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feasible to make. Background footage was important - they would often film this with a skeleton crew and using doubles which could substitute for the main cast. The cast was the last thing the producers would pick, once they knew how long the actors would be needed for. If they needed a star for only a week "we can afford to get a fairly big name and pay him well" said Pine. But if they needed someone for longer, they got a less expensive star. They did prefer to hire lead actors with some name recognition but would hire experienced bit players so they would not hold up production.
1069:, Pine-Thomas announced the end of their relationship with Paramount after 77 films over 14 years. Pine declared that the "opportunity for the creative independent producer is the greatest in the history of the business. The sought-after stars, directors and writers are only interested in associating themselves with distinguished projects, regardless of whether these projects are controlled by an independent or major company." Pine said the company's new method of operation would be to set the screenplay, stars and director before seeking finance.
885:. This was an attempt from Pine-Thomas to make more a more "significant" movie. Pine-Thomas were worried about rising costs but did not see salary slashing as the answer. They felt the solution to keep budgets manageable was to script carefully so only what is shot gets on screen. "The writer is the most important guy in Hollywood," said Pine. "Producers and directors don't like me for saying this but it's true. With the right script you can do wonders."
93:, and wrote scripts around them. (The producers later called these "Westerns of the air".) They approached Paramount and said they had a star and three scripts and asked for a distribution deal. Paramount were looking for some low-budget action movies and agreed, enabling Pine and Thomas to gain loans from the bank to finance the films. The other key elements of the team were
177:: "The plots were usually built around a hazardous occupation, like deep-sea diving parachute jumping or auto car racing - and someone was always killed doing that particular job in the first reel to get the idea across." The screenwriters on their films often had to participate in the activities they were writing about.
1007:"Times and the market have changed," said Thomas. "We don't want anyone to think that this means we are switching away from our approach to providing film entertainment. We still want to make commercial pictures, not artistic ones. However, it's no longer commercial to make, the kind of pictures we've been making."
741:. "We've got people working in this one who two years ago wouldn't have been caught dead in a Pine-Thomas picture," said Thomas. He added, "in the old days, all we had to do was get a guy blown up in an oil well explosion and go from there, but now, when we want to kill someone, we've got to have a good reason."
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By August 1953, the producers had made 73 films and earned
Paramount over $ 100,000,000. However, television was leading to their market declining, with the result they suspended operations to re-think strategy. "You either hit big now or you don't hit at all," they said. "We had to think things out.
701:
You can't get the star power and values into a film. Above that figure of course you have your worries on whether the big nut can be paid off on box office returns. On the cheapies the salesman has to beat harder to sell and the cost of distribution is no less than on the more expensive product ...
633:
Pine said they usually had six scripts ready for production "at a moment's notice. That gives flexibility to our schedule." They also liked if possible to reuse sets on films. If a script was sent in, they would go over it with their production manager Doc Merman and inhouse writer to see if it was
920:
In March 1952, Pine Thomas claimed they read around thirty stories a week in order to find the four they made for
Paramount annually. They would submit a synopsis of the stories they liked to 20-30 theatre owners around the country to see how they react. "If the theatre men say they think their
629:
In a 1947 interview, Pine said, "We're not geniuses by a long shot and we don't propose to tell the industry how to make pictures. We're just a couple of businessmen who've learned by long experience how to put pictures together to achieve what we consider a maximum amount of entertainment at a
180:
They kept costs down by careful scripting and budgeting, use of location filming for production value, and employing stars whose careers were in decline such as Arlen and
Chester Morris - so they still had name recognition for the public but did not cost much to employ. They did not employ any
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In 1953, Pine claimed the team did not follow any formula. "If there are any rules," he said, "you can bet we don't make them in
Hollywood ... Each picture has to be approached as an individual project. Every time we start a picture we try to get all the plus-factors we can before starting."
38:
from 1940–1957, producing 81 films. Co-producers
William H. Pine (February 15, 1896 – April 29, 1955) and William C. Thomas (August 11, 1903 – April 2, 1984) were known as the "Dollar Bills" because none of their economically made films ever lost money. "We don't want to make million dollar
693:
Eventually Pine-Thomas dropped their lower budgeted films altogether and went into movies where the budget was $ 750,000 to $ 1 million. In 1948, Pine said, "We're going to sink the extra dough into where it will show. Into bigger stars, better stories and more production."
81:(1927) but whose most recent films had been lower budgeted productions. Arlen, who owned several planes and ran an aviation school, suggested they make an aviation film; he offered himself and his aircraft for a movie. Pine and Thomas selected three titles,
702:
We compared our profit on the basis of per dollar invested and came up with a finding that it would pay to spend more on each film ... These Bs are just as hard to make as As, particularly as you can't buy books or plays for them.
390:
who later recalled: "Bill Thomas of Pine and Thomas, who made very small and very bad pictures at
Paramount, gave me my first real screenwriting job. I wrote six pictures in one year, all of which I'd just as soon forget except
224:
said "the pair have shown showman's flair for turning out thrill-heavy action dramas. They have consistently led their production classification in BO returns." Arlen signed a deal with Pine Thomas to make four more films.
640:
Pine says he and Thomas were paid out of the profits of their films. "Some day I believe the whole industry will get around to working as units," said Pine. He said thirty percent of their business came from
England.
3466:
John Payne – the Star Who Likes People: When He Isn't Making a
Picture He's Out Meeting the Public and Winning Friends for Hollywood and for Himself. Hopper, Hedda. Chicago Daily Tribune 14 Sep 1952: c2.
1010:"It doesn't pay to take a chance in today's market on limited budget pictures." Pine said, "you can get nickel-and-dimed to death. So we are going to make pictures for whatever they require to be made."
63:
William Thomas was also a publicist who was working at
Paramount producing "B" movies. Pine and Thomas struck up a partnership and swapped theories about how films could be produced for lower budgets.
267:
By
December 1942, the company had made 11 films. They announced they had renewed their deal with Paramount and would make one "A" film a year. However, this did not happen for a number of years.
655:(1948) cost $ 200,000. Pine-Thomas said their average take from a "B" was $ 450,000 worldwide and $ 350,000 in the US. However, they said about once a year, one film would exceed expectations.
304:
In June 1943, Pine-Thomas signed a new contract with Paramount which included three musicals, and two bigger budgeted pictures, plus three wartime movies which would co-star Chester Morris and
3475:'Senile celluloid': Independent exhibitors, the major studios and the fight over feature films on television, 1939-1956 Pierce, David. Film History; Sydney Vol. 10, Iss. 2, (1998): 141-164.
109:
was made in ten days at a cost of $ 86,000 under the auspices of "Picture Corporation of America". Thomas produced the first film while Pine worked more an associate - he worked for
888:
Pine said at this stage they would make all their films in color, which he estimated added $ 500,000 to domestic take. He said budgets would range from $ 600,000 to $ 1 million.
139:
All three films cost under $ 90,000 and returned six times its negative cost. Paramount were so pleased with these results they offered to finance the duo's films from then on.
133:
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You don't just say shoot the works and let it go at that. Stories are not easy to find." In February 1954 they announced they would only make big budget "A" films.
818:
In May 1951, Pine-Thomas signed a two-year extension on their Paramount deal, to make a minimum of eight films over 1952 and 1953, including three in Technicolor:
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4014:
IT'S BEEN 14 YEARS AND FILMS CHANGE: So Pine-Thomas (We Want to Make a Million) Switch to Million-Dollar Movies By THOMAS M. PRYOR New York Times 25 Feb 1954: 25
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788:(1950) with Rhonda Fleming. Pine-Thomas liked the films and signed another three-picture deal with the actor all to be filmed in Technicolor. These films were
649:
After World War Two, television began to make inroads into Pine-Thomas' market, and costs were rising without a corresponding match in returns - for instance,
637:
Pine said they often got ideas from the newspapers. They did not make many murder mysteries because the majors did them and they did not want to compete.
184:
The advent of World War Two saw Pine-Thomas go into military stories, although with action always at the forefront. Arlen's fourth film for the company
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HOLLYWOOD IN REVIEW: 'Dollar Bills' Grow Into Millions Class; Oscar Surprises Buoy Event Schallert, Edwin. Los Angeles Times 30 Mar 1952: D3.
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patrons would like to see the story filmed, we purchase it," they said. "If not, we reject it, We keep in touch with the public that way."
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as a team (replacing Morris and Richard Arlen). Jack Haley was signed to appear in two of the musicals with Mary Beth Hughes (see below).
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By this stage they made all their films in color. They also had a policy to introduce one new player per film, such as Susan Morrow in
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155:. The Picture Corporation of America was dissolved and from this point on the company would be known as Pine-Thomas Productions.
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In 1946, they formed a company, Clarion, with the goal of making more expensive films. Clarion's first movie was a Western,
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Merchant Marine Tale in Super Class; Charles Vidor Replaces Huston Schallert, Edwin. Los Angeles Times 04 Apr 1957: B13
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While the Films Reel By: Quickies Keep Alive Romance of Hollywood Schallert, Edwin. Los Angeles Times 20 Dec 1942: C3.
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which cost $ 728,000 and made around $ 2 million. It led to a contract with Paramount to make three "A" films a year.
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who went to work as a publicist at Paramount in 1933 becoming head of publicity. He became an associate director for
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Chester Morris Wins Three-Picture Contract With Pine and Thomas Schallert, Edwin. Los Angeles Times 16 Mar 1943: 13.
