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sat together wondering what they would call the song, Sohlke kept repeating Pajama jama yama yama. Suddenly he brightened up and cried "Did either of you fellows ever hear of a Yama Yama Man?" Of course neither one had and Sohlke confirmed "Neither have I! Lets call the new song Yama Yama Man". Quickly Davis set to work to write a lyric around the title and that night Sohlke and
Hoschna locked themselves in a room with Bessie McCoy and rehearsed the Yama song and dance for five hours.
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flies in loose flax around her face, and her face is a vivid white candle flame in the yellow aureole of her hair … Her feet might be bounding white balls carrying her body with them in their tireless, leaping flight. She circles madly around the boards, touching lightly and rebounding from the jutting points of the painted mock scenery, like an imprisoned moth, or an elf hunting for some lost thing and fearful of being caught. She is wonderful.
447:, who appears to owe much to the Yama Yama Girl costume. Both Koko and Bessie McCoy wore clothing of loose black material, with three large white pom-poms in front and a white-trimmed neck frill. Both wore white foot coverings, white gloves with long fingers, and a hat with the same white pom-pom as in front. A 1922 sheet music drawing makes the connection explicit, saying "Out of the Inkwell, the New Yama Yama Clown", showing a picture of Koko.
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the next day. Gus Sohlke, the stage director, happened to pass a toy store and saw in the window a doll built out of triangles. Realizing that this had never been used in stage work he decided to have a triangular man chorus in place of The Pajama Man. That afternoon as he, Collin Davis and
Hoschna
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she swings on her heel and leaps away into a wild fantastic headlong dance—the dance of a crazy king's clown, half girl, half wild boy, heady with the wine of the Spring air at twilight … The black satin of her bloomers fills like sails, and they ripple and flatten against her body. Her hair
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Bessie McCoy's signature performance was key in establishing the song's popularity. According to
Marjorie Farnsworth, "thousands came to see Bessie sing and dance as the Yama Yama Girl and then came to see her again.... her knack of dancing the songs became so effective that she often did them in
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It is quite some time since the trial and approval of the "pay-as-you-enter cars," and I fail to see why they have not been introduced on the
Broadway line. A strong public sentiment favors these new and up-to-date cars, since they not only gather in the nickels, but they do away with crowding,
137:
clown costume with floppy gloves and a cone hat. At age 20, she became an overnight sensation on
Broadway and was known thereafter as the "Yama Yama Girl"; it became her lifelong theme song. The show ran for 288 performances. The lyrics contain topical references of the era such as
421:
began imitating Bessie McCoy's "Yama Yama Man" in amateur theatricals. Irene's mother would take her around to
Broadway producers auditioning her talent using the Yama routine, but with little success. Irene later had a successful career in modern dance with her husband
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Verse 5: Right and left ankle or leg. Turn of the century skirts were normally very long and when women lifted their skirts in the street to prevent them from getting dirty, men might catch a glimpse of an ankle or leg underneath. As the 20th century progressed
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was rehearsing in
Chicago, prior to first opening, Karl Hoschna, the composer, was asked to furnish a "pajama man song". He wrote one called The Pajama Man only to learn that it could not be used owing to another pajama number booked at the
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hairstyles, popular at the time, were sometimes made with "hair-rats", which were pads of old hair taken from brushes stuffed into the hairdo to create volume. They were a "dismaying sight to find in the theater seat directly
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719:, where nickels were deposited by passengers in a machine when entering instead of being collected by a conductor. "Traction" was the general term for movement by locomotive car. The following letter to the editor of
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shoving, jamming, and the abominable nuisance of the conductor, who used to throw people down and step over them in his eagerness to gather the coin that he paid over, or did not pay over, to the car companies.
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146:—the Yama Yama Man—who is "ready to spring out at you unaware". Bessie McCoy's song and dance routine was a standard into the 1930s with a prestigious lineage of imitators including
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released an LP titled "The Yama Yama Man", the title track is a ragtime version with horns and banjos. Segal apparently released the album due to his popularity doing same on
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Verse 1 & 2: About the subject of the song. These are the only two verses sung in the play; the remaining four verses were reserved for McCoy's inevitable encores.
