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to second to last, so that it matches the order of corresponding verses in Milton's poem. Dunbar also follows Butlin's order. Behrendt adopts a 1-2-5-3-4-6 order, seeing a thematic progression from the destruction of classical aesthetics, to the Old
Testament cruelty of Moloch (who resembles Blake's
148:
The sequence of the illustrations is also a topic of scholarly dispute: the mountings of the Thomas set were inscribed on their backs with numbers 1–6, but these were added during or after the 1872 Sotheby's sale, and so are unlikely to follow Blake's intended order. This "original" order ran thus:
90:
from Blake. No contract for the commission is extant, but the commissioning probably took place in 1809, which is the year in which the illustrations were completed. Blake was eager to accept the commission, according to G. E. Bentley, because "Milton illustrations were a kind of work which Blake
144:
bears the full date of 1809. The Butts set is entirely undated- dates from 1803 to 1817 have been proposed for it. Behrendt argues that the Butts set predates the Thomas set by six years, and
Collins Baker and R.R. Wark place it in 1809, but earlier than the Thomas set.
56:
The dating of the sets is unknown, as is Blake's intended sequence for the illustrations. The two sets of watercolours are known as the "Butts set" and the "Thomas set", after their respective patrons, or as the "Huntington set" and the "Whitworth set" after the
320:
The illustrations emphasize the simultaneous occurrence of the events they depict by the presence of the stable in almost every image, and by framing the set with two very similar images that focus on the peaceful victory of Christ over darkness.
77:
of the Thomas set or the Butts set before 1852 and 1872, which has led to disputes about the dating. What is known is that the "Thomas set" was commissioned by the
Reverend Joseph Thomas, who had also commissioned illustrations to Milton's
199:, and nearly all subsequent scholars, have rejected this, as much commentary has centered upon Blake's use of similar images to frame the sequence. Butlin instead rearranges the "original" sequence as 1-2-4-5-3-6, moving
297:, a symbol of pure creative energy, rises against the repressive institutions of Church and state. Orc is part of a doomed cycle- his rebellion is inevitably countered by the increased institutional repression of
1722:
140:
The illustrations themselves do not make the dating any easier- the edges of the "Thomas set" were trimmed before sale at
Sotheby's, leaving "18" or "180" on most of the sheets. Only
1932:
261:
is to Blake the rebirth of Milton's poetry into the creative imagination of Christ. Blake also sees a return to prophetic, Christian ideals of poetry, rather than the "pagan"
1788:
313:. The similarity of the orifice that frames the child to the shape of the stable in the other illustrations underscores the purpose of Christ's birth, and foreshadows the
1861:
1794:
1728:
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is a guide to Blake's idea of Milton: that he possessed true spiritual vision, but fell by his adherence to the moralistic and repressive tenets of
396:
The similarity between this c. 1800 tempera painting and the "Butts set" version was one of the main reasons
Behrendt dated the "Butts set" to 1803
305:
in that light is seen as a pessimistic parody of Milton's poem. Orc is often associated with fire, and the closest parallel with him is found in
98:
Even less is known about the dates of composition for the "Butts set" - between 1811 and 1820, Blake created at least thirty three designs for
2032:
1429:
1713:
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106:. Later, they passed from Butts to his son, who sold them at Sotheby's in 1852, passed through several more hands, were sold at
1678:
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from an anonymous seller in 1872. By 1876 they were in the collection of J.E. Taylor, who gave them to the
Whitworth in 1892.
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Blake's literary debt to Milton is key to understanding his illustrations of the earlier poet's writings. In general,
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The winged figure of the accuser, so like the spirit of Moloch, cements that god's identification with Blake's
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implications- it represents the descent of the soul into the body, which is symbolized by the cramped stable.
