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When I Have Fears

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129:"When I Have Fears" primarily explores death, the fear of it, and what it prevents Keats from doing. Using the phrase "cease to be" shows an emphasis on the life Keats will miss out on rather than simply death itself. The repetition of "before" represents the anxieties Keats has about what he cannot achieve before death. He fears he will no longer be able to write, witness the beauty of the world, or experience love or fame once he dies. While the poem ends with a slight resolution, with "Love and Fame" no longer mattering to Keats, it is a resolution found in isolation and excessive thought. The two do not matter to Keats because death is inevitable and will prevent him from making those achievements, so they sink away from Keats. 513: 443: 140:
contains more abstract concepts. Stars, cloudy symbols, shadows, reflect the intangible beauty of the world which Keats can also not attempt to understand because of a life cut short. The couplet shows abstract concepts of Love and Fame becoming tangible, though they sink to nothingness as Keats realizes he has no time to achieve them.
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The first four lines express Keats' fear that he will die before he has written all the works he hopes to, "before pen has glean'd teeming brain." The symbols of the night sky and clouds that Keats "may never live to trace" can represent many things. The first is simply Keats' desire for literary
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This fear is evident on his gravestone, with the words "Here lies one whose name was writ in water." The epitaph, which Keats requested on his deathbed, reflects Keats' fears of death and anger with fate, as "When I Have Fears" does. The last three lines of the poem which describe "the shore" and
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The theme of creating coincides with references to nature and beauty. The first quatrain equates writing to harvesting grain. Thoughts are tangible items to be grown into "high-piled books," as Keats feels he can allow his ideas to flourish if he only had a long enough life. The second quatrain
153:, which then represents his desire to understand life itself. The "magic hand of chance" may further represent fate as a function of life. Keats is condemned to a short life by chance, and because of that he will remain unable to trace or understand how fate functions. 160:. Keats' reflection on this woman may represent his preoccupation with beauty and his fear of no longer witnessing beauty, in the form of a woman or nature, once he dies. She also represents Keats' fear of loss and being unable to experience love once he dies. 136:, but in Keats' poem it demonstrates how essential and natural writing is to his being. The shore and water that love and fame sink within represent an expanse of fears that sit before Keats, giving the natural world a darker theme in those lines. 180:
notes the rhyme scheme may reflect expectation. Readers expect the lines to rhyme with each other, as Keats anticipates the end of his life. The couplet and rhyme signals the end of the poem, as death signals the end of life.
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The final three lines where Keats stands alone and contemplates the end of life may represent a passive acceptance that life must end. Love and fame do not matter and cannot be achieved anyway once Keats dies.
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believed, hindered his work. Keats was aware of the harm that could come to patients if he made any mistakes. Keats' fear of death is also present for his own life, not just his patients.
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The "fair creature of an hour," according to Richard Woodhouse, the man who advised Keats' publishers on legal and literary matters, refers to a woman Keats encountered at
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state, "Till Love and Fame to nothingness do sink" may relate to the reference to water in Keats' epitaph. His name will sink in water as the fame of writing will.
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at the age of 25, is often cited as fearing his own death. The fear may come from Keats' work as a medical student, where his sympathy for patients, as his friend
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References to nature also appear throughout the poem, including harvesting grain, the night sky, clouds, and the shore. Nature is a common theme in
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expression and interpretation of the world around him. Another, though, is more philosophical. Keats' use of "shadows" can connect to Plato's
612: 80: 353:“When I Have Fears: Synopsis and Commentary » John Keats, Selected Poems Study Guide from Crossref-It.Info.” Accessed February 9, 2018. 591: 310:“When I Have Fears: Imagery, Symbolism and Themes." Selected Poems Study Guide from Crossref-It.Info.” Accessed February 9, 2018. 815: 344:
Learning, Gale, Cengage. A Study Guide for John Keats’s “When I Have Fears That I May Cease to Be.” Gale, Cengage Learning, 2016.
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Bari, Shahidha Kazi. Keats and Philosophy: The Life of Sensations. 1 edition. New York: Routledge, 2012.
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Tate, Gregory. “John Keats: Science and Sympathy.” The Lancet 387, no. 10037 (June 18, 2016): 2498–99.
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The Ambivalence of Generosity: Keats Reading Shakespeare, ELH, 62:1 (Spring 1995), pp. 149-69.
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Milnes, Rich Monckton. Life, Letters and Literary Remains of John Keats. Edw. Moxon, 1848.
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Stacey, Michelle. "Writ in Water." The Paris Review (blog), February 23, 2016.
