Yayoi Kusama - Knowledge

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Peck, a spokeswoman for the Hirshhorn, said in an interview that the museum "has never had a show with that kind of visitor demand", with the room totalling more than 8,000 visitors between its opening and its temporary closure. While there were conflicting media reports about the cost of the damaged sculpture and how exactly it was broken, Allison Peck stated that "there is no intrinsic value to the individual piece. It is a manufactured component to a larger piece." The exhibit was reconfigured to make up for the missing sculpture, and a new one was to be produced for the exhibit by Kusama. The Infinity Mirrors exhibit became a sensation among art critics as well as on social media. Museum visitors shared 34,000 images of the exhibition to their Instagram accounts, and social media posts using the hashtag #InfiniteKusama garnered 330 million impressions, as reported by the Smithsonian the day after the exhibit's closing. The works provided the perfect setting for Instagram-able selfies which inadvertently added to the performative nature of the works.

2808: 1029:. Kusama experienced hallucinations of flowers, dots, and nets during her childhood. These visions engulfed her surroundings, covering everything from ceilings to windows and walls. She saw the same pattern expanding to encompass her body and the entire universe. Kusama's struggle with these hallucinations, which were linked to her mental illness, influenced her artistic style. To cope with her condition, Kusama adopted repeated forms in her art, using store-bought labels and stickers. She doesn't view her art as an end in itself but rather as a means to address her disability that originated in her childhood. The process of repetition, evident in her collages, reflects her artistic approach. Consequently, many of her artworks bear titles that include words like "accumulation" and "infinity". 837: 722: 731: 2100: 42: 543:; Hesse became a close friend. In the early 1960s, Kusama began to create so-called soft sculptures by covering items such as ladders, shoes and chairs with white phallic protrusions. Despite the micromanaged intricacy of the drawings, she turned them out fast and in bulk, establishing a rhythm of productivity which she still maintains. She established other habits too, like having herself routinely photographed with new work and regularly appearing in public wearing her signature bob wigs and colorful, avant-garde fashions. 2077: 826: 948: 2092: 8108: 8096: 193: 505:

of endless time and the absoluteness of space, and be reduced to nothingness. As I realised it was actually happening and not just in my imagination, I was frightened. I knew I had to run away lest I should be deprived of my life by the spell of the red flowers. I ran desperately up the stairs. The steps below me began to fall apart and I fell down the stairs spraining my ankle.

1054:. The kimono suggested traditional roles for women in Japanese custom. The parasol, however, was made to look inauthentic, as it was actually a black umbrella, painted white on the exterior and decorated with fake flowers. Kusama walked down unoccupied streets in an unknown quest. She then turned and cried without reason, and eventually walked away and vanished from view. 396:: "I don't like sex. I had an obsession with sex. When I was a child, my father had lovers and I experienced seeing him. My mother sent me to spy on him. I didn't want to have sex with anyone for years The sexual obsession and fear of sex sit side by side in me." Her traumatic childhood, including her fantastic visions, can be said to be the origin of her artistic style. 8120: 404:

and which she calls "self-obliteration". Kusama's art became her escape from her family and her own mind when she began to have hallucinations. She was reportedly fascinated by the smooth white stones covering the bed of the river near her family home, which she cites as another of the seminal influences behind her lasting fixation on dots.

1154:, which was decorated with Kusama's trademark tentacle-like protrusions and polka-dots. Eventually, six other pop-up shops were opened around the world. When asked about her collaboration with Marc Jacobs, Kusama replied that "his sincere attitude toward art" is the same as her own. Louis Vuitton created a second set of products in 2023. 1057:

This performance, through the association of the kimono, involved the stereotypes that Asian-American women continued to face. However, as an avant-garde artist living in New York, her situation altered the context of the dress, creating a cross-cultural amalgamation. Kusama was able to highlight the

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Creating these feelings amongst audiences was intentional. These experiences seem to be unique to her work because Kusama wanted others to sympathise with her in her troubled life. Bedatri D. Choudhury has described how Kusama feeling not in control throughout her life made her, either consciously or

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rooms at the Hirshhorn Museum, was temporarily closed for three days following damage to one of the exhibit's glowing pumpkin sculptures. The room, which measures 13 square feet (1.2 m) and was filled with over 60 pumpkin sculptures, was one of the museum's most popular attractions ever. Allison

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She became so depressed she was unable to work and made another suicide attempt, then in 1977, found a doctor who was using art therapy to treat mental illness in a hospital setting. She checked herself in and eventually took up permanent residence in the hospital. She has been living at the hospital

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professor of art Midori Yamamura, Oldenburg likely was inspired by Kusama's work to use sewn pieces himself, pieces which made him an "international star". Kusama became depressed over the incident. A similar incident occurred soon after when Kusama exhibited a boat she had covered in soft sculpture,

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One day I was looking at the red flower patterns of the tablecloth on a table, and when I looked up I saw the same pattern covering the ceiling, the windows, and the walls, and finally all over the room, my body and the universe. I felt as if I had begun to self-obliterate, to revolve in the infinity

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Curator Mika Yoshitake has stated that Kusama's works on display are meant to immerse the whole person into her accumulations, obsessions, and repetitions. These infinite, repetitive works were originally a way for Kusama to eliminate her intrusive thoughts. Claire Voon has described one of Kusama's

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Kusama has been open about her mental health and has resided since the 1970s in a mental health facility which she leaves daily to walk to her nearby studio to work. She says that art has become her way to express her mental problems. "I fight pain, anxiety, and fear every day, and the only method I

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in 1993, a dazzling mirrored room filled with small pumpkin sculptures in which she resided in color-coordinated magician's attire, Kusama went on to produce a huge, yellow pumpkin sculpture covered with an optical pattern of black spots. The pumpkin came to represent for her a kind of alter-ego or

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comprised hundreds of mirrored spheres outdoors in what she called a "kinetic carpet". As soon as the piece was installed on a lawn outside the Italian pavilion, Kusama, dressed in a golden kimono, began selling each individual sphere for 1,200 lire (US$ 2), until the Biennale organizers put an end

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Tōkyō Kokuritsu Kindai Bijutsukan, 26 October – 19 December 2004; Kyōto Kokuritsu Kindai Bijutsukan, 6 January – 13 February 2005; Hiroshima-shi Gendai Bijutsukan, 22 February – 17 April 2005; Kumamoto-shi Gendai Bijutsukan, 29 April – 3 July 2005; at Matsumoto-shi Bijutsukan, 30 July – 10 October

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Kusama continued to work as an artist in her ninth decade. She has harkened back to earlier work by returning to drawing and painting; her work remained innovative and multi-disciplinary, and a 2012 exhibition displayed multiple acrylic-on-canvas works. Also featured was an exploration of infinite

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among her friends and supporters. However, she did not profit financially from her work. Around this time, Kusama was hospitalized regularly from overwork, and O'Keeffe persuaded her own dealer Edith Herbert to purchase several works to help Kusama stave off financial hardship. She was not able to

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installations, purpose-built rooms lined with mirrored glass contain scores of neon-colored balls, hanging at various heights above the viewer. Standing inside on a small platform, an observer sees light repeatedly reflected off the mirrored surfaces to create the illusion of a never-ending space.

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which she has described as "flashes of light, auras, or dense fields of dots". These hallucinations included flowers that spoke to Kusama, and patterns in fabric that she stared at coming to life, multiplying, and engulfing or expunging her, a process which she has carried into her artistic career

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farm, Kusama began drawing pictures of pumpkins in elementary school and created artwork she saw from hallucinations, works of which would later define her career. Her mother was not supportive of her creative endeavors; Kusama would rush to finish her art because her mother would take it away to

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After living in Tokyo and France, Kusama left Japan at the age of 27 for the United States. She has stated that she began to consider Japanese society "too small, too servile, too feudalistic, and too scornful of women". Before leaving Japan for the United States, she destroyed many of her early

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In 1973, Kusama returned to Japan. Her reception from the Japanese art world and press was unsympathetic; one art collector recalled considering her a "scandal queen". She was in ill health, but continued to work, writing shockingly visceral and surrealistic novels, short stories, and poetry.

554:, who had not worked in soft sculpture. Kusama's piece received the most attention from attendees and critics, and by September Oldenburg was exhibiting sewn soft sculpture, some pieces of which were very similar to Kusama's; Oldenburg's wife apologized to Kusama at the exhibit. According to 914:. This major show contained more than 100 objects and large scale mirror room installations. It presented several early works that had not been shown to the public since they were first created, including a presentation of Kusama's experimental fashion design from the 1960s. 769:

From this base, she has continued to produce artworks in a variety of media, as well as launching a literary career by publishing several novels, a poetry collection, and an autobiography. Her painting style shifted to high-colored acrylics on canvas, on an amped-up scale.

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A polka-dot has the form of the sun, which is a symbol of the energy of the whole world and our living life, and also the form of the moon, which is calm. Round, soft, colorful, senseless and unknowing. Polka-dots become movement ... Polka dots are a way to infinity.

