213:; and by the late 1990s, English-speaking websites mentioning yaoi "reached the hundreds". As of 2003, on Japanese-language internet sites, there were roughly equal proportions of sites dedicated to yaoi as there were sites by and for gay men about homosexuality. On 16 November 2003 there were 770,000 yaoi websites. As of April 2005, a search for non-Japanese sites resulted in 785,000 English, 49,000 Spanish, 22,400 Korean, 11,900 Italian and 6,900 Chinese sites. In January 2007, there were approximately five million hits for 'yaoi'. Hisako Miyoshi, the Vice Editor-in-Chief for
275:. and Suzuki noted BL fans have a preference for BL over other forms of pornography, for example, heterosexual love stories in ladies' comics. Jessica Bawens-Sugimoto feels that in general, "slash and yaoi fans are dismissive of mainstream hetero-sexual romance", such as "the notorious pulp Harlequin romances". Deborah Shamoon said that "the borders between yaoi, shōjo manga and ladies' comics are quite permeable", suggesting that fans of BL probably enjoyed both homosexual and heterosexual tales.
317:
as a "feisty bottom (yancha uke)" character type. Her study shows that fans believe that in order to be "serious" fans, they should know their own preferences, and "consider themselves a sort of sexual minority". She argues that the exchange of sexual fantasies between the predominantly female yaoi fandom can be interpreted that although the participants may be heterosexual in real life, they can also and compatibly be considered "virtual lesbians". Patrick
Galbraith suggests that androgynous
31:
695:
177:" (Gay comics), manga written by and for homosexual men, as gei comi is perceived to be more realistic. Lunsing notes that some of the narrative annoyances that homosexual men express about yaoi manga, such as rape, misogyny, and an absence of a Western-style gay identity, are also present in gei comi. Some male manga artists have produced yaoi works, using their successes in yaoi to then go on to publish gei comi.
675:, creating a "tenuous link" between slash and yaoi. Although the English-speaking online yaoi fandom is observed to increasingly overlap with online slash fandom, slash fiction has portrayed adult males, whereas yaoi follows the aesthetic of the beautiful boy, often highlighting their youth. Mark McLelland describes this aesthetic as being seen as problematic in recent
664:
stories featuring romances between boys or young men were commercially published in Japan from the mid-1970s, and soon became a genre in their own right, the spread of yaoi though the
Western fan community is generally linked to the pre-existing Western slash fiction community. In the mid-1980s, fan
316:
Shihomi
Sakakibara (1998) argued that yaoi fans, including himself, were homosexually oriented female-to-male transgender people. Akiko Mizoguchi believes there is a "shikou" (translated as taste or orientation), both towards BL/yaoi as a whole, and towards particular patterns within the genre, such
290:
has noted a split in what her readers want - her younger readers prefer seeing explicit material, and her older readers prefer seeing romance. There is a perception that the
English-speaking yaoi fandom is demanding increasingly explicit content, but that this poses problems for retailers. In 2004,
157:. Much like the BL readership base, the majority of BL fanfiction writers are also believed to be heterosexual women. The reasoning behind this trend is sometimes attributed to patriarchy- that women who write BL fanfiction are in fact acting out heterosexual fantasies through these male figures.
299:
notes that the majority of respondents to her survey say that they first encountered BL online, which she links to half of her respondents reporting that they get most of their BL from scanlations. In 2003, there were at least five BL scanlation groups. Japanese fan practices in the mid to late
172:
who are offended by gay men's magazines' "pornographic" content may prefer to read yaoi instead. That is not to say that the majority of homosexual men are fans of the genre, as some are put off by the feminine art style or unrealistic depictions of homosexual life and instead seek
496:
is the best-known term, it is often used by the
Japanese media and by people outside of the otaku subculture to refer to female otaku as a group, regardless of whether they are fans of yaoi or not. This usage may be considered offensive by female otaku who are not yaoi fans.
180:
Authors of BL present themselves as "fellow fans" by using dust jacket notes and postscripts to chat to the readers "as if they were her girlfriends" and talk about the creative process in making the manga, and what she discovered she liked about the story she wrote.
168:, and even heterosexual males also form part of the readership. In one library-based survey of U.S. yaoi fans, about one quarter of respondents were male; online surveys of Anglophone readers place this percentage at about 10%. Lunsing suggests that younger Japanese
1897:
285:
suggested that the
Japanese yaoi fandom includes married women who had been her fans since they were in college. Dru Pagliassotti's survey indicates that loyalty to an author is a common factor in readers' purchase decisions.
2525:
534:
has said that men may choose a fudanshi label because it is more socially acceptable than coming out as gay. However, the sexual orientation of fudanshi is not necessarily gay, as heterosexuals also enjoy reading BL.
679:. Yaoi fans tend to be younger than slash fans, and so are less shocked about depictions of underage sexuality. Jessica Bauwens-Sugimoto detects a tendency in both yaoi and slash fandoms to disparage the others'
83:, etc. In the mid-1990s, estimates of the size of the Japanese BL fandom were at 100,000 to 500,000 people. Despite increased knowledge of the genre among the general public, readership remained limited in 2008.
148:
female readers. Recent online surveys of
English-speaking readers of BL indicate that 50-60% of female readers self-identify as heterosexual. It has been suggested that Western fans may be more diverse in their
998:
217:'s manga division, said in a 2008 interview that although Boys Love is more well known to the general public, the numbers of readers remains limited, which she attributes to the codified nature of the genre.
291:
ICv2 noted that fans seemed to prefer buying yaoi online. Andrea Wood suggests that due to restrictions placed on the sale of yaoi, many
Western teenage fans seek more explicit titles via
500:
Men who, like fujoshi, enjoy imagining relationships between characters (especially male ones) in fictional works when that relationship is not part of the author's intent may be called
201:. Most Western yaoi fansites "appeared some years later than pages and lists devoted to mainstream anime and manga". As of 1995, they "revolved around the most famous series", such as
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Fen Garza, Kristene
Michelle Santos, James Welker (2020), "Queering Fandoms from the Periphery? A Conversation between Queer Fan Event Organizers in Mexico and the Philippines",
2535:
1778:
538:
Around 2020, fans began adopting the term "shipper" from
English-speaking fandoms for its versatility, as it could be used for fan-preferred pairings of different genders.
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144:, is 85% female. It is usually assumed that all female fans are heterosexual, but in Japan there is a presence of lesbian manga authors and lesbian, bisexual, other or
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Robin Brenner and Snow Wildsmith noted in their survey of American fans that gay and bisexual male fans of yaoi preferred more realistic tales than female fans did.
