William Gibson - Knowledge

1217: 47: 9310: 3377:

lit cigarette, dramatically confirming the extreme flammability of this early plastic.) In its day, the Hermes 2000 was one of the best portable writing-machines in the world, and one of the most expensive. This one belonged to my wife's step-grandfather, who had been a journalist of sorts and had used it to compose laudatory essays on the poetry of Robert Burns. I used it first to write undergraduate Eng. lit. papers, then my early attempts at short stories, then Neuromancer, all without so much as ever having touched an actual computer.

1787: 2210: 2003: 2514: 414: 896:(1982) which was released when Gibson had written a third of the novel, he "figured was sunk, done for. Everyone would assume I'd copped my visual texture from this astonishingly fine-looking film." He re-wrote the first two-thirds of the book twelve times, feared losing the reader's attention and was convinced that he would be "permanently shamed" following its publication; yet what resulted was a major imaginative leap forward for a first-time novelist. 1364: 2506:", Gibson "had a hunch that would change things, in the same way that the ubiquity of the automobile changed things." In 1995, he identified the advent, evolution and growth of the Internet as "one of the most fascinating and unprecedented human achievements of the century", a new kind of civilization that is – in terms of significance – on a par with the birth of cities, and in 2000 predicted it would lead to the death of the 12862: 1576: 1003: 729:, at which he appeared with Shirley, Sterling and Shiner on a panel called "Behind the Mirrorshades: A Look at Punk SF", where Shiner noted "the sense of a movement solidified". After a weekend discussing rock and roll, MTV, Japan, fashion, drugs and politics, Gibson left the cadre for Vancouver, declaring half-jokingly that "a new axis has been formed." Sterling, Shiner, Shirley and Gibson, along with 520: 1281:; he described this as "the strangest experience I've ever had with a piece of fiction." He saw the attacks as a nodal point in history, "an experience out of culture", and "in some ways ... the true beginning of the 21st century." He is noted as one of the first novelists to use the attacks to inform his writing. Examination of cultural changes in post-September 11 America, including a resurgent 449:, Gibson attended Pines Elementary School, where the teachers' lack of encouragement for him to read was a cause of dismay for his parents. While Gibson was still a young child, a little over a year into his stay at Pines Elementary, his father choked to death in a restaurant while on a business trip. His mother, unable to tell William the bad news, had someone else inform him of the death. 1302:, the first in a new series of novels by William Gibson, was released on October 28, 2014. He described the story briefly in an appearance he made at the New York Public Library on April 19, 2013, and read an excerpt from the first chapter of the book entitled "The Gone Haptics." The story takes place in two eras, one about thirty years into the future and the other further in the future. 1868:. The story inspired a contribution to the exhibition by architects Ming Fung and Craig Hodgetts that envisioned a San Francisco in which the rich live in high-tech, solar-powered towers, above the decrepit city and its crumbling bridge. The architects exhibit featured Gibson on a monitor discussing the future and reading from "Skinner's Room". 2131:

Gibson's work has received international attention from an audience that was not limited to science fiction aficionados as, in the words of Laura Miller, "readers found startlingly prophetic reflections of contemporary life in fantastic and often outright paranoid scenarios." It is often situated by

1905:

containing etchings by Ashbaugh (intended to fade from view once the book was opened and exposed to light — they never did, however). Gibson commented that Ashbaugh's design "eventually included a supposedly self-devouring floppy-disk intended to display the text only once, then eat itself." Contrary

1228:

what this series of novels should be called ("The Bigend Trilogy? The Blue Ant Cycle? What?"), Gibson replied "I prefer 'books'. The Bigend books." However, "Blue Ant" rather than "Bigend" has become the standard signifier. At a later date, Gibson stated that he did not name his trilogies, "I wait to

3376:

I now write on, and is finished in a curious green- and-black "crackle" paint-job, perhaps meant to suggest the covers of an accountant's ledger. Its keys are green as well, of celluloid, and the letters and symbols on them are canary yellow. (I once happened to brush the shift-key with the tip of a

677:

literature, Gibson discontinued writing in the year that followed graduation and, as one critic put it, expanded his collection of punk records. During this period he worked at various jobs, including a three-year stint as teaching assistant on a film history course at his alma mater. Impatient with

1921:

remained hidden for 20 years. Although many had tried to hack the code and decrypt the program, the uncompiled source code was lost long ago. Alan Liu and his team at "The Agrippa Files" created an extensive website with tools and resources to crack the Agrippa Code. They collaborated with Matthew

3371:

was written on a "clockwork typewriter," the very one you may recall glimpsing in Julie Deane's office in Chiba City. This machine, a Hermes 2000 manual portable, dates from somewhere in the 1930s. It's a very tough and elegant piece of work, from the factory of E. PAILLARD & Cie S.A. YVERDON

1844:

and others. It was at Art Futura '92 that Gibson met Charlie Athanas, who would later act as dramaturg and "cyberprops" designer on Steve Pickering and Charley Sherman's adaptation of "Burning Chrome" for the Chicago stage. Gibson's latest contribution was in 1997, a collaboration with critically

1163:

I felt that I was trying to describe an unthinkable present and I actually feel that science fiction's best use today is the exploration of contemporary reality rather than any attempt to predict where we are going ... The best thing you can do with science today is use it to explore the present.

482:

had arrived to some extent but was deeply distrusted" and credits the beginnings of his relationship with science fiction, his "native literary culture", with the subsequent feeling of abrupt exile. At the age of 12, Gibson "wanted nothing more than to be a science fiction writer". He spent a few

1926:

and the Digital Forensics Lab, and Quinn DuPont, a PhD student of cryptography from the University of Toronto, in calling for the aid of cryptographers to figure out how the program works by creating "Cracking the Agrippa Code: The Challenge", which enlisted participants to solve the intentional

2691:

to write, with a modem ("I don't really use it for anything"), but until 1996 Gibson did not have an email address, a lack he explained at the time to have been motivated by a desire to avoid correspondence that would distract him from writing. His first exposure to a website came while writing

1872:

hailed the exhibition as "one of the most ambitious, and admirable, efforts to address the realm of architecture and cities that any museum in the country has mounted in the last decade", despite calling Ming and Hodgetts's reaction to Gibson's contribution "a powerful, but sad and not a little

691:

In 1977, facing first-time parenthood and an absolute lack of enthusiasm for anything like "career," I found myself dusting off my twelve-year-old's interest in science fiction. Simultaneously, weird noises were heard from New York and London. I took Punk to be the detonation of some slow-fused

577:

When I started out as a writer I took credit for draft evasion where I shouldn't have. I washed up in Canada with some vague idea of evading the draft but then I was never drafted so I never had to make the call. I don't know what I would have done if I'd really been drafted. I wasn't a tightly

963:

as a place where "data dance with human consciousness ... human memory is literalized and mechanized ... multi-national information systems mutate and breed into startling new structures whose beauty and complexity are unimaginable, mystical, and above all nonhuman." A 52-year-old Gibson later

400:

called him the "noir prophet" of cyberpunk. Throughout his career, Gibson has written more than 20 short stories and 12 critically acclaimed novels (one in collaboration), contributed articles to several major publications, and collaborated extensively with performance artists, filmmakers, and

4189:"For a couple of weeks I was essentially homeless, although it was such a delightful, floating, pleasant period that it now seems strange to me to think that I was in fact homeless. I was eventually, well, actually in quite short order taken on as the manager of Toronto's first head shop. 1355:, about which Gibson had a change of heart in January 2021: "I don't think I'm going to call Agency's sequel Jackpot after all. Not because of , which I look forward to reading, but because Agency was originally called Tulpagotchi. Which I still like, but would've been a different book." 889:

exclusively. Given a year to complete the work, Gibson undertook the actual writing out of "blind animal terror" at the obligation to write an entire novel – a feat which he felt he was "four or five years away from". After viewing the first 20 minutes of landmark cyberpunk film

625:, where he met Vancouverite Deborah Jean Thompson, with whom he subsequently traveled to Europe. Gibson has recounted that they concentrated their travels on European nations with fascist regimes and favorable exchange rates, including spending time on a Greek archipelago and in 5995: 710:; reading Gibson's work, they realized that it was, as Sterling put it, "breakthrough material" and that they needed to "put down our preconceptions and pick up on this guy from Vancouver; this the way forward." Gibson met Sterling at a science fiction convention in 507:. Becoming frustrated with his poor academic performance, Gibson's mother threatened to send him to a boarding school; to her surprise, he reacted enthusiastically. Unable to afford his preferred choice of Southern California, his then "chronically anxious and 2607:

trilogies, Gibson is credited with being one of the few observers to explore the portents of the Information Age for notions of the sociospatial structuring of cities. Not all responses to Gibson's visions have been positive, however; virtual reality pioneer

1117:(1999). The first and third books in the trilogy center on San Francisco in the near future; all three explore Gibson's recurring themes of technological, physical, and spiritual transcendence in a more grounded, matter-of-fact style than his first trilogy. 511:" mother, who had remained in Wytheville since the death of her husband, sent him to Southern Arizona School for Boys in Tucson. He resented the structure of the private boarding school but was in retrospect grateful for its forcing him to engage socially. 2618:, the plot revolves around snippets of film footage posted anonymously to various locations on the Internet. Characters in the novel speculate about the filmmaker's identity, motives, methods and inspirations on several websites, anticipating the 2006 1209:(2010) are set in the same contemporary universe — "more or less the same one we live in now" — and put Gibson's work on to mainstream bestseller lists for the first time. As well as the setting, the novels share some of the same characters, including 1748:. The film follows Gibson over the course of a drive across North America discussing various aspects of his life, literary career and cultural interpretations. It features interviews with Jack Womack and Bruce Sterling, as well as recitations from 815:." When Sterling started to distribute the stories, he found that "people were just genuinely baffled ... I mean they literally could not parse the guy's paragraphs ... the imaginative tropes he was inventing were just beyond people's grasp." 8739:

Although author William Gibson came up with the concept of virtual sex, he does not want any parts of it, thank you very much. Not that he's a prude, mind you. Rather, like most things, the reality does not approach the perfection of the

1319:

contain time travel (of sorts), but Gibson has clarified that the works are not related: "They're not 'same universe'. The Splitter and trans-continual virtuality are different mechanisms (different plot mechanisms too)." The next year,

2612:, though acknowledging their heavy influence on him and that "no other writer had so eloquently and emotionally affected the direction of the hacker community," dismissed them as "adolescent fantasies of violence and disembodiment." In 640:

thrift stores for underpriced artifacts he would then up-market to specialist dealers. Realizing that it was easier to sustain high college grades, and thus qualify for generous student financial aid, than to work, he enrolled at the

2453:

and the film's cinematography and tone. In spite of his initial reticence about seeing the film on its release, Gibson later described it as "arguably the ultimate 'cyberpunk' artifact." In 2008 he received honorary doctorates from

7955: 5985: 1190:

has interpreted this approach as Gibson's recognition that traditional science fiction is no longer possible "in a world lacking coherent 'nows' to continue from", characterizing it as "SF for the new century". Gibson's novels

2182:. In the words of filmmaker Marianne Trench, Gibson's visions "struck sparks in the real world" and "determined the way people thought and talked" to an extent unprecedented in science fiction literature. The publication of 6170: 598:, a retailer of drug paraphernalia. He found the city's émigré community of American draft dodgers unbearable owing to the prevalence of clinical depression, suicide, and hardcore substance abuse. He appeared, during the 3234:

The idea of a globally interconnected set of computers through which everyone could quickly access data and programs from any site was first described in 1962 in a series of memos on the "Galactic Computer Network" by

2591:. The physical intensity of their postures, and the realistic interpretation of the terminal spaces projected by these games – as if there were a real space behind the screen – made apparent the manipulation of 2559:

claims that in writing the Sprawl trilogy Gibson laid the "conceptual foundations for the explosive real-world growth of virtual environments in video games and the Web". In his afterword to the 2000 re-issue of

7494: 2177:

with effectively "renovating" science fiction, a genre at that time considered widely "insignificant", influencing by means of the postmodern aesthetic of his writing the development of new perspectives in

649:, he was exposed to a wider range of fiction than he would have read otherwise; something he credits with giving him ideas inaccessible from within the culture of science fiction, including an awareness of 483:

unproductive years at basketball-obsessed George Wythe High School, a time spent largely in his room listening to records and reading books. At 13, unbeknownst to his mother, he purchased an anthology of

502:

A shy, ungainly teenager, Gibson grew up in a monoculture he found "highly problematic", consciously rejected religion and took refuge in reading science fiction as well as writers such as Burroughs and

2034:– frequently posted short nonsequential excerpts from the novel to the blog. The blog was largely discontinued by July 2009, after the writer had undertaken prolific microblogging on Twitter under the 636:, British Columbia, in 1972, with Gibson looking after their first child while they lived off his wife's teaching salary. During the 1970s, Gibson made a substantial part of his living from scouring 2671:"; he was familiar, he said, with the science-fiction community, which overlapped with the BBS community. Gibson similarly did not play computer games despite appearing in his stories. He wrote 1824:, which was displayed in Royce Hall, University of California Los Angeles. Three years later, Gibson contributed original text to "Memory Palace", a performance show featuring the theater group 1452:

and "appalled everyone" by proposing that all schools be put online, with education taking place over the Internet. In a 2007 interview, Gibson revealed that Sterling had an idea for "a second

2494:" to refer to the visualized Internet, two years after the nascent modern Internet was formed in the early 1980s from the computer networks of the 1970s. Gibson thereby imagined a worldwide 6022: 7919: 1552:

to Russia in his stead. Rather than producing a motion picture, a prospect that ended with Tsoi's death in a car crash, Womack's experiences in Russia ultimately culminated in his novel

551:

After his mother's death when he was 18, Gibson left school without graduating and became very isolated for a long time, traveling to California and Europe, and immersing himself in the

11321: 1536:

Gibson's early involvement with the film industry extended far beyond the confines of the Hollywood blockbuster system. At one point, he collaborated on a script with Kazakh director

1544:. Despite being occupied with writing a novel, Gibson was reluctant to abandon the "wonderfully odd project" which involved "ritualistic gang-warfare in some sort of sideways-future 2587:

Gibson's vision, generated by the monopolising appearance of the terminal image and presented in his creation of the cyberspace matrix, came to him when he saw teenagers playing in

4852: 7143: 6167: 2622:

Internet phenomenon. However, Gibson later disputed the notion that the creators of lonelygirl15 drew influence from him. Another phenomenon anticipated by Gibson is the rise of

11162: 10882: 6551: 4063: 7835: 6145: 6114: 7237: 772:), and dystopic intermingling of technology and humanity, are already evident in his first published short story, "Fragments of a Hologram Rose", in the Summer 1977 issue of 10870: 6215: 4089: 1141:

depicts an "end-stage capitalism, in which private enterprise and the profit motive are taken to their logical conclusion", according to one review. Leonard's review called

826:

has identified them as "undoubtedly best works", constituting the "furthest horizon" of the genre. The themes which Gibson developed in the stories, the Sprawl setting of "

5836: 3570: 445:

where his parents had been born and raised. His family moved frequently during Gibson's youth owing to his father's position as manager of a large construction company. In

10826: 1993:

being banned from the country and attracted a spirited critical response. He commenced writing a blog in January 2003, providing voyeuristic insights into his reaction to

6768: 6559: 2194:

movement, as "the one major writer who is original and gifted to make the whole movement seem original and gifted." Aside from their central importance to cyberpunk and

4140: 11106: 4290: 1728:

had borrowed heavily from Gibson's novels to make the series, and in the aftermath of its cancellation Gibson contributed an article, "Where The Holograms Go", to the

5208: 1607:(1998), starring Christopher Walken, Willem Dafoe, and Asia Argento. The former was the first time in history that a book was launched simultaneously as a film and a 9427: 7983: 6818: 6181: 5666: 2053: 3785: 5147: 1897:

and publisher Kevin Begos, Jr. Gibson's text focused on the ethereal nature of memories (the title refers to a photo album) and was originally published on a 3.5"

3909: 11314: 10906: 4176: 7672: 7459: 2710:. That's it. I'm anything but an early adopter, generally. In fact, I've never really been very interested in computers themselves. I don't watch them; I watch 1434:

Gibson and Sterling collaborated again on the short story "The Angel of Goliad" in 1990, which they soon expanded into the novel-length alternate history story

1051:(1988), which in the words of Larry McCaffery "turned off the lights" on cyberpunk literature. It was a culmination of his previous two novels, set in the same 803:

feel. He consciously distanced himself as far as possible from the mainstream of science fiction (towards which he felt "an aesthetic revulsion", expressed in "

11082: 10858: 7361: 6993: 6787: 4680: 2568:

suggests that Gibson's vision of cyberspace may have inspired the way in which the Internet (and the Web particularly) developed, following the publication of

2136:

as, according to academic David Brande, a construction of "a mirror of existing large-scale techno-social relations", and as a narrative version of postmodern

9003: 7430: 7409: 6859: 6671: 6052: 5114: 4949: 2643:

Visionary writer is OK. Prophet is just not true. One of the things that made me like Bruce Sterling immediately when first I met him, back in 1991. [

2358:

above them on a concert tour, although this did not end up happening. Members of the band did, however, provide background music for the audiobook version of

6414: 3658: 8785: 478:

A few days after the death of his father, Gibson and his mother moved back from Norfolk to Wytheville. Gibson later described Wytheville as "a place where

7388: 10938: 10894: 5952: 1923: 9046: 12972: 12962: 12952: 12942: 12927: 12917: 12907: 12897: 11307: 7338: 5378: 3738: 3409: 778:. The latter thematic obsession was described by his friend and fellow author, Bruce Sterling, in the introduction of Gibson's short story collection 13257: 9927: 7486: 6916: 5352: 4349: 4255: 2649:] We shook hands and he said "We've got a great job! We got to be charlatans and we're paid for it. We make this shit up and people believe it." 2072:

in 1999 as "probably the most important novelist of the past two decades" in terms of influence, Gibson first achieved critical recognition with his

1742:

in which the pair played philosophers. Appearances in fiction aside, Gibson was the focus of a biographical documentary by Mark Neale in 2000 called

8695: 8345: 6734: 6644: 4707: 1910:"; instead the poem was manually transcribed from a surreptitious videotape of a public showing in Manhattan in December 1992, and released on the 1587:

Adaptations of Gibson's fiction have frequently been optioned and proposed, to limited success. Two of the author's short stories, both set in the

6018: 13217: 11138: 11122: 8017: 5689: 4375: 1491:

resort. His early efforts to write film scripts failed to manifest themselves as finished product; "Burning Chrome" (which was to be directed by

6168:

https://www.amazon.com/Agency-William-Gibson/dp/110198693X/ref=sr_1_1?keywords=agency+william+gibson&qid=1554137189&s=gateway&sr=8-1

5795: 5283: 4817: 1289:

of society", became a prominent theme of Gibson's work, while his focus nevertheless remained "at the intersection of paranoia and technology".

13237: 12997: 11058: 10733: 8570: 8287: 7747: 5241: 13037: 11258: 8243: 8149: 7589:

has attracted an audience from outside, people who read it as a poetic evocation of life in the late eighties rather than as science fiction.

5083: 5053: 5023: 1935:

Gibson is a sporadic contributor of non-fiction articles to newspapers and journals. He has occasionally contributed longer-form articles to

1495:) and "Neuro-Hotel" were two attempts by the author at film adaptations that were never made. In the late 1980s he wrote an early version of 1348: 499:; the lattermost had a particularly pronounced effect, greatly altering Gibson's notions of the possibilities of science fiction literature. 462:

Loss is not without its curious advantages for the artist. Major traumatic breaks are pretty common in the biographies of artists I respect.

2144:

and its "rewriting of subjectivity, human consciousness and behaviour made newly problematic by technology." Tatiani Rapatzikou, writing in

11618: 9363: 3694: 3216:

and Gibson himself report his age at the time of his father's death to be six years old, while Gibson scholar Tatiani Rapatzikou claims in

5735: 5173: 2525:

Observers contend that Gibson's influence on the development of the Web reached beyond prediction; he is widely credited with creating an

13267: 13167: 12987: 12957: 12937: 12912: 12892: 4840: 686:. The two became immediate and lifelong friends. Shirley persuaded Gibson to sell his early short stories and to take writing seriously. 7109: 6277: 6246: 4751: 3537: 1456:

that was just a wonderful idea", but that Gibson was unable to pursue the collaboration because he was not creatively free at the time.

1059:. The trilogy solidified Gibson's reputation, with both later novels also earning Nebula and Hugo Award and Locus SF Award nominations. 559:". Gibson has observed that he "did not literally evade the draft, as they never bothered drafting me"; In the biographical documentary 13232: 13057: 13017: 11070: 8248: 6083: 5630: 5599: 1441: 9367: 5772: 2307:

has commented that Gibson's "terse descriptive phrases capture the moods which surround technologies, rather than their engineering."

13067: 13062: 13027: 13022: 8322: 7823: 7307: 6137: 6106: 8094: 7229: 722:" – the first cyberspace short story – to an audience of four people, and later stated that Sterling "completely got it". 13272: 12977: 12967: 12947: 12932: 12922: 12902: 11330: 11150: 9402: 8456: 4027: 2116:

gained unprecedented critical and popular attention outside science fiction, as an "evocation of life in the late 1980s", although

8401: 7896: 7857: 6706: 6199: 5826: 4099: 3942: 3560: 1343:, was released on January 21, 2020, after being delayed from an initial announced release date of December 2018. Gibson said in a 13197: 13147: 9698: 8763: 7270: 7082: 5460: 4888: 4645: 4413: 3612: 3492: 2950: 2463: 1390: 780: 751: 8371: 5508: 4926: 13157: 8965: 5922: 4774: 4326: 3436: 2206:

science fiction (or "solar sci-fi"), and "probably the only ones that rise above mere escapism to be truly thought-provoking".

692:

projectile buried deep in society's flank a decade earlier, and I took it to be, somehow, a sign. And I began, then, to write.

8672: 8216: 5568: 230:. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of 13277: 12992: 11127: 9920: 9832: 9337: 9277: 9246: 9212: 8929: 8925: 8857: 8824: 8605: 7992: 7616: 7574: 7129: 7057: 6955: 6300: 5538: 4655: 4627: 4597: 4556: 4515: 4459: 4282: 4122: 4013: 3502: 3276: 2261: 1662: 8547: 8517: 5866: 2502:, although related notions had previously been imagined by others, including science fiction writers. At the time he wrote " 13262: 13097: 13092: 13087: 13082: 13077: 13072: 9885: 9069: 6618: 5656: 5412: 5218: 2060: 1861: 1007: 7800: 6814: 6178: 5900: 1893:(1992), a 300-line semi-autobiographical electronic poem that was his contribution to a collaborative project with artist 1186:

style of writing, with continuous narratives – "speculative fiction of the very recent past." Science fiction critic

13202: 13182: 13122: 10682: 9351: 6772: 4993: 5137: 3899: 578:

wrapped package at that time. If somebody had drafted me I might have wept and gone. I wouldn't have liked it of course.

13242: 10726: 9764: 5316: 4162: 2517:

Gibson is renowned for his visionary influence on—and predictive attunement to—technology, design, urban sociology and

1853: 1707: 1277:, Gibson felt impelled to re-write the main character's backstory, which had been suddenly rendered implausible by the 401:

musicians. His work has been cited as influencing a variety of disciplines: academia, design, film, literature, music,

8793: 6592: 5278: 1254:

respectively. These websites tracked the references and story elements in the novels through online resources such as

9725: 9506: 7697:

Sponsler, Claire (Winter 1992). "Cyberpunk and the Dilemmas of Postmodern Narrative: The Example of William Gibson".

7463: 6983: 6885: 6340: 3129: 2806: 2552: 2006:

William Gibson in Bloomsbury, London in September 2007. His fiction is hailed by critics for its characterization of

1982: 1554: 1540:

after an American producer had expressed an interest in a Soviet-American collaboration to star Soviet rock musician

1113: 603: 7365: 6791: 6492: 5106: 4684: 3465: 2437:

download instructions (to fly a helicopter and to "know kung fu", respectively) directly into their heads, and both

272:(1984). These early works of Gibson's have been credited with "renovating" science fiction literature in the 1980s. 13252: 13212: 13192: 13177: 13162: 13052: 13047: 13012: 13007: 11611: 10491: 9913: 9177: 9145: 9011: 8127: 7434: 7413: 7392: 6863: 6675: 6528: 6422: 6044: 4953: 3811: 1999:, but abated in September of the same year owing to concerns that it might negatively affect his creative process. 1927:

scrambling of the poem in exchange for prizes. The code was successfully cracked by Robert Xiao in late July 2012.

543:

with the stipulation that it be set in the city, Gibson actively avoided using his adopted home as a setting until

9113: 5185: 3650: 13127: 13042: 13002: 11299: 11198: 10575: 9739: 9422: 6388: 3121: 2723: 2040: 1216: 1085: 1021:, his work continued to evolve conceptually and stylistically. He next intended to write an unrelated postmodern 20: 12044: 10384: 2954:(1986, preface by Bruce Sterling), collects Gibson's early short fiction, listed by original publication date: 1270:

characterized this phenomenon as threatening "to completely overhaul the way literary criticism is conducted".

642: 103: 46: 9315: 7173: 5962: 4353: 1421:

and the pair's collaboration continued when Gibson wrote the introduction to Shirley's short story collection

13187: 13152: 13132: 13102: 10887: 10790: 10719: 9732: 9038: 8179: 7644: 7562: 7330: 7206: 3880: 3113: 1744: 561: 5386: 2275:

entered popular usage, as did concepts such as net consciousness, virtual interaction and "the matrix". In "

1483:

Gibson was first solicited to work as a screenwriter after a film producer discovered a waterlogged copy of

13227: 13172: 9718: 9622: 9395: 8642: 7602: 3401: 3102: 2958: 1889: 1634: 968:, that "I'd buy him a drink, but I don't know if I'd loan him any money," and referred to the novel as "an 882: 822:

has commented that these early short stories displayed flashes of Gibson's ability, science fiction critic

774: 768:, recorded or broadcast stimulus (later to be developed into the "sim-stim" package featured so heavily in 658: 654: 6920: 6464: 5344: 4259: 13222: 13207: 13032: 12982: 12839: 12834: 12829: 12824: 12819: 12514: 11604: 11022: 10168: 9940: 9525: 8705: 8349: 7045: 6746: 6648: 4711: 3780: 3748: 3212: 2823: 2614: 2459: 2310:

Gibson's work has influenced several popular musicians: references to his fiction appear in the music of

1995: 1560: 1193: 1081: 1069: 682:

in Vancouver in 1980 or 1981, Gibson found a kindred spirit in fellow panelist, punk musician and author

469: 353: 2449:

which strive to free themselves from human control. Critics have identified marked similarities between

13137: 13107: 12866: 12852: 12200: 9891: 7303: 4058: 2495: 1907: 1810:

pieces. In October 1989, Gibson wrote text for such a collaboration with acclaimed sculptor and future

1768: 1351:

had caused him to rethink and revise the text. The working title for the third novel in the series was

952:: "There is no way to overstate how radical Gibson's first and best novel was when it first appeared." 679: 530: 8418:. Press release April/May 2008. Experience Music Project and Science Fiction Museum and Hall of Fame ( 8021: 5699: 4387: 2366:, a biographical documentary of Gibson. He returned the favour by writing an article about the band's 11692: 10694: 10269: 10133: 10013: 9989: 9757: 9643: 8432:

Rosenberg, Scott (April 19, 1992). "Virtual Reality Check Digital Daydreams, Cyberspace Nightmares".

