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288:. This 1834 work bears little resemblance to the oratorio of the same title he wrote as a child, in 1789. It was set to the same text as the earlier version, but is otherwise completely different. It received two complete performances during the composer's lifetime and was never published.
172:. As soon as he has finished a regular tune, or part of a tune, or played some little fancy notes of his own, he stops, and has some of the pranks of a wanton boy; some of the company then generally give him a cake, an apple, or an orange, to induce him to play again...
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on 21 April 1812 and repeated due to popular demand on 26 May. Two and a half hours of music, by far his most popular work, and typically judged his best. The
Epiphany anthem 'Lo! star-led chiefs' still receives independent performances and recordings
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Three organ concertos (circa 1804), played often in concerts during Crotch's time in Oxford. In a similar style to near-contemporary organ concertos by
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Overture in A (1795), the first of three orchestral "sinfonias". No 2 in Eb was composed in 1808 and revised in 1817; No 3 in F was composed in 1814-15.
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95:, Crotch was "a child prodigy without parallel in the history of music", and was certainly the most distinguished English musician in his day.
138:, playing the organ his father had built. At the age of two he became a local celebrity by performing for visitors, among them the musician
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Crotch was later to observe that this experience led him to become a rather spoiled child, excessively indulged so that he would perform.
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684:
Snowman, Janet (2010). "The Left and Right Hands of the
Eighteenth-century British Musical Prodigies, William Crotch and Samuel Wesley".
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334:(1798, revised 1804). Among them are 'Sing we merrily', 'How Dear are Thy Counsels', 'Oh Lord God of hosts', and 'Be merciful unto me'.
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241:. He followed Malchair's style in recording the exact time and date of each of his pictures, and when he met the artist
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146:. The three-year-old Crotch was taken to London by his ambitious mother, where he not only played on the organ of the
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344:), for two four-part choruses, three soloists and small orchestra, written as an exercise for his Mus.Doc degree.
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on 4 June 1789 when he was 14. His most successful—and largest scale—composition was the oratorio
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365:(1835-7) for organ or piano (this instruction presumably written in an effort to increase sales)
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from the 'Here of a Sunday
Morning' website (affiliated with the New York radio station
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as its first principal, but resigned ten years later. Among his notable pupils were
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in music. While at Oxford, he became acquainted with the musician and artist
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He appears to be fondest of solemn tunes and church musick, particularly the
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418:(1838), choral anthem, his last large-scale work, first performed in 1843.
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in London in 1805, he passed the habit along to the more famous artist.
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William Crotch playing the organ, aged 3½, in an illustration from
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499:. Vol. 48. London: R. Baldwin. April 1779. pp. 147–149.
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80:(5 July 1775 – 29 December 1847) was an English
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Two grandsons of
William Crotch became eminent entomologists:
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became king in
January 1820. First performed in Oxford, 1821.
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299:, where he died in 1847. He was buried in the churchyard of
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Three piano sonatas, published on subscription in 1793.
587:"William Crotch, 1775–1847: Composer, Artist, Teacher"
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446:, Oxford University Press, accessed 22 September 2021
686:
Laterality: Asymmetries of Body, Brain and
Cognition
402:(1827), choral anthem, written on the death of the
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291:Crotch spent his last years at his son's house in
276:. In 1834, to commemorate the installation of the
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188:, from which he was later to graduate with a
142:, who wrote an account of his visits for the
648:(online ed.). Oxford University Press.
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732:International Music Score Library Project
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363:12 Fugues, the subjects taken from chants
1167:Principals of the Royal Academy of Music
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303:in Bishop's Hull, just outside Taunton.
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1162:Academics of the Royal Academy of Music
645:Oxford Dictionary of National Biography
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310:and his brother William Duppa Crotch.
282:chancellor of the University of Oxford
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438:Temperley, Nicholas; Heighes, Simon.
429:
1217:19th-century British male musicians
1182:18th-century British male musicians
491:"Account of the Musical Phenomænon"
13:
1127:English Classical-period composers
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184:Crotch was for a time organist at
14:
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762:National Portrait Gallery, London
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392:(1820) for chorus and orchestra.
386:Symphony in Eb (1817, unfinished)
1222:British male classical organists
1202:English male classical composers
1192:19th-century classical composers
1177:18th-century classical composers
953:
748:William Crotch (1775–1847)
248:In 1822 he was appointed to the
192:degree. His first attempt at an
1157:Alumni of Christ Church, Oxford
546:"Account of an Infant Musician"
510:Sadie, Stanley (January 1993).
284:. Crotch composed his oratorio
218:each time it strikes the hour.
1212:19th-century British composers
503:
400:The Joy of our Heart is Ceased
130:, to a master carpenter. Like
1:
1029:Sir William Sterndale Bennett
738:Free scores by William Crotch
728:Free scores by William Crotch
422:
214:in 1793, which are played by
179:
16:British composer and organist
742:Choral Public Domain Library
677:UK public library membership
514:. Gramophone. Archived from
229:, and in 1799 he acquired a
103:
7:
1172:Heather Professors of Music
1147:English classical organists
959:University of Oxford portal
798:Heather Professors of Music
390:Ode on the King's Accession
359:, all influenced by Handel.