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3607:
WILLIAM THOMAS, 80; PRODUCER OF LOW-BUDGET '40S ACTION FILMS Burr Van Atta. Philadelphia Inquirer 6 Apr 1984: E.2.
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Pine-Thomas' early films focused on industry and aviation, areas not often dealt with in the movies. According to
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In April, William Pine died of a heart attack. Two months later the company became Pine-Thomas-Shane, with
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1055:. The cost of these four films was $ 6 million, double the cost of Pine-Thomas' previous annual output.
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190:(1942) was directed by John Rawlins, who became another key director for the company. The female lead,
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permanent staff apart from themselves and one secretary, hiring people on a picture-by-picture basis.
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DRAMA: Pine, Thomas Will Do One 'A' Film Annually Schallert, Edwin. Los Angeles Times 2 Dec 1942: 15.
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In June 1947, Paramount announced Pine-Thomas would make eight films for them over the coming year.
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Story by David Lang. Based on radio show by Jack Guedel (played in film by Philip Reed). Cameos by
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Glenn Langan Awarded 'Bon Voyage' Male Lead Schallert, Edwin. Los Angeles Times 23 Aug 1944: A7.
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to a multi-picture contract. This meant the company moved into comedies for the first time with
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Chester Morris Will Act in Cinema Series Schallert, Edwin. Los Angeles Times 30 June 1941: A14.
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They also signed a new contract with John Payne to make six films over three years. These were
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Pine and Thomas were both directing films by this stage. Shane made his directorial debut with
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Stage Actors Signed for 'The Male Animal'Schallert, Edwin. Los Angeles Times 19 July 1941: A9.
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TWO DOLLAR BILLS: LOOKING AT HOLLYWOOD WITH HEDDA HOPPER Chicago Daily Tribune 13 Apr 1947: h7
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Based on novella, "The Life of Lucy Gallant," by Margaret Cousins. Last film for Paramount
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614:(1948). The series was shelved after four films were made but only the first two released.
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113:. It earned almost a million dollars. Pine and Thomas saved money by shooting on location.
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John Payne Will Hit Pioneer Trail Schallert, Edwin. Los Angeles Times 28 Nov 1949: B7.
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In June 1941, Pine and Thomas signed a six-picture deal with Paramount, three to star
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Pine and Thomas to Increase Production at Paramount New York Times 28 June 1943: 16.
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John Payne, Sterling Hayden, Gail Russell, Gabby Hayes, Dick Foran, Eduardo Noriega
686:. The budgets for these were between $ 250,000-$ 300,000 and they were both shot in
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by Luke Short. Pine Thomas' most expensive film til that date. Clarion Production.
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In March 1942, Pine-Thomas signed a contract to make six more films for Paramount.
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contract led him to make other films. However, he only made one film for them,
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Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood
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PRODUCERS PINE, THOMAS SIGN WITH PARAMOUNT Los Angeles Times 29 May 1951: A3.
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ANTE UPPED FOR PINE AND THOMAS By THOMAS WOOD New York Times 17 Oct 1948: X5.
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story by J. Robert Bren & Gladys Atwater. PT's first million dollar film
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reported that Pine-Thomas films had an average gross in excess of $ 500,000.
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Five Redheads to Star in Pine-Thomas Film Los Angeles Times 19 July 1952: 6.
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Randolph Scott, Barbara Britton, Russell Hayden, Gabby Hayes, Lon Chaney Jr
238:. William Pine directed these. Pine made his feature debut as director with
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Pine-Thomas Ends Paramount Film Contract Los Angeles Times 17 Dec 1954: 13.
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317:(1944), a bigger budgeted period film. However, for Morris' next film,
168:). It was the first of three novels by Mainwaring which they optioned.
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Pine-Thomas Group to Shoot New Films Los Angeles Times 5 Sep 1948: D3
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3529:"Those Two Bills, Pine and Thomas, Turn Short-Coin Pix Into Bonanzas"
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for showing on American television. The cost was around $ 1 million.
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Phil Reed, Hillary Brooke, Robert Lowery, Veda Ann Borg, Byron Barr
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3867:'ANGEL FACE' LISTED FOR MISS GODDARD New York Times 9 Dec 1946: 34.
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Rory Calhoun, Rhonda Fleming, Paul Kelly, John Abbott, Alan Napire
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Based on an idea by Jack Davies. Pine's first feature as director.
1440:, William Frawley, Arthur Hunnicutt, Elisha Cook Jr, Ralph Sanford
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SCREEN NEWS HERE AND IN HOLLYWOOD New York Times 26 June 1943: 11.
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SCREEN NEWS HERE AND IN HOLLYWOOD, New York Times 30 June 1941: 13
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Story by Paul Franklin. Made for "Picture Corporation of America"
658:
Pine-Thomas experimented with increasing their budgets. They made
4080:
FOUR FILM STARS WEIGH U. A. DEALS New York Times 31 Jan 1955: 23.
3938:
MARIO LANZA TO DO ROMBERG OPERETTA New York Times 3 Apr 1952: 44.
3797:
SCREEN NEWS HERE AND IN HOLLYWOOD New York Times 18 Feb 1944: 14.
3775:
Backstory 2: Interviews with Screenwriters of the 1940s and 1950s
3952:"Pine Thomas to Lens more 'significant' pix if 'Lawless' clicks"
2604:
Based on the novel The Man Who Stole A Dream by L. S. Goldsmith
1157:
was sold off to other producers. Thomas announced he would make
39:
pictures," they said. "We just want to make a million dollars."
4107:
PECK SETS TERMS FOR METRO FILM New York Times 28 July 1956: 11.
4071:
Paramount Films Sold for TV Wall Street Journal 25 Apr 1955: 10
1197:
featuring recreations of actual military judicial proceedings.
462:
4098:
GOLDWYN LEAVES PRODUCERS GROUP New York Times 11 May 1955: 35.
4089:
PEGGY LEE SIGNS 3-FILM CONTRACT New York Times 3 June 1955: 26
2891:
John Payne, William Demarest, Agnes Mooreheard, Richard Arlen
2396:
Richard Denning, Sheila Ryan, Buster Crabbe, Mary Beth Hughes
1146:. Then in 1956 Shane took a contract to produce at Universal.
979:
Stories they bought but did not make around this time include
3152:
Jane Wyman, Charlton Heston, Claire Trevor, William Demarest
1737:
Based on a story by James Edward Grant, Howard Emmett Rogers
932:. They were increasingly aiming at the bigger budgeted area.
3851:"$ 750,000-$ 1,000,000 class held just right by Pine Thomas"
1205:
William Thomas produced three more films in the late 1970s.
776:
Pine-Thomas put Payne in two more films directed by Foster:
4164:
3063:
James Cagney, John Derek, Viveca Lindfors, Ernest Borgnine
1365:
Based on novel by Daniel Mainwaring (as "Geoffrey Homes").
697:
Pine felt that if a film's budget was less than $ 750,000:
580:
Pine Thomas decided to make a film based on the radio show
126:
made her debut. Arlen and Parker were in their third film,
2817:
John Payne, Rhonda Fleming, Forrest Tucker, Robert Lowery
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Winston Miller, Daniel Maninwaring, George Worthing Yates
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John Payne, Maureen O'Hara, Howard da Silva, Phillip Reed
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Brenda Joyce, Georgie Nokes, Robert Shayne, Ralph Sanford
1109:
becoming a partner. Pine's son Howard joined the company.
1556:
Richard Arlen, Jean Parker, William Henry, Ralph Sanford
1112:
Pine-Thomas-Shane made several films for United Artists:
3489:
William Paine, Filmmaker New York Times 30 Apr 1955: 17.
1891:
Robert Lowery, Phyllis Brooks, Mary Tree, Ralph Sanford
1788:
Robert Lowery, Ellen Drew, Regis Toomey, Elisha Cook Jr
1380:
Richard Arlen, Jean Parker, Phillip Terry, Dick Purcell
719:
Pine-Thomas' first million dollar movie was the Western
395:. At the end of the year, I fled to the hills and wrote
4199:
1356:
Chester Morris, Jean Parker, Dick Purcell, Rod Cameron
444:
Also in 1944 they signed a three-picture contract with
2667:
John Payne, Gail Russell, Jeffrey Lynn, Lon Chaney Jr
869:
who signed a three-picture contract with the company.
4304:
3699:. New South Wales, Australia. 10 June 1942. p. 3
2988:
John Payne, Jan Sterling, Colleen Gray, Lyle Bettger
1173:
In 1956 the Dollar Bills produced three unsuccessful
143:
Pine-Thomas Productions: Chester Morris Joins Company
4401:
3646:"Writing for Pine and Thomas a Hazardous Occupation"
1079:
In January 1955, Pine-Thomas signed a contract with
294:(1944). Arlen then left the company for some years.
3778:. University of California Press. pp. 196–197.
3276:
899:signed a contract with the company and appeared in
891:
563:Arlen returned to the company briefly to appear in
259:(1943), and signed another three-picture contract.
4145:Pine-Thomas Productions: A History and Filmography
3207:Edward G Robinson, Kevin McCarthy, Connie Russell
228:Pine-Thomas made four propaganda shorts including
136:who would helm many of the company's early films.
97:, a writer, and Doc Merman, a production manager.
