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Pine-Thomas Productions

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feasible to make. Background footage was important - they would often film this with a skeleton crew and using doubles which could substitute for the main cast. The cast was the last thing the producers would pick, once they knew how long the actors would be needed for. If they needed a star for only a week "we can afford to get a fairly big name and pay him well" said Pine. But if they needed someone for longer, they got a less expensive star. They did prefer to hire lead actors with some name recognition but would hire experienced bit players so they would not hold up production.
1069:, Pine-Thomas announced the end of their relationship with Paramount after 77 films over 14 years. Pine declared that the "opportunity for the creative independent producer is the greatest in the history of the business. The sought-after stars, directors and writers are only interested in associating themselves with distinguished projects, regardless of whether these projects are controlled by an independent or major company." Pine said the company's new method of operation would be to set the screenplay, stars and director before seeking finance. 885:. This was an attempt from Pine-Thomas to make more a more "significant" movie. Pine-Thomas were worried about rising costs but did not see salary slashing as the answer. They felt the solution to keep budgets manageable was to script carefully so only what is shot gets on screen. "The writer is the most important guy in Hollywood," said Pine. "Producers and directors don't like me for saying this but it's true. With the right script you can do wonders." 93:, and wrote scripts around them. (The producers later called these "Westerns of the air".) They approached Paramount and said they had a star and three scripts and asked for a distribution deal. Paramount were looking for some low-budget action movies and agreed, enabling Pine and Thomas to gain loans from the bank to finance the films. The other key elements of the team were 177:: "The plots were usually built around a hazardous occupation, like deep-sea diving parachute jumping or auto car racing - and someone was always killed doing that particular job in the first reel to get the idea across." The screenwriters on their films often had to participate in the activities they were writing about. 1007:"Times and the market have changed," said Thomas. "We don't want anyone to think that this means we are switching away from our approach to providing film entertainment. We still want to make commercial pictures, not artistic ones. However, it's no longer commercial to make, the kind of pictures we've been making." 741:. "We've got people working in this one who two years ago wouldn't have been caught dead in a Pine-Thomas picture," said Thomas. He added, "in the old days, all we had to do was get a guy blown up in an oil well explosion and go from there, but now, when we want to kill someone, we've got to have a good reason." 1003:
By August 1953, the producers had made 73 films and earned Paramount over $ 100,000,000. However, television was leading to their market declining, with the result they suspended operations to re-think strategy. "You either hit big now or you don't hit at all," they said. "We had to think things out.
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You can't get the star power and values into a film. Above that figure of course you have your worries on whether the big nut can be paid off on box office returns. On the cheapies the salesman has to beat harder to sell and the cost of distribution is no less than on the more expensive product ...
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Pine said they usually had six scripts ready for production "at a moment's notice. That gives flexibility to our schedule." They also liked if possible to reuse sets on films. If a script was sent in, they would go over it with their production manager Doc Merman and inhouse writer to see if it was
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In March 1952, Pine Thomas claimed they read around thirty stories a week in order to find the four they made for Paramount annually. They would submit a synopsis of the stories they liked to 20-30 theatre owners around the country to see how they react. "If the theatre men say they think their
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In a 1947 interview, Pine said, "We're not geniuses by a long shot and we don't propose to tell the industry how to make pictures. We're just a couple of businessmen who've learned by long experience how to put pictures together to achieve what we consider a maximum amount of entertainment at a
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They kept costs down by careful scripting and budgeting, use of location filming for production value, and employing stars whose careers were in decline such as Arlen and Chester Morris - so they still had name recognition for the public but did not cost much to employ. They did not employ any
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In 1953, Pine claimed the team did not follow any formula. "If there are any rules," he said, "you can bet we don't make them in Hollywood ... Each picture has to be approached as an individual project. Every time we start a picture we try to get all the plus-factors we can before starting."
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from 1940–1957, producing 81 films. Co-producers William H. Pine (February 15, 1896 – April 29, 1955) and William C. Thomas (August 11, 1903 – April 2, 1984) were known as the "Dollar Bills" because none of their economically made films ever lost money. "We don't want to make million dollar
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Eventually Pine-Thomas dropped their lower budgeted films altogether and went into movies where the budget was $ 750,000 to $ 1 million. In 1948, Pine said, "We're going to sink the extra dough into where it will show. Into bigger stars, better stories and more production."
81:(1927) but whose most recent films had been lower budgeted productions. Arlen, who owned several planes and ran an aviation school, suggested they make an aviation film; he offered himself and his aircraft for a movie. Pine and Thomas selected three titles, 702:
We compared our profit on the basis of per dollar invested and came up with a finding that it would pay to spend more on each film ... These Bs are just as hard to make as As, particularly as you can't buy books or plays for them.
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who later recalled: "Bill Thomas of Pine and Thomas, who made very small and very bad pictures at Paramount, gave me my first real screenwriting job. I wrote six pictures in one year, all of which I'd just as soon forget except
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said "the pair have shown showman's flair for turning out thrill-heavy action dramas. They have consistently led their production classification in BO returns." Arlen signed a deal with Pine Thomas to make four more films.
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Pine says he and Thomas were paid out of the profits of their films. "Some day I believe the whole industry will get around to working as units," said Pine. He said thirty percent of their business came from England.
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John Payne – the Star Who Likes People: When He Isn't Making a Picture He's Out Meeting the Public and Winning Friends for Hollywood and for Himself. Hopper, Hedda. Chicago Daily Tribune 14 Sep 1952: c2.
1010:"It doesn't pay to take a chance in today's market on limited budget pictures." Pine said, "you can get nickel-and-dimed to death. So we are going to make pictures for whatever they require to be made." 63:
William Thomas was also a publicist who was working at Paramount producing "B" movies. Pine and Thomas struck up a partnership and swapped theories about how films could be produced for lower budgets.
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By December 1942, the company had made 11 films. They announced they had renewed their deal with Paramount and would make one "A" film a year. However, this did not happen for a number of years.
655:(1948) cost $ 200,000. Pine-Thomas said their average take from a "B" was $ 450,000 worldwide and $ 350,000 in the US. However, they said about once a year, one film would exceed expectations. 304:
In June 1943, Pine-Thomas signed a new contract with Paramount which included three musicals, and two bigger budgeted pictures, plus three wartime movies which would co-star Chester Morris and
3475:'Senile celluloid': Independent exhibitors, the major studios and the fight over feature films on television, 1939-1956 Pierce, David. Film History; Sydney Vol. 10, Iss. 2, (1998): 141-164. 109:
was made in ten days at a cost of $ 86,000 under the auspices of "Picture Corporation of America". Thomas produced the first film while Pine worked more an associate - he worked for
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Pine said at this stage they would make all their films in color, which he estimated added $ 500,000 to domestic take. He said budgets would range from $ 600,000 to $ 1 million.
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All three films cost under $ 90,000 and returned six times its negative cost. Paramount were so pleased with these results they offered to finance the duo's films from then on.
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You don't just say shoot the works and let it go at that. Stories are not easy to find." In February 1954 they announced they would only make big budget "A" films.
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In May 1951, Pine-Thomas signed a two-year extension on their Paramount deal, to make a minimum of eight films over 1952 and 1953, including three in Technicolor:
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IT'S BEEN 14 YEARS AND FILMS CHANGE: So Pine-Thomas (We Want to Make a Million) Switch to Million-Dollar Movies By THOMAS M. PRYOR New York Times 25 Feb 1954: 25
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After World War Two, television began to make inroads into Pine-Thomas' market, and costs were rising without a corresponding match in returns - for instance,
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Pine said they often got ideas from the newspapers. They did not make many murder mysteries because the majors did them and they did not want to compete.
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The advent of World War Two saw Pine-Thomas go into military stories, although with action always at the forefront. Arlen's fourth film for the company
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HOLLYWOOD IN REVIEW: 'Dollar Bills' Grow Into Millions Class; Oscar Surprises Buoy Event Schallert, Edwin. Los Angeles Times 30 Mar 1952: D3.
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patrons would like to see the story filmed, we purchase it," they said. "If not, we reject it, We keep in touch with the public that way."
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as a team (replacing Morris and Richard Arlen). Jack Haley was signed to appear in two of the musicals with Mary Beth Hughes (see below).
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By this stage they made all their films in color. They also had a policy to introduce one new player per film, such as Susan Morrow in
4296: 3994: 155:. The Picture Corporation of America was dissolved and from this point on the company would be known as Pine-Thomas Productions. 4393: 4117: 706:
In 1946, they formed a company, Clarion, with the goal of making more expensive films. Clarion's first movie was a Western,
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Merchant Marine Tale in Super Class; Charles Vidor Replaces Huston Schallert, Edwin. Los Angeles Times 04 Apr 1957: B13
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While the Films Reel By: Quickies Keep Alive Romance of Hollywood Schallert, Edwin. Los Angeles Times 20 Dec 1942: C3.
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which cost $ 728,000 and made around $ 2 million. It led to a contract with Paramount to make three "A" films a year.
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who went to work as a publicist at Paramount in 1933 becoming head of publicity. He became an associate director for
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Chester Morris Wins Three-Picture Contract With Pine and Thomas Schallert, Edwin. Los Angeles Times 16 Mar 1943: 13.
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WILLIAM THOMAS, 80; PRODUCER OF LOW-BUDGET '40S ACTION FILMS Burr Van Atta. Philadelphia Inquirer 6 Apr 1984: E.2.
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Pine-Thomas' early films focused on industry and aviation, areas not often dealt with in the movies. According to
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In April, William Pine died of a heart attack. Two months later the company became Pine-Thomas-Shane, with
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permanent staff apart from themselves and one secretary, hiring people on a picture-by-picture basis.
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DRAMA: Pine, Thomas Will Do One 'A' Film Annually Schallert, Edwin. Los Angeles Times 2 Dec 1942: 15.