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in which she professed an interest in joining the limelight of the city, and sought O'Keeffe's advice. During her time in the US, she quickly established her reputation as a leader in the avant-garde movement and received praise for her work from the anarchist art critic

4894: 350:. She experienced a period in the 70s during which her work was largely forgotten, but a revival of interest in the 1980s brought her art back into public view. Kusama has continued to create art in various museums around the world, from the 1950s through the 2020s. 6782: 484:

The vast fields of polka dots, or "infinity nets", as she called them, were taken directly from her hallucinations. The earliest recorded work in which she incorporated these dots was a drawing in 1939 at age 10, in which the image of a Japanese woman in a

2261:, London. Described as "akin to being suspended in a beautiful cosmos gazing at infinite worlds, or like a tiny dot of fluoresecent plankton in an ocean of glowing microscopic life", the exhibition features a retrospective spanning Kusama's entire career. 986:. The retrospective spans almost 3,000 m across the museum's two buildings, in six galleries and includes 2 new works: A Bouquet of Love I Saw in the Universe, 2021 and Light of the Universe Illuminating the Quest for Truth, 2021. 5535: 633:

offering to have sex with him if he would stop the Vietnam war. Between 1967 and 1969, she concentrated on performances held with the maximum publicity, usually involving Kusama painting polka dots on her nude performers, as in the

2956:, for US$ 5.1 million, then a record for a living female artist. In comparison, the highest price for a sculpture from her New York years is £72,500 (US$ 147,687), fetched by the 1965 wool, pasta, paint and hanger assemblage 978:. The name of the exhibit is derived from an open letter Kusama wrote to then-President Richard Nixon in 1968, writing: "let’s forget ourselves, dearest Richard, and become one with the absolute, all together in the altogether." 4886: 568:, said it was likely some combination of racism and sexism that kept Kusama, who was creating work of equal importance to men who were using her ideas and taking the credit for them, from getting the same kinds of backing. 431:

flying overhead in broad daylight. Her childhood was greatly influenced by the events of the war, and she claims that it was during this period that she began to value notions of personal and creative freedom. She attended

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Kusama's work has performed strongly at auction: top prices for her work are for paintings from the late 1950s and early 1960s. As of 2012, her work has the highest turnover of any living woman artist. In November 2008,

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remarked on the exhibit, and not long after covered the walls of an exhibit space with photos of a cow, for which he drew significant attention. Kusama became very secretive about her studio work. Helaine Posner, of the

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During the following years, Kusama was enormously productive, and by 1966, she was experimenting with room-size, freestanding installations that incorporated mirrors, lights, and piped-in music. She counted Judd and

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In November 2021, a monumental exhibition offering an overview of Kusama's main creative periods over the past 70 years, with some 200 works and four Infinity Rooms (unique mirror installations) debuted in the

5234: 677:. The nudity present in Kusama's art and art protests was severely shameful for her family; her high school removed her name from its list of alumni. This made her feel alone, and she attempted suicide again. 4444: 6486: 966:

On 9 November 2019, Kusama's Everyday I Pray For Love exhibit was shown at David Zwirner Gallery until 14 December 2019. The exhibition incorporated sculptures and paintings, and included the debut of her

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museum has a retrospective on Kusama's career entitled "Yayoi Kusama: 1945 to now." The exhibit, showing until May 2023, is the largest retrospective of her art in Asia, not including her home country.

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made song tribute to Kusama, writing a song specially about her. They wrote on their blog that they admire Kusama's work because she puts her fears into it, something that they themselves often do.

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or mobility issues; in a new initiative among art museums, the venue mapped out the six individual rooms and provided disabled individuals visiting the exhibition access to a complete 360-degree

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is a simply furnished room consisting of table and chairs, place settings and bottles, armchairs and rugs, however its walls are tattooed with hundreds of fluorescent polka dots glowing in the

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To date, Kusama has completed several major outdoor sculptural commissions, mostly in the form of brightly hued monstrous plants and flowers, for public and private institutions including

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In June 1963, one of Kusama's soft sculpture pieces, a couch covered with phallus-like protrusions she had sewn, was exhibited at the Green Gallery. Included in the same exhibition was a

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have found that relieved my illness is to keep creating art," she told an interviewer in 2012. "I followed the thread of art and somehow discovered a path that would allow me to live."

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In 1959, Kusama had her first solo exhibition in New York at the Brata Gallery, an artist's co-op. She showed a series of white net paintings which were enthusiastically reviewed by

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mirror exhibits as being able to "transport you to quiet cosmos, to a lonely labyrinth of pulsing light, or to what could be the enveloping innards of a leviathan with the measles".

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Laurberg, Marie: Yayoi Kusama – In Infinity, Denmark: Louisiana Museum of Modern Art, 2015, Heine Onstadt, Oslo, 2016, Moderna Museum, Stockholm, 2016, and Helsinki Art Museum, 2016

642:. During the unannounced event, eight performers under Kusama's direction removed their clothing, stepped nude into a fountain, and assumed poses mimicking the nearby sculptures by 814:, becoming iconic as the artist's profile grew in the following decades; it was reinstalled in 2022 after being destroyed by a typhoon a year earlier. Kusama's later installation 6720: 7299: 4302: 4148: 3571: 4928: 3244: 5931: 8205: 4959: 802:

was the first critical survey of Yayoi Kusama presented at the Center for International Contemporary Arts (CICA) in New York in 1989, and was organized by Alexandra Munroe.

384:, and Kusama remembers her father as "the type who would play around, who would womanize a lot". The artist says that her mother would often send her to spy on her father's 6425: 6147: 4580: 3632: 2964:

London in October 2007. A 2006 acrylic on fiberglass-reinforced plastic pumpkin earned $ 264,000, the top price for one of her sculptures, also at Sotheby's in 2007. Her

2885:(2009) and Ango awards (2014). In 2014, Kusama was ranked the most popular artist of the year after a record-breaking number of visitors flooded her Latin American tour, 855:, a series of rounded "humps" in fire-engine red with white polka dots, was displayed in Pandanus Lake. Perhaps one of Kusama's most notorious works, various versions of 2654: 693:

was as much about the promotion of the artist through the media as it was an opportunity to offer a critique of the mechanization and commodification of the art market.

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rooms. These typically involve a cube-shaped room lined in mirrors, with water on the floor and flickering lights; these features suggest a pattern of life and death.

6023: 7015: 5231: 4440: 6516: 6478: 5875: 4550: 798:. When she left New York she was practically forgotten as an artist until the late 1980s and 1990s, when a number of retrospectives revived international interest. 7095: 3424: 489:, presumed to be the artist's mother, is covered and obliterated by spots. Her first series of large-scale, sometimes more than 30 ft-long canvas paintings, 1210:

published in 2003 that depicts her life from growing up in Japan, her departure to the United States, and her return to her home country, where she now resides.

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stereotype in which her white American audience categorized her, by showing the absurdity of culturally categorizing people in the world's largest melting pot.

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In January 2020, the Hirshhorn announced it would debut new Kusama acquisitions, including two Infinity Mirror Rooms, at a forthcoming exhibition called

6447: 3771: 6896: 2807: 6836: 5962: 5650: 5513: 4670: 3982: 6959: 6125: 5218: 4760: 3695: 4726: 1082:. The 1967 experimental film, which Kusama produced and starred in, depicted Kusama painting polka dots on everything around her including bodies. 6989: 6615: 293:, the world's top-selling female artist, and the world's most successful living artist. Her work influenced that of her contemporaries, including 6586: 5678: 5587: 3740: 6070: 5784: 5182: 6897:

Christie’s Makes History With $ 853 Million Sale of Contemporary Art – Andy Warhol’s ‘Triple Elvis [Ferus Type]’ Sells for $ 82 Million

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subconsciously, want to control how others perceive time and space when entering her exhibits. Art had become a coping mechanism for Kusama.

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products, including leather goods, ready-to-wear, accessories, shoes, watches, and jewelry. The products became available in 2012 at a SoHo

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ever since, by choice. Her studio, where she has continued to produce work since the mid-1970s, is a short distance from the hospital in

5565: 5199: 4024: 638:(1969), in which performers were instructed embrace each other while engaging the sculptures around them at the Sculpture Garden of the 6728: 6540: 1325: 4233: 4140: 4049: 3911: 3337: 423:. Discussing her time in the factory, she says that she spent her adolescence "in closed darkness" although she could always hear the 7221: 7065: 6805: 4286: 3568: 5337: 4920: 4369: 3236: 3165: 8235: 8180: 7363: 5923: 4951: 2972:/Hong Kong in May 2013, the highest price paid at the show. Kusama became the most expensive living female artist at auction when 7709: 7443: 6697: 5497: 4401: 4382: 3719: 3624: 7189: 6417: 6254: 4572: 4508: 8240: 8175: 8170: 8160: 7339: 5992: 5601: 4632: 3800: 3367: 1127:, a pink dotted phone in accompanying dog-shaped holder, and a red and white dotted phone inside a mirrored, dotted box dubbed 3528: 3304: 8250: 8230: 6054: 5628: 5436: 5408: 4423: 4010: 3940: 2901: 2835: 2700: 2362: 2005: 1984: 1959: 1938: 1917: 1896: 1868: 1847: 1826: 1805: 1784: 1738: 1717: 1696: 1664: 1614: 1575: 1548: 1521: 1496: 1469: 1445: 1424: 1397: 1373: 1358: 1346: 6641: 3093: 6015: 2794: 2195: 7010: 5536:

Justice Minister Jarrod Bleijie condemns Yayoi Kusama artwork at new Supreme Court and District Court building in Brisbane

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Cutler, Jody B. "Narcissus, Narcosis, Neurosis: The Visions of Yayoi Kusama." Wallace, Isabelle Loring, and Jennie Hirsh.

