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There were seven people in the room, including the casting department of A.B.C., the
Associate Producer and various other hangers on. They all concurred with the Producer – except one fellow, an A.B.C. casting assistant. Also for the same film I wanted to use Oliver Reed and the producer wouldn’t consider having him because he said he was a B picture actor too.
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tails off into implausible melodrama. The screenplay, from the usually agile pens of Keith
Waterhouse and Willis Hall, is disappointingly ponderous, while Michael Winner's direction is by turns portentous, fussy and nudgingly sly, and his handling of his players is, to say the least, unsure. ... The one wholly admirable feature is
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Michael Winner said Angel "turned down Sean
Connery for the other lead because he, too, was a B-picture actor, and James Mason for the villain because he was past it. We ended up with Alfred Lynch (an excellent actor but not Sean Connery), Kathleen Breck (an excellent actress but not Julie Christie)
507:
which she was later taken for because the girl who was chosen became ill. And we tested her and I immediately said: 'This is marvellous, we’ve discovered a very, very big star'. The producer turned to me and said: 'You’re absolutely mad, she’s a B picture actress and she’ll- never be anything else'.
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land of the early 1960s, Joe
Beckett is a young unemployed misfit and drifter whose life takes a turn for the worse when he encounters Richard Dyce, an ex-army officer. Dyce persuades Beckett it will be in his interests to bump off Dyce's wealthy aunt for her money. Beckett travels to the old lady's
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wrote: "Location shooting, the air of solemnity about the screenplay, and the evident striving for a genuinely contemporary flavour, all suggest a degree of ambition on the part of the makers of this film, which they seem in the event ill-equipped to realise, and a potentially interesting subject
312:, and prepares to murder her but loses his nerve and in a struggle, accidentally pushes her down a flight of stairs, killing her anyway. After a witness reports him, Beckett returns to his digs and finds the police waiting for him. Dyce denies all involvement and Beckett turns himself in.
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had "just sacked Joseph Losey because he was going to turn it into a film that Mr. Angel didn’t like. I’m sure it would have been a very good film. He offered it to me because I was around. I took it with both hands. It wasn’t a perfect script but it was far better than
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showed up. The script is mostly a series of loosely connected sketches, though the film's sole virtue nowadays is the location camerawork of Otto Heller that captures the then peeling and shabbily converted
501:. She’d done some bad comedies but I always thought she was marvellous. The producer didn’t even want to test her because she’d been tested for a great many films and been rejected, including
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One woman's poissonnerie;Winner's
Dinners;Restaurant Watch;Food & Drink Winner, Michael. The Times; London (UK) 24 Mar 1996: 1.
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observed that "it has its merits. The sleazy London locations are very authentically shown. Perhaps too authentically."
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In 1962, it was announced the film version would be made by
Associated British starring
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455:(1962). Winner said the film "had been turned down by a lot of people" and producer
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Diana Dors returned from Los
Angeles where she was then living to make the movie.
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575:'s music adds a cloying note to a movie that rarely rises above basement level."
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WEST 11 Monthly Film
Bulletin; London Vol. 30, Iss. 348, (Jan 1, 1963): 162.
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541:'s appropriately harsh and sombre, and consistently excellent photography."
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who left at short notice. At the time Julie
Christie was under contract to
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but says the producer overruled him. Winner used Reed in his next movie,
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shows what life was like in the bedsits of
Notting Hill, years before
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In 2021 the film was digitally restored and released on DVD.
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reviewer wrote: "Michael Winner's skirmish with British
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764:"A Tale of Two Blondes: Diana Dors and Belinda Lee"
567:, which exchanged squalor for extortionate rents.
513:and Eric Portman, who was so good I didn't mind."
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803:(348): 162. 1 January 1963 – via ProQuest.
874:
692:; London Vol. 31, No. 3, (Summer 1962): 119.
742:. Vol. 10, no. 3. pp. 10–11.
881:
867:
563:houses that were riddled with dry rot and
29:
813:
647:British Film Institute Collections Search
1220:Films shot at Associated British Studios
1066:Won Ton Ton, the Dog Who Saved Hollywood
635:
283:, the title is taken from the postcode
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709:. Vol. 10, no. 3. p. 7.
149:Associated British Picture Corporation
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622:then-and-now location photographs at
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724:. Hodder and Stoughton. p. 115.
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426:as country house guide (uncredited)
16:1963 British film by Michael Winner
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762:Vagg, Stephen (7 September 2020).
