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Who's Afraid of Virginia Woolf?

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297:(with the insinuation that the deaths were actually murder), but Martha's father would not let it be published. George attacks Martha, but Nick separates them. Clearly not satisfied, George launches into a new "game" called "Get the Guests," in which George begins telling a story about a "mousie" that is a thinly-veiled retelling of everything Nick told George about Honey, including her alcoholism and her "hysterical pregnancy," implying that Honey "trapped" Nick into marrying her by pretending to be pregnant. Honey, devastated, again runs to the bathroom to vomit. 1327:
father, it is heard very clearly while in the film it becomes muffled as the camera follows George into another room to get a gun. The album also runs half an hour shorter than the film, since most pauses and long silences were removed, but virtually every line remains intact. The album's cover has the four main actors and the back cover has some background information about them, the five-month shooting schedule, and Albee, and a brief synopsis of the film.
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reference to the fact that George felt that he helped cause his parents' death, which was originally the subject of his failed novel. A roughly 7 page scene with George and Honey at the end of Act II has also been removed completely. These and other changes seem to be there to clarify plot points, but arguably rob the play of some of its ambiguity and tenuous relationship with realism.
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the situation. Martha, distraught, collapses. It slowly dawns on Nick that the son George and Martha have been talking about is not real. The fictional son is a "game" the two have been playing since discovering early in their marriage that they are infertile. George has decided to "kill" him because Martha broke the game's single rule: not to mention the boy to anyone else.
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features a sub-plot in which the characters of Roger and Francine pretend to be a university professor and his wife. After inviting over a young couple, the two behave much like the characters of George and Martha. The episode concludes with Roger "killing" their imaginary child much like George does
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smashes these conventions and shows realistic families that are far from perfect and possibly ruined. The families of Honey and Martha were dominated by their fathers, with no sign of a mother figure in their lives. George and Martha's chance at a perfect family was ruined by infertility and George's
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As the four drink, Martha and George engage in scathing verbal abuse of each other in front of Nick and Honey. These interactions embarrass the younger couple, but they stay. At one point, Honey lets on that Martha told her about their son, which appears to unnerve George. After this, Martha's taunts
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asserts that this play opposes the idea of a perfect American family and societal expectations as it "attacks the false optimism and myopic confidence of modern society". Albee takes a heavy-handed approach to displaying this contrast, making examples of every character and their expectations of the
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Overcome with pity, Nick and Honey leave. Martha suggests that they could invent a new imaginary child, but George insists they cannot. The play ends with George singing "Who's afraid of Virginia Woolf?", a joke song someone sang that night at the faculty party. Martha weakly replies, "I am, George.
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arriving with a telegram that George says informed him that their son was dead, having been killed in a car crash when he swerved to avoid a porcupineβ€”the exact wording that George earlier used in a story about a completely different person. Martha demands proof, but George insists on the reality of
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George asks Nick to bring Honey back for the final game, "Bringing Up Baby." Nick and Honey sit helplessly as George, at last, talks openly about his and Martha's son. As he accuses Martha of being overbearing to their son, she protests, leading George to ask for her "recitation." Martha agrees, and
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pops out of the gun barrel. Everyone finds this extremely funny, but Martha quickly resumes her taunting of George, which culminates in Martha relating how her father had thought that George would eventually rise to lead the college, but George's lack of ambition has made him pathetic to Martha, who
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George is an associate professor of history, and his wife Martha is the daughter of the president of the college where George teaches. After they return home from a faculty party, Martha reveals she has invited a young married couple she met at the party over for a drink. (Also cut in the definitive
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The distinction between truth and illusion is at times deliberately unclear. The existence of the child, the "murder" by George of his parents, or Honey's "pregnancy" may be illusions, but they seem real to the characters. Illusions may be exorcised in the play, but no truth or apparent reality is
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Honey calls for music, so they put on a record. Because George refuses to dance, Martha dances with Nick, taunting George by making the dance very sensual while she tells another embarrassing story about George: his efforts to publish a novel about a boy who accidentally killed both of his parents
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In at least two instances alternative takes were used: Taylor's memorable "Goddamn you!" line is restored to "Screw you!", and some of the dialogue from the dancing sequence was lifted from another take. As Martha tells Nick and Honey her story about punching George in the stomach in front of her
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first staged in October 1962. It examines the complexities of the marriage of middle-aged couple Martha and George. Late one evening, after a university faculty party, they receive unwitting younger couple Nick and Honey as guests, and draw them into their bitter and frustrated relationship.
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The recording was issued in both stereo (DOS 687) and monaural (DOL 287) formats. It was out of print for many years, was not released in other formats, and is highly prized among collectors, as a play with such adult themes had never been recorded for the general public before. It was
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According to Lawrence Kingsley, Albee's characters create illusions to help them evade feelings of their own inadequacy – as "George and Martha have evaded the ugliness of their marriage by taking refuge in illusion." The play demonstrates "how his characters must rid themselves of falsehood and
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In some productions until 2006, Honey then returns, wondering who rang the doorbell. George then interrogates Honey about her pregnancy, then openly tells Honey that he is going to inform Martha that their son has died. In a 2006 revision by the author of the script, however, this scene is cut.
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Notably, it was this 2005 production that led to the publication of a revised script – one that has been used ever since – although many of its revisions were introduced in earlier productions. Among the revisions was the removal of early references to George and Martha's son, as well as the
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Martha begins to openly seduce Nick in the living room right in front of George, who blithely smiles and pretends to read a book. This greatly annoys Martha, who tells George that if he does nothing to stop her, she'll have sex with Nick. George is unmoved, so Martha goes upstairs with Nick.
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people around them. Societal norms of the 1950s consisted of a nuclear family: two parents and two (or more) children. This conception was picturesque in the idea that the father was the breadwinner, the mother a homemaker, and the children well-behaved.
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Albee has said that the title of the play "means who's afraid of the big bad wolf ... who's afraid of living life without false illusions." Albee's interest in the theme of reality versus illusion is expressed in a number of his plays. In discussing
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the other day and found himself whiling away his time reading the graffiti on the wall beside his chair. Most of the stuff was pretty humdrum, but he was arrested by a legend, done in elegant calligraphy, that read, "Who's afraid of Virginia
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on 27 September 2012, opening on 13 October, 50 years after the original Broadway opening. MacKinnon again directed, with the Steppenwolf cast reprising their roles. The production and cast received praise in
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on the task of recording the play. The introduction is by Albee, in which he writes, "I cannot conceive of anyone wanting to buy massive album; but ... every playwright wants as much permanence for his work as he can get."
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calls him a "great big fat flop." George reacts violently by breaking a bottle. Honey, who has grown more and more deliriously drunk, quickly runs to the bathroom to vomit, leaving George alone with glass all over the room.