47:
2516:William Gargan, Mary Beth Hughes, Richard Travis
2159:Richard Denning, Catherine Craig, Russell Hayden
596:and Lowery was popular enough for three sequels:
67:First Three Films: Picture Corporation of America
5040:
3270:Last film from the company. Based on a TV play.
1072:In 1955, Paramount sold 35 Pine-Thomas films to
2539:Richard Denning, Trudy Marshal, Damian O'Flynn
2419:William Eythe, Barbara Britton, Walter Catlett
1409:Lewis R. Foster, Richard Murphy, Maxwell Shane
970:The company made its first (and only) musical,
164:(1941), based on a novel by "Geoffrey Holmes" (
5059:Film production companies of the United States
4147:McFarland; Annotated edition (August 15, 2019)
4118:"Howard Pine Back at U, Bill Thomas Goes Solo"
3216:Based on story by Cornell Woolrich. Remake of
2562:William Gargan, Virginia Wells, Richard Crane
2084:Daniel Mainwaring, Winston Miller, Kae Salkow
1138:(1957) with Payne. They also made two pilots,
262:
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3015:Lewis Foster,Daniel Mainwaring, George Yates
1417:based on story by Foster & Alex Gottlieb
1051:. They also did a lower budgeted Payne film,
122:(1941) was another aviation film with Arlen;
3036:Fernando Lamas, Rhonda Fleming, Brian Keith
3012:Rhonda Fleming, Gene Barry, Agnes Moorehead
2766:Ronald Reagan, Bruce Bennett Rhonda Fleming
2715:MacDonald Carey, Gail Russell, Johnny Sands
1725:Chester Morris, Nancy Kelly, Russell Hayden
1637:Richard Arlen, Jean Parker, Russell Hayden,
1391:Story by Paul Franklin & Aaron Gottlieb
998:
3238:Martin Berkeley, Mary Costa, James Gregory
2691:John Payne, Rhonda Fleming, Dennis O'Keefe
2619:William Eythe, Kasey Rogers, George Reeves
2443:Richard Arlen, Jean Rogers, Richard Travis
1841:Chester Morris, Nancy Kelly, Phillip Terrt
1464:Chester Morris, Jean Parker, Richard Arlen
905:(1951) with Fleming. They were reteamed on
60:at the studio and worked on several films.
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3707:– via National Library of Australia.
3673:"Par Orders Six More from Pine and Thomas"
3169:
2790:John Payne, Dennis O'Keefe, Arleen Whelan
2344:Phil Reed, Hillary Brooke, Richard Travis
2320:Robert Lowery, Ann Savage, Barton MacLane
2266:Maxwell Shane, Kae Salkow, Winston Miller
2263:Jane Withers, Robert Lowery, Bill Edwards
2105:William Gargan, Jean Rogers, Phillip Reed
1406:Chester Morris, Jean Parker, Dick Purcell
1327:, Dick Purcell, Nils Asther, Marie Wilson
1308:. Made for Picture Corporation of America
1181:a Western about the U.S. Cavalry starring
773:was more "troublesome" at the box office.
194:, frequently appeared in the early films.
3946:
3944:
3096:John Payne, Mary Murphy, Eduardo Noriega
2991:Lewis Foster, Winston Miller, Frank Moss
2867:John Payne, Arlene Dahl, Cedric Harwicke
2206:Phil Reed, Hillary Brooke, Robert Lowery
1997:Maxwell Shane, Winston Miller, Ben Perry
244:(1942), which reteamed Arlen and Morris.
234:(1942), which featured Arlen and a young
3971:
3969:
3967:
3965:
3107:story by Martin Goldsmith, Jack Leonard
2937:Ray Milland, Wendell Corey, Arlene Dahl
1915:Jack Haley, Ann Savage, Barton MacLane,
1341:Made for Picture Corporation of America
1213:
1149:The following year, Howard Pine went to
323:(1944) he was teamed with Philip Terry.
276:(1943) with Arlen. The star was also in
270:Their first film under the new deal was
4058:
4056:
3925:
3923:
3836:
3523:
3521:
3519:
3517:
3515:
3513:
3045:Story by David Duncan, shot in 3D, aka
2914:Ronald Reagan, Rhonda Fleming, Esletia
2081:, Lola Lane, Byron Barr, Ralph Sanford
1850:Based on story by Miller, Ralph Graves
479:signed with the company and starred in
158:Morris' first film for the company was
14:
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3542:
3457:, University Press of Kentucky, p. 33
3261:John Payne, Karen Steele, Paul Kelly
2946:The Neat Little Corpse by Max Murray
2676:Story by John Bagni & Gwen Bagni
1208:
512:Other stars for the company included
4053:
3920:
3808:"Pine Thomas Shelve Big Town Series"
3601:
3510:
2478:4th and last in the Big Town series
1168:
1100:
769:was a success, earning $ 2 million.
386:Some of these films were written by
4005:
3478:
2751:Based on story by Price and Miller
2248:Based on story by Cornel Woollrich
331:Pine-Thomas signed a contract with
24:
3591:"Pine, Thomas, Siegel's Par Units"
3559:
3539:
2054:Byron Barr, Keye Luke, Osa Massen
572:
25:
5075:
4154:
3644:Raison, Milton (7 January 1948).
3122:Fred MacMurray, Charlton Heston,
2371:Gene Lewis, Clarence Upson Young
2185:Daniel Mainwaring, Maxwell Shane
2057:Daniel Mainwaring, Maxwell Shane
1921:Daniel Mainwaring, Maxwell Shane
1505:Based on story by Joseph Hoffman
1058:
813:
644:
471:
3277:Produced by William Thomas alone
1296:Maxwell Shane, Edward Churchill
1261:Maxwell Shane, Edward Churchill
892:Ronald Reagan and Rhonda Fleming
409:In 1944, the partnership signed
326:
209:(1942) then both were teamed in
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3610:
3246:Based on novel by Lionel White
3220:. Pine-Thomas-Shane Production
3155:John Lee Mahin, Winston Miller
2840:Ronald Reagan, Rhonda Fleming,
2694:Lewis Foster, Daniel Manwaring
2622:Whitman Chambers, Lewis Foster
2598:Whitman Chambers, Lewis Foster
1865:Robert Lowery, Phyllis Brooks,
1763:Howard Green & Joe Bigalow
1520:Chester Morris, Richard Arlen,
1449:Based on story by North Bigbee
1063:In December 1954, after making
52:William Pine was a graduate of
48:William Pine and William Thomas
4031:. 24 February 1954. p. 3.
4025:"Pine-Thomas go for big films"
4001:. 11 February 1953. p. 7.
3814:. 26 November 1947. p. 6.
3597:. 11 December 1940. p. 3.
3583:
3492:
3469:
3460:
3447:
2466:Phillip Reed, Hillary Brooke,
1844:Maxwell Shane, Winston Miller
1821:Maxwell Shane, Winston Miller
1643:Maxwell Shane, Edward T. Lowe
1622:Based on novel by John Guedel
1496:, Dick Purcell, Ralph Sanford
1467:Maxwell Shane, Richard Murphy
1443:Maxwell Shane, Richard Murphy
1200:
1189:, a private eye show starring
1132:(1957) with Rory Calhoun; and
1074:Associated Artists Productions
132:(1941), which was directed by
13:
1:
3857:. 26 January 1949. p. 7.
3772:McGilligan, Pat, ed. (1997).
3440:
2961:Fernando Lamas, Arlene Dahl,
2894:Lewis Foster, Winston Miller
2726:Based on novel by Mainwaring
2422:Maxwell Shane, Milton Raison
2272:Story by Salkow & Miller
2162:Maxwell Shane, Juliam Harmon
1987:William Gargan, Nancy Kelly,
1929:You'll Be the Death of Me Yet
1769:First musical. Appearance by
1697:, Jean Parker, William Henry
1583:, Nils Asther, Ralph Sanford
1492:Chester Morris, Jean Parker,
1095:The Mountains Have No Shadows
761:
750:(1949) which starred Hayden,
404:
75:, who had become famous with
3679:. 15 March 1942. p. 15.
3137:novel by Della Gould Emmons
2023:, Ozzie Nelson, Philip Reed
1559:Maxwell Shane, Lewis Foster
1499:Maxwell Shane, Howard Green
71:Pine and Thomas talked with
7:
4931:Those Redheads from Seattle
4124:. 10 April 1957. p. 3.
3047:Lost Treasure of the Amazon
3007:Those Redheads From Seattle
2793:Lewis Foster, Alvah Bessie
1674:Maxwell Shane, Edward Lowe
1592:Release delayed for a year
973:Those Redheads from Seattle
263:Renewed Deal with Paramount
105:(1941), starring Arlen and
10:
5080:
3958:. 10 May 1950. p. 14.
3832:. 11 June 1947. p. 3.
2870:Frank Moss, Edward Ludwig
2019:Jack Haley, Helen Walker,
1537:has small role. Filmed at
1153:and the company wound up.
461:(1946) with fellow former
42:
5005:
4410:
4313:
4208:
3995:"PT Near 75 Picture Mark"
3535:. 7 July 1943. p. 2.
3453:Dick, Bernard F. (2001).
3367:
3364:
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3358:
3355:
3352:
3345:
3298:
3295:
3292:
3289:
3286:
3283:
3191:
3188:
3185:
3182:
3179:
3176:
2967:David Duncan, Frank Moss
2670:Lewis Foster, Gwen Bagni
2353:Third in Big Town series
1935:when sold to television.
