan Maberry
3960:In August 2012,
3907:Michael Moorcock
3892:Stephen H. Segal
3880:Steve Rasnic Tem
3822:Richard Matheson
3782:
3743:
3730:
3641:
3622:
3611:
3604:
3314:Jules de Grandin
3175:Robert E. Howard
3078:Vincent Starrett
2982:Jonathan Maberry
2947:Stephen H. Segal
2921:DNA Publications
2785:
2784:
2478:
2477:
2438:Forrest Ackerman
2012:
2011:
1396:
1395:
1345:Oriental Stories
1336:
1292:Robert E. Howard
1186:, the editor of
425:
424:
223:Jules de Grandin
215:Robert E. Howard
139:
136:
134:
115:
113:
108:
49:
40:
33:
27:
11369:
11368:
11364:
11363:
11362:
11360:
11359:
11358:
11294:
11293:
11292:
11287:
11266:
11211:Uncanny Stories
11190:The Thrill Book
11169:Tales of Wonder
11141:Strange Stories
11071:Science Fiction
10868:Captain Hazzard
10819:Amazing Stories
10799:
10790:Science fiction
10787:
10757:
10752:
10724:
10693:Science fiction
10626:
10549:
10439:
10346:Magical weapons
10277:
10241:Fairy godmother
10197:
10141:Talking animals
10013:
9938:
9864:British Fantasy
9843:
9815:
9796:Science Fantasy
9753:
9669:
9618:
9557:Science fantasy
9402:
9374:
9372:Fantasy fiction
9369:
9332:
9331:
9328:
9301:
9299:Further reading
9291:The Moon Terror
9288:
9282:
9262:
9249:
9243:
9223:
9217:
9197:
9191:
9171:
9165:
9145:
9139:
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9113:
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9041:
9035:
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8842:
8829:
8823:
8807:
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8784:
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8704:
8698:
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8621:
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8593:
8571:
8565:
8545:
8539:
8523:
8517:
8493:
8487:
8471:
8459:
8453:
8433:
8427:
8407:
8401:
8381:
8375:
8343:
8331:
8325:
8315:Greenwood Press
8297:
8294:
8289:
8284:
8280:
8275:
8268:
8258:
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8233:
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8000:
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7954:
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7906:
7896:
7894:
7881:
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7876:
7866:
7864:
7851:
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7836:
7834:
7821:
7820:
7816:
7811:
7804:
7794:
7792:
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7778:
7765:
7760:
7756:
7751:
7747:
7742:
7738:
7733:
7729:
7724:
7720:
7715:
7711:
7706:
7702:
7696:Wayback Machine
7686:
7682:
7676:Wayback Machine
7666:
7662:
7656:Wayback Machine
7646:
7642:
7636:Wayback Machine
7626:
7622:
7612:
7610:
7609:on July 3, 2014
7597:
7596:
7592:
7586:Wayback Machine
7576:
7572:
7566:Wayback Machine
7556:
7552:
7542:
7540:
7525:
7521:
7516:
7509:
7503:Wayback Machine
7493:
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7477:
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7105:
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7096:
7091:
7087:
7082:
7078:
7073:
7069:
7064:
7060:
7055:
7051:
7046:
7042:
7037:
7030:
7025:
7021:
7011:
7009:
6996:
6995:
6991:
6981:
6979:
6966:
6965:
6961:
6956:
6952:
6947:
6943:
6938:
6934:
6929:
6922:
6917:
6913:
6908:
6904:
6899:
6895:
6890:
6886:
6881:
6874:
6869:
6865:
6860:
6856:
6851:
6844:
6839:
6835:
6830:
6823:
6813:
6811:
6796:
6792:
6787:
6778:
6773:
6769:
6764:
6741:
6736:
6732:
6727:
6723:
6718:
6714:
6709:
6705:
6700:
6696:
6691:
6687:
6682:
6675:
6670:
6666:
6661:
6657:
6652:
6648:
6643:
6639:
6634:
6627:
6622:
6615:
6610:
6601:
6596:
6589:
6584:
6577:
6572:
6568:
6558:
6556:
6543:
6542:
6538:
6528:
6526:
6513:
6512:
6508:
6498:
6496:
6495:on May 29, 2016
6481:
6477:
6467:
6465:
6452:
6451:
6447:
6437:
6435:
6434:on May 13, 2016
6420:
6416:
6393:
6386:
6376:
6374:
6365:
6364:
6360:
6350:
6348:
6337:
6333:
6323:
6321:
6308:
6307:
6303:
6298:
6285:
6277:
6273:
6268:
6259:
6254:
6250:
6245:
6241:
6236:
6232:
6227:
6223:
6213:
6211:
6196:
6181:
6171:
6169:
6154:
6150:
6145:
6132:
6127:
6120:
6110:
6108:
6095:
6094:
6083:
6074:
6070:
6065:
6061:
6056:
6052:
6046:Writer's Digest
6043:
6039:
6032:Writer's Digest
6028:
6024:
6019:
6010:
6005:
6001:
5996:
5992:
5981:Writer's Digest
5977:
5976:
5972:
5967:
5946:
5941:
5937:
5932:
5911:
5906:
5902:
5897:
5893:
5888:
5884:
5879:
5866:
5857:
5853:
5848:
5844:
5839:
5835:
5830:
5826:
5821:
5817:
5812:
5808:
5799:
5795:
5790:
5786:
5781:
5774:
5769:
5762:
5757:
5753:
5748:
5744:
5739:
5735:
5730:
5723:
5718:
5714:
5709:
5700:
5695:
5691:
5686:
5682:
5677:
5656:
5651:
5632:
5627:
5612:
5607:
5598:
5593:
5589:
5580:
5576:
5571:
5567:
5557:
5555:
5548:SF Encyclopedia
5540:
5533:
5528:
5521:
5516:
5507:
5502:
5495:
5486:
5482:
5478:
5473:
5462:
5458:
5449:
5445:
5436:
5432:
5427:
5423:
5418:
5414:
5401:
5397:
5391:
5387:
5380:Amazing Stories