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have been presented worldwide venues including Le Consortium, Dijon, 2000; Kunstverein Braunschweig, 2003; as part of the

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speaking in 2018, Kusama is "officially the world's most successful living artist". Kusama was recognized as one of the

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4 April – 19 September 2020: Yayoi Kusama: "One with Eternity: Yayoi Kusama in the Hirshhorn Collection," Washington, DC

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self-portrait. The 2.5-meter-wide "Pumpkin," made of fiberglass-reinforced plastic, was installed in 1994 on a pier on

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subway station in Lisbon. Alongside these monumental works, she has produced smaller scale outdoor pieces including

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5 November 2016 – 17 April 2017: "Dot Obsessions – Tasmania", MONA: Museum of Old and New Art, Hobart, Australia.

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9 November 2019 – 14 December 2019: Yayoi Kusama: Everyday I Pray For Love, David Zwirner Gallery, New York, NY

2289:, The Garage Museum of Contemporary Art, Moscow, Russia. This was the artist's first solo exhibition in Russia. 1595: 1309: 883: 3594: 2247:. As of 13 September of that year the mirror room is permanently exhibited in the entrance area of the museum. 8195: 7214: 6949: 5635: 5468: 5381:"Yayoi Kusama Apologizes as Her Previous Racist Writings Surface, Clouding Her New San Francisco Museum Show" 3763: 2866: 2687: 2664: 2240: 844: 446: 309: 6833: 2560:

11 May – 21 July 2023: Yayoi Kusama: I Spend Each Day Embracing Flowers, David Zwirner Gallery, New York, NY

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Klaus Podoll, "Die Künstlerin Yayoi Kusama als pathographischer Fall." Schulz R, Bonanni G, Bormuth M, eds.

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make the money she believed she deserved, and her frustration became so extreme that she attempted suicide.

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with photographs of the boat completely covering the walls of the exhibit space, which was very innovative.

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in 1948. Frustrated with this distinctly Japanese style, she became interested in the European and American

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that allowed them to experience every aspect of the rooms, as if they were actually walking through them.

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light. The result is an endless infinite space where the self and everything in the room is obliterated.

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Yoshitake, Mika, Chiu, Melissa, Dumbadze, Alexander Blair, Jones, Alex, Sutton, Gloria, Tezuka, Miwako.

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Gallery. She stayed there for a year before moving on to New York City, following correspondence with

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Sullivan, Marin R. (2015). "Reflective Acts and Mirrored Images: Yayoi Kusama's Narcissus Garden".

2924: 2882: 2797:, Tokyo and in the City Museum of Art in her home town of Matsumoto entitled The Place for My Soul. 2790: 2631: 891: 666: 3467: 721: 8190: 7451: 7170: 6907: 6255:"Yayoi Kusama Exhibition | I Spend Each Day Embracing Flowers | 11 May – 21 July 2023 | New York" 6179:"yayoi kusama's love is calling exhibition grows a mirrored forest of glowing tentacles in miami" 5521: 5034:

Wye, Pamela; Zelevansky, Lynn; Hoptman, Laura; Tatehata, Akira; Munroe, Alexandra (Winter 1998).

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March 2018 – February 2019"Pumpkin Forever'(Forever Museum of ContemporaryArt), Gion-Kyoto, Japan

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Women Artists and Postwar Abstraction | HOW TO SEE the art movement with Corey D'Augustine, MoMA

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content. She has been acknowledged as one of the most important living artists to come out of

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Schultz, Stacy E. (2012). "Asian American Women Artists: Performative Strategies Redefined".

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Inside the Visible: An Elliptical Traverse of 20th Century Art in, of, and from the Feminine.

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Zoë Dusanne: An Art Dealer Who Made a Difference, p99, by Jo Ann Ridley; Fithian Press, 2011

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Veuve Clicquot and Kusama created a limited-edition bottle and sculpture in September 2020.

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at the Church of Self-obliteration at 33 Walker Street in New York and performed alongside

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Yayoi Kusama's yellow pumpkin sculpture is back on Naoshima Island, Japan, 17 October 2022

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Vivid Hallucinations From a Fragile Life – Yayoi Kusama at Whitney Museum of American Art

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Kusama's move to Japan meant she had to build a new career from scratch. Her organically

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When Kusama was 13, she was sent to work in a military factory where she was tasked with

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series), which she began upon arriving in New York, garnered comparisons to the work of

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was inaugurated in Tokyo. Other major retrospectives of her work have been held at the

2774: 2614: 2448:, Museum of Modern and Contemporary Art in Nusantara (Museum MACAN), Jakarta, Indonesia 2373: 2119: 1301: 1234: 882:, curated by Marie Laurberg, travelled to four major museums in the region, opening at 744: 647: 555: 286: 168: 7125: 6689: 6279: 5482: 4887:"How Yayoi Kusama, the "Infinity Mirrors" visionary, channels mental illness into art" 4388: 1484:, 7 February – 9 May 2004; Mori Geijutsu Bijutsukan, Sapporo, 5 June – 22 August 2004. 8053: 7894: 7779: 7427: 7174: 6954: 6637: 6479:"Ready for your selfie ? AGO's permanent Kusama Infinity Mirrored Room now open" 6050: 5841: 5581: 5444: 5242: 5119: 4542: 4419: 4294: 4092: 4016: 4006: 3936: 3016: 2824: 2770: 2488: 2142: 2001: 1987: 1980: 1962: 1955: 1941: 1934: 1920: 1913: 1899: 1892: 1871: 1864: 1850: 1843: 1829: 1822: 1808: 1801: 1787: 1780: 1741: 1734: 1720: 1713: 1699: 1692: 1667: 1660: 1617: 1610: 1578: 1571: 1551: 1544: 1524: 1517: 1499: 1492: 1472: 1465: 1448: 1441: 1427: 1420: 1400: 1393: 1376: 1369: 1349: 1342: 1297: 673:

in New York City. She opened naked painting studios and a gay social club called the

547: 368: 305: 155: 72: 5984: 4640: 3792: 3359: 3237:"Yayoi Kusama, Harry Shunk, János Kender. Mirror Performance, New York. 1968 | MoMA" 8124: 8000: 7935: 7879: 7854: 7799: 5955:"Another Yayoi Kusama Installation Has Arrived in L.A.—and You Can See It For Free" 5539: 5485: 5107: 5047: 4330: 4080: 3296: 3025: 2782: 2761:

Kusama's work is in the collections of museums throughout the world, including the

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http://www.trebuchet-magazine.com/index.php/site/article/tate_modern_yayoi_kusama/

5625: 5307:"Exclusive: Yayoi Kusama Talks Louis Vuitton, Plus a First Look at the Collection" 4350:"Augmenting Small-Island Heritage through Site-Specific Art: A View from Naoshima" 4084: 7599: 7559: 7534: 7230: 7165: 7019: 6903: 6864: 6840: 6590: 6567: 6544: 6390: 5707: 5654: 5632: 5517: 5238: 5203: 5177: 4053: 3915: 3744: 3673: 3575: 2855: 2786: 2176: 2165: 2161: 2157: 2126: 2076: 2033: 1591: 1481: 1286: 1274: 1203: 1087: 806: 787: 681: 618: 593: 551: 454: 298: 238: 87: 76: 4835:"Yayoi Kusama: LOVE IS CALLING | Pérez Art Museum Miami | Things to do in Miami" 4441:"This exhibit is going to blow up your Instagram feed – and rewrite art history" 1337:

Rodenbeck, J.F. "Yayoi Kusama: Surface, Stitch, Skin." Zegher, M. Catherine de.

1300:. In 2011, she was commissioned to design the front cover of millions of pocket 700:. She then began a passionate, platonic relationship with the surrealist artist 7992: 7914: 7839: 7834: 7679: 7589: 7579: 7554: 7371: 7307: 7088:"Yayoi Kusama's Famous Polka Dots Adorn Veuve Clicquot Champagne Collaboration" 6829: 5721:"In infinity: Yayoi Kusama's dots take over the Louisiana Museum of Modern Art" 3837: 3564: 3396: 3206: 2847: 2746:

Applin, Jo. Yayoi Kusama: Infinity Mirror Room – Phallis Field. Afterall, 2012.