1815:Jack Haley, Jean Parker,
1708:Naval Station Great Lakes
1235:
1232:
1229:
1226:
1223:
1220:
999:Final Films for Paramount
782:(1950) with Russell, and
311:Morris and Arlen were in
5054:Paramount Pictures films
3309:Cat Murkil and the Silks
2191:Based on the radio show
1797:Story by Paul Franklin,
1639:Guinn "Big Boy" Williams
1539:Harlingen Air Force Base
881:(1950) with Russell and
626:(1947) with Paul Kelly.
377:series (see below), and
5049:American film producers
4404:Pine-Thomas Productions
4161:Pine-Thomas Productions
3170:United Artists Features
2628:Story by Milton Raison
2428:Story by Thomas Ahearn
2237:, Ann Doran, Kay Scott
1900:Story by Milton Raison
1151:Universal-International
1047:(1955) with Heston and
824:Gentleman of the Jungle
28:Pine-Thomas Productions
4835:The Eagle and the Hawk
4779:Waterfront at Midnight
4443:No Hands on the Clock
4143:p.32 Tucker, David C.
2876:Story by Ellery Clark
2686:The Eagle and the Hawk
2511:Waterfront at Midnight
2379:Dead Freight for Piute
2304:Robert Louis Stevenson
1351:No Hands on the Clock
785:The Eagle and the Hawk
744:Forster also directed
704:
500:Waterfront at Midnight
203:(1942) and Morris did
4643:They Made Me a Killer
4222:They Made Me a Killer
4043:"Variety (July 1954)"
3901:"Variety (June 1949)"
3878:"Variety (June 1948)"
3719:"Variety (July 1942)"
2700:Story by Jess Arnold
2090:Story by Owen Franes
2072:They Made Me a Killer
1214:Released by Paramount
1083:to make three films,
1013:They produced three:
976:(1953) with Fleming.
699:
682:, both borrowed from
398:Build My Gallows High
362:They Made Me a Killer
161:No Hands on the Clock
5027:The Price of Victory
5014:A Letter from Bataan
4723:Big Town After Dark
4319:A Letter from Bataan
3421:The Price of Victory
3378:A Letter from Bataan
2997:Story by Karl Brown
2775:Story by David Lang
2339:Big Town After Dark
2329:Story by David Lang
2128:Johnny Weissmuller,
1477:& Mauri Grashin
1118:(1956), a remake of
419:(1944), followed by
371:(1947), some of the
231:A Letter from Bataan
4246:Big Town After Dark
928:and Danny Chang in
605:Big Town After Dark
116:Their second film,
54:Columbia University
5064:Paramount Pictures
4891:The Blazing Forest
4305:Films directed by
4200:Films directed by
3383:Richard Arlen and
3076:Harriet Frank, Jr.
2886:The Blazing Forest
2802:worked uncredited
2718:Daniel Mainwaring
2135:Daniel Mainwaring
2108:Daniel Mainwaring
1855:December 18, 1944
1831:December 18, 1944
1805:November 24, 1944
1684:February 25, 1944
1627:November 10, 1943
1473:Based on story by
1422:September 3, 1942
1209:Select filmography
1124:Edward G. Robinson
851:(1953, originally
842:The Blazing Forest
737:, and directed by
446:Johnny Weissmuller
174:The New York Times
151:and three to star
36:Paramount Pictures
5036:
5035:
4995:Bailout at 43,000
4691:Fear in the Night
4611:Follow That Woman
4587:Dangerous Passage
4571:One Body Too Many
4369:
4368:
4272:
4271:
4202:William C. Thomas
3696:National Advocate
3438:
3437:
3343:
3342:
3274:
3273:
3256:Bailout at 43,000
3218:Fear in the Night
3167:
3166:
2347:Whitman Chambers
2323:Whitman Chambers
2228:Fear in the Night
1982:Follow That Woman
1871:Daniel Manwaring
1860:Dangerous Passage
1810:One Body Too Many
1653:January 13, 1944
1475:Robert T. Shannon
1454:November 7, 1942
1370:January 24, 1942
1346:December 1, 1941
1175:television pilots
1169:Television pilots
1159:The Calender Epic
1135:Bailout at 43,000
1120:Fear in the Night
1101:Pine-Thomas-Shane
712:(1948), starring
684:David O. Selznick
623:Fear in the Night
488:Follow That Woman
422:One Body Too Many
388:Daniel Mainwaring
350:Dangerous Passage
247:Morris then made
166:Daniel Mainwaring
111:Cecil B. De Mille
58:Cecil B. De Mille
16:(Redirected from
5071:
5021:We Refuse to Die
4955:The Far Horizons
4859:The Last Outpost
4763:Big Town Scandal
4707:Adventure Island
4683:I Cover Big Town
4667:Seven Were Saved
4627:People Are Funny
4603:Midnight Manhunt
4547:Gambler's Choice
4459:I Live on Danger
4396:
4389:
4382:
4373:
4372:
4343:Seven Were Saved
4299:
4292:
4285:
4276:
4275:
4254:Big Town Scandal
4238:I Cover Big Town
4214:Midnight Manhunt
4194:
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3691:"HOLLYWOOD NEWS"
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3402:We Refuse to Die
3350:
3349:
3329:High Seas Hijack
3281:
3280:
3174:
3173:
3117:The Far Horizons
2852:Story by Foster
2761:The Last Outpost
2468:Stanley Clements
2461:Big Town Scandal
2282:Adventure Island
2201:I Cover Big Town
2154:Seven Were Saved
2132:, Virginia Grey
2038:Frances Langford
2014:People Are Funny
1945:Midnight Manhunt
1933:Treasure of Fear
1799:Charles F. Royal
1758:Mary Beth Hughes
1754:Harriet Hilliard
1720:Gambler's Choice
1665:Mary Beth Hughes
1618:William A. Berke
1611:, William Henry
1607:Chester Morris,
1401:I Live on Danger
1313:August 29, 1941
1292:J. Carroll Naish
1218:
1217:
1155:Lincoln McKeever
1091:Lincoln McKeever
1030:The Far Horizons
989:Command Decision
902:The Last Outpost
725:(1949) starring
671:Adventure Island
611:Big Town Scandal
599:I Cover Big Town
592:(1947) starring
529:Seven Were Saved
482:Midnight Manhunt
438:People Are Funny
314:Gambler's Choice
206:I Live on Danger
21:
5079:
5078:
5074:
5073:
5072:
5070:
5069:
5068:
5039:
5038:
5037:
5032:
5001:
4579:Double Exposure
4515:Submarine Alert
4406:
4400:
4370:
4365:
4309:
4307:William H. Pine
4303:
4273:
4268:
4204:
4198:
4157:
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3279:
3267:Francis D Lyon
3172:
3129:Winston Miller
3126:, Barbara Hale
3066:Winston Miller
3039:Winston Miller
2963:Patricia Medina
2846:Winston Miller
2745:Winston Miller
2625:William Thomas
2590:Sterling Hayden
2519:Bernard Girard
2475:William Thomas
2425:Frank McDonald
2350:William Thomas
2235:DeForest Kelley
2212:William Thomas
2188:William Thomas
2144:has small role
2087:William Thomas
2079:Barbara Britton
2077:Robert Lowery,
1970:William Thomas
1924:Frank McDonald
1836:Double Exposure
1824:Frank McDonald
1778:September 1944
1766:Frank McDonald
1760:, Arline Judge
1734:Frank McDonald
1728:Maxwell Shane,
1715:April 27, 1944
1677:Frank McDonald
1671:, Dick Purcell
1663:Richard Arlen,
1589:Frank McDonald
1579:Richard Arlen,
1574:Submarine Alert
1562:Frank McDonald
1524:, Dick Purcell
1502:Frank McDonald
1482:March 27, 1943
1470:Frank McDonald
1446:Frank McDonald
1432:Richard Arlen,
1362:Frank McDonald
1330:Maxwell Shane,
1323:Richard Arlen,
1306:Dimitri Tiomkin
1282:Richard Arlen,
1216:
1211:
1203:
1171:
1103:
1061:
1039:Charlton Heston
1001:
955:and Fleming in
894:
883:MacDonald Carey
816:
764:
739:Lewis R. Foster
731:Sterling Hayden
647:
630:minimum cost."