5372:
5368:
5363:
5359:
5354:
5350:
5326:
5322:
5318:
5290:
5220:
4822:
4640:Worlds of Weird
4518:Terror by Night
4372:
4255:John Betancourt
4250:George Scithers
4141:
4136:
4135:
4134:
4133:
4125:
4124:
4123:
4115:
4114:
4106:
4105:
4097:
4096:
4026:
3971:Save the Pearls
3946:
3888:
3872:Ramsey Campbell
3848:
3780:
3741:
3728:
3724:The quality of
3639:
3620:
3609:
3602:
3572:
3556:Amazing Stories
3513:Strange Stories
3456:Henry Whitehead
3370:Edgar Allan Poe
3351:Northwest Smith
3322:David H. Keller
3163:Arthur J. Burks
3147:Nictzin Dyalhis
3126:
3047:Francis Stevens
3029:First issue of
3023:
2994:
2756:In April 1995,
2476:
2457:Sheldon Jaffery
2409:Worlds of Weird
2010:
1939:
1937:
1935:
1933:
1394:
1374:Robert Weinberg
1366:Edmond Hamilton
1334:
1328:The Moon Terror
1278:
1256:H. P. Lovecraft
1228:Detective Tales
1220:Detective Tales
1213:The Moon Terror
1188:Detective Tales
1175:
1173:
423:
418:
406:Edgar Allan Poe
401:Detective Tales
378:The Thrill Book
324:
302:Robert Weinberg
257:Edmond Hamilton
252:Amazing Stories
243:science fiction
227:Nictzin Dyalhis
179:H. P. Lovecraft
162:is an American
131:
111:
109:
106:
105:March 1923
81:
55:
24:
17:
12:
11:
5:
11367:
11357:
11356:
11351:
11346:
11344:Pulp magazines
11341:
11336:
11331:
11326:
11321:
11316:
11311:
11306:
11289:
11288:
11286:
11285:
11280:
11274:
11272:
11268:
11267:
11265:
11264:
11257:
11254:Wonder Stories
11250:
11243:
11236:
11229:
11222:
11214:
11207:
11200:
11193:
11186:
11179:
11172:
11165:
11158:
11151:
11144:
11137:
11130:
11123:
11116:
11109:
11106:Secret Agent X
11102:
11095:
11088:
11081:
11074:
11067:
11064:Planet Stories
11060:
11053:
11046:
11039:
11032:
11025:
11018:
11011:
11004:
10997:
10994:Jungle Stories
10990:
10983:
10976:
10969:
10962:
10955:
10948:
10941:
10934:
10927:
10920:
10913:
10906:
10899:
10892:
10889:Cosmic Stories
10885:
10878:
10871:
10864:
10861:Captain Future
10857:
10850:
10843:
10836:
10829:
10822:
10815:
10807:
10805:
10801:
10800:
10797:pulp magazines
10786:
10785:
10778:
10771:
10763:
10754:
10753:
10751:
10750:
10740:
10729:
10726:
10725:
10723:
10722:
10717:
10716:
10715:
10705:
10700:
10695:
10690:
10685:
10680:
10675:
10673:Horror fiction
10670:
10668:Gothic fiction
10665:
10659:
10654:
10649:
10644:
10638:
10636:
10632:
10631:
10628:
10627:
10625:
10624:
10619:
10617:Thieves' guild
10614:
10609:
10604:
10603:
10602:
10592:
10587:
10582:
10577:
10576:
10575:
10565:
10559:
10557:
10551:
10550:
10548:
10547:
10542:
10537:
10532:
10527:
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10510:
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10470:
10465:
10460:
10455:
10449:
10447:
10441:
10440:
10438:
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10436:
10435:
10430:
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10420:
10415:
10410:
10405:
10400:
10395:
10390:
10385:
10380:
10375:
10367:
10366:
10365:
10360:
10355:
10354:
10353:
10343:
10338:
10328:
10327:
10326:
10321:
10316:
10311:
10298:
10287:
10285:
10279:
10278:
10276:
10275:
10270:
10265:
10264:
10263:
10253:
10248:
10243:
10238:
10233:
10228:
10223:
10218:
10213:
10207:
10205:
10199:
10198:
10196:
10195:
10190:
10185:
10184:
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10178:
10173:
10168:
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10153:
10143:
10138:
10133:
10128:
10127:
10126:
10121:
10111:
10106:
10101:
10096:
10091:
10090:
10089:
10084:
10074:
10069:
10064:
10059:
10058:
10057:
10052:
10042:
10036:
10034:
10025:
10019:
10018:
10015:
10014:
10012:
10011:
10006:
10001:
9996:
9994:Tolkien fandom
9991:
9986:
9981:
9976:
9968:
9963:
9958:
9952:
9946:
9940:
9939:
9937:
9936:
9931:
9926:
9921:
9916:
9911:
9906:
9901:
9896:
9891:
9886:
9881:
9876:
9871:
9866:
9861:
9855:
9853:
9849:
9848:
9845:
9844:
9842:
9841:
9836:
9831:
9823:
9821:
9817:
9816:
9814:
9813:
9806:
9799:
9792:
9785:
9778:
9771:
9763:
9761:
9755:
9754:
9752:
9751:
9746:
9741:
9740:
9739:
9734:
9729:
9722:List of novels
9719:
9714:
9709:
9702:
9701:
9700:
9690:
9685:
9679:
9677:
9671:
9670:
9668:
9667:
9662:
9661:
9660:
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9326:External links
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9270:Wonder's Child
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8505:. Kent, Ohio:
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7412:on May 7, 2011
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4585:The Unexpected
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3774:Lee Brown Coye
3770:Vincent Napoli
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3452:G.G. Pendarves
3347:Jirel of Joiry
3206:Donald Wandrei
3198:Cthulhu Mythos
3171:H. Warner Munn
3143:Greye La Spina
3125:
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3101:C. M. Eddy Jr.