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1700:
2274:
Zheng, Guang-Quan; Lee, Ya-Ching (2022). "Do Only Fujoshi Enjoy Tanbi? A Study of Chinese Fudanshi's Motivations for Liking Tanbi CP in Domestic TV Series".
1261:
Sabucco, Veruska "Guided Fan Fiction: Western "Readings" of Japanese Homosexual-Themed Texts" in Berry, Chris, Fran Martin, and Audrey Yue (editors) (2003).
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1947:"Love through a Different Lens: Japanese Homoerotic Manga through the Eyes of American Gay, Lesbian, Bisexual, Transgender, and Other Sexualities Readers"
3845:
189:
In the mid-1990s, estimates of the size of the Japanese yaoi fandom were at 100,000-500,000 people; at around that time, the long-running yaoi anthology
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Mizoguchi, Akiko (September 2010). "Theorizing comics/manga genre as a productive forum: yaoi and beyond". In Berndt, Jaqueline (ed.).
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meaning fermented or rotten, indicating that a woman who enjoys fictional gay content is ruined for marriage. The name was coined by
101:. Translating literally to "rotten woman" or "rotten girl", the term originated as a pejorative for fans of the genre, but was later
2180:
2203:"Eureka Discovers Culture Girls, Fujoshi, and BL: Essay Review of Three Issues of the Japanese Literary magazine, Yuriika (Eureka)"
1329:
132:
Most BL fans are either teenage girls or young women. The female readership in Thailand is estimated at 80%, and the membership of
1786:
1637:
827:"Intersections: Yaoi Ronsō: Discussing Depictions of Male Homosexuality in Japanese Girls' Comics, Gay Comics and Gay Pornography"
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2526:"Girls Who Love Boys Who Love Boys: Inside the Midwest's first celebration of all things yaoi — where the screaming never stops"
2501:
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2824:
2636:
2233:
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1998:
Galbraith, Patrick W. (2011). "Fujoshi: Fantasy Play and Transgressive Intimacy among "Rotten Girls" in Contemporary Japan".
1958:
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Shamoon, Deborah (July 2004) "Office Sluts and Rebel Flowers: The Pleasures of Japanese Pornographic Comics for Women" in
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The small Taiwanese BL fandom has been noted to be against real-person BL fanfiction, banning it from their messageboard.
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1360:
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Kazumi Nagaike (2015). "Do Heterosexual Men Dream of Homosexual Men?: BL Fudanshi and Discourse on Male Feminization".
585:
145:
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2391:
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1982:
1895:
Donovan, Hope (2010). "Gift Versus Capitalist Economies". In Levi, Antonia; McHarry, Mark; Pagliassotti, Dru (eds.).
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Suzuki, Kazuko. 1999. "Pornography or Therapy? Japanese Girls Creating the Yaoi Phenomenon". In Sherrie Inness, ed.,
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had a circulation of between 80,000 and 100,000, twice the circulation of the "best-selling" gay lifestyle magazine
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1716:
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3761:
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2147:"Enjoying Manga as Fujoshi: Exploring its Innovation and Potential for Social Change from a Gender Perspective"
1355:
2355:"Elegant Caucasians, Amorous Arabs, and Invisible Others: Signs and Images of Foreigners in Japanese BL Manga"
957:
3502:
3189:
2918:
2899:
2567:
Zanghellini, A. (2009). "'Boys love' in anime and manga: Japanese subcultural production and its end users".
1874:
Wood, Andrea (2006). ""Straight" Women, Queer Texts: Boy-Love Manga and the Rise of a Global Counterpublic".
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in general, although it cautions that not all yaoi fans are otaku, as there are some more casual readers. As
1178:
3266:
1737:
942:
791:
2596:
Jeffry T. Hester (2015). "Fujoshi Emergent: Shifting Popular Representations of Yaoi/BL Fandom in Japan".
1127:"Gay Men as Women's Ideal Partners in Japanese Popular Culture: Are Gay Men Really a Girl's Best Friends?"
2973:
2772:
2035:
17:
2071:
3771:
3749:
3331:
1402:
1249:"Local meanings in global space: a case study of women's 'Boy love' web sites in Japanese and English"
3713:
3423:
2629:
2434:
672:
573:
2552:
786:
850:
Welker, James (2006). "Beautiful, Borrowed, and Bent: "Boys' Love" as Girls' Love in Shôjo Manga".
421:
as a self-descriptive term. "Fujoshi" carried a connotation of being a "fallen woman". An issue of
153:
than Japanese fans and that Western fans are "more likely to link" BL ("Boy's Love") to supporting
787:"Anime, mon amour: forget Pokémon—Japanese animation explodes with gay, lesbian, and trans themes"
613:
characters and were aimed at a female audience, were praised for their female-centric view on the
370:
properties that have appeared as the market for such works has developed. The term "fujoshi" is a
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contribute to the appeal of yaoi amongst women who are heterosexual, lesbian or transgender.
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154:
43:
2408:
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Thorn noted that while some fans like both equally, fans tend to either prefer BL or non-BL
3732:
3552:
3487:
3059:
2819:
2781:
2622:
2033:
Chiang, Feichi (21 June 2016). "Counterpublic but obedient: a case of Taiwan's BL fandom".
67:
media originating in Japan that is created primarily by and for women, has a robust global
640:
Besides commercially published original material, Japanese yaoi also encompasses fan-made
8:
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1337:
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2829:
2795:
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2015:
1898:
Boys' Love Manga: Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre
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2019:
1978:
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1308:
1274:
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1209:
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1080:
897:
871:
733:
680:
591:
2509:
1021:"Online discussions on Yaoi: Gay relationships, sexual violence, and female fantasy"
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3708:
2720:
2576:
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2158:
2111:
2083:
2044:
2007:
1373:
1369:
972:
926:
859:
597:
579:
565:-themed anime and manga, particularly those aimed at women. Popular titles include
455:
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that feature romantic relationships between men. The label encompasses fans of the
296:
214:
137:
2048:
3616:
3507:
3465:
3300:
3273:
3052:
2859:
2694:
2304:[What do you call a "fujoshi" abroad? Exploring the global BL culture!].
2301:
1530:
1304:
1270:
531:
418:
197:
102:
2107:
1356:"The World of Yaoi: The Internet, Censorship and the Global "Boys' Love" Fandom"
425:
which examined fujoshi in detail in 2007 contributed to the spread of the term.
3814:
3700:
3482:
3453:
3336:
3321:
3289:
3096:
2997:
2814:
2735:
892:
Antonia, Levi (2008). "North American reactions to Yaoi". In West, Mark (ed.).
