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that can be objectively measured in a work of art. It’s something viewers also feel in their gut, and I don’t feel the film is misogynist at all — not because being a woman myself necessarily gives me the right to make that call. To me it seemed like a brutally honest depiction of how easy it is for a young woman (or any young person really), especially one already inclined toward hedonism and rebellion, to confuse adventure with danger, and end up exposing herself to violence and abusive situations when she thought she was just having fun."
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as in her nascent relationship with Blue, and it is forced upon her, in a horrific rape scene near the end of the film. After her first sexual encounter with Kelly, she continues to hook up with him; sometimes because she needs his help, but also at times because she seems to enjoy it. These dynamics are complicated, and complexity can be hard to reckon with. It’s much easier to dismiss them as cheap
29:
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is the rare film, written and directed by a woman, that shows a young woman’s sex life in its many shades, which acknowledges that sexual agency can be both a blessing and curse. Sex gives Leah pleasure, and it also serves as a bargaining chip in desperate times. It’s given with love and affection,
580:
David
Ehrlich wrote that "Elizabeth Wood’s fire-breathing debut is an adrenalized shot of ecstasy and entitlement, a fully committed cautionary tale that’s able to follow through on its premise because — like the remarkable young actress who plays its heroine — the film is unafraid of being utterly
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designated the film an "NYT Critic's Pick" stating that "we’re all familiar with the term contact high, but not with its antithesis. Because it is so believable, “White Girl” is a contact bummer that’s hard to shake." Holden also made reference to "obligatory tut-tutting from nervous male critics."
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Approaching her boss, Kelly, Leah sells a third of the kilo. Katie and Blue's friends help move the rest, while Blue believes George is representing him pro bono. As her debts pile up, Lloyd finds her, pressuring her for the rest of the money, so she asks Kelly for a $ 17,000 loan. He instead helps
570:
praised the film as "squalid, shocking, and sexy as hell" and addressed the critical controversy, stating that "after the screening I attended, an indignant fellow journalist argued that if it had been made by a man it would be vilified for its misogyny... Misogyny, unfortunately, is not something
355:
Afterwards, Leah becomes silent and withdrawn, staying in bed. She is surprised one day by Blue who arrives in her apartment and crawls into bed with her. He reveals that the lawyer managed to free him and credits Leah with saving his life. Getting on one knee he proposes to her, to which she does
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Leah goes to visit Blue in jail and he tells her he may get 20 years in prison due to priors. She decides to help him, telling him that she has the coke, so the police have no evidence. He asks her to return it to Lloyd and explain. As she approaches Lloyd's, she recognizes the same undercover cop
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Emboldened by his success, Blue asks for a kilo of cocaine from his supplier Lloyd. He agrees and Blue and Leah go to a restaurant for breakfast. While there, he is approached by one of his regulars, who sets him up, and he is immediately arrested by an undercover police officer. Leah picks up the
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Walking down the street together, Leah and Blue are surprised when Lloyd attacks them both, wanting his money. Blue first hits him over the head with a broken bottle then beats him to death with a wrench. As Leah looks on, Blue silently realizes she caused the attack by not returning the coke.
560:
gave the film a scandalized review, bemoaning that the film "plung our faces into a cesspool of reprehensible behavior
Debruge himself introduced director Elizabeth Wood as one of "Variety's Ten Directors to Watch" at the Palm Springs International Film Festival.
328:. One night, out of marijuana, she asks a group of young Latino men on her corner to sell her drugs. They refuse. Later she invites Blue into her apartment, who explains that while he is a dealer, he doesn't do hard drugs. They end up having sex on her roof.
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Leah promises George she will get the rest of the money, but he tells her to forget it. He takes her to dinner, explaining that the legal system is unequal and white men who commit violent crimes are more likely to get off for their crimes than non-violent
539:
boys, nor that middle-aged, well-educated white men—like Kelly, like Blue’s lawyer—are the most privileged of all. But to see it dramatized, and in such raw, unremittingly cynical, outrageously graphic detail, is still a disturbing shock to the system."
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Leah tells him he could be making $ 60 compared to the $ 20 he has been selling them for. She invites him to a party thrown by her magazine, where she interns, and Blue is able to mark up his prices to the crowd.
