395:; dedicated race tracks have not yet been built, and races are held on city streets. The single-player campaign progresses through the first three years of the Anti-Gravity Racing Championships (AGRC) in 2048, 2049, and 2050. The game includes four types of ships: speed ships, agility ships, fighters, and prototypes. Speed-class ships have higher speeds and good handling, but weak shields and weapon systems, making them favorable for more open circuits. Agility-class ships usually have sharp, responsive handling and decent combat capabilities, but aren't too fast, making them a popular choice for technical tracks and Zone mode. Fighter-class ships sacrifice top speed and handling for durability and firepower, giving them unparalleled survivability in a fight. Finally, Prototype ships have some experimental feature and a tradeoff such as a very powerful minigun at the cost of the ability to pick up any other weapons, or unmatched agility, double barrel rolls, extended side shifts, and more powerful
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program and did not require retooling for the Vita's architecture, Roberts said fine-tuning the shader effects for the Vita's GPU took significant time and attention. Lovegrove thought the method of working on a PlayStation 3 and its handheld counterpart was identical—a sentiment generally shared by
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and is set in the years 2048, 2049, and 2050. The game was designed as a testbed for the PlayStation Vita. During development, Studio
Liverpool staff sent feedback about aspects that could affect the Vita design to Sony; some of their suggestions, including the addition of a rear touchscreen and two
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Although the gameplay was mainly well received, its long loading times were criticised. Gerstmann noted technical problems, particularly its loading times. Shea called the 30-second loading time frustrating "when all you want to do is race" and
Goodall described the long loading times as awful but
402:
During races, numerous weapons may be picked up by flying the vehicle over coloured weapon pads. Yellow pads equip the player with offensive weaponry that can be used to destroy other racers whereas green pads provide defensive weapons such as mines, shields, and speed boosts. Game modes including
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Willington found the lengthy load time plagued the game and was "totally at odds" with the normal pace of gameplay. Gaston said the loading time is "simply unforgivable"; he routinely waited over 50 seconds for a selected race to start, which minimised the ability to comfortably play "on the go".
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and balanced difficulty. Ryckert considered the replay value moderate; although its analogue stick does a "good job" of controlling the ships, it has a noticeable lack of traction. According to
Hindman, the game would have benefited from a customisable control configuration and the three default
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for a "next-generation portable ", a group was formed to brainstorm hardware details; proposals included a touchscreen device that was not yet conceived by Sony. Eggleton speculated the console was released with two analogue joysticks solely because "Studio
Liverpool said it needed two sticks".
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Walton also found the long loading times infuriating for a handheld game, and said having to wait more than 40 seconds to start a race is far longer than it should have been. Although Haley noted the substantial loading times, he said it is a common feature in PlayStation Vita launch games.
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said games in the series consistently showcase the system on which they were released and that the game was a good launch game for the PlayStation Vita. North called it a beautiful game that is "as fast and flashy as its predecessors", that it "really impresses" on the PlayStation Vita's
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and touchpad features, and the effective use of the analogue stick. According to Parkin, the technical impediments made it a learning curve for the developers; he said they did not intend to reduce the manoeuvrability of the PlayStation Vita's analogue stick in contrast to
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pushes the Vita to the limit and offers you a console-quality game in the middle of your palms. It looks impressive, it plays impressive, it sounds impressive. Just cross your fingers, hope for some DLC tracks in the future, and everything will be just fine." However,
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gave it a score of eight out of ten, saying, "While the multiplayer isn't deep, it's satisfying — especially with the PS3 version — and the presentation runs like a futuristic dream should. We'd love to see what kind of turn this series takes next." Lewis Brown of
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praised the multiplayer mode, saying it "adds weight and value to the package" and gives a unique slant to the Vita's online potential. Shea and Bailey noted the reduced frame rate of 30 fps, a step down from the franchise's traditional 60 fps.