6415:"Speeches by William Gibson and Bruce Sterling at the National Academy of Sciences, Washington, D.C." 5803: 5273: 4216: 3699: 3218: 2993: 2711: 2146: 1703: 396: 385:(2020), returned to a more overt engagement with technology and recognizable science fiction themes. 8574: 8271: 13247: 11925: 11063: 10599: 9853: 9599: 7831: 7751: 7117: 6455: 6418: 5721: 5251: 2883: 1710:", broadcast in 1998 and 2000. In 1998 he contributed the introduction to the spin-off publication 1427: 1307: 1267: 905:

release was not greeted with fanfare, but it hit a cultural nerve, quickly becoming an underground

629:

in 1970, as they "couldn't afford to stay anywhere that had anything remotely like hard currency".

8157: 614:, for which he was paid $ 500—the equivalent of 20 weeks' rent—which financed his later travels. 12882: 11970: 11506: 11003: 10967: 10479: 10336: 10185: 10001: 9636: 9388: 7743: 5075: 5045: 5015: 3343: 2982: 2455: 2446: 2179: 2166: 1965: 1799: 1738: 1453: 1126: 804: 621:, where he completed his high school diploma at the age of 21. He spent the rest of the 1960s in 566: 3704: 1440:(1990). The two were later "invited to dream in public" (Gibson) in a joint address to the U.S. 13142: 13117: 12708: 12461: 12029: 11494: 11179: 11015: 10899: 10658: 9861: 9685: 9671: 8729: 8448: 7049: 5725: 4805: 4589: 4503: 4001: 3775: 3067: 3030: 2150:, identifies Gibson as "one of North America's most highly acclaimed science fiction writers". 2011: 1833: 1812: 1593: 1569: 1460: 1407: 1403: 1371: 1125:

notes that in the Bridge trilogy, Gibson's villains change from multinational corporations and

1080:

Britain, the novel was a departure from the authors' cyberpunk roots. It was nominated for the

434: 336: 74: 2543:", and is credited with inventing—conceptually rather than participatorally—the phenomenon of 12778: 11980: 11810: 10943: 10623: 10300: 9869: 9587: 7978: 6269: 6238: 5831: 4739: 4547:; George Edgar Slusser; Tom Shippey (1992). "Inside the Movement: Past, Present and Future". 4507: 4005: 3565: 3527: 2772: 2664: 1873:

cynical, work". A slightly different version of the short story was featured a year later in

1774: 1661:, although according to Gibson the latter is no longer attached to the project. Announced at 1603: 1436: 1376: 1153:

marked his development from "science-fiction hotshot to wry sociologist of the near future."

1064: 993: 311: 11464: 8238: 7037: 6075: 5622: 5591: 4581: 12887: 12695: 12170: 11647: 11566: 10742: 10635: 10628: 10556: 10460: 10360: 10317: 10288: 10257: 10228: 10061: 9977: 9319: 8664: 8495: 7566: 5758: 2402: 2087: 2058:

Gibson's prose has been analyzed by a number of scholars, including a dedicated 2011 book,

1278: 918: 670: 496: 438: 417: 344: 174: 27: 9374: 8727:

Blanchard, Jayne M. (September 12, 1993). "Sci-Fi Author Gibson Is 'Cyber'-Crowd's Guru".

8310: 7293: 4201: 394:

described Gibson as "probably the most important novelist of the past two decades", while

8: 13112: 12626: 12129: 12074: 11887: 11710: 10875: 10699: 10675: 10604: 10264: 10245: 10049: 9469: 8988: 8734: 8620: 8084: 7294:"Multimedia Animal Wired Visionary Nicholas Negroponte is MIT's Loud Voice of the Future" 6107:"Johnnie Christmas to Adapt William Gibson's Unpublished Aliens 3 Script as a Comic Book" 5990: 5768: 5661: 4223: 4208: 4166: 3433: 3348: 2762: 2548: 1639: 1579:

Aside from his short stories and novels, Gibson has written several film screenplays and

1047: 508: 287: 219: 121: 8668: 8042:"Liquid Science Fiction: Interview with William Gibson by Bernard Joisten and Ken Lum", 7865: 7551:

Fitting, Peter (July 1991). "The Lessons of Cyberpunk". In Penley, C.; Ross, A. (eds.).

6698: 3991: 3932: 594:

After weeks of nominal homelessness, Gibson was hired as the manager of Toronto's first

12728: 12205: 11363: 11345: 11282: 11270: 11246: 11222: 11027: 10863: 10802: 10527: 10467: 9657: 9309: 9269: 9235: 8898: 8753: 8654: 8405: 8066: 7947: 7888: 7722: 7714: 7664: 7533: 7260: 6988: 6944: 6587: 6179:

https://www.penguinrandomhouse.com/books/530536/agency-by-william-gibson/9781101986936/

6138:"Join William Gibson and Johnnie Christmas for a special launch of their book Alien 3!" 5986:"William Gibson's 'The Peripheral' stars a plucky female gamer with 3D printing skills" 5957: 5730: 5446: 4878: 4229: 4053: 3448: 3236: 3190: 3004: 2667:

jargon in his writing, Gibson answered "I'd never so much as touched a PC when I wrote

2623: 2124: 2096: 2038:"GreatDismal". In 2012, Gibson released a collection of his non-fiction works entitled 1947: 1580: 1395: 1052: 922: 646: 611: 556: 539: 453:

has commented that Gibson "grew up in an America as disturbing and surreal as anything

7086: 4425: 3616: 1914:

bulletin board the next day; this is the text that circulated widely on the Internet.

369:(2010)—set in a roughly contemporary world. These works saw his name reach mainstream 12399: 11920: 11825: 11652: 11476: 11470: 11357: 11210: 11051: 11034: 10670: 10563: 10508: 10407: 10389: 10365: 10281: 10240: 10180: 10126: 10078: 10042: 10037: 10018: 9692: 9678: 9328: 9283: 9273: 9252: 9242: 9218: 9208: 8902: 8863: 8853: 8830: 8820: 8634: 8601: 8279: 7998: 7988: 7951: 7939: 7726: 7668: 7622: 7612: 7606: 7580: 7570: 7525: 7135: 7125: 7063: 7053: 7038: 7016: 6961: 6951: 6207: 5763: 5500: 4916: 4661: 4651: 4603: 4593: 4582: 4562: 4552: 4521: 4511: 4465: 4455: 4316: 4094: 4019: 4009: 3508: 3498: 3298: 3284: 3084: 3056: 2133: 1959: 1857: 1825: 1795: 1786: 1518: 1506: 1321: 1134: 674: 534: 446: 306: 186: 12248: 9266:

The Cultural Influences of William Gibson, the "Father" of Cyberpunk Science Fiction

8955: 8206: 6840:

Fridman, Sherman (February 24, 2000). ""X-Files" Writer Fights For Online Privacy".

5930: 4782: 4054:"William Gibson's new novel asks, is the truth stranger than science fiction today?" 1431:

for which Shirley had written several scripts, but the network canceled the series.

764:(computer-simulated reality) technology on the human species. His themes of hi-tech 645:(UBC), earning "a desultory bachelor's degree in English" in 1977. Through studying 12765: 12690: 12672: 12583: 12532: 12404: 12278: 12099: 11998: 11993: 11843: 11672: 11530: 11500: 11381: 11111: 11099: 11039: 10766: 10754: 10587: 10520: 10455: 10419: 10341: 10293: 10233: 10221: 10138: 10073: 10066: 9994: 9972: 9230: 8890: 8758: 8650: 8646: 8571:"A 'Future Trace' on Dataveillance: The Anti-Utopian and Cyberpunk Literary Genres" 8485: 8211: 8080: 7931: 7795: 7706: 7656: 7265: 6348: 6336: 5560: 4883: 4500:

Storming the Reality Studio: a casebook of cyberpunk and postmodern science fiction

4321: 3997:

Storming the Reality Studio: a casebook of cyberpunk and postmodern science fiction

3532: 3307: 3134: 3107: 3071: 2680: 2634: 2533:, long before the embrace of the Internet by the mainstream. Gibson introduced, in 2398: 2372: 2288: 2209: 2137: 1977: 1937: 1902: 1846: 1763: 1733: 1678: 1620: 1502: 1411: 1328:

script in five parts, resulting in a hardcover collection being published in 2019.

618: 348: 239: 11329: 8917: 6311: 5858: 5530: 2002: 1864:

was closed and taken over by the homeless – a setting Gibson then detailed in the

1347:

magazine article that both the election of Donald Trump as U.S. President and the

756:

Gibson's early writings are generally near-future stories about the influences of

12723: 12642: 12494: 12384: 12374: 12314: 12243: 12160: 12059: 11965: 11578: 11554: 11351: 11251: 11174: 10998: 10842: 10831: 10580: 10515: 10424: 10353: 10216: 10192: 10161: 10109: 10085: 9822: 9801: 9629: 9346:– an extensive site dedicated to the author and his works (last updated Nov 2010) 8539: 8513: 7021: 6185: 6174: 5484: 4848: 3995: 3987: 3743: 3440: 3373: 3325: 3257: 2974: 2969: 2816: 2707: 2530: 2420: 2187: 2141: 2015: 2007: 1894: 1875: 1837: 1807: 1791: 1682: 1612: 1537: 1530: 1514: 1492: 1286: 1229:

see what people call them," and in 2016 he used "the Blue Ant books" in a tweet.

1210: 1118: 956: 940: 928: 835: 819: 789: 484: 421: 340: 255: 223: 125: 9081: 8379: 6614: 5420: 909:

hit. It became the first winner of one science fiction "triple crown" —both the

653:. It was at UBC that he attended his first course on science fiction, taught by 315:(1990), which became an important work of the science fiction subgenre known as 12677: 12662: 12647: 12603: 12504: 12414: 12379: 12238: 12210: 12134: 12104: 11988: 11940: 11882: 11877: 11867: 11833: 11777: 11767: 11677: 11584: 11572: 11488: 11482: 11423: 11405: 11227: 11191: 11186: 11087: 11046: 10979: 10962: 10819: 10807: 10503: 10496: 10448: 10006: 9827: 9781: 9664: 9650: 9592: 9568: 9560: 9481: 9444: 8630: 8626: 8622: 8498: 8479: 8060: 7790: 6410: 5892: 5181: 4921: 4641: 4132: 3488: 3271: 3045: 3034: 3019: 2860: 2852: 2783: 2777: 2739: 2604: 2600: 2503: 2499: 2416: 2394: 2327: 2300: 2276: 2271: 2244: 2109: 2022:

Gibson recommenced blogging in October 2004, and during the process of writing

1865: 1852:

In 1990, Gibson contributed to "Visionary San Francisco", an exhibition at the

1598: 1597:(1995) with screenplay by Gibson and starring Keanu Reeves, Dolph Lundgren and 1588: 1449: 1367: 1339: 1298: 1183: 1122: 1096: 1073: 1056: 1011: 997: 989: 831: 827: 808: 719: 703: 637: 599: 552: 488: 380: 375: 325: 302: 295: 263: 11800: 9905: 7935: 4983: 3314:, and Gibson later stated that Idol had "turned it into something very silly." 2393:(1999) drew inspiration for its title, characters and story elements from the 1213:

and Pamela Mainwaring, employees of the enigmatic marketing company Blue Ant.

12876: 12747: 12685: 12652: 12593: 12524: 12509: 12499: 12484: 12474: 12440: 12409: 12334: 12319: 12190: 12175: 12139: 12119: 12109: 12079: 12024: 12008: 11785: 11762: 11757: 11747: 11542: 11518: 11435: 11411: 11393: 11263: 11239: 11075: 10640: 10616: 10611: 10532: 10484: 10443: 10431: 10372: 10305: 10114: 10102: 9960: 9878: 9837: 9796: 9786: 9533: 9490: 9287: 9237:

Full Metal Apache: Transactions between Cyberpunk Japan and Avant-Pop America

8283: 8122: 8089: 7943: 7786: 7552: 7529: 6496: 6211: 4136: 3904: 2913: 2905: 2898: 2890: 2831: 2790: 2714:. That's becoming more difficult to do because everything is 'around them'." 2628: 2521:. Image captured in the Scylla bookstore of Paris, France, on March 14, 2008. 2513: 2284: 2227: 2222: 2218: 2199: 2101: 2024: 1971: 1841: 1686: 1674: 1526: 1242: 1199: 1130: 1101: 1077: 1010:, a fictional squatted version of which constitutes the setting for Gibson's 906: 856:

The sky above the port was the color of television, tuned to a dead channel.

812: 650: 525: 454: 359: 143: 12054: 9256: 9222: 8894: 8867: 8834: 8117: 8002: 7645:"The Business of Cyberpunk: Symbolic Economy and Ideology in William Gibson" 7626: 7584: 7139: 7067: 6965: 5306: 4665: 4607: 4566: 4525: 4469: 4023: 3815: 3512: 2466:

that same year, presented by his close friend and collaborator Jack Womack.

1425:(1989). Shirley convinced Gibson to write a story for the television series 979: 12814: 12788: 12770: 12755: 12718: 12700: 12667: 12553: 12548: 12394: 12369: 12364: 12349: 12344: 12329: 12304: 12253: 12233: 12228: 12220: 12165: 12124: 12069: 12034: 11975: 11955: 11930: 11892: 11838: 11795: 11790: 11752: 11715: 11705: 11687: 11682: 11627: 11512: 11458: 11417: 11399: 11387: 11375: 11369: 11287: 11275: 11167: 11143: 11010: 10955: 10911: 10814: 10663: 10551: 10539: 10472: 10377: 10312: 10252: 10090: 10054: 9982: 9955: 9936: 9541: 9333: 7298: 6582: 6019:"William Gibson Talks Sci-Fi and His Next Novel at New York Public Library" 5142: 4623: 4544: 3008: 2839: 2699: 2698:

when a web developer built one for Gibson. In 2007 he said, "I have a 2005

2619: 2588: 2556: 2551:

digital art has been acknowledged, and he holds an honorary doctorate from

2518: 2507: 2367: 2323: 2319: 2118: 2105: 2083: 2065: 2030: 1953: 1817: 1725: 1721: 1399: 1205: 1146: 945: 910: 892: 726: 707: 683: 504: 492: 442: 402: 390: 365: 332: 190: 178: 166: 9343: 7660: 6893: 6352: 3461: 1692:

Television is another arena in which Gibson has collaborated; with friend

262:" for "widespread, interconnected digital technology" in his short story " 258:

before the ubiquity of the Internet in the 1990s. Gibson coined the term "

12793: 12713: 12621: 12616: 12608: 12598: 12588: 12563: 12456: 12435: 12354: 12324: 12309: 12263: 12195: 12185: 12180: 12114: 12094: 12084: 12049: 12039: 11960: 11950: 11945: 11910: 11897: 11848: 11820: 11805: 11725: 11720: 11697: 11662: 11657: 11642: 11536: 11441: 11155: 10991: 10986: 10927: 10847: 10778: 10759: 10687: 10592: 10436: 10324: 10204: 10030: 9453: 8056: 7558: 5451: 5213: 4917:"William Gibson : All Tomorrow's Parties : Waiting For The Man" 4172: 2933: 2920: 2746: 2565: 2544: 2535: 2526: 2425: 2337: 2332: 2311: 2203: 2078: 2073: 1898: 1698: 1549: 1541: 1471: 1469:

album, and wrote lyrics to the track "Dog Star Girl" for Deborah Harry's

1030: 1022: 886: 873: 863: 840: 823: 765: 757: 730: 657:, at the end of which he was encouraged to write his first short story, " 268: 266:" (1982), and later popularized the concept in his acclaimed debut novel 251: 235: 182: 154: 9167: 9135: 9103: 7537: 7516:

Frelik, Paweł (2012). "Review of William Gibson: A Literary Companion".

6518: 2491: 413: 12798: 12657: 12573: 12568: 12558: 12519: 12489: 12448: 12299: 12215: 12144: 11915: 11905: 11872: 11815: 11772: 11667: 11596: 11548: 11524: 11429: 11234: 11215: 11203: 11094: 10974: 10795: 10771: 10711: 10568: 10348: 10197: 10173: 10121: 9817: 9461: 9324: 8951: 8638: 7718: 6384: 5408: 4123:"William Gibson Talks to io9 About Canada, Draft Dodging, and Godzilla" 3875: 3807: 3280: 3182: 2754: 2688: 2676: 2609: 2540: 2411: 2389: 2377: 2315: 2304: 2255: 2249: 2091: 1716: 1693: 1658: 1625: 1565: 1564:. A similar fate befell Gibson's collaboration with Japanese filmmaker 1522: 1459:

In 1993, Gibson contributed lyrics and featured as a guest vocalist on

1363: 1233: 1187: 1034: 969: 914: 878: 761: 702:

Through Shirley, Gibson came into contact with science fiction authors

607: 450: 370: 281: 259: 231: 170: 8183: 7858:"Writing Fiction in the Age of Google: William Gibson Q&A, Part 3" 6788:"I've Forgotten More Neuromancer Film Deals Than You've Ever Heard Of" 5899:(transcription). Interviewed by Eric Holstein; Raoul Abdaloff. Paris. 2198:

fiction, Gibson's fictional works have been hailed by space historian

976:

nonetheless led to the 35-year-old Gibson's emergence from obscurity.

784:, as "Gibson's classic one-two combination of lowlife and high tech." 12783: 12578: 12419: 12389: 12359: 12339: 12283: 12268: 12258: 12089: 12064: 12003: 11935: 10950: 10544: 10412: 10329: 10156: 10025: 9077: 8960: 8700: 8490: 7230:"Solve 20-year-old mystery in William Gibson's "Agrippa"; win prizes" 7121: 7040:

The laws of cool : knowledge work and the culture of information

5694: 5311: 5246: 4543: 3937: 3339: 3311: 2684: 2247:

generation as a kind of road map". Through his novels, such terms as

2214: 2195: 2191: 1986: 1829: 1545: 1505:"), few elements of which survived in the final version. In 2018-19, 1465: 1414:. Gibson had previously written the foreword to Shirley's 1980 novel 1282: 1263: 1259: 1232:

A phenomenon peculiar to this era was the independent development of

1089: 931:, in his "Notes Toward a Postcyberpunk Manifesto" (1998), identified 799: 734: 633: 595: 479: 317: 247: 227: 139: 135: 7710: 6045:"Watch William Gibson read from his brand new science fiction novel" 2476:

The future is already here – it's just not evenly distributed.

12469: 12273: 10922: 10097: 9967: 9791: 8659: 8402:"2008 Science Fiction Hall of Fame Ceremony Tickets On Sale May 15" 7165: 6450: 6270:"I don't think I'm going to call Agency's sequel Jackpot after all" 3253: 2703: 2592: 2225:(right), whom he also consulted for technical advice while writing 1757: 1488: 715: 626: 420:

at his 70th birthday party in 1984. Burroughs, more than any other

292: 243: 85: 9303: 8881:

Dear, Michael; Steven Flusty (March 1998). "Postmodern Urbanism".

7198: 1575: 1002: 925:— eventually selling more than 6.5 million copies worldwide. 12760: 9380: 6742: 6523: 4988: 2346: 2240: 1911: 1906:

to numerous colorful reports, the diskettes were never actually "

1497: 1478: 1445: 1225: 944:

list of the 100 best English-language novels written since 1923,

622: 570: 12861: 2173:

In his early short fiction, Gibson is credited by Rapatzikou in

204: 10276: 8449:"The Future Has Arrived — It's Just Not Evenly Distributed Yet" 4233: 3982: 3980: 3125:(2012) – essays written over a period of more than twenty years 1732:. He accepted another acting role in 2002, appearing alongside 1608: 1513:

script, illustrated and adapted by Johnnie Christmas. In 2019,

1358: 1255: 807:"), to the extent that his highest goal was to become "a minor 711: 664: 8372:"'Cyberspace' coiner returns to native SC for honorary degree" 3978: 3976: 3974: 3972: 3970: 3968: 3966: 3964: 3962: 3960: 2928:

Alien: The Unproduced First-Draft Screenplay by William Gibson

2572:

in 1984, asking "what if the act of writing it down, in fact,

1849:

and Gibson's friend and future webmaster Christopher Halcrow.

1806:

Gibson has contributed text to be integrated into a number of

1714:. Gibson made a cameo appearance in the television miniseries 1685:

in July 1985, the film is being developed by British producer

569:

than by a desire to "sleep with hippie chicks" and indulge in

519: 26:"Gibsonian" redirects here. For the school of psychology, see 9498: 7772:

Trench, Marianne and Peter von Brandenburg, producers. 1992.

4740:"Contemporary Trends in Science Fiction Criticism, 1980–1999" 3240: 2798: 2694: 1942: 1670: 1649: 1644: 1107: 669:

After considering pursuing a master's degree on the topic of

8918:"Magic Mirror: The Novel as a Software Development Platform" 4414:"William Gibson: Sci-Fi Icon Becomes Prophet of the Present" 3933:"God's Little Toys: Confessions of a cut & paste artist" 3648: 1017:

Although much of Gibson's reputation has remained rooted in

565:(2000), Gibson said that his decision was motivated less by 424:

writer, was an important influence on the adolescent Gibson.

9172: 9140: 9108: 6460: 3957: 3338:

Both the Internet with its dramatic social effects and the

1781: 1778:

based on Gibson's novel of the same name, in October 2022.

1753: 514: 5379:"An Interview With William Gibson The Father of Cyberpunk" 3828:

This story originally appeared in a Canadian 'zine, Virus

3739:"Passed/Failed: William Gibson, novelist and scriptwriter" 3361:

Gibson wrote the following in the "Author's Afterword" of

2354:, and the band at one point planned to scroll the text of 1856:

shown from June 14 to August 26. He wrote a short story, "

1324:

began releasing Johnnie Christmas' adaptation of Gibson's

16:

American-Canadian speculative fiction novelist (born 1948)

7984:

Brave New Words: The Oxford Dictionary of Science Fiction

6048: 4127: 3649:

Adams, Tim; Emily Stokes; James Flint (August 12, 2007).

2645: 2054:

List of awards and nominations received by William Gibson

1292: 1170: 585: 428: 7114:

Mechanisms : new media and the forensic imagination

6815:"Simon Pummell preps William Gibson adaptation Dogfight" 6552:"EGOS & IDS; Deborah Harry Is Low-Key – And Unblond" 6335: 4352:. Lysator Sweden Science Fiction Archive. Archived from 3445:

The Locus Index to SF Awards: Index of Literary Nominees

2082:. The novel won three major science fiction awards (the 1092:

literary genre of which it remains the best-known work.

222:

writer and essayist widely credited with pioneering the

7889:"Marshall McLuhan Meets William Gibson in "Cyberspace"" 5482:

Hirst, Christopher (May 10, 2003). "Books: Hardbacks".

2579:

Gibson scholar Tatiani G. Rapatzikou has commented, in

2341: 1828:

at Art Futura '92, Barcelona, which featured images by

1088:

in 1992, and its success drew attention to the nascent

725:

In October 1982, Gibson traveled to Austin, Texas, for

8272:"The Matrix Problem I: The Matrix, Mind and Knowledge" 8182:. GreyLodge Podcast Publishing company. Archived from 6459:(Interview). Interviewed by Dan Josefsson. Stockholm: 6409: 4580:

Bould, Mark (2005). "Cyberpunk". In David Seed (ed.).