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http://crossref-it.info/textguide/john-keats-selected-poems/40/3039
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http://crossref-it.info/textguide/john-keats-selected-poems/40/3040
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http://crossref-it.info/textguide/john-keats-selected-poems/40/3041
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https://images.findagrave.com/photos/2007/311/566_119452517592.jpg
774: 64: 115:    Of unreflecting love!—then on the shore 111:    That I shall never look upon thee more, 103:    Huge cloudy symbols of a high romance, 457: 403:
https://www.theparisreview.org/blog/2016/02/23/writ-in-water/
49: 392:“Death of Mr John Keats.” London Magazine, April 1821. 227:
for references to time destroying man-made creations.
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for references to time, endings, and the sea and to
275:. New York: Dodd, Mead & Company. p. 277. 219:. Comparisons have also been made to Shakespeare's 243:Keats, John. The Complete Poems. Penguin UK, 2003. 77:Life, Letters, and Literary Remains, of John Keats 67:. Keats wrote the poem between 22 and 31 January 836: 641:Bright star, would I were stedfast as thou art 204: 473: 368:https://doi.org/10.1016/S0140-6736(16)30802-9 101:When I behold, upon the night's starr'd face, 613:On Sitting Down to Read King Lear Once Again 340: 338: 294: 292: 290: 237: 184: 176:of ABAB CDCD EFEF GG (Shakespeare Sonnet). 119:Till Love and Fame to nothingness do sink. 117:Of the wide world I stand alone, and think, 480: 466: 324: 322: 320: 209:William Flesch notes the poem's echoes of 109:And when I feel, fair creature of an hour! 335: 287: 27:For the album by The Murder Capital, see 620:When I have Fears that I may Cease to Be 448:When I Have Fears That I May Cease To Be 306: 304: 105:And think that I may never live to trace 93:When I have fears that I may cease to be 18:When I have Fears that I may Cease to Be 816:Keats and His Nightingale: A Blind Date 317: 97:Before high-piled books, in charact'ry, 14: 837: 433:An omnibus collection of Keats' poetry 124: 592:On First Looking into Chapman's Homer 461: 301: 261: 71:. It was published (posthumously) in 113:Never have relish in the faery power 24: 606:You say you love; but with a voice 25: 861: 426: 55:. The 14-line poem is written in 511: 441: 408: 395: 386: 373: 167: 487: 360: 347: 255: 246: 172:"When I Have Fears" follows a 13: 1: 707:The Fall of Hyperion: A Dream 675:Isabella, or the Pot of Basil 230: 803:Keats–Shelley Memorial House 7: 451:public domain audiobook at 205:Similarities to Shakespeare 143: 86: 10: 866: 26: 790: 717: 650: 583: 520: 509: 495: 29:When I Have Fears (album) 634:La Belle Dame sans Merci 185:Biographical connections 740:Charles Wentworth Dilke 503:John Keats bibliography 272:The Poems of John Keats 81:Richard Monckton Milnes 760:John Hamilton Reynolds 730:Charles Armitage Brown 122: 59:and consists of three 735:Charles Cowden Clarke 627:The Eve of Saint Mark 267:SĂ©lincourt, Ernest De 90: 850:Poetry by John Keats 770:Percy Bysshe Shelley 699:The Eve of St. Agnes 558:Ode to a Nightingale 537:Ode on a Grecian Urn 216:Antony and Cleopatra 151:Allegory of the Cave 809:negative capability 189:Keats, who died of 125:Themes and language 521:Poetry collections 40:Elizabethan sonnet 832: 831: 551:Ode on Melancholy 57:iambic pentameter 36:When I Have Fears 16:(Redirected from 857: 659:Sleep and Poetry 544:Ode on Indolence 515: 482: 475: 468: 459: 458: 445: 444: 417: 412: 406: 399: 393: 390: 384: 377: 371: 364: 358: 351: 345: 342: 333: 326: 315: 308: 299: 296: 285: 284: 259: 253: 250: 244: 241: 158:Vauxhall Gardens 21: 865: 864: 860: 859: 858: 856: 855: 854: 835: 834: 833: 828: 786: 745:Benjamin Haydon 713: 646: 579: 516: 507: 491: 486: 