1228:. Langshaw found the PlayStation Vita's analogue stick to be smooth and responsive, although he questioned its accessibility for players unfamiliar to the series. He enjoyed the use of the gyroscope and touchpad to manoeuvre and collect
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as a reference to make the development process more efficient; the art and technical teams of Studio
Liverpool worked in parallel. Lovegrove agreed 30 fps was always the goal because the team wanted to prioritise visual quality. In a
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development team recognised the PlayStation Vita and the PlayStation 3 are different. Lovegrove said designing for the Vita's smaller screen made it easier to develop, avoiding earlier problems of designing a game targeted for an
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received mainly positive reviews; critics said its graphics and visuals showcased the power of the then-new PlayStation Vita but criticised its long loading times and other technical problems. The game, together with
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603:-based lighting system used for weaponry. According to Roberts, the main difference is the PlayStation Vita's use of the effects via the GPU whereas the PlayStation 3 relies on SPUs. The team decided to use
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said it is not enough to make the game a failure and that the overall game experience is "deeply satisfying". Bailey said the online mode is well-executed, highly accessible and a "credit to
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high-resolution screen and that the ships and futuristic backdrops seem to "pop right off the screen". Haley wrote that the game adheres to the familiar, high visual standard set by previous
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involved Studio
Liverpool at an early stage in the development of the PlayStation Vita and he had a "fairly good idea" of its capabilities. Jon Eggleton, former senior artist of the
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colour buffers rather than depth buffers for real-time shadow rendering, creating better transparency effects because the memory cost of anti-aliasing is eight bits per pixel so
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said although the game "really shows off" the PlayStation Vita's graphical power, the game's sight distance is limited. Its track design was largely praised. Simon Parkin of
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enjoyed the detail and depth but questioned its visual design, saying the dark environments and cluttered worlds make the tracks ambiguous and less readable. Adam
Goodall of
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s Mark Walton, the smooth, beautiful visuals created a real feeling of speed and provide breathtaking vistas but is somewhat lacking in innovation. Dale North of
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wrote that the game "brilliantly shows off" the new hardware with its attractive lighting effects, solid frame rate and wide range of colours, and Dan
Ryckert of
529:. Roberts said, "it less of a headache for artists" who wanted to tweak lighting effects. Roberts said the "most obvious" difference between the PlayStation 3's
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called the graphics stunning and said it has a pervasive artistic statement, something he considered rare in video games—particularly racing games. According to
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the team—and
Roberts said similarities between the systems helped the team "get moving quickly". Roberts added that the lighting system is identical to that of
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is a solid launch offering for the PlayStation Vita, even if the load times will make you want to make you throw yourself in front of your own hovercraft."
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1875:
665:: according to Roberts: "If you are dead set on locking frame-rate and resolution your whole game is (graphically) restricted by the worst-case scenario".
1232:, respectively, but said the touchpad does not have the same level of accuracy as its physical alternative. The gameplay was well regarded, including its
407:, speed laps, and Zone mode—which revolves around survival as the player's ship automatically accelerates to extreme speeds—have been carried over from
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series' typical science-fiction setting, noting Studio
Liverpool "rewinds the timeline" to a less futuristic, more relatable setting. Martin Gaston of
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praised the replay value and multiplayer functions, saying; "It's the sort of game you'll find yourself coming back to again". David Meikleham called
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567:, said the team did not have to optimise anything to accomplish their goals and that it was enjoyable to see the ARM architecture running the game.
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said the game has a different but not inferior aesthetic design from the other games due to its "closer to home" near-future setting. According to
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is stressed, maintaining performance and optimising the frame rate. The technique, known as resolution throttling, was carried over from
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s balanced difficulty consistently excellent, praising its long campaign as "surprisingly hefty" and not an "on-the-go time-waster".
634:. Roberts said the decision was made early in development since they initially expected the PlayStation Vita could run PlayStation 3
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504:. Lovegrove and Roberts were impressed with the simplicity of the Vita's firmware, which was in contrast to the architecture of the
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has the same races and modes as the single-player version. The online multiplayer is cross-platform, allowing players using the
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was released as a launch game for the PlayStation Vita in early 2012. It received generally positive reviews, according to the
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in which players pilot anti-gravity ships through a variety of scenarios. It is set primarily in 2048 and is a prequel to the
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and said Studio Liverpool had made one before. Chris Roberts, the game's director of graphics, tools and technologies, said
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enjoyed its "wholly contemporary" track details and visual consistency with previous instalments, and Peter Willington of
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Critics enjoyed the use of the PlayStation Vita's analogue control sticks. Goyon praised the optimisation of the Vita's
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279:(2007). It was also the last game to be developed by Studio Liverpool before its closure as well as the last mainline
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thought the frame rate occasionally affects gameplay and speed but said it was mostly stable. Ian Dransfield of
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Critics praised the graphics and visuals, calling them a showcase for the PlayStation Vita's power. Cam Shea of
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1329:. It was the second-best-selling PlayStation Vita game in the United Kingdom at the time of its launch, behind
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said its fast-paced races "do a good job" of displaying the Vita's graphical capabilities. Frédéric Goyon of
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The game's development influenced the design of the PlayStation Vita console (first version pictured).
559:. According to Roberts, the Vita's GPU and ARM architecture are more capable than the PS3 and handled
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also gave it 3.5 out of 5, saying, "With stunning graphics, strong tracks, and a great soundtrack,
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From left to right clockwise, the interface displays the lap and time, current position, number of
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reviewer (who gave it eight out of ten) also called its visuals less exciting than those of the
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gave it seven out of ten, calling it "A great showcase for the PS Vita and at times as good as
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screen, although he saw little difference between the graphical enhancements of the game and
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an improvement, partly because of the Vita's superior support of buffer formats, which gives
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2014:
1117:; Langshaw said they showcase the PlayStation Vita's graphical prowess. David Meikleham of
442:(DLC); two DLC packages each offer twelve tracks and twelve ships for cross-platform play.
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interview, Roberts said Studio Liverpool was one of the first developers to use a dynamic
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and the PlayStation Vita, the studio provided Sony with feedback on the hardware and its
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has ever been, despite a few questionable options and graphical issues." Dana Leahy of
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gave it a score of two eights, one seven, and one eight for a total of 31 out of 40.