3528:"26 Years After Gibson, Pentagon Defines 'Cyberspace'" 3402:"March 17, 1948: William Gibson, Father of Cyberspace" 2295:, the term gained such recognition that it became the 1444:

Convocation on Technology and Education in 1993 ("the

1129:

of the Sprawl trilogy to the mass media – namely

343:. Following the turn of the century and the events of 12850: 7608:

The Salon. Com Reader's Guide to Contemporary Authors

6771:. cyberpunkreview.com. April 21, 2006. Archived from 3924: 2632:, which featured a satirical extrapolated version of 2469: 1845:

acclaimed Vancouver-based contemporary dance company

1637:

attached, and the third novel in the Sprawl trilogy,

1558:

and informed much of the Russian content of Gibson's

555:. In 1967, he elected to move to Canada in order "to 487:

writing, thereby gaining exposure to the writings of

8595: 5267: 5265: 5263: 5261: 4639: 3776:"Questions for William Gibson: Back From the Future" 3486: 3256:

to copyright the word for their abortive foray into

1981:. His first major piece of nonfiction, the article " 433:

William Ford Gibson was born in the coastal city of

9377:–– Short Biography, Audiobooks & Ebooks. (2024) 9349: 9263: 8422:). Archived May 10, 2008. Retrieved March 19, 2013. 7110:"Hacking 'Agrippa': The Source of the Online Text." 6200:"How William Gibson Keeps His Science Fiction Real" 1930: 1924:

Maryland Institute for Technology in the Humanities

1394:

were written in collaboration with other authors: "