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She sighed, remembering the grown-up satin dress she had been so proud of and the orchestra playing 'Yama-yama, My Yama Man'
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Verse 3: Ladies' fashion of the period involved elaborate hats arranged with stuffed birds, feathers, flowers and so on.
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Bessie McCoy in her Yama Yama Man costume with "Terrible eyes and a face of tan.. Ready to spring out at you unaware".
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with the audience filling in the words." According to Joe Laurie Jr she was one of the most imitated routines in
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In 1909, the Pay-As-You-Enter Car Corp issued stock making it quite topical around the time of the song.
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recorded a version around 1912 accompanied by banjo. In 1909, the Cuban dance orchestra
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Fisher, Louis M. (April 28, 1909). "Letter to the Editor: 'Pay-as-You-Enter' Cars".
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imitating Ginger Rogers imitating Irene Foote imitating Bessie McCoy's performance.
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magazine reported the following story how the Yama song originated. When
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Notable
American Women: The Modern Period: A Biographical Dictionary
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The Story Of Vernon And Irene Castle - The Yama Yama Man routine
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1051:. Lyrics by Collin Davis. Video by EMGColonel on Nov 20, 2011.
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Funny
Pictures: Animation and Comedy in Studio-Era Hollywood
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and ladies' fashion while the refrain is about a comical
1210:"Advertisement: Yama Yama Land by Grace Duffie Boylan"
898:. Vol. 20, no. 30. July 25, 1908. p. 8.
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If you don't watch out he'll get you without a doubt,
878:. New York: Holt, Rinehart And Winston. p. 263.
1124:. In Sicherman, Barbara; Green, Carol Hurd (eds.).
715:Verse 6: This is about the new "Pay-as-you-enter"
267:recorded a version in a traditional Cuban style.
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350:Ada Jones & Victor Light Opera Company, 1909
1457:Photo of Marilyn Miller in Yama Yama Man outfit
1439:Video of Ginger Rogers performing Yama Yama Man
1578:What Do You Want to Make Those Eyes at Me For?
1299:Goodbye, Darkness: A Memoir of the Pacific War
1477:
183:, who saw McCoy perform, described her thus:
1168:from the original on 2023-11-09 – via
1102:from the original on 2023-11-09 – via
1059:from the original on 2023-11-09 – via
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805:Vernon and Irene Castle's Ragtime Revolution
463:The song led to a spin-off children's novel
849:. University of California Press. pp.
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1188:The Fred Astaire & Ginger Rogers Book
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912:; Victor Light Opera Company (May 1909).
113:was a comical song for the Broadway show
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890:"The Yama Yama Man Accidental Discovery"
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845:Goldmark, Daniel; Keil, Charlie (2011).
807:. University Press of Kentucky. p.
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779:. New York: Da Capo Press. p. 456.
491:The Tonight Show Starring Johnny Carson
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793:law, for his lyrics for musical shows.
618:Holds her skirt up with hands so deft.
430:played Irene in the biographical film
206:Ginger Rogers performing Yama Yama Man
1635:Songs about fictional male characters
1557:Come, Josephine, in My Flying Machine
1508:Cuddle up a Little Closer, Lovey Mine
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1238:Book Two, Chapter 1: The Radiant Hour
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977:A man sold some powder good for bugs,
956:The Johnnies they go to see the play,
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601:Thinks he'll have to change his dish.
255:recorded "Yama Yama Man" in 1909 for
1444:The Story of Vernon and Irene Castle
1274:from the original on August 12, 2012
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603:Fridays he says he'll stick to meat,
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475:briefly mentioned it in Book Two of
433:The Story of Vernon and Irene Castle
211:The Story of Vernon and Irene Castle
825:
777:Encyclopedia of the Musical Theatre
620:To do this she has a perfect right,
549:Ready to spring out at you unaware.