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and
Supermarche banners respectively. Wood began writing the feature before attending Columbia University's screenwriting MFA program. She loosely based the film on her own life.
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right outside, and decides to run. She then finds Blue a lawyer named George, intending to deal the coke to pay his fee. He is optimistic that they have a very good case.
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on
January 23, 2016. It was acquired by Netflix for worldwide streaming video on demand, and was released in select American theaters nationwide on September 2, 2016, by
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isn't an easy watch, but it adroitly walks the line between exploitation and drama - and marks an admirably assured debut for writer-director
Elizabeth Wood". On
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acquired theatrical distribution rights to the film with a planned late summer-fall 2016 release. The film was released on
September 2, 2016. It was released on
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in which she deems the movie "a trenchant critique of the privilege afforded young, beautiful, white women, and the wreckage they can leave behind."
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The film received significant media attention for its commentary on issues of sex and race, including an essay by Anna Silman in
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offenders like Blue. The two end up going to Leah's where she passes out, intoxicated. George uses the opportunity to rape her.
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her throw a rave with a cover charge. The party is a success, but Leah takes too many drugs and wakes up alone with no money.
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Blue is arrested, watching Leah coldly as he is driven away. Leah is last seen in a classroom, just before the credits.
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Leah, a student about to enter her second year of college, moves in with her friend Katie into an apartment in
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received positive reviews from film critics. It holds a 70% approval rating on review aggregator website
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and India Menuez starring in the film. Gabriel
Nussbaum produced the film for Bank Street Films, while
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1214:"'White Girl' Review: Elizabeth Wood's Ferocious Debut Is 'Spring Breakers' With A Summer Internship"
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629:"Christine Vachon, One of Indie Film's Biggest Producers, on the Present and Future of Movies"
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1243:"Meet Elizabeth Wood, Morgan Saylor, and India Menuez, the White Girls Behind "White Girl""
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not give a clear answer. (However, the next scene they are happily kissing each other.)
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839:"Netflix, Amazon Continue Sundance Buying Spree With 'White Girl,' 'NUTS!' (Exclusive)"
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812:"SUNDANCE INSTITUTE COMPLETES FEATURE FILM LINEUP FOR 2016 SUNDANCE FILM FESTIVAL"
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1184:"10 Directors to Watch: Elizabeth Wood Takes Intense 'White Girl' to Sundance"
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872:"Elizabeth Wood's Sundance Drama 'White Girl' Acquired by FilmRise for U.S."
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If You Think White Girl’s Sex Scenes Are
Shocking, You’re Missing the Point.
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Elizabeth Wood on Her
Shockingly Graphic, Controversial New Film White Girl
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distribution rights to the film for a seven figure price. In April 2016,
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1088:"'white girl' is the most explosive portrait of nyc youth since 'kids'"
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723:"2016 Sundance Film Festival Predictions: Elizabeth Wood's White Girl"
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praised the film as "the most explosive portrait of NYC youth since
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mentioned that "It won’t be news to anyone that young, middle-class
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1273:"How A Movie Filled With Coke And Dicks Explodes White Privilege"
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How A Movie Filled With Coke And Dicks
Explodes White Privilege
1031:"Review: 'White Girl,' a Tale of Cocaine, Sex and Privilege"
692:"COULD THE FILM 'WHITE GIRL' BE THIS GENERATION'S 'KIDS'?"
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had directed a film from a screenplay she wrote, with
499:, based on 50 reviews. The site's consensus states: "
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1154:"2016 Variety Creative Impact Awards brunch"
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934:Evangelista, Chris (November 21, 2016).
452:executive produced the film under their
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432:In February 2015, it was revealed that
308:The film had its world premiere at the
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978:from the original on December 29, 2019
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818:from the original on December 10, 2015
946:from the original on February 2, 2017
936:"What's New On Netflix December 2016"
837:Siegel, Tatiana (February 17, 2016).
690:Lacva, Elizabeth (February 4, 2015).
689:
671:from the original on October 12, 2016
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1121:"Sundance Film Review: 'White Girl'"
1010:from the original on August 18, 2016
760:from the original on 16 January 2016
639:from the original on August 17, 2016
468:on January 23, 2016. Shortly after,
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1119:Dubruge, Peter (January 24, 2016).
