171:, the periodical featured fiction and poetry from Minnesota women in addition to articles on art. The journal's editorial committee was chaired by Susan McDonald, Alice Towle, Marty Nash and Elizabeth Erickson until 1985 when Phyllis Wiener took over. By 1985 the journal's circulation had risen to nearly 5000. Informed by
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The Women's Art
Registry of Minnesota continues to hold exhibitions for its members. In addition to its educational and professional programs, WARM maintains an online art registry of local and regional artists and publishes an e-newsletter. WARM changed its name to Women's Art Resources of Minnesota
63:
led to the beginning of the Women's Art
Registry of Minnesota in the winter of 1973 with the establishment of a slide registry of women artists from Minnesota by Lynn Lockie Warkov and Susan Fiene. The group organized their own exhibitions and gathered statistics on the representation of women in the
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had become the first women's cooperative gallery in the United States. WARM Gallery was one of number of cooperative artist galleries established by women using A.I.R. as a model. The WARM Gallery hosted solo and group exhibitions by invited women artists and from its membership. Visiting artists at
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in 1976. It was the first feminist art cooperative in
Minnesota. The group was non-hierarchical, with all members serving on the organization's governing body. They registered as a non-profit on January 28, 1976. They limited the membership to 40 people, who were required to pay dues, attend monthly
209:
sports complex in
October 1990, parking and traffic problems worsened and the gallery experienced a decline in visitors. Unable to keep up with rising rents, the board made a decision to close WARM Gallery in January 1991. They retained the non-profit and the Mentor Program, moving to an office on
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Catherine Jordan was hired as the gallery's coordinator in 1981. She became executive director of WARM the following year. The collective established the WARM Mentor
Program in 1982. Emerging artists are paired with professionals for the two-year program. A more intensive program, the WARM Mentor
96:, and educators from the College of St. Catherine laid the foundations for WARM. At the Mid-west Women's Artists' Conference in Michigan in 1975, attendees from Minneapolis learned about the practicalities of maintaining a cooperatively run gallery.
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The WARM Gallery provided an important exhibition space outside of mainstream venues for
Minnesota women artists. It was a catalyst for economic renewal in the Warehouse District and played an important role in the development of
251:. The book includes a history of WARM and entries for each of the 12 artists featured in the exhibition. On WARM's 40-year anniversary in 2013, exhibitions were held at both the University of Minnesota's
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WARM began offering the
Feminist Perspectives monthly lecture series in 1980. The program was directed by Joyce Lyon and succeeded in bringing art critics and historians such as
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In
October 1986, WARM hosted a national conference at the Minneapolis Plaza Hotel called "The Contemporary Women in the Visual Arts". The conference featured speakers such as
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In 1976 the WARM collective established WARM: A Women's
Collective Artspace (also known as the WARM Gallery) in a former millinery store in Minneapolis'
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was one of the few interdisciplinary publications in the area and for a time it was the only art magazine published regularly in the Twin Cities. The
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held an exhibition of work from 12 of WARM's long-term members in 2006. The exhibition was documented in Joanna Inglot's 2007 book
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379:""The Enemies of Women's Liberation in the Arts Will be Crushed": A.I.R. Gallery's Role in the American Feminist Art Movement"
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Crowe, Edith L., ed. (Spring 1987). "WOMEN AND ART DOCUMENTATION GROUP: The Women's Art
Registry of Minnesota".
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Holbert, Sue E. (Fall 1990). "MHS Collections: Women's History Resources at the Minnesota Historical Society".
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Moravec, Michelle (2012). "Toward a History of Feminism, Art, and Social Movements in the United States".
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Gardner-Huggett, Joanna (2008). "Review: WARM: A Feminist Art Collective in Minnesota by Joanna Inglot".
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Following the conference, WARM found itself in significant debt. Shortly after the opening of the nearby
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meetings, and spend at least 300 hours annually on activities related to the organization and gallery.
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497:"WARM in the '80s Then & Now: Catherine Jordan on Art, AIDS, and Feminism in the Twin Cities"
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Klein, Jennie (2012). "Doin' It in Public: Feminism and Art at the Woman's Building".
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Chiarmonte, Paula L. (October 1982). "Women Artists: A Resource and Research Guide".
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in the Wyman Building at 414 First Avenue North. In 1972 New York City's
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Art Documentation: Journal of the Art Libraries Society of North America
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Finding aid for the Women's Art Registry of Minnesota Records
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holds records and media related to WARM in its collections.