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and sorrow for the anguish she was causing him. Twenty years later, playwright Edward Albee corresponded with him, asking permission to use his late wife's name in the title of a new play, according to literary critic
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and making literary jokes that Martha seems to actually enjoy. Martha and George then argue about whether the moon is up, an odd game whose metaphors reveal that Nick was too drunk to have sex with Martha upstairs.
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by that award's drama jury, but the award's advisory board – the trustees of Columbia University – objected to its profanity and sexual themes, and overruled the jury, awarding no Pulitzer Prize for drama in 1963.
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I was in there having a beer one night, and I saw "Who's afraid of Virginia Woolf?" scrawled in soap, I suppose, on this mirror. When I started to write the play it cropped up in my mind again. And of course,
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is a parody in which the dysfunctional relationship of Anne Bonny and Mary Read is meant to parallel that of George and Martha, and whose antics instigate a reconciliation of Ed and Stede.
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The 2012 revival won the 2013 Tony Awards for Best Revival of a Play, Best Performance by an Actor in a Leading Role in a Play (Letts), and Best Direction of a Play (MacKinnon).
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at a backyard party, George disappears. The story continues, with Nick and Honey laughing, until George appears with a rifle and fires at Martha. To their surprise, a
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edition: Just before the coupleβ€”Nick and Honeyβ€”arrives, George gives a vague warning about "the bit with the kid" that Martha appears to understand.)
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and Menken was an experimental filmmaker and painter. Maas and Menken were known for their infamous salons, where drinking would "commence at 4 
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Martha enters an empty living room and shouts for the others to come out of hiding. Nick joins her. The doorbell rings, and George enters carrying
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returned to acting in 2011 to play Martha in a production by Blue Bridge Repertory Theatre. The show ran from 5 July – 17 July 2011, in
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Immediately, an enraged George throws his book against the house's doorbell chimes, which ring out as he promises to make Martha "regret this."
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and became mute. As the story concludes, George and Nick discuss children, but the conversation turns insulting before Martha and Honey return.
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Because of the play's unusual length (over three hours), the producers also cast a matinee company that performed twice a week, featuring
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wolf – who's afraid of living life without false illusions. And it did strike me as being a rather typical, university intellectual joke.
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to a dinner party that slowly devolves into a chaotic exhibition of Michael's tense relationship with his girlfriend and former boss,
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begins to recall their son's beauty and talents and accuses George of ruining his life. As she speaks, George recites sections of the
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with the entire original cast, running from 31 January to 13 May 2006. In January 2007, the production played at the
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The play closed on 16 May 1964, after 5 previews and 664 performances. It opened in London in 1965, starring
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classmates, one of whom had accidentally killed his mother by shooting her. This friend was mocked for ordering "bergin" (
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Perhaps this was the very same scribbling the magazine had noted in its pages nearly five years before the play's dΓ©but.
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The 2005 revivial won the 2005 Tony Award for Best Performance by a Leading Actor in a Play for Bill Irwin's role.
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Award for Best Play. Its stars won the 1963 Tony Awards for Best Actor and Actress. It was selected for the 1963
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had been set to play George, but it was announced on 11 September 2019, that Everett would replace her.
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In an interview, Albee said Martha and George were based on two of his friends, married New York socialites
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The release contained a 16 page booklet with photos from the original production, critical essays by
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as Honey, and Bill Berger as Nick. As with the evening company, these matinee performances also sold out.
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Nick returns to find George alone. As they talk about their wives, Nick reveals that Honey once had a "
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in Washington, DC, for one month. On 6 February 2007, the production began a six-week run at the
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Blowout: Corrupted Democracy, Rogue State Russia, and the Richest, Most Destructive Industry on Earth
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Cocktails with George and Martha: Movies, Marriage, and the Making of Who's Afraid of Virginia Woolf?
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responded in 2013 by suggesting that perhaps the graffiti that Albee saw was the same graffiti that
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only increase. When Martha launches into an embarrassing story about how she humiliated him with a
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A Broadway revival was scheduled to premiere on 9 April 2020, in a production directed by
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The title phrase happened to appear five years before the play's premiere, in a 1957 issue of
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The three-act play normally takes just under three hours to perform, with two 10 minute
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identified the film as the first controversial film he had to deal with as president of the
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Multiple television shows have episodes parodying the original play. Season 3, Episode 1 of
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This continues until George informs Martha that the doorbell earlier was a messenger from
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is the expulsion or attempted expulsion of a supposed evil spirit from a person or place.)
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Kingsley, Lawrence (March 1973). "Reality and illusion: Continuity of a theme in Albee".
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The film was given a "Deluxe Edition Two-Record Set" soundtrack album release in 1967 by
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The print edition of the play was published in 1962 and was one of the early releases of
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boxed recording of the original Broadway cast performing the entire play, directed by
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associate and friend to Maas). The primary conflict between George and Martha in
475:, an acquaintance of Leonard Woolf. Woolf granted permission, according to Edel. 282: 278: 270: 265:" is the name of an annual witches' meeting, satiric in the context of the play.) 2524: 2449: 5346: 4926: 4902: 4667: 4635: 4544: 4424: 4150: 4137: 4094: 4074: 3933: 3787: 3736: 3691: 3474: 3390: 3360: 3293: 2090: 1947: 1912: 1684: 1652: 1233: 1205: 1175: 1034:. It was performed in Calgary, Toronto, Phoenix, Guadalajara, and Mexico City. 999: 995: 976: 890: 844: 805: 745: 712: 705: 663: 643: 635: 609: 584: 574: 549: 515: 497: 463: 262: 206: 176: 4031:
In Such Good Company: Eleven Years of Laughter, Mayhem, and Fun in the Sandbox
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There was a time when people believed in deities. And then revolutions came –
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after 9 preview performances, without officially opening. It starred
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Grammy Award for Best Audio Book, Narration & Storytelling Recording
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derived from Maas's and Menken's tempestuous and volatile relationship.
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A film adaptation of the play was released in 1966. It was directed by
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Award for Best Play. It is frequently revived on the modern stage. The
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for his role. The production transferred to London's West End at the
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on Friday and end in the wee hours of night on Monday" (according to
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Flanagan, William (1966). "Edward Albee: The art of the theatre".
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Morgan, T.B. (May 26, 1967). "Angry playwright in soft spell".
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The Daily Show with Jon Stewart Presents Earth (The Audiobook)
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Edward R. Murrow - A Reporter Remembers, Vol. I: The War Years
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supplied in its place. "All truth", George says, " relative".
2248:"Rupert Everett replaces Eddie Izzard in Broadway revival of 1362:. University of North Texas Department of Dance and Theatre. 344: 5341: 936:
Tony Award for Best Performance by a Leading Actor in a Play
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Tony Award for Best Performance by a Leading Actor in a Play
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Meyer, Ruth (March 1968). "Language: Truth and illusion in
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Carry On: Reflections for a New Generation from John Lewis
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for an all-male production, but Albee refused permission.