9234: 8786:"Sci-Fi Writer, High-Tech Marketer on Awards Jury" 6943: 4549:Fiction 2000:Cyberpunk and the Future of Narrative 4171:. November 19, 1999. Event occurs at 16:41. BBC. 3372:(SUISSE). Cased, it weighs slightly less than the 2683:would have used in the field". By 1988 he used an 1062:The Sprawl trilogy was followed by the 1990 novel 573:. He elaborated on the topic in a 2008 interview: 8883:Annals of the Association of American Geographers 8880: 8814: 8180:"GPod Audio Books: Neuromancer by William Gibson" 6984:"In San Francisco, A Good Idea Falls With a Thud" 6076:"To readers of both The Peripheral and Archangel" 5298: 5258: 3703:. The Literary Dictionary Company. Archived from 3230: 3228: 2140:. It is praised by critics for its depictions of 2094:), an unprecedented achievement described by the 1665:in 2015 is an adaptation of Gibson's short story 12874: 9061: 9033: 9031: 9029: 8808: 8600:. University of Pennsylvania Press. p. 35. 8378:. Associated Press. May 10, 2008. Archived from 6977: 6975: 5650: 5648: 5440: 5438: 1887:A particularly well-received work by Gibson was 1860:", set in a decaying San Francisco in which the 1568:in 1991, a film they planned on shooting in the 1105:(1993), a "darkly comic urban detective story", 787:Beginning in 1981, Gibson's stories appeared in 335:developments of near-future urban environments, 9935: 9340:(including bibliography of selected interviews) 8687: 8511: 7920:"What's in a Name? Metaphors and Cybersecurity" 6699:"Vincenzo Natali Still Hopeful For Neuromancer" 3893: 3891: 3252:Gibson later successfully resisted attempts by 2679:, which Gibson described as "the kind of thing 2100:as "the sci-fi writer's version of winning the 1262:and collated the results, essentially creating 1055:with shared characters, thereby completing the 347:, Gibson emerged with a string of increasingly 8986:edition of August 14, 2006, of the free daily 8850:Gothic Motifs in the Fiction of William Gibson 8204: 7484: 6696: 6638: 6636: 6385:"William Gibson Interviewed by Giuseppe Salza" 6345:The Locus Index to Science Fiction (1984–1998) 4977: 4975: 4973: 4971: 4872: 4870: 4588:. Blackwell Publishing Professional. pp. 3225: 2581:Gothic Motifs in the Fiction of William Gibson 2190:to credit Gibson with virtually launching the 1657:was in the process of development by director 1591:universe, have been loosely adapted as films: 1479:Film adaptations, screenplays, and appearances 218:(born March 17, 1948) is an American-Canadian 11612: 11315: 11259:Sooner or Later Everything Falls into the Sea 10727: 9921: 9396: 9318:from the Centre for Language and Literature, 9264:Yoke, Carl B.; Robinson, Carol, eds. (2007). 9026: 8874: 8337: 7824:"Cory Doctorow Talks About Nearly Everything" 7083:"Introduction to Agrippa: A Book of the Dead" 6972: 6853: 6851: 6239:"Third/final volume's working title: Jackpot" 5645: 5435: 4247: 4047: 4045: 3878:(director), William Gibson (subject) (2000). 2583:, on the origin of the notion of cyberspace: 1653:was announced as in development in 2006, and 9352:"William Gibson, The Art of Fiction No. 211" 8568: 8562: 7692: 7690: 7107: 6444: 6442: 6440: 5953:"Gibson still scares up a spooky atmosphere" 5681: 5167: 5165: 4733: 4731: 4729: 4310: 4308: 4155: 4083: 4081: 3888: 3606: 3604: 3602: 3600: 3598: 3596: 3594: 3592: 3590: 3588: 2663:When an interviewer in 1988 asked about the 2047: 1509:released a five-part adaptation of Gibson's 1388:Three of the stories that later appeared in 1370:, co-author with Gibson of the short story " 1359:Collaborations, adaptations, and miscellanea 1145:a "return to form" for Gibson, while critic 838:" ultimately culminated in his first novel, 665:Early writing and the evolution of cyberpunk 373:for the first time. His most recent novels, 8841: 8446: 8055: 6633: 6543: 6493:"William Gibson Bibliography / Mediagraphy" 6331: 6329: 5787: 4968: 4867: 4781:. Literary Review of Canada. Archived from 4699: 4493: 4491: 4489: 4487: 4485: 4483: 4481: 4479: 2160:William Gibson – the man who made us cool. 1448:people"), in which they argued against the 617:Gibson spent a "brief, riot-torn spell" in 19:For other people named William Gibson, see 11619: 11605: 11322: 11308: 10734: 10720: 9928: 9914: 9403: 9389: 9308: 8847: 8394: 8302: 8073: 8018:"Postmodern Science Fiction and Cyberpunk" 7887:Doherty, Michael E. Jr. (September 1995). 7738: 7736: 7638: 7636: 7259:Gibson, William (September–October 1993). 6981: 6848: 6833: 5720: 5338: 5336: 5334: 5233: 5098: 5068: 5038: 5008: 4779:The LRC 100: Canada's Most Important Books 4445: 4443: 4211:; "This is Bill" appears first after 0:45) 4042: 3870: 3868: 3866: 3864: 3862: 3860: 3769: 3767: 3765: 3692: 3688: 3686: 3684: 3682: 3680: 3678: 3676: 3644: 3642: 3640: 3638: 3636: 3634: 3429: 3427: 2330:(whose name is derived from a sequence in 1383: 733:, went on to form the core of the radical 45: 12973:21st-century Canadian short story writers 12963:21st-century Canadian non-fiction writers 12953:21st-century American short story writers 12943:21st-century American non-fiction writers 12928:20th-century Canadian short story writers 12918:20th-century Canadian non-fiction writers 12908:20th-century American short story writers 12898:20th-century American non-fiction writers 11331:Damon Knight Memorial Grand Master Awards 8726: 8658: 8596:Hollinger, Veronica; Joan Gordon (2002). 8489: 8431: 8308: 8079: 7815: 7687: 7322: 6908: 6437: 5886: 5884: 5714: 5372: 5370: 5206: 5162: 4981: 4876: 4797: 4737: 4726: 4539: 4537: 4535: 4497: 4305: 4078: 3986: 3858: 3856: 3854: 3852: 3850: 3848: 3846: 3844: 3842: 3840: 3585: 3525: 2235:Gibson's early novels were, according to 1072:novel Gibson wrote in collaboration with 964:commented on himself as an author, circa 797:, wherein his fiction developed a bleak, 13258:Writers about activism and social change 11626: 11151:The Strange Affair of Spring-Heeled Jack 10741: 9368:Science Fiction and Fantasy Hall of Fame 8745: 7880: 7850: 7696: 7544: 7478: 7462:. WilliamGibsonBooks.com. Archived from 7433:. WilliamGibsonBooks.com. Archived from 7412:. WilliamGibsonBooks.com. Archived from 7391:. WilliamGibsonBooks.com. Archived from 7364:. WilliamGibsonBooks.com. Archived from 7328: 6941: 6769:"William Gibson's Idoru Coming to Anime" 6486: 6484: 6482: 6378: 6376: 6374: 6372: 6370: 6326: 5104: 4914: 4910: 4908: 4906: 4838: 4806:"Notes Toward a Postcyberpunk Manifesto" 4619: 4617: 4476: 4407: 4405: 4051: 3800: 3117:(2000) – an independent documentary film 2512: 2429:). Like Turner, protagonist of Gibson's 2208: 2153: 2001: 1917:Since its debut in 1992, the mystery of 1785: 1782:Exhibitions, poetry, and performance art 1643:, has also been optioned and bought. An 1574: 1362: 1220:Gibson signing one of his novels in 2010 1215: 1001: 718:, in the autumn of 1981, where he read " 518: 515:Draft-dodging, exile, and counterculture 437:, and he spent most of his childhood in 412: 9229: 8693: 8589: 8550:from the original on September 27, 2007 8036: 8009: 7987:. Oxford University Press. p. 31. 7976: 7958:from the original on September 27, 2020 7886: 7838:from the original on September 27, 2007 7821: 7766: 7733: 7633: 7594: 7550: 7460:"My poor old blog's just sitting there" 7291: 7285: 7252: 7209:from the original on September 15, 2015 7193: 7191: 6839: 6595:from the original on September 24, 2008 6580: 6339:; William G. Contento (July 10, 2004). 6197: 5839:from the original on September 11, 2007 5793: 5654: 5331: 5304: 5239: 5200: 4941: 4804:Person, Lawrence (Winter–Spring 1998). 4551:. Athens: University of Georgia Press. 4449: 4440: 3773: 3762: 3732: 3730: 3728: 3726: 3724: 3722: 3673: 3631: 3573:from the original on September 11, 2007 3540:from the original on September 14, 2008 3424: 1572:until the city was demolished in 1993. 959:described the concept of the matrix in 752:Burning Chrome (short story collection) 13218:Science Fiction Hall of Fame inductees 12875: 9116:from the original on November 11, 2020 9001: 8944: 8766:from the original on December 27, 2008 8751: 8675:from the original on December 22, 2001 8477: 8343: 8325:from the original on November 24, 2007 8269: 8109: 8015: 7917: 7675:from the original on February 11, 2009 7642: 7600: 7515: 7457: 7428: 7408:Gibson, William (September 23, 2006). 7407: 7386: 7360:Gibson, William (September 12, 2003). 7359: 7258: 7227: 7146:from the original on November 15, 2007 7080: 7014: 6914: 6857: 6812: 6785: 6728: 6726: 6724: 6709:from the original on December 12, 2013 6669: 6642: 6531:from the original on February 25, 2008 6448: 6382: 6298: 6292: 6218:from the original on December 16, 2019 6135: 6104: 6025:from the original on December 20, 2013 6016: 5929:. CBC British Columbia. Archived from 5890: 5881: 5824: 5738:from the original on September 6, 2007 5376: 5367: 5305:Leonard, Andrew (September 14, 1998). 5271: 5135: 5117:from the original on September 4, 2007 5086:from the original on February 20, 2017 5056:from the original on February 25, 2012 4947: 4803: 4708:"Oh Well, While I'm Here: Bladerunner" 4705: 4678: 4532: 4411: 4347: 4341: 4314: 4253: 4120: 3945:from the original on February 21, 2007 3930: 3912:from the original on November 21, 2008 3897: 3837: 3806: 3610: 3558: 3412:from the original on December 21, 2018 3342:genre itself were also anticipated in 3296:Idol released an album in 1993 titled 2675:on a 1927 olive-green Hermes portable 1374:" (1983) and the 1990 steampunk novel 1305:In 2017, Gibson's comic/graphic novel 1293:The Jackpot trilogy and graphic novels 745: 429:Childhood, itinerance, and adolescence 13238:University of British Columbia alumni 12998:American expatriate writers in Canada 11600: 11303: 10715: 9909: 9833:Intrusion Countermeasures Electronics 9384: 9338:Internet Speculative Fiction Database 9202: 9148:from the original on October 29, 2020 9067: 9002:Gibson, William (September 3, 2003). 8950: 8926:Massachusetts Institute of Technology 8815:Gibson, William; Jack Womack (2004). 8752:Kahney, Leander (November 14, 2002). 8645:; Stephen Wolff (December 10, 2003). 8219:from the original on October 24, 2012 8130:from the original on October 15, 2007 8049: 7899:from the original on October 20, 2007 7497:from the original on January 21, 2012 7176:from the original on October 17, 2011 6996:from the original on October 13, 2007 6821:from the original on February 2, 2015 6813:Macnab, Geoffrey (January 27, 2015). 6549: 6479: 6467:from the original on October 11, 2007 6391:from the original on October 11, 2011 6367: 6280:from the original on January 23, 2021 6117:from the original on November 9, 2020 6055:from the original on October 22, 2015 5998:from the original on October 28, 2014 5983: 5945: 5869:from the original on October 26, 2007 5794:Leonard, Andrew (February 13, 2003). 5481: 5444: 5401: 5342: 5171: 4903: 4855:from the original on October 22, 2011 4754:from the original on October 22, 2007 4679:Gibson, William (September 4, 2003). 4628:Internet Speculative Fiction Database 4614: 4579: 4402: 4293:from the original on January 25, 2014 4280: 4087: 4030:from the original on January 25, 2012 3898:Gibson, William (November 12, 2008). 3693:Rapatzikou, Tatiani (June 17, 2003). 3661:from the original on October 16, 2007 3468:from the original on January 29, 2017 3399: 2547:. His influence on early pioneers of 2186:(1984) hit a cultural nerve, causing 1663:International Film Festival Rotterdam 13038:Canadian alternative history writers 9886:William Gibson: A Literary Companion 9180:from the original on August 14, 2020 9049:from the original on October 2, 2019 8819:. New York: Ace Books. p. 269. 8696:"Riding shotgun with William Gibson" 8512:Zakon, Robert H (November 1, 2006). 8447:O'Toole, Garson (January 24, 2012). 8344:Gibson, William (January 28, 2003). 8276:Erfurt Electronic Studies in English 8115: 7518:Journal of the Fantastic in the Arts 7341:from the original on August 14, 2007 7331:"William Gibson 'gives up blogging'" 7273:from the original on October 1, 2008 7188: 6982:Goldberger, Paul (August 12, 1990). 6663: 6519:"Yellow Magic Orchestra – Technodon" 6449:Gibson, William (November 3, 1994). 6249:from the original on August 14, 2020 6198:Rothman, Joshua (December 9, 2019). 5825:Bennie, Angela (September 7, 2007). 5355:from the original on January 8, 2008 5272:Walker, Martin (September 3, 1996). 5136:Walter, Damien G (January 7, 2009). 4982:Bolhafner, J. Stephen (March 1994). 4832: 4706:Gibson, William (January 17, 2003). 3774:Solomon, Deborah (August 19, 2007). 3736: 3719: 3611:Gibson, William (November 6, 2002). 3559:Bennie, Angela (September 7, 2007). 3198: 3150: 2728: 2283:, referring to the "mass consensual 2061:William Gibson: A Literary Companion 1772:, a TV series from the producers of 1629:was at one point being developed as 1611:interactive video game. As of 2013, 1349:controversy over Cambridge Analytica 1076:. Set in a technologically advanced 935:as "the archetypal cyberpunk work". 10683:Babel, or the Necessity of Violence 9350:David Wallace-Wells (Summer 2011). 8016:Irvine, Martin (January 12, 1997). 7785: 7485:Kennedy, Pagan (January 13, 2012). 7429:Gibson, William (October 3, 2006). 7329:Orlowski, Andrew (April 25, 2003). 7261:"Disneyland with the Death Penalty" 7035: 6721: 6697:Williams, Owen (October 28, 2013). 6562:from the original on April 19, 2021 6490: 6148:from the original on August 3, 2020 5923:"William Gibson with Spook Country" 5818: 5756: 5687: 5669:from the original on August 5, 2016 5655:Garreau, Joel (September 6, 2007). 5541:from the original on April 19, 2021 5207:Alexander, Scott (August 9, 2007). 5138:"Steampunk: the future of the past" 5105:Bebergal, Peter (August 26, 2007). 5076:"1989 Award Winners & Nominees" 5046:"1987 Award Winners & Nominees" 5026:from the original on April 11, 2016 5016:"1986 Award Winners & Nominees" 4948:Gibson, William (August 15, 2005). 4820:from the original on April 26, 2009 4633: 4274: 4218:Rochdale College: Organized anarchy 4179:from the original on April 30, 2011 4066:from the original on April 19, 2021 4052:Marshall, John (February 6, 2003). 3552: 3480: 1790:Gibson has often collaborated with 1619:to the screen, after some years in 1169:—William Gibson in an interview on 1029:, but reneged on the contract with 13: 13268:Writers about religion and science 13168:People from Conway, South Carolina 12988:American alternate history writers 12958:21st-century Canadian male writers 12938:21st-century American male writers 12913:20th-century Canadian male writers 12893:20th-century American male writers 9410: 9196: 9039:"An Interview with William Gibson" 8968:from the original on July 14, 2014 8932:from the original on June 11, 2008 8459:from the original on June 30, 2013 8097:from the original on June 16, 2012 7742: 7310:from the original on April 2, 2015 7240:from the original on July 26, 2012 6299:Gibson, William (March 31, 1996). 6267: 6236: 6086:from the original on March 8, 2021 6073: 5903:from the original on April 5, 2008 5633:from the original on March 8, 2021 5620: 5602:from the original on March 7, 2021 5589: 5571:from the original on March 8, 2021 5511:from the original on March 7, 2021 5498: 5445:Chang, Angela (January 10, 2007). 5343:Poole, Steven (October 30, 1999). 5319:from the original on July 14, 2014 5286:from the original on July 14, 2014 5274:"Blade Runner on electro-steroids" 5172:Platt, Adam (September 16, 1993). 5150:from the original on April 7, 2019 4839:Grossman, Lev (October 16, 2005). 4630:(ISFDB). Retrieved April 13, 2013. 4386:(3). March 4, 2004. Archived from 4143:from the original on June 11, 2008 3992:"An Interview with William Gibson" 2470:Visionary influence and prescience 1854:San Francisco Museum of Modern Art 1822:Dream Jumbo: Working the Absolutes 1673:award-winning writer and director 1501:(which he later characterized as " 740: 632:The couple married and settled in 324:In the 1990s, Gibson composed the 14: 13289: 13233:Theorists on Western civilization 13058:Canadian male short story writers 13018:American male short story writers 10277:Tehanu: The Last Book of Earthsea 9726:Disneyland with the Death Penalty 9295: 9241:. Durham: Duke University Press. 8915: 8754:"Early Desktop Pic Ahead of Time" 8694:Leonard, Andrew (February 2001). 8647:"A Brief History of the Internet" 8290:from the original on July 5, 2004 8251:from the original on July 4, 2008 7803:from the original on May 14, 2008 7458:Gibson, William (July 30, 2009). 7108:Kirschenbaum, Matthew G. (2008). 7015:Gibson, William (November 1991). 6858:Gibson, William (July 22, 2006). 6732: 6670:Gibson, William (July 21, 2006). 6643:Gibson, William (March 6, 2003). 6413:; William Gibson (May 10, 1993). 6136:Conner, Shawn (August 13, 2019). 6017:Fenlon, Wesley (April 24, 2013). 5984:Sloan, Robin (October 27, 2014). 5827:"A reality stranger than fiction" 5775:from the original on May 30, 2019 5757:Lim, Dennis (February 18, 2003). 5407: 5240:Leonard, Andrew (July 27, 1999). 4996:from the original on July 8, 2011 4929:from the original on June 8, 2007 4891:from the original on May 16, 2008 4845:TIME Magazine All-Time 100 Novels 4772: 4738:Hollinger, Veronica (July 1999). 4412:Parker, T. Virgil (Summer 2007). 4376:"UBC Alumni: The First Cyberpunk" 4329:from the original on May 13, 2008 4121:Gibson, William (June 10, 2008). 3788:from the original on May 12, 2013 3561:"A reality stranger than fiction" 3329:was inspired by Gibson's fiction. 3130:Disneyland with the Death Penalty 2717: 2553:Parsons The New School for Design 1983:Disneyland with the Death Penalty 1156: 917:as the year's best novel and the 13068:Canadian science fiction writers 13063:Canadian male television writers 13028:American science fiction writers 13023:American male television writers 12860: 9160: 9128: 9096: 8995: 8980: 8909: 8778: 8720: 8614: 8532: 8520:from the original on May 5, 2009 8514:"Hobbes' Internet Timeline v8.2" 8505: 8471: 8440: 8425: 8364: 8309:Blackford, Russell (July 2004). 8263: 8231: 8198: 8172: 8142: 7970: 7911: 7779: 7509: 7493:. New York, NY. New York Times. 7487:"William Gibson's Future Is Now" 7451: 7387:Gibson, William (June 1, 2006). 7380: 7353: 7292:Mehegan, David (March 1, 1995). 7221: 7158: 7101: 7074: 7029: 7008: 6935: 6915:Gibson, William (May 31, 2003). 6878: 6806: 6779: 6621:from the original on May 1, 2019 6550:Pener, Degen (August 22, 1993). 5893:"Interview de William Gibson VO" 5859:"William Gibson Hates Futurists" 5734:. London: Guardian Media Group. 5463:from the original on May 1, 2009 5377:Dueben, Alex (October 2, 2007). 4915:Johnston, Antony (August 1999). 4348:Rogers, Mike (October 1, 1993). 4315:Gibson, William (January 1999). 3900:"Sci-fi special: William Gibson" 3737:Sale, Jonathan (June 19, 2003). 3526:Schactman, Noah (May 23, 2008). 3355: 3332: 3317: 3290: 3263: 3246: 2350:album was heavily influenced by 2202:as some of the best examples of 2128:10 years" to mention the novel. 1985:", concerning the city-state of 1931:Essays and short-form nonfiction 1862:San Francisco–Oakland Bay Bridge 1008:San Francisco–Oakland Bay Bridge 885:, which was intended to feature 467:—William Gibson, interview with 275:After expanding on the story in 13273:21st-century American essayists 12978:21st-century Canadian essayists 12968:21st-century Canadian novelists 12948:21st-century American novelists 12933:20th-century American essayists 12923:20th-century Canadian novelists 12903:20th-century American novelists 11199:The Book of the Unnamed Midwife 9740:Distrust That Particular Flavor 9207:. San Bernardino: Borgo Press. 9104:"No Maps for These Territories" 8792:. April 3, 2008. Archived from 8116:Cook, Bob (February 10, 2002). 7864:. June 24, 2007. Archived from 6786:Gibson, William (May 1, 2007). 6761: 6690: 6607: 6574: 6511: 6403: 6261: 6230: 6191: 6160: 6129: 6098: 6067: 6037: 6010: 5977: 5915: 5851: 5750: 5688:Lim, Dennis (August 11, 2007). 5614: 5583: 5553: 5523: 5492: 5475: 5307:"Is cyberpunk still breathing?" 5129: 4877:van Bakel, Rogier (June 1995). 4766: 4672: 4573: 4454:. Chicago: Contemporary Books. 4368: 4254:Gibson, William (May 1, 2003). 4194: 4114: 4088:Wiebe, Joe (October 13, 2007). 3400:Thill, Scott (March 17, 2011). 3310:excoriated Idol's treatment of 3302:, which featured a track named 3205: 3122:Distrust That Particular Flavor 2724:List of works by William Gibson 2498:years before the origin of the 2239:, "seized upon by the emerging 2041:Distrust That Particular Flavor 1882: 1521:of Gibson's script, adapted by 1182:, Gibson began to adopt a more 1164:Earth is the alien planet now. 1086:John W. Campbell Memorial Award 583:William Gibson, interview with 21:William Gibson (disambiguation) 13198:Philosophers of social science 13148:Naturalized citizens of Canada 9428:List of awards and nominations 9045:. September 1988. p. 30. 8207:"U2's City of Blinding Lights" 6105:Terror, Jude (July 12, 2018). 5891:Gibson, William (March 2008). 4950:"The Log of the Mustang Sally" 4584:A Companion to Science Fiction 4226:; interviews start after 4:11) 3519: 3454: 3393: 3269:Several track names on Hamm's 2490:, Gibson first used the term " 2409:are similar to Bobby Newmark ( 2132:critics within the context of 1555:Let's Put the Future Behind Us 1266:versions of the books. Critic 847: 643:University of British Columbia 331:of novels, which explored the 291:in 1988), thus completing the 104:University of British Columbia 1: 13158:Novelists from South Carolina 11163:The Samuil Petrovitch Trilogy 10883:King of Morning, Queen of Day 10492:The Yiddish Policemen's Union 9733:No Maps for These Territories 9136:"Making of 'Johnny Mnemonic'" 8118:"Requiem for a Rock Satirist" 8046:, (Paris), N°9, été, pp.10–16 7791:"Miles to go before the Moon" 7563:University of Minnesota Press 7228:Goodin, Dan (July 11, 2012). 4281:Poole, Steven (May 3, 2003). 3931:Gibson, William (July 2005). 3881:No Maps for These Territories 3386: 3157:No Maps for These Territories 3114:No Maps for These Territories 2712:how people behave around them 2364:No Maps for These Territories 2279:" (1982), he coined the term 1745:No Maps for These Territories 1406:" (1983) with Sterling, and " 1273:About 100 pages into writing 1095:Gibson's second series, the " 1033:after a falling out over the 697:—William Gibson, "Since 1948" 562:No Maps for These Territories 408: 242:on humans, a "combination of 13278:Aurora Award-winning writers 12993:American emigrants to Canada 9719:Agrippa (A Book of the Dead) 9623:Fragments of a Hologram Rose 8848:Rapatzikou, Tatiani (2004). 8478:Postel, J. (November 1981). 8215:. Vol. 13, no. 8. 7828:Inkwell: Authors and Artists 7774:Cyberpunk. Mystic Fire Video 6581:Edwards, Gavin (June 1992). 6383:Gibson, William (May 1994). 5184:. p. 24. Archived from 4650:. New York: Harper Collins. 4131:(Interview). Interviewed by 3749:Independent News & Media 3497:. New York: Harper Collins. 3222:that he was eight years old. 3103:Agrippa (A Book of the Dead) 2959:Fragments of a Hologram Rose 2464:Science Fiction Hall of Fame 1890:Agrippa (a book of the dead) 1442:National Academy of Sciences 1043:The Log of the Mustang Sally 1027:The Log of the Mustang Sally 883:Ace Science Fiction Specials 659:Fragments of a Hologram Rose 523:Gibson at a 2007 reading of 7: 13263:Writers about globalization 13098:Counterculture of the 2020s 13093:Counterculture of the 2010s 13088:Counterculture of the 2000s 13083:Counterculture of the 1990s 13078:Counterculture of the 1980s 13073:Counterculture of the 1970s 10169:The Claw of the Conciliator 8311:"Reading the Ruined Cities" 7611:. New York: Penguin Books. 7269:. Vol. 1, no. 4. 7199:"Cracking the Agrippa Code" 7046:University of Chicago Press 7036:Liu, Alan (June 30, 2004). 6451:"I Don't Even Have A Modem" 6341:"Stories, Listed by Author" 5657:"Through the Looking Glass" 5419:. SciFi.com. Archived from 4887:. Vol. 3, no. 6. 