738:
48:
2580:
1608:
1446:"Nur für Erwachsene: Manga-Fans treffen sich zu Convention im Bonner Basecamp"
661:
644:, fanart, computer games, etc.; a large percentage of the dōjinshi offered at
272:
3834:
3460:
2953:
2699:
2287:
1763:
1540:
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276:
141:
60:
1198:
Comics Worlds and the World of Comics: Towards Scholarship on a Global Scale
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3341:
3279:
3145:
3132:
3101:
2752:
2598:
Boys' Love Manga and Beyond : History, Culture, and Community in Japan
2426:
2378:(2004). "Girls and Women Getting Out of Hand". In Kelly, William W. (ed.).
2375:
2251:
Boys' Love Manga and Beyond : History, Culture, and Community in Japan
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209:
203:
174:
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2473:
2458:
Girls who like Boys who like Boys - Ethnography of Online Slash/Yaoi Fans
2162:
2103:
728:
723:
713:
302:
76:
2110:"Otaku Sexuality"". In Bolton, Christopher; Csicsery-Ronay Jr., Istvan;
1396:"Roundtable: The Internet and Women's Transnational "Boys' Love" Fandom"
1138:
1126:
641:
71:. Individuals in the BL fandom may attend conventions, maintain/post to
3675:
3390:
3253:
3167:
3137:
3033:
3028:
2910:
2854:
2684:
2383:
1977:(An Elusive Theory of Yaoi: The view from Yaoi). Tokyo: Natsume Shobo,
743:
367:
292:
64:
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3601:
3573:
3492:
3433:
3155:
2894:
2887:
1179:""Boys' Love," Yaoi, and Art Education: Issues of Power and Pedagogy"
428:
Older fujoshi use various terms to refer to themselves, including as
371:
30:
3352:
683:, potential for subversiveness or even the potential for enjoyment.
3665:
3651:
3626:
3611:
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3477:
3428:
3326:
3284:
3200:
3002:
2869:
2725:
2679:
2674:
2380:
Fanning the Flames: Fans and Consumer Culture in Contemporary Japan
2011:
1754:
Camper, Cathy (2006). "Boys, Boys, Boys: Kazuma Kodaka Interview".
863:
414:
387:, a term for respectable women, created by replacing the character
318:
165:
133:
53:
1701:"Subverting masculinity, misogyny, and reproductive technology in
1638:"What Shôjo Manga Are and Are Not: A Quick Guide for the Confused"
1293:"Japanese Queerscapes: Global/Local Intersections on the Internet"
694:
3685:
3670:
3646:
3581:
3524:
3472:
3448:
3365:
3346:
3294:
3231:
3226:
3012:
2968:
2958:
2836:
2704:
1779:"Japanese Comics With Gay Themes Attracting Young Female Readers"
718:
645:
169:
80:
72:
35:
3558:
3400:
3395:
3075:
2987:
2982:
2864:
2730:
1951:
Mangatopia : essays on manga and anime in the modern world
1423:. Manga: 10000 images (in French). Editions H. pp. 17–19.
1154:
Beyond Common Sense: Sexuality and Gender in Contemporary Japan
68:
2614:
3621:
3405:
3375:
3248:
3162:
3007:
2992:
2978:
2183:. Japanese words of anime fans, by anime fans, for anime fans
653:
649:
560:
489:
359:
355:
351:
307:
2502:"Fujoshi: The "rotten girls" of Ikebukuro take center stage"
2400:
2226:
Reading Japan Cool: Patterns of Manga Literacy and Discourse
1567:
1419:
Brient, Hervé, ed. (2008). "Entretien avec Hisako Miyoshi".
3690:
3370:
3360:
2359:
Intersections: Gender and Sexuality in Asia and the Pacific
2207:
Intersections: Gender and Sexuality in Asia and the Pacific
1953:. Santa Barbara, Calif.: Libraries Unlimited. p. 106.
1928:"Moe: Exploring Virtual Potential in Post-Millennial Japan"
363:
3044:
105:
by BL fans as a self-deprecating identity label. The term
2253:. Jackson: University Press of Mississippi. p. 192.
1471:"Scarlet Beriko Announced as FujoCon 2021 Guest of Honor"
619:
subculture. A TV series featuring a policewoman who is a
417:
in the early 2000s as a derogatory insult, but was later
161:
2174:
2172:
1242:
1240:
441:, a pun on a homophonous word meaning "fine lady", and
2885:
2496:- Includes a glossary of fujoshi-specific terminology.
2493:
1944:
999:"Why are Japanese Girls' Comics full of Boys Bonking?"
921:
919:
917:
915:
913:
656:
series. This may be seen as a parallel development to
558:
552:
546:
366:
genre itself, as well as the related manga, anime and
2169:
2072:"The possibilities of research on "fujoshi" in Japan"
1295:. In Berry, Chris; Martin, Fran; Yue, Audrey (eds.).
1237:
1204:. Kyoto, Japan: International Manga Research Center,
690:
526:, both of which are puns of similar construction to
1932:
Electronic Journal of Contemporary Japanese Studies
910:
671:began to circulate through the slash community via
160:Although the genre is marketed at women and girls,
1694:
1692:
2145:Tanaka, Hiromi; Ishida, Saori (25 January 2015).
1156:. London and New York: Kegan Paul International.
1104:. Libraries Unlimited. p. chapter 3 p. 137.
3832:
2595:
1698:
1668:Millennium Girls: Today's Girls Around the World
1190:
1188:
894:The Japanification of Children's Popular Culture
1993:
1991:
1689:
106:
87:
2370:
2368:
2248:
2223:
2181:"The classification for 腐女子 [fujoshi]"
2120:. University of Minnesota Press. p. 224.
1535:, vol. 13, no. 1, pp. 1, 3, 8,
1349:
1347:
1321:
1131:U.s.-Japan Women's Journal. English Supplement
896:. Rowman & Littlefield. pp. 147–174.
852:Signs: Journal of Women in Culture and Society
765:"Japanese "boy-love" comics a hit among Thais"
620:
614:
608:
519:
506:
464:
447:
434:
406:
393:
380:
343:
113:
94:
3060:
2926:
2630:
2194:
1949:. In Perper, Timothy; Cornog, Martha (eds.).
1894:
1185:
821:
819:
817:
815:
813:
458:", possibly taken from a character nicknamed
310:about young female characters prior to this.
300:2000s included the concept of the feeling of
2600:. Jackson: University Press of Mississippi.
2144:
2092:– via journal.transformativeworks.org.