3097:The Loved Dead
3043:Anthony M. Rud
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2397:The Unexpected
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1317:North Broadway
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239:H. Warner Munn
203:Cthulhu mythos
168:horror fiction
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72:Horror fiction
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11354:Weird fiction
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11218:Uncanny Tales
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11149:
11148:Strange Tales
11145:
11143:
11142:
11138:
11136:
11135:
11131:
11129:
11128:
11124:
11122:
11121:
11117:
11115:
11114:
11113:Space Stories
11110:
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11026:
11024:
11023:
11019:
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11012:
11010:
11009:
11005:
11003:
11002:
10998:
10996:
10995:
10991:
10989:
10988:
10987:Ghost Stories
10984:
10982:
10981:
10977:
10975:
10974:
10970:
10968:
10967:
10963:
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10960:
10956:
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10898:
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10877:
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10870:
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10865:
10863:
10862:
10858:
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10851:
10849:
10848:
10844:
10842:
10841:
10837:
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10827:
10823:
10821:
10820:
10816:
10814:
10813:
10809:
10808:
10806:
10802:
10798:
10795:
10791:
10784:
10779:
10777:
10772:
10770:
10765:
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10761:
10749:
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10731:
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10727:
10721:
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10714:
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10709:
10706:
10704:
10701:
10699:
10696:
10694:
10691:
10689:
10686:
10684:
10681:
10679:
10676:
10674:
10671:
10669:
10666:
10663:
10662:Ghost stories
10660:
10658:
10655:
10653:
10650:
10648:
10645:
10643:
10640:
10639:
10637:
10633:
10623:
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10608:
10605:
10601:
10598:
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10578:
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10561:
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10474:
10471:
10469:
10466:
10464:
10461:
10459:
10456:
10454:
10451:
10450:
10448:
10446:
10445:Fantasy races
10442:
10434:
10431:
10429:
10426:
10424:
10421:
10419:
10418:Shapeshifting
10416:
10414:
10411:
10409:
10406:
10404:
10401:
10399:
10396:
10394:
10391:
10389:
10386:
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10332:
10329:
10325:
10322:
10320:
10317:
10315:
10312:
10310:
10306:
10302:
10299:
10297:
10294:
10293:
10292:
10291:Hard and soft
10289:
10288:
10286:
10284:
10280:
10274:
10271:
10269:
10266:
10262:
10259:
10258:
10257:
10254:
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10232:
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10219:
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10214:
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10209:
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10139:
10137:
10134:
10132:
10129:
10125:
10122:
10120:
10117:
10116:
10115:
10114:Shapeshifters
10112:
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10107:
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10102:
10100:
10097:
10095:
10092:
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10000:
9997:
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9977:
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9969:
9967:
9964:
9962:
9959:
9957:
9954:
9953:
9950:
9947:
9945:
9941:
9935:
9934:World Fantasy
9932:
9930:
9929:Tähtifantasia
9927:
9925:
9922:
9920:
9917:
9915:
9912:
9910:
9907:
9905:
9902:
9900:
9899:Japan Fantasy
9897:
9895:
9892:
9890:
9887:
9885:
9882:
9880:
9877:
9875:
9872:
9870:
9867:
9865:
9862:
9860:
9857:
9856:
9854:
9850:
9840:
9837:
9835:
9832:
9830:
9829:
9825:
9824:
9822:
9818:
9812:
9811:
9807:
9805:
9804:
9800:
9798:
9797:
9793:
9791:
9790:
9786:
9784:
9783:
9779:
9777:
9776:
9772:
9770:
9769:
9765:
9764:
9762:
9760:
9756:
9750:
9747:
9745:
9742:
9738:
9735:
9733:
9730:
9728:
9725:
9724:
9723:
9720:
9718:
9715:
9713:
9710:
9708:
9707:
9703:
9699:
9696:
9695:
9694:
9691:
9689:
9686:
9684:
9681:
9680:
9678:
9676:
9672:
9666:
9663:
9659:
9656:
9654:
9651:
9650:
9649:
9646:
9644:
9641:
9640:
9638:
9636:
9632:
9628:
9625:
9621:
9615:
9612:
9608:
9605:
9603:
9600:
9599:
9598:
9597:Weird fiction
9595:
9591:
9588:
9586:
9583:
9582:
9581:
9580:Urban fantasy
9578:
9576:
9573:
9569:
9566:
9564:
9561:
9560:
9558:
9555:
9553:
9550:
9548:
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9533:
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9528:
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9516:
9513:
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9508:
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9503:
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9491:
9488:
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9480:
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9474:
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9467:
9464:
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9462:
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9450:
9447:
9445:
9442:
9440:
9437:
9435:
9432:
9428:
9425:
9423:
9420:
9418:
9415:
9414:
9412:
9411:
9409:
9405:
9399:
9396:
9394:
9391:
9389:
9386:
9384:
9381:
9380:
9377:
9373:
9366:
9361:
9359:
9354:
9352:
9347:
9346:
9343:
9335:
9330:
9329:
9320:
9318:
9314:
9311:
9307:
9303:
9302:
9292:
9287:
9283:
9281:9780312944544
9277:
9272:
9271:
9265:
9261:
9257:
9253:
9248:
9244:
9242:1-58715-101-4
9238:
9234:
9230:
9226:
9222:
9218:
9216:1-58715-101-4
9212:
9208:
9204:
9200:
9196:
9192:
9190:1-58715-101-4
9186:
9182:
9178:
9174:
9170:
9166:
9164:1-58715-101-4
9160:
9156:
9152:
9148:
9144:
9140:
9138:1-58715-101-4
9134:
9130:
9126:
9122:
9118:
9114:
9112:0-313-24349-2
9108:
9104:
9100:
9096:
9092:
9090:0-313-21221-X
9086:
9082:
9078:
9074:
9070:
9066:
9062:
9060:0-89356-455-9
9056:
9052:
9048:
9047:Magill, Frank
9044:
9040:
9036:
9034:0-917724-49-6
9030:
9026:
9025:Haworth Press
9022:
9018:
9013:
9009:
9007:1-58715-101-4
9003:
8999:
8995:
8991:
8987:
8983:
8979:
8975:
8972:(2011). "The
8971:
8967:
8963:
8961:0-684-14774-2
8957:
8953:
8949:
8945:
8941:
8937:
8931:
8927:
8923:
8919:
8915:
8911:
8907:
8906:The Futurians
8903:
8902:Knight, Damon
8899:
8895:
8893:0-9748789-1-X
8889:
8885:
8881:
8877:
8873:
8869:
8863:
8859:
8855:
8851:
8847:
8843:
8841:0-913960-04-7
8837:
8833:
8828:
8824:
8822:0-87972-284-3
8818:
8814:
8810:
8806:
8802:
8796:
8792:
8788:
8783:
8779:
8777:0-312-15897-1
8773:
8769:
8765:
8761:
8757:
8753:
8749:
8745:
8741:
8739:0-385-00578-4
8735:
8731:
8726:
8725:
8719:
8715:
8711:
8707:
8703:
8699:
8693:
8689:
8685:
8684:
8678:
8674:
8672:0-312-15897-1
8668:
8664:
8660:
8656:
8652:
8647:
8643:
8641:0-313-21221-X
8637:
8633:
8629:
8625:
8620:
8616:
8614:1-884449-04-2
8610:
8606:
8602:
8601:Cave, Hugh B.