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of the early 1970s. Gatherings in the studios and homes of
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before relocating to the Women's Building on Rice Street.
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The Women's Art Registry of Minnesota was founded as a
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In 1980 the WARM newsletter expanded to the quarterly
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Heresies: A Feminist Publication on Art and Politics
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236:. WARM served as a key Midwestern node in the early
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836:(1st ed.). Minneapolis: Weisman Art Museum.
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832:WARM: A Feminist Art Collective in Minnesota
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949:New York School of Applied Design for Women
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341:, painter, sculptor and performance artist
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558:Lyon, Joyce; Erickson, Elizabeth (2013).
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651:. Women's Art Resources of Minnesota
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649:"About WARM: History of WARM"
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260:Minnesota Historical Society
183:ceased publication in 1987.
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27:. It was founded in 1976 as
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347:, painter and printmaker
323:, painter and printmaker
112:WARM Gallery (1976–1991)
82:College of St. Catherine
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1042:Women's Interart Center
959:Venues or organizations
564:Minnesota Women's Press
78:University of Minnesota
1186:Women's Caucus for Art
1107:Films or documentaries
981:Feminist Art Coalition
1115:!Women Art Revolution
916:Feminist art movement
339:Sandra Menefee Taylor
299:, installation artist
210:University Avenue in
53:feminist art movement
499:. Walker Art Center.
255:and Robbin Gallery.
86:Feminist Art Program
1247:Helen Frankenthaler
991:Lesbian Art Project
773:Woman's Art Journal
275:, conceptual artist
234:arts in Minneapolis
192:Wilhelmina Holladay
72:. That year artist
1418:Women in Minnesota
1312:Carolee Schneemann
1072:Three Weeks in May
291:Elizabeth Erickson
245:Weisman Art Museum
118:Warehouse District
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1237:Mary Beth Edelson
1232:Elaine de Kooning
1080:The Sister Chapel
843:978-0-8166-5038-5
800:Minnesota History
727:, pp. 74–75.
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1257:Nancy Graves
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1222:Norma Broude
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986:Hera Gallery
911:Feminist art
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779:(1): 64–66.
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653:. Retrieved
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273:Harriet Bart
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181:WARM Journal
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165:WARM Journal
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154:Lucy Lippard
150:Robin Morgan
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74:Judy Chicago
50:
28:
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1322:Alma Thomas
1277:Lee Krasner
1267:Lila Katzen
1242:Suzi Ferrer
1191:Where We At
1144:(1972–1977)
1136:(1977–1992)
1083:(1974–1978)
759:Inglot 2007
725:Inglot 2007
713:Inglot 2007
655:16 February
632:Inglot 2007
577:Inglot 2007
546:Inglot 2007
534:Inglot 2007
522:Inglot 2007
510:Inglot 2007
478:Inglot 2007
365:Inglot 2007
285:Sally Brown
279:Hazel Belvo
139:Joan Snyder
135:Joan Semmel
101:cooperative
61:Twin Cities
47:Early years
1372:Categories
1327:June Wayne
1064:Womanhouse
930:Precursors
822:References
806:(3): 116.
400:(2): 132.
315:Joyce Lyon
196:June Wayne
131:Alice Neel
84:about her
1262:Eva Hesse
678:(1): 36.
619:194484497
465:141537252
443:(2): 30.
422:142509762
311:, painter
293:, painter
223:in 2010.
194:, artist
25:Minnesota
1297:Yoko Ono
1151:" (1971)
812:20179218
785:20358154
700:76159555
692:27947720
611:27947012
212:St. Paul
80:and the
68:and the
33:feminist
1166:subRosa
88:at the
59:in the
42:History
1159:Groups
1099:(2007)
1091:(1979)
1075:(1977)
1067:(1972)
951:(1892)
945:(1889)
939:(1881)
840:
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412:
227:Legacy
156:, and
103:by 37
1336:Lists
1023:(WAR)
808:JSTOR
781:JSTOR
696:S2CID
688:JSTOR
615:S2CID
607:JSTOR
461:S2CID
453:JSTOR
418:S2CID
410:JSTOR
353:Notes
838:ISBN
657:2015
258:The
137:and
31:, a
21:WARM
680:doi
599:doi
445:doi
402:doi
1374::
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