4681:"Neuromancer: The Timeline" 4325:. Vol. 7, no. 1. 4256:"That CBC Archival Footage" 3781:The New York Times Magazine 3451:. Retrieved April 12, 2013. 3287:") reference Gibson's work. 3213:The New York Times Magazine 2460:Coastal Carolina University 1901:embedded in the back of an 1279:September 11, 2001, attacks 1082:Nebula Award for Best Novel 606:newsreel item about hippie 557:avoid the Vietnam war draft 470:The New York Times Magazine 301:, Gibson collaborated with 10: 13294: 13203:Philosophers of technology 13183:Philosophers of literature 13123:Hugo Award-winning writers 10827:Four Hundred Billion Stars 10791:Dinner at Deviant's Palace 9364:"William Gibson biography" 9070:"William Gibson Webmaster" 7924:International Organization 7748:"Recommended Reading List" 7491:New York Times Book Review 7304:The New York Times Company 5383:California Literary Review 5279:Mail & Guardian Online 4984:"William Gibson interview" 4059:Seattle Post-Intelligencer 2721: 2654:—Gibson in interview with 2595:by its own representation. 2051: 1037:art of their hardcover of 987: 749: 680:science fiction convention 537:" (1985), commissioned by 531:Victoria, British Columbia 250:"—and helped to create an 25: 18: 13243:Vietnam War draft evaders 12810: 12737: 12635: 12541: 12428: 12292: 12153: 12017: 11860: 11740: 11635: 11451: 11338: 10749: 10695:The Saint of Bright Doors 10650: 10399: 10270:Elizabeth Ann Scarborough 10148: 10134:The Fountains of Paradise 10014:The Left Hand of Darkness 9990:The Einstein Intersection 9947: 9846: 9810: 9774: 9749: 9710: 9614: 9579: 9552: 9517: 9480: 9443: 9436: 9418: 9004:"Humility and Prescience" 8992:, interview by Amy Benfer 7936:10.1017/S002081832000051X 7431:"Their Different Drummer" 6184:October 18, 2018, at the 5447:"Q&A: William Gibson" 4498:McCaffery, Larry (1991). 4283:"Profile: William Gibson" 3700:The Literary Encyclopedia 3439:December 7, 2010, at the 3219:The Literary Encyclopedia 2376:in August 2005. The band 2303:during the 1990s. Artist 2213:Gibson (left) influenced 2175:The Literary Encyclopedia 2147:The Literary Encyclopedia 2048:Influence and recognition 2028:– and to a lesser extent 1798:, here performing at the 1720:at the behest of creator 972:'s book". The success of 881:for the second series of 678:much of what he saw at a 397:The Sydney Morning Herald 202: 197: 162: 149: 131: 117: 109: 99: 91: 81: 56: 44: 37: 11107:Emissaries from The Dead 10600:All the Birds in the Sky 8922:MIT Communications Forum 8239:"Interviews: Zeromancer" 7170:Agrippa.english.ucsb.edu 7118:Cambridge, Massachusetts 7081:Gibson, William (1992). 6942:Polledri, Paolo (1990). 6860:"Where The Holograms Go" 5351:. London: The Guardian. 4775:"77. Neuromancer (1984)" 4644:(1986). "Introduction". 4450:Calcutt, Andrew (1999). 4222:(16 min radio recording 3884:(Documentary). Docurama. 3491:(1986). "Introduction". 2447:artificial intelligences 2362:as well as appearing in 2122:noted that "it took the 2014:and the portents of the 1677:. Written by Gibson and 1127:artificial intelligences 938:In 2005, as part of the 13253:Wired (magazine) people 13213:Science fiction critics 13193:Philosophers of science 13178:Philosophers of culture 13163:Novelists from Virginia 13053:Canadian male novelists 13048:Canadian male essayists 13013:American male novelists 13008:American male essayists 12803:Maryelizabeth Yturralde 10337:The Terminal Experiment 9637:The Gernsback Continuum 8895:10.1111/1467-8306.00084 8481:NCP/TCP Transition Plan 8315:Science Fiction Studies 8205:Gibson William (2005). 7918:Branch, Jordan (2020). 7862:Amazon Bookstore's Blog 7776:: Intercon Productions. 7699:Contemporary Literature 6946:Visionary San Francisco 6890:Mon Amour Mon Parapluie 6173:April 19, 2021, at the 5413:"The Case of the World" 4744:Science Fiction Studies 4203:Yorkville: Hippie haven 3365:, dated July 16, 1992. 3138:article about Singapore 2983:The Gernsback Continuum 2456:Simon Fraser University 2180:science fiction studies 1966:New York Times Magazine 1800:Singapore Arts Festival 1739:Mon Amour Mon Parapluie 1689:at Hot Property Films. 1681:and first published in 1533:reprising their roles. 1454:recursive science novel 1384:Literary collaborations 1045:, Gibson instead wrote 830:" and the character of 805:The Gernsback Continuum 567:conscientious objection 13128:Hyperreality theorists 13043:Canadian male bloggers 13003:American male bloggers 11180:Brian Francis Slattery 11016:Michael Marshall Smith 10385:Parable of the Talents 9672:Red Star, Winter Orbit 9507:All Tomorrow's Parties 8730:St. Paul Pioneer Press 8598:Edging Into the Future 8434:San Francisco Examiner 8346:"The Matrix: Fair Cop" 7977:Prucher, Jeff (2007). 7822:Dyer-Bennet, Cynthia. 7643:Brande, David (1994). 7601:Miller, Laura (2000). 6775:on September 14, 2007. 6735:"The Matrix Preloaded" 5592:"19:26 - 30 dec. 2012" 5561:"Blue Ant Book Series" 5242:"An engine of anarchy" 5107:"The age of steampunk" 4504:Durham, North Carolina 4002:Durham, North Carolina 3379: 3031:Red Star, Winter Orbit 2807:All Tomorrow's Parties 2651: 2597: 2522: 2496:communications network 2478: 2232: 2162: 2019: 2012:postindustrial society 1951:, and has written for 1803: 1794:such as theatre group 1584: 1570:Walled City of Kowloon 1461:Yellow Magic Orchestra 1404:Red Star, Winter Orbit 1380: 1372:Red Star, Winter Orbit 1221: 1180:All Tomorrow's Parties 1166: 1151:All Tomorrow's Parties 1114:All Tomorrow's Parties 1014: 858: 694: 592: 548: 464: 441:, a small town in the 435:Conway, South Carolina 425: 337:postindustrial society 279:with two more novels ( 75:Conway, South Carolina 11981:Arnold Schwarzenegger 10944:Robert Charles Wilson 10907:Growing Up Weightless 10624:The Calculating Stars 9588:The Difference Engine 9203:Olsen, Lance (1992). 9043:Computer Gaming World 8852:. Amsterdam: Rodopi. 8569:Roger Clarke (1993). 8352:on September 26, 2007 8270:Hepfer, Karl (2001). 7661:10.1353/con.1994.0040 6749:on September 13, 2007 6387:(Interview). Cannes. 5832:Sydney Morning Herald 5623:"11:46 - 9 juli 2016" 5501:"23:28 - 7 okt. 2010" 4714:on September 26, 2007 4508:Duke University Press 4006:Duke University Press 3566:Sydney Morning Herald 3366: 2773:The Difference Engine 2665:Bulletin Board System 2641: 2585: 2539:, the notion of the " 2516: 2474: 2462:. He was inducted by 2380:take their name from 2291:. Through its use in 2212: 2158: 2154:Cultural significance 2005: 1789: 1615:still hoped to bring 1578: 1437:The Difference Engine 1377:The Difference Engine 1366: 1219: 1161: 1065:The Difference Engine 1005: 994:The Difference Engine 982:The Difference Engine 861:—opening sentence of 854: 750:Further information: 689: 575: 522: 460: 416: 312:The Difference Engine 13188:Philosophers of mind 13153:Nebula Award winners 13133:Inkpot Award winners 13103:Critics of religions 11648:Brian Michael Bendis 11567:Lois McMaster Bujold 11333:(SFWA Grand Masters) 10987:253: The Print Remix 10859:Subterranean Gallery 10743:Philip K. Dick Award 10636:A Song for a New Day 10629:Mary Robinette Kowal 10557:Kim Stanley Robinson 10461:Lois McMaster Bujold 10361:The Moon and the Sun 10318:Kim Stanley Robinson 10289:Stations of the Tide 10258:Lois McMaster Bujold 10229:Speaker for the Dead 10062:Rendezvous with Rama 9978:Flowers for Algernon 9765:First Person Shooter 9358:. Summer 2011 (197). 9344:William Gibson aleph 9320:Athabasca University 9084:on September 7, 2007 9014:on December 30, 2006 8247:. November 1, 2003. 7868:on November 20, 2007 7466:on December 20, 2010 7368:on December 30, 2006 7089:on November 20, 2007 6923:on December 10, 2007 6866:on November 21, 2007 6678:on November 21, 2007 6672:"Burst City Trailer" 6651:on December 10, 2007 5865:. October 18, 2007. 5806:on November 16, 2007 5188:on February 23, 1999 5178:The Talk of the Town 4879:"Remembering Johnny" 4841:"Neuromancer (1984)" 4687:on December 30, 2006 4262:on December 10, 2007 4213:. September 4, 1967. 4008:. pp. 263–285. 3619:on November 20, 2007 3464:. December 6, 2012. 3106:(1992) – a poem and 2397:. The characters of 2088:Philip K. Dick Award 1922:Kirschenbaum at the 1708:First Person Shooter 1631:The Zen Differential 1311:was published. Both 984:, and Bridge trilogy 919:Philip K. Dick Award 877:was commissioned by 671:hard science fiction 497:William S. Burroughs 439:Wytheville, Virginia 418:William S. Burroughs 28:Gibsonian psychology 13228:Social philosophers 13173:Philosophers of art 12867:Speculative fiction 11730:Anna-Marie Villegas 10871:Points of Departure 10700:Vajra Chandrasekera 10605:Charlie Jane Anders 10050:The Gods Themselves 9526:Pattern Recognition 9470:Mona Lisa Overdrive 9272:: Edwin Mellen Pr. 9074:The Salon Interview 8989:Metro International 8796:on January 28, 2013 8669:1999cs........1011L 8637:; Daniel C. Lynch; 8516:. Zakon Group LLC. 8083:(August 10, 1993). 8024:on December 5, 2006 7524:(3 (86)): 506–508. 7437:on October 21, 2007 7416:on October 21, 2007 7395:on October 11, 2007 7203:Crackingagrippa.net 7166:"The Agrippa Files" 6950:. Munich: Prestal. 6499:on October 15, 2007 6425:on October 27, 2008 5991:The Washington Post 5965:on January 16, 2008 5933:on October 13, 2007 5927:Studio One Bookclub 5769:Village Voice Media 5724:(August 31, 2007). 5662:The Washington Post 5423:on October 30, 2007 5389:on October 11, 2007 5345:"Nearing the nodal" 5254:on January 8, 2008. 4956:on February 8, 2008 4785:on October 29, 2007 4424:(2). Archived from 4224:Windows Media Audio 4209:Windows Media Video 4168:Desert Island Discs 4102:on October 22, 2012 4090:"Writing Vancouver" 3818:on October 13, 2007 3707:on October 10, 2007 3363:Mona Lisa Overdrive 3349:The Shockwave Rider 3323:Zevon's 1989 album 2877:Adapted screenplays 2824:Pattern Recognition 2763:Mona Lisa Overdrive 2615:Pattern Recognition 2549:desktop environment 2112:in the same year". 2097:Mail & Guardian 1996:Pattern Recognition 1792:performance artists 1655:Pattern Recognition 1640:Mona Lisa Overdrive 1581:television episodes 1561:Pattern Recognition 1519:audio drama version 1275:Pattern Recognition 1248:Pattern Recognition 1194:Pattern Recognition 1133:television and the 1070:alternative history 1048:Mona Lisa Overdrive 811:, a sort of lesser 746:Early short fiction 737:literary movement. 354:Pattern Recognition 288:Mona Lisa Overdrive 220:speculative fiction 216:William Ford Gibson 122:Speculative fiction 60:William Ford Gibson 13223:SFWA Grand Masters 13208:Postmodern writers 13033:Canadian agnostics 12983:American agnostics 12729:Rafael Albuquerque 12515:Christopher Priest 12225:Katherine Morrison 12206:Michael T. Gilbert 11465:Philip José Farmer 11364:L. Sprague de Camp 11346:Robert A. Heinlein 11271:Road Out of Winter 11247:Theory of Bastards 11223:The Mercy Journals 11028:Richard Paul Russo 10864:Richard Paul Russo 10528:Blackout/All Clear 9658:The Belonging Kind 9270:Lewiston, New York 9068:Rosenberg, Scott. 8708:on October 7, 2007 8577:on August 14, 2008 8453:Quote Investigator 8160:on October 1, 2007 8067:Relativity Records 7789:(April 21, 2008). 7205:. March 25, 1992. 6989:The New York Times 6917:"Holy Body Tattoo" 6615:"Alien III Teaser" 6556:The New York Times 6303:City Come a-walkin 6051:. April 29, 2013. 5958:Providence Journal 5731:Guardian Unlimited 5080:Worlds Without End 5050:Worlds Without End 5020:Worlds Without End 4428:on October 9, 2007 4390:on January 8, 2008 4350:"In Same Universe" 4230:Yorkville, Toronto 3812:"Maddox on Gibson" 3449:Locus Publications 3237:J. C. R. Licklider 3005:The Belonging Kind 2815:Blue Ant trilogy ( 2624:reality television 2523: 2233: 2165:—cyberpunk author 2020: 1948:The New York Times 1870:The New York Times 1804: 1736:in the short film 1712:Art of the X-Files 1585: 1416:City Come A-walkin 1396:The Belonging Kind 1381: 1222: 1099:", is composed of 1015: 923:paperback original 647:English literature 612:Yorkville, Toronto 549: 540:Vancouver Magazine 426: 405:, and technology. 226:subgenre known as 205:williamgibsonbooks 95:American, Canadian 13138:Internet pioneers 13108:Cyberpunk writers 12848: 12847: 12400:Richard Starkings 11921:Peter F. Hamilton 11826:Richard A. Lupoff 11653:Berkeley Breathed 11594: 11593: 11477:Robert Silverberg 11471:Ursula K. Le Guin 11358:Clifford D. Simak 11297: 11296: 11052:Richard K. Morgan 10895:Through the Heart 10709: 10708: 10671:A Master of Djinn 10564:Ancillary Justice 10509:Ursula K. Le Guin 10390:Octavia E. Butler 10366:Vonda N. McIntyre 10282:Ursula K. Le Guin 10241:The Falling Woman 10181:No Enemy But Time 10127:Vonda N. McIntyre 10079:Ursula K. Le Guin 10043:Robert Silverberg 10038:A Time of Changes 10019:Ursula K. Le Guin 9903: 9902: 9679:The Winter Market 9610: 9609: 9279:978-0-7734-5467-5 9248:978-0-8223-3774-4 9231:Tatsumi, Takayuki 9214:978-1-55742-198-2 8954:(July 13, 1998). 8859:978-90-420-1761-0 8826:978-0-441-01203-9 8635:Leonard Kleinrock 8621:Barry M. Leiner; 8607:978-0-8122-1804-6 8081:Christgau, Robert 7994:978-0-19-530567-8 7754:on April 11, 2010 7618:978-0-14-028088-3 7576:978-0-8166-1930-6 7131:978-0-262-11311-3 7059:978-0-226-48698-7 6957:978-3-7913-1060-2 6739:MTV's Movie House 6337:Brown, Charles N. 6268:Gibson, William. 6237:Gibson, William. 6074:Gibson, William. 5835:. Fairfax Media. 5764:The Village Voice 5759:"Think Different" 5621:Gibson, William. 5590:Gibson, William. 5531:"Blue Ant Series" 5499:Gibson, William. 5417:Excessive Candour 5282:. M&G Media. 4773:Cheng, Alastair. 4657:978-0-06-053982-5 4640:Gibson, William; 4599:978-1-4051-1218-5 4558:978-0-8203-1425-9 4517:978-0-8223-1168-3 4461:978-0-8092-2506-4 4356:on April 19, 2007 4095:The Vancouver Sun 4015:978-0-8223-1168-3 3569:. Fairfax Media. 3504:978-0-06-053982-5 3487:Gibson, William; 3434:"Gibson, William" 3199:Explanatory notes 3151:Media appearances 3147: 3146: 3057:The Winter Market 2937: 2924: 2909: 2894: 2626:, for example in 2289:computer networks 2134:postindustrialism 1960:Addicted to Noise 1826:La Fura dels Baus 1796:La Fura dels Baus 1730:Wild Palms Reader 1507:Dark Horse Comics 1322:Dark Horse Comics 1173:, August 26, 1997 1135:cult of celebrity 535:The Winter Market 473:, August 19, 2007 447:Norfolk, Virginia 307:alternate history 240:computer networks 213: 212: 132:Literary movement 13285: 12865: 12864: 12856: 12766:Jonathan Hickman 12691:Nichelle Nichols 12673:Deborah Harkness 12584:Jonathan Maberry 12533:Satoshi Yamamoto 12405:Kazuki Takahashi 12279:Brian Stelfreeze 12100:Elliot S! Maggin 11999:Trevor Von Eeden 11994:Michael E. Uslan 11844:Steven Spielberg 11673:Charlaine Harris 11621: 11614: 11607: 11598: 11597: 11531:Samuel R. Delany 11501:Michael Moorcock 11382:Arthur C. Clarke 11324: 11317: 11310: 11301: 11300: 11112:Adam-Troy Castro 11100:M. John Harrison 11040:Carol Emshwiller 10767:The Anubis Gates 10736: 10729: 10722: 10713: 10712: 10521:Paolo Bacigalupi 10456:Paladin of Souls 10420:The Quantum Rose 10342:Robert J. Sawyer 10294:Michael Swanwick 10265:The Healer's War 10234:Orson Scott Card 10222:Orson Scott Card 10139:Arthur C. Clarke 10074:The Dispossessed 10067:Arthur C. Clarke 9995:Samuel R. Delany 9973:Samuel R. Delany 9930: 9923: 9916: 9907: 9906: 9847:Derivative works 9518:Blue Ant trilogy 9441: 9440: 9405: 9398: 9391: 9382: 9381: 9371: 9359: 9356:The Paris Review 9312: 9307: 9306: 9304:Official website 9291: 9260: 9240: 9226: 9190: 9189: 9187: 9185: 9164: 9158: 9157: 9155: 9153: 9132: 9126: 9125: 9123: 9121: 9100: 9094: 9093: 9091: 9089: 9080:. Archived from 9065: 9059: 9058: 9056: 9054: 9035: 9024: 9023: 9021: 9019: 9010:. Archived from 8999: 8993: 8984: 8978: 8977: 8975: 8973: 8948: 8942: 8941: 8939: 8937: 8913: 8907: 8906: 8878: 8872: 8871: 8845: 8839: 8838: 8812: 8806: 8805: 8803: 8801: 8782: 8776: 8775: 8773: 8771: 8749: 8743: 8742: 8724: 8718: 8717: 8715: 8713: 8704:. Archived from 8691: 8685: 8684: 8682: 8680: 8662: 8653:. p. 1011. 8651:Internet Society 8643:Larry G. Roberts 8618: 8612: 8611: 8593: 8587: 8586: 8584: 8582: 8573:. Archived from 8566: 8560: 8559: 8557: 8555: 8536: 8530: 8529: 8527: 8525: 8509: 8503: 8502: 8493: 8491:10.17487/RFC0801 8475: 8469: 8468: 8466: 8464: 8444: 8438: 8437: 8429: 8423: 8417: 8415: 8413: 8404:. Archived from 8398: 8392: 8391: 8389: 8387: 8382:on July 14, 2014 8368: 8362: 8361: 8359: 8357: 8348:. Archived from 8341: 8335: 8334: 8332: 8330: 8306: 8300: 8299: 8297: 8295: 8267: 8261: 8260: 8258: 8256: 8235: 8229: 8228: 8226: 8224: 8202: 8196: 8195: 8193: 8191: 8176: 8170: 8169: 8167: 8165: 8156:. Archived from 8150:"Straylight Run" 8146: 8140: 8139: 8137: 8135: 8113: 8107: 8106: 8104: 8102: 8077: 8071: 8070: 8053: 8047: 8040: 8034: 8033: 8031: 8029: 8020:. Archived from 8013: 8007: 8006: 7974: 7968: 7967: 7965: 7963: 7915: 7909: 7908: 7906: 7904: 7884: 7878: 7877: 7875: 7873: 7854: 7848: 7847: 7845: 7843: 7819: 7813: 7812: 7810: 7808: 7796:The Space Review 7783: 7777: 7770: 7764: 7763: 7761: 7759: 7750:. Archived from 7740: 7731: 7730: 7694: 7685: 7684: 7682: 7680: 7640: 7631: 7630: 7598: 7592: 7591: 7548: 7542: 7541: 7513: 7507: 7506: 7504: 7502: 7482: 7476: 7475: 7473: 7471: 7455: 7449: 7446: 7444: 7442: 7425: 7423: 7421: 7404: 7402: 7400: 7384: 7378: 7377: 7375: 7373: 7357: 7351: 7350: 7348: 7346: 7337:. The Register. 7326: 7320: 7319: 7317: 7315: 7289: 7283: 7282: 7280: 7278: 7256: 7250: 7249: 7247: 7245: 7225: 7219: 7218: 7216: 7214: 7195: 7186: 7185: 7183: 7181: 7162: 7156: 7155: 7153: 7151: 7105: 7099: 7098: 7096: 7094: 7085:. Archived from 7078: 7072: 7071: 7043: 7033: 7027: 7026: 7017:"Skinner's Room" 7012: 7006: 7005: 7003: 7001: 6979: 6970: 6969: 6949: 6939: 6933: 6932: 6930: 6928: 6919:. Archived from 6912: 6906: 6905: 6903: 6901: 6896:on June 21, 2004 6892:. Archived from 6882: 6876: 6875: 6873: 6871: 6862:. Archived from 6855: 6846: 6845: 6837: 6831: 6830: 6828: 6826: 6810: 6804: 6803: 6801: 6799: 6790:. Archived from 6783: 6777: 6776: 6765: 6759: 6758: 6756: 6754: 6745:. Archived from 6730: 6719: 6718: 6716: 6714: 6694: 6688: 6687: 6685: 6683: 6674:. Archived from 6667: 6661: 6660: 6658: 6656: 6647:. Archived from 6640: 6631: 6630: 6628: 6626: 6611: 6605: 6604: 6602: 6600: 6578: 6572: 6571: 6569: 6567: 6547: 6541: 6540: 6538: 6536: 6527:. May 26, 1993. 6515: 6509: 6508: 6506: 6504: 6495:. Archived from 6488: 6477: 6476: 6474: 6472: 6446: 6435: 6434: 6432: 6430: 6421:. Archived from 6407: 6401: 6400: 6398: 6396: 6380: 6365: 6364: 6362: 6360: 6355:on March 4, 2007 6351:. Archived from 6333: 6324: 6323: 6321: 6319: 6314:on June 26, 2007 6310:. Archived from 6306: 6296: 6290: 6289: 6287: 6285: 6265: 6259: 6258: 6256: 6254: 6234: 6228: 6227: 6225: 6223: 6195: 6189: 6164: 6158: 6157: 6155: 6153: 6142:Inside Vancouver 6133: 6127: 6126: 6124: 6122: 6102: 6096: 6095: 6093: 6091: 6071: 6065: 6064: 6062: 6060: 6041: 6035: 6034: 6032: 6030: 6014: 6008: 6007: 6005: 6003: 5981: 5975: 5974: 5972: 5970: 5961:. Archived from 5949: 5943: 5942: 5940: 5938: 5919: 5913: 5912: 5910: 5908: 5888: 5879: 5878: 5876: 5874: 5855: 5849: 5848: 5846: 5844: 5822: 5816: 5815: 5813: 5811: 5802:. Archived from 5791: 5785: 5784: 5782: 5780: 5754: 5748: 5747: 5745: 5743: 5722:Sutherland, John 5718: 5712: 5711: 5709: 5707: 5698:. Archived from 5685: 5679: 5678: 5676: 5674: 5652: 5643: 5642: 5640: 5638: 5618: 5612: 5611: 5609: 5607: 5587: 5581: 5580: 5578: 5576: 5557: 5551: 5550: 5548: 5546: 5527: 5521: 5520: 5518: 5516: 5496: 5490: 5489: 5479: 5473: 5472: 5470: 5468: 5442: 5433: 5432: 5430: 5428: 5405: 5399: 5398: 5396: 5394: 5385:. Archived from 5374: 5365: 5364: 5362: 5360: 5340: 5329: 5328: 5326: 5324: 5302: 5296: 5295: 5293: 5291: 5269: 5256: 5255: 5250:. Archived from 5237: 5231: 5230: 5228: 5226: 5217:. Archived from 5204: 5198: 5197: 5195: 5193: 5169: 5160: 5159: 5157: 5155: 5133: 5127: 5126: 5124: 5122: 5111:The Boston Globe 5102: 5096: 5095: 5093: 5091: 5072: 5066: 5065: 5063: 5061: 5042: 5036: 5035: 5033: 5031: 5012: 5006: 5005: 5003: 5001: 4979: 4966: 4965: 4963: 4961: 4952:. Archived from 4945: 4939: 4938: 4936: 4934: 4912: 4901: 4900: 4898: 4896: 4874: 4865: 4864: 4862: 4860: 4836: 4830: 4829: 4827: 4825: 4801: 4795: 4794: 4792: 4790: 4770: 4764: 4763: 4761: 4759: 4735: 4724: 4723: 4721: 4719: 4710:. Archived from 4703: 4697: 4696: 4694: 4692: 4683:. Archived from 4676: 4670: 4669: 4637: 4631: 4621: 4612: 4611: 4587: 4577: 4571: 4570: 4541: 4530: 4529: 4495: 4474: 4473: 4447: 4438: 4437: 4435: 4433: 4409: 4400: 4399: 4397: 4395: 4372: 4366: 4365: 4363: 4361: 4345: 4339: 4338: 4336: 4334: 4312: 4303: 4302: 4300: 4298: 4278: 4272: 4271: 4269: 4267: 4258:. Archived from 4251: 4245: 4244: 4242: 4240: 4227: 4214: 4212: 4198: 4192: 4191: 4186: 4184: 4163:"William Gibson" 4159: 4153: 4152: 4150: 4148: 4118: 4112: 4111: 4109: 4107: 4098:. Archived from 4085: 4076: 4075: 4073: 4071: 4049: 4040: 4039: 4037: 4035: 3988:McCaffery, Larry 3984: 3955: 3954: 3952: 3950: 3928: 3922: 3921: 3919: 3917: 3895: 3886: 3885: 3872: 3835: 3834: 3825: 3823: 3814:. Archived from 3804: 3798: 3797: 3795: 3793: 3771: 3760: 3759: 3757: 3755: 3734: 3717: 3716: 3714: 3712: 3695:"William Gibson" 3690: 3671: 3670: 3668: 3666: 3651:"Space to think" 3646: 3629: 3628: 3626: 3624: 3615:. Archived from 3608: 3583: 3582: 3580: 3578: 3556: 3550: 3549: 3547: 3545: 3523: 3517: 3516: 3484: 3478: 3477: 3475: 3473: 3458: 3452: 3431: 3422: 3421: 3419: 3417: 3397: 3380: 3359: 3353: 3336: 3330: 3321: 3315: 3308:Robert Christgau 3294: 3288: 3267: 3261: 3250: 3244: 3232: 3223: 3209: 3171: 3165: 3072:Michael Swanwick 2931: 2918: 2903: 2888: 2848:Jackpot trilogy 2729: 2659: 2574:brought it about 2564:, fellow author 2482: 2433:, characters in 2221:writers such as 2169: 2167:Richard K Morgan 2138:consumer culture 1978:Details Magazine 1847:Holy Body Tattoo 1734:Douglas Coupland 1679:Michael Swanwick 1621:development hell 1487:on a beach at a 1419: 1412:Michael Swanwick 1337:s continuation, 1336: 1174: 1084:in 1991 and the 980:Sprawl trilogy, 955:Literary critic 904: 868: 698: 619:Washington, D.C. 590: 474: 371:bestseller lists 209: 206: 72: 68: 66: 49: 35: 34: 13293: 13292: 13288: 13287: 13286: 13284: 13283: 13282: 13248:Virtual reality 12873: 12872: 12871: 12859: 12851: 12849: 12844: 12806: 12775:Charlie Kochman 12733: 12724:Shannon Wheeler 12643:Yoshitaka Amano 12631: 12537: 12495:Hidenori Kusaka 12445:Michael Barrier 12424: 12385:Jimmie Robinson 12375:Hilary B. Price 12315:Carlos Ezquerra 12288: 12244:Jimmy Palmiotti 12161:Ray Billingsley 12149: 12060:Derek T. Dingle 12013: 11966:Whilce Portacio 11926:Mario Hernandez 11856: 11736: 11631: 11625: 11595: 11590: 11579:Mercedes Lackey 11555:Peter S. Beagle 11447: 11352:Jack Williamson 11334: 11328: 11298: 11293: 11252:Audrey Schulman 11175:Lost Everything 10999:Vacuum Diagrams 10832:Paul J. McAuley 10745: 10740: 10710: 10705: 10646: 10581:Jeff VanderMeer 10516:The Windup Girl 10425:Catherine Asaro 10395: 10354:Nicola Griffith 10193:Startide Rising 10162:Gregory Benford 10144: 10086:The Forever War 10002:Rite of Passage 9943: 9934: 9904: 9899: 9863:Johnny Mnemonic 9842: 9823:Megacorporation 9806: 9802:Hubertus Bigend 9770: 9745: 9706: 9630:Johnny Mnemonic 9606: 9575: 9548: 9513: 9476: 9432: 9414: 9409: 9362: 9302: 9301: 9298: 9280: 9249: 9215: 9199: 9197:Further reading 9194: 9193: 9183: 9181: 9166: 9165: 9161: 9151: 9149: 9134: 9133: 9129: 9119: 9117: 9102: 9101: 9097: 9087: 9085: 9066: 9062: 9052: 9050: 9037: 9036: 9027: 9017: 9015: 9000: 8996: 8985: 8981: 8971: 8969: 8949: 8945: 8935: 8933: 8914: 8910: 8879: 8875: 8860: 8846: 8842: 8827: 8813: 8809: 8799: 8797: 8784: 8783: 8779: 8769: 8767: 8750: 8746: 8735:MediaNews Group 8725: 8721: 8711: 8709: 8692: 8688: 8678: 8676: 8619: 8615: 8608: 8594: 8590: 8580: 8578: 8567: 8563: 8553: 8551: 8538: 8537: 8533: 8523: 8521: 8510: 8506: 8476: 8472: 8462: 8460: 8445: 8441: 8430: 8426: 8411: 8409: 8408:on May 10, 2008 8400: 8399: 8395: 8385: 8383: 8370: 8369: 8365: 8355: 8353: 8342: 8338: 8328: 8326: 8307: 8303: 8293: 8291: 8268: 8264: 8254: 8252: 8237: 8236: 8232: 