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1074:, and was Metacritic's 20th-highest-ranked PlayStation Vita game of 2012. In Japan,
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1143:. According to Goyon, the game is "fluid in all circumstances" and is essentially
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series, said Studio Liverpool influenced the Vita's design. When staff were given
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called the track design the best in the series. According to Sebastian Haley of
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handheld gaming console and was a testbed for it. Lovegrove was aware the next
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3734:
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3414:
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3191:
2988:
2984:"Success! Vita scoops first and second spots in UK all-formats sales chart"
2605:
2375:
2275:
2183:
1701:
1391:"Wipeout 2048 JP release pushed to January, Gravity Daze down for February"
1297:
gave it a similar score of eight out of ten, saying, "What's clear is that
1233:
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851:
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2110:
2019:
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1207:
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1024:
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729:
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612:
595:; both games' ships share image-based lighting with blended, diffuse and
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472:
381:
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was created from a revision of this article dated 31 July 2022
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1942:
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1171:, the game would have benefited from a "slightly braver" track design.
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691:
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The game was nominated in the Best Handheld Game category at the 2012
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1984:
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2414:"Wipeout 2048 boldly stays where it has always been before (review)"
653:
on the PlayStation 3: an algorithm that reduces resolution when the
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1229:
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easily. Lovegrove, who had worked with the ARM architecture on the
501:
3021:"PlayStation Vita titles dominate UK Top 40 Software Sales charts"
3741:
3706:
3135:
2732:
1550:
1076:
1545:
WipEout 2048 Interview: Stuart Tilley (Next Generation Portable)
630:
To accommodate the visual fidelity, the team compromised on the
4195:
4132:
3874:
3713:
2024:
1778:
1743:
1617:
1610:"Wipeout 2048 To Introduce New Weapons System, Online Campaign"
1555:
587:
185:
2371:"PS Vita launch titles – reviews (WipeOut 2048 [sic])"
525:
screen but the studio had to ensure the game could run at any
3955:
2951:
1395:
167:
3275:
1771:"Wipeout 2048 DLC Adds Wipeout HD And Fury Tracks And Ships"
1697:"Hands on with Sony's NGP: the system, the games, the size!"
1136:
551:
SPU code was directed towards GPU support, which includes
1664:
1113:
s Kathryn Bailey, the backdrops are superior to those of
1085:
839:
302:
preserves some technical aspects of its predecessor game
1354:"Shippin' Out Feb. 12-18: Twisted Metal, PS Vita games"
638:
at 30 frames per second (fps). The team used code from
1245:, praising its tight controls and variety of content.
611:(MSAA) buffers contain the same amount of memory as a
1899:"WipEout: The rise and fall of Sony Studio Liverpool"
1734:"NGP's Wipeout 2048 has cross-play with PS3 Wipeout"
1575:"WipEout 2048 Out Today for PS Vita, Meet the Ships"
261:handheld system and is the ninth instalment of the
1178:and said the game was "undercutting the point" of
2947:"Golden Joystick Awards 2012 finalists announced"
4358:
2944:
2008:
2006:
3291:
3151:
2945:Nunneley-Jackson, Stephany (23 August 2012).
1855:
907:
253:ships around futuristic racetracks. It was a
1853:
1851:
1849:
1847:
1845:
1843:
1841:
1839:
1837:
1835:
1503:
1501:
1499:
1497:
1237:setups are unsatisfactory. Willington cited
1030:
970:
857:
807:
298:separate joysticks, were added to the Vita.
4397:Video games developed in the United Kingdom
2364:
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2050:
2048:
2046:
2003:
3298:
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2405:
2403:
2401:
2268:
2094:
2092:
2090:
1859:
1537:
1535:
1465:
32:
4372:Multiplayer and single-player video games
2678:
2636:
2634:
2632:
2594:
2592:
2590:
2588:
2586:
2264:
2262:
2260:
2258:
2256:
2254:
2220:
1896:
1832:
1806:"Two WipEout 2048 DLC Packs on PSN Today"
1494:
1468:"Wipeout Omega Collection Launches Today"
1431:"WipEout 2048 Review [JP Import]"
3096:, and does not reflect subsequent edits.
3079:
2485:
2351:
2322:
2136:
2134:
2132:
2043:
1803:
1541:
1428:
1135:liked the use of the PlayStation Vita's
668:
569:
360:
4182:Professional Underground League of Pain
2870:
2839:
2798:
2796:
2758:
2756:
2754:
2716:
2714:
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2481:
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2443:
2441:
2398:
2216:
2214:
2212:
2210:
2098:
2087:
2056:
1731:
1694:
1532:
1424:
1422:
500:to Sony's firmware staff to test their
4359:
2981:
2739:from the original on 25 September 2020
2674:
2672:
2670:
2629:
2598:
2583:
2456:. Poisonous Monkey Ltd. Archived from
2269:Willington, Peter (13 February 2012).
2251:
2159:from the original on 26 September 2023
2140:
2031:from the original on 20 September 2021
1768:
1607:
1562:from the original on 14 November 2021.