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In June 1947, Paramount announced Pine-Thomas would make eight films for them over the coming year.
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Story by David Lang. Based on radio show by Jack Guedel (played in film by Philip Reed). Cameos by
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Glenn Langan Awarded 'Bon Voyage' Male Lead Schallert, Edwin. Los Angeles Times 23 Aug 1944: A7.
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to a multi-picture contract. This meant the company moved into comedies for the first time with
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Chester Morris Will Act in Cinema Series Schallert, Edwin. Los Angeles Times 30 June 1941: A14.
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They also signed a new contract with John Payne to make six films over three years. These were
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Pine and Thomas were both directing films by this stage. Shane made his directorial debut with
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Stage Actors Signed for 'The Male Animal'Schallert, Edwin. Los Angeles Times 19 July 1941: A9.
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TWO DOLLAR BILLS: LOOKING AT HOLLYWOOD WITH HEDDA HOPPER Chicago Daily Tribune 13 Apr 1947: h7
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Based on novella, "The Life of Lucy Gallant," by Margaret Cousins. Last film for Paramount
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John Payne Will Hit Pioneer Trail Schallert, Edwin. Los Angeles Times 28 Nov 1949: B7.
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In June 1941, Pine and Thomas signed a six-picture deal with Paramount, three to star
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Pine and Thomas to Increase Production at Paramount New York Times 28 June 1943: 16.
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John Payne, Sterling Hayden, Gail Russell, Gabby Hayes, Dick Foran, Eduardo Noriega
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by Luke Short. Pine Thomas' most expensive film til that date. Clarion Production.
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In March 1942, Pine-Thomas signed a contract to make six more films for Paramount.
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contract led him to make other films. However, he only made one film for them,
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Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood
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PRODUCERS PINE, THOMAS SIGN WITH PARAMOUNT Los Angeles Times 29 May 1951: A3.
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ANTE UPPED FOR PINE AND THOMAS By THOMAS WOOD New York Times 17 Oct 1948: X5.
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story by J. Robert Bren & Gladys Atwater. PT's first million dollar film
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reported that Pine-Thomas films had an average gross in excess of $ 500,000.
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Five Redheads to Star in Pine-Thomas Film Los Angeles Times 19 July 1952: 6.
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Randolph Scott, Barbara Britton, Russell Hayden, Gabby Hayes, Lon Chaney Jr
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Pine-Thomas Ends Paramount Film Contract Los Angeles Times 17 Dec 1954: 13.
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Pine-Thomas Group to Shoot New Films Los Angeles Times 5 Sep 1948: D3
4650: 3529:"Those Two Bills, Pine and Thomas, Turn Short-Coin Pix Into Bonanzas" 2099: 1283: 1076:
for showing on American television. The cost was around $ 1 million.
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Phil Reed, Hillary Brooke, Robert Lowery, Veda Ann Borg, Byron Barr
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Rory Calhoun, Rhonda Fleming, Paul Kelly, John Abbott, Alan Napire
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Based on an idea by Jack Davies. Pine's first feature as director.
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SCREEN NEWS HERE AND IN HOLLYWOOD New York Times 26 June 1943: 11.
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SCREEN NEWS HERE AND IN HOLLYWOOD, New York Times 30 June 1941: 13
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Story by Paul Franklin. Made for "Picture Corporation of America"
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Pine-Thomas experimented with increasing their budgets. They made
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FOUR FILM STARS WEIGH U. A. DEALS New York Times 31 Jan 1955: 23.
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MARIO LANZA TO DO ROMBERG OPERETTA New York Times 3 Apr 1952: 44.
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SCREEN NEWS HERE AND IN HOLLYWOOD New York Times 18 Feb 1944: 14.
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Backstory 2: Interviews with Screenwriters of the 1940s and 1950s
3952:"Pine Thomas to Lens more 'significant' pix if 'Lawless' clicks" 2604:
Based on the novel The Man Who Stole A Dream by L. S. Goldsmith
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was sold off to other producers. Thomas announced he would make
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pictures," they said. "We just want to make a million dollars."
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PECK SETS TERMS FOR METRO FILM New York Times 28 July 1956: 11.
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Paramount Films Sold for TV Wall Street Journal 25 Apr 1955: 10
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featuring recreations of actual military judicial proceedings.
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GOLDWYN LEAVES PRODUCERS GROUP New York Times 11 May 1955: 35.
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PEGGY LEE SIGNS 3-FILM CONTRACT New York Times 3 June 1955: 26
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John Payne, William Demarest, Agnes Mooreheard, Richard Arlen
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Richard Denning, Sheila Ryan, Buster Crabbe, Mary Beth Hughes
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Stories they bought but did not make around this time include
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Jane Wyman, Charlton Heston, Claire Trevor, William Demarest
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Based on a story by James Edward Grant, Howard Emmett Rogers
932:. They were increasingly aiming at the bigger budgeted area. 3851:"$ 750,000-$ 1,000,000 class held just right by Pine Thomas" 1205:
William Thomas produced three more films in the late 1970s.
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Pine-Thomas put Payne in two more films directed by Foster:
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James Cagney, John Derek, Viveca Lindfors, Ernest Borgnine
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Based on novel by Daniel Mainwaring (as "Geoffrey Homes").
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Pine felt that if a film's budget was less than $ 750,000:
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Pine Thomas decided to make a film based on the radio show
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made her debut. Arlen and Parker were in their third film,