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America Again: Re-becoming the Greatness We Never Weren't
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On the play, the 1966 film adaptation, and their impact.
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failure to become a prominent figure at the university.
2179:. September 23, 2016 – via londonboxoffice.co.uk. 308: 255: 5330: 229: 919:. This production began previews on Broadway at the 903:, and Madison Dirks. The production was directed by 719:, cast and crew biographies, and a short article by 626:
on 13 October 1962. The original cast featured
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Interviews from the Class of '55 Recording Sessions
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Edward Albee: A Singular Journey : A biography
951:On 21 February 2017, a production directed by 907:, who previously directed the premieres of Albee's 3546:(producer) & the Original Broadway Cast (1985) 3349:(producer) & the Original Broadway Cast (1972) 2817:Drama Desk Award for Outstanding Revival of a Play 2411: 1862:Edward Albee: A research and production sourcebook 1709: 1400: 1398: 1046:premiered a sequel written by Kate Scelsa, titled 395:dichotomy of ancient Greek drama, as described in 4951:The Curious Incident of the Dog in the Night-Time 4133:The Light We Carry: Overcoming in Uncertain Times 3438:Citizen Kane (Original Motion Picture Soundtrack) 3202:The Story-Teller: A Session with Charles Laughton 2029:"Taking no prisoners in boozy, brutal head games" 1244: 1050:. This play introduces new plot elements such as 1030:, in the form of an hour-long ballet inspired by 478:Edward Albee's title also pokes fun at the song " 462:The play's title alludes to the English novelist 5354: 4180: 2058:"'Who's Afraid of Virginia Woolf?' at the Tonys" 786:starred in a 1996 production of the play at the 3783:The Measure of a Man: A Spiritual Autobiography 1865:. Westport, Connecticut: Praeger. p. 245. 1395: 691: 507:Albee described the inspiration for the title: 273:". George tells Nick about a time he went to a 3475:Gertrude Stein, Gertrude Stein, Gertrude Stein 426:return to the world in which they must live." 5043: 4362: 4166: 3865:Our Endangered Values: America's Moral Crisis 3112: 2801: 2582: 2526:​Who's Afraid of Virginia Woolf?​ 2514:​Who's Afraid of Virginia Woolf?​ 2387: 1887:​Who's Afraid of Virginia Woolf?​ 1716:. New York: Applause Theatre Books. pp.  1174:as Honey. All four actors were nominated for 4676:The Life and Adventures of Nicholas Nickleby 4376: 3503:Raiders of the Lost Ark: The Movie on Record 1228:In company with the MPAA's general counsel, 3759:The Autobiography of Martin Luther King Jr. 2083: 1283:. Unsourced material may be challenged and 1026:troupe mounted a homage in dance to Albee, 776:starred in a 1980 production in New Haven. 5050: 5036: 4369: 4355: 4173: 4159: 3119: 3105: 2808: 2794: 2589: 2575: 2436: 2055: 40: 2596: 2215:"Laurie Metcalf, Eddie Izzard to star in 2023: 1830: 1700: 1698: 1303:Learn how and when to remove this message 881:began performances of the play featuring 808:starred in a 2000–2001 production at The 4764:Angels in America: Millennium Approaches 2298: 1981:– via virginiawoolfonbroadway.com. 1744: 1603: 1404: 1384: 862:The play toured in the US and played in 815:The play was revived on Broadway at the 573:. Maas was a professor of literature at 5383:Grammy Award for Best Spoken Word Album 3967:If You Ask Me (And of Course You Won't) 3816:and Charles B. Potter (producer) (2002) 2344:. April 26, 2023. tr4377597 (tt0818273) 1674: 1037: 1017: 870:from 11 April – 12 May 2007. 535:A coffee fiend we know dropped into an 377: 25:Who's Afraid of Virginia Woolf? (album) 5355: 3823:Lies and the Lying Liars Who Tell Them 3451:Ages of Man: Readings from Shakespeare 2366: 1804:– 1962, Nederlander Theatre, Broadway" 1704: 1695: 1577:"So Much More Than Virginia's Husband" 1567: 1565: 1563: 1548:from the original on February 24, 2018 1502: 1441: 1150:Who's Afraid of Virginia Woolf? (film) 735: 603: 21:Who's Afraid of Virginia Woolf? (film) 5378:Cultural depictions of Virginia Woolf 5059:Tony Award for Best Revival of a Play 5031: 4553:Rosencrantz and Guildenstern Are Dead 4350: 4154: 3898:and Jacob Bronstein (producer) (2007) 3100: 2789: 2773: 2570: 2446:Motion Picture Association of America 2406: 2056:Schuessler, Jennifer (June 6, 2013). 1991: 1745:Claridge, Laura P. (April 12, 2016). 1606:"The art of theater No: Edward Albee" 1535: 1458: 1343: 1222:Motion Picture Association of America 790:in London before transferring to the 598: 3796:Q: The Autobiography of Quincy Jones 2245: 2084:Chamberlain, Adrian (July 7, 2011). 1858: 1751:, Literary Tastemaker Extraordinaire 1571: 1281:adding citations to reliable sources 1248: 1186:and Dennis and Segal for Supporting 1085:. This episode is a parody in which 766:starred in a 1976 Broadway revival. 134:Martha and George's New England home 4935:Vanya and Sonia and Masha and Spike 3242:John F. Kennedy: As We Remember Him 2482:. New York: Bloomsbury Publishing. 