1988:
1730:
1552:: CS1 maint: multiple names: authors list (
1003:Refractory: A Journal of Entertainment Media
925:
454:, which sounds similar to a phrase meaning "
2566:
2365:
2151:International Journal of Behavioral Science
2102:
1344:
780:
778:
124:later emerged to describe male fans of BL.
119:
3846:Female stock characters in anime and manga
3067:
3053:
2933:
2919:
2637:
2623:
1967:
1670:. London: Rowman & Littlefield, p.245
1660:
1176:
810:
400:meaning married woman, with the character
2409:"Tantalizing Translations - M.J. Johnson"
2087:
1997:
1925:
1919:
1353:
1290:
1246:
1194:
1124:
1074:
2940:
2550:
2273:
2228:. Rowman & Littlefield. p. 57.
2224:Ingulsrud, John E.; Allen, Kate (2009).
1945:Brenner, Robin; Wildsmith, Snow (2011).
1626:
1297:Mobile Cultures: New Media in Queer Asia
1263:Mobile Cultures: New Media in Queer Asia
1170:
955:
775:
762:
86:In Japan, fans of BL are referred to as
29:
2454:
2352:
2346:
1867:
1327:
1151:
1099:
1093:
891:
784:
665:translations of the shōjo manga series
327:
27:Fanbase of the homoerotic fiction genre
14:
3833:
2523:
2200:
2178:
2069:
2032:
1806:
1776:
1753:
1418:
1068:
990:
887:
885:
883:
881:
849:
350:is a Japanese term for female fans of
3520:Organization for Transformative Works
3048:
2914:
2825:Organization for Transformative Works
2618:
2499:
2374:
1526:
1524:
1522:
1520:
1518:
1516:
1514:
1444:Bonn, General-Anzeiger (2022-07-17).
1421:Homosexualité et manga : le yaoi
996:
1873:
1857:"Yaoi Titles Strong in Online Sales"
1809:"Yaoi-Con and BL, No Longer "Niche""
1443:
1177:Wilson, Brent; Toku, Masami (2003).
1043:
785:Solomon, Charles (14 October 2003).
2406:
2070:Suzuki, Midori (21 November 2012).
1361:The Australian Feminist Law Journal
1079:. Routledge. p. 249, note 18.
941:(2 Special Edition). Archived from
878:
843:
306:, which was typically used by male
24:
2487:
1777:Totilo, Stephen (March 10, 2006).
1699:Bauwens-Sugimoto, Jessica (2011).
1511:
1077:Male homosexuality in modern Japan
1013:
648:are yaoi stories based on popular
586:The High School Life of a Fudanshi
266:
25:
3862:
2524:Levitt, Aimee (8 December 2009).
2425:
2076:Transformative Works and Cultures
1975:Yaoi genron: yaoi kara mieta mono
1632:
956:Kustritz, Anne (September 2003).
632:
557:are used as characters in mostly
2553:"Everybody's Fujoshi Girlfriend"
1247:McLelland, Mark (October 2001).
958:"Slashing the Romance Narrative"
931:"Reading Boys' Love in the West"
693:
541:
2644:
2551:Treyvaud, Matt (June 4, 2009).
2448:
2419:
2319:
2294:
2267:
2242:
2217:
2165:– via www.tci-thaijo.org.
2138:
2096:
2063:
2026:
1938:
1888:
1849:
1825:
1800:
1770:
1747:
1601:
1581:
1560:
1487:
1463:
1437:
1412:
1388:
1328:McHarry, Mark (November 2003).
1284:
1255:
1145:
1118:
1037:
1005:. 10, 2006/2007. Archived from
763:Keenapan, Nattha (2001-08-31).
127:
2353:Nagaike, Kazumi (April 2009).
1926:Galbraith, Patrick W. (2009).
1877:WSQ: Women's Studies Quarterly
1374:10.1080/13200968.2005.10854344
1046:"Anime North's bent offerings"
949:
756:
13:
1:
3503:Live action role-playing game
2900:Legal issues with fan fiction
2302:"外国で「腐女子」何という？グローバルにBL文化を探索！"
2201:Aoyama, Tomoko (April 2009).
2117:Robot Ghosts and Wired Dreams
2049:10.1080/14649373.2016.1170311
1744:. Duke University Press p. 86
1102:Understanding Manga and Anime
749:
480:According to a 2005 issue of
238:BLush (till 2012, Lights Out)
2508:. Metropolis. Archived from
1044:Boon, Miriam (24 May 2007).
7:
3074:
2886:
2431:"Girls' Stuff, May (?) '94"
2276:Mass Communication Research
2036:Inter-Asia Cultural Studies
1973:Sakakibara, Shihomi (1998)
1807:Chavez, Ed (Oct 30, 2007).
1495:"Yaoi-Con 2017 Information"
1330:"Yaoi: Redrawing Male Love"
965:Journal of American Culture
686:
621:
615:
609:
559:
553:
547:
107:
88:
63:(BL), a genre of male-male
10:
3867:
3332:Celebrity worship syndrome
2327:"Bl Metamorphosis, Vol. 1"
1100:Brenner, Robin E. (2007).
673:amateur press associations
184:
3792:
3699:
3538:
3424:Amateur press association
3414:
3314:
3176:
3120:
3089:
3082:
3021:
2946:
2878:
2845:
2805:
2744:
2713:
2652:
2581:10.1080/10304310902822886
2308:(in Japanese). 2020-06-29
524:, "rotten older brother")
520:
507:
471:in the 1972 manga series
465:
448:
435:
407:
394:
381:
344:
220:
114:
95:
3782:by date of establishment
2455:Youssef, Sandra (2004).
2288:10.30386/MCR.202210.0019
2179:bangin (July 25, 2007).
1354:McLelland, Mark (2005).
1291:McLelland, Mark (2003).
1125:McLelland, Mark (1999).
1075:McLelland, Mark (2000).
831:intersections.anu.edu.au
439:, "noble spoiled woman")
2407:Lee, Tammy (May 2001).
1903:McFarland & Company
1609:"About Yaoi/Yuri North"
1570:(in French). 2023-12-07
1307:Press. pp. 52–53.
977:10.1111/1542-734X.00098
607:, which both contained
279:, in an interview with
3841:Anime and manga fandom
3767:Professional wrestling
3498:Historical reenactment
3190:A Song of Ice and Fire
3151:Disneyland social club
3128:Anime and manga fandom
3107:Science fiction fandom
1301:Durham, North Carolina
1267:Durham, North Carolina
1206:Kyoto Seika University
709:Anime and manga fandom
701:Anime and manga portal
660:in the West. Although
629:, has been broadcast.