1100:from the original on April 14, 2016
883:from the original on April 12, 2016
733:from the original on April 24, 2016
721:Lavalee, Eric (November 26, 2015).
702:from the original on April 24, 2016
627:Cirpriani, Casey (March 18, 2016).
273:in her directorial debut. It stars
13:
1432:English-language independent films
1133:from the original on April 8, 2016
915:from the original on July 30, 2016
870:Siegel, Tatiana (April 11, 2016).
851:from the original on April 5, 2016
814:. sundance.org. December 7, 2015.
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1086:Manning, Emily (March 11, 2016).
1283:from the original on 2023-04-29
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289:(in his film acting debut),
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1382:2016 independent films
1271:Petersen, Anne Helen.
876:The Hollywood Reporter
844:The Hollywood Reporter
785:Sundance Film Festival
607:wrote an essay titled
567:The Hollywood Reporter
418:Annabelle Dexter-Jones
310:Sundance Film Festival
295:Annabelle Dexter-Jones
196:Sundance Film Festival
99:Annabelle Dexter-Jones
484:on December 2, 2016.
1427:2010s American films
1387:American drama films
1152:Lubell-Ames, DeAnn.
792:on December 22, 2019
535:unavailable to poor
209: (United States)
1397:Films about cocaine
966:"White Girl (2016)"
605:Anne Helen Peterson
564:Leslie Feleprin in
472:acquired worldwide
265:is a 2016 American
1412:Killer Films films
1073:2021-01-08 at the
1035:The New York Times
696:openingcermony.com
378:Brian Marc as Blue
155:Greencard Pictures
16:2016 American film
586:New York Magazine
326:Ridgewood, Queens
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279:India Menuez
261:
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218:Running time
148:Killer Films
80:India Menuez
675:October 24,
529:white girls
446:Henry Joost
152:Supermarche
57:Produced by
39:Directed by
1372:2016 films
1366:Categories
1352:Metacritic
1347:White Girl
1336:White Girl
1325:White Girl
1314:White Girl
1287:2023-04-29
1257:2023-04-29
1247:W Magazine
1228:2023-04-29
1198:2023-04-29
1168:2023-04-29
1053:2023-04-29
1003:Metacritic
764:22 January
643:August 26,
615:References
594:White Girl
533:privileges
505:Metacritic
501:White Girl
493:White Girl
428:Production
388:Chris Noth
299:Chris Noth
262:White Girl
251:Box office
222:88 minutes
205:2016-09-02
190:2016-01-23
134:Production
103:Chris Noth
76:Brian Marc
49:Written by
22:White Girl
1218:IndieWire
1137:April 11,
1104:April 11,
1043:0362-4331
1014:April 11,
887:April 11,
855:April 11,
822:April 11,
796:April 11,
737:April 11,
706:April 11,
588:entitled
576:IndieWire
488:Reception
390:as George
254:$ 200,242
246:$ 700,000
136:companies
125:Edited by
1281:Archived
1251:Archived
1222:Archived
1192:Archived
1162:Archived
1131:Archived
1098:Archived
1071:Archived
1047:Archived
1008:Archived
976:Archived
944:Archived
919:July 31,
913:Archived
881:Archived
849:Archived
816:Archived
758:Archived
731:Archived
700:Archived
669:Archived
637:Archived
478:FilmRise
420:as Alexa
402:as Lloyd
396:as Katie
384:as Kelly
314:FilmRise
235:Language
172:FilmRise
65:Starring
1188:Variety
1126:Variety
982:May 12,
557:Variety
482:Netflix
470:Netflix
460:Release
414:as Nene
408:as Kilo
375:as Leah
238:English
227:Country
203: (
188: (
168:Netflix
1066:Vogue
1041:
243:Budget
194: (
524:Vogue
267:drama
1319:IMDb
1139:2016
1106:2016
1093:Vice
1039:ISSN
1016:2016
984:2020
952:2016
921:2016
889:2016
857:2016
824:2016
798:2016
766:2016
739:2016
708:2016
677:2016
645:2016
551:Kids
545:Vice
448:and
367:Cast
320:Plot
301:and
1350:at
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1328:at
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350:PoC
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