25:
133:
309:) attacks upon Van Gilse forced the latter to demand that the orchestra board refuse Pijper admittance to concerts; after the board had stalled on the issue for some time, Van Gilse resigned in 1921. Pijper has since been criticised for his role in the affair, also because his combined functions of critic and advisor for the Tivoli concert hall at least suggested a conflict of interest (
363:; 1917) (in which Mahler's influence is evident) and the Second (1921) is significant, and between 1918 and 1922 he grew into one of the more advanced composers in Europe. In each successive work he went a step further, starting from his conception that every work of art arises out of a number of "germ
389:
has been called the "Pijper scale" in Dutch. As a teacher, Pijper had a great influence on modern Dutch music, teaching many prominent Dutch composers of the 1950s, 1960s, and 1970s. He was senior teacher of instrumentation at the
Amsterdam Conservatoire, and from 1930 until his death in 1947 he
285:
working-class parents. His father, who sometimes played psalm accompaniments on the harmonium, taught him the names of the notes of the treble clef when he was five. Willem subsequently discovered the use of sharps and flats and began composing simple melodies. His fascination with symmetrical
382:, but his music does not quite reach the ecstatic level of Vermeulen's. Nonetheless, Pijper remained a composer of strong emotional character, to which his Third Symphony (1926) bears witness. In Pijper's later works the harmonic expression seems at times to approach monotonality.
378:. Yet there is no question of Pijper's consciously abandoning tonality; rather his polyphonic way of thinking and his sense of counterpoint made his harmonic style evolve in that direction. In that sense, he stands quite close to the music of his contemporary
289:
Poor health as a child meant that he was educated at home until age 13, but in 1912, after three years study at the gymnasium (high school), Pijper entered the
Utrecht Academy of Music, where he was taught composition by
347:. Although he worked on the project for over six years, the work was never completed. In late 1946, he was diagnosed with cancer. During the closing weeks of his life he rewrote the orchestration to his
1010:
297:
Pijper occasionally gave piano recitals, but his activity as a critic was of greater importance. At the end of the First World War, he became a critic for the
294:, passing examinations in theoretical subjects in 1915. Apart from his brief study with Wagenaar he was entirely self-taught as a composer.
1005:
1000:
951:
815:
966:
89:
973:
Kooij, Hans Eduard. "COMPOSITION BY USE OF GERM CELLS- A Botanical-Musical
Analogy in the Willem Pijper Sonata for Piano".
61:
1035:
1020:
914:
286:
musical structures was evident even at this early age. At ten he began formal piano lessons and made rapid progress.
108:
68:
1015:
1030:
75:
46:
42:
265:. Pijper is considered to be among the most important Dutch composers of the first half of the 20th century.
1025:
57:
1040:
359:
Pijper quickly chose his own path as a composer. The difference in style between his First
Symphony (
947:
443:
Septet for flute/piccolo, oboe/English horn, clarinet, bassoon, horn, double bass & piano (1920)
625:
35:
305:, then chief conductor of the Utrechts Stedelijk Orkest. Pijper’s constant vitriolic (and often
918:
995:
990:
783:
82:
8:
793:
379:
830:
910:
893:
748:
324:, to which he contributed many essays. Collections of his essays were published by
449:
Phantasie for flute, oboe, clarinet, bassoon, horn & piano (1927) on Mozart's
386:
368:
226:
933:
820:
291:
249:
938:
310:
984:
975:
Tijdschrift van de
Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis
807:
675:
648:
597:
438:
314:
302:
262:
301:, and in that capacity was at least partly responsible for the departure of
839:
The complete String
Quartets. The Schönberg Quartet, Olympia Explorer, 1994
375:
364:
339:
Pijper spent much of his time during the war years working on a new opera,
258:
857:
344:
456:
Quintet for woodwinds: flute, oboe, clarinet, bassoon & horn (1929)
767:
757:
399:
282:
934:
Willem Pijper: Biography & list of works (in
English and French)
24:
856:
The part of the first violin in this quartet has to be played by a
505:
254:
446:
Sextet for flute, oboe, clarinet, bassoon, horn & piano (1923)
325:
278:
185:
253:; 8 September 1894 – 18 March 1947) was a Dutch
132:
530:
for piano solo (1926) in the series "Folk Dances of the World"
801:
513:
320:
In 1926, with Paul F. Sanders, he established the periodical
274:
166:
907:
Roots of the
Classical: The Popular Origins of Western Music
474:
Quattro Pezzi
Antichi for 3 violins & violoncello (1923)
883:, 2010, Oxford University Press, ed. Sadie and Tyrrell.