574:My Girlfriend's a Geek
57:
2470:Mount Holyoke College
2106:(2007). "foreword to
2089:10.3983/twc.2013.0462
1709:Image & Narrative
1450:General-Anzeiger Bonn
1152:Lunsing, Wim (2001).
668:From Eroica with Love
595:. On the other hand,
530:. Bara manga author
348:, lit. "rotten girl")
33:
3553:Autograph collecting
2941:Japanese subcultures
2820:The Gossamer Project
2500:Galbraith, Patrick.
2464:(Honours Thesis for
2163:10.14456/ijbs.2015.5
1813:PublishersWeekly.com
1648:on November 18, 2015
1208:. pp. 145–170.
488:can refer to female
477:by Sumika Yamamoto.
232:Yaoi-Con (till 2017)
3681:Real person fiction
3513:Harley Owners Group
3177:Production-specific
2789:The Love Hypothesis
2690:Real person fiction
1715:(1). Archived from
3820:Shipping discourse
3022:Cultural phenomena
2830:Archive of Our Own
2767:Fallout: Equestria
2660:Alternate universe
1833:"A Yaoi Explosion"
1475:Anime News Network
604:Princess Jellyfish
568:Tonari no 801-chan
484:, in recent times
151:sexual orientation
58:
3828:
3827:
3548:Anime music video
3310:
3309:
3042:
3041:
2908:
2907:
2782:Gabriel's Inferno
2760:Beautiful Bastard
2670:Expanded universe
2538:on 5 October 2012
2332:Publishers Weekly
2235:978-0-7391-2753-7
2127:978-0-8166-4974-7
1960:978-1-59158-908-2
1912:978-0-7864-4195-2
1789:on April 21, 2023
1430:978-2-9531781-0-4
1215:978-4-905187-01-1
1111:978-1-59158-332-5
997:McLelland, Mark.
929:(November 2008).
927:Pagliassotti, Dru
903:978-0-8108-5121-4
734:Shipping (fandom)
681:heteronormativity
592:Sasaki and Miyano
16:(Redirected from
3858:
3087:
3086:
3069:
3062:
3055:
3046:
3045:
2964:Fujoshi/fudanshi
2935:
2928:
2921:
2912:
2911:
2891:
2721:Author surrogate
2639:
2632:
2625:
2616:
2615:
2611:
2592:
2563:
2561:
2560:
2547:
2545:
2543:
2534:. Archived from
2531:Riverfront Times
2520:
2518:
2517:
2481:
2480:
2478:
2472:. Archived from
2466:Bachelor of Arts
2463:
2452:
2446:
2445:
2443:
2442:
2433:. Archived from
2423:
2417:
2416:
2404:
2398:
2397:
2372:
2363:
2362:
2350:
2344:
2343:
2341:
2340:
2323:
2317:
2316:
2314:
2313:
2298:
2292:
2291:
2282:(153): 141–194.
2271:
2265:
2264:
2246:
2240:
2239:
2221:
2215:
2214:
2198:
2192:
2191:
2189:
2188:
2176:
2167:
2166:
2142:
2136:
2135:
2130:. Archived from
2112:Takayuki Tatsumi
2100:
2094:
2093:
2091:
2067:
2061:
2060:
2030:
2024:
2023:
1995:
1986:
1971:
1965:
1964:
1942:
1936:
1935:
1923:
1917:
1916:
1892:
1886:
1885:
1871:
1865:
1864:
1853:
1847:
1846:
1844:
1843:
1829:
1823:
1822:
1820:
1819:
1804:
1798:
1797:
1795:
1794:
1785:. Archived from
1774:
1768:
1767:
1751:
1745:
1734:
1728:
1727:
1725:
1724:
1696:
1687:
1664:
1658:
1657:
1655:
1653:
1644:. Archived from
1630:
1624:
1623:
1621:
1620:
1605:
1599:
1598:
1596:
1595:
1585:
1579:
1578:
1576:
1575:
1564:
1558:
1557:
1551:
1543:
1528:
1509:
1508:
1506:
1505:
1491:
1485:
1484:
1482:
1481:
1467:
1461:
1460:
1458:
1457:
1441:
1435:
1434:
1416:
1410:
1409:
1407:
1401:. Archived from
1400:
1392:
1386:
1385:
1351:
1342:
1341:
1336:. Archived from
1325:
1319:
1318:
1288:
1282:
1259:
1253:
1252:
1244:
1235:
1234:
1232:
1230:
1225:on 14 March 2012
1224:
1218:. Archived from
1203:
1192:
1183:
1182:
1174:
1168:
1167:
1149:
1143:
1142:
1122:
1116:
1115:
1097:
1091:
1090:
1072:
1066:
1065:
1063:
1061:
1056:on 15 March 2008
1052:. Archived from
1041:
1035:
1034:
1032:
1031:
1017:
1011:
1010:
994:
988:
987:
985:
983:
962:
953:
947:
946:
923:
908:
907:
889:
876:
875:
847:
841:
840:
838:
837:
823:
808:
804:
802:
800:
795:. pp. 86–88
782:
773:
772:
760:
703:
698:
697:
624:
618:
612:
598:BL Metamorphosis
580:Kiss Him, Not Me
564:
556:
550:
525:
523:
522:
512:
510:
509:
470:
468:
467:
456:Madame Butterfly
453:
451:
450:
440:
438:
437:
412:
410:
409:
399:
397:
396:
386:
384:
383:
349:
347:
346:
297:Dru Pagliassotti
250:OOPS-Sommer Fest
215:Libre Publishing
123:
121:
117:
116:
110:
100:
98:
97:
91:
21:
3866:
3865:
3861:
3860:
3859:
3857:
3856:
3855:
3831:
3830:
3829:
3824:
3788:
3772:Science fiction
3695:
3617:Fan translation
3540:
3534:
3508:Motorcycle club
3466:Supercar Season
3416:
3410:
3306:
3260:Sherlock Holmes
3172:
3121:Medium-specific
3116:
3078:
3073:
3043:
3038:
3017:
2942:
2939:
2909:
2904:
2874:
2841:
2807:
2801:
2796:Time's Champion
2745:Published works
2740:
2709:
2695:Shared universe
2648:
2643:
2608:
2558:
2556:
2541:
2539:
2515:
2513:
2490:
2488:Further reading
2485:
2484:
2476:
2461:
2453:
2449:
2440:
2438:
2424:
2420:
2413:Sequential Tart
2405:
2401:
2394:
2386:. p. 175.