546:Maybe he's hiding behind the chair,
133:'s animated performance in a satin
24:
962:They want to see if all the girls,
643:So the traction question's solved.
622:And she also has a darn good left.
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1432:
1262:"Banjo Pickin' With George Segal"
1260:Terry, Clifford (April 2, 1993).
959:But they don't care for the plot.
588:For you can't see 'round her rat.
555:For here comes the Yama Yama man.
1655:Songs with music by Karl Hoschna
1550:By the Light of the Silvery Moon
635:Is the brightest scheme evolved.
605:For he's getting sick of "Fish".
537:Terrible eyes and a face of tan.
408:Problems playing this file? See
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359:Problems playing this file? See
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310:Problems playing this file? See
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983:It wasn't good for bugs at all,
876:The Richard Harding Davis Years
569:Standing right beside your bed.
523:Is afraid of the dark you know.
1302:. New York: Dell. p. 119.
1019:. July 5, 2006. Archived from
986:The poor little bugs all died.
980:But the man he must have lied.
938:
928:Victor Talking Machine Company
902:
796:
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399:Orquesta De Enrique Pena, 1909
228:The July 25, 1908, edition of
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1:
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1395:"Harriman: Colossus of Roads"
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688:Verse 4: The railroad tycoon
584:Ev'ry girl takes off her hat.
563:Great big scary eyes you see,
247:
1564:Be My Little Baby Bumble Bee
1543:Has Anybody Here Seen Kelly?
1536:I've Got Rings On My Fingers
586:But that doesn't help a bit,
301:Ada Jones & Chorus, 1908
7:
633:The "Pay-as-you-enter" car,
567:But that Yama man is there,
525:Some big Yama man they see,
10:
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1344:. May 2010. Archived from
1160:. Lyrics by Collin Davis.
926:. Lyrics by Collin Davis.
616:Lady coming up the street,
565:So you cover up your head.
521:Ev'ry little tot at night,
453:Look For The Silver Lining
417:In 1909, the young dancer
257:Victor Light Opera Company
165:
129:. It became popular after
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1379:(2): 59–60. July 9, 1956.
1222:(6): 287. August 7, 1909.
874:Langford, Gerald (1961).
698:Illinois Central Railroad
582:In the theater now today,
534:Yama, Yama, the Yama man,
527:When off to bed they go.
508:
456:(1949), June Haver plays
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1326:(5): 683. November 1908.
1243:The Beautiful and Damned
1120:Fanger, Iris M. (1980).
1079:Orquesta de Enrique Peña
965:Are wearing much or not.
944:Ada Jones extra lyrics:
478:The Beautiful and Damned
439:In 1918, the cartoonist
265:Orquesta de Enrique Peña
1097:Columbia Phonograph Co.
791:Fordney–McCumber Tariff
771:Green, Stanley (1980).
599:Mister Harriman to-day,
117:, published in 1908 by
48:Sheet music cover, 1908
1515:Shine On, Harvest Moon
1453:, original sheet music
1215:The Publishers' Weekly
930:. 16326-B – via
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1585:M-I-S-S-I-S-S-I-P-P-I
1367:"A Big Bulge in Hair"
1075:Sánchez, Enrique Peña
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710:progressively shorter
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119:M. Witmark & Sons
1571:By the Beautiful Sea
1319:Everybody's Magazine
1234:Fitzgerald, F. Scott
803:Golden, Eve (2007).
773:"Yama Yama Man, The"
501:in his 1980 memoir,
1592:Some Sunday Morning
1294:Manchester, William
1132:. pp. 142–143.
1013:"The Yama Yama Man"
723:(1909) illustrates:
671:Bessie McCoy, 1908.
473:F. Scott Fitzgerald
469:Grace Duffie Boylan
241:Whitney Opera House
111:"The Yama Yama Man"
1421:The New York Times
1053:The Winner Records
1023:on April 26, 2012.