8598:
8594:
8592:0-345-25295-0
8588:
8584:
8580:
8579:
8574:
8570:
8566:
8564:1-58715-101-4
8560:
8556:
8552:
8548:
8544:
8540:
8538:0-312-85373-4
8534:
8530:
8526:
8525:Bloch, Robert
8522:
8518:
8516:0-87338-416-4
8512:
8508:
8503:
8502:
8496:
8492:
8488:
8482:
8478:
8474:
8470:
8467:(293): 24–37.
8466:
8462:
8458:
8454:
8448:
8443:
8442:
8436:
8432:
8428:
8426:0-85323-779-4
8422:
8417:
8416:
8410:
8406:
8402:
8400:0-85323-865-0
8396:
8392:
8389:. Liverpool:
8388:
8384:
8380:
8376:
8374:0-312-15897-1
8370:
8366:
8362:
8358:
8354:
8350:
8349:"Weird Tales"
8346:
8342:
8338:
8334:
8330:
8326:
8324:0-313-21221-X
8320:
8316:
8312:
8308:
8304:
8300:
8296:
8295:
8282:
8273:
8271:
8254:
8250:
8246:
8240:
8231:
8229:
8227:
8217:
8208:
8206:
8204:
8188:
8187:www.isfdb.org
8184:
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8162:
8158:
8157:www.isfdb.org
8154:
8148:
8132:
8128:
8127:www.isfdb.org
8124:
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8102:
8098:
8097:www.isfdb.org
8094:
8088:
8072:
8068:
8067:www.isfdb.org
8064:
8058:
8042:
8038:
8037:www.isfdb.org
8034:
8028:
8012:
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8007:www.isfdb.org
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7998:
7982:
7978:
7977:www.isfdb.org
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7968:
7952:
7948:
7947:www.isfdb.org
7944:
7938:
7922:
7918:
7917:www.isfdb.org
7914:
7908:
7892:
7888:
7887:www.isfdb.org
7884:
7878:
7862:
7858:
7857:www.isfdb.org
7854:
7848:
7832:
7828:
7827:www.isfdb.org
7824:
7818:
7809:
7807:
7790:
7786:
7785:www.isfdb.org
7782:
7776:
7774:
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7768:
7758:
7749:
7740:
7731:
7722:
7713:
7704:
7697:
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7690:
7684:
7677:
7673:
7670:
7664:
7657:
7653:
7650:
7644:
7637:
7633:
7630:
7624:
7613:September 16,
7608:
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7583:
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7563:
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7554:
7538:
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7467:
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7212:
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7089:
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7071:
7062:
7053:
7044:
7035:
7033:
7023:
7007:
7003:
7002:www.isfdb.org
6999:
6993:
6977:
6973:
6972:www.isfdb.org
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6888:
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6608:
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6594:
6592:
6582:
6580:
6570:
6554:
6550:
6546:
6540:
6524:
6520:
6519:www.isfdb.org
6516:
6510:
6494:
6490:
6486:
6479:
6468:September 16,
6463:
6459:
6455:
6449:
6433:
6429:
6425:
6418:
6410:
6406:
6402:
6400:
6391:
6389:
6377:September 16,
6372:
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6342:
6335:
6319:
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6311:
6305:
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6280:
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6098:
6092:
6090:
6088:
6086:
6078:
6072:
6063:
6054:
6047:
6041:
6035:, April 1945.
6034:
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6026:
6017:
6015:
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6003:
5994:
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5490:
5484:
5480:
5468:
5467:
5460:
5453:
5447:
5440:
5434:
5425:
5416:
5409:
5408:Short Stories
5405:
5404:Short Stories
5399:
5389:
5382:
5381:
5376:
5370:
5361:
5352:
5345:
5344:
5339:
5335:
5331:
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5320:
5313:
5311:
5305:
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5299:
5294:
5285:
5283:
5278:
5276:
5271:
5266:
5263:
5253:
5249:
5247:
5246:Short Stories
5243:
5239:
5233:
5230:
5218:
5213:
5210:
5207:
5205:
5202:
5200:
5197:
5195:
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5137:
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5117:
5115:
5112:
5109:
5108:
5105:
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5100:
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4547:
4543:
4542:Not at Night!
4539:
4535:
4531:
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4513:
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4508:
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4500:
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4417:
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4412:
4409:
4408:
4405:
4402:Stories from
4401:
4398:
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4391:
4389:
4385:
4381:
4377:
4367:
4364:
4359:
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4317:
4315:
4312:
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4308:
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4302:
4299:
4298:
4295:
4291:
4289:
4288:Stephen Segal
4286:
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4281:
4279:
4275:
4274:
4270:
4267:
4266:
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4259:
4257:
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4236:
4235:
4231:
4228:
4225:
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4218:
4215:
4214:
4210:
4208:
4207:Sam Moskowitz
4205:
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4021:
4019:
4015:
4011:
4007:
4002:
4000:
3995:
3993:
3988:
3985:
3981:
3980:N. K. Jemisin
3977:
3973:
3972:
3967:
3966:Victoria Foyt
3963:
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3955:
3951:
3941:
3939:
3934:
3932:
3928:
3924:
3920:
3916:
3912:
3911:N. K. Jemisin
3908:
3904:
3899:
3897:
3893:
3883:
3881:
3877:
3873:
3869:
3868:
3863:
3862:
3861:The Black Cat
3857:
3853:
3843:
3841:
3837:
3836:
3831:
3827:
3823:
3818:
3816:
3815:
3810:
3805:
3800:
3798:
3794:
3790:
3789:Short Stories
3786:
3779:
3775:
3771:
3767:
3761:
3759:
3755:
3751:
3747:
3740:
3735:
3727:
3722:
3714:
3710:
3708:
3704:
3700:
3695:
3692:
3688:
3687:Bran Mak Morn
3684:
3680:
3676:
3672:
3668:
3664:
3663:Fredric Brown
3660:
3656:
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3632:
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3626:
3619:
3615:
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3522:
3521:
3515:
3514:
3510:' readers.