2306:Everyone's Fine with Virginia Woolf 1560: 1491:20th-century American theatre issue 1048:Everyone's Fine with Virginia Woolf 646:. Subsequent cast members included 13: 3143:The Best of the Stan Freberg Shows 2468: 2246:Gans, Andrew (11 September 2019). 494:Here We Go Round the Mulberry Bush 19:For the 1966 film adaptation, see 14: 5419: 5408:Virginia Woolf in performing arts 5368:American plays adapted into films 4975:Harry Potter and the Cursed Child 3182:– Robert Bialek (producer) (1960) 2751:Edward Albee's At Home at the Zoo 2506: 2388:Emily Garbutt (October 5, 2023). 2132:– via bluebridgetheatre.ca. 1943:"The 2008 Pulitzer Prize Winners" 1348:. Atheneum Books. pp. 57–59. 1202:Best Actress in a Supporting Role 979:. It ran until 27 May 2017. 480:Who's Afraid of the Big Bad Wolf? 434:Critique of societal expectations 197:was released in 1966, written by 163:Who's Afraid of the Big Bad Wolf? 23:. For the Jimmy Smith album, see 5340: 3830:and Paul Ruben (producer) (2003) 2161:– via londontheatre.co.uk. 2094:(digital ed.). Victoria, BC 1992:Jones, Kenneth (June 13, 2012). 1951:. 2008 – via pulitzer.org. 1253: 5232:Who's Afraid of Virginia Woolf? 5127:One Flew Over the Cuckoo's Nest 4513:Who's Afraid of Virginia Woolf? 4441:The Teahouse of the August Moon 4248:Who's Afraid of Virginia Woolf? 3317:Why I Oppose the War in Vietnam 3215:Who's Afraid of Virginia Woolf? 3001:Who's Afraid of Virginia Woolf? 2777:Who's Afraid of Virginia Woolf? 2639:Who's Afraid of Virginia Woolf? 2544:Who's Afraid of Virginia Woolf? 2430: 2400: 2381: 2360: 2328: 2292: 2271: 2250:Who's Afraid of Virginia Woolf? 2239: 2217:Who's Afraid of Virginia Woolf? 2207: 2183: 2165: 2146:Who's Afraid of Virginia Woolf? 2136: 2116:Who's Afraid of Virginia Woolf? 2106: 2077: 2049: 2017: 1985: 1955: 1935: 1907:Who's Afraid of Virginia Woolf? 1897: 1879: 1852: 1824: 1802:Who's Afraid of Virginia Woolf? 1792: 1775: 1738: 1668: 1656:. November 30, 1957. p. 45 1640: 1604:Flanagan, William (Fall 1966). 1597: 1536:Jones, Josh (August 26, 2013). 1507:Edward Albee's morality play". 1505:Who's Afraid of Virginia Woolf? 1461:Who's Afraid of Virginia Woolf? 1119:Who's Afraid of Virginia Woolf? 1022:In 1995 and 1996, the Canadian 728:finally re-released in 2014 by 616:Who's Afraid of Virginia Woolf? 593:Who's Afraid of Virginia Woolf? 452: 446:Who's Afraid of Virginia Woolf? 385:Who's Afraid of Virginia Woolf? 224: 183:Who's Afraid of Virginia Woolf? 142:Who's Afraid of Virginia Woolf? 35:Who's Afraid of Virginia Woolf? 5388:Literature about alcohol abuse 4772:Angels in America: Perestroika 4018:A Full Life: Reflections at 90 3228:BBC Tribute to John F. Kennedy 2367:Greene, Andy (April 7, 2018). 2193:Who's Afraid of Virginia Woolf 1965:Who's Afraid of Virginia Woolf 1931:– via thisistheatre.com. 1838:Who's Afraid of Virginia Woolf 1680:"A history of polite graffiti" 1529: 1503:Bigsby, C.W. (October 1967). " 1496: 1452: 1435: 1378: 1352: 1346:Who's Afraid of Virginia Woolf 1337: 1245:Original film soundtrack album 1127:New York Drama Critics' Circle 1032:Who's Afraid of Virginia Woolf 873:On 12 December 2010, the 519:means who's afraid of the big 191:New York Drama Critics' Circle 1: 5143:Long Day's Journey into Night 4465:Long Day's Journey into Night 4279:Ganesh Versus the Third Reich 3665:What You Can Do to Avoid AIDS 2915:Long Day's Journey into Night 1330: 1236:, the legendary chieftain of 990:. It was canceled due to the 560: 4182:Helpmann Award for Best Play 3602:Speech by Rev. Jesse Jackson 2304:"George and Martha redux in 1366:(review). September 30, 2011 839:as Nick. Irwin won the 2005 692:Original Broadway cast album 642:as Nick. It was directed by 7: 4847:The Goat, or Who Is Sylvia? 3356:Jonathan Livingston Seagull 2737:The Goat, or Who Is Sylvia? 2195:announces Broadway closing" 2086:"Meg Tilly's leap of faith" 1967:, directed by Pam McKinnon" 1510:Journal of American Studies 1466:Educational Theatre Journal 1408:Educational Theatre Journal 1391:. Vol. 39. p. 33. 1360:"Drink, drink and be merry" 10: 5424: 4796:The Last Night of Ballyhoo 3233:That Was the Week That Was 2702:The Man Who Had Three Arms 2532:Internet Broadway Database 2520:Internet Broadway Database 2444:. Film ratings / history. 1893:Internet Broadway Database 1859:Horn, Barbara Lee (2003). 1747:The Lady with the Borzoi: 1147: 1067:The critically acclaimed " 946:Victoria, British Columbia 500:fairly well and is in the 496:", a melody that fits the 18: 5065: 4830: 4780:Love! Valour! Compassion! 4619: 4384: 4188: 4085: 3944: 3809:A Song Flung Up to Heaven 3773: 3671:and Robert O'Keefe (1992) 3628: 3465: 3308: 3171: 3134: 2823: 2783: 2618:The Death of Bessie Smith 2605: 2546:– Apollo Theater, London" 1919:(listing). Archived from 1875:– via Google Books. 