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perhaps excepted, which afforded scope for his pathos and tenderness, the qualities in which he specially excelled. With the exception of a voice of good compass and capable of very varied expression, Macready had no especial physical gifts for acting, but the defects of his face and figure cannot be
511:
Dickens wrote to him in 1847: "The multitude of tokens by which I know you for a great man, the swelling within me of my love for you, the pride I have in you, the majestic reflection I see in you of the passions and affections that make up our mystery, throw me into a strange kind of transport that
642:
Macready's performances always displayed fine artistic perceptions developed to a high degree of perfection by very comprehensive culture, and even his least successful personations had the interest resulting from thorough intellectual study. He belonged to the school of
584:
He married twice, firstly in 1823 to
Catherine Frances Atkins (died 1852). Of a numerous family of children only one son and one daughter survived. In 1860, aged 67, he married the 23 year old Cecile Louise Frederica Spencer (1827–1908), by whom he had a son,
306:, but, in 1809, financial problems experienced by his father, the lessee of several provincial theatres, called him to share the responsibilities of theatrical management. On 7 June 1810, he made a successful first appearance as
556:
later presided at the trial. Both
Forrest and Macready were playing Macbeth in concurrent, competing productions at the time of the riot, a fact which added to the ominous reputation of that play. Playwright
651:; but, if his tastes were better disciplined and in some respects more refined than those of Kean, his natural temperament did not permit him to give proper effect to the great tragic parts of Shakespeare,
531:
of Covent Garden, which he resigned in 1839, and of Drury Lane, which he held from 1841 to 1843, he found his designs for the elevation of the stage frustrated by the absence of adequate public support.
705:
The London County
Council affixed a blue plaque to Macready's birthplace, 45 Stanhope Street, Regent's Park on 25 June 1928. The house was subsequently demolished, the plaque being donated to the
1501:
456:
Already, Macready had done something to encourage the creation of a modern
English drama, and after entering on the management of Covent Garden in 1837 he introduced
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took place under the artistic direction of Count d'Orsay on 8 December 1840, Macready winning unmistakable success in the character of Alfred Evelyn. Both in his
1140:
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In 1927, the
Cheltenham Local Tablets Committee placed a bronze tablet at No. 6 Wellington Square recording Macready's residence there from 1860 to 1873.
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17:
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to
Shakespeare's text (although in a shortened version), after it had been replaced for more than a hundred and fifty years by
258:
345:. Macready's choice of characters was at first confined chiefly to the romantic drama. In 1818, he won a permanent success in
482:, the principal characters in which were among his most effective parts. On 10 June 1838, he gave a memorable performance of
230:
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589:, who would become a General in the British Army, and a baronet. Macready's son from his second marriage was General Sir
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On 15 December 1830 he appeared at Drury Lane as Werner, one of his most powerful impersonations. In 1833, he played in
237:
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380:, he gradually rose in public favour, his most conspicuous success being in the title role of Sheridan Knowles's
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has no expression but in a mute sense of an attachment which in truth and fervency is worthy of its subject."
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where he became headboy, and where now the theatre is named after him, it was his initial intention to go to
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at Drury Lane on 26 February 1851. The remainder of his life was spent in happy retirement, and he died at
515:
56:
1161:
612:, published by Chapman & Hall in 1860, began with a one-page dedication poem, 'To My Father'. Writer
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in 1814. Here he remained for two years, with occasional professional visits to other provincial towns.
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Upon his death, William
Macready's remains were deposited in the catacomb below the Anglican Chapel at
489:
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parts followed, but a serious rupture between father and son resulted in the young man's departure for
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169:
31:
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A History of
Warwick and its People by Thomas Kemp. Published 1905 by Henry T. Cooke & Son, p. 75
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Eminent persons: Biographies reprinted from the Times. Vol. 1–6. D. Vol I, 1870–1875
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His daughter, Catherine
Frances Macready, was a minor Victorian poet. Her book,
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The
Shakespeare Riots: Revenge, Drama, and Death in Nineteenth-Century America
1389:. County Hall, Spring Gardens S.W.: London County Council. 1938. pp. 2–3.
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Building History: The former theatre in Warwick where Macready played in 1829
1510:. Vol. 17 (11th ed.). Cambridge University Press. pp. 268–269.