3509:
3500:
3496:
3494:
3490:
3486:
3482:
3478:
3477:
3476:Ghost Stories
3472:
3471:
3466:
3465:
3464:Strange Tales
3459:
3457:
3453:
3449:
3439:
3435:
3433:
3427:
3425:
3421:
3416:
3412:
3411:Virgil Finlay
3408:
3406:
3402:
3398:
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3390:
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3130:
3121:
3119:
3113:
3110:
3106:
3102:
3098:
3093:
3091:
3087:
3086:Harry Houdini
3083:
3079:
3075:
3070:
3068:
3067:Seabury Quinn
3064:
3060:
3056:
3050:
3048:
3044:
3040:
3032:
3027:
3018:
3016:
3012:
3008:
3007:Emerson Hough
3004:
2999:
2989:
2987:
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2398:
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2390:
2389:Sam Moskowitz
2386:
2382:
2381:Short Stories
2378:
2374:
2373:Leo Margulies
2364:
2360:
2355:
2351:
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2035:
2033:
2030:
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2022:
2019:
2016:
2014:
2013:
2005:
2003:
1999:
1998:Short Stories
1995:
1991:
1987:
1982:
1979:
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1974:Short Stories
1971:
1967:
1966:Short Stories
1963:
1958:
1955:
1951:
1950:
1949:Short Stories
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1237:
1236:College Humor
1233:
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397:
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391:College Humor
386:
384:
380:
379:
374:
370:
369:Weird fiction
366:
365:
360:
358:
353:
352:
347:
346:pulp magazine
342:
341:
337:
328:
319:
317:
313:
312:
307:
303:
298:
296:
291:
287:
283:
279:
275:
274:
273:Short Stories
268:
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258:
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240:
236:
232:
228:
224:
220:
216:
212:
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192:
188:
184:
183:Seabury Quinn
180:
176:
172:
171:pulp magazine
169:
165:
161:
160:
151:
148:
146:
142:
138:
130:
126:
123:United States
122:
118:
104:
100:
96:
92:
88:
84:
78:
77:Weird fiction
75:
73:
70:
68:
65:
64:
62:
58:
54:
48:
43:
39:
34:
31:
26:
22:
11259:
11252:
11245:
11239:
11238:
11231:
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11217:
11209:
11202:
11195:
11188:
11181:
11174:
11167:
11160:
11153:
11146:
11139:
11132:
11125:
11118:
11111:
11104:
11099:The Scorpion
11097:
11090:
11083:
11076:
11069:
11062:
11055:
11050:Other Worlds
11048:
11041:
11034:
11027:
11020:
11013:
11006:
10999:
10992:
10985:
10978:
10971:
10964:
10957:
10950:
10943:
10936:
10929:
10922:
10915:
10908:
10903:Doctor Death
10901:
10894:
10887:
10880:
10875:Captain Zero
10873:
10866:
10859:
10852:
10845:
10838:
10831:
10824:
10817:
10810:
10720:Urban legend
10622:Magic school
10595:Astral plane
10590:Hollow Earth
10283:Magic system
10236:Dragonslayer
10131:Skin-walkers
9979:The Inklings
9972:Harry Potter
9971:
9826:
9809:
9808:
9801:
9794:
9787:
9780:
9773:
9766:
9704:
9525:Magical girl
9500:High fantasy
9495:Hard fantasy
9461:Dark fantasy
9439:Contemporary
9321:pulpmags.org
9316:
9309:
9305:
9290:
9269:
9255:
9251:
9232:
9206:
9180:
9154:
9128:
9102:
9080:
9077:Ashley, Mike
9050:
9023:. New York:
9020:
8993:
8977:
8973:
8970:Murray, Will
8950:. New York:
8947:
8921:
8908:. New York:
8905:
8882:. New York:
8879:
8876:Joshi, S. T.