1507:
1482:from the original on 28 September 2023
1388:
1370:from the original on 23 September 2023
1351:
1147:on a smaller screen. Heath Hindman of
615:depth buffer. Roberts also considered
3279:
3139:
3018:
2907:
2873:"WipEout 2048 review – gravity drive"
2720:
2679:Meikleham, David (21 February 2012).
2558:
2447:
2412:Haley, Sebastian (18 February 2012).
2411:
2323:Michalik, Nathan (23 February 2012).
2129:
2012:
1932:
1930:
1860:Leadbetter, Richard (31 March 2012).
1676:from the original on 21 December 2023
1653:
1651:
1649:
1647:
1645:
1643:
1641:
1639:
1572:
373:, shield strength and current weapon.
4412:Video games with cross-platform play
4387:Sony Interactive Entertainment games
3031:from the original on 7 November 2012
3000:from the original on 8 November 2023
2889:from the original on 9 February 2022
2840:Workman, Robert (26 February 2012).
2803:Dransfield, Ian (16 February 2012).
2793:
2751:
2721:Goyon, Frederic (13 February 2012).
2709:
2617:from the original on 8 November 2023
2599:Bailey, Kathryn (13 February 2012).
2540:from the original on 7 February 2017
2472:
2438:
2426:from the original on 8 November 2023
2221:Gerstmann, Jeff (16 February 2012).
2207:
1991:from the original on 20 January 2023
1972:
1878:from the original on 10 October 2016
1820:from the original on 8 November 2023
1785:from the original on 8 November 2023
1750:from the original on 4 December 2023
1713:from the original on 8 November 2023
1657:
1589:from the original on 8 November 2023
1429:Robinson, Martin (26 January 2012).
1419:
2982:Towell, Justin (27 February 2012).
2963:from the original on 13 August 2023
2871:Jenkins, David (14 February 2012).
2667:
2504:from the original on 4 January 2017
2486:Langshaw, Mark (15 February 2012).
2117:from the original on 9 October 2022
2099:Hindman, Heath (14 February 2012).
1954:from the original on 6 January 2024
1897:Yin-Poole, Wesley (22 March 2013).
1520:from the original on 4 January 2017
1508:Gaston, Martin (13 February 2012).
1407:from the original on 11 August 2022
672:
463:was developed in parallel with the
13:
3165:
3066:
2686:PlayStation Official Magazine – UK
2641:Goodall, Adam (27 February 2012).
2368:
2339:from the original on 30 March 2023
2305:PlayStation: The Official Magazine
2239:from the original on 7 August 2016
2191:. 14 February 2012. Archived from
1927:
1915:from the original on 14 March 2014
1636:
1624:from the original on 29 April 2023
1466:Massongill, Justin (6 June 2017).
1389:Cullen, Johnny (9 November 2011).
1352:Makuch, Eddie (13 February 2012).
1120:PlayStation Official Magazine – UK
909:
890:PlayStation: The Official Magazine
434:tracks with the PlayStation Vita.
14:
4433:
4240:Rosco McQueen Firefighter Extreme
3047:
2852:from the original on 5 March 2012
2571:from the original on 30 July 2024
2383:from the original on 13 June 2023
2141:Walton, Mark (13 February 2012).
2057:Ryckert, Dan (13 February 2012).
1608:Sahdev, Ishaan (22 August 2011).
1447:from the original on 30 July 2014
1032:
972:
859:
809:
536:(GPU) and the PlayStation Vita's
3119:Official website – North America
3078:
3019:Liebl, Matt (27 February 2012).
2908:Leahy, Dana (13 February 2012).
2561:"Complete Famitsu review scores"
2559:Valay, Brian (11 January 2012).
2283:from the original on 30 May 2023
2013:North, Dale (13 February 2012).
1573:Jones, Karl (15 February 2012).
1051:
1046:
1041:
1036:
1031:
991:
986:
981:
976:
971:
953:
948:
943:
938:
933:
928:
923:
918:
913:
908:
878:
873:
868:
863:
858:
828:
823:
818:
813:
808:
3012:
2975:
2938:
2901:
2864:
2833:
2763:Edge staff (14 February 2012).
2552:
2516:
2316:
2295:
2171:
1975:"PlayStation Vita Launch Games"
1973:Teti, John (20 February 2024).
1966:
1890:
1797:
1769:Sahdev, Ishaan (19 June 2012).
1762:
1725:
1688:
403:one-on-one races, tournaments,
2524:"Best Games on PS Vita (2012)"
2488:"'WipEout 2048' review (Vita)"
2448:Brown, Lewis (12 March 2012).
1862:"Tech Interview: WipEout 2048"
1814:Sony Interactive Entertainment
1804:Nakajima, Ami (19 June 2012).
1658:Shea, Cam (13 February 2012).
1601:
1583:Sony Interactive Entertainment
1566:
1476:Sony Interactive Entertainment
1459:
1382:
1345:
445:
343:expansion, was remastered for
1:
4422:Video games set in the future
3305:
2681:"Wipeout 2048 PS Vita review"
1732:Chester, Nick (2 June 2011).