568:
nos. 1 & 2 (1934) from "Deux
Ballades de Paul Fort"
433:
Concerto for Violoncello Solo & Orchestra (1936/47)
483:
Trio No. 2 for violin, violoncello & piano (1921)
480:
Trio No. 1 for violin, violoncello & piano (1914)
16:
Dutch composer, music critic and teacher (1894–1947)
964:Dierick, Augustinus P. "WILLEM PIJPER: AN APERCU".
819:(1939–42) (Unfinished), Symphonic drama in 3 acts (
390:acted as principal of the Rotterdam Conservatoire.
49:. Unsourced material may be challenged and removed.
1011:Academic staff of the Conservatorium van Amsterdam
894:http://www.ripm.org/?page=JournalInfo&ABB=MZK
881:The New Grove Dictionary of Music & Musicians
982:
477:Trio for flute, clarinet & bassoon (1926–27)
548:Theme and Five Variations for piano solo (1913)
498:Sonata No. 2 for violoncello & piano (1924)
495:Sonata No. 1 for violoncello & piano (1919)
374:From 1919, Pijper's music can be described as
430:Concerto for Violin & Orchestra (1938–39)
647:, C'est le chien de Jean de Nivelle (1921) (
829:Adapted with permission from John Craton's
719:
351:. Pijper died in Utrecht on 18 March 1947.
311:Article about the Van Gilse/Pijper conflict
230:
492:Sonata No. 2 for violin & piano (1922)
489:Sonata No. 1 for violin & piano (1919)
131:
952:International Music Score Library Project
424:Concerto for Piano & Orchestra (1927)
109:Learn how and when to remove this message
967:Canadian Journal of Netherlandic Studies
612:Vocal (with instrumental accompaniment)
562:(1921) from "Deux Ballades de Paul Fort"
983:
811:(1932–34), Symphonic drama in 9 scenes
349:Concerto for Violoncello and Orchestra
551:Three Aphorisms for piano solo (1915)
248:
47:adding citations to reliable sources
18:
486:Sonata for flute & piano (1925)
13:
958:
427:Orchestral Piece with Piano (1915)
14:
1052:
1006:20th-century Dutch male musicians
927:
1001:20th-century classical composers
782:of Reuckelose Stoutheit (1937) (
682:Two Songs on Ancient Dutch Texts
393:
281:, on 8 September 1894 of strict
23:
970:, Volume XXIII,I [2002[: 11-31.
545:Sonatina No. 3 for piano (1925)
542:Sonatina No. 2 for piano (1925)
539:Sonatina No. 1 for piano (1917)
242:Willem Frederik Johannes Pijper
153:Willem Frederik Johannes Pijper
34:needs additional citations for
899:
886:
874:
850:
635:" (1930) (William Shakespeare)
560:La fille morte dans ses amours
1:
977:. Volume LIV-2, 2004: 119-131
905:Van der Merwe, Peter (2004).
867:
712:Acht oud-Hollandsche liederen
706:Acht oud-Hollandsche liederen
501:Sonata for violin solo (1931)
421:Six Symphonic Epigrams (1928)
138:
948:Free scores by Willem Pijper
536:Sonata for two pianos (1935)
371:'s early "cell technique").
7:
776:(1925) (Euripides/Verhagen)
741:Zestiende-eeuwsch Marialied
729:Vieilles chansons de France
605:Vanden Coning van Castilien
524:Het Patertje Langs den Kant
471:String Quartet No. 5 (1946)
468:String Quartet No. 4 (1928)
465:String Quartet No. 3 (1923)
462:String Quartet No. 2 (1920)
459:String Quartet No. 1 (1914)
451:Phantasie für eine Spieluhr
225:Having the Dutch term for "
10:
1057:
1036:Dutch male opera composers
896:(accessed 10 August 2017).