2603: 2206: 2060:, in 1962, she was the only female artist to take part in the widely acclaimed 2057: 1972: 1262: 899: 795: 701: 602: 424: 254: 246: 7584: 7194: 7184: 7179: 7150: 6338: 5872:"Yayoi Kusama heads to Singapore, while Southeast Asian art travels the globe" 4981: 8134: 8043: 8023: 7874: 7859: 7819: 7814: 7789: 7769: 7754: 7739: 7669: 7649: 7639: 7435: 7275: 6867: 6844: 6560: 5845: 5448: 4546: 4535:"Kusama Infinity Room Reopens at Hirshhorn Exhibition After Sculpture Damage" 4298: 4020: 3842: 2941: 2831: 2045: 2032:

then acquired paintings from the show). Kusama has since exhibited work with

1952:

Kusama Yayoi zen hangashū, 1979–2004 = All Prints of Kusama Yayoi, 1979–2004.

1147: 1116: 1096: 670: 662: 643: 630: 400: 372: 321: 282: 7749: 3876: 3045:"Yayoi Kusama and the Amazing Polka dotted selfie made journey to greatness" 8100: 8028: 7955: 7950: 7919: 7909: 7829: 7784: 7764: 7734: 7704: 7699: 7674: 7614: 7604: 7594: 7569: 7564: 7529: 7524: 5111: 4861:"One Of Yayoi Kusama's Infinity Mirror Rooms Is Arriving At PAMM This Week" 4387:, London: Victoria Miro Gallery, 7 February – 20 March 2008, archived from 2961: 2928: 2909: 2890: 2272: 2041: 2029: 1218: 1217:

In October 2023, Kusama apologized for a number of racist comments against

1092: 779: 748: 614: 529: 420: 332: 270: 258: 150: 20: 5288:"Marc Jacobs Recruits Yayoi Kusama for Latest Louis Vuitton Collaboration" 4472:"The Broad to Host Yayoi Kusama: Infinity Mirrors Exhibition in Fall 2017" 1991: 1966: 1924: 1875: 1854: 1745: 1724: 1621: 1582: 1555: 1528: 1476: 1431: 1111:

In 1968, Kusama established Kusama Fashion Company Ltd, and began selling

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Lancôme collaborates with Japanese artist Yayoi Kusama on new Juicy Tubes

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for her actions that strengthened the bounds between Asia and the world.

2894: 2877:. In October 2006, Kusama became the first Japanese woman to receive the 2862: 2851: 2778: 2532: 2471: 2330: 2258: 2210: 2037: 2025: 1945: 1903: 1833: 1812: 1791: 1703: 1671: 1599: 1503: 1452: 1404: 1380: 1353: 1151: 1143: 1070:

won a prize at the Fourth International Experimental Film Competition in

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rooms, and was scheduled to travel to five museums in the US and Canada.

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During her time in New York, Kusama had a brief relationship with artist

626: 560: 536: 520: 450: 325: 294: 7031: 4141:"The Stunning Story of the Woman Who Is the World's Most Popular Artist" 1457:

Seven European exhibitions in France, Germany, Denmark, etc.; 2001–2003.

1138:

In 2011, Kusama created artwork for six limited-edition lipglosses from

7940: 7849: 7804: 7744: 7714: 7694: 7684: 7629: 6538:

Love Forever : Yayoi Kusama, 1958–1968, 9 July – 22 September 1998

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Yayoi Kusama: Flowers That Bloom Tomorrow, 7 October – 13 November 2010

3000: 2989: 2589: 2268:, the Latinamerican Art Museum of Buenos Aires, Buenos Aires, Argentina 2053: 1710:

Wahrheit ist, was uns verbindet: Karl Jaspers' Kunst zu philosophieren.

1112: 610: 343: 266: 262: 145: 6448:"Yayoi Kusama's 'Infinity Room' to return permanently to Museum MACAN" 6361:"Yayoi Kusama: The Spirits of the Pumpkins Descended into the Heavens" 5059: 5035: 3529:"Japanese Artist Yayoi Kusama Is About To Make 2017 Infinitely Better" 2137:

1998–99: "Love Forever: Yayoi Kusama,1958–1969" – exhibit traveled to

1139: 8048: 8038: 7824: 7654: 7609: 7539: 7387: 7245: 6305:"Yayoi Kusama Infinity Mirror Room, Phoenix Art Museum, Firefly Room" 3268:"How Yayoi Kusama's Infinity Mirrors pushed pop art into the new age" 2969: 2640: 2391: 2308: 1292:

In 2010, Kusama designed a Town Sneaker styled bus, which she titled

1273:

in Los Angeles. In 1998, she realized a mural for the hallway of the

540: 478: 470: 412: 389: 347: 242: 226: 7144: 6280:"Yayoi Kusama: INFINITY MIRRORED ROOM – LET'S SURVIVE FOREVER, 2017" 5750: 4685: 3595:"Yayoi Kusama Self-Obliteration Analysis | The Dissolve of Identity" 3498: 2749:

Hoptman, Laura J., et al. Yayoi Kusama. Phaidon Press Limited, 2000.

969:

Infinity Mirrored Room – Dancing Lights That Flew Up To The Universe

8018: 7809: 7724: 7549: 7411: 7403: 7395: 5413: 5051: 2668: 2091: 2049: 1796:

Kusama, Yayoi, Ralph F. McCarthy, Hisako Ifshin, and Yayoi Kusama.

1683:

Nakajima, Izumi. "Yayoi Kusama between abstraction and pathology."

1412:, 8 March – 8 June 1998; three other locations through 4 July 1999. 1100: 465:

By 1950, she was depicting abstract natural forms in water colour,

234: 7199: 5409:"Japanese Artist Yayoi Kusama Apologizes For Past Racist Comments" 4921:"Immersed in Yayoi Kusama's Lonely Labyrinths and Infinite Worlds" 1817:

Kusama, Yayoi, Ralph F. McCarthy, Yayoi Kusama, and Yayoi Kusama.

1312:

in 2012, a 120-foot (37 m) reproduction of Kusama's painting

1308:(2011). Coinciding with an exhibition of the artist's work at the 708:

to her. Their lengthy association lasted until his death in 1972.

7889: 2980:

series sold for $ 7.1 million at a 2014 Christie's auction.

2610:

You Who Are Getting Obliterated in the Dancing Swarm of Fireflies

2187: 1214:

includes the artist's poetry and photographs of her exhibitions.

1162:

In 1977, Kusama published a book of poems and paintings entitled

1071: 1051: 911: 887: 705: 516: 473:, primarily on paper. She began covering surfaces—walls, floors, 466: 441: 393: 381: 329: 313: 274: 140: 6664:"Art News: Kusama First Japanese Woman to Win Coveted Art Award" 4952:"To Infinity and Beyond, Yayoi Kusama Grapples With Conventions" 2044:, among others. Exhibiting alongside European artists including 1119:. In 2009, Kusama designed a handbag-shaped cell phone entitled 346:

in which naked participants were painted with brightly coloured

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Couple in The Cage: Two Undiscovered Amerindians Visit the West

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David Zwirner Gallery, New York, 9 November – 14 December 2019.

1489:

Kusama Yayoi eien no genzai = Yayoi Kusama: eternity-modernity.

1047: 1001:

has the most recent showing of Kusama's work in South Florida.

956: 903: 895: 486: 474: 408: 336: 250: 192: 8107: 7120: 6721:"Visitor Figures 2014: The World Goes Dotty Over Yayoi Kusama" 6418:"ICA Boston Acquires Yayoi Kusama 'Infinity Mirror Room' Work" 6148:"This Tel Aviv Museum Show Just Opened. It's Already Sold Out" 3393:

Man-Hating Artist Kusama Covers Tate Modern in Dots: Interview

3145: 1971:

Kusama, Yayoi, Laura Hoptman, Akira Tatehata, Udo Kultermann,

1206:. Her most recent writing endeavor includes her autobiography 477:, and later, household objects, and naked assistants—with the 342:, she came to public attention when she organized a series of 6368: 4573:"Hirshhorn's 'Yayoi Kusama: Infinity Mirrors' Breaks Records" 3094:"Yayoi Kusama: The underdog story of a Japanese art maverick" 2565:

YAYOI KUSAMA: Infinity Mirrored Room – Let’s Survive Together

2502: 2265: 2132: 1689:

Psychoanalysis and the Image: Transdisciplinary Perspectives.

960: 763: 399:

When Kusama was ten years old, she began to experience vivid

290: 179: 5751:"Yayoi Kusama: Infinity Theory [exhibition website]" 5033: 3189:

Psychoanalysis and the image: transdisciplinary perspectives

1316:(1994) covered a condominium building under construction in 7970: 7904: 2858:

named Kusama one of its top 10 living artists of the year.

