363:
is very limited. Yet he has a presence that reveals itself on film that I have found to be very rare." Bare was equally impressed. "There are many difficult scenes in which Randy, as the psychotic killer, must wordlessly and subtly express his progression from naive handyman to crazed killer in a matter of seconds," Bare said. "With all this, Randolph has still managed to make his character quite sympathetic."
326:, who got the idea for the Duo-Vision gimmick while driving one day, when he noticed the line that divided the road. "As I glanced from one side of the freeway to the other, I noticed how my mind was taking a picture over here, then another over there," Bare later stated. "Why not tell a film story with two simultaneous images?"
236:) begins investigating what's happened to a handful of vanishing guests but he soon becomes personally involved when his brunette ex-wife, Lisa James (Tiffany Bolling), arrives for a singing engagement at the hotel. When Lisa dons a blonde wig for her performance, she finds herself the next target of a psychopathic killer.
29:
487:
should be seen with tongue-in-cheek, the same spirit in which it was created." Gary W. Stratton said the film was "better than average" with "credible" acting, and he called the reveal of the killer's motivation "the best part," but like most every film critic - whether they liked the movie or hated
362:
was sent by his agent to audition for the role of Hank
Lassiter (a minor part which ultimately went to Edd Byrnes). When Ore and Bare saw him, they knew they'd found their star. "It's impossible to believe that this is Randy's first motion picture," claimed Orr. "His experience in front of a camera
433:
Initially Bare and MGM planned to release the movie as two separate films, to be shown by two interlocked projectors on a wide theater screen, but they ultimately decided that a single piece of film would give them a larger market, so they squeezed both images onto 35mm, projected at a unique 2.65:1
333:
which had been on the market but hadn't sold, so I just cut it up and patched scenes together here and there to make two parallel scripts." The script pages were divided in half, with each half of the page corresponding to what was to appear on screen. Finding a typewriter that could accommodate
518:
fell into obscurity, and
Bolling eventually removed it from her résumé. "They can’t do anything with it," she said. "They can’t put it on home video, because you can’t see it on TV, the screen is so small, so it just totally was a bust." In the 21st century, however, television airings were no
463:
Doug
Thompson wrote, "The script by Bare is trite and so filled with typical screen stereotypes and clichés that it is almost comical. His direction is erratic and sloppy and acting by the principals is appalling." Mike Meserole commented, "As with the split screen, Duo-Vision is geared more for
468:
has plenty of the former and none of the latter." Barbara Bladen wrote, "It works to keep your mind off the mindlessness of the script until the novelty wears off," and then she concluded, "There may be laughs to be had for someone with a strong stomach for blood but the graphic vision of the
370:
had been in a popular commercial for
Mitchum deodorant in which he proclaimed, "I didn't use any antiperspirant yesterday and I may not today." Bare saw the commercial and asked Bailey to come to California for an interview. "We had only talked a few moments," said Bailey, "before they told me,
334:
these unique needs proved challenging for the writer. "My first problem was finding a typewriter with a carriage wide enough to take a legal-size piece of paper sideways, so I could type parallel scripts," Bare said. "Then I had to find a duplicating machine that would do the same thing."
394:. The album didn't sell well and the company backing it went out of business, so Bolling continued her acting career. For the part of lounge singer Lisa James, the filmmakers needed someone who could both act and sing. "My singing was one thing that helped me get the part in
491:
Director
Richard L. Bare wrote in his autobiography, "The college students were unanimous in their praise, but the picture opened quietly, played a while, and then disappeared." According to Bare, the film received minuscule promotion because MGM owner
410:
over the span of 48 days and came in under its $ 1.5 million budget. Bare estimated that the time and expense was double what it would have been for a normal, single-screen film. At the time of the film's release, Tiffany
Bolling commented,
482:
called it "an oddly pleasant movie" in which "everybody is likable." Leon
Flemming praised Madelaine Sherwood, calling her "appealingly grotesque as a down-and-out hoofer who lives on very precarious credit at the hotel," before concluding,
353:
The casting of the killer proved to be a difficult challenge. "We needed intensity and passion as well as innocence, a combination of qualities we found to be rare among the many, many young actors we interviewed," Orr revealed. A young
556:. The movie underwent an extensive two-year restoration which was described as akin to "restoring two separate films," it's presented in a 2.40:1 aspect ratio and boasts a stereo soundtrack and the trailer as a sole extra.