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478:, elsewhere associated with institutionalized religion by Blake, are here overthrown along with Satan
1882:
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124:, watercolour, 25 x 19.3 cm, 1809. The figure of Apollo in this illustration is a combination of the
1868:
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could not resist." They presumably stayed in the Revd Thomas's family until they were bought at
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On the
Morning of Christ's Nativity, Milton's Hymn with Illustrations by William Blake
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between 1803 and 1815. A total of 16 illustrations are extant: two sets of six
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Catalogue of
William Blake's Drawings and Paintings in the Huntington Library
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The Four and Twenty Elders
Casting their Crowns before the Divine Throne
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Illustrations of On the
Morning of Christ's Nativity by William Blake
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Blake's Vision of the Poetry of Milton: illustrations to six poems
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The Moment of Explosion: Blake and the illustration of Milton
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The Wood of the Self-Murderers: The Harpies and the Suicides
1933:
Themes from William Blake's The Marriage of Heaven and Hell
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1862:
The Works of William Blake: Poetic, Symbolic and Critical
431:
That with long beams the shame-fac'd Night array'd..."
921:
886:
William Blake's Illustrations to the Poetry of Milton
879:. 2 vols. New Haven, CT: Yale University Press, 1981.
837:
513:
With hollow shriek the steep of Delphos leaving..."
693:, LV, Winter 1976, pp. 65-95. Quoted in Butlin, 390
594:Her sleeping Lord with handmaid lamp attending..."
337:The order followed here is that given by Butlin.
212:himself. This order is followed by Werner in her
53:each, and an additional four drawings in pencil.
2004:
245:and by his preference for the cruel and distant
65:, which now hold the sets in their collections.
882:
687:Blake's Illustrations to Milton's Nativity Ode
958:
709:. First published 1938. Quoted in Butlin, 390
388:All meanly wrapt in the rude manger lies..."
1430:Jerusalem: The Emanation of the Giant Albion
309:, where a child is about to be given to the
877:The Paintings and Drawings of William Blake
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548:In dismal dance about the furnace blue..."
466:Not half so far casts his usurped sway..."
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951:
862:. New Haven: Yale University Press, 2003.
500:The Overthrow of Apollo and the Pagan Gods
267:The Overthrow of Apollo and the Pagan Gods
187:placed them in 1-6-2-3-4-5 order, so that
174:The Overthrow of Apollo and the Pagan Gods
122:The Overthrow of Apollo and the Pagan Gods
1837:Scholarship, in popular culture, and more
844:. Lincoln: University of Nebraska Press.
332:
928:. Lewisburg: Bucknell University Press.
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391:
223:
116:
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2005:
1679:Europe Supported by Africa and America
726:, 1923, p. 31-2. Quoted in Butlin, 390
214:Blake's Vision of the Poetry of Milton
135:
102:, which included the illustrations of
1835:
1637:
1497:
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705:, enlarged and revised by R.R. Wark,
195:, because of their similar subjects.
2033:Collection of the Huntington Library
1901:Serenade for Tenor, Horn and Strings
1917:Songs and Proverbs of William Blake
1782:On the Morning of Christ's Nativity
291:On the Morning of Christ's Nativity
231:, watercolour, 25.7 x 19.7 cm. 1809
104:On the Morning of Christ's Nativity
45:On the Morning of Christ's Nativity
37:drew and painted illustrations for
13:
1388:Visions of the Daughters of Albion
985:
352:Corresponding Stanzas with excerpt
110:in 1912, and in 1916 were sold to
14:
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418:The Annunciation to the Shepherds
159:The Annunciation to the Shepherds
1951:William Blake in popular culture
1796:Illustrations of the Book of Job
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492:
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28:, 1803–1817, most likely c. 1815
1665:Original Stories from Real Life
1374:The Marriage of Heaven and Hell
922:Werner, Bette Charlene (1986).
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590:"Heav'n's youngest-teemed star,
1738:A Vision of the Last Judgement
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427:"At last surrounds their sight
293:. In that poem, the messianic
253:over the redemptive figure of
73:There is little record of the
1:
1876:Blake: Prophet Against Empire
1686:The Night of Enitharmon's Joy
1498:
1285:The Voice of the Ancient Bard
838:Behrendt, Stephen C. (1983).
