507:, performed in 2006 at the Royal Opera House: " ... there was plenty of drama in the music, thanks to the efforts of conductor Yakov Kreizberg and a vocally meaty cast on stage," and: "Thanks to Yakov Kreizberg the Orchestra and Chorus obviously relished the score which sparkled and never lost the blood-and-thunder drama." In reviewing his recording of Dvořák's 8th symphony, one critic tried for a deeper understanding of Kreizberg's ability at producing a dramatic performance: "His slow presentation of the opening melody followed by a fiery allegro sets up a nice dynamic contrast. He plays the crucial dramatic pauses in the second movement effectively, and he builds the climaxes slowly and grandly without making it sound like Götterdämmerung. The fourth movement is excellent. Kreizberg generates plenty of excitement without becoming hysterical (though the French horns could have benefited from a tighter leash) ... Kreizberg 's approach to the tone poems is similar, and The Wild Dove is special. He again presents some tremendous dramatic contrasts, but the lighter, dance-like sections don't go as well in The Noon Witch. This is probably the best recording of The Wild Dove in terms of performance and sound ... These are fine performances with excellent sound ... "
571:"It's a beautiful performance, reinforced by Kreizberg 's sensitive accompaniment and a more beautiful-sounding wind section than I thought I'd ever hear in a Russian orchestra." In a review of the recording of Shostakovich cello concertos: "Yakov Kreizberg recently notched up a notable success as a sympathetic concerto partner for Julia Fischer and Daniel MĂĽller-Schott in Brahms's 'Double'. A similar level of preparation with regard the orchestral accompaniment is evident in his finely balanced recording. In the First Concerto one feels the cello, pounding away at the ferocious double-stops, buoyantly pitched against the orchestra, the woodwind responding with incisive rhythmic precision ... "
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interpretations exhibit clear and imaginative ideas and a firm grasp of structure. His podium manner, the opposite of flamboyant, is not without charisma, and his deferential manner to soloists goes hand-in-hand with his reputation as an expert accompanist of both instrumentalists and singers. Reviewers have remarked on the sensitivity, passion, intensity, and immediacy of his performances. But the emotion is always held tautly in check, and it is this sense of control that has led other critics to find his readings cold and lacking atmosphere and spontaneity at times. This criticism aside, his achievements cannot be overrated.
549:: "Yakov Kreizberg drew highly-detailed performances from the superb Vienna Symphony, catching all the bite, drive and lyricism of these neglected masterpieces." Concerning a 2003 performance of Mahler's First Symphony with the Oregon Symphony: "Kreizberg is an interpreter of big ideas, communicated in detailed exactness. He has two of the most expressive hands in the business, and he radiated rhythm from the podium. It added up to a kind of poetry of precision, with highly expressive results."
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one with the spirit of this original masterpiece. This was great conducting and exceptionally fine orchestral playing which almost literally took my breath away: a magnificent achievement." In a 2007 review with the
Philadelphia Orchestra: "Several years ago Yakov Kreizberg conducted Shostakovich's 11th Symphony with the Philadelphia Orchestra in one of the most dramatic and incendiary live performances I have ever heard."
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leave the country. By that time, he had composed numerous works, all unpublished, in manuscript. The Soviet authorities, however, did not allow any handwritten material to be taken out of the country, so he had to leave his compositions behind. The experience was such that he gave up composition and decided to become a conductor, although he also stated later that he "realised I didn't have enough talent for it".
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hundertmal miteinander gespielt. Wir haben es völlig gleich interpretiert. (So I had the violin in my hand for nearly two days, without sleep, from the car to the stage – I was really at my physical limit. We met in front of the orchestra: Hey, I'm Yakov, I'm Julia, already we had to start. And it was as if we had already performed together a hundred times. We interpreted it exactly the same.)
102:. He took US citizenship in 1982. He became the first student there to earn a doctorate in both orchestral and operatic conducting, and won the school's Eugene Ormandy Prize. While at the University of Michigan, Kreizberg conducted the Livonia Youth Symphony's senior orchestra from 1983 to 1984, with performances in Livonia, Michigan, as well as at Orchestra Hall in Detroit.