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John Payne, Rhonda Fleming, Forrest Tucker, Robert Lowery
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Winston Miller, Daniel Maninwaring, George Worthing Yates
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John Payne, Maureen O'Hara, Howard da Silva, Phillip Reed
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Brenda Joyce, Georgie Nokes, Robert Shayne, Ralph Sanford
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becoming a partner. Pine's son Howard joined the company.
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Richard Arlen, Jean Parker, William Henry, Ralph Sanford
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Pine-Thomas-Shane made several films for United Artists:
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William Paine, Filmmaker New York Times 30 Apr 1955: 17.
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Robert Lowery, Phyllis Brooks, Mary Tree, Ralph Sanford
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Robert Lowery, Ellen Drew, Regis Toomey, Elisha Cook Jr
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Richard Arlen, Jean Parker, Phillip Terry, Dick Purcell
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Pine-Thomas' first million dollar movie was the Western
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Chester Morris, Jean Parker, Dick Purcell, Rod Cameron
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Also in 1944 they signed a three-picture contract with
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John Payne, Gail Russell, Jeffrey Lynn, Lon Chaney Jr
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who signed a three-picture contract with the company.
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John Payne, Jan Sterling, Colleen Gray, Lyle Bettger
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In 1956 the Dollar Bills produced three unsuccessful
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Pine-Thomas Productions: Chester Morris Joins Company
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In January 1955, Pine-Thomas signed a contract with
294:(1944). Arlen then left the company for some years. 3778:. University of California Press. pp. 196–197. 3276: 899:signed a contract with the company and appeared in 891: 563:Arlen returned to the company briefly to appear in 259:(1943), and signed another three-picture contract. 4145:Pine-Thomas Productions: A History and Filmography 3207:Edward G Robinson, Kevin McCarthy, Connie Russell 228:Pine-Thomas made four propaganda shorts including 136:who would helm many of the company's early films. 97:, a writer, and Doc Merman, a production manager. 47: 2516:William Gargan, Mary Beth Hughes, Richard Travis 2159:Richard Denning, Catherine Craig, Russell Hayden 596:and Lowery was popular enough for three sequels: 67:First Three Films: Picture Corporation of America 5040: 3270:Last film from the company. Based on a TV play. 1072:In 1955, Paramount sold 35 Pine-Thomas films to 2539:Richard Denning, Trudy Marshal, Damian O'Flynn 2419:William Eythe, Barbara Britton, Walter Catlett 1409:Lewis R. Foster, Richard Murphy, Maxwell Shane 970:The company made its first (and only) musical, 164:(1941), based on a novel by "Geoffrey Holmes" ( 5059:Film production companies of the United States 4147:McFarland; Annotated edition (August 15, 2019) 4118:"Howard Pine Back at U, Bill Thomas Goes Solo" 3216:Based on story by Cornell Woolrich. Remake of 2562:William Gargan, Virginia Wells, Richard Crane 2084:Daniel Mainwaring, Winston Miller, Kae Salkow 1138:(1957) with Payne. They also made two pilots, 262: 4387: 4290: 4185: 3015:Lewis Foster,Daniel Mainwaring, George Yates 1417:based on story by Foster & Alex Gottlieb 1051:. They also did a lower budgeted Payne film, 122:(1941) was another aviation film with Arlen; 3036:Fernando Lamas, Rhonda Fleming, Brian Keith 3012:Rhonda Fleming, Gene Barry, Agnes Moorehead 2766:Ronald Reagan, Bruce Bennett Rhonda Fleming 2715:MacDonald Carey, Gail Russell, Johnny Sands 1725:Chester Morris, Nancy Kelly, Russell Hayden 1637:Richard Arlen, Jean Parker, Russell Hayden, 1391:Story by Paul Franklin & Aaron Gottlieb 998: 3238:Martin Berkeley, Mary Costa, James Gregory 2691:John Payne, Rhonda Fleming, Dennis O'Keefe 2619:William Eythe, Kasey Rogers, George Reeves 2443:Richard Arlen, Jean Rogers, Richard Travis 1841:Chester Morris, Nancy Kelly, Phillip Terrt 1464:Chester Morris, Jean Parker, Richard Arlen 905:(1951) with Fleming. They were reteamed on 60:at the studio and worked on several films. 4394: 4380: 4297: 4283: 4192: 4178: 3845: 3843: 3841: 3839: 3771: 3707:– via National Library of Australia. 3673:"Par Orders Six More from Pine and Thomas" 3169: 2790:John Payne, Dennis O'Keefe, Arleen Whelan 2344:Phil Reed, Hillary Brooke, Richard Travis 2320:Robert Lowery, Ann Savage, Barton MacLane 2266:Maxwell Shane, Kae Salkow, Winston Miller 2263:Jane Withers, Robert Lowery, Bill Edwards 2105:William Gargan, Jean Rogers, Phillip Reed 1406:Chester Morris, Jean Parker, Dick Purcell 1327:, Dick Purcell, Nils Asther, Marie Wilson 1308:. Made for Picture Corporation of America 1181:a Western about the U.S. Cavalry starring 773:was more "troublesome" at the box office. 194:, frequently appeared in the early films. 3946: 3944: 3096:John Payne, Mary Murphy, Eduardo Noriega 2991:Lewis Foster, Winston Miller, Frank Moss 2867:John Payne, Arlene Dahl, Cedric Harwicke 2206:Phil Reed, Hillary Brooke, Robert Lowery 1997:Maxwell Shane, Winston Miller, Ben Perry 244:(1942), which reteamed Arlen and Morris. 234:(1942), which featured Arlen and a young 3971: 3969: 3967: 3965: 3107:story by Martin Goldsmith, Jack Leonard 2937:Ray Milland, Wendell Corey, Arlene Dahl 1915:Jack Haley, Ann Savage, Barton MacLane, 1341:Made for Picture Corporation of America 1213: 1149:The following year, Howard Pine went to 323:(1944) he was teamed with Philip Terry. 276:(1943) with Arlen. The star was also in 270:Their first film under the new deal was 4058: 4056: 3925: 3923: 3836: 3523: 3521: 3519: 3517: 3515: 3513: 3045:Story by David Duncan, shot in 3D, aka 2914:Ronald Reagan, Rhonda Fleming, Esletia 2081:, Lola Lane, Byron Barr, Ralph Sanford 1850:Based on story by Miller, Ralph Graves 479:signed with the company and starred in 158:Morris' first film for the company was 14: 5041: 4010: 4008: 3941: 3643: 3485: 3483: 3481: 4375: 4278: 4173: 3962: 3576: 3574: 3572: 3570: 3568: 3566: 3564: 3562: 3552: 3550: 3548: 3546: 3544: 3542: 3457:, University Press of Kentucky, p. 33 3261:John Payne, Karen Steele, Paul Kelly 2946:The Neat Little Corpse by Max Murray 2676:Story by John Bagni & Gwen Bagni 1208: 512:Other stars for the company included 4053: 3920: 3808:"Pine Thomas Shelve Big Town Series" 3601: 3510: 2478:4th and last in the Big Town series 1168: 1100: 769:was a success, earning $ 2 million. 386:Some of these films were written by 4005: 3478: 2751:Based on story by Price and Miller 2248:Based on story by Cornel Woollrich 331:Pine-Thomas signed a contract with 24: 3591:"Pine, Thomas, Siegel's Par Units" 3559: 3539: 2054:Byron Barr, Keye Luke, Osa Massen 572: 25: 5075: 4154: 3644:Raison, Milton (7 January 1948). 