831:
289:was especially influenced by
68:
1025:There is No Natural Religion
602:
592:Hath fix'd her polish'd car,
462:"Th'old Dragon under ground,
386:While the Heav'n-born child,
7:
1478:Never pain to tell thy love
889:. Oxford: Clarendon Press.
544:"In vain with cymbals' ring
219:
10:
2049:
860:The Stranger From Paradise
720:Notes on the Illustrations
546:They call the grisly king,
429:A globe of circular light,
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1883:Witness Against the Beast
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464:In straiter limits bound,
2023:Nativity of Jesus in art
1444:The Pickering Manuscript
910:. Princeton Univ Press.
384:"It was the winter wild,
273:, who is modeled on the
1638:
1292:(found only in Copy BB)
1170:The Clod and the Pebble
883:Dunbar, Pamela (1980).
509:"Apollo from his shrine
355:Related works by Blake
1977:Catherine Blake (wife)
691:Philological Quarterly
560:
479:
397:
333:Table of Illustrations
232:
132:
29:
1956:William Blake Archive
1855:Life of William Blake
1745:Descriptive Catalogue
1452:Auguries of Innocence
1381:The French Revolution
1185:The Little Girl Found
1018:All Religions are One
1011:An Island in the Moon
685:Behrendt, Stephen C.
555:
473:
395:
257:. In that regard the
227:
120:
63:Whitworth Art Gallery
24:
2028:Watercolor paintings
2013:Art by William Blake
1752:The Great Red Dragon
1459:The Mental Traveller
1180:The Little Girl Lost
1092:The Little Boy Found
1072:The Little Black Boy
535:The Flight of Moloch
375:The Descent of Peace
323:The Descent of Peace
307:The Flight of Moloch
229:The Flight of Moloch
201:The Flight of Moloch
193:The Descent of Peace
164:The Flight of Moloch
154:The Descent of Peace
26:The Descent of Peace
1774:Agony in the Garden
1767:The Ghost of a Flea
1672:The Ancient of Days
1471:Rossetti Manuscript
1240:The Little Vagabond
1220:My Pretty Rose Tree
1190:The Chimney Sweeper
1152:Songs of Experience
1142:On Another's Sorrow
1087:The Little Boy Lost
1082:The Chimney Sweeper
858:Bentley, G. E. Jr.
703:C. H. Collins Baker
637:Bentley 2003 p. 288
628:Bentley 2003 p. 357
511:Can no more divine,
263:classical aesthetic
136:Dating and sequence
1706:Illustrations for
1402:The Book of Ahania
1395:The Book of Urizen
1328:America a Prophecy
1270:A Little Girl Lost
1250:The Human Abstract
1235:The Garden of Love
1062:The Ecchoing Green
1049:Songs of Innocence
1037:Songs of Innocence
718:Keynes, Geoffrey.