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In the last year of his
Bournemouth tenure: "After the interval Kreizberg conducted, from memory, the greatest live performance of Shostakovich's Fifth Symphony I have ever heard. Utterly faithful to the letter of the score, which is so rarely the case, he and the Bournemouth Orchestra were fully at
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Ich also mit der Geige in der Hand vom Auto auf die Bühne, seit fast zwei Tagen nicht geschlafen – ich war wirklich an meiner körperlichen Grenze. Wir trafen uns vor den Augen des
Orchesters: Hallo, ich bin Yakov, ich bin Julia, schon mussten wir anfangen. Und es war, als hätten wir das Stück bereits
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Even in Mozart reviewers found plentiful drama: "Yakov
Kreizberg launches the Sinfonia concertante in emphatic style: a no-nonsense tempo, lashing sforzando accents, a powerful forward impetus. Mozart's thrilling take on the slow-burn "Mannheim crescendo" has an almost ferocious intensity, enhanced
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It helps amazingly in my life. Young artists today stop seeing their teachers regularly very early, and go to tour the world. I now see my teacher every four or six months. And Yakov kind of fills that role for me. He sees me every month and goes through all the repertoire with me. When I play with
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Kreizberg apparently had a special affinity for
Shostakovich's music. For his debut with the New York Philharmonic, he conducted Shostakovich's 11th Symphony: "The performance was riveting. Kreizberg, Russian-born and now living in Germany, has a remarkable baton technique using mostly very small,
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ultimately he was so unbelievably passionate about music, and so convincing in his reading of the piece, that one couldn't help but feel that his way of interpreting it was the only right way. He even made works that, generally speaking, were not considered the most important seem like masterpieces.
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Kreizberg frequently received near-superlative reviews as a collaborator, probably because of his extensive experience accompanying singers from his time in college and continuing during his professional career as an opera conductor. In Julia
Fischer's recording of the Tchaikovsky Violin Concerto:
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as reflecting "superiority, concentration, conceptual analysis, breathing together of music and scene, of instrumental and vocal groups, and precision in detail." One critic commenting on Julia
Fischer's recording of Russian violin concertos: "She was ably partnered throughout by Yakov Kreizberg,
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Kreizberg's duties as GMD in
Krefeld-Mönchengladbach included the chief conductorship of the Niederrheinsche Sinfoniker. During his tenure, Kreizberg instituted special annual concerts devoted to an individual composer, which the orchestra continued after his tenure. In 1993, Kreizberg began his
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The conductor I most admire and respect is
Leonard Bernstein. He had a phenomenal musical talent. Not only was he a great conductor but also a wonderful composer, fabulous pianist, and a powerful educator of young audiences. One could agree or disagree with his approach to a particular score but
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Semyon had emigrated from the Soviet Union in 1975. Yakov had also hoped to emigrate, but his father's professional status and perceived security risk were barriers to emigration. His emigration became possible only when his father chose to divorce his mother, which permitted mother and son to
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Daniel Müller-Schott: "The first time we met was in 2005 in the States to perform the Dvořák
Concerto. From that moment I felt we had a wonderful connection, one that would continue for years. After that we recorded the Brahms Double Concerto with Julia Fischer, which was fantastic, so when the
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He has since been consistently praised for an impeccable stick technique that is taut, precise, well-articulated, and highly disciplined. There is never any question that he has prepared each performance thoroughly and meticulously, with every phrase and nuance considered. The resulting
326:. Kreizberg and Fischer worked together regularly, and Fischer recalled her first meeting with Kreizberg in Philadelphia, where both artists were performing the violin concerto by Aram Khachaturian for the first time, following her arrival after a physically exhausting journey:
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Kreizberg had been scheduled to stand down formally from the Netherlands Philharmonic and Netherlands Chamber Orchestras at the end of the 2010–2011 season. His final concert was on 14 February 2011 with the Netherlands Philharmonic Orchestra at the
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From 1985 to 1988, Kreizberg was director of the orchestra at Mannes, and also taught conducting to a select number of students. During this period, he also conducted concerts of the New York City Symphony. In 1986, Kreizberg won first prize in the
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Tony Woodcock, past manager of the Bournemouth orchestra, recalled: "He had made a huge reputation for himself with this work because of his clear passion for it and his ability to mold an ensemble of intense musical and dramatic presence."
87:, leading Haydn's Symphony No. 88. For his graduation concert, he conducted the Mannes Orchestra on 6 March 1981. Around this time, he changed his surname to his mother's maiden name, Kreizberg, to distinguish himself from his older brother.