2373:
2366:
2351:
2347:
2338:
2336:
2325:
2324:
2320:
2311:
2309:
2300:
2299:
2295:
2272:
2268:
2261:
2247:
2243:
2236:
2222:
2218:
2199:
2195:
2186:
2184:
2177:
2170:
2143:
2139:
2128:
2101:
2097:
2068:
2064:
2031:
2027:
1996:
1989:
1972:
1968:
1961:
1943:
1939:
1924:
1920:
1913:
1893:
1889:
1884:(1/2): 394–414.
1872:
1868:
1855:
1854:
1850:
1841:
1839:
1831:
1830:
1826:
1817:
1815:
1805:
1801:
1792:
1790:
1775:
1771:
1752:
1748:
1735:
1731:
1722:
1720:
1697:
1690:
1665:
1661:
1651:
1649:
1631:
1627:
1618:
1616:
1613:Yaoi/Yuri North
1607:
1606:
1602:
1593:
1591:
1587:
1586:
1582:
1573:
1571:
1566:
1565:
1561:
1545:
1544:
1529:
1512:
1503:
1501:
1493:
1492:
1488:
1479:
1477:
1469:
1468:
1464:
1455:
1453:
1442:
1438:
1431:
1417:
1413:
1405:
1398:
1394:
1393:
1389:
1352:
1345:
1326:
1322:
1315:
1305:Duke University
1289:
1285:
1271:Duke University
1260:
1256:
1245:
1238:
1228:
1226:
1222:
1216:
1201:
1193:
1186:
1175:
1171:
1164:
1150:
1146:
1123:
1119:
1112:
1098:
1094:
1087:
1073:
1069:
1059:
1057:
1042:
1038:
1029:
1027:
1025:apha.confex.com
1019:
1018:
1014:
995:
991:
981:
979:
960:
954:
950:
924:
911:
904:
890:
879:
848:
844:
835:
833:
825:
824:
811:
798:
796:
783:
776:
761:
757:
752:
699:
692:
689:
677:Western society
638:
544:
532:Gengoroh Tagame
517:
511:, "rotten boy")
504:
462:
445:
432:
404:
391:
378:
341:
336:
269:
267:Fan preferences
223:
187:
130:
111:
92:
28:
23:
22:
15:
12:
11:
5:
3864:
3854:
3853:
3848:
3843:
3826:
3825:
3823:
3822:
3817:
3815:Odagiri effect
3812:
3807:
3802:
3796:
3794:
3790:
3789:
3787:
3786:
3785:
3784:
3779:
3769:
3764:
3759:
3754:
3753:
3752:
3742:
3737:
3730:
3729:
3728:
3718:
3717:
3716:
3705:
3703:
3697:
3696:
3694:
3693:
3688:
3683:
3678:
3673:
3668:
3663:
3662:
3661:
3660:
3659:
3644:
3643:
3642:
3637:
3624:
3619:
3614:
3609:
3604:
3599:
3594:
3589:
3584:
3579:
3578:
3577:
3570:
3555:
3550:
3544:
3542:
3541:and activities
3536:
3535:
3533:
3532:
3527:
3522:
3517:
3516:
3515:
3505:
3500:
3495:
3490:
3485:
3483:Fan convention
3480:
3475:
3470:
3469:
3468:
3463:
3458:
3457:
3456:
3454:Kustom Kulture
3446:
3441:
3436:
3426:
3420:
3418:
3412:
3411:
3409:
3408:
3403:
3398:
3393:
3388:
3383:
3378:
3373:
3368:
3363:
3358:
3357:
3356:
3344:
3339:
3337:Cult following
3334:
3329:
3324:
3318:
3316:
3312:
3311:
3308:
3307:
3305:
3304:
3297:
3292:
3287:
3282:
3277:
3270:
3263:
3256:
3251:
3246:
3239:
3234:
3229:
3224:
3217:
3210:
3203:
3198:
3193:
3186:
3180:
3178:
3174:
3173:
3171:
3170:
3165:
3160:
3159:
3158:
3153:
3148:
3142:Disney fandom
3140:
3135:
3130:
3124:
3122:
3118:
3117:
3115:
3114:
3109:
3104:
3099:
3097:Fantasy fandom
3093:
3091:
3084:
3080:
3079:
3072:
3071:
3064:
3057:
3049:
3040:
3039:
3037:
3036:
3031:
3025:
3023:
3019:
3018:
3016:
3015:
3010:
3005:
3000:
2995:
2990:
2985:
2976:
2971:
2966:
2961:
2956:
2950:
2948:
2944:
2943:
2938:
2937:
2930:
2923:
2915:
2906:
2905:
2903:
2902:
2897:
2892:
2882:
2880:
2879:Related topics
2876:
2875:
2873:
2872:
2867:
2862:
2857:
2851:
2849:
2843:
2842:
2840:
2839:
2834:
2833:
2832:
2822:
2817:
2815:FanFiction.Net
2811:
2809:
2803:
2802:
2800:
2799:
2792:
2785:
2778:
2770:
2763:
2756:
2748:
2746:
2742:
2741:
2739:
2738:
2736:Self-insertion
2733:
2728:
2723:
2717:
2715:
2714:Writing styles
2711:
2710:
2708:
2707:
2702:
2697:
2692:
2687:
2682:
2677:
2672:
2667:
2662:
2656:
2654:
2650:
2649:
2642:
2641:
2634:
2627:
2619:
2613:
2612:
2606:
2593:
2575:(3): 279–294.
2564:
2555:. Néojaponisme
2548:
2521:
2497:
2489:
2486:
2483:
2482:
2479:on 2012-02-22.
2447:
2418:
2399:
2392:
2364:
2345:
2318:
2293:
2266:
2259:
2241:
2234:
2216:
2193:
2168:
2137:
2134:on 2011-06-05.
2126:
2095:
2062:
2043:(2): 223–238.
2025:
2012:10.1086/660182
2006:(1): 211–232.
1987:
1966:
1959:
1937:
1918:
1911:
1905:. p. 14.
1887:
1866:
1848:
1824:
1799:
1769:
1746:
1738:Linda Williams
1729:
1688:
1659:
1642:Matt-Thorn.com
1625:
1600:
1580:
1559:
1510:
1486:
1462:
1436:
1429:
1411:
1408:on 2008-07-21.
1387:
1343:
1340:on 2008-04-17.
1320:
1313:
1283:
1254:
1236:
1214:
1184:
1169:
1162:
1144:
1133:(17): 77–110.
1117:
1110:
1092:
1085:
1067:
1036:
1012:
1009:on 2008-04-15.
989:
971:(3): 371–384.
948:
945:on 2008-12-14.