8853:
8831:
8812:
8789:. New York:
8786:
8763:
8728:. New York:
8723:
8709:
8682:
8657:. New York:
8654:
8631:
8628:Ashley, Mike
8604:
8581:. New York:
8576:
8554:
8528:
8500:
8476:
8473:Ashley, Mike
8464:
8461:Ashley, Mike
8440:
8435:Ashley, Mike
8414:
8409:Ashley, Mike
8386:
8383:Ashley, Mike
8360:
8345:Ashley, Mike
8336:
8333:Ashley, Mike
8310:
8307:Ashley, Mike
8299:Ashley, Mike
8281:
8259:November 22,
8257:. Retrieved
8248:
8239:
8216:
8190:. Retrieved
8186:
8177:
8165:. Retrieved
8156:
8147:
8135:. Retrieved
8126:
8117:
8105:. Retrieved
8096:
8087:
8075:. Retrieved
8066:
8057:
8045:. Retrieved
8036:
8027:
8015:. Retrieved
8006:
7997:
7985:. Retrieved
7976:
7967:
7955:. Retrieved
7946:
7937:
7925:. Retrieved
7916:
7907:
7895:. Retrieved
7886:
7877:
7865:. Retrieved
7856:
7847:
7835:. Retrieved
7826:
7817:
7793:. Retrieved
7784:
7757:
7748:
7739:
7730:
7721:
7712:
7703:
7683:
7663:
7643:
7623:
7611:. Retrieved
7607:the original
7602:
7593:
7573:
7553:
7541:. Retrieved
7533:The Guardian
7532:
7522:
7490:
7478:. Retrieved
7469:
7460:
7450:September 9,
7448:. Retrieved
7444:the original
7439:
7414:. Retrieved
7410:the original
7400:
7392:the original
7382:
7374:
7369:
7346:
7337:
7328:
7319:
7310:
7301:
7280:
7271:
7262:
7253:
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7154:
7145:
7136:
7097:
7088:
7079:
7070:
7061:
7052:
7043:
7022:
7010:. Retrieved
7001:
6992:
6980:. Retrieved
6971:
6962:
6953:
6944:
6935:
6914:
6905:
6896:
6887:
6866:
6857:
6836:
6812:. Retrieved
6803:
6793:
6770:
6733:
6724:
6715:
6706:
6697:
6688:
6667:
6658:
6649:
6640:
6569:
6557:. Retrieved
6548:
6539:
6527:. Retrieved
6518:
6509:
6497:. Retrieved
6493:the original
6488:
6478:
6466:. Retrieved
6462:the original
6457:
6448:
6436:. Retrieved
6432:the original
6427:
6417:
6409:the original
6404:
6398:
6375:. Retrieved
6371:the original
6361:
6349:. Retrieved
6345:the original
6334:
6322:. Retrieved
6313:
6304:
6278:
6274:
6251:
6242:
6233:
6224:
6212:. Retrieved
6203:
6170:. Retrieved
6161:
6151:
6109:. Retrieved
6100:
6076:
6071:
6062:
6053:
6045:
6040:
6030:
6025:
6002:
5993:
5985:
5979:
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5938:
5903:
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5827:
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5809:
5796:
5787:
5754:
5745:
5736:
5715:
5692:
5683:
5590:
5582:
5577:
5568:
5558:December 17,
5556:. Retrieved
5550:. Gollancz.
5547:
5488:
5483:
5464:
5459:
5451:
5446:
5438:
5433:
5424:
5415:
5407:
5403:
5398:
5388:
5378:
5374:
5369:
5360:
5351:
5341:
5337:
5333:
5329:
5323:
5309:
5306:
5297:
5292:
5291:
5279:
5269:
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5261:
5258:
5245:
5241:
5237:
5234:
5228:
5226:
5216:
4803:
4785:
4767:
4757:Bleak House
4749:
4731:
4713:
4700:Marvin Kaye
4695:
4682:Mike Ashley
4677:
4658:
4639:
4620:
4602:
4584:
4555:
4553:
4550:Weird Tales.
4549:
4541:
4537:
4534:Not at Night
4533:
4529:
4527:
4517:
4504:
4491:
4478:
4465:
4452:
4439:
4426:
4414:Not at Night
4413:
4403:
4387:
4384:Not at Night
4383:
4373:
4362:
4360:
4354:
4351:
4341:
4340:
4336:
4333:
4306:
4294:Spring 2010
4293:
4277:
4261:
4253:
4248:
4240:Winter 1985
4237:Gordon Garb
4229:/Gil Lamont
4159:
4157:
4152:
4129:
4081:
4076:
4072:
4067:
4064:
4059:
4055:
4051:
4045:
4040:
4036:
4032:
4028:
4027:
4005:
4003:
3998:
3996:
3991:
3989:
3984:Jim C. Hines
3976:stereotyping
3969:
3961:
3959:
3953:
3947:
3937:
3935:
3902:
3900:
3889:
3865:
3859:
3855:
3849:
3839:
3833:
3829:
3819:
3812:
3803:
3801:
3796:
3792:
3788:
3784:
3777:
3762:
3757:
3753:
3750:Damon Knight
3745:
3738:
3734:Boris Dolgov
3725:
3723:
3719:
3707:Arkham House
3702:
3698:
3697:In May 1951
3696:
3690:
3683:Solomon Kane
3671:Fritz Leiber
3658:
3655:Ray Bradbury
3647:Weird Tales'
3646:
3644:
3635:
3633:
3628:
3624:
3617:
3613:
3606:
3599:
3595:
3591:
3587:
3583:
3581:
3563:
3559:
3555:
3550:
3549:
3544:
3540:
3536:
3532:
3525:Fritz Leiber
3518:
3511:
3507:
3505:
3492:
3488:
3485:weird menace
3480:
3474:
3468:
3462:
3460:
3458:, had died.
3448:Weird Tales'
3447:
3444:
3428:
3420:The Princess
3414:
3409:
3404:
3392:
3388:
3382:
3367:
3354:
3341:
3337:
3326:Hugh B. Cave
3309:
3307:
3302:
3296:
3289:In the Vault
3286:
3278:Ku Klux Klan
3273:
3272:
3267:
3263:
3248:
3241:J. Schlossel
3231:
3225:
3222:Robert Bloch
3214:high fantasy
3191:
3186:
3182:
3161:
3154:
3150:
3135:
3117:
3114:
3108:
3094:
3073:
3071:
3058:
3051:
3038:
3036:
3030:
3014:
2997:
2995:
2985:
2980:with author
2977:
2973:
2971:
2965:
2963:
2942:
2939:
2934:
2929:
2924:
2918:
2909:
2780:Oliver Stone
2765:
2761:
2755:
2750:
2746:
2742:
2737:
2710:
2709:
2700:
2540:
2465:
2461:Roy Torgeson
2454:
2435:
2424:
2419:
2417:
2412:
2408:
2404:
2400:
2396:
2392:
2384:
2380:
2376:
2370:
2362:
2358:
2001:
1997:
1993:
1985:
1983:
1977:
1973:
1965:
1961:
1959:
1953:
1947:
1945:
1929:
1385:
1377:
1369:
1361:
1354:
1349:
1343:
1339:
1331:
1327:
1325:
1312:Robert Bloch
1303:
1301:
1285:
1268:
1259:
1253:
1247:
1243:
1239:
1235:
1231:
1227:
1223:
1219:
1217:
1212:
1200:first reader
1191:
1187:
1181:
1169:
409:
399:
395:
389:
387:
376:
362:
355:
349:
338:
333:
315:
309:
299:
294:
289:
282:Ray Bradbury
271:
269:
265:space operas
260:
250:
246:
235:Robert Bloch
206:
201:Lovecraft's
200:
190:
158:
157:
156:
29:
25:
11304:Weird Tales
11240:Weird Tales
11036:Operator #5
11029:The Octopus
10812:Ace Mystery
10647:Epic poetry
10508:Leprechauns
10423:Thaumaturgy
10398:Incantation
10351:Magic sword
9909:Méliès d'Or
9810:Weird Tales
9563:Dying Earth
9542:Mythopoeia‎
9520:Low fantasy
9485:Fantastique
9317:Weird Tales
9254:in Limbo".