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Even regarding the relationship of conductor to orchestra, Kreizberg said: "It's like a ... relationship—it's give-and-take, it's being open minded and being flexible because nothing in life is ever quite the way you imagine it to be."
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Working in opera is the single best experience a conductor can get. Without it, he will never develop into what he could be. Singers, good and bad, teach you to be more flexible and to learn things a symphony orchestra will never teach
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in recognition of his music work in Austria. During the 2008–2009 season, Kreizberg was Artist-in-Residence at the Alte Oper Frankfurt, the first conductor to be so honoured. Kreizberg was Music Director and Artistic Director of the
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Another aspect that many critics noted was Kreizberg's attention to detail, often in a way that they found unique. In one of his earliest reviews in the German press, a critic described his approach to Reimann's opera
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from 2009 until his death in 2011. His original contract had designated an appointment to the Monte Carlo post for 5 years, but his final illness had begun to manifest itself by the summer of 2010.
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Many reviews of Kreizberg's performances and recordings often attribute his unique qualities to his ability imbue music with dramatic power. Already in one of his earliest recordings, Goldschmidt's
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into a family of Jewish ancestry. His father, May Bychkov, was a doctor and military scientist. His maternal great-grandfather, Yakov Kreizberg, was a conductor at the Odessa Opera. His brother is
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from 1995 to 2000. During his Bournemouth tenure, he led the orchestra in its Carnegie Hall debut on 17 April 1997. With the Bournemouth SO, he conducted the UK premiere of Berthold Goldschmidt's
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Peter Ilyich Tchaikovsky – Violin concerto – Sérénade mélancolique – Valse – Souvenir d'un lieu cher. Julia Fischer, Yakov Kreizberg, Russian National Orchestra. PENTATONE PTC 5186095 (2006).
230:, the German music critics association. Kreizberg noted difficulties with funding, job cuts, and inability to fill vacancies as factors in his departure from the Komische Oper Berlin.
197:, which the composer himself received enthusiastically. At the time of his 1986 appointment to the post, he was age 27, the youngest GMD ever appointed in Germany up to that time.
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from 1994 to 2001. During his tenure there, he conducted 10 new opera productions and 38 orchestral concerts, as well as 2 ballets. In particular, in 1994, Kreizberg conducted
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83:, as did his brother, who counted among his conducting teachers, and graduated in 1981. One of his first public appearances as conductor was on 30 March 1980 at the
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What Musin taught was a foundation; everything else I learned from master classes of very good and bad conductors. From the bad, I learned what not to do.
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at the Komische Oper, a critic noted: "The evening's most exciting aspect was the orchestra's brilliant playing under music director Yakov Kreizberg." A
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Yakov began studying piano at age 5. He attended the Glinka Choir School, where he began composing at age 13. He subsequently studied conducting with
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nominations. His final recording was a Decca release with Julia Fischer and the Monte Carlo Philharmonic of tone poems for violin and orchestra.
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Kreizberg also worked as an accompanist to vocal students and accompanied productions such as Theatre Opera Music Institute's 1981 production of
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Barry Brenesal, "Classical Recordings: Khachaturian – Violin Concerto in d; Prokofiev – Violin Concerto in D; Glazunov – Violin Concerto in a,"
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Richard A. Kaplan, "Classical Recordings: Tchaikovsky – Violin Concerto – 'Sérénade mélancolique'; 'Valse-Scherzo'; 'Souvenir d'un lieu cher'"
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Florian Zwiauer (concertmaster of the Netherlands Philharmonic Orchestra) summed up Kreizberg: "He is a musician's conductor."
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395:, he conducted over 30 concerts between 1999 and 2007, including deputising for the orchestra's then-outgoing music director
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clear motions; conducting from memory, he seemed to become one with the music and the musicians, who played magnificently."
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who led the Russian National Orchestra with splendid energy and an attention to detail." Concerning Kurt Weill's operas
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2003:
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699:– Symphony No.8 & Holoubek, Op.110 & Polednice, Op. 108. Yakov Kreizberg, Netherlands Philharmonic Orchestra.
464:('Music was my life') on his gravestone. His wife, American conductor Amy Andersson, and their two sons survived him.
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Tony Woodcock, "Mr. Kreizsky, meet Mr. Woodsky". "Tony's Blog" (New England Conservatory of Music), 15 March 2011
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1938:
Arvid Ashby, "Goldschmidt: Passacaglia, op 4; Comedy of Errors Overture; Chronica; Les Petits Adieux; Rondeau,"
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798:– Symphony No.4 & Orchestral music from "Notre Dame". Yakov Kreizberg, Netherlands Philharmonic Orchestra.