1820:– via playbill.com. 1523:10.1017/S002187580000788X 1113: 372: 309:Act Three: "The Exorcism" 256:Act Two: "Walpurgisnacht" 130: 122: 114: 106: 92: 84: 61: 51: 39: 34: 16:1962 play by Edward Albee 5403:Tony Award-winning plays 5398:Plays set in New England 4660:Children of a Lesser God 4593:That Championship Season 4378:Tony Award for Best Play 4057:Faith: A Journey for All 3539:Ma Rainey's Black Bottom 3399:Great American Documents 3290:We Love You Call Collect 2660:Everything in the Garden 1650:. The Talk of the Town. 1178:: Taylor and Burton for 1131:Pulitzer Prize for Drama 1123:Tony Award for Best Play 457: 230:Act One: "Fun and Games" 187:Tony Award for Best Play 4457:The Diary of Anne Frank 3733:Charles Kuralt's Spring 3678:On the Pulse of Morning 2730:The Play About the Baby 2341:Internet Movie Database 2279:"Performance 1987–1999" 1785:New York Herald Tribune 1143: 1104:Season 2, Episode 4 of 1044:Elevator Repair Service 893:-winning playwright of 486:'s animated version of 357:: "Lord, have mercy"). 347:mass for the dead) and 5256:A View from the Bridge 5103:A View from the Bridge 3669:Earvin "Magic" Johnson 3321:Martin Luther King Jr. 3068:How I Learned to Drive 3025:A View from the Bridge 2971:A View from the Bridge 2869:A View from the Bridge 2417:, the whole enchilada" 1344:Albee, Edward (1962). 1242: 1204:, while Segal lost to 546: 525: 423: 391:interpretation of the 5393:Plays by Edward Albee 4529:The Subject Was Roses 4505:A Man for All Seasons 4473:Sunrise at Campobello 4334:Counting and Cracking 3905:An Inconvenient Truth 3851:Dreams from My Father 3614:It's Always Something 3386:Give 'em Hell, Harry! 2688:The Lady from Dubuque 2516:(list of productions) 2124:on September 18, 2011 1226: 1197:A Man For All Seasons 957:Harold Pinter Theatre 934:. Letts won the 2013 748:attempted to recruit 533: 509: 489:The Three Little Pigs 403: 5280:The Boys in the Band 5200:The Norman Conquests 4895:August: Osage County 4732:The Heidi Chronicles 4561:The Great White Hope 4044:The Princess Diarist 3891:The Audacity of Hope 3638:Gracie: A Love Story 3424:The Belle of Amherst 2963:The Norman Conquests 2540:(February 1, 2006). 2336:"Camp refoogee IMDb" 2288:– via oyr.org. 2224:Entertainment Weekly 2152:London Theatre Guide 2027:(October 14, 2012). 1973:on December 18, 2014 1678:(January 29, 2013). 1621:(39). Archived from 1575:(October 29, 1989). 1317:Warner Bros. Records 1277:improve this section 1107:Our Flag Means Death 1038:Sequels and parodies 1018:Dance interpretation 896:August: Osage County 730:Masterworks Broadway 698:Columbia Masterworks 660:Mercedes McCambridge 398:The Birth of Tragedy 393:Apollonian/Dionysian 378:Reality and illusion 271:hysterical pregnancy 46:1962 Broadway poster 5240:A Raisin in the Sun 5224:Death of a Salesman 5168:Glengarry Glen Ross 5111:Death of a Salesman 4887:The Coast of Utopia 4756:Dancing at Lughnasa 4740:The Grapes of Wrath 4449:The Desperate Hours 4401:Death of a Salesman 4302:The Glass Menagerie 4005:Diary of a Mad Diva 3874:With Ossie and Ruby 3526:The Words of Gandhi 3222:(playwright) (1963) 3049:The Waverly Gallery 2993:Death of a Salesman 2877:Death of a Salesman 2538:Billington, Michael 2286:Performance Theatre 2235:– via EW.com. 1788:. October 11, 1962. 1089:invites new couple 875:Steppenwolf Theatre 868:Golden Gate Theatre 736:Notable productions 604:Original production 5153:(a combination of 5087:A Delicate Balance 5071:An Inspector Calls 4999:The Lehman Trilogy 4684:Torch Song Trilogy 4489:The Miracle Worker 4409:The Cocktail Party 3720:It Takes a Village 2853:A Delicate Balance 2837:An Inspector Calls 2653:A Delicate Balance 2632:The American Dream 2442:"How it all began" 2423:The New York Times 2313:The New York Times 2063:The New York Times 2034:The New York Times 1923:on August 15, 2012 1845:The New York Times 1832:Isherwood, Charles 1582:The New York Times 1321:network television 1211:The Fortune Cookie 1125:and the 1962–1963 1121:won both the 1963 927:The New York Times 686:Constance Cummings 675:Shepperd Strudwick 648:Henderson Forsythe 624:Billy Rose Theatre 599:Production history 557:reported in 1957. 439:Christopher Bigsby 241:passive aggression 189:and the 1962–1963 185:won both the 1963 101:Billy Rose Theatre 5328: 5327: 5322: 5321: 5272:Angels in America 5025: 5024: 4708:I'm Not Rappaport 4344: 4343: 4318:The Drover's Wife 4310:The Bleeding Tree 4294:Angels in America 4194:Life After George 4148: 4147: 3930:Always Looking Up 3751:Christopher Reeve 3589:Lake Wobegon Days 3248:(producer) (1965) 3246:Goddard Lieberson 3194:Leonard Bernstein 3094: 3093: 3041:Angels in America 2883:The Iceman Cometh 2767: 2766: 2528:(1962 production) 2302:(June 12, 2018). 2284:One Yellow Rabbit 2254:. Broadway News. 2203:. March 21, 2020. 2177:London Box Office 1834:(March 9, 2014). 