219:
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635:
86:– and since these are Middleton/Rowley collaborations, they qualify as two more parts that Rowley wrote for himself. (Internal evidence shows that in collaborations, Rowley normally handled the comic subplot – though he was not restricted solely to comic material: in
194:
Notably, Rowley did not necessarily restrict his playwriting efforts to the company to which he was committed as an actor. In 1624 he was a member of the King's Men, Shakespeare's famous company, and in August of that year played in their notorious production of
51:
Rowley was an actor-playwright who specialised in playing clown characters (that is, characters whose function is to provide low comedy). He must also have been a large man, since his forte lay specifically in fat-clown roles. He played the Fat Bishop in
39:, best known for works written in collaboration with more successful writers. His date of birth is estimated to have been c. 1585; he was buried on 11 February 1626 in the graveyard of
1373:
662:
144:
after 1612. Most of Rowley's career was spent writing and clowning for this company, which was based at a series of different playhouses, including the
43:
in north London. (An unambiguous record of Rowley's death was discovered in 1928, but some authorities persist in listing his year of death as 1642.)
784:
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478:, 28 March 1929, p. 260. Five days after his death, on 16 February 1626, his widow petitioned for relief in administering his estate.
397:
586:
1363:
163:, until his death in 1626. Though relatively brief, his stay with the troupe was eventful: in 1624 he was embroiled in both the
215:
Rowley's canon is plagued by uncertainty and by the complexities of collaboration: the following is only an approximate guide.
1032:
316:(performed c. 1622; printed 1633). Attributed only to 'W. R.', and stylistic analysis suggests that it may not be by Rowley.
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140:. In 1609 he was part of a group of actors who set up a new playing company, the Duke of York's Men, which became known as
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109:(1609) is his only sustained work of non-dramatic prose. Two plays are generally accepted as Rowley's solo works:
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he wrote substantial portions of the main plots as well.) The part of the otherwise unnamed Clown in
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shows signs of being another role that Rowley the playwright wrote with Rowley the actor in mind.
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and the Red Bull. Rowley was the troupe's payee for their Court performances in the 1610–15 era.
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389:(date of composition unknown; printed 1661). The title page attributes this play to Rowley and
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374:
252:
231:
203:
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1191:
1129:
969:
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369:(performed 1623; printed 1653). Although the title page attributes this play to Rowley and
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955:
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712:
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1157:
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affair in
December. The roles he took with the company probably included Cacafogo in
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folio, stylistic analysis suggests that this play was heavily revised by Rowley and
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117:(1619). Three other works that may have been Rowley solo plays have not survived:
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417:(performed c. 1615; printed 1647). Although it was first printed as part of the
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with Dekker, Ford and
Webster, which was intended for the Red Bull Theatre.
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70:(a role "personated by the Poet", the 1633 quarto states), and Bustopha in
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As a writer, Rowley was almost exclusively a dramatist; the pamphlet
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In 1623, Rowley left his company and joined the highly successful
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66:. He also wrote fat-clown parts for himself to play: Jaques in
324:(performed 1610–14; printed 1632). Possibly a collaboration;
201:– yet in the same year he worked on the now-lost play
373:, stylistic analysis favours a different playwriting team:
345:, and, possibly, a third collaborator who may have been
244:(performed 1622; printed 1662). The title page claims
1341:† = Not published in the Beaumont and Fletcher folios
561:, Oxford University Press, 2004, accessed 5 June 2007
132:
Rowley appears to have begun his career working for
292:(performed c. 1607; printed 1655). Co-written with
280:(performed 1614–17; printed 1617). Co-written with
437:(performed 1621; published 1658). Co-written with
248:as Rowley's co-writer, but this claim is disputed.
576:. Vol. XXI (9th ed.). 1886. p. 33.
1350:
341:(performed 1618; printed 1656). Co-written with
304:(performed 1623; printed 1647). Co-written with
268:(performed 1624; printed 1661). Co-written with
256:(performed 1622; printed 1653). Co-written with
1374:17th-century English dramatists and playwrights
393:although few readers accept Webster's presence.
453:(performed and printed 1620). Co-written with
401:(performed and printed 1607). Co-written with
785:The Masque of the Inner Temple and Gray's Inn
656:
516:. 7 vols. (Oxford University Press, 1941–68).
1147:Four Plays, or Moral Representations, in One
361:(date of composition unknown; printed 1638)
19:For other people named William Rowley, see
16:English actor and playwright (c. 1585–1626)
663:
649:
398:The Travels of the Three English Brothers
580:
217:
62:, and Plumporridge in the same author's
559:Oxford Dictionary of National Biography
1351:
644:
587:"Rowley, William (1585?–1642?)"
541:The Canon of Thomas Middleton's Plays
536:. (Cambridge University Press, 2004).
242:; or, The Child Hath Found its Father
1197:with Massinger, Chapman & Jonson
119:Hymen's Holidays or Cupid's Vagaries
78:. He certainly played Simplicity in
543:(Cambridge University Press, 1975).
13:
1207:with Massinger, Ford & Webster
534:The Shakespeare Company, 1594–1642
526:. (Oxford University Press, 1923).
332:have been suggested as co-writers.