415:
was a fun film to make... and I loved the duo-vision process." Decades later she recanted, saying the film "really got to be a joke," because it was cheap and poorly made, "but I loved singing in the movie."
430:, it "took 32 weeks to finish the rough cut," said Bare, "compared with 6 weeks for the average picture." "I also had to shoot 3,000 more feet of film in order to fill a void on one of the screens."
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Critical reaction was split, with many critics unable to grasp the film's mixture of horror, suspense and comedy. "It's high camp," Bare stated. "Nobody can take it seriously. We call it half
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The
Grandview is a sprawling Californian hotel with a terrible secret: single blonde visitors who check in don't check out. Hotel detective Rick Stewart (
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383:, and became typecast as a result. Orr was the one who'd originally cast Byrnes as Kookie, and Bare directed several episodes of the show.
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action playing on both sides of the screen simultaneously, and he scripted a few single-screen segments "for shock value."
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The idea stayed in Bare's head for two years before he decided to pursue it. "I had a script I had written called
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Bare recognized before he began shooting that audiences would have a hard time following the movie if there was
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it - he pointedly added to his review, "most of the time the double picture does not add to the film."
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was an equally easy find. Byrnes skyrocketed to fame as "Kookie" on the popular television series
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709:"Recognized... Even with His Clothes On" (Press release). Metro-Goldwyn-Mayer, Inc. 1973.
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Thomas, Bob (December 24, 1972). "Duo-Vision -- Two Movies for the Price of One'".
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438:. They also made the highly unusual (at the time) decision to release the film in
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Thompson, Doug (May 15, 1973). "'Cinema: 'Her career is erratic — more or less'".
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was an entirely different matter. In 1970, Bolling released an album titled
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Casting the role of hotel detective Rick
Stewart was substantially easier.
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Stratton, Gary W. (May 14, 1973). "Split-Screen Film Value
Questionable".
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Editing the film proved to be a daunting task. Edited on a double-headed
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Thompson, Doug (May 15, 1973). "'Cinema: 'Wicked, Wicked' is so-so'".
220:. It was presented in "Duo-Vision", a gimmick more commonly known as
720:"Happy to be aging" (Press release). Metro-Goldwyn-Mayer, Inc. 1973.
1160:
1110:"Warner Archive Collection Podcast: Olivia, Batman and the Hecks"
619:
Taylor, Robert (April 22, 1973). "'Alamedan Offers Duo-Vision'".
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On October 28, 2014, the movie was released as a burn-on-demand
698:"Star-Finders" (Press release). Metro-Goldwyn-Mayer, Inc. 1973.
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was draining the company's funds to build a Las Vegas casino.
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Breakfast with Tiffany: An Interview with Tiffany Bolling
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film's more grisly scenes quite choked them back on me."
342:
1180:
Simultaneous Tensions: The Duo-Vision of Wicked, Wicked
676:
Anderson, Nancy (May 22, 1973). "'Hollywood Hotline'".
537:) and went on to air in heavy rotation on the network.
204:
is a 1973 horror-thriller film written and directed by
1216:
1040:"BIS DIE GĂ„NSEHAUT ERSTARRT in Duo Vision - sehr rar"
545:
The film was released on VHS in Finland and Germany.
507:which would have dealt with a plot to assassinate
891:Bladen, Barbara (May 15, 1973). "'The Marquee'".
1449:
997:TCM Underground - The Grindhouse Cinema Database
911:Psychopath Does His Grim Deeds in Wicked, Wicked
870:Meserole, Mike (April 26, 1973). "Movie Review:
464:action than acting, which is fortunate because
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322:The film was the brainchild of writer-director
472:Other reviews of the film were more positive.
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1182:, a video essay by Stephen Broomer on Vimeo
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1305:I Sailed to Tahiti with an All Girl Crew
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503:with another Duo-Vision thriller titled
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519:longer a problem. The film debuted on
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1008:TCM Underground (2006) - The A.V. Club
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1085:"Shout Factory strikes deal with MGM"
659:"'No, You Haven't Seen Everything'".
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406:The movie was filmed at the historic
1065:"Wicked, Wicked/Warner Archive Shop"
986:. Scarecrow Press, Inc. p. 300.
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782:"'Double-Image Movie Newest Idea'".