935:Particip@tions
909:
902:
877:
864:10.1086/498987
842:
809:
774:
754:
753:
751:
748:
747:
746:
741:
739:Odagiri effect
736:
731:
726:
721:
716:
711:
705:
704:
688:
685:
637:
631:
543:
540:
335:
326:
319:beautiful boys
268:
265:
264:
263:
260:
257:
256:Doki Doki City
254:
251:
248:
245:
242:
239:
236:
233:
230:
227:
222:
219:
186:
183:
129:
126:
103:reappropriated
49:Kingdom Hearts
26:
9:
6:
4:
3:
2:
3863:
3852:
3849:
3847:
3844:
3842:
3839:
3838:
3836:
3821:
3818:
3816:
3813:
3811:
3808:
3806:
3803:
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3798:
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3707:
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3641:
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3528:
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3511:
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3506:
3504:
3501:
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3496:
3494:
3491:
3489:
3486:
3484:
3481:
3479:
3476:
3474:
3471:
3467:
3464:
3462:
3461:Lowrider Club
3459:
3455:
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3146:Disney adults
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2808:organizations
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2700:Slash fiction
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2607:9781626740662
2603:
2599:
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2574:
2570:
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2549:
2537:
2533:
2532:
2527:
2522:
2512:on 2011-07-07
2511:
2507:
2503:
2498:
2495:
2492:
2491:
2475:
2471:
2467:
2460:
2459:
2451:
2437:on 2008-08-28
2436:
2432:
2428:
2427:Thorn, Rachel
2422:
2414:
2410:
2403:
2395:
2393:9780791460320
2389:
2385:
2381:
2377:
2376:Thorn, Rachel
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2260:9781626740662
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2037:
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2021:
2017:
2013:
2009:
2005:
2001:
1994:
1992:
1984:
1983:4-931391-42-7
1980:
1976:
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1962:
1956:
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1761:
1758:(42): 60–63.
1757:
1750:
1743:
1739:
1733:
1719:on 2018-04-12
1718:
1714:
1710:
1706:
1704:
1695:
1693:
1685:
1684:0-8476-9137-3
1681:
1677:
1676:0-8476-9136-5
1673:
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1634:Thorn, Rachel
1629:
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1500:
1499:AnimeCons.com
1496:
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1314:0-8223-3087-3
1310:
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1279:0-8223-3087-3
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1163:0-7103-0593-1
1159:
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1113:
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1103:
1096:
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1086:0-7007-1300-X
1082:
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678:
674:
670:
669:
663:
659:
658:slash fiction
655:
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542:As characters
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277:Kazuma Kodaka
274:
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142:San Francisco
139:
135:
125:
122:"rotten boy")
109:
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90:
84:
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78:
74:
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62:
55:
51:
50:
45:
41:
37:
32:
19:
3733:
3632:
3572:
3565:
3557:
3539:Publications
3530:Stan Twitter
3488:Fandom names
3444:Import scene
3351:
3315:Demographics
3299:
3272:
3265:
3258:
3241:
3219:
3212:
3205:
3188:
3133:Bibliophilia
3102:Furry fandom
2806:Websites and
2794:
2787:
2780:
2774:Fifty Shades
2773:
2765:
2758:
2753:Another Hope
2751:
2597:
2572:
2568:
2557:. Retrieved
2540:. Retrieved
2536:the original
2529:
2514:. Retrieved
2510:the original
2505:
2474:the original
2457:
2450:
2439:. Retrieved
2435:the original
2421:
2412:
2402:
2379:
2358:
2348:
2337:. Retrieved
2335:. 2020-04-23
2330:
2321:
2310:. Retrieved
2305:
2296:
2279:
2275:
2269:
2250:
2244:
2225:
2219:
2210:
2206:
2196:
2185:. Retrieved
2157:(1): 77–85.
2154:
2150:
2140:
2132:the original
2116:
2108:Saitō Tamaki
2098:
2079:
2075:
2065:
2040:
2034:
2028:
2003:
1999:
1974:
1969:
1950:
1940:
1931:
1921:
1896:
1890:
1881:
1875:
1869:
1860:
1851:
1840:. Retrieved
1836:
1827:
1816:. Retrieved
1812:
1802:
1791:. Retrieved
1787:the original
1782:
1772:
1755:
1749:
1742:Porn Studies
1741:
1732:
1721:. Retrieved
1717:the original
1712:
1708:
1702:
1667:
1662:
1650:. Retrieved
1646:the original
1641:
1628:
1617:. Retrieved
1615:. 2014-06-05
1612:
1603:
1592:. Retrieved
1583:
1572:. Retrieved
1562:
1532:
1502:. Retrieved
1498:
1489:
1478:. Retrieved
1474:
1465:
1454:. Retrieved
1449:
1439:
1420:
1414:
1403:the original
1390:
1365:
1359:
1338:the original
1333:
1323:
1296:
1286:
1262:
1257:
1227:. Retrieved
1220:the original
1197:
1172:
1153:
1147:
1130:
1120:
1101:
1095:
1076:
1070:
1058:. Retrieved
1054:the original
1049:
1039:
1028:. Retrieved
1024:
1015:
1007:the original
1002:
992:
980:. Retrieved
968:
964:
951:
943:the original
938:
934:
893:
855:
851:
845:
834:. Retrieved
830:
797:. Retrieved
792:The Advocate
790:
768:
758:
666:
639:
633:
627:Fujoshi Deka
626:
602:
596:
590:
584:
578:
572:
566:
545:
537:
527:
514:
501:
499:
493:
485:
481:
479:
474:Ace o Nerae!