14:
1261:
594:
1230:Films directed by Michael Winner
986:I'll Never Forget What's'isname
838:
807:
783:
736:"Interview with Michael Winner"
703:"Interview with Michael Winner"
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467:Michael Winner wanted to cast
1:
1245:Films scored by Stanley Black
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519:It was filmed on location in
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432:as shop customer (uncredited)
420:as young hoodlum (uncredited)
414:as young hoodlum (uncredited)
396:Allan McClelland as Mr. Royce
1250:English-language crime films
1225:1960s English-language films
271:, adapted for the screen by
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152:Angel Productions (as Dial)
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489:(1964) Winner later said:
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796:The Monthly Film Bulletin
533:The Monthly Film Bulletin
267:(1961), Laura Del-Rivo's
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162:Warner-Pathé Distributors
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176:8 October 1963
1138:A Chorus of Disapproval
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290:
1130:Appointment with Death
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720:Reed, Oliver (1981).
491:
235:) is a 1963 British
1240:1960s British films
1235:British crime films
970:You Must Be Joking!
381:Sean Kelly as Larry
889:Films directed by
527:Critical reception
295:In Notting Hill's
265:The Furnished Room
67:The Furnished Room
1197:
1196:
930:Some Like It Cool
922:Out of the Shadow
914:Climb Up the Wall
722:Reed all about me
443:Claudia Cardinale
346:Kathleen Harrison
263:. It is based on
261:Kathleen Harrison
216:
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104:Kathleen Harrison
69:by Laura Del-Rivo
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1215:1963 crime films
1050:The Stone Killer
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822:. Archived from
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614:at Letterbox DVD
445:and directed by
277:Keith Waterhouse
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56:Keith Waterhouse
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1106:The Wicked Lady
1018:The Nightcomers
994:Hannibal Brooks
946:The Cool Mikado
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826:on 4 March 2016
814:Adrian Turner.
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430:Norman Mitchell
400:Francesca Annis
387:as Father Hogan
378:as Mildred Dyce
360:as Mrs. Hartley
348:as Mrs. Beckett
336:as Richard Dyce
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223:(also known as
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328:Kathleen Breck
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241:Michael Winner
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828:. Retrieved
824:the original
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676:the original
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650:. Retrieved
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545:
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531:
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521:Notting Hill
518:
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511:
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469:Sean Connery
466:
462:Play It Cool
461:
452:Play It Cool
450:
447:Joseph Losey
440:
334:Eric Portman
322:Alfred Lynch
294:
264:
253:Eric Portman
245:Alfred Lynch
239:directed by
231:
230:
225:
224:
219:
218:
217:
192:Running time
169:Release date
96:Eric Portman
88:Alfred Lynch
66:
18:
624:ReelStreets
547:Radio Times
539:Otto Heller
495:Sarah Miles
481:James Mason
473:Oliver Reed
457:Danny Angel
406:Brian Wilde
370:Harold Lang
354:as Mr. Cash
310:South coast
273:Willis Hall
269:debut novel
232:West Eleven
114:Otto Heller
74:Produced by
52:Willis Hall
38:Directed by
1210:1963 films
1204:Categories
1058:Death Wish
978:The Jokers
962:The System
820:RadioTimes
630:References
587:Home media
573:Acker Bilk
565:Rachmanism
504:Billy Liar
486:The System
437:Production
418:Larry Dann
408:as Speaker
393:as himself
391:Ken Colyer
342:as Georgia
340:Diana Dors
301:coffee bar
257:Diana Dors
237:crime film
196:93 minutes
180:1963-10-08
141:Production
100:Diana Dors
48:Written by
1146:Bullseye!
1090:Firepower
1002:The Games
846:"West 11"
816:"West 11"
791:"West 11"
668:"West 11"
652:2 January
643:"West 11"
376:Marie Ney
372:as Silent
297:jazz club
143:companies
120:Edited by
898:Features
830:22 April
366:as Jacko
209:Language
130:Music by
84:Starring
62:Based on
1181:Old Mac
1042:Scorpio
954:West 11
850:Variety
768:Filmink
619:West 11
612:West 11
602:West 11
580:Variety
561:Regency
493:We had
402:as Phyl
226:West II
220:West 11
212:English
201:Country
178: (
24:West 11
1190:(1962)
1184:(1961)
1173:Shorts
1165:(1999)
1157:(1993)
1149:(1990)
1141:(1989)
1133:(1988)
1125:(1985)
1117:(1984)
1109:(1983)
1101:(1982)
1093:(1979)
1085:(1978)
1077:(1977)
1069:(1976)
1061:(1974)
1053:(1973)
1045:(1973)
1037:(1972)
1029:(1972)
1021:(1971)
1013:(1971)
1010:Lawman
1005:(1970)
997:(1969)
989:(1967)
981:(1967)
973:(1965)
965:(1964)
957:(1963)
949:(1963)
941:(1962)
933:(1961)
925:(1961)
917:(1960)
909:(1960)
740:Screen
707:Screen
305:bedsit
281:London
259:, and
65:novel
832:2024
654:2024
607:IMDb
571:and
544:The
499:Rank
479:and
316:Cast
303:and
291:Plot
275:and
229:and
672:BFI
605:at
464:."
285:W11
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770:.
656:.
182:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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