2752:

Lenz, Heather, director. Infinity. Magnolia Pictures, 2018.

2009: 1005:

will be on view and accessible to the public through 2024.

976:

One with Eternity: Yayoi Kusama in the Hirshhorn Collection

917:

In 2017, a 50-year retrospective of her work opened at the

376: 312:

for a year in a traditional Japanese painting style called

7145:

Yayoi Kusama in the collection of The Museum of Modern Art

5648:"Yayoi Kusama at Fairchild", 5 December 2009 – 30 May 2010 4603:"A Night With Yayoi Kusama's Die-hard, Selfie-taking Fans" 2875:

Lifetime Achievement Award from the Women's Caucus for Art

2399:

Yayoi Kusama: All the Eternal Love I Have for the Pumpkins

1320:. That same year, Kusama conceived her floor installation 5985:"STARS: Six Contemporary Artists from Japan to the World" 5626:

Yayoi Kusama: Mirrored Years, 23 August – 19 October 2008

2869:(2003); the National Lifetime Achievement Award from the 1385:

Robert Miller Gallery, New York, 11 June – 7 August 1998.

1170:

appeared. Between 1983 and 1990, she finished the novels

1135:'s "iida" brand. Each phone was limited to 1,000 pieces. 990: 6230:"Yayoi Kusama: LOVE IS CALLING • Pérez Art Museum Miami" 6122:"Yayoi Kusama: A Retrospective \ Tel Aviv Museum of Art" 5807:"Yayoi Kusama's new installation comes to MONA Tasmania" 5498:

Yayoi Kusama: Outdoor Sculptures, 23 June – 25 July 2009

5338:"Louis Vuitton Goes Big With Yayoi Kusama Collaboration" 4809:"Yayoi Kusama: LOVE IS CALLING • Pérez Art Museum Miami" 4757:"Yayoi Kusama: A Retrospective \ Tel Aviv Museum of Art" 4287:"ART; A 60's Free Spirit Whose Main Subject Was Herself" 2571: 535:

In 1961, she moved her studio into the same building as

6205:"A Yayoi Kusama Infinity Mirror Room Is Coming to PAMM" 5834:"Yayoi Kusama to Be the Focus of a Touring Museum Show" 5010:"MoMA | Yayoi Kusama. Accumulation of Stamps, 63. 1962" 4982:"Yayoi Kusama. Accumulation of Stamps, 63. 1962 | MoMA" 4782:

Stout, Stephy Chung and Kristie Lu (31 December 2022).

4727:"Celebrating the Eternal Legacy of Artist Yayoi Kusama" 2512:

STARS: Six Contemporary Artists from Japan to the World

1146:(who visited her studio in Japan in 2006) on a line of 5959:

Lamag – Culture, Food, Fashion, News & Los Angeles

2900:

Kusama gained media attention for partnering with the

2661:

The Spirits of the Pumpkins Descended into the Heavens

2338:

Yayoi Kusama: sculptures, paintings & mirror rooms

1931:

Yayoi Kusama Furniture by Graf: Decorative Mode No. 3.

1095:, and in 1993, she collaborated with British musician 841:

The Spirits of the Pumpkins Descended into the Heavens

805:

Following the success of the Japanese pavilion at the

457:

of her paintings in Matsumoto and Tokyo in the 1950s.

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Cross-Cultural Journeys: Yayoi Kusama and Kenzo Okada

2819:

Kusama's image is included in the iconic 1972 poster

1392:

Los Angeles: Los Angeles County Museum of Art, 1998.

388:, which instilled within her a lifelong contempt for 8206:

Recipients of the Order of the Rising Sun, 4th class

7171:

Earth is a polka dot. An interview with Yayoi Kusama

6016:"Yayoi Kusama's 'Cosmic Nature' Dots a Bronx Garden" 4002:

Into performance: Japanese women artists in New York

3866:(New Brunswick: Rutgers University Press, 2005) p.68 3864:

Into Performance: Japanese Women Artists in New York

3715: 3713: 2221:, this time displayed as floating "humps" on a lake. 2095:

An exhibition for the HAM art company (October 2016)

1908:

Hoptman, Laura, Akira Tatehata, and Udo Kultermann.

1066:

In 1968, Kusama and Jud Yalkut's collaborative work

878:

In 2015–2016, the first retrospective exhibition in

460: 19:"Kusama" redirects here. For the film director, see 6982:"a world of polka dots, by the boy least likely to" 6097:"Yayoi Kusama: Infinity Mirror Rooms | Tate Modern" 3291: 3289: 2282:, Louisiana Museum of Modern Art, Humlebæk, Denmark 1691:Malden, MA: Blackwell Pub, 2006. pp. 127–160. 5170: 3877:"Yayoi Kusama Art – 100+ Works, Bio, News | Artsy" 3625:"Yayoi Kusama Made the Ultimate Instagram Exhibit" 1008: 519:, where she had an exhibition of paintings at the 6177:designboom, matthew burgos | (20 February 2023). 5437:"Yayoi Kusama Apologizes for Past Racist Remarks" 3710: 2186:traveled to Art Park Museum of Contemporary Art, 1733:Farnham, Surrey: Ashgate, 2011. pp. 87–109. 1657:Lewis Carroll's Alice's Adventures in Wonderland. 1198:(1990), alongside several issues of the magazine 8132: 6509:"Some Living American Women Artists/Last Supper" 5924:"Yayoi Kusama's works finally arrive in Jakarta" 3933:Women's work: from feminine arts to feminist art 3286: 1842:Chicago: The University of Chicago Press, 2011. 1840:Infinity Net: The Autobiography of Yayoi Kusama. 1296:and whose route travels through her hometown of 253:, fiction, and other arts. Her work is based in 6718: 6183:designboom | architecture & design magazine 2861:Kusama has received many awards, including the 2478:With All My Love for the Tulips, I Pray Forever 2152:2001–2003: Le Consortium – exhibit traveled to 588:Since 1963, Kusama has continued her series of 214: 6923:Superchunk – Art Class (Song For Yayoi Kusama) 4104: 4102: 2131:1998: "Love Forever: Yayoi Kusama,1958–1969", 2116:Yayoi Kusama's Self-Obliteration (Performance) 863:in Central Park, New York in 2004; and at the 371:. Born into a family of merchants who owned a 328:scene throughout the 1960s, especially in the 208: 7215: 6941: 5138:"Yayoi Kusama: The Orgy of Self Obliteration" 3421:"Yayoi Kusama's extraordinary survival story" 2464:Yayoi Kusama: Where The Lights In My Heart Go 2361:, a traveling museum show originating at the 2103:PikiWiki Israel 84662 yayoi kusama exhibition 2064:(Zero) international group exhibition at the 1821:Berkeley, Calif: Wandering Mind Books, 1998. 1368:New York, N.Y.: Robert Miller Gallery, 1998. 1241:(2002) for the Matsumoto City Museum of Art; 832:(2009), Instituto Inhotim, Brumadinho, Brazil 711: 392:, particularly the male's lower body and the 5406: 5136:Foster, Gwendolyn Audrey (18 October 2013). 4005:. Rutgers University Press. pp. 75–76. 3793:"Yayoi Kusama | Biography, Art, & Facts" 3720:Yayoi hi , 18 November 1998 – 8 January 1999 3360:"Yayoi Kusama | Biography, Art, & Facts" 2897:received more than 8,500 visitors each day. 2730:Infinity Mirror Room – Let's Survive Forever 2446:Yayoi Kusama: Life is the Heart of a Rainbow 2406:Yayoi Kusama: Life is the Heart of a Rainbow 2381:Yayoi Kusama: Life is the Heart of a Rainbow 930:All the Eternal Love I Have for the Pumpkins 921:in Washington, DC. The exhibit featured six 657:In 1968, Kusama presided over the happening 7185:Why Yayoi Kusama matters now more than ever 5586:: CS1 maint: numeric names: authors list ( 4950:Choudhury, Bedatri D. (11 September 2018). 4110:"Kusama's relationship with Joseph Cornell" 4099: 3560: 3558: 3556: 3554: 3297:"Yayoi Kusama Biography, Life & Quotes" 2567:, 2017, Memorial Art Gallery, Rochester, NY 1881: 1777:Kusama Yayoi: Driving Image = Yayoi Kusama. 1607:Yayoi Kusama: I Who Have Arrived in Heaven. 1594:, Paris, 10 October 2011 – 9 January 2012; 1261:(2007) for Pyeonghwa Park (now referred as 509: 7222: 7208: 6719:Pes, Javier; Emily Sharpe (2 April 2015). 6391:"Yayoi Kusama: Sculpture and installation" 6176: 5131: 5129: 4438: 4432: 3904: 3902: 3732: 3730: 3728: 3592: 2966:Flame of Life – Dedicated to Tu-Fu (Du-Fu) 2789:, Paris; Art Gallery of Ontario, Toronto; 2476:26 July 2018 – Spring 2019: Yayoi Kusama: 1629:, New York, 8 November – 21 December 2013. 1326:Queen Elizabeth II Courts of Law, Brisbane 1172:The Hustler's Grotto of Christopher Street 1131:, for Japanese mobile communication giant 989:As of late December 2022, the Hong Kong's 932:exhibit, one of the six components to her 680:In 1966, Kusama first participated in the 609:In the 1960s, Kusama organized outlandish 380:discourage her. Her mother was physically 367:Yayoi Kusama was born on 22 March 1929 in 40: 6044: 4949: 4663:"Every Day I Pray For Love press release" 4347: 4333:, 16 April – 27 June 2009, archived from 4132: 3618: 3616: 3522: 3520: 3462: 3460: 3444: 3442: 3387: 3385: 3019:released the biographical documentary by 2637:The Souls of Millions of Light Years Away 2201:2007: FINA Festival 2007. Kusama created 1762: 1712:Göttingen, Wallstein, 2009. p. 119. 1598:, New York, 12 July – 30 September 2012; 1032: 773: 636:Grand Orgy to Awaken the Dead at the MoMA 447:Kyoto Municipal School of Arts and Crafts 7364:Mattress Performance (Carry That Weight) 6013: 5434: 5074:"Cycles of Repetition: Kusama and Hesse" 4914: 4912: 4466: 4464: 4462: 4169: 4070: 3551: 3186: 2806: 2098: 2090: 2075: 1536:, London, 10 October – 17 November 2007. 1129:Dots Obsession, Full Happiness With Dots 946: 835: 824: 362: 281:, and is infused with autobiographical, 191: 6409: 5551: 5549: 5378: 5304: 5126: 5097: 4884: 3899: 3725: 3414: 3412: 3410: 3408: 3406: 3325: 2838:in Washington, DC. That same year, the 2596:Infinity Mirror Room fireflies on Water 2459:, exhibition travels to Cleveland, Ohio 1933:Tōkyō: Seigensha Art Publishing, 2003. 1253:(2003) for Euralille in Lille, France; 324:in 1958 and was a part of the New York 8133: 7340:How to Explain Pictures to a Dead Hare 7190:Yayoi Kusama art for the Instagram age 6950:"Dream Reeler: Jud Yalkut (1938–2013)" 6947: 6772: 6741: 6584:Yayoi Kusama, 9 February – 5 June 2012 6476: 6415: 5952: 5831: 5718: 5363: 5285: 5135: 5004: 5002: 4858: 4633:"Yayoi Kusama Museum opens, sells out" 4533:Hauser, Christine (28 February 2017). 4532: 4526: 4439:Dingfelder, Sadie (21 February 2017). 4413: 4138: 3998: 3955: 3930: 3774:from the original on 25 September 2013 3685: 3662: 3660: 3658: 3656: 3654: 3652: 3650: 3622: 3613: 3517: 3457: 3448: 3439: 3382: 3265: 2271:22 May 2014 – 27 June 2014: Instituto 1859:Kusama, Yayoï, and Isabelle Charrier. 1800:Berkeley: Wandering Mind Books, 1998. 1590:, Madrid, 10 May – 12 September 2011; 1390:Love Forever: Yayoi Kusama, 1958–1968. 1341:Cambridge, Mass: The MIT Press, 1996. 944:opened in Tokyo, featuring her works. 629:. In one, she wrote an open letter to 16:Japanese artist and writer (born 1929) 7203: 7131:Love Forever: Yayoi Kusama, 1958–1968 7042:from the original on 7 September 2019 6803: 6644:from the original on 17 November 2013 6618:from the original on 22 December 2015 6561:YAYOI KUSAMA, 12 July – Sept 30, 2012 6501: 6202: 6158:from the original on 19 December 2021 6128:from the original on 19 December 2021 5852:from the original on 23 December 2016 5761:from the original on 22 December 2015 5731:from the original on 22 December 2015 5568:from the original on 18 December 2019 5483:Yayoi Kusama, 16 April – 27 June 2009 5335: 5317:from the original on 18 February 2017 5168: 4909: 4781: 4724: 4673:from the original on 18 December 2019 4506: 4488:from the original on 10 February 2017 4459: 4447:from the original on 23 February 2017 4284: 3926: 3924: 3761: 3526: 3468:"The world according to Yayoi Kusama" 3451:WACK! Art and the Feminist Revolution 3307:from the original on 29 February 2020 3217:from the original on 22 February 2018 3168:from the original on 21 February 2018 3140: 3138: 3136: 3134: 3080:Yayoi Kusama: Inventing the Singular. 3042: 2983: 2902:Hirshhorn Museum and Sculpture Garden 2701:Institute of Contemporary Art, Boston 2401:, Dallas Museum of Art, Dallas, Texas 2363:Hirshhorn Museum and Sculpture Garden 2278:17 September 2015 – 24 January 2016: 2245:Infinity Mirror Room – Phalli's Field 2205:, a vibrant outdoor installation for 1998:Yayoi Kusama : Infinity Mirrors. 1516:London: Victoria Miro Gallery, 2007. 1359:Institute of Contemporary Art, Boston 1331: 1294:Mizutama Ranbu (Wild Polka Dot Dance) 481:that became a trademark of her work. 8211:Recipients of the Praemium Imperiale 8186:Kyoto City University of Arts alumni 7098:from the original on 5 December 2020 6670:from the original on 31 October 2013 6519:from the original on 20 January 2022 6489:from the original on 7 November 2020 6311:from the original on 23 October 2017 5965:from the original on 5 November 2021 5904:from the original on 29 January 2019 5878:from the original on 20 January 2017 5546: 4918: 4613:from the original on 5 December 2021 3698:from the original on 20 January 2018 3635:from the original on 9 February 2017 3527:Frank, Priscilla (9 February 2017). 