1338:
450:
4407:Video games set in the 2050s
4402:Video games set in the 2040s
1695:Kuchera, Ben (2 June 2011).
623:better exposure control and
609:4x multisample anti-aliasing
488:During early development of
7:
4417:Wipeout (video game series)
4382:PlayStation Vita-only games
4063:Mary Shelley's Frankenstein
1182:, a PlayStation 3 game. An
477:Sony Computer Entertainment
356:
247:Sony Computer Entertainment
62:Sony Computer Entertainment
10:
4438:
3986:Hexx: Heresy of the Wizard
3919:Drakan: Order of the Flame
224:
4317:The City of Lost Children
3910:II: Missing Presumed...!?
3670:
3592:
3558:
3521:All New World of Lemmings
3487:
3388:
3347:
3313:
3257:
3176:
2312:. April 2012. p. 57.
710:
707:
685:
682:
511:
399:but paper-thin shields.
209:
197:
159:
147:
135:
116:
97:
87:
77:
67:
55:
43:
31:
26:
4168:Perihelion: The Prophecy
2302:"Review: Wipeout 2048".
1542:GameSpot (2 June 2011).
534:graphics processing unit
350:Wipeout Omega Collection
225:Not to be confused with
3847:Chronicles of the Sword
3749:Attack of the Saucerman
3583:Shadow of the Beast III
3542:The Adventures of Lomax
2805:"Review – Wipeout 2048"
2394:(subscription required)
1332:Uncharted: Golden Abyss
555:, lighting effects and
544:(SPU). He said most of
542:stream processing units
531:RSX Reality Synthesizer
249:in which players pilot
4377:PlayStation Vita games
4175:Pro 18 World Tour Golf
3686:Adidas Power Soccer 98
3576:Shadow of the Beast II
3514:Lemmings 2: The Tribes
3074:
3054:Listen to this article
2015:"Review: Wipeout 2048"
1327:Golden Joystick Awards
599:and effects, and the
575:
540:is the Vita's lack of
459:Stuart Lovegrove said
374:
286:As the title implies,
4014:The Killing Game Show
4007:Innocent Until Caught
3896:Diggers 2: Extractors
3826:Bram Stoker's Dracula
3379:Destruction Derby Raw
3113:Official website – UK
3073:
2910:"WipEout 2048 Review"
2842:"WipEout 2048 Review"
2765:"Wipeout 2048 review"
2643:"WipEout 2048 review"
2601:"Wipeout 2048 review"
2498:Hearst Communications
2325:"WipEout 2048 Review"
2223:"Wipeout 2048 Review"
2143:"Wipeout 2048 Review"
2101:"WipEout 2048 Review"
2059:"Wipeout 2048 Review"
1660:"Wipeout 2048 Review"
1510:"WipEout 2048 review"
1241:as the best handheld
1174:Willington noted the
669:Release and reception
573:
364:
4021:Kingsley's Adventure
3505:Oh No! More Lemmings
3478:Championship Edition
3372:Destruction Derby 64
3105:More spoken articles
2723:"Test: WipEout 2048"
1104:s Mark Langshaw and
440:downloadable content
310:downloadable content
290:is a prequel to the
4392:Video game prequels
4324:Thunder Truck Rally
3569:Shadow of the Beast
3560:Shadow of the Beast
3549:Lemmings Revolution
3365:Destruction Derby 2
2781:on 14 February 2012
2697:on 22 February 2012
2565:Nintendo Everything
2460:on 25 February 2016
2279:. Steel Media Ltd.
704:
679:
597:specular highlights
496:, and sent updated
455:Studio Liverpool's
318:cross-platform play
3970:Weapons of Justice
3798:Bill's Tomato Game
3679:3 Ninjas Kick Back
3535:Lemmings Paintball
3075:
2815:Imagine Publishing
1516:. Resero Network.