3122:Fred MacMurray, Charlton Heston, 2371:Gene Lewis, Clarence Upson Young 2185:Daniel Mainwaring, Maxwell Shane 2057:Daniel Mainwaring, Maxwell Shane 1921:Daniel Mainwaring, Maxwell Shane 1505:Based on story by Joseph Hoffman 1058: 813: 644: 471: 3277:Produced by William Thomas alone 1296:Maxwell Shane, Edward Churchill 1261:Maxwell Shane, Edward Churchill 892:Ronald Reagan and Rhonda Fleming 409:In 1944, the partnership signed 326: 209:(1942) then both were teamed in 4137: 4128: 4110: 4101: 4092: 4083: 4074: 4065: 4035: 4017: 3987: 3978: 3932: 3911: 3893: 3884: 3870: 3861: 3818: 3800: 3791: 3782: 3765: 3756: 3747: 3738: 3729: 3711: 3683: 3665: 3656: 3637: 3628: 3619: 3610: 3246:Based on novel by Lionel White 3220:. Pine-Thomas-Shane Production 3155:John Lee Mahin, Winston Miller 2840:Ronald Reagan, Rhonda Fleming, 2694:Lewis Foster, Daniel Manwaring 2622:Whitman Chambers, Lewis Foster 2598:Whitman Chambers, Lewis Foster 1865:Robert Lowery, Phyllis Brooks, 1763:Howard Green & Joe Bigalow 1520:Chester Morris, Richard Arlen, 1449:Based on story by North Bigbee 1063:In December 1954, after making 52:William Pine was a graduate of 48:William Pine and William Thomas 4031:. 24 February 1954. p. 3. 4025:"Pine-Thomas go for big films" 4001:. 11 February 1953. p. 7. 3814:. 26 November 1947. p. 6. 3597:. 11 December 1940. p. 3. 3583: 3492: 3469: 3460: 3447: 2466:Phillip Reed, Hillary Brooke, 1844:Maxwell Shane, Winston Miller 1821:Maxwell Shane, Winston Miller 1643:Maxwell Shane, Edward T. Lowe 1622:Based on novel by John Guedel 1496:, Dick Purcell, Ralph Sanford 1467:Maxwell Shane, Richard Murphy 1443:Maxwell Shane, Richard Murphy 1200: 1189:, a private eye show starring 1132:(1957) with Rory Calhoun; and 1074:Associated Artists Productions 132:(1941), which was directed by 13: 1: 3857:. 26 January 1949. p. 7. 3772:McGilligan, Pat, ed. (1997). 3440: 2961:Fernando Lamas, Arlene Dahl, 2894:Lewis Foster, Winston Miller 2726:Based on novel by Mainwaring 2422:Maxwell Shane, Milton Raison 2272:Story by Salkow & Miller 2162:Maxwell Shane, Juliam Harmon 1987:William Gargan, Nancy Kelly, 1929:You'll Be the Death of Me Yet 1769:First musical. Appearance by 1697:, Jean Parker, William Henry 1583:, Nils Asther, Ralph Sanford 1492:Chester Morris, Jean Parker, 1095:The Mountains Have No Shadows 761: 750:(1949) which starred Hayden, 404: 75:, who had become famous with 3679:. 15 March 1942. p. 15. 3137:novel by Della Gould Emmons 2023:, Ozzie Nelson, Philip Reed 1559:Maxwell Shane, Lewis Foster 1499:Maxwell Shane, Howard Green 71:Pine and Thomas talked with 7: 4931:Those Redheads from Seattle 4124:. 10 April 1957. p. 3. 3047:Lost Treasure of the Amazon 3007:Those Redheads From Seattle 2793:Lewis Foster, Alvah Bessie 1674:Maxwell Shane, Edward Lowe 1592:Release delayed for a year 973:Those Redheads from Seattle 263:Renewed Deal with Paramount 105:(1941), starring Arlen and 10: 5080: 3958:. 10 May 1950. p. 14. 3832:. 11 June 1947. p. 3. 2870:Frank Moss, Edward Ludwig 2019:Jack Haley, Helen Walker, 1537:has small role. Filmed at 1153:and the company wound up. 461:(1946) with fellow former 42: 5005: 4410: 4313: 4208: 3995:"PT Near 75 Picture Mark" 3535:. 7 July 1943. p. 2. 3453:Dick, Bernard F. (2001). 3367: 3364: 3361: 3358: 3355: 3352: 3345: 3298: 3295: 3292: 3289: 3286: 3283: 3191: 3188: 3185: 3182: 3179: 3176: 2967:David Duncan, Frank Moss 2670:Lewis Foster, Gwen Bagni 2353:Third in Big Town series 1935:when sold to television. 1815:Jack Haley, Jean Parker, 1708:Naval Station Great Lakes 1235: 1232: 1229: 1226: 1223: 1220: 999:Final Films for Paramount 782:(1950) with Russell, and 311:Morris and Arlen were in 5054:Paramount Pictures films 3309:Cat Murkil and the Silks 2191:Based on the radio show 1797:Story by Paul Franklin, 1639:Guinn "Big Boy" Williams 1539:Harlingen Air Force Base 881:(1950) with Russell and 626:(1947) with Paul Kelly. 377:series (see below), and 5049:American film producers 4404:Pine-Thomas Productions 4161:Pine-Thomas Productions 3170:United Artists Features 2628:Story by Milton Raison 2428:Story by Thomas Ahearn 2237:, Ann Doran, Kay Scott 1900:Story by Milton Raison 1151:Universal-International 1047:(1955) with Heston and 824:Gentleman of the Jungle 28:Pine-Thomas Productions 4835:The Eagle and the Hawk 4779:Waterfront at Midnight 4443:No Hands on the Clock 4143:p.32 Tucker, David C. 2876:Story by Ellery Clark 2686:The Eagle and the Hawk 2511:Waterfront at Midnight 2379:Dead Freight for Piute 2304:Robert Louis Stevenson 1351:No Hands on the Clock 785:The Eagle and the Hawk 744:Forster also directed 704: 500:Waterfront at Midnight 203:(1942) and Morris did 4643:They Made Me a Killer 4222:They Made Me a Killer 4043:"Variety (July 1954)" 3901:"Variety (June 1949)" 3878:"Variety (June 1948)" 3719:"Variety (July 1942)" 2700:Story by Jess Arnold 2090:Story by Owen Franes 2072:They Made Me a Killer 1214:Released by Paramount 1083:to make three films, 1013:They produced three: 976:(1953) with Fleming. 699: 682:, both borrowed from 398:Build My Gallows High 362:They Made Me a Killer 161:No Hands on the Clock 5027:The Price of Victory 5014:A Letter from Bataan 4723:Big Town After Dark 4319:A Letter from Bataan 3421:The Price of Victory 3378:A Letter from Bataan 2997:Story by Karl Brown 2775:Story by David Lang 2339:Big Town After Dark 2329:Story by David Lang 2128:Johnny Weissmuller, 1477:& Mauri Grashin 1118:(1956), a remake of 419:(1944), followed by 371:(1947), some of the 231:A Letter from Bataan 4246:Big Town After Dark 928:and Danny Chang in 605:Big Town After Dark 116:Their second film, 54:Columbia University 5064:Paramount Pictures 4891:The Blazing Forest 4305:Films directed by 4200:Films directed by 3383:Richard Arlen and 3076:Harriet Frank, Jr. 2886:The Blazing Forest 2802:worked uncredited 2718:Daniel Mainwaring 2135:Daniel Mainwaring 2108:Daniel Mainwaring 1855:December 18, 1944 1831:December 18, 1944 1805:November 24, 1944 1684:February 25, 1944 1627:November 10, 1943 1473:Based on story by 1422:September 3, 1942 1209:Select filmography 1124:Edward G. Robinson 851:(1953, originally 842:The Blazing Forest 737:, and directed by 446:Johnny Weissmuller 174:The New York Times 151:and three to star 36:Paramount Pictures 5036: 5035: 4995:Bailout at 43,000 4691:Fear in the Night 4611:Follow That Woman 4587:Dangerous Passage 4571:One Body Too Many 4369: 4368: 4272: 4271: 4202:William C. Thomas 3696:National Advocate 3438: 3437: 3343: 3342: 3274: 3273: 3256:Bailout at 43,000 3218:Fear in the Night 3167: 3166: 2347:Whitman Chambers 2323:Whitman Chambers 2228:Fear in the Night 1982:Follow That Woman 1871:Daniel Manwaring 1860:Dangerous Passage 1810:One Body Too Many 1653:January 13, 1944 1475:Robert T. Shannon 1454:November 7, 1942 1370:January 24, 1942 1346:December 1, 1941 1175:television pilots 1169:Television pilots 1159:The Calender Epic 1135:Bailout at 43,000 1120:Fear in the Night 1101:Pine-Thomas-Shane 712:(1948), starring 684:David O. Selznick 623:Fear in the Night 488:Follow That Woman 422:One Body Too Many 388:Daniel Mainwaring 350:Dangerous Passage 247:Morris then made 166:Daniel Mainwaring 111:Cecil B. De Mille 58:Cecil B. De Mille 16:(Redirected from 5071: 5021:We Refuse to Die 4955:The Far Horizons 4859:The Last Outpost 4763:Big Town Scandal 4707:Adventure Island 4683:I Cover Big Town 4667:Seven Were Saved 4627:People Are Funny 4603:Midnight Manhunt 4547:Gambler's Choice 4459:I Live on Danger 4396: 4389: 4382: 4373: 4372: 4343:Seven Were Saved 4299: 4292: 4285: 4276: 4275: 4254:Big Town Scandal 4238:I