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Yakov Kreizberg, Works by Maurice Ravel, Gabriel Fauré, Claude Debussy. Netherlands Philharmonic Orchestra.
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In addition to his recording work with his Dutch ensembles, Kreizberg also recorded commercially with the
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997:, (1988), p. 61. This is the only source which acknowledges that Bychkov was one of Kreizberg's teachers.
671:– Symphony No. 7 & "The Golden Spinning Wheel". Yakov Kreizberg, Netherlands Philharmonic Orchestra.
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Jeunesses Musicales World Orchestra, "JMI Bids a Sad Farewell to Maestro Yakov Kreizberg", 16 March 2011
125:. Later in his career, in 2006, Kreizberg acknowledged Bernstein as the conductor whom he most admired:
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on 3 August 1993, and returned each year from 1994 to 2000. He served as principal conductor of the
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Arthur Lintgen, "Classical Recordings: Dvořák – Symphony No. 8; 'The Wild Dove'; 'The Noon Witch'
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Following his emigration to the United States with his mother in 1976, Yakov Bychkov attended the
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in its first staging since 1932. Other work there in contemporary opera included a production of
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62:, as did his brother. In later years, Kreizberg summarised his conducting education as follows:
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661:– Symphony No. 6 & The Water Goblin. Yakov Kreizberg, Netherlands Philharmonic Orchestra.
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Works by AntonĂn Dvořák, Claude Debussy, Richard Wagner, Franz Schmidt, Johann Strauss Jr..
30:; born Yakov Mayevich Bychkov, 24 October 1959 – 15 March 2011) was a Russian-born American
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Tim Page, "Yakov Kreizberg Leads City Symphony at Tully," New York Times, 15 December 1986.
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629:– Violin Concerto in D / Sérénade mélancolique / Valse-Scherzo / Souvenir d'un lieu cher.
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2004:
Richard Wigmore, "Mozart: Sinfonia concertante, K364b. Rondo, K373. Concertone, K190',"
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Bob Kosovsky, "Yakov Kreizberg, 1959–2011," New York Public Library blog, 22 March 2011
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Edith Eisler, "On Stage: Melodies of Spring: Recitalists and Orchestras in New York"
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after a long illness, aged 51. His remains were later transferred from Monaco to the
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on a 2003 tour of North and South America, when Sawallisch became too ill to travel.
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1686:(Press release). Bundesministerium fĂĽr Unterricht, Kunst und Kultur. 16 October 2007
788:– "Romeo and Juliet" Overture. Yakov Kreizberg, Netherlands Philharmonic Orchestra.
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582:, Julia Fischer was asked whether her collaboration with Kreizberg was beneficial:
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742:– Preludes & Overtures. Yakov Kreizberg, Netherlands Philharmonic Orchestra.
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139:'s Stokowski Conducting Competition, which resulted in a 2 March 1986 concert at
121:, where he continued work with Bernstein and was invited back to be assistant to
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Arthur Lintgen,"Classical Recordings: Shostakovich – Symphonies: No. 5; No. 9,"
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Grave of Yakov Kreizberg in Section 40 (reserved for honorary Austrians) in the
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2099:"Yakov Kreizberg, thrilling guest conductor at the Oregon Symphony, dead at 51"
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Larry L. Lash, "Der Protagonist & Royal Palace, Bregenz Festival, 8/8/04,"
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Anthony Bye, "Ebb and Flow," Musical Times 133, No. 1793 (July 1992), p. 353.
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From 2003 to 2011, Kreizberg was Chief Conductor and Artistic Advisor of the
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has a zip that's missing elsewhere in the program ... " At a performance of
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1684:"Ă–sterreichisches Ehrenkreuz fĂĽr Wissenschaft und Kunst an Yakov Kreizberg"
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possibility arose to record the Shostakovich, I felt he would be perfect."
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2157:"Hilary Hahn interview with Yakov Kreizberg and Florian Zwiauer. Part 4,"
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him I play my best, and we both know so well from each other what we want.