566:Le marchand de sable geork
1021:Dutch classical composers
221:
201:
193:
174:
148:
130:
123:
843:
690:(1916) (Bertha de Bruyn)
354:
197:Utrecht Academy of Music
668:(1916) (René de Clercq)
639:Die Nächliche Heerschau
626:Pieter Cornelis Boutens
587:(1918) (René de Clercq)
581:(1917) (René de Clercq)
533:Sonata for piano (1930)
268:
250:[ˈʋɪləmˈpɛipər]
1016:Composers for carillon
831:Willem Pijper web page
720:
714:, second series (1935)
618:(1916) (Paul Verlaine)
573:Réveilles-vous piccars
231:
1031:Dutch opera composers
708:, first series (1924)
641:(1922/43) (Carl Löwe)
415:Symphony No. 3 (1926)
412:Symphony No. 2 (1921)
835:Selected recordings
784:Joost van den Vondel
760:/Balthazar Verhagen)
735:Twee Wachterliederen
700:Huit Noëls de France
662:(1914) (H. von Gilm)
645:Romance sans paroles
367:" (somewhat akin to
246:Dutch pronunciation:
43:improve this article
1026:Dutch music critics
941:Het papieren gevaar
794:William Shakespeare
273:Pijper was born at
229:" named after him (
418:Six Adagios (1940)
380:Matthijs Vermeulen
299:Utrechtsch Dagblad
1041:People from Zeist
330:De Quintencirckel
239:
238:
232:Pijper toonladder
119:
118:
111:
93:
1048:
943:(online at dbnl)
921:
903:
897:
890:
884:
878:
861:
854:
749:Incidental music
723:
718:Oud-Hollandsche
656:Voice and piano
585:Op den Weefstoel
345:Arthurian legend
328:under the title
252:
247:
234:
181:
163:8 September 1894
162:
160:
143:
140:
135:
121:
120:
114:
107:
103:
100:
94:
92:
51:
27:
19:
1056:
1055:
1051:
1050:
1049:
1047:
1046:
1045:
981:
980:
961:
959:Further reading
939:Willem Pijper:
930:
925:
924:
904:
900:
891:
887:
879:
875:
870:
865:
864:
855:
851:
846:
405:Symphony No. 1
396:
387:octatonic scale
369:Igor Stravinsky
357:
343:, based on the
271:
245:
227:octatonic scale
217:
189:
183:
179:
170:
164:
158:
156:
155:
154:
144:
141:
126:
115:
104:
98:
95:
58:"Willem Pijper"
52:
50:
40:
28:
17:
12:
11:
5:
1054:
1044:
1043:
1038:
1033:
1028:
1023:
1018:
1013:
1008:
1003:
998:
993:
979:
978:
971:
960:
957:
956:
955:
945:
936:
929:
928:External links
926:
923:
922:
909:, p.217, 106.
898:
885:
872:
871:
869:
866:
863:
862:
848:
847:
845:
842:
841:
840:
827:
826:
825:
824:
821:Simon Vestdijk
812:
799:
798:
797:
787:
777:
771:
761:
746:
745:
744:
738:
732:
726:
715:
709:
703:
697:
691:
685:
679:
672:Fêtes Galantes
669:
663:
654:
653:
652:
642:
636:
629:
619:
610:
609:
608:
602:
594:
591:Heer Danielken
588:
582:
576:
569:
563:
554:
553:
552:
549:
546:
543:
540:
537:
534:
531:
511:
510:
509:
504:Passepied for
502:
499:
496:
493:
490:
487:
484:
481:
478:
475:
472:
469:
466:
463:
460:
457:
454:
447:
444:
436:
435:
434:
431:
428:
425:
422:
419:
416:
413:
410:
395:
392:
356:
353:
292:Johan Wagenaar
270:
267:
237:
236:
223:
222:Known for
219:
218:
216:
215:
212:
209:
205:
203:
199:
198:
195:
191:
190:
184:
182:(aged 52)
176:
172:
171:
165:
152:
150:
146:
145:
136:
128:
127:
124:
117:
116:
31:
29:
22:
15:
9:
6:
4:
3:
2:
1053:
1042:
1039:
1037:
1034:
1032:
1029:
1027:
1024:
1022:
1019:
1017:
1014:
1012:
1009:
1007:
1004:
1002:
999:
997:
994:
992:
989:
988:
986:
976:
972:
969:
968:
963:
962:
953:
949:
946:
944:
942:
937:
935:
932:
931:
919:
916:
915:9780191513268
912:
908:
902:
895:
889:
882:
877:
873:
859:
