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340:, Lyons was one of five reed players... and the variants produced by that choir moor the work. To say that Taylor is in his element, threading his way through the reeds, two brasses, two drummers, and bass, romping polyrhythmically in and around every collective outburst and sigh, is to say nothing of the measured care with which he organized his unit structures."
31:
310:
insufficiently recognized record", and commented: "mainly these are exploding, brilliantly coloured ensemble improvisations where the horns... make superbly euphoric collective statements. Densely characterized though Taylor's music is, these musicians make their way into it with the highest courage, and the results are extraordinarily compelling."
309:
states "On the four Taylor originals, the colorful ensembles are quite dense although there is room for individual solos and heroics. Not too surprisingly Cecil Taylor is very much in control of the music". The authors of the
Penguin Guide to Jazz Recordings called the album "an important and
320:), Taylor has shown a tantalizing talent for voicing saxophones; all he's ever needed is two to get a firm, woodsy, consistent sonority that sounds like nothing else in or out of jazz. This despite constancy in one chair (Lyons) and constant change in the other: Archie Shepp on
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described the album as "a singularly merry caper", and wrote: "Ever since the 1961 'Bulbs' (
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recorded in Milan, Italy on
October 22–24, 1984 and released on the
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359:"Womb Waters Scent of the Burning Armadillo Shell" – 13:04
168:
label. The album features performances by Taylor with
204:who are billed as The Orchestra of Two Continents.
510:"Cecil Taylor: Winged Serpent (Sliding Quadrants)"
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372:Recorded in Milan, Italy on October 22–24, 1984
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866:One Too Many Salty Swift and Not Goodbye
582:. Oxford University Press. p. 464.
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1125:Qu'a Yuba: Live at the Iridium, Vol. 2
1034:Looking (Berlin Version) The Feel Trio
527:
782:Nefertiti, the Beautiful One Has Come
593:
217:
16:1985 studio album by Cecil Taylor
547:The Penguin Guide to Jazz Recordings
269:The Penguin Guide to Jazz Recordings
13:
736:Winged Serpent (Sliding Quadrants)
580:Visions of Jazz: The First Century
157:Winged Serpent (Sliding Quadrants)
14:
1242:
1118:Qu'a: Live at the Iridium, Vol. 1
803:The Great Concert of Cecil Taylor
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350:All compositions by Cecil Taylor.
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1041:Looking (Berlin Version) Corona
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1:
1027:Looking (Berlin Version) Solo
880:It Is in the Brewing Luminous
491:
1231:Black Saint/Soul Note albums
378:
207:
7:
1160:The Owner of the River Bank
999:Spots, Circles, and Fantasy
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332:..., and David S. Ware on
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673:The World of Cecil Taylor
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627:
225:
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887:Fly! Fly! Fly! Fly! Fly!
859:Live in the Black Forest
365:"Winged Serpent" – 13:54
978:Alms/Tiergarten (Spree)
950:Tzotzil/Mummers/Tzotzil
483:Andre Martinez: drums,
450:, bass clarinet, vocals
992:Pleistozaen Mit Wasser
831:Spring of Two Blue J's
1132:Lifting the Bandstand
1062:CT: The Dance Project
701:New York City R&B
687:Cell Walk for Celeste
362:"Cun-Un-Un-An" – 7:10
1153:The Willisau Concert
1013:Erzulie Maketh Scent
213:Professional ratings
1226:Cecil Taylor albums
1104:The Light of Corona
1055:2 Ts for a Lovely T
852:Air Above Mountains
436:: tenor saxophone,
214:
132:(Sliding Quadrants)
62:October 22–24, 1984
24:(Sliding Quadrants)
1174:Taylor/Dixon/Oxley
1048:Celebrated Blazons
845:Dark to Themselves
448:baritone saxophone
334:Dark to Themselves
324:, Ken Mclntyre on
212:
196:, Andre Martinez,
1208:
1207:
1097:Always a Pleasure
1069:Double Holy House
873:Historic Concerts
722:Cecil Taylor Unit
561:978-0-141-03401-0
420:: trumpet, vocals
330:The Great Concert
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1090:The Tree of Life
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554:. p. 1381.
550:(9th ed.).
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328:, Sam Rivers on
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936:Live in Bologna
789:Student Studies
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708:Unit Structures
694:Jumpin' Punkins
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428:tenor saxophone
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160:is an album by
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1181:The Last Dance
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957:In East Berlin
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943:Live in Vienna
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757:Momentum Space
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750:In Florescence
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652:Looking Ahead!
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508:Yanow, Scott.
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464:William Parker
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338:Winged Serpent
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1167:All the Notes
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715:Conquistador!
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666:Love for Sale
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637:Studio albums
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576:Giddins, Gary
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542:Morton, Brian
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538:Cook, Richard
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444:Gunter Hampel
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438:bass clarinet
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418:Tomasz Stanko
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356:"Taht" – 8:50
355:
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344:Track listing
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218:Review scores
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190:Gunter Hampel
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178:Tomasz Stanko
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1191:Compilations
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908:Iwontunwonsi
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664:
659:Stereo Drive
657:
650:
645:Jazz Advance
643:
621:Cecil Taylor
579:
570:
545:
517:. Retrieved
513:
434:John Tchicai
424:Frank Wright
385:Cecil Taylor
349:
337:
333:
329:
325:
322:Into the Hot
321:
318:Into the Hot
317:
314:Gary Giddins
312:
300:
267:
186:John Tchicai
182:Frank Wright
162:Cecil Taylor
156:
155:
154:
141:Iwontunwonsi
139:
129:
128:
119:
108:Cecil Taylor
44:Cecil Taylor
39:Studio album
1221:1985 albums
1146:Incarnation
985:Remembrance
767:Live albums
630:Discography
474:Rashid Bakr
454:Karen Borca
408:Enrico Rava
398:Jimmy Lyons
307:Scott Yanow
202:Rashid Bakr
194:Karen Borca
174:Enrico Rava
170:Jimmy Lyons
1215:Categories
1083:Melancholy
971:The Hearth
894:The Eighth
775:At Newport
492:References
485:percussion
305:review by
110:chronology
1139:Algonquin
817:Akisakila
743:Chinampas
519:March 24,
379:Personnel
208:Reception
166:Soul Note
101:Soul Note
73:Free jazz
922:For Olim
729:3 Phasis
578:(1998).
544:(2008).
514:AllMusic
487:, vocals
480:, vocals
470:, vocals
460:, vocals
440:, vocals
430:, vocals
414:, vocals
404:, vocals
336:... For
303:AllMusic
232:AllMusic
59:Recorded
51:Released
41: by
964:Regalia
929:Olu Iwa
552:Penguin
458:bassoon
412:trumpet
145:(1986)
136:(1985)
125:(1981)
1111:Almeda
1076:Nailed
901:Garden
810:Indent
796:Praxis
558:
393:vocals
226:Rating
223:Source
121:Garden
79:Length
1199:Mixed
915:Amewa
478:drums
389:piano
96:Label
68:Genre
824:Solo
556:ISBN
521:2021
468:bass
301:The
200:and
54:1985
680:Air
1217::
540:;
529:^
512:.
500:^
476::
466::
456::
446::
426::
410::
400::
391:,
387::
192:,
188:,
184:,
180:,
176:,
172:,
88:58
84:42
613:e
606:t
599:v
564:.
523:.
86::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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