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Hilary Hahn interview with Yakov Kreizberg and Florian Zwiauer, part 1,
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Kenneth Woods, "Yakov Kreizberg," A View From the Podium, 15 March 2011
1890:(Press release). Harrison Parrott Agency. 20 March 2013. Archived from
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video referred to him as "the fiery Yakov Kreizberg". And for Verdi's
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to do his graduate studies in conducting, where his teachers included
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Elsewhere in Europe, Kreizberg was Principal Guest Conductor of the
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University of Michigan School of Music, Theatre & Dance alumni
1515:"News Section," Tempo, New Series, No. 209 (Jul. 1999), pp. 60–63.
261:(1995, documented on DVD), and Lehnhoff's production of Janáček's
864:"Yakov Kreizberg: One of the finest conductors of his generation"
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from 1988 to 1994, where his work included a notable revival of
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Recipients of the Austrian Cross of Honour for Science and Art
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Principal Conductors of the Monte-Carlo Philharmonic Orchestra
1636:"Kreizberg vertrekt als chef Nederlands Philharmonisch Orkest"
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Faubion Bowers, "Bournemouth Symphony: Debussy, Tchaikovsky,"
681:– Violin Concerto & Double Concerto for Violin and Cello.
318:. With his Netherlands ensembles, he recorded regularly for
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Malcolm Miller, "Proms '96: Muldowney, Henze, Goldschmidt,"
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Jochen Breiholz, "In Review: From Around the World—Berlin,"
770:– Russian Violin Concertos. Julia Fischer, Yakov Kreizberg,
709:– Symphonies Nos. 5&9 Op.47&Op.70. Yakov Kreizberg,
615:– Russian Violin Concertos. Julia Fischer, Yakov Kreizberg,
265:(1998). He spoke of opera conducting generally as follows:
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obituary describes Kreizberg and Bychkov as half-brothers.
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Generalmusikdirektor, Theater Krefeld und Mönchengladbach
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In contemporary music, Kreizberg also conducted works by
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Wolfgang Mika, "50 Jahre Niederrheinische Sinfoniker,"
1434:"Conductor Kreizberg feels like a citizen of the world"
689:, Yakov Kreizberg, Netherlands Philharmonic Orchestra.
643:, Yakov Kreizberg, Netherlands Philharmonic Orchestra,
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Daniel MĂĽller-Schott, interviewed by Charlotte Smith,
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353:Ă–sterreichisches Ehrenkreuz fĂĽr Wissenschaft und Kunst
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Bruce Duffie, "Conversation Piece: Yakov Kreizberg,"
222:. For his work at the Komische Oper, he received the
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https://www.youtube.com/watch?v=zK4-dNc13X0&NR=1
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James Reel, "Talking with Violinist Julia Fischer,"
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Maestros in America: conductors in the 21st century,
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recording of Bruckner's Symphony No. 7 received two
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Chief Conductor, Netherlands Philharmonic Orchestra
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Principal Conductor, Bournemouth Symphony Orchestra
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Joanne Talbot, The Strad, 1 September 2008, p. 111.
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Maestros in America: Conductors in the 21st Century
1035:"Yakov Kreizberg, Orchestral Conductor, Dies at 51"
1837:"Kreizberg replacing Sawallisch on orchestra tour"
1664:(Press release). Wiener Symphoniker. 16 March 2011
1413:(Press release). Glyndebourne Opera. 17 March 2011
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322:, which included several concerto recordings with
177:Kreizberg was General Music Director (GMD) of the
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1090:Roderick L. Sharpe and Jeanne Koekkoek Stierman,
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2022:, 14, no. 2/80 (August–September 1999),p. 78-85.
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307:'s Symphony No. 2 on 30 July 1999 at The Proms.
1994:31, no. 2 (November–December 2007), p. 144-145.
1914:"Yakov Kreizberg hat nun ein Ehrengrab in Wien"
1662:"Wiener Symphoniker trauern um Yakov Kreizberg"
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2232:Peter Dobrin, "Yakov Kreizberg, 1959–2011".
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1707:"Monte Carlo Philharmonic Names New Director"
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237:in 1992, the Nikolaus Lehnhoff production of
2212:Bruce Duffie, interview with Yakov Kreizberg
1977:Denby Richards, "Macbeth at Covent Garden,"
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830:Austrian Cross of Honour for Science and Art
351:from 2003 to 2009. In 2007, he received the
2172:https://www.youtube.com/watch?v=6QnjH9Y_bfY
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1019:Lillian Bellison, "Chords & Calories,"
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832:for services to the musical life of Austria
284:as its Music Director and Chief Conductor.