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Bristol theatre archives at the University of Bristol Theatre Collection
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prepared sketches, and the mounting was superintended by Bulwer-Lytton,
1259:"Macready's Triumph: The Restoration of King Lear to the British Stage"
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616:(Daphne Lois Macready) was a great-granddaughter of William Macready.
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432:
311:
218: in this section. Unsourced material may be challenged and removed.
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696: Dwells pleased, through twice a hundred years on thee."
386:(11 May 1825). In 1826, he completed a successful engagement in the
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On 16 September 1816, Macready made his first London appearance at
1491:
This article incorporates text from a publication now in the
1519:, Sir Frederick Pollock, ed., 2 vols. (London and New York, 1875)
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545:, but his last visit to that country, in 1849, was marred by the
442:
399:
395:
90:
357:. He showed his capacity for the highest tragedy when he played
1387:
Indication of houses of historical interest in London Volume VI
291:
86:
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Macready took leave of the stage in a farewell performance of
1344:"W. C. Macready and Cheltenham: Unveiling of memorial tablet"
561:
dramatized the events surrounding the riot in his 1990 play,
391:
164:(3 March 1793 – 27 April 1873) was an English
124:
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in 1983 as a one-hour special, again starring Frank Barrie.
690: And those gilt gauds men-children swarm to see.
680: Go take thine honours home; rank with the best;
674: Thy power, well used to move the public breast.
449:) and other theatres of the Lincoln theatre circuit run by
1517:
Reminiscences, and Selections from his Diaries and Letters
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682: Garrick, and statelier Kemble, and the rest,
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672: Full-handed thunders often have confessed
688: Nor flicker down to brainless pantomime.
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709:c1965, the object passing to the V&A in 2007.
676:We thank thee with one voice, and from the heart.
366:In 1820, he played the title role in the tragedy
1641:
587:Cecil Frederick Nevil Macready, known as "Nevil"
1287:
1196:– theatre in Rugby named after William Macready
541:. In 1843–44, he made a successful tour in the
298:, and actress Christina Ann Birch. Educated at
1379:
1448:, Macmillan & Co., 1892, pp. 157–159
1245:William Shakespeare's King Lear: A Sourcebook
678:Farewell, Macready, since this night we part.
656:said to have materially affected his success.
670:"Farewell, Macready, since to-night we part:
1557:English Actors from Shakespeare to Macready
1469:Appletons' Cyclopædia of American Biography
1452:
1290:Romantic Friendship in Victorian Literature
692:Farewell, Macready; moral, grave, sublime,
684:Who made a nation purer through their art.
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694:Our Shakespeare's bland and universal eye
278:Learn how and when to remove this message
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523:The first production of Bulwer-Lytton's
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1600:
686:Thine is it that the drama did not die.
14:
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1630:Dictionary of National Biography entry
1611:
1256:
664:dedicated the following verse to him:
1332:
716:wrote and performed the one-man play
363:at Covent Garden on 25 October 1819.
30:For his father of the same name, see
1601:Pollock, Sir Frederick, ed. (1875).
1315:"War of Hams Where the Stage Is All"
1312:
1288:de la L. Oulton, Carolyn W. (2016).
216:adding citations to reliable sources
187:
24:
1607:. New York: Harper & Brothers.
1535:
1257:Mullin, Emily (6 September 2011).
597:officer as was his brother, Major
25:
1726:
1675:British male Shakespearean actors
1665:English male Shakespearean actors
1623:
1463:"Macready, William Charles"
1247:. London, Routledge, 2003, p. 69.
727:
168:. The son of Irish actor-manager
1700:Burials at Kensal Green Cemetery
1680:19th-century British male actors
1670:19th-century English male actors
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192:
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1695:People educated at Rugby School
1685:English people of Irish descent
1635:Macready! Television adaptation
1618:. New York: Macmillan & Co.
1567:On Actors and the Art of Acting
1313:Rich, Frank (17 January 1992).