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721:The New York Times
690:Edward H. Harriman
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499:William Manchester
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1522:The Yama Yama Man
1084:The Yama-Yama Man
1040:The Yama-Yama Man
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915:The Yama-Yama Man
662:Meaning of lyrics
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552:Run to your mama,
503:Goodbye, Darkness
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383:The Yama Yama Man
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334:The Yama Yama Man
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35:The Yama Yama Man
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1348:on 2010-05-11
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974:Verse three:
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641:a nickel now,
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441:Max Fleischer
437:
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429:
428:Ginger Rogers
425:
424:Vernon Castle
420:
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385:
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160:Ginger Rogers
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18:Yama Yama Man
1640:Comedy songs
1521:
1442:
1424:. p. 8.
1419:
1413:
1404:
1398:
1391:Snyder, Carl
1385:
1376:
1370:
1361:
1350:. Retrieved
1346:the original
1341:
1332:
1323:
1317:
1308:
1298:
1288:
1276:. Retrieved
1265:
1255:
1247:
1246:. Scribner.
1241:
1228:
1219:
1213:
1204:
1190:. New York:
1187:
1178:
1158:Karl Hoschna
1148:
1138:
1125:
1093:Karl Hoschna
1083:
1069:
1049:Karl Hoschna
1039:
1029:
1021:the original
1016:
991:
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924:Karl Hoschna
914:
904:
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875:
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785:
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766:
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700:around 1906.
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486:George Segal
483:
476:
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451:
450:In Warner's
449:
438:
431:
426:and in 1939
416:
407:
358:
309:
251:
235:
230:
227:
209:
186:
169:
156:Irene Castle
131:Bessie McCoy
127:Collin Davis
123:Karl Hoschna
114:
110:
109:
103:Collin Davis
89:Karl Hoschna
34:
1609:Discography
1529:My Pony Boy
1407:(1): 37–48.
1338:"Hair Rats"
1089:78 rpm disc
1045:78 rpm disc
1017:Netlex News
953:Verse two:
920:78 rpm disc
717:street cars
637:They can't
419:Irene Foote
140:street cars
97:Lyricist(s)
83:Composer(s)
1650:1908 songs
1629:Categories
1352:2023-11-10
1194:. p.
910:Jones, Ada
758:References
543:If he can.
467:(1909) by
410:media help
361:media help
312:media help
248:Influences
177:Vaudeville
1493:Ada Jones
1236:(1922). "
895:Billboard
696:over the
531:Refrain:
253:Ada Jones
231:Billboard
173:pantomime
148:Ada Jones
75:Show tune
61:Published
1342:Pin Curl
1296:(1980).
1272:Archived
1186:(1972).
1166:Archived
1146:(1939).
1100:Archived
1081:(1909).
1057:Archived
1055:. 2151.
1037:(1912).
706:hemlines
682:Bouffant
481:(1922).
443:created
144:bogeyman
1500:Singles
1278:May 10,
1061:YouTube
708:became
685:ahead."
648:Refrain
627:Refrain
610:Refrain
593:Refrain
574:Refrain
497:Author
214:(1939).
166:History
135:Pierrot
1447:(1939)
992:
857:
815:
652:
509:Lyrics
1614:Songs
851:42–43
70:Genre
1372:Life
1280:2012
855:ISBN
813:ISBN
639:Miss
158:and
64:1908
55:Song
27:Song
1240:".
1196:156
1162:RKO
471:.
179:.
1631::
1405:35
1403:.
1397:.
1377:41
1375:.
1369:.
1340:.
1324:19
1322:.
1316:.
1270:.
1264:.
1220:76
1218:.
1212:.
1164:.
1112:^
1095:.
1077:;
1015:.
1004:^
892:.
853:.
827:^
811:.
809:28
775:.
631:6.
614:5.
597:4.
580:3.
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519:1.
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162:.
154:,
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1043:(
934:.
918:(
863:.
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412:.
363:.
314:.
37:"
33:"
20:)
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