Cover Big Town 4214:Midnight Manhunt 4194: 4187: 4180: 4171: 4170: 4148: 4141: 4135: 4132: 4126: 4125: 4114: 4108: 4105: 4099: 4096: 4090: 4087: 4081: 4078: 4072: 4069: 4063: 4060: 4051: 4050: 4039: 4033: 4032: 4021: 4015: 4012: 4003: 4002: 3991: 3985: 3982: 3976: 3973: 3960: 3959: 3948: 3939: 3936: 3930: 3927: 3918: 3915: 3909: 3908: 3897: 3891: 3888: 3882: 3881: 3874: 3868: 3865: 3859: 3858: 3847: 3834: 3833: 3822: 3816: 3815: 3804: 3798: 3795: 3789: 3786: 3780: 3779: 3769: 3763: 3760: 3754: 3751: 3745: 3742: 3736: 3733: 3727: 3726: 3715: 3709: 3708: 3706: 3704: 3691:"HOLLYWOOD NEWS" 3687: 3681: 3680: 3669: 3663: 3660: 3654: 3653: 3641: 3635: 3632: 3626: 3623: 3617: 3614: 3608: 3605: 3599: 3598: 3587: 3581: 3578: 3557: 3554: 3537: 3536: 3525: 3508: 3507: 3496: 3490: 3487: 3476: 3473: 3467: 3464: 3458: 3451: 3402:We Refuse to Die 3350: 3349: 3329:High Seas Hijack 3281: 3280: 3174: 3173: 3117:The Far Horizons 2852:Story by Foster 2761:The Last Outpost 2468:Stanley Clements 2461:Big Town Scandal 2282:Adventure Island 2201:I Cover Big Town 2154:Seven Were Saved 2132:, Virginia Grey 2038:Frances Langford 2014:People Are Funny 1945:Midnight Manhunt 1933:Treasure of Fear 1799:Charles F. Royal 1758:Mary Beth Hughes 1754:Harriet Hilliard 1720:Gambler's Choice 1665:Mary Beth Hughes 1618:William A. Berke 1611:, William Henry 1607:Chester Morris, 1401:I Live on Danger 1313:August 29, 1941 1292:J. Carroll Naish 1218: 1217: 1155:Lincoln McKeever 1091:Lincoln McKeever 1030:The Far Horizons 989:Command Decision 902:The Last Outpost 725:(1949) starring 671:Adventure Island 611:Big Town Scandal 599:I Cover Big Town 592:(1947) starring 529:Seven Were Saved 482:Midnight Manhunt 438:People Are Funny 314:Gambler's Choice 206:I Live on Danger 21: 5079: 5078: 5074: 5073: 5072: 5070: 5069: 5068: 5039: 5038: 5037: 5032: 5001: 4579:Double Exposure 4515:Submarine Alert 4406: 4400: 4370: 4365: 4309: 4307:William H. Pine 4303: 4273: 4268: 4204: 4198: 4157: 4152: 4151: 4142: 4138: 4133: 4129: 4116: 4115: 4111: 4106: 4102: 4097: 4093: 4088: 4084: 4079: 4075: 4070: 4066: 4061: 4054: 4041: 4040: 4036: 4023: 4022: 4018: 4013: 4006: 3993: 3992: 3988: 3983: 3979: 3974: 3963: 3950: 3949: 3942: 3937: 3933: 3928: 3921: 3916: 3912: 3899: 3898: 3894: 3889: 3885: 3876: 3875: 3871: 3866: 3862: 3849: 3848: 3837: 3824: 3823: 3819: 3806: 3805: 3801: 3796: 3792: 3787: 3783: 3770: 3766: 3761: 3757: 3752: 3748: 3743: 3739: 3734: 3730: 3717: 3716: 3712: 3702: 3700: 3689: 3688: 3684: 3671: 3670: 3666: 3661: 3657: 3642: 3638: 3633: 3629: 3624: 3620: 3615: 3611: 3606: 3602: 3589: 3588: 3584: 3579: 3560: 3555: 3540: 3527: 3526: 3511: 3498: 3497: 3493: 3488: 3479: 3474: 3470: 3465: 3461: 3452: 3448: 3443: 3348: 3279: 3267:Francis D Lyon 3172: 3129:Winston Miller 3126:, Barbara Hale 3066:Winston Miller 3039:Winston Miller 2963:Patricia Medina 2846:Winston Miller 2745:Winston Miller 2625:William Thomas 2590:Sterling Hayden 2519:Bernard Girard 2475:William Thomas 2425:Frank McDonald 2350:William Thomas 2235:DeForest Kelley 2212:William Thomas 2188:William Thomas 2144:has small role 2087:William Thomas 2079:Barbara Britton 2077:Robert Lowery, 1970:William Thomas 1924:Frank McDonald 1836:Double Exposure 1824:Frank McDonald 1778:September 1944 1766:Frank McDonald 1760:, Arline Judge 1734:Frank McDonald 1728:Maxwell Shane, 1715:April 27, 1944 1677:Frank McDonald 1671:, Dick Purcell 1663:Richard Arlen, 1589:Frank McDonald 1579:Richard Arlen, 1574:Submarine Alert 1562:Frank McDonald 1524:, Dick Purcell 1502:Frank McDonald 1482:March 27, 1943 1470:Frank McDonald 1446:Frank McDonald 1432:Richard Arlen, 1362:Frank McDonald 1330:Maxwell Shane, 1323:Richard Arlen, 1306:Dimitri Tiomkin 1282:Richard Arlen, 1216: 1211: 1203: 1171: 1103: 1061: 1039:Charlton Heston 1001: 955:and Fleming in 894: 883:MacDonald Carey 816: 764: 739:Lewis R. Foster 731:Sterling Hayden 647: 630:minimum cost." 578: 524:Richard Denning 474: 407: 329: 320:Double Exposure 279:Submarine Alert 265: 145: 69: 50: 45: 30:was a prolific 23: 22: 18:William H. Pine 15: 12: 11: 5: 5077: 5067: 5066: 5061: 5056: 5051: 5034: 5033: 5031: 5030: 5024: 5018: 5009: 5007: 5003: 5002: 5000: 4999: 4991: 4983: 4975: 4967: 4959: 4951: 4943: 4935: 4927: 4923:The Vanquished 4919: 4911: 4903: 4895: 4887: 4879: 4871: 4863: 4855: 4847: 4839: 4831: 4823: 4815: 4807: 4799: 4791: 4783: 4775: 4767: 4759: 4755:Speed to Spare 4751: 4743: 4735: 4727: 4719: 4711: 4703: 4695: 4687: 4679: 4671: 4663: 4655: 4647: 4639: 4631: 4623: 4615: 4607: 4599: 4591: 4583: 4575: 4567: 4559: 4551: 4543: 4535: 4527: 4519: 4511: 4507:Alaska Highway 4503: 4499:High Explosive 4495: 4487: 4479: 4471: 4463: 4455: 4447: 4439: 4431: 4427:Forced Landing 4423: 4414: 4412: 4408: 4407: 4399: 4398: 4391: 4384: 4376: 4367: 4366: 4364: 4363: 4355: 4347: 4339: 4331: 4323: 4322:(1942) (short) 4314: 4311: 4310: 4302: 4301: 4294: 4287: 4279: 4270: 4269: 4267: 4266: 4258: 4250: 4242: 4234: 4226: 4218: 4209: 4206: 4205: 4197: 4196: 4189: 4182: 4174: 4168: 4167: 4156: 4155:External links 4153: 4150: 4149: 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3113: 3109: 3108: 3105: 3100: 3099:Maxwell Shane 3097: 3094: 3087: 3083: 3082: 3080:Irving Ravetch 3072: 3067: 3064: 3061: 3054: 3050: 3049: 3043: 3042:Edward Ludwig 3040: 3037: 3034: 3027: 3023: 3022: 3019: 3016: 3013: 3010: 3003: 2999: 2998: 2995: 2994:Edward Ludwig 2992: 2989: 2986: 2983:The Vanquished 2979: 2975: 2974: 2971: 2970:Edward Ludwig 2968: 2965: 2959: 2952: 2948: 2947: 2944: 2941: 2938: 2935: 2928: 2924: 2923: 2921: 2918: 2915: 2912: 2905: 2901: 2900: 2898: 2897:Edward Ludwig 2895: 2892: 2889: 2882: 2878: 2877: 2874: 2873:Edward Ludwig 2871: 2868: 2865: 2858: 2854: 2853: 2850: 2847: 2844: 2838: 2831: 2827: 2826: 2824: 2821: 2818: 2815: 2808: 2804: 2803: 2797: 2794: 2791: 2788: 2781: 2777: 2776: 2773: 2770: 2767: 2764: 2757: 2753: 2752: 2749: 2746: 2743: 2740: 2732: 2728: 2727: 2724: 2719: 2716: 2713: 2706: 2702: 2701: 2698: 2695: 2692: 2689: 2682: 2678: 2677: 2674: 2671: 2668: 2665: 2658: 2654: 2653: 2650: 2647: 2644: 2641: 2634: 2630: 2629: 2626: 2623: 2620: 2617: 2610: 2606: 2605: 2602: 2599: 2596: 2586:Dorothy Lamour 2583: 2576: 2572: 2571: 2569: 2566: 2565:Milton Raison 2563: 2560: 2553: 2549: 2548: 2546: 2543: 2542:Thomas Ahearn 2540: 2537: 2530: 2526: 2525: 2523: 2522:William Berke 2520: 2517: 2514: 2507: 2503: 2502: 2500: 2499:Robert Tansey 2497: 2496:Maxwell Shane 2494: 2491: 2484: 2480: 2479: 2476: 2473: 2472:Milton Raison 2470: 2464: 2457: 2453: 2452: 2450: 2449:William Berke 2447: 2446:Milton Raison 2444: 2441: 2438:Speed to Spare 2434: 2430: 2429: 2426: 2423: 2420: 2417: 2410: 2406: 2405: 2403: 2402:William Berke 2400: 2397: 2394: 2387: 2383: 2382: 2375: 2372: 2369: 2366: 2359: 2355: 2354: 2351: 2348: 2345: 2342: 2335: 2331: 2330: 2327: 2324: 2321: 2318: 2311: 2307: 2306: 2294: 2291: 2290:Maxwell Shane 2288: 2285: 2278: 2274: 2273: 2270: 2267: 2264: 2261: 2254: 2250: 2249: 2246: 2241: 2240:Maxwell Shane 2238: 2231: 2224: 2220: 2219: 2213: 2210: 2209:Maxwell Shane 2207: 2204: 2197: 2193: 2192: 2189: 2186: 2183: 2180: 2173: 2169: 2168: 2166: 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Berke 1644: 1641: 1635: 1628: 1624: 1623: 1620: 1615: 1614:Maxwell Shane 1612: 1605: 1598: 1594: 1593: 1590: 1587: 1586:Maxwell Shane 1584: 1577: 1570: 1569:June 28, 1943 1566: 1565: 1563: 1560: 1557: 1554: 1551:Alaska Highway 1547: 1546:June 24, 1943 1543: 1542: 1535:Robert Mitchum 