3403: 3132: 3130: 3128: 3126: 3124: 3122: 3120: 3118: 3116: 3114: 3091: 3074: 3072: 3070: 3029:, in 2018 and a DVD version in 2019. 2530:Yayoi Kusama: Infinity Mirror Rooms, 2305:Yayoi Kusama: Infinity Mirrored Room 2303:20 September 2015 – September 2016: 2196:National Museum of Modern Art, Tokyo 1731:Contemporary Art and Classical Myth. 1649: 1388:Kusama, Yayoi, and Lynn Zelevansky. 1085:In 1991, Kusama starred in the film 782:paintings of one or two colors (the 741:Ascension of Polka Dots on the Trees 8156:21st-century Japanese women artists 8151:20th-century Japanese women artists 7229: 6608:"The Top 10 Living Artists of 2015" 6458:from the original on 30 August 2019 6272: 5995:from the original on 18 August 2020 5435:Pogrebin, Robin (17 October 2023). 5407:O'Connor, Lydia (18 October 2023). 4999: 4859:Marcof, Bianca (15 February 2023). 4763:from the original on 15 August 2022 4416:Yayoi Kusama: Recent Work 2009–2012 4266:from the original on 15 August 2022 4253: 4170:McDonald, John (12 February 2005), 3989:Queensland Art Gallery, Queensland. 3967: 3830: 3738:The world according to Yayoi Kusama 3647: 3009:In 2013, the British indie pop duo 2468:deCordova Museum and Sculpture Park 2084:(2015) was inspired by the earlier 1605:Kusama, Yayoi, and Akira Tatehata. 1602:(London), 9 February – 5 June 2012. 1487:Kusama, Yayoi, and Tōru Matsumoto. 1202:in collaboration with photographer 13: 8216:Japanese artists with disabilities 8201:Recipients of the Order of Culture 6948:Zinman, Gregory (September 2013). 6930:from the original on 14 March 2022 6879:Bridget Moriarity (5 March 2009), 6785:from the original on 10 March 2017 6754:from the original on 12 March 2017 6742:Lesser, Casey (17 February 2017). 6700:from the original on 18 March 2015 6666:. BLOUINARTINFO. 23 January 2007. 6416:Selvin, Claire (15 January 2019). 6026:from the original on 30 April 2021 5813:from the original on 3 August 2017 5379:Cascone, Sarah (16 October 2023). 4885:Fifield, Anna (15 February 2017). 4357:Okinawan Journal of Island Studies 4182:from the original on 16 April 2009 4027:from the original on 12 March 2017 3921: 3601:from the original on 12 March 2017 3496: 3043:Smith, Roberta (3 November 2017). 2908:rooms accessible to visitors with 2821:Some Living American Women Artists 2538:15 November 2021 – 23 April 2022: 2368:30 June 2017 – 10 September 2017: 2347:7 October 2016 – 22 January 2017: 2316:Kusama: At the End of the Universe 2264:30 June 2013 – 16 September 2013: 2110:Kitakyushu Municipal Museum of Art 2071: 1929:Kusama, Yayoi, and Hideki Yasuda. 1750:Gipson, Ferren. "Yayoi Kusama" in 1645:, 9 March 2023 – 11 February 2024. 1543:New York: Gagosian Gallery, 2009. 1440:Paris: Les Presses du Reel, 2002. 1257:(2006) for Naoshima Town, Kagawa; 1166:. One year later, her first novel 1142:. That same year, she worked with 1115:fashion in the "Kusama Corner" at 1021:In 1962, Kusama created her work, 953:Nita Mukesh Ambani Cultural Centre 14: 8262: 7114: 7068:from the original on 15 July 2022 6962:from the original on 1 March 2021 5787:from the original on 7 April 2017 5755:Garage Museum of Contemporary Art 5719:Rogers, Sam (25 September 2015). 5658:Fairchild Tropical Botanic Garden 5336:Socha, Miles (19 December 2022). 5267:from the original on 15 July 2022 5150:from the original on 15 July 2022 5100:Journal of Asian American Studies 4919:Voon, Claire (23 February 2017). 4737:from the original on 15 July 2022 4725:Daher, Nadine (14 January 2020). 4706:from the original on 15 July 2022 4583:from the original on 15 July 2022 4553:from the original on 26 June 2022 4509:"An Artist for the Instagram Age" 4205:(interview), 2007, archived from 3887:from the original on 12 June 2017 3803:from the original on 25 June 2022 3736:David Pilling (20 January 2012), 3676:Queensland Art Gallery, Brisbane. 3593:Ignoramous, Lamos (26 May 2014). 3539:from the original on 7 March 2017 3505:from the original on 15 July 2022 3478:from the original on 15 July 2022 3418: 3391:Farah Nayeri (14 February 2012), 3370:from the original on 25 June 2022 3340:from the original on 26 June 2022 3274:from the original on 15 July 2022 3266:Taylor, Kate (28 February 2018). 3247:from the original on 15 July 2022 3111: 3092:Tran, John L. (7 November 2019). 3067: 2549:9 March 2023 – 11 February 2024: 2219:Fairchild Tropical Botanic Garden 1655:Carroll, Lewis and Yayoi Kusama. 1491:Tōkyō: Bijutsu Shuppansha, 2005. 1364:Kusama, Yayoi, and Damien Hirst. 816:I'm Here, but Nothing (2000–2008) 461:Early success in Japan: 1950–1956 8118: 8106: 8094: 7080: 7054: 7024: 7004: 6992:from the original on 23 May 2019 6974: 6914: 6889: 6873: 6851: 6823: 6797: 6766: 6735: 6712: 6682: 6656: 6630: 6600: 6577: 6554: 6531: 6470: 6440: 6428:from the original on 23 May 2019 6383: 6353: 6323: 6297: 6247: 6222: 6196: 6170: 6140: 6114: 6094: 6088: 6063: 6038: 6007: 5977: 5953:Stuart, Gwynedd (25 July 2018). 5946: 5916: 5890: 5864: 5825: 5799: 5773: 5681:from the original on 4 June 2012 5556:York, 537 West 20th Street New. 5555: 5185:from the original on 7 May 2022. 5169:Ridey, Roger (23 October 2011). 4832: 4305:from the original on 23 May 2021 4285:Gomez, Edward M. (5 July 1998). 4151:from the original on 16 May 2017 4120:from the original on 23 May 2019 3958:Manhattan jisatsu misui joshuhan 3749:Financial Times Weekend Magazine 3623:Furman, Anna (6 February 2017). 3499:"Yayoi Kusama: Art As An Escape" 2919:According to Hanna Schouwink of 2887:Yayoi Kusama: Infinite Obsession 2767:Los Angeles County Museum of Art 2379:9 June 2017 – 3 September 2017: 2357:23 February 2017 – 14 May 2017: 2154:Japanese cultural House in Paris 1819:Hustlers Grotto: Three Novellas. 1659:London: Penguin Classics, 2012. 1566:Morris, Frances, and Jo Applin. 1410:Los Angeles County Museum of Art 729: 720: 340:counterculture of the late 1960s 8236:21st-century Japanese sculptors 8181:20th-century Japanese sculptors 6895:Kelly Crow (12 November 2014), 6804:Staff, NYSD (1 November 2023). 6773:Overly, Steven (9 March 2017). 6513:Smithsonian American Art Museum 6014:Heinrich, Will (9 April 2021). 5934:from the original on 9 May 2018 5832:Finkel, Jori (16 August 2016). 5743: 5712: 5693: 5663: 5641: 5619: 5594: 5528: 5509:Laura Kusisto (2 August 2012), 5503: 5491: 5476: 5462: 5428: 5400: 5372: 5357: 5329: 5298: 5290:. BLOUINARTINFO. Archived from 5279: 5249: 5224: 5212: 5189: 5162: 5091: 5066: 5027: 4974: 4962:from the original on 7 May 2019 4943: 4931:from the original on 7 May 2019 4897:from the original on 7 May 2019 4878: 4852: 4826: 4801: 4775: 4749: 4718: 4655: 4625: 4595: 4565: 4500: 4407: 4395: 4375: 4363: 4348:McCormick, A. D. (March 2022). 4341: 4317: 4278: 4256:"Yayoi Kusama: A Retrospective" 4247: 4236:from the original on 9 May 2015 4220: 4193: 4163: 4139:Chappo, Ashley (6 April 2015). 4064: 4039: 3992: 3976: 3949: 3869: 3856: 3831:Liu, Belin (26 February 2009), 3824: 3815: 3785: 3755: 3686:Taylor, Rachel (6 March 2012). 3679: 3586: 3490: 3427:from the original on 7 May 2019 3352: 3319: 2834:of Kusama's work opened at the 2510:31 July 2020 – 3 January 2021: 2404:November 2017 – February 2018: 2325:1 May 2016 – 30 November 2016: 2125:1993: Represented Japan at the 1772:Tokyo: Japan Edition Art, 1977. 1609:New York: David Zwirner, 2014. 1570:London: Tate Publishing, 2012. 1318:New York's Meatpacking District 1235:Fukuoka Municipal Museum of Art 1176:The Burning of St Mark's Church 1009:Meaning and origins of her work 316:. She was inspired by American 8064:Survival Research Laboratories 7140:How to Paint Like Yayoi Kusama 6572:Whitney Museum of American Art 6335:Louisiana Museum of Modern Art 5500:Victoria Miro Gallery, London. 5286:Binlot, Ann (9 January 2012). 5230:Emili Vesilind (24 May 2011), 4404:Victoria Miro Gallery, London. 4232:(collection), New York: MoMA, 3722:Victoria Miro Gallery, London. 3259: 3229: 3199: 3180: 3150: 3085: 2802: 2793:, Salt Lake City, UT; and the 2756: 2740: 2628:Louisiana Museum of Modern Art 2453:Yayoi Kusama: Infinity Mirrors 2435:Yayoi Kusama: Infinity Mirrors 2397:October 2017 – February 2018: 2388:Yayoi Kusama: Infinity Mirrors 2370:Yayoi Kusama: Infinity Mirrors 2359:Yayoi Kusama: Infinity Mirrors 2327:Yayoi Kusama: Narcissus Garden 2294:Yayoi Kusama – I uendeligheten 2019: 1863:Dijon: Presses du Réel, 2005. 