1288:Robert Workman of
1068:review aggregation
702:
677:
576:
457:technical director
375:
4354:
4353:
3861:Combat Air Patrol
3358:Destruction Derby
3349:Destruction Derby
3273:
3272:
3071:
2821:on 4 January 2017
2655:on 4 January 2017
2195:on 1 January 2013
1060:
1059:
700:
699:
386:first installment
367:experience points
267:series following
245:and published by
223:
222:
125:Lee Carus-Wescott
4429:
4367:2012 video games
4275:Sentinel Returns
4070:Matrix Marauders
4042:Last Action Hero
3300:
3293:
3286:
3277:
3276:
3265:Studio Liverpool
3248:Omega Collection
3160:
3153:
3146:
3137:
3136:
3095:
3093:
3082:
3081:
3072:
3062:
3060:
3055:
3041:
3040:
3038:
3036:
3016:
3010:
3009:
3007:
3005:
2979:
2973:
2972:
2970:
2968:
2942:
2936:
2935:
2933:
2931:
2926:on 11 March 2013
2922:. Archived from
2905:
2899:
2898:
2896:
2894:
2868:
2862:
2861:
2859:
2857:
2837:
2831:
2830:
2828:
2826:
2817:. Archived from
2800:
2791:
2790:
2788:
2786:
2777:. Archived from
2760:
2749:
2748:
2746:
2744:
2718:
2707:
2706:
2704:
2702:
2693:. Archived from
2676:
2665:
2664:
2662:
2660:
2651:. Archived from
2638:
2627:
2626:
2624:
2622:
2596:
2581:
2580:
2578:
2576:
2556:
2550:
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2166:
2164:
2138:
2127:
2126:
2124:
2122:
2096:
2085:
2084:
2082:
2080:
2071:. Archived from
2054:
2041:
2040:
2038:
2036:
2010:
2001:
2000:
1998:
1996:
1970:
1964:
1963:
1961:
1959:
1934:
1925:
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1922:
1920:
1894:
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1887:
1885:
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1810:PlayStation Blog
1801:
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1579:PlayStation Blog
1570:
1564:
1563:
1539:
1530:
1529:
1527:
1525:
1505:
1492:
1491:
1489:
1487:
1472:PlayStation Blog
1463:
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827:
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822:
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816:
812:
811:
705:
701:
680:
676:
553:geometry culling
550:
538:ARM architecture
498:application code
485:development kits
465:PlayStation Vita
418:multiplayer mode
347:and released as
314:multiplayer mode
259:PlayStation Vita
243:Studio Liverpool
190:22 February 2012
189:
181:15 February 2012
180:
171:
154:PlayStation Vita
106:Stuart Lovegrove
50:Studio Liverpool
38:European box art
36:
24:
23:
4437:
4436:
4432:
4431:
4430:
4428:
4427:
4426:
4357:
4356:
4355:
4350:
4056:Lifeforce Tenka
3666:
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3309:
3304:
3274:
3269:
3253:
3172:
3164:
3109:
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3097:
3091:
3089:
3086:This audio file
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3034:
3032:
3017:
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2522:
2521:
2517:
2507:
2505:
2484:
2473:
2463:
2461:
2454:The Digital Fix
2446:
2439:
2429:
2427:
2410:
2399:
2393:
2386:
2384:
2369:Parkin, Simon.
2367:
2352:
2342:
2340:
2321:
2317:
2308:. No. 57.
2301:
2300:
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2286:
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2139:
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2097:
2088:
2078:
2076:
2075:on 6 April 2016
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1295:The Digital Fix
1270:
1202:
1110:
1101:
1061:
1052:
1047:
1042:
1037:
1014:The Digital Fix
992:
987:
982:
977:
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949:
944:
939:
934:
929:
924:
919:
914:
879:
874:
869:
864:
829:
824:
819:
814:
678:Aggregate score
675:
671:
548:
514:
453:
448:
427:Wipeout HD Fury
359:
324:owners running
230:
193:
184:
175:
172:19 January 2012
166:
131:
112:
39:
22:
21:2012 video game
17:
16:2012 video game
12:
11:
5:
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4334:
4327:
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4313:
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4299:
4292:
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4264:
4261:Second Samurai
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4017:
4010:
4003:
3996:
3989:
3982:
3975:
3974:
3973:
3959:
3952:
3945:
3938:
3937:
3936:
3922:
3915:
3914:
3913:
3899:
3892:
3885:
3878:
3871:
3864:
3857:
3850:
3843:
3840:Brian the Lion
3836:
3829:
3822:
3815:
3808:
3801:
3794:
3787:
3780:
3773:
3766:
3759:
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3098:
3084:
3077:
3065:
3052:
3051:
3049:
3048:External links
3046:
3043:
3042:
3011:
2974:
2937:
2900:
2863:
2832:
2792:
2750:
2708:
2666:
2628:
2582:
2551:
2515:
2471:
2450:"WipEout 2048"
2437:
2397:
2350:
2333:Hookshot Media
2315:
2294:
2271:"WipEout 2048"
2250:
2206:
2179:"WipEout 2048"
2170:
2128:
2106:GameRevolution
2086:
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1938:"WipEout 2048"
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1514:VideoGamer.com
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1194:VideoGamer.com
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586:have a shared
513:
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508:home console.
