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180:--quoting the liner notes, " 'we wanted to create not only a new work or a new instrument, but a new composer, a six-brained, twelve-handed individual, to see what it would come up with.'" --Harry Freedman's review of CCMC Vol. III Music Gallery Editions MGE 6), Musicworks (when it was a supplement to Paper Today) --Musicworks 39, Fall 1987, importance of documentation, Interview with Michael Snow on his album "The Last LP", interviewed by Gayle Young, "Gayle: "...Since the beginning CCMC has recorded every concert, is that true? MS: Yes, that's whatever it is, thirteen years of at least twice a week, and then once a week, plus the tours. A lot of tape, yes. GY: I wonder if this provided you with an understanding of the importance of recording that someone else may not have. Because improvised music is unrepeatable except by recording. MS: That's true and that's one important aspect of recording, that it can fix what can't be heard again, that's for sure." (page 19) --Musicworks no 13, fall 1980, article by Allan Mattes on 'Ear it Live In Toronto (Joe, Read this) 2149: 2284: 2601: 2393: 21: 2162: 2468: 2224: 2516: 91:
The project covers articles about "experimental" music in Toronto, Canada. For the purpose of this Project, "experimental" music is somewhere within the locus of jazz, free improvisation, New Music, electronic music, electroacoustic, punk, noise and related genres. By definition, it is a liminal and
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in terms of covering ecology, consider making an article that summarizes the ecology of 60s, 70s creative music in Toronto (summary of venues that might not merit an article on their own): Cellar (Duport Street), Hart House, The Beverly, Sandpiper, Bohemian Embassy, the Spadina Hotel, the Cameron,
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Where possible, confer with the artists and individuals who will be discussed in the articles that are generated
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If you are not currently a project participant and wish to help you may still participate in the project. This
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David Prentice (musician, instrument builder), Sault Saint Mary, January 30, 1947
188:โ€” Mark Miller has sent some material (incl a picture) that will be useful for this 1195: 985: 934: 928: 882: 566: 467: 439: 267: 248: 1749: 1190: 1051: 973: 944: 909: 576: 551: 533: 367: 2283: 2654: 2600: 1096: 1031: 1026: 956: 835: 697: 556: 403: 255: 141: 2116: 1081: 1046: 919: 877: 867: 284: 145: 817: 456: 320: 290: 1015: 296: 279: 171: 160: 2392: 1091: 904: 336: 137: 1066: 924: 872: 1106: 20: 118: 238:, Musicworks (Fall 79, memories for Larry Dubin, by John Oughton) 2467: 2161: 2223: 302: 151: 2515: 1260: 315: 1935: 1124: 470: 85: 674: 174:+ identify other relevant groups needing articles. 82:Welcome to the Toronto Experimental Music Project! 113:Some notes following from the wikipedia jam event 2652: 1413:Do not include copies of lengthy primary sources 2457:Parks, conservation areas and historical sites 1575:Do not disrupt Knowledge to illustrate a point 2132: 1246: 392: 352: 2146: 2001: 1907:Categories, lists, and navigation templates 1212: 2139: 2125: 1253: 1239: 359: 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Index


WikiProject
inactive
related projects
Teahouse
status should be changed
Guide to WikiProjects
Directory of WikiProjects
Dealing with inactive WikiProjects
Toronto Experimental Music Knowledge Jam
Some notes following from the wikipedia jam event
Our_Retired_Explorer
talk
contribs
TEMPUS (FUGGIT)
Mechanical Forest Sound
Track Could Bend
CCMC
CCMC (band)
Maurey Coles
A Space (venue)
Artist Jazz Band
Casey Sokol
Larry Dubin
Lloyd Garber
Graham Coughtry
Gordon Rayner
CODA_(magazine)
Bill Smith (Canadian musician)
Gayle Young

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