1531: 1528: 1527:Maxwell Shane 1525: 1518: 1511: 1507: 1506: 1503: 1500: 1497: 1494:Barry Sullivan 1490: 1487:High Explosive 1483: 1479: 1478: 1471: 1468: 1465: 1462: 1455: 1451: 1450: 1447: 1444: 1441: 1430: 1423: 1419: 1418: 1415: 1410: 1407: 1404: 1397: 1396:June 16, 1942 1393: 1392: 1389: 1384: 1383:Maxwell Shane 1381: 1378: 1371: 1367: 1366: 1363: 1360: 1359:Maxwell Shane 1357: 1354: 1347: 1343: 1342: 1339: 1337:Frank McDonald 1334: 1332:Richard Murphy 1328: 1321: 1314: 1310: 1309: 1302: 1297: 1294: 1280: 1277:Forced Landing 1273: 1272:July 11, 1941 1269: 1268: 1265: 1264:James P Hogan 1262: 1259: 1249: 1242: 1238: 1237: 1234: 1231: 1228: 1225: 1222: 1215: 1212: 1210: 1207: 1202: 1199: 1191:William Bishop 1187:Johnny Pilgrim 1170: 1167: 1140:Johnny Pilgrim 1102: 1099: 1081:United Artists 1060: 1059:United Artists 1057: 1035:Fred MacMurray 1000: 997: 953:Fernando Lamas 926:Blazing Forest 893: 890: 863:Caribbean Gold 848:The Vanquished 836:Caribbean Gold 815: 814:Into the 1950s 812: 796:Maureen O'Hara 763: 760: 752:Dorothy Lamour 714:Randolph Scott 680:Rhonda Fleming 646: 645:Rising Budgets 643: 577: 571: 566:Speed to Spare 477:William Gargan 473: 472:William Gargan 470: 406: 403: 328: 325: 306:Russell Hayden 273:Alaska Highway 264: 261: 250:High Explosive 153:Chester Morris 144: 141: 119:Forced Landing 87:Forced Landing 68: 65: 49: 46: 44: 41: 9: 6: 4: 3: 2: 5076: 5065: 5062: 5060: 5057: 5055: 5052: 5050: 5047: 5046: 5044: 5028: 5025: 5022: 5019: 5016: 5015: 5011: 5010: 5008: 5004: 4997: 4996: 4992: 4989: 4988: 4987:The Big Caper 4984: 4981: 4980: 4976: 4973: 4972: 4968: 4965: 4964: 4963:Hell's Island 4960: 4957: 4956: 4952: 4949: 4948: 4947:Run for Cover 4944: 4941: 4940: 4936: 4933: 4932: 4928: 4925: 4924: 4920: 4917: 4916: 4912: 4909: 4908: 4904: 4901: 4900: 4896: 4893: 4892: 4888: 4885: 4884: 4880: 4877: 4876: 4872: 4869: 4868: 4864: 4861: 4860: 4856: 4853: 4852: 4848: 4845: 4844: 4840: 4837: 4836: 4832: 4829: 4828: 4827:Captain China 4824: 4821: 4820: 4816: 4813: 4812: 4811:Special Agent 4808: 4805: 4804: 4800: 4797: 4796: 4792: 4789: 4788: 4784: 4781: 4780: 4776: 4773: 4772: 4768: 4765: 4764: 4760: 4757: 4756: 4752: 4749: 4748: 4744: 4741: 4740: 4736: 4733: 4732: 4728: 4725: 4724: 4720: 4717: 4716: 4715:Jungle Flight 4712: 4709: 4708: 4704: 4701: 4700: 4699:Danger Street 4696: 4693: 4692: 4688: 4685: 4684: 4680: 4677: 4676: 4672: 4669: 4668: 4664: 4661: 4660: 4656: 4653: 4652: 4648: 4645: 4644: 4640: 4637: 4636: 4632: 4629: 4628: 4624: 4621: 4620: 4616: 4613: 4612: 4608: 4605: 4604: 4600: 4597: 4596: 4592: 4589: 4588: 4584: 4581: 4580: 4576: 4573: 4572: 4568: 4565: 4564: 4563:Dark Mountain 4560: 4557: 4556: 4552: 4549: 4548: 4544: 4541: 4540: 4536: 4533: 4532: 4528: 4525: 4524: 4520: 4517: 4516: 4512: 4509: 4508: 4504: 4501: 4500: 4496: 4493: 4492: 4491:Aerial Gunner 4488: 4485: 4484: 4480: 4477: 4476: 4475:Wrecking Crew 4472: 4469: 4468: 4464: 4461: 4460: 4456: 4453: 4452: 4448: 4445: 4444: 4440: 4437: 4436: 4432: 4429: 4428: 4424: 4421: 4420: 4416: 4415: 4413: 4411:Feature Films 4409: 4405: 4397: 4392: 4390: 4385: 4383: 4378: 4377: 4374: 4361: 4360: 4356: 4353: 4352: 4348: 4345: 4344: 4340: 4337: 4336: 4332: 4329: 4328: 4327:Aerial Gunner 4324: 4321: 4320: 4316: 4315: 4312: 4308: 4300: 4295: 4293: 4288: 4286: 4281: 4280: 4277: 4264: 4263: 4262:Special Agent 4259: 4256: 4255: 4251: 4248: 4247: 4243: 4240: 4239: 4235: 4232: 4231: 4227: 4224: 4223: 4219: 4216: 4215: 4211: 4210: 4207: 4203: 4195: 4190: 4188: 4183: 4181: 4176: 4175: 4172: 4166: 4162: 4159: 4158: 4146: 4140: 4131: 4123: 4119: 4113: 4104: 4095: 4086: 4077: 4068: 4059: 4057: 4048: 4044: 4038: 4030: 4026: 4020: 4011: 4009: 4000: 3996: 3990: 3981: 3972: 3970: 3968: 3966: 3957: 3953: 3947: 3945: 3935: 3926: 3924: 3914: 3906: 3902: 3896: 3887: 3879: 3873: 3864: 3856: 3852: 3846: 3844: 3842: 3840: 3831: 3827: 3821: 3813: 3809: 3803: 3794: 3785: 3777: 3776: 3768: 3759: 3750: 3741: 3732: 3724: 3720: 3714: 3698: 3697: 3692: 3686: 3678: 3674: 3668: 3659: 3652:. p. 47. 3651: 3647: 3640: 3631: 3622: 3613: 3604: 3596: 3592: 3586: 3577: 3575: 3573: 3571: 3569: 3567: 3565: 3563: 3553: 3551: 3549: 3547: 3545: 3543: 3534: 3530: 3524: 3522: 3520: 3518: 3516: 3514: 3505: 3501: 3495: 3486: 3484: 3482: 3472: 3463: 3456: 3450: 3446: 3434: 3431: 3429: 3427: 3426:Henry Wallace 3424: 3422: 3419: 3416: 3415: 3412: 3409: 3407: 3405: 3403: 3400: 3397: 3396: 3393: 3390: 3388: 3386: 3385:Susan Hayward 3382: 3380: 3379: 3375: 3372: 3371: 3353:Release date 3351: 3339: 3337: 3335: 3333: 3331: 3330: 3326: 3323: 3322: 3319: 3317: 3315: 3313: 3311: 3310: 3306: 3303: 3302: 3284:Release date 3282: 3269: 3266: 3263: 3260: 3258: 3257: 3253: 3250: 3249: 3245: 3243: 3240: 3237: 3235:Rory Calhoun 3234: 3232: 3231: 3230:The Big Caper 3227: 3225:Mar 28, 1957 3224: 3223: 3219: 3215: 3212: 3209: 3206: 3204: 3203: 3199: 3197:May 11, 1956 3196: 3195: 3177:Release date 3175: 3162: 3160: 3157: 3154: 3151: 3149: 3148: 3144: 3142:Oct 20, 1955 3141: 3140: 3136: 3134: 3131: 3128: 3125: 3121: 3119: 3118: 3114: 3111: 3110: 3106: 3104: 3101: 3098: 3095: 3093: 3092: 3091:Hell's Island 3088: 3085: 3084: 3081: 3077: 3073: 3071: 3068: 3065: 3062: 3060: 3059: 3058:Run for Cover 3055: 3053:Apr 20, 1955 3052: 3051: 3048: 3044: 3041: 3038: 3035: 3033: 3032: 3028: 3026:Feb 12, 1954 3025: 3024: 3020: 3018:Lewis Foster 3017: 3014: 3011: 3009: 3008: 3004: 3002:Sep 23, 1953 3001: 3000: 2996: 2993: 2990: 2987: 2985: 2984: 2980: 2977: 2976: 2972: 2969: 2966: 2964: 2960: 2958: 2957: 2953: 2951:May 27, 1953 2950: 2949: 2945: 2943:Lewis Foster 2942: 2940:Lewis Foster 2939: 2936: 2934: 2933: 2929: 2927:Apr 22, 1953 2926: 2925: 2922: 2920:Lewis Foster 2919: 2917:Lewis Foster 2916: 2913: 2911: 2910: 2906: 2904:Jan 14, 1953 2903: 2902: 2899: 2896: 2893: 2890: 2888: 2887: 2883: 2880: 2879: 2875: 2872: 2869: 2866: 2864: 2863: 2859: 2856: 2855: 2851: 2849:Lewis Foster 2848: 2845: 2843: 2839: 2837: 2836: 2832: 2830:Jan 12, 1952 2829: 2828: 2825: 2823:Lewis Foster 2822: 2820:Lewis Foster 2819: 2816: 2814: 2813: 2809: 2806: 2805: 2801: 2798: 2796:Lewis Foster 2795: 2792: 2789: 2787: 2786: 2782: 2780:Aug 30, 1951 2779: 2778: 2774: 2772:Lewis Foster 2771: 2768: 2765: 2763: 2762: 2758: 2755: 2754: 2750: 2747: 2744: 2741: 2738: 2737: 2733: 2730: 2729: 2725: 2723: 2720: 2717: 2714: 2712: 2711: 2707: 2704: 2703: 2699: 2697:Lewis Foster 2696: 2693: 2690: 2688: 2687: 2683: 2681:May 30, 1950 2680: 2679: 2675: 2673:Lewis Foster 2672: 2669: 2666: 2664: 2663: 2662:Captain China 2659: 2656: 2655: 2651: 2649:Lewis Foster 2648: 2646:Lewis Foster 2645: 2642: 2640: 2639: 2635: 2632: 2631: 2627: 2624: 2621: 2618: 2616: 2615: 2614:Special Agent 2611: 2609:Jul 22, 1949 2608: 2607: 2603: 2601:Lewis Foster 2600: 2597: 2595: 2591: 2587: 2584: 2582: 2581: 2577: 2575:Jul 21, 1949 2574: 2573: 2570: 2568:William Pine 2567: 2564: 2561: 2559: 2558: 2554: 2552:Jan 18, 1948 2551: 2550: 2547: 2545:William Pine 2544: 2541: 2538: 2536: 2535: 2531: 2528: 2527: 2524: 2521: 2518: 2515: 2513: 2512: 2508: 2506:Jun 25, 1948 2505: 2504: 2501: 2498: 2495: 2492: 2490: 2489: 2485: 2483:Jun 11, 1948 2482: 2481: 2477: 2474: 2471: 2469: 2465: 2463: 2462: 2458: 2456:May 27, 1948 2455: 2454: 2451: 2448: 2445: 2442: 2440: 2439: 2435: 2433:May 14, 1948 2432: 2431: 2427: 2424: 2421: 2418: 2416: 2415: 2411: 2409:Mar 26, 1948 2408: 2407: 2404: 2401: 2398: 2395: 2393: 2392: 2388: 2385: 2384: 2380: 2376: 2373: 2370: 2367: 2365: 2364: 2360: 2358:Feb 