9252:Weird Tales
8974:Thrill Book
8918:Locke, John
8760:Grant, John
8756:Clute, John
8661:. pp.
8573:Carter, Lin
8357:Grant, John
8353:Clute, John
8339:(6): 31–35.
7629:Weird Tales
6399:Weird Tales
6279:Weird Tales
5452:Weird Tales
5439:Weird Tales
5375:Weird Tales
5338:Weird Tales
5334:Weird Tales
5310:Weird Tales
5298:Weird Tales
5293:Weird Tales
5270:Weird Tales
5262:Weird Tales
5242:Weird Tales
5238:Weird Tales
5229:Weird Tales
5217:Weird Tales
4659:Weird Tales
4621:Weird Tales
4556:Weird Tales
4546:Macy-Macius
4538:Weird Tales
4404:Weird Tales
4388:Weird Tales
4370:Anthologies
4363:Weird Tales
4355:Weird Tales
4342:Weird Tales
4314:Marvin Kaye
4177:Edwin Baird
4160:Weird Tales
4153:Weird Tales
4130:Weird Tales
4082:Weird Tales
4077:Weird Tales
4073:Weird Tales
4068:Weird Tales
4060:Weird Tales
4056:Weird Tales
4052:Weird Tales
4041:Weird Tales
4037:Weird Tales
4029:Weird Tales
4006:Weird Tales
3999:Weird Tales
3992:Weird Tales
3962:Weird Tales
3954:Weird Tales
3950:Marvin Kaye
3938:Weird Tales
3931:semiprozine
3903:Weird Tales
3856:Weird Tales
3840:Weird Tales
3830:Weird Tales
3809:Hugh Hefner
3804:Weird Tales
3797:Weird Tales
3793:Weird Tales
3785:Weird Tales
3778:Weird Tales
3766:John Giunta
3758:Weird Tales
3754:Weird Tales
3746:Weird Tales
3739:Weird Tales
3726:Weird Tales
3703:Weird Tales
3699:Weird Tales
3691:Weird Tales
3659:Weird Tales
3636:Weird Tales
3625:Weird Tales
3618:Weird Tales
3614:Weird Tales
3600:Weird Tales
3592:Weird Tales
3584:Weird Tales
3564:Weird Tales
3560:Weird Tales
3551:Weird Tales
3545:Weird Tales
3541:Weird Tales
3537:Weird Tales
3508:Weird Tales
3493:Weird Tales
3489:Weird Tales
3481:Weird Tales
3424:Curtis Senf
3415:Weird Tales
3405:Weird Tales
3393:Weird Tales
3389:Weird Tales
3355:Weird Tales
3342:Weird Tales
3338:Weird Tales
3332:'s story "
3310:Weird Tales
3303:Weird Tales
3274:Weird Tales
3264:Weird Tales
3249:Weird Tales
3237:space opera
3232:Weird Tales
3187:Weird Tales
3183:Weird Tales
3151:Weird Tales
3109:Weird Tales
3105:necrophilia
3074:Weird Tales
3059:Weird Tales
3039:Weird Tales
3031:Weird Tales
3021:Edwin Baird
3015:Weird Tales
2998:Weird Tales
2986:Weird Tales
2978:Weird Tales
2974:Weird Tales
2966:Weird Tales
2955:Quirk Books
2943:Weird Tales
2935:Weird Tales
2930:Weird Tales
2925:Weird Tales
2910:Weird Tales
2762:Weird Tales
2751:Weird Tales
2743:Weird Tales
2738:Weird Tales
2711:Weird Tales
2701:Weird Tales
2446:Zebra Books
2431:Mike Ashley
2420:Weird Tales
2413:Weird Tales
2405:Weird Tales
2393:Weird Tales
2385:Weird Tales
2377:Weird Tales
2359:Weird Tales
2002:Weird Tales
1994:Weird Tales
1986:Weird Tales
1978:Weird Tales
1962:Weird Tales
1930:Weird Tales
1386:Weird Tales
1378:Weird Tales
1370:Weird Tales
1362:Weird Tales
1350:Weird Tales
1340:Weird Tales
1332:Weird Tales
1304:Weird Tales
1269:Weird Tales
1260:Weird Tales
1248:Weird Tales
1244:Weird Tales
1240:Weird Tales
1224:Weird Tales
1192:Weird Tales
1184:Edwin Baird
1170:Weird Tales
410:Weird Tales
316:Weird Tales
306:Mike Ashley
290:Weird Tales
267:elsewhere.
261:Weird Tales
247:Weird Tales
207:Weird Tales
191:Weird Tales
175:Edwin Baird
159:Weird Tales
135:.weirdtales
102:First issue
30:Weird Tales
11298:Categories
11220:(Canadian)
11120:The Spider
11022:New Worlds
11008:Mind Magic
10896:Doc Savage
10708:Tokusatsu‎
10657:Fairy tale
10600:Dreamworld
10498:Hobgoblins
10433:Witchcraft
10403:Necromancy
10383:Divination
10378:Demonology
10341:Magic ring
10331:Magic item
10314:Ceremonial
10203:Characters
10124:Werewolves
10062:Elementals
9966:Filk music
9914:Mythopoeic
9749:Publishers
9675:Literature
9635:television
9607:Weird West
9547:Omegaverse
9417:Lost world
9388:Literature
8978:Pulp Vault
8856:. London:
7480:August 15,
7416:August 15,
6559:August 18,
6499:August 22,
6351:August 28,
5476:References
4573:Publisher
4492:Grim Death
4232:Fall 1984
4217:Lin Carter
3927:Hugo Award
3876:Tanith Lee
3401:Hannes Bok
3330:C.L. Moore
3318:Paul Ernst
3308:Quinn was
3063:Frank Owen
2908:Issues of
2772:Tim Burton
2699:Issues of
2442:Lin Carter
2357:Issues of
2068:1 & 2
1928:Issues of
1357:Depression
1209:large pulp
1190:, to edit
1168:Issues of
322:Background
286:Hannes Bok
255:in 1926.