578:
524:Richard Denning
474:
407:
329:
320:Double Exposure
279:Submarine Alert
265:
145:
69:
50:
45:
30:was a prolific
23:
22:
18:William H. Pine
15:
12:
11:
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4923:The Vanquished
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4755:Speed to Spare
4751:
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4507:Alaska Highway
4503:
4499:High Explosive
4495:
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4427:Forced Landing
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4155:External links
4153:
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3500:"William Pine"
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3242:Robert Stevens
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3213:Maxwell Shane
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3210:Maxwell Shane
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3080:Irving Ravetch
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2994:Edward Ludwig
2992:
2989:
2986:
2983:The Vanquished
2979:
2975:
2974:
2971:
2970:Edward Ludwig
2968:
2965:
2959:
2952:
2948:
2947:
2944:
2941:
2938:
2935:
2928:
2924:
2923:
2921:
2918:
2915:
2912:
2905:
2901:
2900:
2898:
2897:Edward Ludwig
2895:
2892:
2889:
2882:
2878:
2877:
2874:
2873:Edward Ludwig
2871:
2868:
2865:
2858:
2854:
2853:
2850:
2847:
2844:
2838:
2831:
2827:
2826:
2824:
2821:
2818:
2815:
2808:
2804:
2803:
2797:
2794:
2791:
2788:
2781:
2777:
2776:
2773:
2770:
2767:
2764:
2757:
2753:
2752:
2749:
2746:
2743:
2740:
2732:
2728:
2727:
2724:
2719:
2716:
2713:
2706:
2702:
2701:
2698:
2695:
2692:
2689:
2682:
2678:
2677:
2674:
2671:
2668:
2665:
2658:
2654:
2653:
2650:
2647:
2644:
2641:
2634:
2630:
2629:
2626:
2623:
2620:
2617:
2610:
2606:
2605:
2602:
2599:
2596:
2586:Dorothy Lamour
2583:
2576:
2572:
2571:
2569:
2566:
2565:Milton Raison
2563:
2560:
2553:
2549:
2548:
2546:
2543:
2542:Thomas Ahearn
2540:
2537:
2530:
2526:
2525:
2523:
2522:William Berke
2520:
2517:
2514:
2507:
2503:
2502:
2500:
2499:Robert Tansey
2497:
2496:Maxwell Shane
2494:
2491:
2484:
2480:
2479:
2476:
2473:
2472:Milton Raison
2470:
2464:
2457:
2453:
2452:
2450:
2449:William Berke
2447:
2446:Milton Raison
2444:
2441:
2438:Speed to Spare
2434:
2430:
2429:
2426:
2423:
2420:
2417:
2410:
2406:
2405:
2403:
2402:William Berke
2400:
2397:
2394:
2387:
2383:
2382:
2375:
2372:
2369:
2366:
2359:
2355:
2354:
2351:
2348:
2345:
2342:
2335:
2331:
2330:
2327:
2324:
2321:
2318:
2311:
2307:
2306:
2294:
2291:
2290:Maxwell Shane
2288:
2285:
2278:
2274:
2273:
2270:
2267:
2264:
2261:
2254:
2250:
2249:
2246:
2241:
2240:Maxwell Shane
2238:
2231:
2224:
2220:
2219:
2213:
2210:
2209:Maxwell Shane
2207:
2204:
2197:
2193:
2192:
2189:
2186:
2183:
2180:
2173:
2169:
2168:
2166:
2163:
2160:
2157:
2150:
2146:
2145:
2139:
2136:
2133:
2126:
2119:
2115:
2114:
2112:
2109:
2106:
2103:
2096:
2092:
2091:
2088:
2085:
2082:
2075:
2068:
2064:
2063:
2061:
2058:
2055:
2052:
2045:
2041:
2040:
2034:Art Linkletter
2030:
2027:
2026:Maxwell Shane
2024:
2017:
2010:
2006:
2005:
2003:
1998:
1995:
1985:
1978:
1974:
1973:
1971:
1968:
1965:
1951:William Gargan
1948:
1941:
1937:
1936:
1925:
1922:
1919:
1913:
1906:
1902:
1901:
1898:
1897:William Berke
1895:
1894:Maxwell Shane
1892:
1889:
1882:
1881:February 1945
1878:
1877:
1875:
1874:William Berke
1872:
1869:
1863:
1856:
1852:
1851:
1848:
1847:William Berke
1845:
1842:
1839:
1832:
1828:
1827:
1825:
1822:
1819:
1813:
1806:
1802:
1801:
1795:
1794:William Berke
1792:
1791:Maxwell Shane
1789:
1786:
1779:
1775:
1774:
1767:
1764:
1761:
1750:
1743:
1739:
1738:
1735:
1732:
1726:
1723:
1716:
1712:
1711:
1704:
1703:William Berke
1701:
1700:Maxwell Shane
1698:
1692:
1685:
1681:
1680:
1678:
1675:
1672:
1661:
1654:
1650:
1649:
1647:
1646:William Berke
1644:
1641:
1635:
1628:
1624:
1623:
1620:
1615:
1614:Maxwell Shane
1612:
1605:
1598:
1594:
1593:
1590:
1587:
1586:Maxwell Shane
1584:
1577:
1570:
1569:June 28, 1943
1566:
1565:
1563:
1560:
1557:
1554:
1551:Alaska Highway
1547:
1546:June 24, 1943
1543:
1542:
1535:Robert Mitchum
1531:
1528:
1527:Maxwell Shane
1525:
1518:
1511:
1507:
1506:
1503:
1500:
1497:
1494:Barry Sullivan
1490:
1487:High Explosive
1483:
1479:
1478:
1471:
1468:
1465:
1462:
1455:
1451:
1450:
1447:
1444:
1441:
1430:
1423:
1419:
1418:
1415:
1410:
1407:
1404:
1397:
1396:June 16, 1942
1393:
1392:
1389:
1384:
1383:Maxwell Shane
1381:
1378:
1371:
1367:
1366:
1363:
1360:
1359:Maxwell Shane
1357:
1354:
1347:
1343:
1342:
1339:
1337:Frank McDonald
1334:
1332:Richard Murphy
1328:
1321:
1314:
1310:
1309:
1302:
1297:
1294:
1280:
1277:Forced Landing
1273:
1272:July 11, 1941
1269:
1268:
1265:
1264:James P Hogan
1262:
1259:
1249:
1242:
1238:
1237:
1234:
1231:
1228:
1225:
1222:
1215:
1212:
1210:
1207:
1202:
1199:
1191:William Bishop
1187:Johnny Pilgrim
1170:
1167:
1140:Johnny Pilgrim
1102:
1099:
1081:United Artists
1060:
1059:United Artists
1057:
1035:Fred MacMurray
1000:
997:
953:Fernando Lamas
926:Blazing Forest
893:
890:
863:Caribbean Gold
848:The Vanquished
836:Caribbean Gold
815:
814:Into the 1950s
812:
796:Maureen O'Hara
763:
760:
752:Dorothy Lamour
714:Randolph Scott
680:Rhonda Fleming
646:
645:Rising Budgets
643:
577:
571:
566:Speed to Spare
477:William Gargan
473:
472:William Gargan
470:
406:
403:
328:
325:
306:Russell Hayden
273:Alaska Highway
264:
261:
250:High Explosive
153:Chester Morris
144:
141:
119:Forced Landing
87:Forced Landing
68:
65:
49:
46:
44:
41:
9:
6:
4:
3:
2:
5076:
5065:
5062:
5060:
5057:
5055:
5052:
5050:
5047:
5046:
5044:
5028:
5025:
5022:
5019:
5016:
5015:
5011:
5010:
5008:
5004:
4997:
4996:
4992:
4989:
4988:
4987:The Big Caper
4984:
4981:
4980:
4976:
4973:
4972:
4968:
4965:
4964:
4963:Hell's Island
4960:
4957:
4956:
4952:
4949:
4948:
4947:Run for Cover
4944:
4941:
4940:
4936:
4933:
4932:
4928:
4925:
4924:
4920:
4917:
4916:
4912:
4909:
4908:
4904:
4901:
4900:
4896:
4893:
4892:
4888:
4885:
4884:
4880:
4877:
4876:
4872:
4869:
4868:
4864:
4861:
4860:
4856:
4853:
4852:
4848:
4845:
4844:
4840:
4837:
4836:
4832:
4829:
4828:
4827:Captain China
4824:
4821:
4820:
4816:
4813:
4812:
4811:Special Agent
4808:
4805:
4804:
4800:
4797:
4796:
4792:
4789:
4788:
4784:
4781:
4780:
4776:
4773:
4772:
4768:
4765:
4764:
4760:
4757:
4756:
4752:
4749:
4748:
4744:
4741:
4740:
4736:
4733:
4732:
4728:
4725:
4724:
4720:
4717:
4716:
4715:Jungle Flight
4712:
4709:
4708:
4704:
4701:
4700:
4699:Danger Street
4696:
4693:
4692:
4688:
4685:
4684:
4680:
4677:
4676:
4672:
4669:
4668:
4664:
4661:
4660:
4656:
4653:
4652:
4648:
4645:
4644:
4640:
4637:
4636:
4632:
4629:
4628:
4624:
4621:
4620:
4616:
4613:
4612:
4608:
4605:
4604:
4600:
4597:
4596:
4592:
4589:
4588:
4584:
4581:
4580:
4576:
4573:
4572:
4568:
4565:
4564:
4563:Dark Mountain
4560:
4557:
4556:
4552:
4549:
4548:
4544:
4541:
4540:
4536:
4533:
4532:
4528:
4525:
4524:
4520:
4517:
4516:
4512:
4509:
4508:
4504:
4501:
4500:
4496:
4493:
4492:
4491:Aerial Gunner
4488:
4485:
4484:
4480:
4477:
4476:
4475:Wrecking Crew
4472:
4469:
4468:
4464:
4461:
4460:
4456:
4453:
4452:
4448:
4445:
4444:
4440:
4437:
4436:
4432:
4429:
4428:
4424:
4421:
4420:
4416:
4415:
4413:
4411:Feature Films
4409:
4405:
4397:
4392:
4390:
4385:
4383:
4378:
4377:
4374:
4361:
4360:
4356:
4353:
4352:
4348:
4345:
4344:
4340:
4337:
4336:
4332:
4329:
4328:
4327:Aerial Gunner
4324:
4321:
4320:
4316:
4315:
4312:
4308:
4300:
4295:
4293:
4288:
4286:
4281:
4280:
4277:
4264:
4263:
4262:Special Agent
4259:
4256:
4255:
4251:
4248:
4247:
4243:
4240:
4239:
4235:
4232:
4231:
4227:
4224:
4223:
4219:
4216:
4215:
4211:
4210:
4207:
4203:
4195:
4190:
4188:
4183:
4181:
4176:
4175:
4172:
4166:
4162:
4159:
4158:
4146:
4140:
4131:
4123:
4119:
4113:
4104:
4095:
4086:
4077:
4068:
4059:
4057:
4048:
4044:
4038:
4030:
4026:
4020:
4011:
4009:
4000:
3996:
3990:
3981:
3972:
3970:
3968:
3966:
3957:
3953:
3947:
3945:
3935:
3926:
3924:
3914:
3906:
3902:
3896:
3887:
3879:
3873:
3864:
3856:
3852:
3846:
3844:
3842:
3840:
3831:
3827:
3821:
3813:
3809:
3803:
3794:
3785:
3777:
3776:
3768:
3759:
3750:
3741:
3732:
3724:
3720:
3714:
3698:
3697:
3692:
3686:
3678:
3674:
3668:
3659:
3652:. p. 47.