1313: 1312: 1305: 1024:One Yellow Rabbit 992:COVID-19 pandemic 932:Charles Isherwood 721:Goddard Lieberson 541:Greenwich Village 261:(Traditionally, " 172:Three Little Pigs 157:. The title is a 138: 137: 107:Original language 5415: 5345: 5344: 5336: 5288:A Soldier's Play 5216:The Normal Heart 5162: 5052: 5045: 5038: 5029: 5028: 4879:The History Boys 4871:Doubt: A Parable 4863:I Am My Own Wife 4652:The Elephant Man 4585:Sticks and Bones 4371: 4364: 4357: 4348: 4347: 4286:The Secret River 4256:War of the Roses 4175: 4168: 4161: 4152: 4151: 4141: 4127: 4115: 4103: 4078: 4064: 4052: 4038: 4026: 4012: 4000: 3986: 3974: 3962: 3937: 3925: 3899: 3885: 3859: 3845: 3831: 3817: 3803: 3791: 3766: 3754: 3740: 3728: 3714: 3706:Phenomenal Woman 3700: 3686: 3672: 3660: 3646: 3621: 3609: 3597: 3594:Garrison Keillor 3583: 3547: 3533: 3521: 3518:William Warfield 3513:Lincoln Portrait 3507: 3497: 3483: 3458: 3446: 3432: 3418: 3411:James Earl Jones 3394: 3380: 3364: 3350: 3338: 3324: 3301: 3298:Diane Linkletter 3285: 3273: 3261: 3258:Edward R. Murrow 3249: 3237: 3223: 3209: 3206:Charles Laughton 3197: 3183: 3164: 3156:Lincoln Portrait 3150: 3121: 3114: 3107: 3098: 3097: 3076:The Piano Lesson 3057:A Soldier's Play 3017:The Elephant Man 2985:The Normal Heart 2931:Twelve Angry Men 2810: 2803: 2796: 2787: 2786: 2771: 2770: 2758:Me, Myself and I 2723:Three Tall Women 2591: 2584: 2577: 2568: 2567: 2563: 2561: 2559: 2501: 2462: 2461: 2459: 2457: 2448:. Archived from 2434: 2428: 2427: 2419: 2410:(May 24, 1998). 2404: 2398: 2397: 2385: 2379: 2378: 2364: 2358: 2357: 2351: 2349: 2332: 2326: 2325: 2323: 2321: 2296: 2290: 2289: 2275: 2269: 2268: 2266: 2264: 2243: 2237: 2236: 2234: 2232: 2211: 2205: 2204: 2187: 2181: 2180: 2169: 2163: 2162: 2160: 2158: 2140: 2134: 2133: 2131: 2129: 2114:"Edward Albee's 2110: 2104: 2103: 2101: 2099: 2081: 2075: 2074: 2072: 2070: 2053: 2047: 2046: 2044: 2042: 2021: 2015: 2014: 2012: 2010: 1989: 1983: 1982: 1980: 1978: 1969:. Archived from 1963:"Edward Albee's 1959: 1953: 1952: 1939: 1933: 1932: 1930: 1928: 1915:, 2006, London. 1901: 1895: 1883: 1877: 1876: 1856: 1850: 1849: 1828: 1822: 1821: 1819: 1817: 1796: 1790: 1789: 1779: 1773: 1772: 1742: 1736: 1735: 1732:Internet Archive 1715: 1702: 1693: 1692: 1672: 1666: 1665: 1663: 1661: 1644: 1638: 1637: 1635: 1633: 1627: 1614:The Paris Review 1610: 1601: 1595: 1594: 1592: 1590: 1569: 1558: 1557: 1555: 1553: 1533: 1527: 1526: 1500: 1494: 1493: 1456: 1450: 1449: 1439: 1433: 1432: 1402: 1393: 1392: 1388:The Paris Review 1382: 1376: 1375: 1373: 1371: 1356: 1350: 1349: 1341: 1308: 1301: 1297: 1294: 1288: 1257: 1249: 1160:Elizabeth Taylor 986:and produced by 855:in Los Angeles. 853:Ahmanson Theatre 831:as George, with 817:Longacre Theatre 812:in Minneapolis. 760:Colleen Dewhurst 700:released a four- 582: 581: 514:who's afraid of 211:Elizabeth Taylor 88:October 13, 1962 44: 32: 31: 5423: 5422: 5418: 5417: 5416: 5414: 5413: 5412: 5353: 5352: 5351: 5339: 5331: 5329: 5324: 5323: 5318: 5304:Topdog/Underdog 5176:Awake and Sing! 5152: 5061: 5056: 5026: 5021: 4991:The Inheritance 4826: 4748:Lost in Yonkers 4615: 4601:The River Niger 4417:The Rose Tattoo 4380: 4375: 4345: 4340: 4184: 4179: 4149: 4144: 4130: 4118: 4106: 4092: 4081: 4067: 4055: 4041: 4029: 4015: 4003: 3997:Stephen Colbert 3989: 3979:Society's Child 3977: 3965: 3951: 3940: 3928: 3922:Blair Underwood 3902: 3888: 3862: 3848: 3834: 3820: 3806: 3794: 3780: 3769: 3757: 3743: 3731: 3725:Hillary Clinton 3717: 3703: 3689: 3675: 3663: 3649: 3635: 3624: 3612: 3600: 3586: 3560:Jerry Lee Lewis 3550: 3536: 3524: 3510: 3500: 3489:Donovan's Brain 3486: 3472: 3461: 3449: 3435: 3421: 3397: 3383: 3367: 3353: 3341: 3327: 3315: 3304: 3288: 3278:Lonesome Cities 3276: 3270:Everett Dirksen 3264: 3252: 3240: 3226: 3212: 3200: 3186: 3178: 3167: 3153: 3141: 3130: 3125: 3095: 3090: 3063:No Award (2021) 2939:Awake and Sing! 2819: 2814: 2779: 2768: 2763: 2709:Finding the Sun 2601: 2595: 2557: 2555: 2536: 2509: 2490: 2474: 2471: 2469:Further reading 2466: 2465: 2455: 2453: 2435: 2431: 2426:. p. CT11. 2405: 2401: 2386: 2382: 2365: 2361: 2347: 2345: 2334: 2333: 2329: 2319: 2317: 2297: 2293: 2277: 2276: 2272: 2262: 2260: 2244: 2240: 2230: 2228: 2227:. 13 April 2019 2213: 2212: 2208: 2189: 2188: 2184: 2171: 2170: 2166: 2156: 2154: 2142: 2141: 2137: 2127: 2125: 2112: 2111: 2107: 2097: 2095: 2082: 2078: 2068: 2066: 2054: 2050: 2040: 2038: 2022: 2018: 2008: 2006: 1990: 1986: 1976: 1974: 1961: 1960: 1956: 1941: 1940: 1936: 1926: 1924: 1917:This is Theatre 1903: 1902: 1898: 1884: 1880: 1873: 1857: 1853: 1829: 1825: 1815: 1813: 1798: 1797: 1793: 1781: 1780: 1776: 1761: 1743: 1739: 1728: 1703: 1696: 1673: 1669: 1659: 1657: 1648:"Unintimidated" 1646: 1645: 1641: 1631: 1629: 1625: 1608: 1602: 1598: 1588: 1586: 1585:. sect. 7, p. 7 1570: 1561: 1551: 1549: 1534: 1530: 1501: 1497: 1479:10.2307/3204876 1457: 1453: 1440: 1436: 1421:10.2307/3205837 1403: 1396: 1383: 1379: 1369: 1367: 1358: 1357: 1353: 1342: 1338: 1333: 1309: 1298: 1292: 1289: 1274: 1258: 1247: 1152: 1146: 1116: 1079:Gene Stupnitsky 1040: 1020: 965:Imelda Staunton 953:James Macdonald 910:Peter and Jerry 825:Kathleen Turner 810:Guthrie Theater 802:Patrick Stewart 792:Aldwych Theatre 788:Almeida Theatre 738: 694: 640:George Grizzard 606: 601: 579: 578: 563: 460: 455: 436: 380: 375: 311: 279:boarding school 258: 249:Chinese parasol 232: 227: 205:, and starring 195:film adaptation 93:Place premiered 80: 47: 28: 17: 12: 11: 5: 5421: 5411: 5410: 5405: 5400: 5395: 5390: 5385: 