754:The Gist (Wicked, Wicked) - THE GIST
984:Confessions of a Hollywood Director
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832:"Duo-vision Will Be Introduced in
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499:Orr and Bare planned to follow up
345:. Within 48 hours, they sold it.
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941:Flemming, Leon (June 28, 1973). "
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639:"'Wide Talent Search By Orr'".
1473:American horror thriller films
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566:List of American films of 1973
527:in 2008 (paired with the 1972
272:as Henry Peter 'Hank' Lassiter
1:
1348:So You Want to Learn to Dance
576:
540:
312:
302:as Mr. Fenley, Hotel Engineer
1518:1970s English-language films
1478:American serial killer films
1173:AFI Catalog of Feature Films
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402:Filming, editing and release
16:1973 film by Richard L. Bare
7:
1468:1970s horror thriller films
1255:The House Across the Street
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10:
1549:
1285:Shoot-Out at Medicine Bend
1265:Return of the Frontiersman
514:After its theatrical run,
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296:as Genny (as Indira Danks)
294:Stefanianna Christopherson
1513:Metro-Goldwyn-Mayer films
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982:Bare, Richard L. (2001).
965:The Abilene Reporter-News
948:Lubbock Avalanche-Journal
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284:as Simmons, Hotel Manager
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371:'You've got the part.'"
1528:Films shot in San Diego
1503:Films set in California
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157:June 13, 1973
1483:American slasher films
1235:Smart Girls Don't Talk
1020:"Hotellimurhat (1973)"
679:Waterloo Daily Courier
523:' cult movie showcase
945:for Horror, Comedy".
785:The Victoria Advocate
662:Florence Morning News
521:Turner Classic Movies
266:as Police Sgt. Ramsey
1523:1970s American films
1378:The Purple Testament
1275:This Side of the Law
788:. December 21, 1972.
665:. December 22, 1972.
1508:Films set in hotels
1488:1970s slasher films
1091:on October 29, 2014
894:The San Mateo Times
877:The Berkshire Eagle
738:The Alton Telegraph
278:as Dolores Hamilton
1369:Third from the Sun
1217:Works directed by
1150:TCM Movie Database
917:The New York Times
842:. January 2, 1973.
408:Hotel del Coronado
290:as Lenore Karadyne
288:Madeleine Sherwood
94:Madeleine Sherwood
1463:1973 horror films
1445:
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1423:What's in the Box
1360:The Twilight Zone
1329:television series
1046:on March 17, 2012
642:The Post-Crescent
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308:as Bill Broderick
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1087:. Archived from
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645:. March 5, 1973.
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571:Hyperlink cinema
529:Alfred Hitchcock
505:October Incident
360:Randolph Roberts
300:Arthur O'Connell
258:Randolph Roberts
218:Randolph Roberts
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116:Frederick Gately
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1414:The Fugitive
1405:To Serve Man
1387:Nick of Time
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210:David Bailey
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173:Running time
150:Release date
104:Indira Danks
69:David Bailey
1437:(1965–1971)
1434:Green Acres
1341:(1942–1956)
453:Grand Hotel
306:Jack Knight
282:Roger Bowen
264:Scott Brady
84:Scott Brady
54:Produced by
36:Directed by
1458:1973 films
1452:Categories
1115:2014-10-28
1095:2014-10-28
1070:2014-10-28
1050:2014-10-28
1025:2010-02-23
927:2010-02-20
815:2010-02-20
761:2024-05-06
577:References
541:Home media
375:Edd Byrnes
313:Production
270:Edd Byrnes
177:95 minutes
161:1973-06-13
89:Edd Byrnes
46:Written by
531:thriller
456:and half
446:Reception
121:Edited by
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1416:" (1962)
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1398:" (1961)
1389:" (1960)
1380:" (1960)
1371:" (1960)
1327:Film and
1161:AllMovie
560:See also
552:through
421:too much
190:Language
129:Music by
62:Starring
1170:at the
1148:at the
478:critic
428:Moviola
392:Tiffany
356:Vietnam
349:Casting
193:English
182:Country
159: (
1351:(1953)
1318:(1973)
1308:(1969)
1298:(1958)
1288:(1957)
1278:(1950)
1268:(1950)
1258:(1949)
1248:(1949)
1238:(1948)
534:Frenzy
440:stereo
318:Script
1226:Films
550:DVD-R
1139:IMDb
240:Cast
228:Plot
216:and
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343:MGM
143:MGM
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