Knowledge

West, Bruce and Laing

Source đź“ť

30: 302:
a very, very dark time. New York meant coke, England meant heroin, because that’s where the best quality was. I had this Hayman drumkit made that was going to be shipped back to the States. This heroin connection of Jack's said that her business connections would pay me $ 250,000 if they could ship
260:
Mostly leveraging material from Cream’s and Mountain’s back catalogs, West, Bruce & Laing began touring almost immediately after Mountain's disbanding, completing a 30-date North American tour even before their record deal with CBS was finalized. The band remained a hot live commodity throughout
338:
Following the breakup of WBL, in late 1973 West and Laing briefly toured as Leslie West's Wild West Show. Following this, West reunited with Felix Pappalardi in a new line-up of Mountain. This band would work together through 1974, with Corky Laing ultimately joining as well. West and Laing would
219:.) Jack Bruce knew Pappalardi well; Pappalardi had produced all but one of Cream's albums, and occasionally also performed with them in the studio. Subsequently, as Mountain's producer, Pappalardi would fashion his new band's sound after that of Cream, in particular scoring a 1970 hit with a 278:(November 1972). The album took longer than expected to complete, in part from inefficiency due to drug use by the band and their production team; upon its delivery to the label, CBS was dissatisfied with the album's quality and did not heavily promote it. In spite of this, however, 357:
In 2009 West and Laing teamed up with Jack Bruce's son, Malcolm Bruce, and toured as West, Bruce Jr. and Laing. This group was advertised by some venues as a reformation of West, Bruce & Laing, with Malcolm described as "filling in" for his father on the tour.
233:, which Pappalardi produced). Bruce was thus viewed as a natural "replacement" for Pappalardi in West and Laing’s post-Mountain venture, with several record companies and management organizations expressing interest in signing the new band. 192:
In 2009 West and Laing briefly relaunched the band, with Jack Bruce's son Malcolm substituting for his father on bass. This incarnation of the band toured the UK and North America under the name 'West, Bruce Jr. and Laing'.
240:, jockeyed for influence with WBL, with Prager ultimately establishing the more dominant position by brokering a US$ 1 million, three-album contract (7.5 million dollars in 2024) for the band with CBS/ 324:
sessions would be the last time West, Bruce & Laing would work together. However, news of the band’s breakup would be publicly withheld until early 1974, with the band’s posthumous live album
317:– with West and Laing electing to return home to New York before mixdown was complete. The album was released in July 1973, peaking at #87 on the Billboard chart. 426: 326: 185: 298:. However, the band's heavy drug use hurt their performances, and apparently at times even influenced their tour schedule. Corky Laing would later note: 29: 244:– a large artist signing for the day. As part of the deal, Prager arranged for WBL’s records to be distributed by CBS under his and Pappalardi's 183:(1973), during their active tenure. Their disbanding was officially announced in early 1974 prior to the release of their third and last album, 706: 701: 671: 313:, in London. The sessions became contentious – they became "really nasty because of the smack" according to the album's co-producer 666: 676: 339:
again reform Mountain in 1985 (without Pappalardi, who died in 1983), and sporadically played together in the band until 2010.
463: 342:
Jack Bruce resumed a solo career after WBL's demise; his later career highlights included collaborations with guitarist
633: 696: 207: 248:
imprint, and for Mountain’s back catalog of albums to be reissued by CBS/Windfall. CBS Records' head at the time,