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438:also includes
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312:(DLC), online
292:original 1995
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4084:Metal Fatigue
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1980:The A.V. Club
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754:Game Informer
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718:The A.V. Club
715:
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703:Review scores
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666:
664:
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506:PlayStation 3
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322:PlayStation 3
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276:Wipeout Pulse
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241:developed by
240:
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128:Marcus Tanner
127:
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109:Chris Roberts
108:
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100:
99:Programmer(s)
96:
92:
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86:
83:Martin Harrow
82:
80:
76:
73:Stuart Tilley
72:
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66:
63:
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46:
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30:
25:
19:
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4303:Team Buddies
4301:
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4161:Panzer Elite
4159:
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3854:Chrono Quest
3852:
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3810:
3805:Blast Radius
3803:
3796:
3789:
3784:Barbarian II
3782:
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3740:
3735:Assault Rigs
3733:
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3167:
3126:Wipeout 2048
3125:
3033:. Retrieved
3024:
3014:
3002:. Retrieved
2987:
2977:
2965:. Retrieved
2950:
2940:
2928:. Retrieved
2924:the original
2913:
2903:
2891:. Retrieved
2876:
2866:
2854:. Retrieved
2845:
2835:
2823:. Retrieved
2819:the original
2808:
2783:. Retrieved
2779:the original
2768:
2741:. Retrieved
2726:
2699:. Retrieved
2695:the original
2684:
2657:. Retrieved
2653:the original
2646:
2619:. Retrieved
2604:
2573:. Retrieved
2564:
2554:
2542:. Retrieved
2527:
2518:
2506:. Retrieved
2491:
2462:. Retrieved
2458:the original
2453:
2428:. Retrieved
2417:
2385:. Retrieved
2376:The Guardian
2374:
2341:. Retrieved
2328:
2318:
2303:
2297:
2285:. Retrieved
2276:Pocket Gamer
2274:
2241:. Retrieved
2226:
2197:. Retrieved
2193:the original
2184:GameTrailers
2182:
2173:
2161:. Retrieved
2146:
2119:. Retrieved
2104:
2077:. Retrieved
2073:the original
2062:
2033:. Retrieved
2018:
1993:. Retrieved
1978:
1968:
1956:. Retrieved
1941:
1917:. Retrieved
1902:
1892:
1880:. Retrieved
1865:
1822:. Retrieved
1809:
1799:
1787:. Retrieved
1774:
1764:
1752:. Retrieved
1737:
1727:
1715:. Retrieved
1702:Ars Technica
1700:
1690:
1678:. Retrieved
1663:
1626:. Retrieved
1613:
1603:
1591:. Retrieved
1578:
1568:
1549:
1544:
1522:. Retrieved
1513:
1484:. Retrieved
1471:
1461:
1449:. Retrieved
1434:
1409:. Retrieved
1394:
1384:
1372:. Retrieved
1357:
1347:
1330:
1324:
1320:Wipeout 2048
1319:
1313:
1309:
1303:
1299:WipEout 2048
1298:
1294:
1289:
1287:
1283:
1278:
1275:
1268:Wipeout 2048
1267:
1261:
1255:
1246:
1242:
1239:Wipeout 2048
1238:
1234:replay value
1225:
1218:
1213:
1206:
1197:
1193:
1189:
1183:
1179:
1173:
1166:
1162:Pocket Gamer
1160:
1156:The Guardian
1154:
1148:
1144:
1140:
1130:
1124:
1118:
1114:
1105:
1096:
1090:
1084:
1082:
1075:
1064:Wipeout 2048
1063:
1062:
1023:
1013:
1001:
965:The Guardian
963:
900:
888:
852:Pocket Gamer
850:
838:
800:
790:GameTrailers
788:
776:
764:
752:
740:
728:
716:
663:Wipeout 2048
662:
658:
644:
639:
629:
621:Wipeout 2048
620:
617:tone mapping
605:anti-aliased
592:
583:
580:Wipeout 2048
579:
577:
561:Wipeout 2048
560:
545:
518:Wipeout 2048
517:
515:
490:Wipeout 2048
489:
480:
468:
461:Wipeout 2048
460:
454:
436:Wipeout 2048
435:
431:
430:to play the
425:
415:
408:
401:
390:
378:Wipeout 2048
377:
376:
348:
340:
336:
332:Wipeout 2048
331:
330:
325:
308:, including
303:
300:Wipeout 2048
299:
293:
288:Wipeout 2048
287:
285:
280:
275:
269:
262:
251:anti-gravity
234:Wipeout 2048
233:
232:
231:
227:Wipeout 2097
139:
57:Publisher(s)
45:Developer(s)
27:Wipeout 2048
18:
4345:Wiz 'n' Liz
4296:Spice World
4210:Retro Force
4140:Obliterator
4000:Infestation
3949:Expert Pool
3812:Blood Money
3700:Air Support
3671:Other games
3528:3D Lemmings
3391:Formula One
3324:Colony Wars
3315:Colony Wars
2989:GamesRadar+
2606:GamesRadar+
2493:Digital Spy
2419:VentureBeat
2329:Push Square
2111:CraveOnline
2020:Destructoid
1739:Destructoid
1208:Destructoid
1168:VentureBeat
1107:GamesRadar+
1098:Digital Spy
1025:Digital Spy
1003:VentureBeat
902:Push Square
730:Destructoid
708:Publication
655:game engine
651:framebuffer
473:launch game
471:would be a
446:Development
424:version of
416:The online
405:time trials
382:racing game
371:speedometer
273:(2008) and
255:launch game
239:racing game
218:multiplayer
149:Platform(s)
89:Designer(s)
79:Producer(s)
69:Director(s)
4361:Categories
4310:Terrorpods
4289:Silverload
4254:The Scroll
4154:Overboard!