60:Categories
53:Hannes Bok
10804:Magazines
10703:Superhero
10688:Mythology
10585:Lost city
10493:Halflings
10413:Shamanism
10408:Runecraft
10393:Evocation
10251:Magicians
10226:Dark lord
10211:Barbarian
10171:Skeletons
10094:Gargoyles
10072:Familiars
10032:Creatures
9768:Fantastic
9759:Magazines
9602:New weird
9407:Subgenres
9101:(1985b).
8750:(1997) .
8575:(1976) .
8365:1000–1003
8347:(1997) .
8192:March 12,
8077:March 12,
4457:15 of 20
4444:14 of 15
4382:, titled
3919:Cat Rambo
3867:Blue Book
3374:El Dorado
3334:Shambleau
3011:Ben Hecht
2988:website.
2945:, naming
1330:, one of
1290:, one of
10748:Category
10642:Allegory
10518:Mermaids
10488:Gremlins
10453:Centaurs
10388:Egregore
10369:Schools
10336:Grimoire
10296:Elements
10268:Wild man
10188:Unicorns
10176:Vampires
10119:Werecats
9961:Fanspeak
9869:Crawford
9839:Podcasts
9552:Romantic
9535:Mythpunk
9466:Grimdark
9454:Bangsian
9266:(1984).
9079:(eds.).
8976:Story".
8946:(1976).
8920:(2018).
8910:John Day
8904:(1977).
8858:Gollancz
8762:(eds.).
8720:(1975).
8708:(1953).
8630:(eds.).
8603:(1994).
8527:(1993).
8497:(1990).
8475:(2016).
8437:(2007).
8411:(2005).
8385:(2000).
8359:(eds.).
8309:(eds.).
8253:Archived
8167:July 22,
8161:Archived
8137:July 22,
8131:Archived
8107:July 22,
8101:Archived
8071:Archived
8047:July 22,
8041:Archived
8017:July 22,
8011:Archived
7987:July 22,
7981:Archived
7957:July 22,
7951:Archived
7927:July 22,
7921:Archived
7897:July 22,
7891:Archived
7867:July 22,
7861:Archived
7837:July 18,
7831:Archived
7795:July 23,
7789:Archived
7692:Archived
7672:Archived
7652:Archived
7632:Archived
7582:Archived
7562:Archived
7543:July 31,
7537:Archived
7499:Archived
7474:Archived
7012:July 28,
7006:Archived
6982:July 28,
6976:Archived
6814:March 8,
6808:Archived
6553:Archived
6549:Facebook
6529:July 31,
6523:Archived
6438:July 31,
6405:SF Scope
6324:July 10,
6318:Archived
6214:July 22,
6208:Archived
6166:Archived
6111:July 11,
6105:Archived
5552:Archived
4647:Pyramid
4628:Pyramid
4610:Pyramid
4592:Pyramid
4522:9 of 15
4509:7 of 15
4496:7 of 15
4483:8 of 15
4470:8 of 15
4004:In 2019
3948:in 2011
3915:Jay Lake
3533:Unknown;
2455:In 1982
150:55045234
11271:Related
11226:Unknown
10959:Fantasy
10794:fantasy
10738:Outline
10635:Related
10513:Merfolk
10503:Kobolds
10483:Goblins
10468:Treants
10458:Dwarves
10428:Theurgy
10373:Alchemy
10305:neutral
10273:Witches
10216:Caveman
10181:Zombies
10166:Mummies
10136:Spirits
10087:Dragons
10082:Chimera
10067:Faeries
9884:Gemmell
9879:Gandalf
9834:FĂ©eries
9803:Unknown
9683:Authors
9658:S&S
9398:Sources
9383:History
9231:(ed.).
9205:(ed.).
9179:(ed.).
9153:(ed.).
9127:(ed.).
9049:(ed.).
9019:(ed.).
8992:(ed.).
8768:661–662
8663:481–483
8553:(ed.).
8292:Sources
6172:July 9,
4570:Editor
4431:All 15
4418:All 15
4171:Issues
4168:Editor
4033:Unknown
3835:Macabre
3814:Playboy
3629:Unknown
3607:Unknown
3596:Unknown
3588:Unknown
3520:Unknown
2802:Winter
2492:Winter
2026:Winter
1392:Delaney
1298:stories
373:fantasy
311:Unknown
193:, with
164:fantasy
128:Website
120:Country
112:1923-03
110: (
94:Founded
86:Founder
67:Fantasy
10607:Castle
10568:Worlds
10563:Quests
10545:Trolls
10523:Mermen
10478:Gnomes
10473:Giants
10246:Heroes
10161:Liches
10156:Ghosts
10146:Undead
10109:Nymphs
10055:Ghouls
10050:Devils
10045:Demons
10040:Angels
10023:Tropes
9974:fandom
9944:Fandom
9924:Saturn
9919:Nebula
9874:Dragon
9859:Balrog
9852:Awards
9693:Comics
9575:Shenmo
9530:Mythic
9515:LitRPG
9510:Isekai
9449:Comedy
9427:Wuxia‎
9278:
9239:
9213:
9187:
9161:
9135:
9109:
9087:
9057:
9031:
9004:
8958:
8932:
8890:
8864:
8838:
8819:
8797:
8774:
8736:
8694:
8669:
8638:
8611:
8589:
8561:
8535:
8513:
8483:
8449:
8423:
8397:
8371:
8321:
5544:"Pulp"
4576:Notes
4567:Title
4399:Title
4390:were:
4347:quarto
4024:Legacy
3921:, and
3772:, and
3673:, and
3610:'s
3227:Psycho
3204:, and
3099:", by
3009:, and
2796:Summer
2793:Spring
2790:Winter
2778:, and
2486:Summer
2483:Spring
2407:, and
2020:Summer
2017:Spring
1990:digest
1202:, and
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