8222: 8220: 8203: 8199: 8189: 8187: 8186:on May 15, 2006 8178: 8177: 8173: 8163: 8161: 8148: 8147: 8143: 8133: 8131: 8114: 8110: 8100: 8098: 8078: 8074: 8054: 8050: 8041: 8037: 8027: 8025: 8014: 8010: 7995: 7975: 7971: 7961: 7959: 7916: 7912: 7902: 7900: 7885: 7881: 7871: 7869: 7856: 7855: 7851: 7841: 7839: 7820: 7816: 7806: 7804: 7784: 7780: 7771: 7767: 7757: 7755: 7744:Morgan, Richard 7741: 7734: 7711:10.2307/1208645 7695: 7688: 7678: 7676: 7641: 7634: 7619: 7599: 7595: 7577: 7549: 7545: 7514: 7510: 7500: 7498: 7483: 7479: 7469: 7467: 7456: 7452: 7440: 7438: 7419: 7417: 7398: 7396: 7385: 7381: 7371: 7369: 7358: 7354: 7344: 7342: 7335:Music and Media 7327: 7323: 7313: 7311: 7290: 7286: 7276: 7274: 7257: 7253: 7243: 7241: 7226: 7222: 7212: 7210: 7197: 7196: 7189: 7179: 7177: 7164: 7163: 7159: 7149: 7147: 7132: 7106: 7102: 7092: 7090: 7079: 7075: 7060: 7034: 7030: 7013: 7009: 6999: 6997: 6980: 6973: 6958: 6940: 6936: 6926: 6924: 6913: 6909: 6899: 6897: 6884: 6883: 6879: 6869: 6867: 6856: 6849: 6844:. Newsbytes PM. 6838: 6834: 6824: 6822: 6811: 6807: 6797: 6795: 6794:on May 23, 2007 6784: 6780: 6767: 6766: 6762: 6752: 6750: 6731: 6722: 6712: 6710: 6695: 6691: 6681: 6679: 6668: 6664: 6654: 6652: 6641: 6634: 6624: 6622: 6613: 6612: 6608: 6598: 6596: 6579: 6575: 6565: 6563: 6548: 6544: 6534: 6532: 6517: 6516: 6512: 6502: 6500: 6489: 6480: 6470: 6468: 6447: 6438: 6428: 6426: 6411:Sterling, Bruce 6408: 6404: 6394: 6392: 6381: 6368: 6358: 6356: 6334: 6327: 6317: 6315: 6304: 6297: 6293: 6283: 6281: 6266: 6262: 6252: 6250: 6235: 6231: 6221: 6219: 6196: 6192: 6186:Wayback Machine 6175:Wayback Machine 6165: 6161: 6151: 6149: 6134: 6130: 6120: 6118: 6103: 6099: 6089: 6087: 6072: 6068: 6058: 6056: 6043: 6042: 6038: 6028: 6026: 6015: 6011: 6001: 5999: 5982: 5978: 5968: 5966: 5951: 5950: 5946: 5936: 5934: 5921: 5920: 5916: 5906: 5904: 5889: 5882: 5872: 5870: 5857: 5856: 5852: 5842: 5840: 5823: 5819: 5809: 5807: 5792: 5788: 5778: 5776: 5755: 5751: 5741: 5739: 5719: 5715: 5705: 5703: 5686: 5682: 5672: 5670: 5653: 5646: 5636: 5634: 5619: 5615: 5605: 5603: 5588: 5584: 5574: 5572: 5559: 5558: 5554: 5544: 5542: 5529: 5528: 5524: 5514: 5512: 5497: 5493: 5485:The Independent 5480: 5476: 5466: 5464: 5443: 5436: 5426: 5424: 5406: 5402: 5392: 5390: 5375: 5368: 5358: 5356: 5341: 5332: 5322: 5320: 5303: 5299: 5289: 5287: 5270: 5259: 5238: 5234: 5224: 5222: 5221:on July 5, 2008 5209:"Spook Country" 5205: 5201: 5191: 5189: 5170: 5163: 5153: 5151: 5134: 5130: 5120: 5118: 5103: 5099: 5089: 5087: 5074: 5073: 5069: 5059: 5057: 5044: 5043: 5039: 5029: 5027: 5014: 5013: 5009: 4999: 4997: 4980: 4969: 4959: 4957: 4946: 4942: 4932: 4930: 4913: 4904: 4894: 4892: 4875: 4868: 4858: 4856: 4837: 4833: 4823: 4821: 4802: 4798: 4788: 4786: 4771: 4767: 4757: 4755: 4736: 4727: 4717: 4715: 4704: 4700: 4690: 4688: 4677: 4673: 4658: 4638: 4634: 4622: 4615: 4600: 4578: 4574: 4559: 4542: 4533: 4518: 4496: 4477: 4462: 4448: 4441: 4431: 4429: 4410: 4403: 4393: 4391: 4374: 4373: 4369: 4359: 4357: 4346: 4342: 4332: 4330: 4313: 4306: 4296: 4294: 4279: 4275: 4265: 4263: 4252: 4248: 4238: 4236: 4221: 4215: 4206: 4200: 4199: 4195: 4182: 4180: 4161: 4160: 4156: 4146: 4144: 4119: 4115: 4105: 4103: 4086: 4079: 4069: 4067: 4050: 4043: 4033: 4031: 4016: 3985: 3958: 3948: 3946: 3929: 3925: 3915: 3913: 3896: 3889: 3874: 3873: 3838: 3821: 3819: 3805: 3801: 3791: 3789: 3772: 3763: 3753: 3751: 3744:The Independent 3735: 3720: 3710: 3708: 3691: 3674: 3664: 3662: 3647: 3632: 3622: 3620: 3609: 3586: 3576: 3574: 3557: 3553: 3543: 3541: 3524: 3520: 3505: 3485: 3481: 3471: 3469: 3460: 3459: 3455: 3441:Wayback Machine 3432: 3425: 3415: 3413: 3398: 3394: 3389: 3384: 3383: 3374:Macintosh SE/30 3360: 3356: 3337: 3333: 3326:Transverse City 3322: 3318: 3295: 3291: 3268: 3264: 3258:virtual reality 3251: 3247: 3233: 3226: 3210: 3206: 3201: 3169: 3167:Johnny Mnemonic 3163: 3153: 3148: 2970:Johnny Mnemonic 2817:Hubertus Bigend 2726: 2720: 2708:wireless router 2661: 2653: 2531:Information Age 2484: 2481:—William Gibson 2480: 2472: 2421:Johnny Mnemonic 2272:neural implants 2188:Larry McCaffery 2171: 2164: 2156: 2142:late capitalism 2110:Pulitzer prizes 2056: 2050: 2016:information age 2008:late capitalism 1933: 1895:Dennis Ashbaugh 1885: 1838:Mark Pellington 1813:Johnny Mnemonic 1808:performance art 1784: 1613:Vincenzo Natali 1594:Johnny Mnemonic 1538:Rashid Nugmanov 1531:Lance Henriksen 1493:Kathryn Bigelow 1481: 1417: 1386: 1361: 1334: 1295: 1287:infantilization 1268:John Sutherland 1211:Hubertus Bigend 1176: 1168: 1159: 1000: 988:Main articles: 986: 957:Larry McCaffery 929:Lawrence Person 902: 870: 860: 852: 836:Johnny Mnemonic 820:Larry McCaffery 754: 748: 743: 741:Literary career 700: 696: 667: 591: 589:, June 10, 2008 582: 517: 485:Beat generation 476: 466: 457:ever dreamed". 431: 422:beat generation 411: 341:late capitalism 256:Information Age 224:science fiction 203: 126:science fiction 100:Alma mater 73: 70: 64: 62: 61: 52: 40: 31: 24: 17: 12: 11: 5: 13291: 13281: 13280: 13275: 13270: 13265: 13260: 13255: 13250: 13245: 13240: 13235: 13230: 13225: 13220: 13215: 13210: 13205: 13200: 13195: 13190: 13185: 13180: 13175: 13170: 13165: 13160: 13155: 13150: 13145: 13140: 13135: 13130: 13125: 13120: 13115: 13110: 13105: 13100: 13095: 13090: 13085: 13080: 13075: 13070: 13065: 13060: 13055: 13050: 13045: 13040: 13035: 13030: 13025: 13020: 13015: 13010: 13005: 13000: 12995: 12990: 12985: 12980: 12975: 12970: 12965: 12960: 12955: 12950: 12945: 12940: 12935: 12930: 12925: 12920: 12915: 12910: 12905: 12900: 12895: 12890: 12885: 12883:William Gibson 12870: 12869: 12846: 12845: 12843: 12842: 12837: 12832: 12827: 12822: 12817: 12811: 12808: 12807: 12805: 12804: 12801: 12796: 12791: 12786: 12781: 12776: 12773: 12768: 12763: 12758: 12753: 12750: 12745: 12741: 12739: 12735: 12734: 12732: 12731: 12726: 12721: 12716: 12711: 12706: 12705:Randy Reynaldo 12703: 12698: 12693: 12688: 12683: 12680: 12678:Elizabeth Hand 12675: 12670: 12665: 12663:Richard Friend 12660: 12655: 12650: 12648:Marc Bernardin 12645: 12639: 12637: 12633: 12632: 12630: 12629: 12624: 12619: 12614: 12611: 12606: 12604:Brian Selznick 12601: 12596: 12591: 12586: 12581: 12576: 12571: 12566: 12561: 12556: 12551: 12545: 12543: 12539: 12538: 12536: 12535: 12530: 12527: 12522: 12517: 12512: 12507: 12505:Jamie McKelvie 12502: 12497: 12492: 12487: 12482: 12480:William Gibson 12477: 12472: 12467: 12464: 12459: 12454: 12451: 12446: 12443: 12438: 12432: 12430: 12426: 12425: 12423: 12422: 12417: 12415:Jhonen Vasquez 12412: 12407: 12402: 12397: 12392: 12387: 12382: 12380:Humberto Ramos 12377: 12372: 12367: 12362: 12357: 12352: 12347: 12342: 12337: 12332: 12327: 12322: 12317: 12312: 12307: 12302: 12296: 12294: 12290: 12289: 12287: 12286: 12281: 12276: 12271: 12266: 12261: 12256: 12251: 12249:Benoît Peeters 12246: 12241: 12239:Michelle Nolan 12236: 12231: 12226: 12223: 12218: 12213: 12211:Brian Haberlin 12208: 12203: 12198: 12193: 12188: 12183: 12178: 12173: 12168: 12163: 12157: 12155: 12151: 12150: 12148: 12147: 12142: 12137: 12135:Ruth Sanderson 12132: 12127: 12122: 12117: 12112: 12107: 12105:Leonard Maltin 12102: 12097: 12092: 12087: 12082: 12077: 12072: 12067: 12062: 12057: 12052: 12047: 12042: 12037: 12032: 12027: 12021: 12019: 12015: 12014: 12012: 12011: 12006: 12001: 11996: 11991: 11989:Marc Silvestri 11986: 11983: 11978: 11973: 11971:James Robinson 11968: 11963: 11958: 11953: 11948: 11943: 11941:Robert Kirkman 11938: 11933: 11928: 11923: 11918: 11913: 11908: 11903: 11900: 11895: 11890: 11885: 11883:Tim Bradstreet 11880: 11878:Alison Bechdel 11875: 11870: 11868:Charlie Adlard 11864: 11862: 11858: 11857: 11855: 11854: 11851: 11846: 11841: 11836: 11834:Steve Sansweet 11831: 11828: 11823: 11818: 11813: 11808: 11803: 11798: 11793: 11788: 11783: 11780: 11778:Dick DeBartolo 11775: 11770: 11768:Seymour Chwast 11765: 11760: 11755: 11750: 11744: 11742: 11738: 11737: 11735: 11734: 11731: 11728: 11723: 11718: 11713: 11708: 11703: 11700: 11695: 11690: 11685: 11680: 11678:Stuart Immonen 11675: 11670: 11665: 11660: 11655: 11650: 11645: 11639: 11637: 11633: 11632: 11624: 11623: 11616: 11609: 11601: 11592: 11591: 11589: 11588: 11585:Robin McKinley 11582: 11576: 11573:Nalo Hopkinson 11570: 11564: 11561:William Gibson 11558: 11552: 11546: 11540: 11534: 11528: 11522: 11516: 11510: 11507:Harry Harrison 11504: 11498: 11492: 11489:Harlan Ellison 11486: 11483:Anne McCaffrey 11480: 11474: 11468: 11462: 11455: 11453: 11449: 11448: 11446: 11445: 11439: 11433: 11427: 11424:A. E. van Vogt 11421: 11415: 11409: 11406:Lester del Rey 11403: 11397: 11391: 11385: 11379: 11373: 11367: 11361: 11355: 11349: 11342: 11340: 11336: 11335: 11327: 11326: 11319: 11312: 11304: 11295: 11294: 11292: 11291: 11279: 11267: 11255: 11243: 11231: 11228:Claudia Casper 11219: 11207: 11195: 11192:Ben H. Winters 11187:Countdown City 11183: 11171: 11159: 11147: 11144:C. L. Anderson 11135: 11119: 11103: 11091: 11088:Chris Moriarty 11079: 11067: 11055: 11047:Altered Carbon 11043: 11031: 11019: 11007: 11004:Stephen Baxter 10995: 10983: 10980:Stepan Chapman 10971: 10968:Stephen Baxter 10963:The Time Ships 10959: 10947: 10935: 10919: 10903: 10891: 10879: 10867: 10855: 10839: 10823: 10820:Patricia Geary 10811: 10808:James Blaylock 10799: 10787: 10784:William Gibson 10775: 10763: 10750: 10747: 10746: 10739: 10738: 10731: 10724: 10716: 10707: 10706: 10704: 10703: 10691: 10679: 10676:P. Djèlí Clark 10667: 10659:Network Effect 10654: 10652: 10648: 10647: 10645: 10644: 10632: 10620: 10608: 10596: 10584: 10572: 10560: 10548: 10536: 10524: 10512: 10500: 10497:Michael Chabon 10488: 10476: 10464: 10452: 10449:Elizabeth Moon 10440: 10428: 10416: 10408:Darwin's Radio 10403: 10401: 10397: 10396: 10394: 10393: 10381: 10369: 10357: 10345: 10333: 10321: 10309: 10297: 10285: 10273: 10261: 10249: 10237: 10225: 10213: 10210:William Gibson 10201: 10189: 10186:Michael Bishop 10177: 10165: 10152: 10150: 10146: 10145: 10143: 10142: 10130: 10118: 10106: 10094: 10082: 10070: 10058: 10046: 10034: 10022: 10010: 10007:Alexei Panshin 9998: 9986: 9964: 9951: 9949: 9945: 9944: 9933: 9932: 9925: 9918: 9910: 9901: 9900: 9898: 9897: 9893:The Peripheral 9889: 9882: 9875: 9871:New Rose Hotel 9867: 9859: 9850: 9848: 9844: 9843: 9841: 9840: 9835: 9830: 9825: 9820: 9814: 9812: 9811:Story elements 9808: 9807: 9805: 9804: 9799: 9794: 9789: 9784: 9782:Molly Millions 9778: 9776: 9772: 9771: 9769: 9768: 9761: 9753: 9751: 9747: 9746: 9744: 9743: 9736: 9729: 9722: 9714: 9712: 9708: 9707: 9705: 9704: 9700:Burning Chrome 9696: 9693:Skinner's Room 9689: 9682: 9675: 9668: 9665:Burning Chrome 9661: 9654: 9651:New Rose Hotel 9647: 9640: 9633: 9626: 9618: 9616: 9612: 9611: 9608: 9607: 9605: 9604: 9596: 9593:Bruce Sterling 9583: 9581: 9577: 9576: 9574: 9573: 9565: 9561:The Peripheral 9556: 9554: 9553:Jackpot series 9550: 9549: 9547: 9546: 9538: 9530: 9521: 9519: 9515: 9514: 9512: 9511: 9503: 9495: 9486: 9484: 9482:Bridge trilogy 9478: 9477: 9475: 9474: 9466: 9458: 9449: 9447: 9445:Sprawl trilogy 9438: 9434: 9433: 9431: 9430: 9425: 9419: 9416: 9415: 9412:William Gibson 9408: 9407: 9400: 9393: 9385: 9379: 9378: 9375:William Gibson 9372: 9360: 9347: 9341: 9334:William Gibson 9331: 9325:William Gibson 9322: 9313: 9297: 9296:External links 9294: 9293: 9292: 9278: 9261: 9247: 9227: 9213: 9205:William Gibson 9198: 9195: 9192: 9191: 9159: 9127: 9095: 9060: 9025: 8994: 8979: 8956:"3-D epiphany" 8943: 8908: 8873: 8858: 8840: 8825: 8807: 8777: 8744: 8719: 8686: 8631:Robert E. Kahn 8627:David D. Clark 8623:Vinton G. Cerf 8613: 8606: 8588: 8561: 8531: 8504: 8470: 8439: 8424: 8393: 8363: 8336: 8301: 8262: 8230: 8197: 8171: 8141: 8108: 8072: 8062:Kings of Sleep 8048: 8035: 8008: 7993: 7969: 7910: 7879: 7849: 7814: 7787:Day, Dwayne A. 7778: 7765: 7732: 7705:(4): 625–644. 7686: 7655:(3): 509–536. 7649:Configurations 7632: 7617: 7603:"Introduction" 7593: 7575: 7543: 7508: 7477: 7450: 7448: 7447: 7426: 7410:"Johnson Bros" 7379: 7352: 7321: 7284: 7251: 7220: 7187: 7157: 7130: 7116:(2 ed.). 7100: 7073: 7058: 7028: 7007: 6971: 6956: 6934: 6907: 6877: 6847: 6832: 6805: 6778: 6760: 6720: 6689: 6662: 6632: 6606: 6573: 6542: 6510: 6478: 6436: 6402: 6366: 6325: 6291: 6260: 6229: 6204:The New Yorker 6190: 6159: 6128: 6097: 6066: 6036: 6009: 5976: 5944: 5914: 5880: 5850: 5817: 5786: 5749: 5713: 5702:on May 1, 2008 5690:"Now Romancer" 5680: 5644: 5613: 5582: 5552: 5522: 5491: 5474: 5434: 5400: 5366: 5349:Books by genre 5330: 5297: 5257: 5232: 5199: 5182:The New Yorker 5161: 5128: 5097: 5067: 5037: 5007: 4967: 4940: 4922:Spike Magazine 4902: 4866: 4831: 4796: 4765: 4725: 4698: 4671: 4656: 4647:Burning Chrome 4642:Bruce Sterling 4632: 4624:William Gibson 4613: 4598: 4572: 4557: 4531: 4516: 4475: 4460: 4439: 4401: 4367: 4340: 4317:"My Obsession" 4304: 4287:guardian.co.uk 4273: 4246: 4193: 4154: 4133:Annalee Newitz 4113: 4077: 4041: 4014: 3956: 3923: 3887: 3836: 3799: 3784:. p. 13. 3761: 3718: 3672: 3630: 3584: 3551: 3518: 3503: 3494:Burning Chrome 3489:Bruce Sterling 3479: 3462:"Inkpot Award" 3453: 3423: 3391: 3390: 3388: 3385: 3382: 3381: 3354: 3346:'s 1975 novel 3331: 3316: 3289: 3285:Kings of Sleep 3272:Kings of Sleep 3262: 3245: 3224: 3203: 3202: 3200: 3197: 3196: 3195: 3187: 3179: 3173: 3160: 3152: 3149: 3145: 3144: 3140: 3139: 3126: 3118: 3110: 3093: 3092: 3087:" (Nov. 1991, 3085:Skinner's Room 3081: 3080: 3079: 3064: 3059:" (Nov. 1985, 3053: 3046:New Rose Hotel 3042: 3035:Bruce Sterling 3027: 3020:Burning Chrome 3016: 3001: 2990: 2979: 2966: 2951:Burning Chrome 2940: 2939: 2938: 2925: 2910: 2895: 2874: 2873: 2872: 2871: 2865: 2857: 2853:The Peripheral 2846: 2845: 2844: 2836: 2828: 2813: 2812: 2811: 2803: 2795: 2784:Bridge trilogy 2781: 2778:Bruce Sterling 2769: 2768: 2767: 2759: 2751: 2740:Sprawl trilogy 2727: 2722:Main article: 2719: 2718:Selected works 2716: 2640: 2504:Burning Chrome 2500:World Wide Web 2473: 2471: 2468: 2395:Sprawl trilogy 2328:Straylight Run 2301:World Wide Web 2277:Burning Chrome 2157: 2155: 2152: 2125:New York Times 2049: 2046: 1989:, resulted in 1932: 1929: 1884: 1881: 1866:Bridge trilogy 1858:Skinner's Room 1840:with music by 1783: 1780: 1769:The Peripheral 1696:, he co-wrote 1647:adaptation of 1633:with director 1604:New Rose Hotel 1599:Takeshi Kitano 1589:Sprawl trilogy 1480: 1477: 1450:digital divide 1410:" (1985) with 1398:" (1981) with 1391:Burning Chrome 1385: 1382: 1368:Bruce Sterling 1360: 1357: 1332:The Peripheral 1317:The Peripheral 1299:The Peripheral 1294: 1291: 1224:When asked on 1160: 1158: 1157:Blue Ant books 1155: 1149:asserted that 1123:Andrew Leonard 1097:Bridge trilogy 1074:Bruce Sterling 1057:Sprawl trilogy 1012:Bridge trilogy 998:Bridge trilogy 990:Sprawl trilogy 985: 978: 853: 851: 846: 832:Molly Millions 828:Burning Chrome 781:Burning Chrome 747: 744: 742: 739: 720:Burning Chrome 704:Bruce Sterling 688: 666: 663: 638:Salvation Army 602:of 1967, in a 600:Summer of Love 580: 553:counterculture 516: 513: 489:Allen Ginsberg 459: 430: 427: 410: 407: 376:The Peripheral 303:Bruce Sterling 264:Burning Chrome 211: 210: 200: 199: 195: 194: 175:Philip K. Dick 164: 163:Notable awards 160: 159: 151: 147: 146: 133: 129: 128: 119: 115: 114: 111: 107: 106: 101: 97: 96: 93: 89: 88: 83: 79: 78: 69:March 17, 1948 58: 54: 53: 51:Gibson in 2008 50: 42: 41: 39:William Gibson 38: 15: 9: 6: 4: 3: 2: 13290: 13279: 13276: 13274: 13271: 13269: 13266: 13264: 13261: 13259: 13256: 13254: 13251: 13249: 13246: 13244: 13241: 13239: 13236: 13234: 13231: 13229: 13226: 13224: 13221: 13219: 13216: 13214: 13211: 13209: 13206: 13204: 13201: 13199: 13196: 13194: 13191: 13189: 13186: 13184: 13181: 13179: 13176: 13174: 13171: 13169: 13166: 13164: 13161: 13159: 13156: 13154: 13151: 13149: 13146: 13144: 13143:Living people 13141: 13139: 13136: 13134: 13131: 13129: 13126: 13124: 13121: 13119: 13118:Futurologists 13116: 13114: 13111: 13109: 13106: 13104: 13101: 13099: 13096: 13094: 13091: 13089: 13086: 13084: 13081: 13079: 13076: 13074: 13071: 13069: 13066: 13064: 13061: 13059: 13056: 13054: 13051: 13049: 13046: 13044: 13041: 13039: 13036: 13034: 13031: 13029: 13026: 13024: 13021: 13019: 13016: 13014: 13011: 13009: 13006: 13004: 13001: 12999: 12996: 12994: 12991: 12989: 12986: 12984: 12981: 12979: 12976: 12974: 12971: 12969: 12966: 12964: 12961: 12959: 12956: 12954: 12951: 12949: 12946: 12944: 12941: 12939: 12936: 12934: 12931: 12929: 12926: 12924: 12921: 12919: 12916: 12914: 12911: 12909: 12906: 12904: 12901: 12899: 12896: 12894: 12891: 12889: 12886: 12884: 12881: 12880: 12878: 12868: 12863: 12858: 12857: 12854: 12841: 12838: 12836: 12833: 12831: 12828: 12826: 12823: 12821: 12818: 12816: 12815:Complete list 12813: 12812: 12809: 12802: 12800: 12797: 12795: 12792: 12790: 12787: 12785: 12782: 12780: 12777: 12774: 12772: 12769: 12767: 12764: 12762: 12759: 12757: 12754: 12751: 12749: 12748:Leigh Bardugo 12746: 12743: 12742: 12740: 12736: 12730: 12727: 12725: 12722: 12720: 12717: 12715: 12712: 12710: 12709:Eric Reynolds 12707: 12704: 12702: 12699: 12697: 12694: 12692: 12689: 12687: 12686:David W. Mack 12684: 12682:Larry Houston 12681: 12679: 12676: 12674: 12671: 12669: 12666: 12664: 12661: 12659: 12656: 12654: 12653:Cory Doctorow 12651: 12649: 12646: 12644: 12641: 12640: 12638: 12634: 12628: 12625: 12623: 12620: 12618: 12615: 12612: 12610: 12607: 12605: 12602: 12600: 12597: 12595: 12594:Keith Pollard 12592: 12590: 12587: 12585: 12582: 12580: 12577: 12575: 12572: 12570: 12567: 12565: 12562: 12560: 12557: 12555: 12552: 12550: 12547: 12546: 12544: 12540: 12534: 12531: 12528: 12526: 12525:Alex Sinclair 12523: 12521: 12518: 12516: 12513: 12511: 12510:Tsutomu Nihei 12508: 12506: 12503: 12501: 12500:Ed McGuinness 12498: 12496: 12493: 12491: 12488: 12486: 12485:Kieron Gillen 12483: 12481: 12478: 12476: 12475:Matt Fraction 12473: 12471: 12468: 12465: 12463: 12460: 12458: 12455: 12452: 12450: 12447: 12444: 12442: 12441:Derf Backderf 12439: 12437: 12434: 12433: 12431: 12427: 12421: 12418: 12416: 12413: 12411: 12410:Jill Thompson 12408: 12406: 12403: 12401: 12398: 12396: 12393: 12391: 12388: 12386: 12383: 12381: 12378: 12376: 12373: 12371: 12368: 12366: 12363: 12361: 12358: 12356: 12353: 12351: 12348: 12346: 12343: 12341: 12338: 12336: 12335:Jackson Guice 12333: 12331: 12328: 12326: 12323: 12321: 12320:Andrew Farago 12318: 12316: 12313: 12311: 12308: 12306: 12303: 12301: 12298: 12297: 12295: 12291: 12285: 12282: 12280: 12277: 12275: 12272: 12270: 12267: 12265: 12262: 12260: 12257: 12255: 12252: 12250: 12247: 12245: 12242: 12240: 12237: 12235: 12232: 12230: 12227: 12224: 12222: 12219: 12217: 12214: 12212: 12209: 12207: 12204: 12202: 12201:Drew Friedman 12199: 12197: 12194: 12192: 12191:Jane Espenson 12189: 12187: 12184: 12182: 12179: 12177: 12176:Amanda Conner 12174: 12172: 12169: 12167: 12164: 12162: 12159: 12158: 12156: 12152: 12146: 12143: 12141: 12140:Romeo Tanghal 12138: 12136: 12133: 12131: 12128: 12126: 12123: 12121: 12120:Dean Mullaney 12118: 12116: 12113: 12111: 12110:Jeff Mariotte 12108: 12106: 12103: 12101: 12098: 12096: 12093: 12091: 12088: 12086: 12083: 12081: 12080:Tony Isabella 12078: 12076: 12073: 12071: 12068: 12066: 12063: 12061: 12058: 12056: 12053: 12051: 12048: 12046: 12045:Michael Davis 12043: 12041: 12038: 12036: 12033: 12031: 12030:Alan Campbell 12028: 12026: 12025:Jon Bogdanove 12023: 12022: 12020: 12016: 12010: 12009:Thomas Yeates 12007: 12005: 12002: 12000: 11997: 11995: 11992: 11990: 11987: 11984: 11982: 11979: 11977: 11974: 11972: 11969: 11967: 11964: 11962: 11959: 11957: 11954: 11952: 11949: 11947: 11944: 11942: 11939: 11937: 11934: 11932: 11929: 11927: 11924: 11922: 11919: 11917: 11914: 11912: 11909: 11907: 11904: 11901: 11899: 11896: 11894: 11891: 11889: 11886: 11884: 11881: 11879: 11876: 11874: 11871: 11869: 11866: 11865: 11863: 11859: 11852: 11850: 11847: 11845: 11842: 11840: 11837: 11835: 11832: 11829: 11827: 11824: 11822: 11819: 11817: 11814: 11812: 11809: 11807: 11804: 11802: 11799: 11797: 11794: 11792: 11789: 11787: 11786:Tony DeZuniga 11784: 11781: 11779: 11776: 11774: 11771: 11769: 11766: 11764: 11763:Chester Brown 11761: 11759: 11758:Joyce Brabner 11756: 11754: 11751: 11749: 11748:Anina Bennett 11746: 11745: 11743: 11739: 11732: 11729: 11727: 11724: 11722: 11719: 11717: 11714: 11712: 11709: 11707: 11704: 11701: 11699: 11696: 11694: 11691: 11689: 11686: 11684: 11681: 11679: 11676: 11674: 11671: 11669: 11666: 11664: 11661: 11659: 11656: 11654: 11651: 11649: 11646: 11644: 11641: 11640: 11638: 11634: 11629: 11622: 11617: 11615: 11610: 11608: 11603: 11602: 11599: 11586: 11583: 11580: 11577: 11574: 11571: 11568: 11565: 11562: 11559: 11556: 11553: 11550: 11547: 11544: 11543:C. J. Cherryh 11541: 11538: 11535: 11532: 11529: 11526: 11523: 11520: 11519:Connie Willis 11517: 11514: 11511: 11508: 11505: 11502: 11499: 11496: 11493: 11490: 11487: 11484: 11481: 11478: 11475: 11472: 11469: 11466: 11463: 11460: 11457: 11456: 11454: 11450: 11443: 11440: 11437: 11436:Poul Anderson 11434: 11431: 11428: 11425: 11422: 11419: 11416: 11413: 11412:Frederik Pohl 11410: 11407: 11404: 11401: 11398: 11395: 11394:Alfred Bester 11392: 11389: 11386: 11383: 11380: 11377: 11374: 11371: 11368: 11365: 11362: 11359: 11356: 11353: 11350: 11347: 11344: 11343: 11341: 11337: 11332: 11325: 11320: 11318: 11313: 11311: 11306: 11305: 11302: 11289: 11285: 11284: 11280: 11277: 11273: 11272: 11268: 11265: 11264:Sarah Pinsker 11261: 11260: 11256: 11253: 11249: 11248: 11244: 11241: 11240:Carrie Vaughn 11237: 11236: 11232: 11229: 11225: 11224: 11220: 11217: 11213: 11212: 11208: 11205: 11201: 11200: 11196: 11193: 11189: 11188: 11184: 11181: 11177: 11176: 11172: 11169: 11165: 11164: 11160: 11157: 11153: 11152: 11148: 11145: 11141: 11140: 11139:Bitter Angels 11136: 11133: 11129: 11125: 11124: 11123:Terminal Mind 11120: 11117: 11113: 11109: 11108: 11104: 11101: 11097: 11096: 11092: 11089: 11085: 11084: 11080: 11077: 11076:M. M. Buckner 11073: 11072: 11068: 11065: 11064:Gwyneth Jones 11061: 11060: 11056: 11053: 11049: 11048: 11044: 11041: 11037: 11036: 11032: 11029: 11025: 11024: 11023:Ship of Fools 11020: 11017: 11013: 11012: 11008: 11005: 11001: 11000: 10996: 10993: 10989: 10988: 10984: 10981: 10977: 10976: 10972: 10969: 10965: 10964: 10960: 10957: 10953: 10952: 10948: 10945: 10941: 10940: 10936: 10933: 10929: 10925: 10924: 10920: 10917: 10913: 10909: 10908: 10904: 10901: 10900:Richard Grant 10897: 10896: 10892: 10889: 10885: 10884: 10880: 10877: 10873: 10872: 10868: 10865: 10861: 10860: 10856: 10853: 10849: 10845: 10844: 10840: 10837: 10833: 10829: 10828: 10824: 10821: 10817: 10816: 10812: 10809: 10805: 10804: 10800: 10797: 10793: 10792: 10788: 10785: 10781: 10780: 10776: 10773: 10769: 10768: 10764: 10761: 10757: 10756: 10752: 10751: 10748: 10744: 10737: 10732: 10730: 10725: 10723: 10718: 10717: 10714: 10701: 10697: 10696: 10692: 10689: 10685: 10684: 10680: 10677: 10673: 10672: 10668: 10665: 10661: 10660: 10656: 10655: 10653: 10649: 10642: 10641:Sarah Pinsker 10638: 10637: 10633: 10630: 10626: 10625: 10621: 10618: 10617:N. K. Jemisin 10614: 10613: 10612:The Stone Sky 10609: 10606: 10602: 10601: 10597: 10594: 10590: 10589: 10585: 10582: 10578: 10577: 10573: 10570: 10566: 10565: 10561: 10558: 10554: 10553: 10549: 10546: 10542: 10541: 10537: 10534: 10533:Connie Willis 10530: 10529: 10525: 10522: 10518: 10517: 10513: 10510: 10506: 10505: 10501: 10498: 10494: 10493: 10489: 10486: 10485:Jack McDevitt 10482: 10481: 10477: 10474: 10470: 10469: 10465: 10462: 10458: 10457: 10453: 10450: 10446: 10445: 10444:Speed of Dark 10441: 10438: 10434: 10433: 10432:American Gods 10429: 10426: 10422: 10421: 10417: 10414: 10410: 10409: 10405: 10404: 10402: 10398: 10391: 10387: 10386: 10382: 10379: 10375: 10374: 10373:Forever Peace 10370: 10367: 10363: 10362: 10358: 10355: 10351: 10350: 10346: 10343: 10339: 10338: 10334: 10331: 10327: 10326: 10322: 10319: 10315: 10314: 10310: 10307: 10306:Connie Willis 10303: 10302: 10301:Doomsday Book 10298: 10295: 10291: 10290: 10286: 10283: 10279: 10278: 10274: 10271: 10267: 10266: 10262: 10259: 10255: 10254: 10250: 10247: 10243: 10242: 10238: 10235: 10231: 10230: 10226: 10223: 10219: 10218: 10214: 10211: 10207: 10206: 10202: 10199: 10195: 10194: 10190: 10187: 10183: 10182: 10178: 10175: 10171: 10170: 10166: 10163: 10159: 10158: 10154: 10153: 10151: 10147: 10140: 10136: 10135: 10131: 10128: 10124: 10123: 10119: 10116: 10115:Frederik Pohl 10112: 10111: 10107: 10104: 10103:Frederik Pohl 10100: 10099: 10095: 10092: 10088: 10087: 10083: 10080: 10076: 10075: 10071: 10068: 10064: 10063: 10059: 10056: 10052: 10051: 10047: 10044: 10040: 10039: 10035: 10032: 10028: 10027: 10023: 10020: 10016: 10015: 10011: 10008: 10004: 10003: 9999: 9996: 9992: 9991: 9987: 9984: 9980: 9979: 9974: 9970: 9969: 9965: 9962: 9961:Frank Herbert 9958: 9957: 9953: 9952: 9950: 9946: 9942: 9938: 9931: 9926: 9924: 9919: 9917: 9912: 9911: 9908: 9896: 9894: 9890: 9888: 9887: 9883: 9881: 9880: 9879:Node Magazine 9876: 9874: 9872: 9868: 9866: 9864: 9860: 9858: 9856: 9852: 9851: 9849: 9845: 9839: 9838:Raygun Gothic 9836: 9834: 9831: 9829: 9826: 9824: 9821: 9819: 9816: 9815: 9813: 9809: 9803: 9800: 9798: 9797:Cayce Pollard 9795: 9793: 9790: 9788: 9787:Bobby Newmark 9785: 9783: 9780: 9779: 9777: 9773: 9766: 9762: 9759: 9755: 9754: 9752: 9748: 9742: 9741: 9737: 9735: 9734: 9730: 9727: 9723: 9721: 9720: 9716: 9715: 9713: 9709: 9703: 9701: 9697: 9694: 9690: 9687: 9683: 9680: 9676: 9673: 9669: 9666: 9662: 9659: 9655: 9652: 9648: 9645: 9641: 9638: 9634: 9631: 9627: 9624: 9620: 9619: 9617: 9615:Short stories 9613: 9602: 9601: 9597: 9594: 9590: 9589: 9585: 9584: 9582: 9578: 9571: 9570: 9566: 9563: 9562: 9558: 9557: 9555: 9551: 9544: 9543: 9539: 9536: 9535: 9534:Spook Country 9531: 9528: 9527: 9523: 9522: 9520: 9516: 9509: 9508: 9504: 9501: 9500: 9496: 9493: 9492: 9491:Virtual Light 9488: 9487: 9485: 9483: 9479: 9472: 9471: 9467: 9464: 9463: 9459: 9456: 9455: 9451: 9450: 9448: 9446: 9442: 9439: 9435: 9429: 9426: 9424: 9423:List of works 9421: 9420: 9417: 9413: 9406: 9401: 9399: 9394: 9392: 9387: 9386: 9383: 9376: 9373: 9369: 9365: 9361: 9357: 9353: 9348: 9345: 9342: 9339: 9335: 9332: 9330: 9326: 9323: 9321: 9317: 9314: 9311: 9305: 9300: 9299: 9289: 9285: 9281: 9275: 9271: 9267: 9262: 9258: 9254: 9250: 9244: 9239: 9238: 9232: 9228: 9224: 9220: 9216: 9210: 9206: 9201: 9200: 9179: 9175: 9174: 9169: 9163: 9147: 9143: 9142: 9137: 9131: 9115: 9111: 9110: 9105: 9099: 9083: 9079: 9075: 9071: 9064: 9048: 9044: 9040: 9034: 9032: 9030: 9013: 9009: 9005: 8998: 8991: 8990: 8983: 8967: 8963: 8962: 8957: 8953: 8947: 8931: 8927: 8923: 8919: 8916:Pesce, Mark. 8912: 8904: 8900: 8896: 8892: 8888: 8884: 8877: 8869: 8865: 8861: 8855: 8851: 8844: 8836: 8832: 8828: 8822: 8818: 8811: 8795: 8791: 8787: 8781: 8765: 8761: 8760: 8755: 8748: 8741: 8736: 8732: 8731: 8723: 8707: 8703: 8702: 8697: 8690: 8674: 8670: 8666: 8661: 8656: 8652: 8648: 8644: 8640: 8636: 8632: 8628: 8624: 8617: 8609: 8603: 8599: 8592: 8581:September 17, 8576: 8572: 8565: 8549: 8545: 8541: 8535: 8519: 8515: 8508: 8500: 8497: 8492: 8487: 8483: 8482: 8474: 8458: 8454: 8450: 8443: 8436:. p. C1. 