20, 1948 2357: 2356: 2352: 2349: 2346: 2343: 2341: 2340: 2336: 2334:Dec 12, 1947 2333: 2332: 2328: 2326:Sam Newfield 2325: 2322: 2319: 2317: 2316: 2315:Jungle Flight 2312: 2310:Aug 22, 1947 2309: 2308: 2305: 2301: 2300: 2295: 2293:Sam Newfield 2292: 2289: 2286: 2284: 2283: 2279: 2277:Aug 13, 1947 2276: 2275: 2271: 2268: 2265: 2262: 2260: 2259: 2258:Danger Street 2255: 2253:Jun 20, 1947 2252: 2251: 2247: 2245: 2244:Maxwell Shane 2242: 2239: 2236: 2232: 2230: 2229: 2225: 2223:Apr 18, 1947 2222: 2221: 2218: 2214: 2211: 2208: 2205: 2203: 2202: 2198: 2196:Feb 27, 1947 2195: 2194: 2190: 2187: 2184: 2181: 2179: 2178: 2174: 2172:May 23, 1947 2171: 2170: 2167: 2165:William Pine 2164: 2161: 2158: 2156: 2155: 2151: 2149:Mar 28, 1947 2148: 2147: 2143: 2142:David Janssen 2140: 2138:William Pine 2137: 2134: 2131: 2130:Buster Crabbe 2127: 2125: 2124: 2120: 2117: 2116: 2113: 2110: 2107: 2104: 2102: 2101: 2097: 2095:Jun 28, 1946 2094: 2093: 2089: 2086: 2083: 2080: 2076: 2074: 2073: 2069: 2066: 2065: 2062: 2059: 2056: 2053: 2051: 2050: 2046: 2043: 2042: 2039: 2035: 2031: 2028: 2025: 2022: 2018: 2016: 2015: 2011: 2009:Jan 11, 1946 2008: 2007: 2004: 2002: 1999: 1996: 1994: 1990: 1986: 1984: 1983: 1979: 1977:Dec 14, 1945 1976: 1975: 1972: 1969: 1966: 1964: 1960: 1956: 1952: 1949: 1947: 1946: 1942: 1940:Jul 24, 1945 1939: 1938: 1934: 1930: 1926: 1923: 1920: 1918: 1917:Veda Ann Borg 1914: 1912: 1911: 1907: 1905:Jun 22, 1945 1904: 1903: 1899: 1896: 1893: 1890: 1888: 1887: 1883: 1880: 1879: 1876: 1873: 1870: 1868: 1864: 1862: 1861: 1857: 1854: 1853: 1849: 1846: 1843: 1840: 1838: 1837: 1833: 1830: 1829: 1826: 1823: 1820: 1818: 1814: 1812: 1811: 1807: 1804: 1803: 1800: 1796: 1793: 1790: 1787: 1785: 1784: 1783:Dark Mountain 1780: 1777: 1776: 1772: 1768: 1765: 1762: 1759: 1755: 1751: 1749: 1748: 1744: 1742:June 9, 1944 1741: 1740: 1736: 1733: 1731: 1727: 1724: 1722: 1721: 1717: 1714: 1713: 1709: 1705: 1702: 1699: 1696: 1695:Robert Lowery 1693: 1691: 1690: 1686: 1683: 1682: 1679: 1676: 1673: 1670: 1666: 1662: 1660: 1659: 1655: 1652: 1651: 1648: 1645: 1642: 1640: 1636: 1634: 1633: 1629: 1626: 1625: 1621: 1619: 1616: 1613: 1610: 1606: 1604: 1603: 1599: 1596: 1595: 1591: 1588: 1585: 1582: 1578: 1576: 1575: 1571: 1568: 1567: 1564: 1561: 1558: 1555: 1553: 1552: 1548: 1545: 1544: 1540: 1536: 1532: 1530:William Pine 1529: 1526: 1523: 1519: 1517: 1516: 1515:Aerial Gunner 1512: 1509: 1508: 1504: 1501: 1498: 1495: 1491: 1489: 1488: 1484: 1481: 1480: 1476: 1472: 1469: 1466: 1463: 1461: 1460: 1459:Wrecking Crew 1456: 1453: 1452: 1448: 1445: 1442: 1439: 1438:Buster Crabbe 1435: 1431: 1429: 1428: 1424: 1421: 1420: 1416: 1414: 1411: 1408: 1405: 1403: 1402: 1398: 1395: 1394: 1390: 1388: 1385: 1382: 1379: 1377: 1376: 1372: 1369: 1368: 1364: 1361: 1358: 1355: 1353: 1352: 1348: 1345: 1344: 1340: 1338: 1335: 1333: 1329: 1326: 1322: 1320: 1319: 1315: 1312: 1311: 1307: 1303: 1301: 1298: 1295: 1293: 1289: 1285: 1281: 1279: 1278: 1274: 1271: 1270: 1266: 1263: 1260: 1258:, Don Castle 1257: 1253: 1252:Richard Arlen 1250: 1248: 1247: 1243: 1241:May 28, 1941 1240: 1239: 1221:Release date 1219: 1206: 1198: 1196: 1195:Court-Martial 1192: 1188: 1184: 1180: 1176: 1166: 1164: 1160: 1156: 1152: 1147: 1145: 1141: 1137: 1136: 1131: 1130: 1129:The Big Caper 1125: 1121: 1117: 1116: 1110: 1108: 1107:Maxwell Shane 1098: 1096: 1092: 1088: 1087: 1086:The Big Caper 1082: 1077: 1075: 1070: 1068: 1067: 1056: 1054: 1053:Hell's Island 1050: 1046: 1045: 1040: 1036: 1032: 1031: 1026: 1022: 1018: 1017: 1016:Run for Cover 1011: 1008: 1005: 996: 992: 990: 986: 982: 977: 975: 974: 968: 966: 965: 960: 959: 954: 950: 949: 944: 940: 938: 933: 931: 927: 922: 918: 916: 915: 910: 909: 904: 903: 898: 897:Ronald Reagan 889: 886: 884: 880: 879: 874: 870: 868: 864: 860: 859: 858:Hell's Island 854: 850: 849: 844: 843: 838: 837: 831: 829: 825: 821: 811: 809: 808: 803: 802: 797: 793: 792: 787: 786: 781: 780: 779:Captain China 774: 772: 768: 759: 757: 753: 749: 748: 742: 740: 736: 732: 728: 724: 723: 717: 715: 711: 710: 703: 698: 695: 691: 689: 685: 681: 677: 673: 672: 667: 663: 662: 656: 654: 653: 642: 638: 635: 631: 627: 625: 624: 618: 615: 613: 612: 607: 606: 601: 600: 595: 591: 590: 585: 584: 575: 570: 568: 567: 561: 559: 558: 557:Special Agent 553: 552: 547: 546:William Eythe 543: 542: 537: 536: 531: 530: 525: 521: 520: 515: 510: 508: 507: 502: 501: 496: 495: 490: 489: 484: 483: 478: 469: 467: 466:Buster Crabbe 464: 460: 459: 454: 451: 447: 442: 440: 439: 434: 433: 428: 424: 423: 418: 417: 412: 402: 400: 399: 394: 389: 384: 382: 381: 380:Jungle Flight 376: 375: 370: 369: 368:Danger Street 364: 363: 358: 357: 352: 351: 346: 345: 344:Dark Mountain 340: 339: 334: 333:Robert Lowery 327:Robert Lowery 324: 322: 321: 316: 315: 309: 307: 302: 300: 297:In July 1943 295: 293: 292: 287: 286: 281: 280: 275: 274: 268: 260: 258: 257: 252: 251: 245: 243: 242: 241:Aerial Gunner 237: 236:Susan Hayward 233: 232: 226: 223: 222: 216: 214: 213: 212:Wrecking Crew 208: 207: 202: 201: 197:Arlen was in 195: 193: 189: 188: 182: 178: 176: 175: 169: 167: 163: 162: 156: 154: 150: 149:Richard Arlen 140: 137: 135: 134:John McDonald 131: 130: 125: 121: 120: 114: 112: 108: 104: 103: 98: 96: 95:Maxwell Shane 92: 88: 84: 80: 79: 74: 73:Richard Arlen 64: 61: 59: 55: 40: 37: 33: 29: 19: 5026: 5020: 5012: 4993: 4985: 4977: 4971:Lucy Gallant 4969: 4961: 4953: 4945: 4937: 4929: 4921: 4913: 4905: 4897: 4889: 4881: 4873: 4867:Passage West 4865: 4857: 4849: 4841: 4833: 4825: 4817: 4809: 4801: 4793: 4785: 4777: 4769: 4761: 4753: 4747:Mr. Reckless 4745: 4737: 4729: 4721: 4713: 4705: 4697: 4689: 4681: 4673: 4665: 4657: 4649: 4641: 4633: 4625: 4619:Scared Stiff 4617: 4609: 4601: 4595:High Powered 4593: 4585: 4577: 4569: 4561: 4553: 4545: 4539:The Navy Way 4537: 4531:Timber Queen 4529: 4521: 4513: 4505: 4497: 4489: 4481: 4473: 4465: 4457: 4451:Torpedo Boat 4449: 4441: 4435:Flying Blind 4433: 4425: 4417: 4403: 4357: 4349: 4341: 4333: 4325: 4317: 4260: 4252: 4244: 4236: 4228: 4220: 4212: 4144: 4139: 4130: 4121: 4112: 4103: 4094: 4085: 4076: 4067: 4046: 4037: 4028: 4019: 3998: 3989: 3980: 3955: 3934: 3913: 3904: 3895: 3886: 3872: 3863: 3854: 3829: 3826:"Par Ups Bs" 3820: 3811: 3802: 3793: 3784: 3774: 3767: 3758: 3749: 3740: 3731: 3722: 3713: 3701:. Retrieved 3694: 3685: 3676: 3667: 3658: 3649: 3639: 3630: 3621: 3612: 3603: 3594: 3585: 3532: 3503: 3494: 3471: 3462: 3454: 3449: 3420: 3401: 3376: 3327: 3307: 3264:Paul Monash 3254: 3251:May 1, 1957 3228: 3217: 3200: 3147:Lucy Gallant 3145: 3133:Rudolph Mate 3115: 3103:Phil Karlson 3089: 3086:May 6, 1955 3070:Nicholas Ray 3056: 3046: 3029: 3005: 2981: 2978:Jun 3, 1953 2954: 2930: 2907: 2884: 2860: 2833: 2810: 2807:Dec 6, 1951 2800:Alvah Bessie 2785:Passage West 2783: 2759: 2756:Apr 4, 1951 2734: 2731:Nov 9, 1950 2722:Joseph Losey 2708: 2705:Jun 1, 1950 2684: 2660: 2657:Feb 2, 1950 2636: 2633:Aug 5, 1949 2612: 2578: 2555: 2532: 2529:Dec 3, 1948 2509: 2486: 2459: 2436: 2414:Mr. Reckless 2412: 2389: 2386:Mar 5, 1948 2378: 2374:Ray Enright 2361: 2337: 2313: 2299:The Ebb Tide 2297: 2280: 2269:Lew Landers 2256: 2233:Paul Kelly, 2226: 2216: 2199: 2175: 2152: 2121: 2118:Sep 6, 1946 2111:Lew Landers 2098: 2070: 2067:May 3, 1946 2060:Lew Landers 2047: 2044:Feb 8, 1946 2012: 1989:Regis Toomey 1980: 1963:George Zucco 1943: 1932: 1928: 1910:Scared Stiff 1908: 1886:High Powered 1884: 1858: 1834: 1808: 1781: 1771:Ozzie Nelson 1752:Jack Haley, 1745: 1718: 1689:The Navy Way 1687: 1658:Timber