5380: 5375: 5373:Broadway plays 5370: 5365: 5350: 5349: 5326: 5325: 5320: 5319: 5317: 5316: 5308: 5300: 5292: 5284: 5276: 5268: 5260: 5252: 5244: 5236: 5228: 5220: 5212: 5204: 5196: 5188: 5180: 5172: 5164: 5147: 5139: 5131: 5123: 5119:The Real Thing 5115: 5107: 5099: 5095:A Doll's House 5091: 5083: 5075: 5066: 5063: 5062: 5055: 5054: 5047: 5040: 5032: 5023: 5022: 5020: 5019: 5011: 5003: 4995: 4987: 4979: 4971: 4963: 4955: 4947: 4939: 4931: 4927:Clybourne Park 4923: 4915: 4907: 4903:God of Carnage 4899: 4891: 4883: 4875: 4867: 4859: 4851: 4843: 4834: 4832: 4828: 4827: 4825: 4824: 4816: 4808: 4800: 4792: 4784: 4776: 4768: 4760: 4752: 4744: 4736: 4728: 4720: 4712: 4704: 4696: 4692:The Real Thing 4688: 4680: 4672: 4664: 4656: 4648: 4640: 4636:The Shadow Box 4632: 4623: 4621: 4617: 4616: 4614: 4613: 4605: 4597: 4589: 4581: 4573: 4565: 4557: 4549: 4545:The Homecoming 4541: 4533: 4525: 4517: 4509: 4501: 4493: 4485: 4477: 4469: 4461: 4453: 4445: 4437: 4429: 4425:The Fourposter 4421: 4413: 4405: 4397: 4393:Mister Roberts 4388: 4386: 4382: 4381: 4374: 4373: 4366: 4359: 4351: 4342: 4341: 4339: 4338: 4330: 4322: 4314: 4306: 4298: 4290: 4282: 4276: 4268: 4260: 4252: 4244: 4238: 4230: 4222: 4214: 4206: 4198: 4189: 4186: 4185: 4178: 4177: 4170: 4163: 4155: 4146: 4145: 4143: 4142: 4138:Michelle Obama 4128: 4116: 4104: 4089: 4087: 4083: 4082: 4080: 4079: 4075:Michelle Obama 4065: 4053: 4039: 4027: 4013: 4001: 3987: 3975: 3963: 3948: 3946: 3942: 3941: 3939: 3938: 3934:Michael J. Fox 3926: 3900: 3886: 3860: 3846: 3832: 3818: 3804: 3792: 3788:Sidney Poitier 3777: 3775: 3771: 3770: 3768: 3767: 3755: 3741: 3737:Charles Kuralt 3729: 3715: 3701: 3692:Get in the Van 3687: 3673: 3661: 3647: 3632: 3630: 3626: 3625: 3623: 3622: 3610: 3598: 3584: 3548: 3534: 3522: 3508: 3498: 3484: 3469: 3467: 3463: 3462: 3460: 3459: 3447: 3433: 3419: 3395: 3391:James Whitmore 3381: 3365: 3361:Richard Harris 3351: 3339: 3325: 3312: 3310: 3306: 3305: 3303: 3302: 3294:Art Linkletter 3286: 3274: 3262: 3250: 3238: 3224: 3210: 3198: 3189:Humor in Music 3184: 3175: 3173: 3169: 3168: 3166: 3165: 3151: 3138: 3136: 3132: 3131: 3124: 3123: 3116: 3109: 3101: 3092: 3091: 3089: 3088: 3080: 3072: 3064: 3061: 3053: 3045: 3037: 3029: 3021: 3013: 3005: 2997: 2989: 2981: 2967: 2959: 2951: 2943: 2935: 2927: 2919: 2911: 2903: 2895: 2891:The Real Thing 2887: 2873: 2865: 2861:A Doll's House 2857: 2849: 2841: 2833: 2824: 2821: 2820: 2813: 2812: 2805: 2798: 2790: 2784: 2781: 2780: 2765: 2764: 2762: 2761: 2754: 2747: 2740: 2733: 2726: 2719: 2712: 2705: 2698: 2691: 2684: 2677: 2670: 2663: 2656: 2649: 2642: 2635: 2628: 2621: 2614: 2606: 2603: 2602: 2594: 2593: 2586: 2579: 2571: 2565: 2564: 2534: 2522: 2508: 2507:External links 2505: 2504: 2503: 2488: 2476:Gefter, Philip 2470: 2467: 2464: 2463: 2452:on 21 May 2008 2429: 2399: 2380: 2359: 2327: 2291: 2270: 2238: 2206: 2182: 2164: 2135: 2105: 2091:Times Colonist 2076: 2048: 2016: 1996:Virginia Woolf 1984: 1954: 1948:Pulitzer Prize 1934: 1913:Apollo Theatre 1896: 1878: 1872:978-0313311413 1871: 1851: 1823: 1812:. October 1962 1791: 1774: 1759: 1737: 1726: 1694: 1685:The New Yorker 1667: 1653:The New Yorker 1639: 1628:on 29 May 2008 1596: 1559: 1528: 1495: 1451: 1434: 1394: 1377: 1351: 1335: 1334: 1332: 1329: 1311: 1310: 1261: 1259: 1252: 1246: 1243: 1206:Walter Matthau 1176:Academy Awards 1164:Richard Burton 1148:Main article: 1145: 1142: 1115: 1112: 1039: 1036: 1019: 1016: 1000:Rupert Everett 996:Laurie Metcalf 977:Luke Treadaway 930:from reviewer 891:Pulitzer Prize 849:Kennedy Center 845:Apollo Theatre 827:as Martha and 806:Mercedes Ruehl 746:Richard Burton 737: 734: 713:Harold Clurman 706:Alan Schneider 693: 690: 664:Elaine Stritch 644:Alan Schneider 638:as Honey, and 636:Melinda Dillon 610:Atheneum Books 605: 602: 600: 597: 585:Gerard Malanga 575:Wagner College 562: 559: 555:The New Yorker 550:The New Yorker 529:The New Yorker 516:Virginia Woolf 464:Virginia Woolf 459: 456: 454: 451: 435: 432: 401:. Albee says, 379: 376: 374: 371: 320: 319: 310: 307: 267: 266: 263:Walpurgisnacht 257: 254: 231: 228: 226: 223: 207:Richard Burton 201:, directed by 177:Virginia Woolf 136: 135: 132: 128: 127: 124: 120: 119: 118:Marital strife 116: 112: 111: 108: 104: 103: 94: 90: 89: 86: 85:Date premiered 82: 81: 79: 78: 75: 72: 69: 65: 63: 59: 58: 53: 49: 48: 45: 37: 36: 15: 9: 6: 4: 3: 2: 5420: 5409: 5406: 5404: 5401: 5399: 5396: 5394: 5391: 5389: 5386: 5384: 5381: 5379: 5376: 5374: 5371: 5369: 5366: 5364: 5361: 5360: 5358: 5348: 5343: 5338: 5337: 5334: 5314: 5313: 5309: 5306: 5305: 5301: 5298: 5297: 5293: 5290: 5289: 5285: 5282: 5281: 5277: 5274: 5273: 5269: 5266: 5265: 5261: 5258: 5257: 5253: 5250: 5249: 5245: 5242: 5241: 5237: 5234: 5233: 5229: 5226: 5225: 5221: 5218: 5217: 5213: 5210: 5209: 5205: 5202: 5201: 5197: 5194: 5193: 5192:Boeing-Boeing 5189: 5186: 5185: 5184:Journey's End 5181: 5178: 5177: 5173: 5170: 5169: 5165: 5160: 5156: 5151: 5148: 5145: 5144: 5140: 5137: 5136: 5135:Private Lives 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2025:Isherwood, C. 2020: 2005: 2004: 