4098:Never Mind
4028:Krazy Ivan
3993:Hired Guns
3942:Eliminator
3791:Benefactor
3121:(archived)
3115:(archived)
3101:Audio help
3092:2022-07-31
2994:Future plc
2775:Future plc
2691:Future plc
2648:Gameplanet
2611:Future plc
2529:Metacritic
2310:Future plc
2228:Giant Bomb
1943:Metacritic
1775:Siliconera
1707:Condé Nast
1670:Ziff Davis
1614:Siliconera
1374:29 January
1339:References
1257:Giant Bomb
1226:Wipeout HD
1180:Wipeout HD
1145:Wipeout HD
1141:Wipeout HD
1115:Wipeout HD
1092:Gameplanet
1072:Metacritic
802:Giant Bomb
692:Metacritic
683:Aggregator
659:Wipeout HD
640:Wipeout HD
632:frame rate
593:Wipeout HD
584:Wipeout HD
546:Wipeout HD
527:resolution
451:Conception
410:Wipeout HD
337:Wipeout HD
326:Wipeout HD
305:Wipeout HD
270:Wipeout HD
237:is a 2012
93:Karl Jones
4331:Toy Story
4247:Rush Hour
4217:Roll Away
4119:No Escape
4112:Novastorm
4091:Microcosm
3926:Ecstatica
3903:Discworld
3833:Brataccas
3777:Barbarian
3770:Ballistix
3401:Formula 1
3331:Vengeance
3307:Psygnosis
3258:Companies
3131:MobyGames
2883:DMG Media
2825:3 January
2785:3 January
2701:3 January
2659:3 January
2243:3 January
2079:3 January
1985:G/O Media
1904:Eurogamer
1867:Eurogamer
1524:3 January
1436:Eurogamer
1230:power-ups
1221:gyroscope
742:Eurogamer
674:Reception
646:Eurogamer
578:Although
565:BBC Micro
557:rendering
502:compilers
494:libraries
397:airbrakes
353:in 2017.
118:Artist(s)
4268:Sentient
4231:Stage II
4224:Rollcage
4189:Psybadek
3963:G-Police
3889:Defcon 5
3868:Creepers
3819:Blue Ice
3498:Lemmings
3489:Lemmings
3103: ·
3029:Archived
3025:GameZone
2998:Archived
2961:Archived
2920:G4 Media
2887:Archived
2850:Archived
2846:GameZone
2737:Archived
2615:Archived
2569:Archived
2538:Archived
2502:Archived
2424:Archived
2381:Archived
2337:Archived
2281:Archived
2237:Archived
2157:Archived
2148:GameSpot
2115:Archived
2069:GameStop
2029:Archived
1989:Archived
1952:Archived
1913:Archived
1876:Archived
1818:Archived
1783:Archived
1748:Archived
1711:Archived
1674:Archived
1622:Archived
1587:Archived
1560:Archived
1518:Archived
1480:Archived
1445:Archived
1405:Archived
1368:Archived
1359:GameSpot
1290:GameZone
1199:GameSpot
1176:aliasing
1070:website
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357:Gameplay
339:and its
257:for the
199:Genre(s)
4049:Leander
3756:Awesome
3742:Atomino
3721:Anarchy
3707:Alundra
3605:Wipeout
3595:Wipeout
3338:Red Sun
3185:Wipeout
3168:Wipeout
3090: (
3061:minutes
3035:30 July
3004:30 July
2967:30 July
2930:30 July
2893:30 July
2856:30 July
2810:Play UK
2743:30 July
2733:Webedia
2621:30 July
2575:30 July
2544:30 July
2508:30 July
2464:30 July
2430:30 July
2387:30 July
2343:30 July
2287:30 July
2199:30 July
2163:30 July
2121:30 July
2035:30 July
1995:30 July
1958:29 July
1919:29 July
1882:29 July
1824:29 July
1789:29 June
1754:29 June
1717:29 July
1680:30 July
1628:29 July
1593:29 July
1551:YouTube
1486:29 July
1451:29 July
1411:29 July
1310:WipEout
1279:Wipeout
1263:Play UK
1243:Wipeout
1214:Wipeout
1190:Wipeout
1077:Famitsu
759:7.75/10
481:Wipeout
469:Wipeout
391:Wipeout
388:of the
294:Wipeout
283:title.
281:Wipeout
264:Wipeout
210:Mode(s)
160:Release
141:Wipeout
4338:Walker
4203:Rascal
4196:Puggsy
4133:Obitus
4126:O.D.T.
4077:Menace
4035:Lander
3979:Guilty
3882:Darker
3875:Cytron
3714:Amnios
3633:Fusion
3213:Fusion
3170:series
2534:Fandom
2233:Fandom
2189:Viacom
2153:Fandom
2025:Gamurs
1948:Fandom
1779:Gamurs
1744:Gamurs
1618:Gamurs
1556:Google
1364:Fandom
1008:65/100
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696:79/100
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3647:Pulse
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3177:Games
2952:VG247
2878:Metro
1396:VG247
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686:Score
380:is a
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3763:Baal
3661:2048
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3450:2003
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3436:2001
3429:2000
3241:2048
3220:Pure
3192:2097
3037:2024
3006:2024
2969:2024
2932:2024
2915:G4TV
2895:2024
2858:2024
2827:2017
2787:2017
2770:Edge
2745:2024
2703:2017
2661:2017
2623:2024
2577:2024
2546:2024
2510:2024
2466:2024
2432:2024
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1997:2024
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