16:Russian-born American conductor (1959–2011)
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2289:Generalmusikdirektor, Komische Oper Berlin
1942:60, no. 5 (September–October 1997), p. 83.
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1811:"Under All The Meanings, It's Still Music"
1596:29, no. 1 (September–October 2005), p. 59.
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1277:(New Jersey edition), 9 March 1986, p. 19.
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1479:"Sense and Sensibility, From Bournemouth"
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1273:Rena Fruchter, "Free Concert Scheduled",
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1113:"In Memoriam: Yakov Kreizberg, 1959–2011"
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893:Hilary Finch, "Kreizberg Steps Forward,"
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441:and the Russian National Orchestra. His
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375:In the United States, Kreizberg made his
2561:21st-century American conductors (music)
2556:20th-century American conductors (music)
1964:Colin Eatock, "United Kingdom: London,"
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552:In the section on Kreizberg in his book
511:by the recording's wide dynamic range."
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1888:"Conductor Yakov Kreizberg (1959–2011)"
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287:In the UK, Kreizberg made his debut at
109:continuing his conducting studies with
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2541:Burials at the Vienna Central Cemetery
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1186:"The Experts' Expert Podium Heroics,"
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2536:Soviet emigrants to the United States
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2222:Naxos Records page on Yakov Kreizberg
2048:no. 6 (July–August 2007), p. 229-231.
1759:"Kreizberg Makes A Flourishing Debut"
1583:30 no. 4 (March–April 2007), 238–239.
917:Roland De Beer, "Yakov Kreizberg" in
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2571:21st-century American male musicians
2566:20th-century American male musicians
2035:124 no. 1423 (December 2000), p. 44.
1981:129 no. 1452 (May–June 2006), p. 40.
1783:Martin Bernheimer (19 August 1993).
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1250:"Music: Charles Neidich in Concerto"
835:2008 Honorary citizenship of Austria
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2185:"Reply to a parliamentary question"
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1477:James R Oestreich (22 April 1997).
1156:Michael Anthony (18 January 2012).
752:– Symphony No. 7. Yakov Kreizberg,
391:debut was on 19 May 1999. With the
282:Jeunesses Musicales World Orchestra
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228:Verband der deutschen Kritiker e.V.
117:. He received a scholarship at the
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1705:Kevin Shihoten (23 October 2007).
1610:"Ich werde Yakov bei mir behalten"
1551:Barry Millington (21 March 2011).
358:Monte Carlo Philharmonic Orchestra
312:Netherlands Philharmonic Orchestra
119:Los Angeles Philharmonic Institute
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2236:, "ArtsWatch" blog, 15 March 2011
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2074:28 no. 5 (May–June 2005), p. 143.
1731:Christian Merlin (13 July 2010).
1525:Andrew Clements (3 August 1999).
1367:James Helme Sutcliffe, "Berlin,"
1248:Will Crutchfield (3 March 1986).
1094:. Scarecrow Press (Lanham, MD),
989:Jörg Loskill, "Yakov Kreizberg,"
861:Martin Anderson (28 March 2011).
472:
160:. He accompanied and toured with
2506:American male conductors (music)
2031:"Prom Reviews: Bournemouth SO,"
1757:John von Rhein (9 August 1992).
1287:Edward Rothstein (25 May 1981).
460:in Vienna, with the inscription
2521:Russian male conductors (music)
2501:Musicians from Saint Petersburg
2177:
2164:
2151:
2138:
2125:
2116:
2097:David Stabler (15 March 2011).
2090:
2077:
2064:
2051:
2038:
2025:
2012:
1997:
1984:
1971:
1958:
1945:
1932:
1906:
1880:
1863:"Julia Fischer: Poème – review"
1854:
1828:
1802:
1776:
1750:
1724:
1698:
1676:
1654:
1586:
1518:
1509:
1496:
1470:
1451:
1432:RM Campbell (7 November 2002).
1403:
1394:
1361:
1342:Ulrich Amling (17 March 2011).
1306:
1280:
1267:
1241:
1228:
1219:
1193:
1180:
1149:
875:from the original on 7 May 2022
756:. PENTATONE PTC 5186051 (2005).
713:. PENTATONE PTC 5186096 (2007).