122:William Crotch was born in
88:. According to the British
10:
1238:
1132:English Romantic composers
534:
512:"Crotch, Orchestral Works"
383:Symphony in F major (1814)
274:Charles Kensington Salaman
223:Heather Professor of Music
1207:Child classical musicians
1197:19th-century keyboardists
1187:18th-century keyboardists
1006:
951:
814:
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698:10.1080/13576500903201792
375:. First performed at the
254:William Sterndale Bennett
64:
52:
44:
39:
30:
23:
1095:Jonathan Freeman-Attwood
636:Olleson, Philip (2004).
509:
371:, oratorio (1812), text
164:of April 1779 recorded:
1041:Sir Alexander Mackenzie
448:(subscription required)
221:In 1797, Crotch became
202:Trinity Hall, Cambridge
98:
68:Composer & Organist
1152:Composers from Norwich
1000:Royal Academy of Music
565:10.1098/rstl.1779.0018
286:The Captivity of Judah
250:Royal Academy of Music
198:The Captivity of Judah
174:
119:
40:Background information
1059:Sir Reginald Thatcher
806:Chair established by
654:10.1093/ref:odnb/6810
314:Selected compositions
186:Christ Church, Oxford
166:
111:
1065:Sir Thomas Armstrong
1053:Sir Stanley Marchant
1035:Sir George Macfarren
377:Hanover Square Rooms
308:George Robert Crotch
301:St Peter and St Paul
154:, but performed for
758:Portraits of Crotch
518:on 20 December 2022
496:The London Magazine
161:The London Magazine
115:The London Magazine
1137:Oratorio composers
998:Principals of the
444:Grove Music Online
410:Captivity of Judah
320:Captivity of Judah
278:Duke of Wellington
211:Westminster Chimes
120:
93:Nicholas Temperley
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1077:Sir David Lumsden
1071:Sir Anthony Lewis
965:
964:
882:Frederick Ouseley
822:Richard Nicholson
675:(Subscription or
639:"Crotch, William"
600:(1589): 622–623.
593:The Musical Times
582:Rennert, Jonathan
558:(1779): 183–206.
440:"Crotch, William"
412:(1834), oratorio.
322:(1789), oratorio.
227:Oxford University
190:Bachelor of Music
152:St James's Palace
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1089:Sir Curtis Price
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243:John Constable
237:, and took up
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1097: (2008)
1091: (1995)
1085: (1993)
1083:Lynn Harrell
1079: (1982)
1073: (1968)
1067: (1955)
1061: (1949)
1055: (1936)
1049: (1924)
1043: (1888)
1037: (1876)
1031: (1866)
1025: (1859)
1019: (1832)
1013: (1822)
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944: (2007)
938: (1996)
932: (1986)
926: (1975)
924:Denis Arnold
920: (1971)
912:Jack Westrup
908: (1918)
902: (1908)
896: (1900)
894:Hubert Parry
890: (1889)
888:John Stainer
884: (1855)
878: (1848)
876:Henry Bishop
872: (1797)
869:
866: (1777)
864:Philip Hayes
860: (1741)
854: (1718)
848: (1682)
842: (1661)
836: (1656)
830: (1639)
824: (1626)
744:(ChoralWiki)
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667:22 September
665:. Retrieved
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520:. Retrieved
516:the original
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494:
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466:Rennert 1975
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404:Duke of York
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340:(1799, text
338:Ode to Fancy
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148:Chapel Royal
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118:, April 1779
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90:musicologist
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58:(1847-12-29)
18:
1122:1847 deaths
1117:1775 births
942:Eric Clarke
914: (1947
840:Edward Lowe
834:John Wilson
522:20 December
478:Burney 1779
332:Ten Anthems
170:104th Psalm
134:, he was a
48:5 July 1775
1111:Categories
906:Hugh Allen
815:Professors
679:required.)
423:References
180:Adult life
65:Occupation
714:205779680
614:2397-5318
394:George IV
369:Palestine
239:sketching
231:doctorate
206:Palestine
104:Childhood
706:20391154
662:56568095
584:(1975).
544:(1779).
297:Somerset
194:oratorio
86:organist
82:composer
760:in the
740:in the
734:(IMSLP)
730:at the
535:Sources
293:Taunton
216:Big Ben
128:Norfolk
124:Norwich
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704:
673:
660:
622:960437
620:
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574:106418
572:
380:today.
272:, and
132:Mozart
710:S2CID
618:JSTOR
570:JSTOR
752:WBAI
702:PMID
669:2021
658:OCLC
610:ISSN
524:2022
355:and
99:Life
84:and
53:Died
45:Born
694:doi
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560:doi
280:as
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