Queen 1656: 1630: 1600: 1597:August 1943 1581:Wendy Barrie 1572: 1549: 1513: 1510:May 9, 1943 1485: 1457: 1434:Arline Judge 1425: 1399: 1387:John Rawlins 1375:Torpedo Boat 1373: 1349: 1318:Flying Blind 1316: 1300:Gordon Wiles 1275: 1244: 1204: 1194: 1186: 1178: 1172: 1162: 1158: 1154: 1148: 1143: 1139: 1133: 1127: 1119: 1113: 1111: 1104: 1094: 1090: 1084: 1078: 1071: 1066:Lucy Gallant 1064: 1062: 1052: 1044:Lucy Gallant 1042: 1033:(1955) with 1028: 1025:Nicholas Ray 1023:directed by 1021:James Cagney 1014: 1012: 1009: 1006: 1002: 993: 988: 985:High Tension 984: 980: 978: 971: 969: 962: 956: 946: 941: 937:Hedda Hopper 934: 929: 925: 923: 919: 912: 906: 900: 895: 887: 876: 873:Joseph Losey 871: 862: 856: 852: 846: 840: 834: 832: 827: 823: 820:High Tension 819: 817: 805: 801:Passage West 799: 794:(1950) with 789: 783: 777: 775: 770: 766: 765: 745: 743: 735:Gail Russell 720: 718: 707: 705: 700: 696: 692: 676:Rory Calhoun 674:(1947) with 669: 666:Brenda Joyce 664:(1948) with 659: 657: 650: 648: 639: 636: 632: 628: 621: 619: 616: 609: 603: 597: 594:Phillip Reed 587: 581: 579: 573: 564: 562: 555: 551:Mr. Reckless 549: 539: 533: 527: 517: 511: 504: 498: 492: 486: 480: 475: 456: 453:RKO Pictures 443: 436: 432:Scared Stiff 430: 425:(1944) with 420: 414: 408: 396: 392: 385: 378: 372: 366: 360: 356:High Powered 354: 348: 342: 338:The Navy Way 336: 330: 318: 312: 310: 303: 298: 296: 291:Timber Queen 289: 283: 277: 271: 269: 266: 254: 248: 246: 239: 229: 227: 219: 217: 210: 204: 198: 196: 187:Torpedo Boat 185: 183: 179: 172: 170: 159: 157: 146: 138: 129:Flying Blind 127: 117: 115: 100: 99: 91:Flying Blind 90: 86: 82: 76: 70: 62: 51: 27: 26: 5006:Short Films 4907:Jamaica Run 4899:Tropic Zone 4843:The Lawless 4731:Albuquerque 4555:Take It Big 4523:Minesweeper 2932:Jamaica Run 2909:Tropic Zone 2842:Nigel Bruce 2748:Will Price 2710:The Lawless 2399:David Lang 2363:Albuquerque 2021:Rudy Vallee 2001:Lew Landers 1967:David Lang 1931:; retitled 1867:Jack La Rue 1817:Bela Lugosi 1747:Take It Big 1730:Irving Reis 1632:Minesweeper 1609:Nancy Kelly 1522:Jimmy Lydon 1325:Jean Parker 1288:Nils Asther 1256:Jean Parker 1201:Later Films 1163:Key Witness 961:(1953) and 951:(1953) and 948:Jamaica Run 945:starred in 943:Ray Milland 914:Tropic Zone 911:(1951) and 878:The Lawless 867:Arlene Dahl 865:co-starred 804:(1951) and 709:Albuquerque 608:(1948) and 503:(1947) and 435:(1945) and 427:Bela Lugosi 416:Take It Big 335:who was in 288:(1943) and 285:Minesweeper 253:(1943) and 192:Jean Parker 107:Jean Parker 102:Power Drive 5043:Categories 4803:Manhandled 4739:Caged Fury 4659:Swamp Fire 4635:Tokyo Rose 4419:Power Dive 4335:Swamp Fire 3441:References 3124:Donna Reed 2812:Crosswinds 2594:Dan Duryea 2580:Manhandled 2391:Caged Fury 2215:sequel to 2123:Swamp Fire 2049:Tokyo Rose 2029:Sam White 1993:Byron Barr 1959:Leo Gorcey 1955:Ann Savage 1706:Filmed at 1669:June Havoc 1246:Power Dive 1183:Lex Barker 1049:Jane Wyman 807:Crosswinds 771:Manhandled 762:John Payne 756:Dan Duryea 747:Manhandled 727:John Payne 535:Caged Fury 519:Tokyo Rose 514:Byron Barr 458:Swamp Fire 450:Sol Lesser 411:Jack Haley 405:Jack Haley 83:Power Dive 4979:Nightmare 4883:Caribbean 4875:Hong Kong 4651:Hot Cargo 4402:Films of 3365:Director 3296:Director 3202:Nightmare 3189:Director 3112:Aug 1955 3074:Story by 2881:Dec 1952 2862:Caribbean 2857:Sep 1952 2835:Hong Kong 2377:Based on 2296:based on 2100:Hot Cargo 1413:Sam White 1304:Music by 1284:Eva Gabor 1233:Director 1115:Nightmare 981:The Rebel 939:in 1952. 930:Hong Kong 908:Hong Kong 875:directed 853:The Rebel 828:The Rebel 688:Cinecolor 560:(1949)). 544:(1948)), 522:(1946)), 494:Hot Cargo 124:Eva Gabor 32:B-picture 4915:Sangaree 4795:Dynamite 4787:Disaster 4675:Big Town 4359:Dynamite 4351:Disaster 4230:Big Town 3021:Musical 2956:Sangaree 2557:Dynamite 2534:Disaster 2217:Big Town 2177:Big Town 1144:Outposts 967:(1954). 958:Sangaree 917:(1952). 861:(1955). 845:(1952), 839:(1952), 810:(1951). 652:Dynamite 602:(1947), 589:Big Town 583:Big Town 574:Big Town 569:(1948). 541:Disaster 538:(1948), 532:(1947), 509:(1949). 506:Dynamite 497:(1946), 491:(1945), 485:(1945), 448:, whose 441:(1946). 393:Big Town 383:(1947). 374:Big Town 365:(1946), 359:(1945), 353:(1944), 347:(1944), 341:(1944), 282:(1943), 215:(1942). 34:unit of 4851:Tripoli 4819:El Paso 4483:Tornado 4467:Wildcat 4122:Variety 4049:. 1954. 4047:Variety 4029:Variety 3999:Variety 3956:Variety 3907:. 1949. 3905:Variety 3880:. 1948. 3855:Variety 3830:Variety 3812:Variety 3725:. 1942. 3723:Variety 3703:15 June 3677:Variety 3650:Variety 3595:Variety 3533:Variety 3506:. 1955. 3504:Variety 3362:Writer 3293:Writer 3186:Writer 2739:(1950) 2736:Tripoli 2638:El Paso 1602:Tornado 1427:Wildcat 1230:Writer 1179:Outpost 855:), and 791:Tripoli 767:El Paso 722:El Paso 299:Variety 256:Tornado 221:Variety 200:Wildcat 43:History 5029:(1942) 5023:(1942) 5017:(1942) 4998:(1957) 4990:(1957) 4982:(1956) 4974:(1955) 4966:(1955) 4958:(1955) 4950:(1955) 4942:(1954) 4939:Jivaro 4934:(1953) 4926:(1953) 4918:(1953) 4910:(1953) 4902:(1953) 4894:(1952) 4886:(1952) 4878:(1951) 4870:(1951) 4862:(1951) 4854:(1950) 4846:(1950) 4838:(1950) 4830:(1950) 4822:(1949) 4814:(1949) 4806:(1949) 4798:(1948) 4790:(1948) 4782:(1948) 4774:(1948) 4771:Shaggy 4766:(1948) 4758:(1948) 4750:(1948) 4742:(1948) 4734:(1948) 4726:(1947) 4718:(1947) 4710:(1947) 4702:(1947) 4694:(1947) 4686:(1947) 4678:(1947) 4670:(1947) 4662:(1946) 4654:(1946) 4646:(1946) 4638:(1946) 4630:(1946) 4622:(1945) 4614:(1945) 4606:(1945) 4598:(1945) 4590:(1944) 4582:(1944) 4574:(1944) 4566:(1944) 4558:(1944) 4550:(1944) 4542:(1944) 4534:(1944) 4526:(1943) 4518:(1943) 4510:(1943) 4502:(1943) 4494:(1943) 4486:(1943) 4478:(1942) 4470:(1942) 4462:(1942) 4454:(1942) 4446:(1941) 4438:(1941) 4430:(1941) 4422:(1941) 4362:(1949) 4354:(1948) 4346:(1947) 4338:(1946) 4330:(1943) 4265:(1949) 4257:(1948) 4249:(1948) 4241:(1947) 4233:(1946) 4225:(1946) 4217:(1945) 3368:Notes 3359:Stars 3356:Title 3346:Shorts 3299:Notes 3290:Stars 3287:Title 3192:Notes 3183:Stars 3180:Title 3031:Jivaro 2973:In 3D 2488:Shaggy 1236:Notes 1227:Stars 1224:Title 1165:solo. 1041:; and 964:Jivaro 661:Shaggy 576:Series 463:Tarzan 3432:Pine 3417:1942 3410:Pine 3398:1942 3391:Pine 3373:1943 3324:1977 3304:1976 1122:with 1019:with 78:Wings 4165:IMDb 3705:2018 1927:Aka 1193:and 1161:and 1142:and 1093:and 1037:and 987:and 826:and 754:and 733:and 678:and 668:and 89:and 4163:at 2302:by 401:." 5045:: 4120:. 4055:^ 4045:. 4027:. 4007:^ 3997:. 3964:^ 3954:. 3943:^ 3922:^ 3903:. 3853:. 3838:^ 3828:. 3810:. 3721:. 3693:. 3675:. 3648:. 3593:. 3561:^ 3541:^ 3531:. 3512:^ 3502:. 3480:^ 3078:, 2592:, 2588:, 2036:, 1991:, 1961:, 1957:, 1953:, 1773:. 1756:, 1710:. 1667:, 1541:. 1436:, 1290:, 1286:, 1254:, 1185:, 1177:; 1126:; 1097:. 1089:, 1027:; 991:. 983:, 830:. 822:, 798:, 758:. 729:, 690:. 586:. 554:, 468:. 429:, 85:, 4395:e 4388:t 4381:v 4298:e 4291:t 4284:v 4193:e 4186:t 4179:v 548:( 526:( 516:( 20:)

Index

William H. Pine
B-picture
Paramount Pictures
Columbia University
Cecil B. De Mille
Richard Arlen
Wings
Maxwell Shane
Power Drive
Jean Parker
Cecil B. De Mille
Forced Landing
Eva Gabor
Flying Blind
John McDonald
Richard Arlen
Chester Morris
No Hands on the Clock
Daniel Mainwaring
The New York Times
Torpedo Boat
Jean Parker
Wildcat
I Live on Danger
Wrecking Crew
Variety
A Letter from Bataan
Susan Hayward
Aerial Gunner
High Explosive

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