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either a friend or antagonist trying to convince Swift to go along with and use the system. (Swift: "Why are you so god-damned ready to justify the ways of
Rosenbaum to the apes?") The portrayal of Swift is always different, but generally falls into either tragic or comic territory. If Swift's plans for revenge are portrayed comically, then they point out the folly of Hamlet's plan to ensnare the King, deepening the parody of Shakespeare's most celebrated work. If performed dramatically, the play leaves Swift as the tragic hero, a
126:(also called "Franz") is the dreamer. She has only managed to press one button on her typewriter repeatedly, and has done so for twenty lines. She likes to put her two cents in, but rarely uses very big words. Kafka plays the naïf (and is the only female of the trio), agreeing that the experiment is stupid, but hoping for a great reward if she succeeds. By the end of the play, she begins to type the first act of
76:
Although clearly a comedy, the ending tone of the play can differ much from production to production, and generally will depend on the actor's (and director's) interpretation of the Swift character. Swift drives the action, with his rebellion to Dr. Rosenbaum and his experiment, with Milton acting as
118:(also called "Swifty") is ambitious and something of a rebel. He figures out far-fetched plans to break out of the cage, despite Milton's sarcastic and annoyed discouragement. He is the most philosophical, though his writing reflects only utter nonsense.
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figure unappreciated by his colleagues, going mad in captivity. In either case, Kafka ends the play on a notion of hope, as she is the one who spontaneously begins to successfully type the opening lines of
73:. The performance comprises the ape characters humorously confronting and conversing with each other in order to understand the purpose of the exercise put upon them.
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Dr. Rosenbaum, a scientist testing the hypothesis that three apes hitting keys at random on typewriters for an infinite amount of time will almost surely produce
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is the most realistic of the three; he knows what has to be done and knows how to do it. The rough draft on his typewriter involves the opening lines from
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175:, running from November 1993 to February 1994. Daniel Hagen played the role of Milton, Robert Stanton played Swift, and
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146:. It starred Warren Keith as Milton, Christopher Fields as Swift, and Helen Greenberg as Kafka.
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315:"Theater Review. 'All in the Timing,' by David Ives, at 59E59 Theaters"
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after being inspired by Swift's suggestion to poison Dr. Rosenbaum.
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premiered in
January 1987, in the Manhattan Punch Line Theatre in
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who are put in a cage together under the experimenting eye of a
47:. The play is about Kafka, Milton, and Swift, three intelligent
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299:"Review/Theater: 'All in the Timing'; Merrily Sputtering Along"
61:
288:
Internet Off-Broadway
Database, accessed February 10, 2014
110:
in 1667), though it concludes with nonsensical words.
161:in a production of six one-act plays, comprising
930:
918:Voss: How I Come to America and Am Hero, Mostly
454:The Lives and Deaths of the Great Harry Houdini
394:
69:). The show's title is a phrase quoted from
214:include upwards of twenty separate plays.)
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235:dramatists.com, accessed February 8, 2014
149:It was combined with other plays such as
41:for his collection of six one-act plays,
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264:All in the Timing: Six One-act Comedies
185:was revived at Primary Stages in 2013.
931:
266:, Dramatists Play Service, Inc, 1994,
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23:Words, Words, Words (disambiguation)
13:
616:Variations on the Death of Trotsky
14:
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570:Philip Glass Buys a Loaf of Bread
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158:Philip Glass Buys a Loaf of Bread
559:The Mystery at Twicknam Vicarage
539:Foreplay or The Art of the Fugue
348:Internet Off-Broadway Database
339:Internet Off-Broadway Database
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671:Translation/adaptations
657:Mere Mortals and Others
633:Evenings of short plays
210:. (Recent printings of
67:infinite monkey theorem
763:The Boys from Syracuse
609:The Universal Language
244:Shakespeare, William.
769:Dreams and Nightmares
724:Dance of the Vampires
549:Long Ago and Far Away
581:A Singular Kinda Guy
65:(a variation on the
21:For other uses, see
939:Plays by David Ives
775:Du Barry Was a Lady
748:Musical adaptations
702:The School For Lies
652:Lives of the Saints
623:Words, Words, Words
544:Lives of the Saints
529:English Made Simple
442:Don Juan in Chicago
320:, February 12, 2013
260:Words, Words, Words
202:Words, Words, Words
140:Words, Words, Words
30:Words, Words, Words
859:Strike Up the Band
756:Anyone Can Whistle
361:Christopher Fields
318:The New York Times
304:, December 3, 1993
302:The New York Times
16:Play by David Ives
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908:The Phobia Clinic
894:Narrative fiction
838:Pardon My English
831:Out of This World
685:The Heir Apparent
679:A Flea in Her Ear
641:All in the Timing
534:Enigma Variations
344:All in the Timing
335:All in the Timing
285:All in the Timing
232:All in the Timing
212:All in the Timing
207:All in the Timing
183:All in the Timing
164:All in the Timing
44:All in the Timing
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738:Here We Are
576:Seven Menus
492:Short plays
466:Polish Joke
448:Is He Dead?
437:City of God
188:Along with
135:Productions
108:John Milton
57:Shakespeare
49:chimpanzees
37:written by
944:1987 plays
933:Categories
876:Screenplay
845:Pipe Dream
662:Time Flies
603:Time Flies
597:Sure Thing
586:Soap Opera
411:David Ives
272:0822213966
218:References
191:Sure Thing
177:Nancy Opel
152:Sure Thing
90:Characters
53:never seen
39:David Ives
524:Dr. Fritz
476:St. Freud
409:Works by
79:Cassandra
716:Musicals
691:The Liar
274:, pp23ff
59:'s play
803:Jubilee
852:Purlie
432:Canvas
346:, 2013
337:, 1993
270:
246:Hamlet
128:Hamlet
97:Milton
84:Hamlet
71:Hamlet
62:Hamlet
913:Scrib
789:Fanny
418:Plays
123:Kafka
115:Swift
33:is a
374:IMDb
365:IMDb
356:IMDb
268:ISBN
194:and
155:and
372:at
363:at
354:at
171:at
935::
200:,
167:,
402:e
395:t
388:v
25:.
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