556:Roderick L. Sharpe summarized:
200:Kreizberg later was GMD of the
1033:Margalit Fox (11 April 2011).
1026:
1013:
1000:
932:
887:
344:, one month before his death.
297:Bournemouth Symphony Orchestra
37:
1:
2531:Mannes School of Music alumni
1785:"Sing-Along Hits at the Bowl"
1733:"Yakov Kreizberg transfiguré"
1411:"Yakov Kreizberg (1959–2011)"
1313:Tim Page (23 February 1987).
839:
784:– 'New World' Symphony &
316:Netherlands Chamber Orchestra
233:Kreizberg first conducted at
1955:, July 1996 : Page 101.
1951:untitled summary of videos,
1809:Allan Kozinn (22 May 1999).
637:In Memoriam Yakov Kreizberg.
633:PTC 5186610 (2016 re-issue).
623:PTC 5186591 (2016 re-issue).
481:, it was noted "Kreizberg's
452:He died on 15 March 2011 in
7:
1835:Peter Dobrin (7 May 2003).
1238:, 23 February 1986, p. H23.
921:. Meulenhoff (Amsterdam),
137:American Symphony Orchestra
105:Kreizberg spent summers at
10:
2592:
2511:Jewish classical musicians
1553:"Yakov Kreizberg obituary"
1506:199 (January 1997), p. 33.
1438:Seattle Post-Intelligencer
1344:"Kerniger Mozart-Dirigent"
1200:Jason Dehart (July 2006).
1158:"The Bernstein connection"
772:Russian National Orchestra
711:Russian National Orchestra
649:Russian National Orchestra
617:Russian National Orchestra
377:Chicago Symphony Orchestra
247:. He returned in 1995 for
47:Yakov Bychkov was born in
2398:
2349:
2340:
2332:
2322:
2313:
2305:
2295:
2286:
2278:
2273:
2264:
2258:
2253:
2190:(in German). p. 1824
2087:69, no. 4 (October 2004).
1861:Tim Ashley (5 May 2011).
1391:, pp. 93–96 (March 1999).
1315:"Recital: Roberta Peters"
443:Vienna Symphony Orchestra
439:Vienna Symphony Orchestra
410:, Hans Werner Henze, and
383:debut was in 1993 at the
349:Vienna Symphony Orchestra
179:United Municipal Theaters
94:, Kreizberg moved to the
27:
1968:March/April 2006, p. 47.
1467:, p. 36 (February 2001).
1010:, 23 March 1980, p. D24.
730:Tour de France musicale.
381:Los Angeles Philharmonic
172:
85:Marble Collegiate Church
2516:Music directors (opera)
1371:(18 March 1995), p. 47.
1289:"Rimsky's Mozart Opera"
253:Wolfgang Amadeus Mozart
224:Kritikerpreis fĂĽr Musik
2576:Oehms Classics artists
1023:, 1 March 1981, p. 59.
807:Decorations and awards
589:
563:
393:Philadelphia Orchestra
372:
333:
293:BBC Symphony Orchestra
272:
132:
96:University of Michigan
81:Mannes School of Music
68:
2234:Philadelphia Inquirer
2008:November 2007, p. 82.
1940:American Record Guide
1841:Philadelphia Inquirer
1234:Hemidemisemiquavers,
1102:, pp. 128–131 (2008).
1060:American Record Guide
1006:Advertisement in the
929:, pp. 137–143 (2003).
901:, p. 798 (July 1994).
584:
558:
389:New York Philharmonic
366:
328:
280:affiliation with the
267:
127:
123:Michael Tilson Thomas
64:
2148:, April 2007, p. 13.
2135:October 2008, p. 73.
1206:Tallahassee Magazine
824:German Critics Prize
723:PTC 5186052. (2006).
687:Daniel MĂĽller-Schott
599:Selected discography
462:Musik war mein Leben
210:Der gewaltige Hanrei
206:Berthold Goldschmidt
202:Komische Oper Berlin
145:Newark Symphony Hall
75:In the United States
1066:, July/August 1997.
802:PTC 5186015 (2003).
792:PTC 5186019 (2003).
778:PTC 5186059 (2004).
746:PTC 5186041 (2004).
736:PTC 5186058 (2005).
707:Dmitri Shostakovich
703:PTC 5186065 (2007).
693:PTC 5186066 (2007).
675:PTC 5186082 (2009).
665:PTC 5186302 (2009).
655:PTC 5186461 (2012).