581:The Night of Peace
561:
480:
474:The Beast and the
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286:Europe: a Prophecy
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189:The Night of Peace
179:The Night of Peace
142:The Night of Peace
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59:Huntington Library
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1335:Europe a Prophecy
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1039:and of Experience
1004:Poetical Sketches
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315:harrowing of hell
269:by the figure of
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1965:(1983 monologue)
1869:Fearful Symmetry
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1107:The Divine Image
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275:Apollo Belvedere
126:Apollo Belvedere
112:Henry Huntington
41:'s nativity ode
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1909:Ten Blake Songs
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1814:Visionary Heads
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1663:Engravings for
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238:Milton: a Poem
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1416:The Four Zoas
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1260:A Poison Tree
1258:
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1255:Infant Sorrow
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1200:The Sick Rose
1198:
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1175:Holy Thursday
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1128:
1125:
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1118:
1115:
1113:
1112:Holy Thursday
1110:
1108:
1105:
1103:
1102:A Cradle Song
1100:
1098:
1097:Laughing Song
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983:
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974:William Blake
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937:
935:0-8387-5084-2
931:
927:
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917:
916:0-691-06165-3
913:
909:
905:
904:Northrop Frye
902:
898:
896:0-19-817345-8
892:
888:
887:
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869:
868:0-300-10030-2
865:
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851:0-8032-1169-4
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382:, Stanzas 1-3
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251:Old Testament
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87:Paradise Lost
83:
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54:
52:
48:
47:
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40:
36:
35:
34:William Blake
27:
23:
19:
2000:
1968:
1960:
1931:
1923:
1915:
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1899:
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1860:
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1670:
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1407:
1400:
1393:
1386:
1379:
1372:
1365:
1358:
1340:
1333:
1326:
1195:Nurse's Song
1160:Introduction
1151:
1127:Nurse's Song
1057:The Shepherd
1048:
1035:
1023:
1016:
1009:
1002:
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907:
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624:
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417:
379:
374:
336:
327:neo-platonic
322:
319:
306:
302:
290:
284:
279:
266:
259:Nativity Ode
258:
236:
234:
228:
213:
200:
192:
188:
183:
178:
173:
168:
163:
158:
153:
147:
141:
139:
121:
103:
100:Thomas Butts
97:
85:
79:
72:
55:
51:watercolours
43:
42:
32:
31:
25:
18:
1973:(1989 play)
1317:continental
1077:The Blossom
807:Behrendt 41
753:Behrendt 40
744:Behrendt 39
588:, Stanza 27
542:, Stanza 23
460:, Stanza 18
39:John Milton
2007:Categories
1970:In Lambeth
1651:and prints
1581:Palamabron
1546:Golgonooza
1536:Enitharmon
1319:prophecies
1132:Infant Joy
832:References
825:Dunbar 108
816:Werner 133
780:Werner 130
771:Werner 115
676:Werner 117
664:Butlin 390
646:Butlin 393
619:Butlin 389
343:Thomas set
243:puritanism
108:Christie's
75:provenance
69:Provenance
1754:paintings
1716:The Grave
1649:Paintings
1500:Mythology
1305:Prophetic
1275:To Tirzah
1230:The Lilly
1215:The Tyger
1210:The Angel
798:Dunbar 94
789:Dunbar 92
603:Citations
346:Butts set
325:also has
191:followed
93:Sotheby's
1982:Ancients
1925:The Lamb
1806:Sketches
1067:The Lamb
906:(1947).
762:Frye 262
280:Blake's
220:Analysis
128:and the
61:and the
1944:Related
1893:Musical
1611:Urthona
1596:Thiriel
1591:Tharmas
1586:Spectre
1526:Bromion
1205:The Fly
1137:A Dream
558:Spectre
249:of the
247:Jehovah
130:Laocoön
1936:(1998)
1928:(1982)
1920:(1965)
1912:(1958)
1904:(1943)
1693:Newton
1606:Urizen
1601:Tiriel
1561:Leutha
1551:Grodna
1521:Beulah
1516:Albion
1511:Ahania
1423:Milton
1360:Tiriel
1245:London
1122:Spring
932:
914:
893:
866:
848:
303:Europe
299:Urizen
271:Apollo
255:Christ
208:), to
206:Urizen
197:Butlin
1962:Blake
1571:Luvah
1541:Fuzon
1531:Enion
1352:Other
1307:books
1117:Night
722:, in
689:, in
349:Title
210:Satan
81:Comus
1760:Pity
1621:Vala
1616:Utha
1469:The
1315:The
930:ISBN
912:ISBN
891:ISBN
864:ISBN
846:ISBN
586:Hymn
540:Hymn
505:Hymn
458:Hymn
423:Hymn
380:Hymn
84:and
1639:Art
1576:Orc
1566:Los
1556:Har
295:Orc
2009::
875:.
669:^
651:^
610:^
317:.
301:.
277:.
216:.
114:.
1480:"
1476:"
1461:"
1457:"
1454:"
1450:"
966:e
959:t
952:v
938:.
918:.
899:.
854:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