1999: 1997: 1988: 1977:September 15, 1972: 1968: 1966: 1958: 1950: 1949: 1944: 1938: 1922: 1918: 1914: 1910: 1908: 1900: 1894: 1890: 1888: 1882: 1874: 1868: 1864: 1863: 1855: 1847: 1846: 1841: 1839: 1833: 1827: 1811: 1810: 1805: 1803: 1795: 1787: 1786: 1778: 1770: 1766: 1762: 1760:9780374114251 1756: 1752: 1750: 1749:Blanche Knopf 1741: 1733: 1729: 1727:1-55783-447-4 1723: 1719: 1714: 1713: 1707: 1701: 1699: 1691: 1687: 1686: 1681: 1677: 1676:Overbey, Erin 1671: 1655: 1654: 1649: 1643: 1624: 1620: 1616: 1615: 1607: 1600: 1584: 1583: 1578: 1574: 1568: 1566: 1564: 1547: 1543: 1539: 1532: 1524: 1520: 1516: 1512: 1511: 1506: 1499: 1492: 1488: 1484: 1480: 1476: 1472: 1468: 1467: 1462: 1455: 1447: 1446: 1438: 1430: 1426: 1422: 1418: 1414: 1410: 1409: 1401: 1399: 1390: 1389: 1381: 1365: 1364:Theater Jones 1361: 1355: 1347: 1340: 1336: 1328: 1324: 1322: 1318: 1307: 1304: 1296: 1286: 1282: 1278: 1272: 1271: 1267: 1262:This section 1260: 1256: 1251: 1250: 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Dennis won 1199: 1198: 1193: 1192:Paul Scofield 1189: 1185: 1181: 1177: 1173: 1170:as Nick, and 1169: 1165: 1161: 1157: 1151: 1141: 1138: 1135: 1132: 1128: 1124: 1120: 1111: 1109: 1108: 1102: 1100: 1096: 1092: 1088: 1084: 1083:Lee Eisenberg 1080: 1076: 1075: 1071:" episode of 1070: 1065: 1064:in the play. 1062: 1061: 1060:American Dad! 1055: 1053: 1049: 1045: 1035: 1033: 1029: 1025: 1015: 1013: 1009: 1005: 1004:Russell Tovey 1001: 997: 993: 989: 985: 980: 978: 974: 970: 966: 962: 958: 955:began at the 954: 949: 947: 943: 939: 937: 933: 929: 928: 922: 921:Booth Theatre 918: 917: 912: 911: 906: 905:Pam MacKinnon 902: 899:) as George, 898: 897: 892: 888: 884: 880: 876: 871: 869: 865: 864:San Francisco 860: 856: 854: 850: 846: 842: 838: 837:David Harbour 835:as Honey and 834: 833:Mireille Enos 830: 826: 823:, it starred 822: 818: 813: 811: 807: 803: 799: 797: 793: 789: 785: 781: 777: 775: 771: 767: 765: 761: 757: 755: 751: 750:Warren Beatty 747: 743: 733: 731: 725: 722: 718: 714: 709: 707: 703: 699: 689: 687: 682: 680: 679:Avra Petrides 676: 672: 667: 665: 661: 657: 653: 652:Eileen Fulton 649: 645: 641: 637: 633: 629: 625: 621: 617: 613: 611: 596: 594: 590: 586: 576: 572: 568: 558: 556: 552: 551: 545: 542: 538: 532: 530: 524: 522: 518: 517: 508: 505: 503: 502:public domain 499: 495: 491: 490: 485: 481: 476: 474: 469: 468:Leonard Woolf 465: 450: 447: 443: 440: 431: 427: 422: 420: 416: 412: 408: 402: 400: 399: 394: 390: 386: 370: 366: 363: 362:Western Union 358: 356: 355:ancient Greek 352: 351: 350:Kyrie eleison 346: 342: 341: 337:(part of the 336: 335: 328: 325: 317: 313: 312: 306: 302: 298: 294: 292: 288: 284: 280: 276: 272: 264: 260: 259: 253: 250: 246: 242: 239:and George's 236: 222: 220: 216: 212: 208: 204: 200: 199:Ernest Lehman 196: 192: 188: 184: 180: 178: 174: 173: 168: 164: 161:on the song " 160: 156: 155:intermissions 151: 148: 145:is a play by 144: 143: 133: 129: 125: 121: 117: 113: 109: 105: 102: 98: 95: 91: 87: 83: 76: 73: 70: 67: 66: 64: 60: 57: 54: 50: 43: 38: 33: 30: 26: 22: 5310: 5302: 5294: 5286: 5278: 5270: 5262: 5254: 5246: 5238: 5231: 5230: 5222: 5214: 5206: 5198: 5190: 5182: 5174: 5166: 5149: 5141: 5133: 5125: 5117: 5109: 5101: 5093: 5085: 5077: 5069: 5015:Stereophonic 5013: 5007:Leopoldstadt 5005: 4997: 4989: 4983:The Ferryman 4981: 4973: 4965: 4957: 4949: 4941: 4933: 4925: 4917: 4909: 4901: 4893: 4885: 4877: 4869: 4861: 4853: 4845: 4837: 4831:2001–present 4818: 4810: 4802: 4794: 4788:Master Class 4786: 4778: 4770: 4762: 4754: 4746: 4738: 4730: 4724:M. 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Trivia. 2069:August 26, 1573:Edel, Leon 1517:(2): 268. 1331:References 1074:The Office 1028:Permission 883:Amy Morton 829:Bill Irwin 780:Diana Rigg 774:Elaine May 754:Jon Voight 618:opened on 561:Characters 407:industrial 277:with some 62:Characters 52:Written by 5291:(2020/21) 4994:(2020/21) 4919:War Horse 4620:1976–2000 4385:1948–1975 3983:Janis Ian 3657:Ken Burns 3335:Les Crane 2597:Plays by 2542:"Review: 2413:"Albee's 2348:April 26, 2157:March 31, 1945:. Drama. 1848:(review). 1769:908176194 1473:(1): 69. 1264:does not 1052:vampirism 942:Meg Tilly 798:in 1997. 740:In 1970, 696:In 1963, 671:Kate Reid 628:Uta Hagen 539:joint in 473:Leon Edel 387:he cites 334:Libera me 287:porcupine 5248:Skylight 5150:Henry IV 4812:Side Man 4070:Becoming 3882:Ruby Dee 3746:Still Me 2923:Henry IV 2744:Occupant 2681:Seascape 2674:All Over 2554:. 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Index

Who's Afraid of Virginia Woolf? (film)
Who's Afraid of Virginia Woolf? (album)

Edward Albee
Broadway
Billy Rose Theatre
Edward Albee
intermissions
pun
Who's Afraid of the Big Bad Wolf?
Walt Disney
Three Little Pigs
Virginia Woolf
Tony Award for Best Play
New York Drama Critics' Circle
film adaptation
Ernest Lehman
Mike Nichols
Richard Burton
Elizabeth Taylor
George Segal
Sandy Dennis
passive aggression
sucker punch
Chinese parasol
Walpurgisnacht
hysterical pregnancy
gin mill
boarding school
bourbon

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