8435: 8428: 8421: 8407: 8403: 8397: 8381: 8377: 8376:Reading Eagle 8373: 8367: 8351: 8347: 8340: 8324: 8320: 8316: 8312: 8305: 8289: 8285: 8281: 8277: 8273: 8266: 8250: 8246: 8245: 8240: 8234: 8218: 8214: 8213: 8208: 8201: 8185: 8181: 8175: 8159: 8155: 8151: 8145: 8129: 8125: 8124: 8123:Flak Magazine 8119: 8112: 8096: 8092: 8091: 8090:Village Voice 8086: 8085:"Virtual Hep" 8082: 8076: 8068: 8064: 8063: 8058: 8052: 8045: 8039: 8023: 8019: 8012: 8004: 8000: 7996: 7990: 7986: 7985: 7980: 7973: 7962:September 26, 7957: 7953: 7949: 7945: 7941: 7937: 7933: 7929: 7925: 7921: 7914: 7898: 7894: 7890: 7883: 7867: 7863: 7859: 7853: 7837: 7833: 7829: 7825: 7818: 7802: 7798: 7797: 7792: 7788: 7782: 7775: 7769: 7753: 7749: 7745: 7739: 7737: 7728: 7724: 7720: 7716: 7712: 7708: 7704: 7700: 7693: 7691: 7674: 7670: 7666: 7662: 7658: 7654: 7650: 7646: 7639: 7637: 7628: 7624: 7620: 7614: 7610: 7609: 7604: 7597: 7590: 7586: 7582: 7578: 7572: 7568: 7564: 7560: 7556: 7555: 7554:Technoculture 7547: 7539: 7535: 7531: 7527: 7523: 7519: 7512: 7496: 7492: 7488: 7481: 7465: 7461: 7454: 7436: 7432: 7427: 7415: 7411: 7406: 7405: 7394: 7390: 7383: 7367: 7363: 7356: 7340: 7336: 7332: 7325: 7314:September 23, 7309: 7305: 7301: 7300: 7295: 7288: 7277:September 23, 7272: 7268: 7267: 7262: 7255: 7239: 7235: 7231: 7224: 7208: 7204: 7200: 7194: 7192: 7175: 7171: 7167: 7161: 7145: 7141: 7137: 7133: 7127: 7123: 7119: 7115: 7111: 7104: 7088: 7084: 7077: 7069: 7065: 7061: 7055: 7051: 7047: 7042: 7041: 7032: 7024: 7023: 7018: 7011: 6995: 6991: 6990: 6985: 6978: 6976: 6967: 6963: 6959: 6953: 6948: 6947: 6938: 6922: 6918: 6911: 6895: 6891: 6887: 6881: 6865: 6861: 6854: 6852: 6843: 6836: 6820: 6816: 6809: 6793: 6789: 6782: 6774: 6770: 6764: 6748: 6744: 6740: 6736: 6733:Loder, Kurt. 6729: 6727: 6725: 6708: 6704: 6700: 6693: 6677: 6673: 6666: 6650: 6646: 6645:"Victor Tsoi" 6639: 6637: 6620: 6616: 6610: 6599:September 29, 6594: 6590: 6589: 6584: 6577: 6561: 6557: 6553: 6546: 6530: 6526: 6525: 6520: 6514: 6498: 6494: 6487: 6485: 6483: 6466: 6462: 6458: 6457: 6452: 6445: 6443: 6441: 6424: 6420: 6416: 6412: 6406: 6390: 6386: 6379: 6377: 6375: 6373: 6371: 6354: 6350: 6346: 6342: 6338: 6332: 6330: 6313: 6309: 6307: 6301:"Foreword to 6295: 6279: 6275: 6271: 6264: 6248: 6244: 6240: 6233: 6217: 6213: 6209: 6205: 6201: 6194: 6187: 6183: 6180: 6176: 6172: 6169: 6163: 6147: 6143: 6139: 6132: 6116: 6112: 6111:Bleeding Cool 6108: 6101: 6085: 6081: 6077: 6070: 6054: 6050: 6046: 6040: 6024: 6020: 6013: 5997: 5993: 5992: 5987: 5980: 5964: 5960: 5959: 5954: 5948: 5932: 5928: 5924: 5918: 5902: 5898: 5894: 5887: 5885: 5868: 5864: 5860: 5854: 5838: 5834: 5833: 5828: 5821: 5805: 5801: 5797: 5796:"Nodal point" 5790: 5774: 5770: 5766: 5765: 5760: 5753: 5737: 5733: 5732: 5727: 5723: 5717: 5701: 5697: 5696: 5691: 5684: 5668: 5664: 5663: 5658: 5651: 5649: 5632: 5628: 5624: 5617: 5601: 5597: 5593: 5586: 5570: 5566: 5562: 5556: 5540: 5536: 5532: 5526: 5510: 5506: 5502: 5495: 5487: 5486: 5478: 5467:September 18, 5462: 5458: 5454: 5453: 5448: 5441: 5439: 5422: 5418: 5414: 5410: 5404: 5388: 5384: 5380: 5373: 5371: 5354: 5350: 5346: 5339: 5337: 5335: 5318: 5314: 5313: 5308: 5301: 5285: 5281: 5280: 5275: 5268: 5266: 5264: 5262: 5253: 5249: 5248: 5243: 5236: 5220: 5216: 5215: 5210: 5203: 5187: 5183: 5179: 5175: 5168: 5166: 5149: 5145: 5144: 5139: 5132: 5116: 5113:. p. 3. 5112: 5108: 5101: 5085: 5081: 5077: 5071: 5055: 5051: 5047: 5041: 5025: 5021: 5017: 5011: 4995: 4991: 4990: 4985: 4978: 4976: 4974: 4972: 4955: 4951: 4944: 4928: 4924: 4923: 4918: 4911: 4909: 4907: 4890: 4886: 4885: 4880: 4873: 4871: 4854: 4850: 4846: 4842: 4835: 4819: 4815: 4811: 4807: 4800: 4784: 4780: 4776: 4769: 4753: 4749: 4745: 4741: 4734: 4732: 4730: 4713: 4709: 4702: 4686: 4682: 4675: 4667: 4663: 4659: 4653: 4649: 4648: 4643: 4636: 4629: 4625: 4620: 4618: 4609: 4605: 4601: 4595: 4591: 4586: 4585: 4576: 4568: 4564: 4560: 4554: 4550: 4546: 4545:Shiner, Lewis 4540: 4538: 4536: 4527: 4523: 4519: 4513: 4509: 4505: 4501: 4494: 4492: 4490: 4488: 4486: 4484: 4482: 4480: 4471: 4467: 4463: 4457: 4453: 4446: 4444: 4427: 4423: 4419: 4418:College Crier 4415: 4408: 4406: 4389: 4385: 4381: 4377: 4371: 4355: 4351: 4344: 4328: 4324: 4323: 4318: 4311: 4309: 4292: 4288: 4284: 4277: 4261: 4257: 4250: 4235: 4231: 4225: 4220: 4219: 4210: 4205: 4204: 4197: 4190: 4178: 4174: 4170: 4169: 4164: 4158: 4142: 4138: 4137:San Francisco 4134: 4130: 4129: 4124: 4117: 4101: 4097: 4096: 4091: 4084: 4082: 4065: 4061: 4060: 4055: 4048: 4046: 4029: 4025: 4021: 4017: 4011: 4007: 4003: 3999: 3998: 3993: 3989: 3983: 3981: 3979: 3977: 3975: 3973: 3971: 3969: 3967: 3965: 3963: 3961: 3944: 3940: 3939: 3934: 3927: 3911: 3907: 3906: 3905:New Scientist 3901: 3894: 3892: 3883: 3882: 3877: 3871: 3869: 3867: 3865: 3863: 3861: 3859: 3857: 3855: 3853: 3851: 3849: 3847: 3845: 3843: 3841: 3833: 3831: 3817: 3813: 3809: 3803: 3787: 3783: 3782: 3777: 3770: 3768: 3766: 3750: 3746: 3745: 3740: 3733: 3731: 3729: 3727: 3725: 3723: 3706: 3702: 3701: 3696: 3689: 3687: 3685: 3683: 3681: 3679: 3677: 3660: 3656: 3652: 3645: 3643: 3641: 3639: 3637: 3635: 3618: 3614: 3607: 3605: 3603: 3601: 3599: 3597: 3595: 3593: 3591: 3589: 3572: 3568: 3567: 3562: 3555: 3544:September 15, 3539: 3535: 3534: 3529: 3522: 3514: 3510: 3506: 3500: 3496: 3495: 3490: 3483: 3467: 3463: 3457: 3450: 3446: 3442: 3438: 3435: 3430: 3428: 3411: 3407: 3403: 3396: 3392: 3378: 3375: 3370: 3364: 3358: 3351: 3350: 3345: 3341: 3335: 3328: 3327: 3320: 3313: 3309: 3305: 3301: 3300: 3293: 3286: 3282: 3278: 3274: 3273: 3266: 3259: 3255: 3249: 3242: 3238: 3231: 3229: 3221: 3220: 3215: 3214: 3208: 3204: 3193: 3192: 3188: 3185: 3184: 3180: 3177: 3174: 3168: 3161: 3158: 3155: 3154: 3143: 3137: 3136: 3131: 3127: 3124: 3123: 3119: 3116: 3115: 3111: 3109: 3108:artist's book 3105: 3104: 3100: 3099: 3098: 3097: 3090: 3086: 3082: 3077: 3073: 3069: 3065: 3062: 3058: 3054: 3051: 3047: 3043: 3040: 3036: 3032: 3028: 3025: 3021: 3017: 3014: 3010: 3006: 3002: 2999: 2995: 2991: 2988: 2984: 2980: 2977: 2976: 2971: 2967: 2964: 2960: 2956: 2955: 2953: 2952: 2948: 2947: 2946: 2945: 2944:Short stories 2941: 2935: 2929: 2926: 2922: 2916: 2915: 2911: 2907: 2906:Graphic novel 2901: 2900: 2896: 2892: 2891:Graphic novel 2886: 2885: 2881: 2880: 2879: 2878: 2869: 2866: 2863: 2862: 2858: 2855: 2854: 2850: 2849: 2847: 2842: 2841: 2837: 2834: 2833: 2832:Spook Country 2829: 2826: 2825: 2821: 2820: 2818: 2814: 2809: 2808: 2804: 2801: 2800: 2796: 2793: 2792: 2791:Virtual Light 2788: 2787: 2785: 2782: 2779: 2775: 2774: 2770: 2765: 2764: 2760: 2757: 2756: 2752: 2749: 2748: 2744: 2743: 2741: 2738: 2737: 2736: 2735: 2731: 2730: 2725: 2715: 2713: 2709: 2705: 2701: 2697: 2696: 2690: 2686: 2682: 2678: 2674: 2670: 2666: 2660: 2657: 2650: 2648: 2647: 2639: 2637: 2636: 2631: 2630: 2629:Virtual Light 2625: 2621: 2617: 2616: 2611: 2606: 2602: 2596: 2594: 2590: 2589:video arcades 2584: 2582: 2577: 2575: 2571: 2567: 2563: 2558: 2554: 2550: 2546: 2542: 2538: 2537: 2532: 2528: 2520: 2515: 2511: 2509: 2505: 2501: 2497: 2493: 2489: 2483: 2477: 2467: 2465: 2461: 2457: 2452: 2448: 2444: 2440: 2436: 2432: 2428: 2427: 2422: 2418: 2414: 2413: 2408: 2404: 2400: 2396: 2392: 2391: 2385: 2383: 2379: 2375: 2374: 2369: 2365: 2361: 2357: 2353: 2349: 2348: 2343: 2339: 2335: 2334: 2329: 2325: 2321: 2317: 2313: 2308: 2306: 2302: 2299:term for the 2298: 2294: 2290: 2286: 2285:hallucination 2282: 2278: 2274: 2273: 2268: 2264: 2263: 2258: 2257: 2252: 2251: 2246: 2242: 2238: 2230: 2229: 2228:Spook Country 2224: 2223:Cory Doctorow 2220: 2219:postcyberpunk 2216: 2211: 2207: 2205: 2201: 2200:Dwayne A. Day 2197: 2193: 2189: 2185: 2181: 2176: 2170: 2168: 2161: 2151: 2149: 2148: 2143: 2139: 2135: 2129: 2127: 2126: 2121: 2120: 2115: 2111: 2107: 2103: 2099: 2098: 2093: 2089: 2085: 2081: 2080: 2075: 2071: 2067: 2063: 2062: 2055: 2045: 2043: 2042: 2037: 2033: 2032: 2027: 2026: 2025:Spook Country 2017: 2013: 2009: 2004: 2000: 1998: 1997: 1992: 1988: 1984: 1980: 1979: 1974: 1973: 1972:Rolling Stone 1968: 1967: 1962: 1961: 1956: 1955: 1950: 1949: 1944: 1940: 1939: 1928: 1925: 1920: 1915: 1913: 1909: 1904: 1903:artist's book 1900: 1896: 1892: 1891: 1880: 1878: 1877: 1871: 1867: 1863: 1859: 1855: 1850: 1848: 1843: 1842:Peter Gabriel 1839: 1835: 1834:Rebecca Allen 1831: 1827: 1823: 1819: 1815: 1814: 1809: 1801: 1797: 1793: 1788: 1779: 1777: 1776: 1771: 1770: 1765: 1761: 1759: 1755: 1751: 1747: 1746: 1741: 1740: 1735: 1731: 1727: 1723: 1719: 1718: 1713: 1709: 1705: 1701: 1700: 1695: 1690: 1688: 1687:Janine Marmot 1684: 1680: 1676: 1675:Simon Pummell 1672: 1668: 1664: 1660: 1656: 1652: 1651: 1646: 1642: 1641: 1636: 1632: 1628: 1627: 1622: 1618: 1614: 1610: 1606: 1605: 1600: 1596: 1595: 1590: 1582: 1577: 1573: 1571: 1567: 1563: 1562: 1557: 1556: 1551: 1547: 1543: 1539: 1534: 1532: 1528: 1527:Michael Biehn 1524: 1520: 1516: 1512: 1508: 1504: 1500: 1499: 1494: 1490: 1486: 1476: 1474: 1473: 1468: 1467: 1462: 1457: 1455: 1451: 1447: 1443: 1439: 1438: 1432: 1430: 1429: 1424: 1420: 1413: 1409: 1405: 1401: 1397: 1393: 1392: 1379: 1378: 1373: 1369: 1365: 1356: 1354: 1350: 1346: 1342: 1341: 1333: 1329: 1327: 1323: 1318: 1314: 1310: 1309: 1303: 1301: 1300: 1290: 1288: 1284: 1280: 1276: 1271: 1269: 1265: 1261: 1257: 1253: 1252:Spook Country 1249: 1246:, devoted to 1245: 1244: 1243:Node Magazine 1239: 1235: 1230: 1227: 1218: 1214: 1212: 1208: 1207: 1202: 1201: 1200:Spook Country 1196: 1195: 1189: 1185: 1181: 1175: 1172: 1165: 1154: 1152: 1148: 1144: 1140: 1139:Virtual Light 1136: 1132: 1128: 1124: 1120: 1116: 1115: 1110: 1109: 1104: 1103: 1102:Virtual Light 1098: 1093: 1091: 1087: 1083: 1079: 1078:Victorian era 1075: 1071: 1067: 1066: 1060: 1058: 1054: 1050: 1049: 1044: 1041:. Abandoning 1040: 1036: 1032: 1028: 1024: 1020: 1013: 1009: 1004: 999: 995: 991: 983: 977: 975: 971: 967: 962: 958: 953: 951: 947: 943: 942: 936: 934: 930: 926: 924: 920: 916: 912: 908: 907:word-of-mouth 901: 897: 895: 894: 888: 884: 880: 876: 875: 869: 866: 865: 857: 850: 845: 843: 842: 837: 833: 829: 825: 821: 816: 814: 810: 806: 802: 801: 796: 792: 791: 785: 783: 782: 777: 776: 771: 767: 763: 759: 753: 738: 736: 732: 728: 723: 721: 717: 713: 709: 705: 699: 693: 687: 685: 681: 676: 672: 662: 660: 656: 652: 651:postmodernity 648: 644: 639: 635: 630: 628: 624: 620: 615: 613: 609: 605: 601: 597: 588: 587: 579: 574: 572: 568: 564: 563: 558: 554: 546: 545:Spook Country 542: 541: 536: 532: 528: 527: 526:Spook Country 521: 512: 510: 506: 500: 498: 494: 490: 486: 481: 475: 472: 471: 463: 458: 456: 455:J. G. Ballard 452: 448: 444: 440: 436: 423: 419: 415: 406: 404: 399: 398: 393: 392: 386: 384: 383: 378: 377: 372: 368: 367: 362: 361: 360:Spook Country 356: 355: 350: 346: 342: 338: 334: 330: 328: 322: 320: 319: 314: 313: 308: 304: 300: 298: 294: 290: 289: 284: 283: 278: 273: 271: 270: 265: 261: 257: 253: 249: 245: 241: 237: 233: 229: 225: 221: 217: 208: 201: 196: 192: 188: 184: 180: 176: 172: 168: 165: 161: 158:(novel, 1984) 157: 156: 152: 150:Notable works 148: 145: 144:postcyberpunk 141: 137: 134: 130: 127: 123: 120: 116: 112: 108: 105: 102: 98: 94: 90: 87: 84: 80: 76: 71:(age 76) 59: 55: 48: 43: 36: 33: 29: 22: 12789:Scott Snyder 12779:Craig Miller 12771:Arvell Jones 12756:Mary Fleener 12752:Jon B. Cooke 12719:Peter Tomasi 12701:Brian Pulido 12668:Alex Grecian 12613:Alex Simmons 12554:Alan Burnett 12549:Andrew Aydin 12529:John Trimble 12479: 12395:Jen Sorensen 12370:Joe Phillips 12365:Kevin Nowlan 12350:Laura Martin 12345:Steve Lieber 12330:Tom Grummett 12305:Greg Capullo 12254:John Picacio 12234:Graham Nolan 12229:Julie Newmar 12221:Kelley Jones 12166:June Brigman 12125:Martin Pasko 12070:Ellen Forney 12035:Gerry Conway 11976:Lou Scheimer 11956:Andy Mangels 11931:Klaus Janson 11902:Randy Duncan 11893:Peter Coogan 11839:Bill Schelly 11811:John Higgins 11796:Joyce Farmer 11791:Eric Drooker 11753:Jordi Bernet 11716:Drew Struzan 11706:Larry Marder 11693:Keith Knight 11688:Jenette Kahn 11683:Phil Jimenez 11628:Inkpot Award 11560: 11513:Joe Haldeman 11459:Brian Aldiss 11452:2000–present 11418:Damon Knight 11400:Ray Bradbury 11388:Isaac Asimov 11376:Andre Norton 11370:Fritz Leiber 11288:Kali Wallace 11281: 11276:Alison Stine 11269: 11257: 11245: 11233: 11221: 11209: 11197: 11185: 11173: 11168:Simon Morden 11161: 11149: 11137: 11131: 11128:David Walton 11121: 11115: 11105: 11093: 11083:Spin Control 11081: 11069: 11057: 11045: 11033: 11021: 11011:Only Forward 11009: 10997: 10985: 10973: 10961: 10956:Bruce Bethke 10949: 10937: 10931: 10921: 10915: 10912:John M. Ford 10905: 10893: 10888:Ian McDonald 10881: 10869: 10857: 10851: 10841: 10835: 10825: 10815:Strange Toys 10813: 10801: 10789: 10783: 10777: 10765: 10753: 10693: 10681: 10669: 10664:Martha Wells 10657: 10651:2021–present 10634: 10622: 10610: 10598: 10586: 10576:Annihilation 10574: 10562: 10550: 10540:Among Others 10538: 10526: 10514: 10502: 10490: 10478: 10473:Joe Haldeman 10466: 10454: 10442: 10430: 10418: 10406: 10383: 10378:Joe Haldeman 10371: 10359: 10347: 10335: 10323: 10311: 10299: 10287: 10275: 10263: 10253:Falling Free 10251: 10239: 10227: 10217:Ender's Game 10215: 10209: 10203: 10191: 10179: 10167: 10155: 10132: 10120: 10108: 10096: 10091:Joe Haldeman 10084: 10072: 10060: 10055:Isaac Asimov 10048: 10036: 10024: 10012: 10000: 9988: 9983:Daniel Keyes 9976: 9966: 9954: 9937:Nebula Award 9892: 9884: 9877: 9870: 9862: 9854: 9828:Locative art 9738: 9731: 9717: 9699: 9598: 9586: 9567: 9559: 9542:Zero History 9540: 9532: 9524: 9505: 9497: 9489: 9468: 9460: 9452: 9411: 9355: 9316:Bibliography 9265: 9236: 9204: 9182:. Retrieved 9171: 9162: 9150:. Retrieved 9139: 9130: 9118:. Retrieved 9107: 9098: 9086:. Retrieved 9082:the original 9073: 9063: 9051:. Retrieved 9042: 9018:November 26, 9016:. Retrieved 9012:the original 9007: 8997: 8987: 8982: 8970:. Retrieved 8959: 8946: 8934:. Retrieved 8921: 8911: 8889:(1): 50–72. 8886: 8882: 8876: 8849: 8843: 8816: 8810: 8798:. Retrieved 8794:the original 8789: 8780: 8768:. Retrieved 8757: 8747: 8738: 8728: 8722: 8710:. Retrieved 8706:the original 8699: 8689: 8677:. Retrieved 8616: 8597: 8591: 8579:. Retrieved 8575:the original 8564: 8554:September 9, 8552:. Retrieved 8543: 8534: 8522:. Retrieved 8507: 8480: 8473: 8461:. Retrieved 8452: 8442: 8433: 8427: 8419: 8410:. Retrieved 8406:the original 8396: 8384:. Retrieved 8380:the original 8375: 8366: 8354:. Retrieved 8350:the original 8339: 8327:. Retrieved 8318: 8314: 8304: 8292:. Retrieved 8275: 8265: 8255:September 2, 8253:. Retrieved 8242: 8233: 8221:. Retrieved 8210: 8200: 8188:. Retrieved 8184:the original 8174: 8164:September 9, 8162:. Retrieved 8158:the original 8153: 8144: 8134:November 11, 8132:. Retrieved 8121: 8111: 8101:November 11, 8099:. Retrieved 8088: 8075: 8065:(CD liner). 8061: 8051: 8044:Purple Prose 8043: 8038: 8028:November 23, 8026:. Retrieved 8022:the original 8011: 7982: 7979:"cyberspace" 7972: 7960:. Retrieved 7927: 7923: 7913: 7901:. Retrieved 7893:CMC Magazine 7892: 7882: 7870:. Retrieved 7866:the original 7861: 7852: 7840:. Retrieved 7827: 7817: 7805:. Retrieved 7794: 7781: 7773: 7768: 7756:. Retrieved 7752:the original 7702: 7698: 7677:. Retrieved 7652: 7648: 7607: 7596: 7588: 7553: 7546: 7521: 7517: 7511: 7499:. Retrieved 7490: 7480: 7470:September 1, 7468:. Retrieved 7464:the original 7453: 7439:. Retrieved 7435:the original 7418:. Retrieved 7414:the original 7397:. Retrieved 7393:the original 7382: 7372:November 26, 7370:. Retrieved 7366:the original 7355: 7343:. Retrieved 7334: 7324: 7312:. Retrieved 7299:Boston Globe 7297: 7287: 7275:. Retrieved 7264: 7254: 7242:. Retrieved 7234:Ars Technica 7233: 7223: 7211:. Retrieved 7202: 7178:. Retrieved 7169: 7160: 7150:November 11, 7148:. Retrieved 7113: 7103: 7093:November 11, 7091:. Retrieved 7087:the original 7076: 7039: 7031: 7020: 7010: 6998:. Retrieved 6987: 6945: 6937: 6927:November 11, 6925:. Retrieved 6921:the original 6910: 6898:. Retrieved 6894:the original 6889: 6880: 6870:November 26, 6868:. Retrieved 6864:the original 6841: 6835: 6823:. Retrieved 6808: 6796:. Retrieved 6792:the original 6781: 6773:the original 6763: 6751:. Retrieved 6747:the original 6738: 6713:February 25, 6711:. Retrieved 6702: 6692: 6682:November 26, 6680:. Retrieved 6676:the original 6665: 6653:. Retrieved 6649:the original 6623:. Retrieved 6609: 6597:. Retrieved 6586: 6576: 6564:. Retrieved 6555: 6545: 6533:. Retrieved 6522: 6513: 6501:. Retrieved 6497:the original 6469:. Retrieved 6454: 6427:. Retrieved 6423:the original 6405: 6393:. Retrieved 6357:. Retrieved 6353:the original 6344: 6316:. Retrieved 6312:the original 6302: 6294: 6284:February 19, 6282:. Retrieved 6273: 6263: 6253:September 6, 6251:. Retrieved 6242: 6232: 6222:December 16, 6220:. Retrieved 6203: 6193: 6162: 6152:September 6, 6150:. Retrieved 6141: 6131: 6121:September 6, 6119:. Retrieved 6110: 6100: 6090:November 18, 6088:. Retrieved 6079: 6069: 6057:. Retrieved 6039: 6027:. Retrieved 6012: 6000:. Retrieved 5989: 5979: 5967:. Retrieved 5963:the original 5956: 5947: 5935:. Retrieved 5931:the original 5926: 5917: 5905:. Retrieved 5896: 5871:. Retrieved 5862: 5853: 5841:. Retrieved 5830: 5820: 5808:. Retrieved 5804:the original 5799: 5789: 5777:. Retrieved 5762: 5752: 5742:November 11, 5740:. Retrieved 5729: 5716: 5704:. Retrieved 5700:the original 5693: 5683: 5671:. Retrieved 5660: 5637:November 26, 5635:. Retrieved 5626: 5616: 5606:November 26, 5604:. Retrieved 5595: 5585: 5575:November 26, 5573:. Retrieved 5564: 5555: 5545:November 26, 5543:. Retrieved 5534: 5525: 5515:November 26, 5513:. Retrieved 5504: 5494: 5483: 5477: 5465:. Retrieved 5456: 5450: 5425:. Retrieved 5421:the original 5416: 5403: 5391:. Retrieved 5387:the original 5382: 5357:. Retrieved 5348: 5321:. Retrieved 5310: 5300: 5290:November 11, 5288:. Retrieved 5277: 5252:the original 5245: 5235: 5223:. Retrieved 5219:the original 5212: 5202: 5190:. Retrieved 5186:the original 5177: 5152:. Retrieved 5143:The Guardian 5141: 5131: 5119:. Retrieved 5110: 5100: 5088:. Retrieved 5079: 5070: 5058:. Retrieved 5049: 5040: 5028:. Retrieved 5019: 5010: 4998:. Retrieved 4987: 4958:. Retrieved 4954:the original 4943: 4931:. Retrieved 4920: 4893:. Retrieved 4882: 4857:. Retrieved 4844: 4834: 4822:. Retrieved 4813: 4810:Nova Express 4809: 4799: 4789:September 9, 4787:. Retrieved 4783:the original 4778: 4768: 4756:. Retrieved 4747: 4743: 4716:. Retrieved 4712:the original 4701: 4691:November 26, 4689:. Retrieved 4685:the original 4674: 4646: 4635: 4583: 4575: 4548: 4499: 4452:Cult Fiction 4451: 4430:. Retrieved 4426:the original 4421: 4417: 4392:. Retrieved 4388:the original 4383: 4379: 4370: 4358:. Retrieved 4354:the original 4343: 4331:. Retrieved 4320: 4295:. Retrieved 4286: 4276: 4266:November 26, 4264:. Retrieved 4260:the original 4249: 4237:. Retrieved 4217: 4202: 4196: 4188: 4181:. Retrieved 4167: 4157: 4145:. Retrieved 4126: 4116: 4104:. Retrieved 4100:the original 4093: 4068:. Retrieved 4057: 4032:. Retrieved 3996: 3947:. Retrieved 3936: 3926: 3916:November 17, 3914:. Retrieved 3903: 3879: 3829: 3827: 3820:. Retrieved 3816:the original 3802: 3790:. Retrieved 3779: 3752:. Retrieved 3742: 3709:. Retrieved 3705:the original 3698: 3663:. Retrieved 3655:The Observer 3654: 3621:. Retrieved 3617:the original 3613:"Since 1948" 3575:. Retrieved 3564: 3554: 3542:. Retrieved 3531: 3521: 3493: 3482: 3470:. Retrieved 3456: 3444: 3414:. Retrieved 3405: 3395: 3368: 3367: 3362: 3357: 3347: 3344:John Brunner 3334: 3324: 3319: 3303: 3297: 3292: 3270: 3265: 3248: 3217: 3211: 3207: 3189: 3181: 3175: 3166: 3156: 3141: 3133: 3120: 3112: 3101: 3095: 3094: 3088: 3075: 3060: 3049: 3038: 3023: 3012: 3009:John Shirley 2997: 2986: 2973: 2962: 2949: 2943: 2942: 2927: 2912: 2902:(2018–2019) 2897: 2887:(2016–2017) 2882: 2876: 2875: 2867: 2859: 2851: 2840:Zero History 2838: 2830: 2822: 2805: 2797: 2789: 2776:(1990; with 2771: 2761: 2753: 2745: 2733: 2732: 2700:PowerBook G4 2693: 2672: 2668: 2662: 2658:, March 2008 2655: 2652: 2644: 2642: 2633: 2627: 2620:lonelygirl15 2613: 2598: 2586: 2580: 2578: 2573: 2569: 2561: 2557:Steven Poole 2534: 2524: 2519:cyberculture 2508:nation state 2487: 2485: 2479: 2475: 2450: 2442: 2438: 2434: 2430: 2424: 2410: 2406: 2388: 2386: 2381: 2371: 2368:Vertigo Tour 2363: 2359: 2355: 2351: 2345: 2331: 2324:Deltron 3030 2320:Warren Zevon 2309: 2296: 2292: 2280: 2270: 2266: 2260: 2254: 2248: 2237:The Observer 2236: 2234: 2226: 2183: 2174: 2172: 2163: 2159: 2145: 2130: 2123: 2119:The Observer 2117: 2113: 2095: 2084:Nebula Award 2077: 2070:The Guardian 2069: 2066:Steven Poole 2064:. Hailed by 2059: 2057: 2039: 2036:nom de plume 2035: 2031:Zero History 2029: 2023: 2021: 1994: 1990: 1976: 1970: 1964: 1958: 1954:The Observer 1952: 1946: 1936: 1934: 1918: 1916: 1888: 1886: 1883:Cryptography 1874: 1869: 1851: 1821: 1818:Robert Longo 1811: 1805: 1802:in May 2007. 