578:In an interview in
527:Attention to detail
397:Wolfgang Sawallisch
379:debut in 1992. His
168:Professional career
164:in the late 1980s.
43:In the Soviet Union
2463:Gianluigi Gelmetti
2439:Gianluigi Gelmetti
2274:Succeeded by
1894:on 12 January 2013
1642:. 27 February 2009
1527:"Trumpet virtuoso"
1168:on 5 November 2012
754:Wiener Symphoniker
645:Wiener Symphoniker
468:Critical reception
373:
235:Glyndebourne Opera
193:'s opera-oratorio
157:Mozart and Salieri
2478:
2477:
2427:Lovro von Matačić
2359:
2358:
2350:Succeeded by
2323:Succeeded by
2296:Succeeded by
2254:Cultural offices
2144:"Julia Fischer,"
1789:Los Angeles Times
1100:978-0-8108-6022-3
962:"Yakov Kreizberg"
938:Please note that
927:978-9-0290-7450-6
566:As a collaborator
487:Hans Werner Henze
428:Karol Szymanowski
412:Siegfried Matthus
251:'s production of
214:Hans Werner Henze
115:Leonard Bernstein
90:On the advice of
2583:
2385:
2378:
2371:
2362:
2361:
2336:Hartmut Haenchen
2333:Preceded by
2306:Preceded by
2279:Preceded by
2261:Reingard Schwarz
2259:Preceded by
2251:
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2016:
2010:
2001:
1995:
1988:
1982:
1975:
1969:
1962:
1956:
1949:
1943:
1936:
1930:
1929:
1927:
1925:
1920:. 1 October 2011
1918:Rheinischen Post
1910:
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1348:Der Tagesspiegel
1339:
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1197:
1191:
1190:May 2006, p. 43.
1184:
1178:
1177:
1175:
1173:
1164:. Archived from
1153:
1147:
1140:
1129:
1128:
1126:
1124:
1109:
1103:
1088:
1067:
1056:
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884:
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880:
866:
858:
275:Orchestral posts
55:(born in 1952).
29:
2591:
2590:
2586:
2585:
2584:
2582:
2581:
2580:
2481:
2480:
2479:
2474:
2457:Yakov Kreizberg
2433:Lawrence Foster
2421:Igor Markevitch
2394:
2389:
2355:
2346:
2338:
2328:
2319:
2311:
2301:
2299:Kirill Petrenko
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2105:
2095:
2091:
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2078:
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2056:
2052:
2043:
2039:
2033:Musical Opinion
2030:
2026:
2017:
2013:
2002:
1998:
1989:
1985:
1979:Musical Opinion
1976:
1972:
1963:
1959:
1950:
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1767:
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1763:Chicago Tribune
1755:
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1687:
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1640:NRC Handelsblad
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1005:
1001:
988:
981:
971:
969:
968:. 21 March 2011
960:
959:
946:
940:The Independent
937:
933:
916:
905:
892:
888:
878:
876:
869:The Independent
859:
846:
842:
809:
679:Johannes Brahms
601:
568:
540:Der Protagonist
529:
475:
470:
458:Zentralfriedhof
432:Igor Markevitch
408:Jonathan Harvey
369:Zentralfriedhof
291:conducting the
277:
226:in 1997 by the
191:Aribert Reimann
187:Mönchengladbach
175:
170:
152:Rimsky-Korsakov
111:Erich Leinsdorf
77:
45:
40:
20:Yakov Kreizberg
17:
12:
11:
5:
2589:
2579:
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2451:Marek Janowski
2448:
2445:James DePreist
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2206:External links
2204:
2202:
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2089:
2076:
2063:
2057:Jörg Loskill,
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2011:
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1815:New York Times
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1627:
1616:. 27 July 2011
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1483:New York Times
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747:
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737:
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717:Johann Strauss
714:
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697:AntonĂn Dvořák
694:
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669:AntonĂn Dvořák
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659:AntonĂn Dvořák
656:
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567:
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528:
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499:review of the
474:
473:Dramatic power
471:
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404:Judith Bingham
385:Hollywood Bowl
276:
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249:Deborah Warner
174:
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162:Roberta Peters
76:
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53:Semyon Bychkov
44:
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2103:The Oregonian
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1144:Opera Journal
1139:
1137:
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1119:. Spring 2012
1118:
1117:Michigan Muse
1114:
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