3651:
3647:
3640:
3631:
3622:
3613:
3604:
3596:
3592:
3586:
3577:
3575:
3573:
3571:
3569:
3567:
3565:
3563:
3553:
3551:
3549:
3547:
3545:
3543:
3534:
3530:
3524:
3522:
3520:
3518:
3516:
3514:
3505:
3501:
3495:
3486:
3484:
3482:
3472:
3463:
3456:
3450:
3446:
3434:
3431:
3429:
3427:
3426:Henry Wallace
3424:
3422:
3419:
3416:
3415:
3412:
3409:
3407:
3405:
3403:
3400:
3397:
3396:
3393:
3390:
3388:
3386:
3385:Susan Hayward
3382:
3380:
3379:
3375:
3372:
3371:
3353:Release date
3351:
3339:
3337:
3335:
3333:
3331:
3330:
3326:
3323:
3322:
3319:
3317:
3315:
3313:
3311:
3310:
3306:
3303:
3302:
3284:Release date
3282:
3269:
3266:
3263:
3260:
3258:
3257:
3253:
3250:
3249:
3245:
3243:
3240:
3237:
3235:Rory Calhoun
3234:
3232:
3231:
3230:The Big Caper
3227:
3225:Mar 28, 1957
3224:
3223:
3219:
3215:
3212:
3209:
3206:
3204:
3203:
3199:
3197:May 11, 1956
3196:
3195:
3177:Release date
3175:
3162:
3160:
3157:
3154:
3151:
3149:
3148:
3144:
3142:Oct 20, 1955
3141:
3140:
3136:
3134:
3131:
3128:
3125:
3121:
3119:
3118:
3114:
3111:
3110:
3106:
3104:
3101:
3098:
3095:
3093:
3092:
3091:Hell's Island
3088:
3085:
3084:
3081:
3077:
3073:
3071:
3068:
3065:
3062:
3060:
3059:
3058:Run for Cover
3055:
3053:Apr 20, 1955
3052:
3051:
3048:
3044:
3041:
3038:
3035:
3033:
3032:
3028:
3026:Feb 12, 1954
3025:
3024:
3020:
3018:Lewis Foster
3017:
3014:
3011:
3009:
3008:
3004:
3002:Sep 23, 1953
3001:
3000:
2996:
2993:
2990:
2987:
2985:
2984:
2980:
2977:
2976:
2972:
2969:
2966:
2964:
2960:
2958:
2957:
2953:
2951:May 27, 1953
2950:
2949:
2945:
2943:Lewis Foster
2942:
2940:Lewis Foster
2939:
2936:
2934:
2933:
2929:
2927:Apr 22, 1953
2926:
2925:
2922:
2920:Lewis Foster
2919:
2917:Lewis Foster
2916:
2913:
2911:
2910:
2906:
2904:Jan 14, 1953
2903:
2902:
2899:
2896:
2893:
2890:
2888:
2887:
2883:
2880:
2879:
2875:
2872:
2869:
2866:
2864:
2863:
2859:
2856:
2855:
2851:
2849:Lewis Foster
2848:
2845:
2843:
2839:
2837:
2836:
2832:
2830:Jan 12, 1952
2829:
2828:
2825:
2823:Lewis Foster
2822:
2820:Lewis Foster
2819:
2816:
2814:
2813:
2809:
2806:
2805:
2801:
2798:
2796:Lewis Foster
2795:
2792:
2789:
2787:
2786:
2782:
2780:Aug 30, 1951
2779:
2778:
2774:
2772:Lewis Foster
2771:
2768:
2765:
2763:
2762:
2758:
2755:
2754:
2750:
2747:
2744:
2741:
2738:
2737:
2733:
2730:
2729:
2725:
2723:
2720:
2717:
2714:
2712:
2711:
2707:
2704:
2703:
2699:
2697:Lewis Foster
2696:
2693:
2690:
2688:
2687:
2683:
2681:May 30, 1950
2680:
2679:
2675:
2673:Lewis Foster
2672:
2669:
2666:
2664:
2663:
2662:Captain China
2659:
2656:
2655:
2651:
2649:Lewis Foster
2648:
2646:Lewis Foster
2645:
2642:
2640:
2639:
2635:
2632:
2631:
2627:
2624:
2621:
2618:
2616:
2615:
2614:Special Agent
2611:
2609:Jul 22, 1949
2608:
2607:
2603:
2601:Lewis Foster
2600:
2597:
2595:
2591:
2587:
2584:
2582:
2581:
2577:
2575:Jul 21, 1949
2574:
2573:
2570:
2568:William Pine
2567:
2564:
2561:
2559:
2558:
2554:
2552:Jan 18, 1948
2551:
2550:
2547:
2545:William Pine
2544:
2541:
2538:
2536:
2535:
2531:
2528:
2527:
2524:
2521:
2518:
2515:
2513:
2512:
2508:
2506:Jun 25, 1948
2505:
2504:
2501:
2498:
2495:
2492:
2490:
2489:
2485:
2483:Jun 11, 1948
2482:
2481:
2477:
2474:
2471:
2469:
2465:
2463:
2462:
2458:
2456:May 27, 1948
2455:
2454:
2451:
2448:
2445:
2442:
2440:
2439:
2435:
2433:May 14, 1948
2432:
2431:
2427:
2424:
2421:
2418:
2416:
2415:
2411:
2409:Mar 26, 1948
2408:
2407:
2404:
2401:
2398:
2395:
2393:
2392:
2388:
2385:
2384:
2380:
2376:
2373:
2370:
2367:
2365:
2364:
2360:
2358:Feb 20, 1948
2357:
2356:
2352:
2349:
2346:
2343:
2341:
2340:
2336:
2334:Dec 12, 1947
2333:
2332:
2328:
2326:Sam Newfield
2325:
2322:
2319:
2317:
2316:
2315:Jungle Flight
2312:
2310:Aug 22, 1947
2309:
2308:
2305:
2301:
2300:
2295:
2293:Sam Newfield
2292:
2289:
2286:
2284:
2283:
2279:
2277:Aug 13, 1947
2276:
2275:
2271:
2268:
2265:
2262:
2260:
2259:
2258:Danger Street
2255:
2253:Jun 20, 1947
2252:
2251:
2247:
2245:
2244:Maxwell Shane
2242:
2239:
2236:
2232:
2230:
2229:
2225:
2223:Apr 18, 1947
2222:
2221:
2218:
2214:
2211:
2208:
2205:
2203:
2202:
2198:
2196:Feb 27, 1947
2195:
2194:
2190:
2187:
2184:
2181:
2179:
2178:
2174:
2172:May 23, 1947
2171:
2170:
2167:
2165:William Pine
2164:
2161:
2158:
2156:
2155:
2151:
2149:Mar 28, 1947
2148:
2147:
2143:
2142:David Janssen
2140:
2138:William Pine
2137:
2134:
2131:
2130:Buster Crabbe
2127:
2125:
2124:
2120:
2117:
2116:
2113:
2110:
2107:
2104:
2102:
2101:
2097:
2095:Jun 28, 1946
2094:
2093:
2089:
2086:
2083:
2080:
2076:
2074:
2073:
2069:
2066:
2065:
2062:
2059:
2056:
2053:
2051:
2050:
2046:
2043:
2042:
2039:
2035:
2031:
2028:
2025:
2022:
2018:
2016:
2015:
2011:
2009:Jan 11, 1946
2008:
2007:
2004:
2002:
1999:
1996:
1994:
1990:
1986:
1984:
1983:
1979:
1977:Dec 14, 1945
1976:
1975:
1972:
1969:
1966:
1964:
1960:
1956:
1952:
1949:
1947:
1946:
1942:
1940:Jul 24, 1945
1939:
1938:
1934:
1930:
1926:
1923:
1920:
1918:
1917:Veda Ann Borg
1914:
1912:
1911:
1907:
1905:Jun 22, 1945
1904:
1903:
1899:
1896:
1893:
1890:
1888:
1887:
1883:
1880:
1879:
1876:
1873:
1870:
1868:
1864:
1862:
1861:
1857:
1854:
1853:
1849:
1846:
1843:
1840:
1838:
1837:
1833:
1830:
1829:
1826:
1823:
1820:
1818:
1814:
1812:
1811:
1807:
1804:
1803:
1800:
1796:
1793:
1790:
1787:
1785:
1784:
1783:Dark Mountain
1780:
1777:
1776:
1772:
1768:
1765:
1762:
1759:
1755:
1751:
1749:
1748:
1744:
1742:June 9, 1944
1741:
1740:
1736:
1733:
1731:
1727:
1724:
1722:
1721:
1717:
1714:
1713:
1709:
1705:
1702:
1699:
1696:
1695:Robert Lowery
1693:
1691:
1690:
1686:
1683:
1682:
1679:
1676:
1673:
1670:
1666:
1662:
1660:
1659:
1655:
1652:
1651:
1648:
1645:
1642:
1640:
1636:
1634:
1633:
1629:
1626:
1625:
1621:
1619:
1616:
1613:
1610:
1606:
1604:
1603:
1599:
1596:
1595:
1591:
1588:
1585:
1582:
1578:
1576:
1575:
1571:
1568:
1567:
1564:
1561:
1558:
1555:
1553:
1552:
1548:
1545:
1544:
1540:
1536:
1532:
1530:William Pine
1529:
1526:
1523:
1519:
1517:
1516:
1515:Aerial Gunner
1512:
1509:
1508:
1504:
1501:
1498:
1495:
1491:
1489:
1488:
1484:
1481:
1480:
1476:
1472:
1469:
1466:
1463:
1461:
1460:
1459:Wrecking Crew
1456:
1453:
1452:
1448:
1445:
1442:
1439:
1438:Buster Crabbe
1435:
1431:
1429:
1428:
1424:
1421:
1420:
1416:
1414:
1411:
1408:
1405:
1403:
1402:
1398:
1395:
1394:
1390:
1388:
1385:
1382:
1379:
1377:
1376:
1372:
1369:
1368:
1364:
1361:
1358:
1355:
1353:
1352:
1348:
1345:
1344:
1340:
1338:
1335:
1333:
1329:
1326:
1322:
1320:
1319:
1315:
1312:
1311:
1307:
1303:
1301:
1298:
1295:
1293:
1289:
1285:
1281:
1279:
1278:
1274:
1271:
1270:
1266:
1263:
1260:
1258:, Don Castle
1257:
1253:
1252:Richard Arlen
1250:
1248:
1247:
1243:
1241:May 28, 1941
1240:
1239:
1221:Release date
1219:
1206:
1198:
1196:
1195:Court-Martial
1192:
1188:
1184:
1180:
1176:
1166:
1164:
1160:
1156:
1152:
1147:
1145:
1141:
1137:
1136:
1131:
1130:
1129:The Big Caper
1125:
1121:
1117:
1116:
1110:
1108:
1107:Maxwell Shane
1098:
1096:
1092:
1088:
1087:
1086:The Big Caper
1082:
1077:
1075:
1070:
1068:
1067:
1056:
1054:
1053:Hell's Island
1050:
1046:
1045:
1040:
1036:
1032:
1031:
1026:
1022:
1018:
1017:
1016:Run for Cover
1011:
1008:
1005:
996:
992:
990:
986:
982:
977:
975:
974:
968:
966:
965:
960:
959:
954:
950:
949:
944:
940:
938:
933:
931:
927:
922:
918:
916:
915:
910:
909:
904:
903:
898:
897:Ronald Reagan
889:
886:
884:
880:
879:
874:
870:
868:
864:
860:
859:
858:Hell's Island
854:
850:
849:
844:
843:
838:
837:
831:
829:
825:
821:
811:
809:
808:
803:
802:
797:
793:
792:
787:
786:
781:
780:
779:Captain China
774:
772:
768:
759:
757:
753:
749:
748:
742:
740:
736:
732:
728:
724:
723:
717:
715:
711:
710:
703:
698:
695:
691:
689:
685:
681:
677:
673:
672:
667:
663:
662:
656:
654:
653:
642:
638:
635:
631:
627:
625:
624:
618:
615:
613:
612:
607:
606:
601:
600:
595:
591:
590:
585:
584:
575:
570:
568:
567:
561:
559:
558:
557:Special Agent
553:
552:
547:
546:William Eythe
543:
542:
537:
536:
531:
530:
525:
521:
520:
515:
510:
508:
507:
502:
501:
496:
495:
490:
489:
484:
483:
478:
469:
467:
466:Buster Crabbe
464:
460:
459:
454:
451:
447:
442:
440:
439:
434:
433:
428:
424:
423:
418:
417:
412:
402:
400:
399:
394:
389:
384:
382:
381:
380:Jungle Flight
376:
375:
370:
369:
368:Danger Street
364:
363:
358:
357:
352:
351:
346:
345:
344:Dark Mountain
340:
339:
334:
333:Robert Lowery
327:Robert Lowery
324:
322:
321:
316:
315:
309:
307:
302:
300:
297:In July 1943
295:
293:
292:
287:
286:
281:
280:
275:
274:
268:
260:
258:
257:
252:
251:
245:
243:
242:
241:Aerial Gunner
237:
236:Susan Hayward
233:
232:
226:
223:
222:
216:
214:
213:
212:Wrecking Crew
208:
207:
202:
201:
197:Arlen was in
195:
193:
189:
188:
182:
178:
176:
175:
169:
167:
163:
162:
156:
154:
150:
149:Richard Arlen
140:
137:
135:
134:John McDonald
131:
130:
125:
121:
120:
114:
112:
108:
104:
103:
98:
96:
95:Maxwell Shane
92:
88:
84:
80:
79:
74:
73:Richard Arlen
64:
61:
59:
55:
40:
37:
33:
29:
19:
5026:
5020:
5012:
4993:
4985:
4977:
4971:Lucy Gallant
4969:
4961:
4953:
4945:
4937:
4929:
4921:
4913:
4905:
4897:
4889:
4881:
4873:
4867:Passage West
4865:
4857:
4849:
4841:
4833:
4825:
4817:
4809:
4801:
4793:
4785:
4777:
4769:
4761:
4753:
4747:Mr. Reckless
4745:
4737:
4729:
4721:
4713:
4705:
4697:
4689:
4681:
4673:
4665:
4657:
4649:
4641:
4633:
4625:
4619:Scared Stiff
4617:
4609:
4601:
4595:High Powered
4593:
4585:
4577:
4569:
4561:
4553:
4545:
4539:The Navy Way
4537:
4531:Timber Queen
4529:
4521:
4513:
4505:
4497:
4489:
4481:
4473:
4465:
4457:
4451:Torpedo Boat
4449:
4441:
4435:Flying Blind
4433:
4425:
4417:
4403:
4357:
4349:
4341:
4333:
4325:
4317:
4260:
4252:
4244:
4236:
4228:
4220:
4212:
4144:
4139:
4130:
4121:
4112:
4103:
4094:
4085:
4076:
4067:
4046:
4037:
4028:
4019:
3998:
3989:
3980:
3955:
3934:
3913:
3904:
3895:
3886:
3872:
3863:
3854:
3829:
3826:"Par Ups Bs"
3820:
3811:
3802:
3793:
3784:
3774:
3767:
3758:
3749:
3740:
3731:
3722:
3713:
3701:. Retrieved
3694:
3685:
3676:
3667:
3658:
3649:
3639:
3630:
3621:
3612:
3603:
3594:
3585:
3532:
3503:
3494:
3471:
3462:
3454:
3449:
3420:
3401:
3376:
3327:
3307:
3264:Paul Monash
3254:
3251:May 1, 1957
3228:
3217:
3200:
3147:Lucy Gallant
3145:
3133:Rudolph Mate
3115:
3103:Phil Karlson
3089:
3086:May 6, 1955
3070:Nicholas Ray
3056:
3046:
3029:
3005:
2981:
2978:Jun 3, 1953
2954:
2930:
2907:
2884:
2860:
2833:
2810:
2807:Dec 6, 1951
2800:Alvah Bessie
2785:Passage West
2783:
2759:
2756:Apr 4, 1951
2734:
2731:Nov 9, 1950
2722:Joseph Losey
2708:
2705:Jun 1, 1950
2684:
2660:
2657:Feb 2, 1950
2636:
2633:Aug 5, 1949
2612:
2578:
2555:
2532:
2529:Dec 3, 1948
2509:
2486:
2459:
2436:
2414:Mr. Reckless
2412:
2389:
2386:Mar 5, 1948
2378:
2374:Ray Enright
2361:
2337:
2313:
2299:The Ebb Tide
2297:
2280:
2269:Lew Landers
2256:
2233:Paul Kelly,
2226:
2216:
2199:
2175:
2152:
2121:
2118:Sep 6, 1946
2111:Lew Landers
2098:
2070:
2067:May 3, 1946
2060:Lew Landers
2047:
2044:Feb 8, 1946
2012:
1989:Regis Toomey
1980:
1963:George Zucco
1943:
1932:
1928:
1910:Scared Stiff
1908:
1886:High Powered
1884:
1858:
1834:
1808:
1781:
1771:Ozzie Nelson
1752:Jack Haley,
1745:
1718:
1689:The Navy Way
1687:
1658:Timber Queen
1656:
1630:
1600:
1597:August 1943
1581:Wendy Barrie
1572:
1549:
1513:
1510:May 9, 1943
1485:
1457:
1434:Arline Judge
1425:
1399:
1387:John Rawlins
1375:Torpedo Boat
1373:
1349:
1318:Flying Blind
1316:
1300:Gordon Wiles
1275:
1244:
1204:
1194:
1186:
1178:
1172:
1162:
1158:
1154:
1148:
1143:
1139:
1133:
1127:
1119:
1113:
1111:
1104:
1094:
1090:
1084:
1078:
1071:
1066:Lucy Gallant
1064:
1062:
1052:
1044:Lucy Gallant
1042:
1033:(1955) with
1028:
1025:Nicholas Ray
1023:directed by
1021:James Cagney
1014:
1012:
1009:
1006:
1002:
993:
988:
985:High Tension
984:
980:
978:
971:
969:
962:
956:
946:
941:
937:Hedda Hopper
934:
929:
925:
923:
919:
912:
906:
900:
895:
887:
876:
873:Joseph Losey
871:
862:
856:
852:
846:
840:
834:
832:
827:
823:
820:High Tension
819:
817:
805:
801:Passage West
799:
794:(1950) with
789:
783:
777:
775:
770:
766:
765:
745:
743:
735:Gail Russell
720:
718:
707:
705:
700:
696:
692:
676:Rory Calhoun
674:(1947) with
669:
666:Brenda Joyce
664:(1948) with
659:
657:
650:
648:
639:
636:
632:
628:
621:
619:
616:
609:
603:
597:
594:Phillip Reed
587:
581:
579:
573:
564:
562:
555:
551:Mr. Reckless
549:
539:
533:
527:
517:
511:
504:
498:
492:
486:
480:
475:
456:
453:RKO Pictures
443:
436:
432:Scared Stiff
430:
425:(1944) with
420:
414:
408:
396:
392:
385:
378:
372:
366:
360:
356:High Powered
354:
348:
342:
338:The Navy Way
336:
330:
318:
312:
310:
303:
298:
296:
291:Timber Queen
289:
283:
277:
271:
269:
266:
254:
248:
246:
239:
229:
227:
219:
217:
210:
204:
198:
196:
187:Torpedo Boat
185:
183:
179:
172:
170:
159:
157:
146:
138:
129:Flying Blind
127:
117:
115:
100:
99:
91:Flying Blind
90:
86:
82:
76:
70:
62:
51:
27:
26:
5006:Short Films
4907:Jamaica Run
4899:Tropic Zone
4843:The Lawless
4731:Albuquerque
4555:Take It Big
4523:Minesweeper
2932:Jamaica Run
2909:Tropic Zone
2842:Nigel Bruce
2748:Will Price
2710:The Lawless
2399:David Lang
2363:Albuquerque
2021:Rudy Vallee
2001:Lew Landers
1967:David Lang
1931:; retitled
1867:Jack La Rue
1817:Bela Lugosi
1747:Take It Big
1730:Irving Reis
1632:Minesweeper
1609:Nancy Kelly
1522:Jimmy Lydon
1325:Jean Parker
1288:Nils Asther
1256:Jean Parker
1201:Later Films
1163:Key Witness
961:(1953) and
951:(1953) and
948:Jamaica Run
945:starred in
943:Ray Milland
914:Tropic Zone
911:(1951) and
878:The Lawless
867:Arlene Dahl
865:co-starred
804:(1951) and
709:Albuquerque
608:(1948) and
503:(1947) and
435:(1945) and
427:Bela Lugosi
416:Take It Big
335:who was in
288:(1943) and
285:Minesweeper
253:(1943) and
192:Jean Parker
107:Jean Parker
102:Power Drive
5043:Categories
4803:Manhandled
4739:Caged Fury
4659:Swamp Fire
4635:Tokyo Rose
4419:Power Dive
4335:Swamp Fire
3441:References
3124:Donna Reed
2812:Crosswinds
2594:Dan Duryea
2580:Manhandled
2391:Caged Fury
2215:sequel to
2123:Swamp Fire
2049:Tokyo Rose
2029:Sam White
1993:Byron Barr
1959:Leo Gorcey
1955:Ann Savage
1706:Filmed at
1669:June Havoc
1246:Power Dive
1183:Lex Barker
1049:Jane Wyman
807:Crosswinds
771:Manhandled
762:John Payne
756:Dan Duryea
747:Manhandled
727:John Payne
535:Caged Fury
519:Tokyo Rose
514:Byron Barr
458:Swamp Fire
450:Sol Lesser
411:Jack Haley
405:Jack Haley
83:Power Dive
4979:Nightmare
4883:Caribbean
4875:Hong Kong
4651:Hot Cargo
4402:Films of
3365:Director
3296:Director
3202:Nightmare
3189:Director
3112:Aug 1955
3074:Story by
2881:Dec 1952
2862:Caribbean
2857:Sep 1952
2835:Hong Kong
2377:Based on
2296:based on
2100:Hot Cargo
1413:Sam White
1304:Music by
1284:Eva Gabor
1233:Director
1115:Nightmare
981:The Rebel
939:in 1952.
930:Hong Kong
908:Hong Kong
875:directed
853:The Rebel
828:The Rebel
688:Cinecolor
560:(1949)).
544:(1948)),
522:(1946)),
494:Hot Cargo
124:Eva Gabor
32:B-picture
4915:Sangaree
4795:Dynamite
4787:Disaster
4675:Big Town
4359:Dynamite
4351:Disaster
4230:Big Town
3021:Musical
2956:Sangaree
2557:Dynamite
2534:Disaster
2217:Big Town
2177:Big Town
1144:Outposts
967:(1954).
958:Sangaree
917:(1952).
861:(1955).
845:(1952),
839:(1952),
810:(1951).
652:Dynamite
602:(1947),
589:Big Town
583:Big Town
574:Big Town
569:(1948).
541:Disaster
538:(1948),
532:(1947),
509:(1949).
506:Dynamite
497:(1946),
491:(1945),
485:(1945),
448:, whose
441:(1946).
393:Big Town
383:(1947).
374:Big Town
365:(1946),
359:(1945),
353:(1944),
347:(1944),
341:(1944),
282:(1943),
215:(1942).
34:unit of
4851:Tripoli
4819:El Paso
4483:Tornado
4467:Wildcat
4122:Variety
4049:. 1954.
4047:Variety
4029:Variety
3999:Variety
3956:Variety
3907:. 1949.
3905:Variety
3880:. 1948.
3855:Variety
3830:Variety
3812:Variety
3725:. 1942.
3723:Variety
3703:15 June
3677:Variety
3650:Variety
3595:Variety
3533:Variety
3506:. 1955.
3504:Variety
3362:Writer
3293:Writer
3186:Writer
2739:(1950)
2736:Tripoli
2638:El Paso
1602:Tornado
1427:Wildcat
1230:Writer
1179:Outpost
855:), and
791:Tripoli
767:El Paso
722:El Paso
299:Variety
256:Tornado
221:Variety
200:Wildcat
43:History
5029:(1942)
5023:(1942)
5017:(1942)
4998:(1957)
4990:(1957)
4982:(1956)
4974:(1955)
4966:(1955)
4958:(1955)
4950:(1955)
4942:(1954)
4939:Jivaro
4934:(1953)
4926:(1953)
4918:(1953)
4910:(1953)
4902:(1953)
4894:(1952)
4886:(1952)
4878:(1951)
4870:(1951)
4862:(1951)
4854:(1950)
4846:(1950)
4838:(1950)
4830:(1950)
4822:(1949)
4814:(1949)
4806:(1949)
4798:(1948)
4790:(1948)
4782:(1948)
4774:(1948)
4771:Shaggy
4766:(1948)
4758:(1948)
4750:(1948)
4742:(1948)
4734:(1948)
4726:(1947)
4718:(1947)
4710:(1947)
4702:(1947)
4694:(1947)
4686:(1947)
4678:(1947)
4670:(1947)
4662:(1946)
4654:(1946)
4646:(1946)
4638:(1946)
4630:(1946)
4622:(1945)
4614:(1945)
4606:(1945)
4598:(1945)
4590:(1944)
4582:(1944)
4574:(1944)
4566:(1944)
4558:(1944)
4550:(1944)
4542:(1944)
4534:(1944)
4526:(1943)
4518:(1943)
4510:(1943)
4502:(1943)
4494:(1943)
4486:(1943)
4478:(1942)
4470:(1942)
4462:(1942)
4454:(1942)
4446:(1941)
4438:(1941)
4430:(1941)
4422:(1941)
4362:(1949)
4354:(1948)
4346:(1947)
4338:(1946)
4330:(1943)
4265:(1949)
4257:(1948)
4249:(1948)
4241:(1947)
4233:(1946)
4225:(1946)
4217:(1945)
3368:Notes
3359:Stars
3356:Title
3346:Shorts
3299:Notes
3290:Stars
3287:Title
3192:Notes
3183:Stars
3180:Title
3031:Jivaro
2973:In 3D
2488:Shaggy
1236:Notes
1227:Stars
1224:Title
1165:solo.
1041:; and
964:Jivaro
661:Shaggy
576:Series
463:Tarzan
3432:Pine
3417:1942
3410:Pine
3398:1942
3391:Pine
3373:1943
3324:1977
3304:1976
1122:with
1019:with
78:Wings
4165:IMDb
3705:2018
1927:Aka
1193:and
1161:and
1142:and
1093:and
1037:and
987:and
826:and
754:and
733:and
678:and
668:and
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4163:at
2302:by
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