1773: 1767: 1762: 1749: 1743: 1737: 1729: 1726:Oliver Stone 1722:Bruce Wagner 1715: 1711: 1697: 1691: 1666: 1654: 1648: 1638: 1635:Michael Mann 1630: 1624: 1616: 1602: 1592: 1586: 1559: 1553: 1535: 1517:released an 1510: 1496: 1484: 1482: 1470: 1464: 1458: 1435: 1433: 1428:Max Headroom 1426: 1422: 1415: 1400:John Shirley 1389: 1387: 1375: 1352: 1344: 1338: 1331: 1330: 1325: 1316: 1312: 1306: 1304: 1297: 1296: 1274: 1272: 1251: 1247: 1241: 1237: 1231: 1223: 1206:Zero History 1204: 1198: 1192: 1179: 1177: 1167: 1162: 1150: 1147:Steven Poole 1142: 1138: 1112: 1111:(1996), and 1106: 1100: 1094: 1063: 1061: 1046: 1042: 1038: 1026: 1018: 1016: 981: 973: 965: 960: 954: 949: 946:Lev Grossman 939: 937: 932: 927: 921:as the best 911:Nebula Award 899: 898: 893:Blade Runner 891: 887:debut novels 872: 871: 862: 859: 855: 848: 839: 817: 798: 794: 788: 786: 779: 773: 769: 766:shanty towns 755: 727:ArmadilloCon 724: 708:Lewis Shiner 701: 695: 690: 684:John Shirley 668: 631: 616: 593: 584: 576: 560: 550: 544: 538: 524: 505:Henry Miller 501: 493:Jack Kerouac 477: 468: 465: 461: 443:Appalachians 432: 403:cyberculture 395: 391:The Guardian 389: 387: 381: 374: 366:Zero History 364: 363:(2007), and 358: 352: 333:sociological 326: 323: 316: 310: 296: 286: 285:in 1986 and 280: 276: 274: 267: 215: 214: 185:(all 1985); 153: 113:1977–present 32: 12888:1948 births 12794:Billy Tucci 12714:Kevin Smith 12622:R. L. Stine 12617:Gail Simone 12609:R. Sikoryak 12599:Nate Powell 12589:Glenn McCoy 12564:Kevin Feige 12457:Peter David 12453:Peggy Burns 12436:Jason Aaron 12355:Dave McCaig 12325:Dave Garcia 12310:Mike Catron 12264:Joe Quesada 12196:Bill Finger 12186:Chuck Dixon 12181:Brian Crane 12171:Mark Brooks 12115:Val Mayerik 12095:Jack Larson 12085:Dan Jurgens 12050:Gene Deitch 12040:Denys Cowan 11961:Rudy Nebres 11951:Rob Liefeld 11946:Erik Larsen 11911:Gary Gianni 11898:Geof Darrow 11853:Jeff Walker 11849:Frank Stack 11821:Peter Kuper 11806:Paul Guinan 11801:Tsuneo Gōda 11782:Dawn Devine 11726:Carol Tyler 11721:James Sturm 11698:Milo Manara 11663:Dave Dorman 11658:Kurt Busiek 11643:Peter Bagge 11537:Larry Niven 11442:Hal Clement 11156:Mark Hodder 10992:Geoff Ryman 10928:Jack Womack 10848:Rudy Rucker 10779:Neuromancer 10760:Rudy Rucker 10688:R. F. Kuang 10593:Naomi Novik 10437:Neil Gaiman 10325:Moving Mars 10205:Neuromancer 10031:Larry Niven 9855:Neuromancer 9758:Kill Switch 9644:Hinterlands 9454:Neuromancer 9168:"Cyberpunk" 9120:October 14, 9088:November 6, 9053:November 3, 8972:November 6, 8952:Pesce, Mark 8936:December 2, 8817:Neuromancer 8790:Mediacaster 8770:January 10, 8712:November 6, 8679:November 3, 8524:October 31, 8463:January 28, 8356:November 4, 8329:December 2, 8244:MK Magazine 8057:Stuart Hamm 7903:October 28, 7872:November 4, 7565:. pp. 7559:Minneapolis 7501:January 22, 7441:November 4, 7420:November 4, 7399:November 4, 7345:November 3, 7213:December 9, 7180:December 9, 7048:. pp. 7044:. Chicago: 7000:November 6, 6900:October 26, 6842:News Briefs 6825:January 27, 6798:November 4, 6753:November 7, 6655:December 3, 6583:"Cyber Lit" 6566:November 7, 6535:January 10, 6503:February 9, 6471:November 5, 6429:October 29, 6395:October 28, 6359:October 29, 6002:October 28, 5969:October 26, 5937:October 26, 5873:October 26, 5843:January 21, 5810:November 6, 5726:"Node idea" 5706:October 30, 5673:October 30, 5452:PC Magazine 5427:October 14, 5409:Clute, John 5359:November 3, 5323:November 6, 5225:November 6, 5214:Playboy.com 5192:November 6, 5174:"Cyberhero" 5154:January 11, 5121:October 14, 4992:(200): 72. 4960:January 21, 4933:October 14, 4895:January 10, 4859:November 6, 4824:November 6, 4758:November 6, 4718:January 21, 4432:October 14, 4394:November 2, 4380:UBC Reports 4360:November 6, 4333:December 2, 4239:February 1, 4173:BBC Radio 4 4070:November 3, 4034:November 5, 3949:November 4, 3822:October 26, 3808:Maddox, Tom 3792:October 13, 3665:October 26, 3623:November 4, 3577:January 21, 3472:October 23, 3369:Neuromancer 3304:Neuromancer 3132:" – a 1993 2994:Hinterlands 2987:Universe 11 2934:Pat Cadigan 2921:Audio drama 2747:Neuromancer 2706:of memory, 2673:Neuromancer 2669:Neuromancer 2570:Neuromancer 2566:Jack Womack 2562:Neuromancer 2545:virtual sex 2536:Neuromancer 2527:iconography 2488:Neuromancer 2451:Neuromancer 2439:Neuromancer 2426:Neuromancer 2382:Neuromancer 2360:Neuromancer 2356:Neuromancer 2352:Neuromancer 2338:Sonic Youth 2333:Neuromancer 2312:Stuart Hamm 2293:Neuromancer 2204:space-based 2184:Neuromancer 2114:Neuromancer 2079:Neuromancer 2074:debut novel 1899:floppy disk 1750:Neuromancer 1724:. Director 1704:Kill Switch 1699:The X-Files 1617:Neuromancer 1550:Jack Womack 1548:" and sent 1542:Viktor Tsoi 1503:Tarkovskian 1485:Neuromancer 1472:Debravation 1203:(2007) and 1031:Arbor House 1023:space opera 1019:Neuromancer 974:Neuromancer 966:Neuromancer 961:Neuromancer 950:Neuromancer 933:Neuromancer 900:Neuromancer 874:Neuromancer 864:Neuromancer 849:Neuromancer 841:Neuromancer 824:Darko Suvin 809:cult figure 795:Universe 11 770:Neuromancer 758:cybernetics 731:Rudy Rucker 379:(2014) and 277:Neuromancer 269:Neuromancer 252:iconography 236:cybernetics 187:Prix Aurora 155:Neuromancer 92:Nationality 13113:Cyberspace 12877:Categories 12799:Chris Ware 12658:Brian Fies 12627:Ron Wilson 12574:John Lewis 12569:Robin Hobb 12559:Joyce Chin 12520:Phil Roman 12490:Mike Judge 12466:Tom Devlin 12449:Luc Besson 12300:Jerry Beck 12216:Willie Ito 12145:Bruce Timm 12130:Fred Perry 12075:Gary Frank 12055:José Delbo 11916:Larry Hama 11906:Ben Edlund 11888:Mike Carey 11873:Bill Amend 11830:Pat Lupoff 11816:Jamal Igle 11773:Alan Davis 11733:Al Wiesner 11711:Tom Palmer 11702:Andy Manzi 11668:Moto Hagio 11549:Jane Yolen 11525:Gene Wolfe 11495:James Gunn 11430:Jack Vance 11283:Dead Space 11235:Bannerless 11216:Ramez Naam 11204:Meg Elison 11095:Nova Swing 10975:The Troika 10876:Pat Murphy 10803:Homunculus 10796:Tim Powers 10772:Tim Powers 10569:Ann Leckie 10468:Camouflage 10349:Slow River 10246:Pat Murphy 10198:David Brin 10174:Gene Wolfe 10122:Dreamsnake 9941:Best Novel 9857:video game 9818:Cyberspace 9775:Characters 9750:Television 9711:Nonfiction 9702:collection 9462:Count Zero 8660:cs/9901011 8639:Jon Postel 8420:empsfm.org 8294:August 27, 7842:August 30, 7679:August 27, 6021:. Tested. 5863:TheTyee.ca 5393:October 4, 5146:. London. 4289:. London. 3876:Mark Neale 3747:. London: 3711:August 27, 3657:. London. 3387:References 3281:Count Zero 3183:Wild Palms 3162:Making of 3096:Nonfiction 2932:(Novel by 2755:Count Zero 2689:AppleWorks 2677:typewriter 2610:Mark Pesce 2541:meatpuppet 2443:The Matrix 2435:The Matrix 2431:Count Zero 2412:Count Zero 2407:The Matrix 2390:The Matrix 2378:Zeromancer 2316:Billy Idol 2305:Dike Blair 2281:cyberspace 2267:jacking in 2256:netsurfing 2250:cyberspace 2092:Hugo Award 2090:, and the 2052:See also: 1717:Wild Palms 1702:episodes " 1694:Tom Maddox 1659:Peter Weir 1626:Count Zero 1566:Sogo Ishii 1523:Dirk Maggs 1423:Heatseeker 1345:New Yorker 1236:fansites, 1234:annotating 1188:John Clute 1039:Count Zero 1035:dustjacket 970:adolescent 948:opined of 915:Hugo Award 879:Terry Carr 762:cyberspace 673:novels as 655:Susan Wood 608:subculture 509:depressive 451:Tom Maddox 409:Early life 282:Count Zero 260:cyberspace 232:technology 82:Occupation 65:1948-03-17 12784:Paco Roca 12744:Wendy All 12579:Jeph Loeb 12462:Jim Davis 12420:Craig Yoe 12390:Luis Royo 12360:Bill Mumy 12340:Chip Kidd 12284:Burt Ward 12269:Sam Raimi 12259:Mimi Pond 12090:Sam Kieth 12065:Paul Dini 12004:Mark Waid 11985:Jim Silke 11936:Joe Jusko 11339:1975–1999 11035:The Mount 10951:Headcrash 10939:Mysterium 10545:Jo Walton 10413:Greg Bear 10400:2001–2020 10330:Greg Bear 10157:Timescape 10149:1981–2000 10026:Ringworld 9948:1966–1980 9895:TV series 9600:Archangel 9288:173809083 9078:Salon.com 9008:Salon.com 8961:Salon.com 8903:195792324 8800:April 21, 8701:Salon.com 8412:March 21, 8284:1430-6905 8223:March 12, 7952:224886794 7944:0020-8183 7930:: 39–70. 7807:April 21, 7727:163362863 7669:144829170 7530:0897-0521 7362:"Endgame" 7122:MIT Press 6625:April 29, 6491:S. Page. 6212:0028-792X 5800:Salon.com 5695:Salon.com 5535:Goodreads 5459:(3): 19. 5312:Salon.com 5247:Salon.com 5090:April 30, 5060:April 30, 5030:April 30, 4322:Wired.com 4297:April 27, 4056:. Books. 3938:Wired.com 3754:March 12, 3416:March 15, 3340:cyberpunk 3312:cyberpunk 3299:Cyberpunk 3277:Black Ice 3176:Cyberpunk 3061:Vancouver 3048:" (1984, 3022:" (1982, 3013:Shadows 4 2996:" (1981, 2985:" (1981, 2972:" (1981, 2963:UnEarth 3 2961:" (1977, 2914:Alien III 2884:Archangel 2685:Apple IIc 2681:Hemingway 2387:The film 2215:cyberpunk 2196:steampunk 2192:cyberpunk 1987:Singapore 1830:Karl Sims 1816:director 1775:Westworld 1766:released 1546:Leningrad 1525:and with 1466:Technodon 1313:Archangel 1308:Archangel 1285:and the " 1283:tribalism 1264:hypertext 1260:Knowledge 1090:steampunk 1025:, titled 800:film noir 735:cyberpunk 634:Vancouver 596:head shop 533:. Since " 480:modernity 388:In 1999, 318:steampunk 248:high tech 228:cyberpunk 140:steampunk 136:Cyberpunk 12470:Ben Dunn 12274:Don Rosa 11130:(2008) ( 11114:(2008) ( 11071:War Surf 10930:(1993) ( 10923:Elvissey 10914:(1993) ( 10850:(1988) ( 10834:(1988) ( 10755:Software 10588:Uprooted 10313:Red Mars 10098:Man Plus 9968:Babel-17 9792:Rei Toei 9686:Dogfight 9595:) (1990) 9257:63125607 9233:(2006). 9223:27254726 9178:Archived 9146:Archived 9114:Archived 9047:Archived 8966:Archived 8930:Archived 8868:55807961 8835:55745255 8764:Archived 8740:fantasy. 8673:Archived 8649:. 3.32. 8548:Archived 8544:Netlingo 8540:"Matrix" 8518:Archived 8457:Archived 8323:Archived 8288:Archived 8249:Archived 8217:Archived 8190:April 9, 8128:Archived 8095:Archived 8059:(1989). 8003:76074298 7956:Archived 7897:Archived 7836:Archived 7832:The Well 7801:Archived 7673:Archived 7627:43384794 7585:22859126 7538:24353095 7495:Archived 7339:Archived 7308:Archived 7271:Archived 7244:July 24, 7238:Archived 7207:Archived 7174:Archived 7144:Archived 7140:79256819 7068:53823956 6994:Archived 6966:22115872 6819:Archived 6707:Archived 6619:Archived 6593:Archived 6560:Archived 6529:Archived 6465:Archived 6389:Archived 6278:Archived 6247:Archived 6216:Archived 6182:Archived 6171:Archived 6166:Compare 6146:Archived 6115:Archived 6084:Archived 6059:April 8, 6053:Archived 6029:April 8, 6023:Archived 5996:Archived 5907:April 6, 5901:Archived 5867:Archived 5837:Archived 5773:Archived 5736:Archived 5667:Archived 5631:Archived 5600:Archived 5569:Archived 5539:Archived 5509:Archived 5461:Archived 5353:Archived 5317:Archived 5284:Archived 5148:Archived 5115:Archived 5084:Archived 5054:Archived 5024:Archived 5000:July 14, 4994:Archived 4927:Archived 4889:Archived 4853:Archived 4818:Archived 4752:Archived 4666:51342671 4608:56924865 4567:24953403 4526:23384573 4470:42363052 4327:Archived 4291:Archived 4207:(14 min 4183:June 27, 4177:Archived 4147:June 10, 4141:Archived 4106:March 4, 4064:Archived 4028:Archived 4024:23384573 3990:(1991). 3943:Archived 3910:Archived 3810:(1989). 3786:Archived 3659:Archived 3571:Archived 3538:Archived 3513:51342671 3466:Archived 3437:Archived 3410:Archived 3275:album (" 3254:Autodesk 3070:", with 3068:Dogfight 3033:", with 3007:", with 2930:(2021). 2593:the real 2529:for the 2445:feature 2297:de facto 2102:Goncourt 1758:The Edge 1667:Dogfight 1408:Dogfight 1238:PR-Otaku 1197:(2003), 1053:universe 913:and the 716:Colorado 627:Istanbul 581:— 357:(2003), 293:dystopic 254:for the 189:(1995), 86:Novelist 12761:Gene Ha 12696:Liniers 11630:(2010s) 10843:Wetware 10110:Gateway 9336:at the 9184:May 12, 9152:May 12, 8665:Bibcode 8386:June 8, 8154:MTV.com 7758:July 4, 7719:1208645 7567:295–315 6743:Mtv.com 6591:(134). 6588:Details 6524:Discogs 6456:Rapport 6274:Twitter 6243:Twitter 6080:Twitter 5779:May 30, 5627:Twitter 5596:Twitter 5505:Twitter 4989:Starlog 4626:at the 3832:, 1989. 3074:(1985, 3037:(1983, 3011:(1981, 2917:(2019) 2899:Alien 3 2868:Jackpot 2599:In his 2403:Trinity 2347:Zooropa 2241:slacker 1941:and of 1919:Agrippa 1912:MindVox 1820:titled 1706:" and " 1515:Audible 1511:Alien 3 1498:Alien 3 1446:Al Gore 1353:Jackpot 1326:Alien 3 1226:Twitter 1184:realist 1131:tabloid 813:Ballard 775:Unearth 675:fascist 623:Toronto 571:hashish 351:novels— 349:realist 329:trilogy 305:on the 299:trilogy 244:lowlife 198:Website 12853:Portal 11587:(2023) 11581:(2022) 11575:(2021) 11569:(2020) 11563:(2019) 11557:(2018) 11551:(2017) 11545:(2016) 11539:(2015) 11533:(2014) 11527:(2013) 11521:(2012) 11515:(2010) 11509:(2009) 11503:(2008) 11497:(2007) 11491:(2006) 11485:(2005) 11479:(2004) 11473:(2003) 11467:(2001) 11461:(2000) 11444:(1999) 11438:(1998) 11432:(1997) 11426:(1996) 11420:(1995) 11414:(1993) 11408:(1991) 11402:(1989) 11396:(1988) 11390:(1987) 11384:(1986) 11378:(1984) 11372:(1981) 11366:(1979) 11360:(1977) 11354:(1976) 11348:(1975) 11290:(2021) 11278:(2020) 11266:(2019) 11254:(2018) 11242:(2017) 11230:(2016) 11218:(2015) 11206:(2014) 11194:(2013) 11182:(2012) 11170:(2011) 11158:(2010) 11146:(2009) 11102:(2007) 11090:(2006) 11078:(2005) 11066:(2004) 11054:(2003) 11042:(2002) 11030:(2001) 11018:(2000) 11006:(1999) 10994:(1998) 10982:(1997) 10970:(1996) 10958:(1995) 10946:(1994) 10902:(1992) 10890:(1991) 10878:(1990) 10866:(1989) 10822:(1987) 10810:(1986) 10798:(1985) 10786:(1984) 10774:(1983) 10762:(1982) 10702:(2024) 10690:(2023) 10678:(2022) 10666:(2021) 10643:(2020) 10631:(2019) 10619:(2018) 10607:(2017) 10595:(2016) 10583:(2015) 10571:(2014) 10559:(2013) 10547:(2012) 10535:(2011) 10523:(2010) 10511:(2009) 10504:Powers 10499:(2008) 10487:(2007) 10480:Seeker 10475:(2006) 10463:(2005) 10451:(2004) 10439:(2003) 10427:(2002) 10415:(2001) 10392:(2000) 10380:(1999) 10368:(1998) 10356:(1997) 10344:(1996) 10332:(1995) 10320:(1994) 10308:(1993) 10296:(1992) 10284:(1991) 10272:(1990) 10260:(1989) 10248:(1988) 10236:(1987) 10224:(1986) 10212:(1985) 10200:(1984) 10188:(1983) 10176:(1982) 10164:(1981) 10141:(1980) 10129:(1979) 10117:(1978) 10105:(1977) 10093:(1976) 10081:(1975) 10069:(1974) 10057:(1973) 10045:(1972) 10033:(1971) 10021:(1970) 10009:(1969) 9997:(1968) 9985:(1967) 9963:(1966) 9603:(2016) 9591:(with 9572:(2020) 9569:Agency 9564:(2014) 9545:(2010) 9537:(2007) 9529:(2003) 9510:(1999) 9502:(1996) 9494:(1993) 9473:(1988) 9465:(1986) 9457:(1984) 9437:Novels 9286: 9276: 9255: 9245: 9221: 9211: 8901: 8866: 8856: 8833: 8823: 8604: 8321:(93). 8282: 8001: 7991: 7950: 7942: 7725: 7717: 7667: 7625: 7615: 7583: 7573: 7536: 7528: 7389:"Moor" 7138: 7128: 7066: 7056: 6964: 6954: 6886:"Cast" 6703:Empire 6318:May 1, 6210: 5897:ActuSF 5565:Amazon 4750:(78). 4664: 4654: 4606: 4596: 4592:–218. 4565: 4555: 4524: 4514: 4468: 4458: 4234:CBC.ca 4022: 4012: 3511: 3501: 3194:(2023) 3191:Upload 3186:(1993) 3178:(1990) 3172:(1995) 3159:(2000) 3142: 2864:(2020) 2861:Agency 2856:(2014) 2843:(2010) 2835:(2007) 2827:(2003) 2810:(1999) 2802:(1996) 2794:(1993) 2766:(1988) 2758:(1986) 2750:(1984) 2734:Novels 2656:ActuSf 2605:Bridge 2601:Sprawl 2492:matrix 2415:) and 2336:) and 2269:, and 2245:hacker 2106:Booker 2086:, the 1975:, and 1943:op-eds 1908:hacked 1764:Amazon 1609:CD-ROM 1601:, and 1340:Agency 1256:Google 1178:After 996:, and 903:'s 867:(1984) 834:from " 818:While 712:Denver 495:, and 382:Agency 339:, and 327:Bridge 309:novel 297:Sprawl 238:, and 193:(2016) 191:Inkpot 179:Ditmar 167:Nebula 110:Period 77:, U.S. 12840:2010s 12835:2000s 12830:1990s 12825:1980s 12820:1970s 9580:Other 9499:Idoru 8899:S2CID 8759:Wired 8655:arXiv 8212:Wired 7948:S2CID 7895:: 4. 7723:S2CID 7715:JSTOR 7665:S2CID 7534:JSTOR 7266:Wired 7052:–48. 6349:Locus 6305:' 6177:with 4884:Wired 4816:(4). 3533:Wired 3406:WIRED 3241:DARPA 3170:' 3164:' 3135:Wired 2870:(TBD) 2799:Idoru 2695:Idoru 2417:Molly 2373:Wired 2287:" of 1991:Wired 1938:Wired 1671:BAFTA 1650:Idoru 1645:anime 1418:' 1335:' 1143:Idoru 1119:Salon 1108:Idoru 1068:, an 183:Seiun 118:Genre 12738:2019 12636:2018 12542:2017 12429:2016 12293:2015 12154:2014 12018:2013 11861:2012 11741:2011 11636:2010 11211:Apex 11059:Life 10552:2312 9975:and 9956:Dune 9939:for 9873:film 9865:film 9329:IMDb 9284:OCLC 9274:ISBN 9253:OCLC 9243:ISBN 9219:OCLC 9209:ISBN 9186:2020 9173:IMDb 9154:2020 9141:IMDb 9122:2020 9109:IMDb 9090:2007 9055:2013 9020:2007 8974:2007 8938:2007 8864:OCLC 8854:ISBN 8831:OCLC 8821:ISBN 8802:2008 8772:2008 8714:2007 8681:2007 8602:ISBN 8583:2008 8556:2007 8526:2007 8465:2021 8414:2013 8388:2008 8358:2007 8331:2007 8296:2007 8280:ISSN 8257:2008 8225:2017 8192:2007 8166:2007 8136:2007 8103:2007 8030:2006 7999:OCLC 7989:ISBN 7964:2020 7940:ISSN 7905:2007 7874:2007 7844:2007 7809:2008 7760:2010 7681:2007 7623:OCLC 7613:ISBN 7581:OCLC 7571:ISBN 7526:ISSN 7503:2012 7472:2010 7443:2007 7422:2007 7401:2007 7374:2007 7347:2007 7316:2008 7279:2008 7246:2012 7215:2015 7182:2015 7152:2007 7136:OCLC 7126:ISBN 7095:2007 7064:OCLC 7054:ISBN 7022:Omni 7002:2007 6962:OCLC 6952:ISBN 6929:2007 6902:2007 6872:2007 6827:2015 6800:2007 6755:2007 6715:2014 6684:2007 6657:2007 6627:2019 6601:2008 6568:2007 6537:2008 6505:2008 6473:2007 6431:2007 6419:WELL 6417:The 6397:2007 6361:2007 6320:2007 6286:2021 6255:2020 6224:2019 6208:ISSN 6154:2020 6123:2020 6092:2017 6061:2014 6031:2014 6004:2014 5971:2007 5939:2007 5909:2008 5875:2007 5845:2008 5812:2007 5781:2019 5744:2007 5708:2007 5675:2007 5639:2017 5608:2017 5577:2017 5547:2017 5517:2017 5469:2017 5429:2007 5395:2007 5361:2007 5325:2007 5292:2007 5227:2007 5194:2007 5156:2009 5123:2007 5092:2009 5062:2009 5032:2009 5002:2009 4962:2008 4935:2007 4897:2008 4861:2007 4849:Time 4826:2007 4791:2007 4760:2007 4720:2008 4693:2007 4662:OCLC 4652:ISBN 4604:OCLC 4594:ISBN 4563:OCLC 4553:ISBN 4522:OCLC 4512:ISBN 4466:OCLC 4456:ISBN 4434:2007 4396:2007 4362:2007 4335:2007 4299:2010 4268:2007 4241:2008 4185:2011 4149:2008 4108:2017 4072:2007 4036:2007 4020:OCLC 4010:ISBN 3951:2007 3918:2008 3824:2007 3794:2007 3756:2009 3713:2007 3667:2007 3625:2007 3579:2008 3546:2008 3509:OCLC 3499:ISBN 3474:2020 3418:2018 3283:", " 3279:", " 3089:Omni 3076:Omni 3050:Omni 3039:Omni 3024:Omni 2998:Omni 2975:Omni 2702:, a 2687:and 2635:COPS 2603:and 2458:and 2441:and 2401:and 2370:for 2243:and 2217:and 2108:and 1876:Omni 1756:and 1754:Bono 1683:Omni 1529:and 1489:Thai 1315:and 1258:and 1250:and 1240:and 1006:The 941:Time 793:and 790:Omni 760:and 706:and 345:9/11 246:and 207:.com 171:Hugo 57:Born 11286:by 11274:by 11262:by 11250:by 11238:by 11226:by 11214:by 11202:by 11190:by 11178:by 11166:by 11154:by 11142:by 11132:tie 11126:by 11116:tie 11110:by 11098:by 11086:by 11074:by 11062:by 11050:by 11038:by 11026:by 11014:by 11002:by 10990:by 10978:by 10966:by 10954:by 10942:by 10932:tie 10926:by 10916:tie 10910:by 10898:by 10886:by 10874:by 10862:by 10852:tie 10846:by 10836:tie 10830:by 10818:by 10806:by 10794:by 10782:by 10770:by 10758:by 10698:by 10686:by 10674:by 10662:by 10639:by 10627:by 10615:by 10603:by 10591:by 10579:by 10567:by 10555:by 10543:by 10531:by 10519:by 10507:by 10495:by 10483:by 10471:by 10459:by 10447:by 10435:by 10423:by 10411:by 10388:by 10376:by 10364:by 10352:by 10340:by 10328:by 10316:by 10304:by 10292:by 10280:by 10268:by 10256:by 10244:by 10232:by 10220:by 10208:by 10196:by 10184:by 10172:by 10160:by 10137:by 10125:by 10113:by 10101:by 10089:by 10077:by 10065:by 10053:by 10041:by 10029:by 10017:by 10005:by 9993:by 9981:by 9971:by 9959:by 9327:at 8891:doi 8499:801 8496:RFC 8486:doi 7932:doi 7707:doi 7657:doi 7050:339 6461:TV2 6049:io9 4590:217 4128:io9 3239:of 2819:): 2704:gig 2646:sic 2576:?" 2486:In 2423:", 2405:in 2399:Neo 2344:'s 2262:ICE 2068:of 1945:to 1752:by 1669:by 1463:'s 1402:, " 1171:CNN 1121:'s 661:". 610:in 604:CBC 586:io9 529:in 12879:: 9366:. 9354:. 9282:. 9268:. 9251:. 9217:. 9176:. 9170:. 9144:. 9138:. 9112:. 9106:. 9076:. 9072:. 9041:. 9028:^ 9006:. 8964:. 8958:. 8928:. 8924:. 8920:. 8897:. 8887:88 8885:. 8862:. 8829:. 8788:. 8762:. 8756:. 8737:. 8733:. 8698:. 8671:. 8663:. 8641:; 8633:; 8629:; 8625:; 8546:. 8542:. 8494:. 8484:. 8455:. 8451:. 8374:. 8319:31 8317:. 8313:. 8286:. 8278:. 8274:. 8241:. 8209:. 8152:. 8126:. 8120:. 8093:. 8087:. 7997:. 7981:. 7954:. 7946:. 7938:. 7928:75 7926:. 7922:. 7891:. 7860:. 7834:. 7830:. 7826:. 7799:. 7793:. 7746:. 7735:^ 7721:. 7713:. 7703:33 7701:. 7689:^ 7671:. 7663:. 7651:. 7647:. 7635:^ 7621:. 7605:. 7587:. 7579:. 7569:. 7561:: 7557:. 7532:. 7522:23 7520:. 7489:. 7333:. 7306:. 7302:. 7296:. 7263:. 7236:. 7232:. 7201:. 7190:^ 7172:. 7168:. 7142:. 7134:. 7124:. 7120:: 7112:. 7062:. 7019:. 6992:. 6986:. 6974:^ 6960:. 6888:. 6850:^ 6817:. 6741:. 6737:. 6723:^ 6705:. 6701:. 6635:^ 6617:. 6585:. 6558:. 6554:. 6521:. 6481:^ 6463:. 6453:. 6439:^ 6369:^ 6347:. 6343:. 6328:^ 6276:. 6272:. 6245:. 6241:. 6214:. 6206:. 6202:. 6144:. 6140:. 6113:. 6109:. 6082:. 6078:. 6047:. 5994:. 5988:. 5955:. 5925:. 5895:. 5883:^ 5861:. 5829:. 5798:. 5771:. 5767:. 5761:. 5728:. 5692:. 5665:. 5659:. 5647:^ 5629:. 5625:. 5598:. 5594:. 5567:. 5563:. 5537:. 5533:. 5507:. 5503:. 5457:26 5455:. 5449:. 5437:^ 5415:. 5411:. 5381:. 5369:^ 5347:. 5333:^ 5315:. 5309:. 5276:. 5260:^ 5244:. 5211:. 5180:. 5176:. 5164:^ 5140:. 5109:. 5082:. 5078:. 5052:. 5048:. 5022:. 5018:. 4986:. 4970:^ 4925:. 4919:. 4905:^ 4881:. 4869:^ 4851:. 4847:. 4843:. 4812:. 4808:. 4777:. 4748:26 4746:. 4742:. 4728:^ 4660:. 4616:^ 4602:. 4561:. 4534:^ 4520:. 4510:. 4506:: 4502:. 4478:^ 4464:. 4442:^ 4420:. 4416:. 4404:^ 4384:50 4382:. 4378:. 4319:. 4307:^ 4285:. 4232:: 4228:. 4187:. 4175:. 4165:. 4139:. 4135:. 4125:. 4092:. 4080:^ 4062:. 4044:^ 4026:. 4018:. 4004:: 4000:. 3994:. 3959:^ 3941:. 3935:. 3908:. 3902:. 3890:^ 3839:^ 3830:23 3826:. 3778:. 3764:^ 3741:. 3721:^ 3697:. 3675:^ 3653:. 3633:^ 3587:^ 3563:. 3536:. 3530:. 3507:. 3447:. 3443:. 3426:^ 3408:. 3404:. 3306:. 3227:^ 2786:: 2742:: 2638:. 2555:. 2510:. 2419:(" 2384:. 2342:U2 2340:. 2326:, 2322:, 2318:, 2314:, 2265:, 2259:, 2253:, 2104:, 2076:, 2044:. 2010:, 1969:, 1963:, 1957:, 1879:. 1836:, 1832:, 1760:. 1623:. 1475:. 1137:. 992:, 844:. 714:, 491:, 321:. 234:, 181:, 177:, 173:, 169:, 142:, 138:, 124:, 67:) 12855:: 11620:e 11613:t 11606:v 11323:e 11316:t 11309:v 11134:) 11118:) 10934:) 10918:) 10854:) 10838:) 10735:e 10728:t 10721:v 9929:e 9922:t 9915:v 9767:" 9763:" 9760:" 9756:" 9728:" 9724:" 9695:" 9691:" 9688:" 9684:" 9681:" 9677:" 9674:" 9670:" 9667:" 9663:" 9660:" 9656:" 9653:" 9649:" 9646:" 9642:" 9639:" 9635:" 9632:" 9628:" 9625:" 9621:" 9404:e 9397:t 9390:v 9370:. 9290:. 9259:. 9225:. 9188:. 9156:. 9124:. 9092:. 9057:. 9022:. 8976:. 8940:. 8905:. 8893:: 8870:. 8837:. 8804:. 8774:. 8716:. 8683:. 8667:: 8657:: 8610:. 8585:. 8558:. 8528:. 8501:. 8488:: 8467:. 8416:. 8390:. 8360:. 8333:. 8298:. 8259:. 8227:. 8194:. 8168:. 8138:. 8105:. 8069:. 8032:. 8005:. 7966:. 7934:: 7907:. 7876:. 7846:. 7811:. 7762:. 7729:. 7709:: 7683:. 7659:: 7653:2 7629:. 7540:. 7505:. 7474:. 7445:. 7424:. 7403:. 7376:. 7349:. 7318:. 7281:. 7248:. 7217:. 7184:. 7154:. 7097:. 7070:. 7025:. 7004:. 6968:. 6931:. 6904:. 6874:. 6829:. 6802:. 6757:. 6717:. 6686:. 6659:. 6629:. 6603:. 6570:. 6539:. 6507:. 6475:. 6433:. 6399:. 6363:. 6322:. 6308:" 6288:. 6257:. 6226:. 6188:. 6156:. 6125:. 6094:. 6063:. 6033:. 6006:. 5973:. 5941:. 5911:. 5877:. 5847:. 5814:. 5783:. 5746:. 5710:. 5677:. 5641:. 5610:. 5579:. 5549:. 5519:. 5488:. 5471:. 5431:. 5397:. 5363:. 5327:. 5294:. 5229:. 5196:. 5158:. 5125:. 5094:. 5064:. 5034:. 5004:. 4964:. 4937:. 4899:. 4863:. 4828:. 4814:4 4793:. 4762:. 4722:. 4695:. 4668:. 4610:. 4569:. 4528:. 4472:. 4436:. 4422:6 4398:. 4364:. 4337:. 4301:. 4270:. 4243:. 4151:. 4110:. 4074:. 4038:. 3953:. 3920:. 3796:. 3758:. 3715:. 3669:. 3627:. 3581:. 3548:. 3515:. 3476:. 3420:. 3352:. 3260:. 3243:. 3128:" 3091:) 3083:" 3078:) 3066:" 3063:) 3055:" 3052:) 3044:" 3041:) 3029:" 3026:) 3018:" 3015:) 3003:" 3000:) 2992:" 2989:) 2981:" 2978:) 2968:" 2965:) 2957:" 2936:) 2923:) 2919:( 2908:) 2904:( 2893:) 2889:( 2780:) 2231:. 2018:. 1583:. 547:. 63:( 30:. 23:.

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.