691: 681: 252:, would be quoted as saying that the negotiations for WBL "showed record-company competition at its fiercest." 224: 409: 309: 179: 686: 294:
WBL continued to tour North America and Europe extensively during late 1972 and early 1973 in support of
215:
announced he would leave the band at the tour’s end. (Pappalardi had, by late 1971, become addicted to
627: 266: 303:
heroin back in the drums. They were all metal so nobody would have noticed the extra weight.
283: 307:
The band took a break from touring in the spring of 1973 to record a second studio album,
8: 647: 638: 205:
in January 1972 near the end of Mountain’s 1971–72 European tour supporting their album
229: 459: 245: 241: 212: 103: 99: 623: 237: 156: 361:
Leslie West died in 2020, leaving Corky Laing as WBL's only surviving member.
660: 262: 220: 351: 343: 164: 392: 274: 249: 173: 168: 152: 127: 119: 43: 35: 314: 160: 148: 145: 123: 79: 71: 39: 171:(drums and vocals; ex-Mountain). The band released two studio albums, 75: 651: 642: 282:
performed respectably in the marketplace, peaking at #26 on the
216: 202: 60: 354:, as well as a 2005 reunion with Cream. Bruce died in 2014. 272:
Upon signing with CBS, WBL began work on their first album,
347: 236:
West and Laing’s manager Bud Prager, and Bruce’s manager
607:
Jack Bruce: Composing Himself – The Authorised Biography
594:
Jack Bruce: Composing Himself – The Authorised Biography
581:
Jack Bruce: Composing Himself – The Authorised Biography
568:
Jack Bruce: Composing Himself – The Authorised Biography
555:
Jack Bruce: Composing Himself – The Authorised Biography
542:
Jack Bruce: Composing Himself – The Authorised Biography
529:
Jack Bruce: Composing Himself – The Authorised Biography
516:
Jack Bruce: Composing Himself – The Authorised Biography
503:
Jack Bruce: Composing Himself – The Authorised Biography
490:
Jack Bruce: Composing Himself – The Authorised Biography
477:
Jack Bruce: Composing Himself – The Authorised Biography
456:
Jack Bruce: Composing Himself – The Authorised Biography
289: 286:
album chart and staying on the chart for twenty weeks.
211:(1971), after Mountain’s bassist/vocalist/producer 255: 658: 648:West, Bruce & Laing albums to be listened 196: 261:1972; notably, a November 1972 WBL show at 269:sold out 6,000 seats within four hours. 659: 163:(bass, harp, keyboards and vocals; ex- 707:Musical groups disestablished in 1974 290:Turmoil, second album and dissolution 624:Biography of West, Bruce & Laing 201:The trio agreed to work together in 144:) were a Scottish–American–Canadian 13: 702:Musical groups established in 1972 14: 718: 672:1974 disestablishments in England 616: 155:(guitar and vocals; formerly of 28: 599: 586: 573: 333: 256:Touring success and first album 667:1972 establishments in England 560: 547: 534: 521: 508: 495: 482: 469: 448: 364: 225:Theme for an Imaginary Western 151:super-group formed in 1972 by 1: 677:American blues musical groups 441: 330:released shortly thereafter. 7: 227:" (from Bruce's 1969 album 140:(also known by the acronym 10: 723: 197:Formation and record deal 113: 109: 95: 85: 67: 56: 51: 27: 20: 697:Columbia Records artists 630:. Retrieved 2012-04-20. 454:Shapiro, Harry (2010). 350:percussionist/producer 22:West, Bruce & Laing 692:Rock music supergroups 305: 52:Background information 682:British musical trios 639:West, Bruce and Laing 410:Whatever Turns You On 322:Whatever Turns You On 310:Whatever Turns You On 300: 267:Radio City Music Hall 180:Whatever Turns You On 138:West, Bruce and Laing 634:Mountainrockband.com 687:British supergroups 622:Ankeny, Jason. 370: 369: 230:Songs for a Tailor 464:978-1-906002-26-8 439: 438: 223:of Bruce’s song " 135: 134: 714: 652:Play.Spotify.com 610: 605:Shapiro, Harry. 603: 597: 592:Shapiro, Harry. 590: 584: 579:Shapiro, Harry. 577: 571: 566:Shapiro, Harry. 564: 558: 553:Shapiro, Harry. 