472:
459:
442:
429:
427:
422:
401:
388:
375:
338:
337:
332:
328:
323:
315:
312:
301:
280:
270:
210:Zetsuai 1989
208:
204:Ai no Kusabi
202:
196:
190:
188:
179:
159:
131:
128:Demographics
85:
59:
47:
3810:Fan service
3805:Fan loyalty
3701:Conventions
3592:Fan fiction
3449:Hot rodding
3196:Beatlemania
3112:Yaoi fandom
2947:Subcultures
2646:Fan fiction
2494:fujyoshi.jp
2104:Kotani Mari
1756:Giant Robot
1703:SEX PISTOLS
1452:(in German)
769:Japan Today
729:Fan service
724:Fan loyalty
714:Yaoi paddle
662:shōjo manga
372:homophonous
293:scanlations
282:Giant Robot
273:shōjo manga
146:questioning
38:dressed as
18:Yaoi fandom
3851:Boys' love
3835:Categories
3762:Multigenre
3721:Comic book
3676:Filk music
3417:and events
3254:Parrothead
3237:Moonwalker
3221:James Bond
3214:EarthBound
3207:Doctor Who
3168:Sports fan
3138:Cinephilia
3034:Visual kei
3029:Gyaru-moji
2974:Genderless
2855:Kirk/Spock
2685:Omegaverse
2559:2009-06-11
2542:18 January
2516:2009-06-11
2441:2009-04-21
2384:SUNY Press
2339:2021-02-06
2312:2022-06-04
2187:2009-08-06
1842:2023-04-21
1818:2023-04-21
1793:2023-04-21
1723:2011-03-22
1619:2023-12-10
1594:2023-12-10
1589:"Yaoithon"
1574:2023-12-10
1533:Mechademia
1504:2023-05-07
1480:2023-05-07
1456:2023-05-07
1303:; London:
1269:; London:
1229:29 October
1030:2023-04-21
836:2023-04-21
799:3 December
750:References
744:Otome Road
368:video game
288:Yōka Nitta
253:FujoshiCon
247:Yaoi North
155:gay rights
138:convention
77:fanfiction
65:homoerotic
61:Boys' love
36:cosplayers
3800:Autograph
3734:Doujinshi
3602:Fan labor
3574:Doujinshi
3493:Game club
3434:Boy racer
3267:Star Wars
3156:Donaldism
2895:Fan labor
2888:Doujinshi
2665:Crossover
2589:145003102
2569:Continuum
2306:Chil-Chil
2057:148386228
2020:146718641
1764:1534-9845
1652:March 10,
1568:"Accueil"
1541:2152-6648
1382:144134070
1368:: 61–77.
1334:The Guide
872:144888475
636:and slash
460:Ochōfujin
443:ochōfujin
419:reclaimed
262:Fufu Fest
235:Yaoi Expo
75:, create
3666:Fanspeak
3652:Fan wiki
3627:Fan game
3612:Fan rice
3607:Fan mail
3597:Fan film
3587:Fan edit
3478:Fan club
3439:Cruising
3429:Car club
3327:Anti-fan
3301:Twilight
3274:Stargate
3243:MLP: FIM
3201:Deadhead
3003:Omorashi
2954:Bōsōzoku
2870:Wolfstar
2847:Shipping
2726:Mary Sue
2680:Femslash
2675:Fan film
2114:(eds.).
1861:icv2.com
1837:icv2.com
1548:citation
1139:42772149
1060:21 April
982:21 April
858:(3): 3.
687:See also
642:dōjinshi
554:fudanshi
502:fudanshi
415:2channel
333:fudanshi
244:Yaoithon
175:Gei comi
166:bisexual
134:Yaoi-Con
108:fudanshi
73:fansites
54:Yaoi-Con
3686:Vidding
3671:Fanzine
3647:Fansite
3582:Fan art
3525:Railfan
3473:Cosplay
3386:Shipper
3381:Sasaeng
3366:Groupie
3295:Trekkie
3290:Tolkien
3285:Swiftie
3232:Juggalo
3227:Janeite
3083:By type
3076:Fandoms
3013:Sukeban
2969:Ganguro
2959:Cosplay
2837:Wattpad
2776:trilogy
2705:Uberfic
2506:Poplife
1273:Press.
806:Alt URL
719:Fag hag
646:Comiket
622:fujoshi
616:fujoshi
610:fujoshi
548:Fujoshi
528:fujoshi
494:fujoshi
486:fujoshi
430:kifujin
376:fujoshi
374:pun on
339:Fujoshi
329:Fujoshi
259:La Mole
229:FujoCon
185:Numbers
170:gay men
89:fujoshi
56:in 2008
3793:Topics
3757:Horror
3745:Gaming
3633:Doujin
3566:Doujin
3559:Doujin
3401:Ultras
3396:Tifosi
3353:Kemonā
3322:Anorak
2998:Lolita
2988:Kawaii
2983:gyaruo
2865:Drarry
2860:Stucky
2731:MSTing
2653:Genres
2604:
2587:
2390:
2257:
2232:
2124:
2055:
2018:
1981:
1957:
1909:
1762:
1682:
1674:
1539:
1427:
1380:
1311:
1281:. p.73
1277:
1212:
1160:
1137:
1108:
1083:
900:
870:
589:, and
482:Eureka
423:Yureka
360:novels
221:Events
81:fanart
69:fandom
3740:Furry
3709:Anime
3622:Fanac
3568:music
3406:Waifu
3376:Otaku
3347:Furry
3280:Shrek
3249:MST3K
3163:Gamer
3090:Genre
3008:Otaku
2993:Kogal
2979:Gyaru
2585:S2CID
2477:(PDF)
2462:(PDF)
2361:(20).
2053:S2CID
2016:S2CID
2000:Signs
1406:(PDF)
1399:(PDF)
1378:S2CID
1223:(PDF)
1202:(PDF)
1135:JSTOR
1050:Xtra!
961:(PDF)
868:S2CID
654:manga
650:anime
561:otaku
515:fukei
490:otaku
356:anime
352:manga
308:otaku
241:Y/Con
226:Aikon
136:, an
46:from
40:Roxas
3777:list
3750:list
3726:list
3714:list
3691:Zine
3657:list
3635:soft
3391:Stan
3371:Nerd
3361:Geek
3184:AFOL
2602:ISBN
2544:2010
2388:ISBN
2255:ISBN
2230:ISBN
2122:ISBN
1979:ISBN
1955:ISBN
1907:ISBN
1760:ISSN
1740:ed.
1680:ISBN
1672:ISBN
1654:2022
1554:link
1537:ISSN
1425:ISBN
1309:ISBN
1275:ISBN
1231:2010
1210:ISBN
1158:ISBN
1106:ISBN
1081:ISBN
1062:2009
984:2016
898:ISBN
801:2020
652:and
634:Yaoi
601:and
551:and
466:お蝶夫人
449:汚超腐人
364:yaoi
358:and
331:and
207:and
198:Badi
192:June
120:lit.
44:Sora
42:and
34:Two
3640:Mod
3342:Fan
2577:doi
2468:).
2284:doi
2280:153
2159:doi
2084:doi
2045:doi
2008:doi
1783:MTV
1370:doi
973:doi
860:doi
513:or
508:腐男子
436:貴腐人
382:婦女子
345:腐女子
303:moe
162:gay
140:in
115:腐男子
96:腐女子
52:at
3837::
2583:.
2573:23
2571:.
2528:.
2504:.
2429:.
2411:.
2382:.
2367:^
2357:.
2329:.
2278:.
2211:20
2209:.
2205:.
2171:^
2155:10
2153:.
2149:.
2082:.
2080:12
2078:.
2074:.
2051:.
2041:17
2039:.
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