210:
14:
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1379:17th-century English male writers
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474:M. J. Dickson, "William Rowley,"
321:A New Wonder, a Woman Never Vexed
235:(performed 1618–19; printed 1633)
31:(c. 1585 – February 1626) was an
1369:17th-century English male actors
778:The Knight of the Burning Pestle
633:
617:Works by or about William Rowley
593:Dictionary of National Biography
46:
514:The Jacobean and Caroline Stage
21:William Rowley (disambiguation)
1364:English Renaissance dramatists
609:New International Encyclopedia
555:'Rowley, William (1585?–1626)'
490:
481:
468:
167:controversy in August and the
1:
1319:(Shakespeare & Fletcher?)
1094:with Beaumont & Massinger
503:
1288:Beaumont and Fletcher folios
339:, or A New Way to Please You
7:
1278:English Renaissance theatre
984:Rule a Wife and Have a Wife
632:(public domain audiobooks)
176:Rule a Wife and Have a Wife
10:
1405:
1118:with Massinger & Field
450:The World Tossed at Tennis
80:The World Tossed at Tennis
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1359:English male stage actors
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1033:The Custom of the Country
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487:Chambers, Vol. 3, p. 473.
476:Times Literary Supplement
82:, and probably Chough in
74:, his collaboration with
1241:(Middleton & Rowley)
1212:The Fair Maid of the Inn
1123:The Honest Man's Fortune
1012:The Little French Lawyer
886:The Faithful Shepherdess
461:
1316:The History of Cardenio
1202:Rollo, Duke of Normandy
949:The Humorous Lieutenant
626:Works by William Rowley
603:"Rowley, William"
573:Encyclopædia Britannica
567:"Rowley, William"
358:A Shoemaker a Gentleman
289:Fortune by Land and Sea
111:A Shoemaker a Gentleman
41:St James's, Clerkenwell
1238:Wit at Several Weapons
414:Wit at Several Weapons
226:
182:Rollo Duke of Normandy
1165:The Two Noble Kinsmen
1099:Thierry and Theodoret
673:Beaumont and Fletcher
524:The Elizabethan Stage
434:The Witch of Edmonton
223:The Witch of Edmonton
221:
204:Keep the Widow Waking
127:The Fool Without Book
1192:The Maid in the Mill
1130:The Queen of Corinth
1040:The Lovers' Progress
970:The Wild Goose Chase
301:The Maid in the Mill
265:A Cure for a Cuckold
142:Prince Charles's Men
96:The Maid in the Mill
72:The Maid in the Mill
1328:(possibly based on
1137:The Knight of Malta
1026:The Double Marriage
956:The Island Princess
868:The Noble Gentleman
713:William Shakespeare
386:The Thracian Wonder
313:A Match at Midnight
246:William Shakespeare
240:The Birth of Merlin
100:The Birth of Merlin
64:Inner Temple Masque
1047:The Spanish Curate
977:A Wife for a Month
847:A King and No King
840:The Maid's Tragedy
232:All's Lost by Lust
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188:A Wife for a Month
115:All's Lost by Lust
107:A Search for Money
68:All's Lost by Lust
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1345:
1298:Humphrey Robinson
1264:
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1246:The Laws of Candy
1182:Wit Without Money
1068:The Elder Brother
935:The Loyal Subject
893:The Woman's Prize
861:The Scornful Lady
854:Love's Pilgrimage
366:The Spanish Gypsy
113:(c. 1607–09) and
1396:
1325:Double Falsehood
1293:Humphrey Moseley
1175:The Night Walker
1152:with Shakespeare
767:
766:
723:Thomas Middleton
700:Philip Massinger
686:Francis Beaumont
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621:Internet Archive
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582:Seccombe, Thomas
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455:Thomas Middleton
427:Thomas Middleton
371:Thomas Middleton
347:Philip Massinger
343:Thomas Middleton
282:Thomas Middleton
258:Thomas Middleton
138:Red Bull Theatre
134:Queen Anne's Men
123:A Knave in Print
54:Thomas Middleton
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1230:The Nice Valour
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914:Monsieur Thomas
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812:Cupid's Revenge
805:The Woman Hater
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596:. Vol. 49.
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520:Chambers, E. K.
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170:Spanish Viceroy
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761:attributions
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1269:Performance
1233:(Middleton)
1187:with Rowley
1113:Love's Cure
963:The Pilgrim
928:The Chances
900:Valentinian
833:The Captain
819:The Coxcomb
337:The Old Law
125:(1613) and
1353:Categories
1283:King's Men
1158:Henry VIII
1142:with Field
1088:and others
738:Ben Jonson
504:References
157:King's Men
1257:(Shirley)
1005:Barnavelt
996:Massinger
826:Philaster
733:John Ford
439:John Ford
375:John Ford
37:dramatist
35:Jacobean
1330:Cardenio
1086:Fletcher
878:Fletcher
795:Beaumont
770:Beaumont
630:LibriVox
584:(1897).
423:Fletcher
419:Beaumont
407:John Day
121:(1612),
1307:Related
907:Bonduca
675:" Canon
619:at the
612:. 1905.
159:at the
146:Curtain
136:at the
33:English
1249:(Ford)
1222:Others
225:, 1658
148:, the
94:, and
759:(some
757:Plays
671:The "
462:Notes
161:Globe
441:and
421:and
405:and
377:and
328:and
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