853:by Charles Edward Walker (1820)
666:
441:. He performed at the Georgian
376:. Transferring his services to
203:needs additional citations for
150:Cecile Louise Frederica Spencer
1569:(London, 1875; New York, 1878)
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1269:(1). Berkeley Electronic Press
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13:
1:
1705:19th-century theatre managers
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349:'s (1782–1835) adaptation of
466:, and in the following year
435:'s happy-ending adaptation,
57:William Macready as Henry IV
7:
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610:Leaves From the Olive Mount
10:
1731:
1515:William Charles Macready,
1058:The Duchess de la Vallière
928:Don Pedro, King of Castile
519:Macready playing 'Macbeth'
394:. In 1829, he appeared as
296:William Macready the Elder
170:William Macready the Elder
32:William Macready the elder
29:
27:19th-century English actor
1660:English male stage actors
1502:Macready, William Charles
1361:British Newspaper Archive
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66:National Portrait Gallery
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1615:William Charles Macready
1612:Archer, William (1890).
1604:Macready's reminiscences
1581:Two Shakespearean Actors
1527:William Charles Macready
1472:. New York: D. Appleton.
1200:
1162:The Patrician's Daughter
1055:Marquis De Bragelone in
734:Emperor of Byzantium in
563:Two Shakespearean Actors
438:The History of King Lear
172:he emerged as a leading
162:William Charles Macready
145:Catherine Frances Atkins
18:William Charles Macready
1715:Male actors from London
1507:Encyclopædia Britannica
750:The Conquest of Taranto
660:When Macready retired,
634:Encyclopædia Britannica
1550:Macready as I Knew him
1180:James Sheridan Knowles
1089:James Sheridan Knowles
1037:James Sheridan Knowles
967:The Merchant of London
959:James Sheridan Knowles
920:James Sheridan Knowles
894:James Sheridan Knowles
842:James Sheridan Knowles
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374:James Sheridan Knowles
152:(1860–1873; his death)
147:(1823–1852; her death)
1591:University of Bristol
1512:which in turn cites:
1167:John Westland Marston
1120:Halbert MacDonald in
1024:George William Lovell
1019:The Provost of Bruges
873:Duke of Mirandola in
779:by John Dillon (1818)
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627:Evaluation and legacy
621:Kensal Green Cemetery
599:Edward Nevil Macready
518:
331:The Distressed Mother
176:performer during the
1107:Richard Cromwell in
1102:Edward Bulwer-Lytton
1071:The Athenian Captive
1063:Edward Bulwer-Lytton
980:The House of Colberg
951:Alfred the Great in
907:Mary Russell Mitford
798:A Word to the Ladies
554:Charles Patrick Daly
408:Antony and Cleopatra
304:University of Oxford
212:improve this article
1405:V&A Collections
1376:, pp. 268–269.
1263:Penn History Review
1133:Earl of Ruthven in
535:In 1843, he staged
508:and other friends.
333:, a translation of
1563:George Henry Lewes
1349:Gloucester Citizen
1319:The New York Times
886:Caius Gracchus in
603:Battle of Waterloo
593:, a distinguished
576:on 27 April 1873.
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227:"William Macready"
1574:Our Recent Actors
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859:Damon and Pythias
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1545:(New York, 2007)
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83:3 March 1793
62:John Jackson
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1655:1873 deaths
1650:1793 births
1136:Mary Stuart
1084:Woman's Wit
977:Colberg in
964:Scroope in
847:Wallace in
782:Amurath in
776:Retribution
773:Chosroo in
760:Pescara in
360:Richard III
294:the son of
268:August 2023
178:Regency era
166:stage actor
1644:Categories
1437:References
1410:4 December
1355:26 October
1032:The Bridal
998:Lord Byron
941:The Pledge
899:Julian in
864:John Banim
574:Cheltenham
529:management
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339:Andromaque
312:Birmingham
238:newspapers
121:Occupation
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1572:Marston,
1458:Fiske, J.
1429:Macready!
1097:Richelieu
1068:Thoas in
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925:Henry in
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856:Damon in
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785:Bellamira
737:Adelgitha
722:Channel 4
718:Macready!
653:King Lear
538:Cymbeline
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463:Strafford
429:King Lear
424:King Lear
421:, and in
369:Virginius
134:1810–1851
115:, England
1401:"Plaque"
1324:28 March
1273:1 August
1188:See also
1149:Gisippus
824:Fredolfo
314:. Other
174:West End
64:, 1821,
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184:Career
87:London
1201:Notes
525:Money
413:Byron
411:, in
392:Paris
351:Scott
308:Romeo
259:JSTOR
245:books
125:Actor
1412:2023
1357:2015
1326:2013
1294:ISBN
1275:2012
866:and
645:Kean
476:and
320:Bath
231:news
98:Died
73:Born
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