853:
849:
838:
837:
836:
833:
832:
822:
818:
817:
813:
810:
809:
805:
804:
803:
800:
795:
791:
788:
785:
781:
778:
775:
772:
769:
765:
764:De Bacchanten
762:
759:
756:(1920/1926) (
755:
752:
751:
750:
747:
742:
739:
736:
733:
730:
727:
724:
722:
721:minneliederen
716:
713:
710:
707:
704:
701:
698:
695:
692:
689:
686:
683:
680:
677:
676:Paul Verlaine
673:
670:
667:
664:
661:
658:
657:
655:
650:
649:Paul Verlaine
646:
643:
640:
637:
634:
630:
627:
623:
620:
617:
616:Fête Galantes
614:
613:
611:
606:
603:
600:
599:
598:Heer Halewijn
595:
592:
589:
586:
583:
580:
579:De Lente Komt
577:
574:
570:
567:
564:
561:
558:
557:
555:
550:
547:
544:
541:
538:
535:
532:
529:
525:
521:
518:
517:
515:
512:
507:
503:
500:
497:
494:
491:
488:
485:
482:
479:
476:
473:
470:
467:
464:
461:
458:
455:
452:
448:
445:
442:
441:
440:
439:Chamber music
437:
432:
429:
426:
423:
420:
417:
414:
411:
408:
404:
403:
401:
398:
397:
394:List of works
391:
388:
383:
381:
377:
372:
370:
366:
362:
352:
350:
346:
342:
337:
335:
331:
327:
323:
318:
317:(in Dutch)).
316:
315:De Volkskrant
312:
308:
304:
303:Jan van Gilse
300:
295:
293:
287:
284:
280:
276:
266:
264:
263:music teacher
260:
256:
251:
243:
233:
228:
224:
220:
214:music teacher
213:
210:
207:
206:
204:
200:
196:
192:
188:, Netherlands
187:
178:18 March 1947
177:
173:
169:, Netherlands
168:
151:
147:
134:
129:
125:Willem Pijper
122:
113:
110:
102:
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
974:
965:
940:
906:
901:
888:
880:
876:
852:
834:
828:
814:
806:
789:
779:
773:
763:
753:
740:
734:
728:
717:
711:
705:
699:
694:La Maumariée
693:
687:
681:
671:
665:
659:
644:
638:
632:
631:Songs from "
621:
615:
604:
596:
590:
584:
578:
572:
565:
559:
527:
523:
519:
450:
406:
384:
373:
360:
358:
348:
340:
338:
333:
329:
321:
319:
306:
298:
296:
288:
272:
259:music critic
241:
240:
211:music critic
180:(1947-03-18)
105:
99:January 2013
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
996:1947 deaths
991:1894 births
858:mute violin
823:, libretto)
792:(1929–30) (
790:The Tempest
731:(1918/1946)
725:(1920/1942)
666:Douwdeuntje
660:Allerseelen
633:The Tempest
624:(1941–43) (
575:" (1932–33)
334:De Stemvork
202:Occupations
142: 1935
985:Categories
868:References
774:De Cycloop
770:/Verhagen)
688:Four Songs
400:Orchestral
307:ad hominem
159:1894-09-08
69:newspapers
768:Euripides
758:Sophocles
696:(1919–20)
571:Chanson "
528:Scharmoes
520:De Boufon
376:polytonal
322:De Muziek
283:Calvinist
194:Education
917:. Also:
808:Halewijn
766:(1924) (
754:Antigone
674:(1916) (
506:carillon
255:composer
208:Composer
954:(IMSLP)
950:at the
816:Merlijn
556:Choral
341:Merlijn
326:Querido
279:Utrecht
277:, near
186:Utrecht
137:Pijper
83:scholar
913:
780:Faëton
743:(1929)
737:(1934)
702:(1919)
684:(1923)
607:(1936)
601:(1920)
593:(1925)
516:music
508:(1916)
453:, 1791
409:(1917)
402:music
85:
78:
71:
64:
56:
844:Notes
802:Opera
622:Hymne
514:Piano
365:cells
355:Music
275:Zeist
167:Zeist
90:JSTOR
76:books
911:ISBN
892:See
385:The
332:and
269:Life
261:and
175:Died
149:Born
62:news
407:Pan
361:Pan
313:in
45:by
987::
526:,
522:,
336:.
257:,
139:c.
920:.
860:.
796:)
786:)
678:)
651:)
628:)
244:(
235:)
161:)
157:(
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.