442: 437:Standard Ebooks 429: 423: 421: 420: 413: 409: 400: 396: 391: 387: 378: 374: 365: 361: 352: 348: 343: 336: 327: 318: 309: 302: 297: 288: 260: 256: 251: 247: 242: 238: 233: 207: 187: 170: 146: 134:Romantic poetry 127: 121: 118: 116: 114: 112: 110: 108: 106: 104: 102: 100: 98: 96: 94: 89: 32: 23: 22: 15: 12: 11: 5: 863: 853: 852: 847: 830: 829: 827: 826: 819: 812: 805: 800: 794: 792: 788: 787: 785: 784: 779: 767: 762: 757: 752: 747: 742: 737: 732: 727: 721: 719: 715: 714: 712: 711: 703: 695: 687: 679: 671: 663: 654: 652: 648: 647: 645: 644: 637: 630: 623: 616: 609: 602: 595: 587: 585: 581: 580: 578: 577: 576: 575: 568: 561: 554: 547: 540: 524: 522: 518: 517: 510: 508: 506: 505: 499: 497: 493: 492: 485: 484: 477: 470: 462: 456: 455: 439: 428: 427:External links 425: 419: 418: 407: 394: 385: 372: 359: 346: 334: 316: 300: 286: 254: 245: 235: 234: 232: 229: 206: 203: 186: 183: 169: 166: 145: 142: 126: 123: 91: 88: 85: 9: 6: 4: 3: 2: 862: 851: 848: 846: 843: 842: 840: 825: 824: 820: 818: 817: 813: 810: 806: 804: 801: 799: 796: 795: 793: 789: 783: 780: 777: 776: 771: 768: 766: 765:Joseph Severn 763: 761: 758: 756: 753: 751: 748: 746: 743: 741: 738: 736: 733: 731: 728: 726: 723: 722: 720: 716: 709: 708: 704: 701: 700: 696: 693: 692: 688: 685: 684: 680: 677: 676: 672: 669: 668: 664: 661: 660: 656: 655: 653: 649: 642: 638: 635: 631: 628: 624: 621: 617: 614: 610: 607: 603: 600: 596: 593: 589: 588: 586: 582: 573: 569: 566: 565:Ode to Psyche 562: 559: 555: 552: 548: 545: 541: 538: 534: 533: 531: 530: 526: 525: 523: 519: 514: 504: 501: 500: 498: 494: 490: 483: 478: 476: 471: 469: 464: 463: 460: 454: 450: 449: 440: 438: 434: 431: 430: 424: 416: 411: 404: 398: 389: 382: 376: 369: 363: 356: 350: 341: 339: 331: 325: 323: 321: 313: 307: 305: 295: 293: 291: 282: 278: 274: 273: 268: 264: 258: 249: 240: 236: 228: 226: 222: 218: 217: 212: 202: 198: 196: 195:Charles Brown 192: 182: 179: 178:Shahidha Bari 175: 165: 161: 159: 154: 152: 141: 137: 135: 130: 120: 84: 82: 78: 74: 70: 66: 62: 58: 54: 51: 48: 45: 41: 37: 30: 19: 821: 814: 773: 755:George Keats 725:Fanny Brawne 705: 697: 689: 681: 673: 665: 657: 619: 599:To Kosciusko 527: 496:Bibliography 447: 422: 410: 397: 388: 375: 362: 349: 271: 257: 248: 239: 214: 208: 199: 191:tuberculosis 188: 174:rhyme scheme 171: 168:Rhyme scheme 162: 155: 147: 138: 131: 128: 92: 76: 35: 33: 823:Bright Star 798:Keats House 782:John Taylor 584:Short poems 263:Keats, John 211:Shakespeare 839:Categories 750:Leigh Hunt 651:Long poems 489:John Keats 231:References 53:John Keats 572:To Autumn 529:1819 odes 225:Sonnet 64 221:Sonnet 60 61:quatrains 683:Hyperion 667:Endymion 643:" (1820) 636:" (1819) 629:" (1819) 622:" (1818) 615:" (1818) 608:" (1817) 601:" (1816) 594:" (1815) 453:LibriVox 281:11128824 265:(1905). 144:Analysis 87:The poem 47:Romantic 38:" is an 845:Sonnets 791:Related 775:Adonais 532:(1819) 269:(ed.). 65:couplet 44:English 42:by the 718:People 710:(1819) 702:(1819) 694:(1819) 686:(1818) 678:(1818) 670:(1817) 662:(1817) 279:  63:and a 691:Lamia 277:OCLC 79:by 73:1848 69:1818 50:poet 435:at 213:'s 75:in 841:: 337:^ 319:^ 303:^ 289:^ 83:. 811:" 807:" 778:) 772:( 639:" 632:" 625:" 618:" 611:" 604:" 597:" 590:" 574:" 570:" 567:" 563:" 560:" 556:" 553:" 549:" 546:" 542:" 539:" 535:" 481:e 474:t 467:v 405:. 383:. 370:. 357:. 332:. 314:. 283:. 34:" 31:. 20:)

Index

When I have Fears that I may Cease to Be
When I Have Fears (album)
Elizabethan sonnet
English
Romantic
poet
John Keats
iambic pentameter
quatrains
couplet
1818
1848
Richard Monckton Milnes
Romantic poetry
Allegory of the Cave
Vauxhall Gardens
rhyme scheme
Shahidha Bari
tuberculosis
Charles Brown
Shakespeare
Antony and Cleopatra
Sonnet 60
Sonnet 64
Keats, John
SĂ©lincourt, Ernest De
The Poems of John Keats
OCLC
11128824

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