551: 545: 540:Shapiro, Harry. 538: 532: 527:Shapiro, Harry. 525: 519: 514:Shapiro, Harry. 512: 506: 501:Shapiro, Harry. 499: 493: 488:Shapiro, Harry. 486: 480: 475:Shapiro, Harry. 473: 467: 452: 427:Live 'n' Kickin' 371: 368: 327:Live 'n' Kickin' 246:Windfall Records 242:Columbia Records 213:Felix Pappalardi 186:Live 'n' Kickin' 116: 88: 32: 18: 17: 722: 721: 717: 716: 715: 713: 712: 711: 657: 656: 641:discography at 619: 614: 613: 604: 600: 591: 587: 578: 574: 565: 561: 552: 548: 539: 535: 526: 522: 513: 509: 500: 496: 487: 483: 474: 470: 453: 449: 444: 367: 336: 292: 258: 238:Robert Stigwood 208:Flowers of Evil 199: 130: 126: 122: 114: 91:1972–1974, 2009 86: 47: 23: 12: 11: 5: 720: 710: 709: 704: 699: 694: 689: 684: 679: 674: 669: 655: 654: 645: 636: 631: 618: 617:External links 615: 612: 611: 598: 585: 572: 559: 546: 533: 520: 507: 494: 481: 468: 446: 445: 443: 440: 437: 436: 433: 430: 423: 419: 418: 416: 413: 406: 402: 401: 399: 396: 389: 385: 384: 381: 378: 375: 366: 363: 335: 332: 291: 288: 257: 254: 198: 195: 133: 132: 117: 111: 110: 107: 106: 97: 93: 92: 89: 83: 82: 69: 65: 64: 58: 54: 53: 49: 48: 33: 25: 24: 21: 9: 6: 4: 3: 2: 719: 708: 705: 703: 700: 698: 695: 693: 690: 688: 685: 683: 680: 678: 675: 673: 670: 668: 665: 664: 662: 653: 650:as stream at 649: 646: 644: 640: 637: 635: 632: 629: 625: 621: 620: 608: 602: 595: 589: 582: 576: 569: 563: 556: 550: 543: 537: 530: 524: 517: 511: 504: 498: 491: 485: 478: 472: 465: 461: 457: 451: 447: 434: 431: 429: 428: 424: 421: 420: 417: 414: 412: 411: 407: 404: 403: 400: 397: 395: 394: 390: 387: 386: 382: 379: 376: 373: 372: 362: 359: 355: 353: 349: 345: 340: 331: 329: 328: 323: 318: 316: 312: 311: 304: 299: 297: 287: 285: 281: 277: 276: 270: 268: 264: 263:New York City 253: 251: 247: 243: 239: 234: 232: 231: 226: 222: 221:cover version 218: 214: 210: 209: 204: 194: 190: 188: 187: 182: 181: 176: 175: 170: 166: 162: 158: 154: 150: 147: 143: 139: 131:Malcolm Bruce 129: 125: 121: 118: 112: 108: 105: 101: 98: 94: 90: 84: 81: 77: 73: 70: 66: 62: 59: 55: 50: 45: 41: 37: 31: 26: 19: 16: 606: 601: 593: 588: 580: 575: 567: 562: 554: 549: 541: 536: 528: 523: 515: 510: 502: 497: 489: 484: 479:, p. 155-56. 476: 471: 455: 450: 425: 408: 391: 360: 356: 352:Kip Hanrahan 344:Robin Trower 341: 337: 334:Post-breakup 325: 321: 319: 308: 306: 301: 295: 293: 279: 273: 271: 259: 235: 228: 206: 200: 191: 184: 178: 172: 141: 137: 136: 115:Past members 87:Years active 15: 458:, Jawbone, 435:Live Album 393:Why Dontcha 365:Discography 296:Why Dontcha 280:Why Dontcha 275:Why Dontcha 250:Clive Davis 177:(1972) and 174:Why Dontcha 169:Corky Laing 153:Leslie West 128:Corky Laing 120:Leslie West 44:Leslie West 36:Corky Laing 661:Categories 442:References 315:Andy Johns 161:Jack Bruce 149:power trio 146:blues rock 124:Jack Bruce 80:blues rock 40:Jack Bruce 609:, p. 164. 596:, p. 164. 583:, p. 162. 570:, p. 163. 557:, p. 158. 544:, p. 157. 531:, p. 161. 518:, p. 155. 505:, p. 155. 492:, p. 156. 466:, p. 153. 380:US Chart 284:Billboard 76:hard rock 63:, England 628:AllMusic 157:Mountain 104:Columbia 100:Windfall 34:L to R: 643:Discogs 167:), and 462:  377:Title 217:heroin 203:London 96:Labels 68:Genres 61:London 57:Origin 46:, 1973 422:1974 405:1973 388:1972 383:Note 374:Date 165:Cream 460:ISBN 432:165 348:jazz 346:and 320:The 72:Rock 42:and 626:at 415:87 398:26 265:'s 159:), 142:WBL 663:: 189:. 102:, 78:, 74:, 38:,

Index

L to R: Corky Laing, Jack Bruce and Leslie West, 1973
Corky Laing
Jack Bruce
Leslie West
London
Rock
hard rock
blues rock
Windfall
Columbia
Leslie West
Jack Bruce
Corky Laing
blues rock
power trio
Leslie West
Mountain
Jack Bruce
Cream
Corky Laing
Why Dontcha
Whatever Turns You On
Live 'n' Kickin'
London
Flowers of Evil
Felix Pappalardi
heroin
cover version
Theme for an Imaginary Western
Songs for a Tailor

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