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is skill in play selection and production, his eye for good acting, and his happy combination of enterprise and prudence in business managemenl commended him more and more to the supporters of repertory. He put on a very varied list of significant pieces by modern
British dramatists … The Playhouse
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at the
Birmingham Repertory as assistant director. He resigned in 1947 because of ill-health and spent the winter of that year in South Africa. He returned to London in 1948, and directed the production at the
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Armstrong had made a strong impression in
Liverpool, and when, in 1922, the company was in financial trouble and in need of an effective young director he was invited to take the post. His obituarist in
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Armstrong remained in charge at the
Playhouse until 1944, when poor health led him to step down. Between 1941 and 1945 he produced several plays in London, including
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under his management enlisted and trained actors and actresses with extraordinary success, so that in time the West End stage was full of its graduates – of whom
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73:, but after teaching for some years he chose a theatrical career in preference to a musical one. He made his professional stage debut with
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37:(30 November 1882 – 5 October 1952) was a British actor, theatre manager and director, associated for many years with the
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91:. Subsequently he toured in Germany with Meta Illing's English company, and from 1910 to 1912 he was a member of the
41:, where as director he was an important influence on young actors in his company, including, at various times,
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in 1916, and from 1917 to 1919 toured army camp theatres. In
September 1920, he was with the
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Other future stars who learned their craft at the
Playhouse under Armstrong included
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113:. In September 1914, he joined the Liverpool Repertory Company. He moved on to the
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in 1908. He made his first London appearance the following year in
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The
Repertory Movement: A History of Regional Theatre in Britain
396:. Cambridge and New York: Cambridge University Press.
362:(fourth ed.). London: Sir Isaac Pitman and Sons.
379:(fifth ed.). London: Sir Isaac Pitman and Sons.
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Armstrong was born in
Edinburgh and studied music at
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Armstrong died at his home near
Birmingham aged 69.
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301:"Mr W. Armstrong: Liverpool Repertory Theatre",
95:, acting as assistant director to its founder,
121:repertory company, and in 1922 he toured with
436:Commanders of the Order of the British Empire
314:Granger, Derek. "Obituary: Robert Flemyng",
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138:Six Characters in Search of an Author
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135:in the English-language premiere of
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99:. In 1912–13 he toured the US in
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441:Theatre people from Edinburgh
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115:Birmingham Repertory Company
79:Shakespeare Memorial Theatre
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20:Armstrong, sketched in the
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375:Parker, John, ed. (1925).
358:Parker, John, ed. (1922).
351:
431:British theatre directors
331:, 24 September 1945, p. 6
377:Who's Who in the Theatre
360:Who's Who in the Theatre
344:, 3 September 1948, p. 7
392:Rowell, George (1984).
340:"St James's Theatre",
305:, 6 October 1952, p. 8
243:References and sources
131:, and appeared in the
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283:Parker (1925), p. xxv
265:Parker (1922), p. 20
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214:Don't Listen, Ladies
199:. In 1945 he joined
123:Mrs Patrick Campbell
71:Edinburgh University
23:Liverpool Daily Post
318:, 24 May 1995, p. 2
232:. He was created a
83:Stratford-upon-Avon
39:Liverpool Playhouse
218:Constance Cummings
206:St James's Theatre
167:are typical names.
75:Sir Frank Benson's
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403:978-0-521-23739-0
201:Sir Barry Jackson
31:William Armstrong
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327:"The Theatres",
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172:Michael Redgrave
119:Everyman Theatre
55:Michael Redgrave
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222:Denholm Elliott
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105:Edward Knoblock
77:company at the
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65:Life and career
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180:Robert Flemyng
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101:Arnold Bennett
97:Alfred Wareing
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47:Robert Flemyng
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274:Rowell, p. 47
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157:Diana Wynyard
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210:Sacha Guitry
197:Mrs Malaprop
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176:Rex Harrison
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165:Robert Donat
161:Richard Bird
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128:Hedda Gabler
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51:Rex Harrison
43:Robert Donat
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426:1952 deaths
421:1882 births
193:Edith Evans
415:Categories
248:References
188:The Rivals
110:Milestones
368:473894893
342:The Times
329:The Times
303:The Times
236:in 1951.
148:The Times
385:10013159
133:West End
107:'s play
352:Sources
151:wrote:
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163:, and
26:, 1939
216:with
191:with
398:ISBN
381:OCLC
364:OCLC
228:and
178:and
103:and
57:and
234:CBE
212:'s
208:of
195:as
125:in
35:CBE
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288:^
256:^
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370:.
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