1770:A Book of Poems and Paintings. 1596:Whitney Museum of American Art 1512:Applin, Jo, and Yayoi Kusama. 1464:Tōkyō: Kadokawa Shoten, 2004. 1310:Whitney Museum of American Art 1224: 1192:Double Suicide at Sakuragazuka 1037: 928:On 25 February 2017, Kusama's 884:Louisiana Museum of Modern Art 675:Kusama 'Omophile Kompany (kok) 1: 8241:People from Matsumoto, Nagano 8176:Japanese contemporary artists 8171:Japanese installation artists 8161:21st-century Japanese artists 7126:YAYOI KUSAMA MUSEUM (English) 6477:Mudhar, Raju (4 April 2019). 6045:Yoshitake, Mika, ed. (2021). 5636:Museum Boijmans Van Beuningen 5305:Swanson, Carl (9 July 2012). 5197:Interview: Yayoi Kusama, 1998 4507:Boxer, Sarah (20 June 2017). 4085:10.1080/03087298.2015.1093775 3326:Swanson, Carl (6 July 2012). 3036: 3003:made a film of Kusama titled 2934: 2867:Ordre des Arts et des Lettres 2854:(2012). In 2015, the website 2795:National Museum of Modern Art 2688:Museum Boijmans Van Beuningen 2665:National Gallery of Australia 2600:Musée des Beaux-Arts de Nancy 2551:Yayoi Kusama: LOVE IS CALLING 2540:Yayoi Kusama: A Retrospective 2528:18 May 2021 – 28 April 2024: 2386:October 2017 – January 2018: 2383:, National Gallery Singapore. 2314:12 June – 18 September 2016: 2287:Yayoi Kusama: Infinity Theory 2241:Museum Boijmans Van Beuningen 1979:London: Phaidon Press, 2017. 1912:London: Phaidon Press, 2003. 1643:Yayoi Kusama: LOVE IS CALLING 1462:Kusamatorikkusu = Kusamatrix. 1419:Wien: Kunsthalle Wien, 2002. 1306:Polka Dots Festival in London 1304:maps; the result is entitled 1003:Yayoi Kusama: LOVE IS CALLING 851:The multi-part floating work 845:National Gallery of Australia 800:Yayoi Kusama: A Retrospective 515:works. In 1957, she moved to 310:Kyoto City University of Arts 257:and shows some attributes of 8251:20th-century women sculptors 8231:21st-century women sculptors 7961:LaBeouf, Rönkkö & Turner 6881:Artist Dossier: Yayoi Kusama 6049:. New York: Rizzoli Electa. 5534:Des Houghton (8 June 2012), 4045:Carl Swanson (8 July 2012), 3688:"Yayoi Kusama's early years" 2715:North Carolina Museum of Art 2624:Gleaming Lights of the Souls 2517:10 April – 31 October 2021: 2491:, Wassenaar, The Netherlands 2419:December 2017 – April 2018: 2336:25 May 2016 – 30 July 2016: 2320:Museum of Fine Arts, Houston 1779:Tōkyō: PARCO shuppan, 1986. 1324:as a commission for the new 1078:and the second prize at the 625:and designed to protest the 357: 335:. Embracing the rise of the 7: 6047:Yayoi Kusama: Cosmic Nature 5781:"Yayoi Kusama: In Infinity" 5558:"EVERY DAY I PRAY FOR LOVE" 3935:. London: Frances Lincoln. 3005:Kusama’s Self-Obliteration. 2948:painting formerly owned by 2944:New York sold a 1959 white 2647:Infinity Dots Mirrored Room 2582:Infinity Dots Mirrored Room 2497:4 January – 18 March 2020: 2292:19 February – 15 May 2016: 2213:in Melbourne. In 2009, the 1677: 1361:, 30 January – 12 May 1996. 427:going off and see American 215: 10: 8267: 7268:Breathing in/breathing out 7180:BBC NewsNight Yayoi Kusama 5219:Art Editions: Yayoi Kusama 3999:Midori, Yoshimoto (2005). 3966:, (extract) reproduced in 3918:MoMA Collection, New York. 3328:"The Art of the Flame-Out" 3187:Griselda, Pollock (2006). 2976:(1960) from her signature 2563:14 Sep 2023 – 5 May 2024: 2441:, Toronto, Ontario, Canada 2333:, New Canaan, Connecticut. 2230:Museum of Contemporary Art 2203:Guidepost to the New Space 2147:Museum of Contemporary Art 1954:Tōkyō: Abe Shuppan, 2006. 1889:Yayoi Kusama: Print Works. 1157: 1106: 1091:, written and directed by 1068:Kusama's Self-Obliteration 1023:Accumulation of Stamps, 63 853:Guidepost to the New Space 712:Return to Japan: 1973–1977 684:for its 33rd edition. Her 613:in conspicuous spots like 18: 8011: 7984: 7966:Los Angeles Urban Rangers 7928: 7510: 7237: 6863:23 September 2012 at the 6834:The price of being female 4176:The Sydney Morning Herald 3453:. MIT Press. p. 257. 3449:Butler, Cornelia (2007). 3144:Kusama: Infinity (2018). 3082:Cambridge, MA: MIT Press. 3078:Yamamura, Midori (2015), 2680:Kunstsenter, Oslo, Norway 2643:, Los Angeles, California 2523:New York Botanical Garden 2394:, Los Angeles, California 2349:Yayoi Kusama: In Infinity 2344:, London, United Kingdom. 2311:, Los Angeles, California 2300:Kunstsenter, Oslo, Norway 2285:12 June – 9 August 2015: 2236:, Wellington, New Zealand 1861:Manhattan Suicide Addict. 209: 174: 164: 133: 93: 83: 51: 39: 30: 8226:Japanese women sculptors 8059:Performance art in China 7324:Empathy and Prostitution 7076:– via blu-ray.com. 6902:16 November 2014 at the 6549:The Museum of Modern Art 6543:22 December 2011 at the 5653:17 December 2013 at the 4986:The Museum of Modern Art 4329:, New York/Los Angeles: 4047:The Art of the Flame-Out 3962:Manhattan Suicide Addict 3672:20 November 2016 at the 3241:The Museum of Modern Art 3211:The Museum of Modern Art 2968:sold for US$ 960,000 at 2883:Person of Cultural Merit 2791:Utah Museum of Fine Arts 2466:, exhibition travels to 2455:, exhibition travels to 2437:, exhibition travels to 2390:, exhibition travels to 2372:, exhibition travels to 1882:Catalogue raisonné, etc. 1798:Violet Obsession: Poems. 1267:The Hymn of Life: Tulips 1184:Woodstock Phallus Cutter 1180:Between Heaven and Earth 1168:Manhattan Suicide Addict 1121:Handbag for Space Travel 892:Henie Onstad Kunstsenter 667:Country Joe and the Fish 592:rooms. In these complex 581:Manhattan Suicide Addict 510:New York City: 1957–1972 233:, and is also active in 7452:The Death of The Artist 7348:I'm too sad to tell you 7164:28 January 2019 at the 6986:the boy least likely to 6908:The Wall Street Journal 6485:. Torstar Corporation. 5522:The Wall Street Journal 5488:, New York/Los Angeles. 4700:Smithsonian Institution 4577:Smithsonian Institution 4414:Taylor, Rachel (2012). 3964:], Tokyo: Kosakusha 3931:Gipson, Ferren (2022). 3797:Encyclopedia Britannica 3364:Encyclopædia Britannica 3011:The Boy Least Likely To 2914:virtual reality headset 2871:Order of the Rising Sun 2724:Brilliance of the Souls 2719:Raleigh, North Carolina 2499:Brilliance of the Souls 2457:Cleveland Museum of Art 1891:Tokyo: Abe Corp, 1992. 1259:Hello, Anyang with Love 1080:Ann Arbor Film Festival 1061: 566:Neuberger Museum of Art 225:who works primarily in 8221:21st-century sculptors 7900:Mierle Laderman Ukeles 7292:Ceci N'est Pas Un Viol 7062:"Kusama: Infinity DVD" 7018:23 August 2013 at the 6234:Pérez Art Museum Miami 5606:Pérez Art Museum Miami 5511:'Yellow Trees' Growing 5364:Kusama, Yayoi (2003). 5112:10.1353/jaas.2012.0000 4813:Pérez Art Museum Miami 4073:History of Photography 3956:Kusama, Yayoi (1978), 2958:Golden Macaroni Jacket 2830:In 2017, a fifty-year 2816: 2734:Art Gallery of Ontario 2692:Rotterdam, Netherlands 2555:Pérez Art Museum Miami 2544:Tel Aviv Museum of Art 2483:March–September 2019: 2439:Art Gallery of Ontario 2427:, Melbourne, Australia 2104: 2096: 2088: 1763:Autobiography, writing 1754:Frances Lincoln, 2022 1752:Women's Work pp. 75-79 1639:Pérez Art Museum Miami 1289:to glossy perfection. 1099:on an installation in 1076:Maryland Film Festival 1033:Works and publications 999:Pérez Art Museum Miami 984:Tel Aviv Museum of Art 963: 848: 833: 774:Revival: 1980s–present 579:—Yayoi Kusama, in 576: 507: 318:Abstract impressionism 279:abstract expressionism 200: 7492:Untitled (Rape Scene) 7444:The Artist Is Present 7254:Amen or The Pederasty 6839:3 August 2017 at the 6810:New York Social Diary 6331:"Kusama Installation" 5706:18 March 2012 at the 4172:"Points of no return" 3972:, et al., p. 124 3743:2 August 2016 at the 3667:Yayoi Kusama Timeline 2994:Here's to Shutting Up 2921:David Zwirner Gallery 2810: 2519:Kusama: Cosmic Nature 2451:July–September 2018: 2416:, Brisbane, Australia 2376:, Seattle, Washington 2342:Victoria Miro Gallery 2217:were re-installed at 2190:Art Park, Hokkaido); 2102: 2094: 2079: 1627:David Zwirner Gallery 1534:Victoria Miro Gallery 1251:Tulipes de Shangri-La 1239:The Visionary Flowers 951:Clouds (2019) at the 950: 847:, Canberra, Australia 839: 828: 571: 502: 496:On her 1954 painting 439:She went on to study 434:Arigasaki High School 363:Early life: 1929–1949 308:, and trained at the 304:Kusama was raised in 219:, born 22 March 1929) 195: 8196:Japanese pop artists 7635:Guillermo Gómez-Peña 7135:Museum of Modern Art 7094:. 9 September 2020. 6614:. 16 December 2015. 6566:19 July 2014 at the 6284:Memorial Art Gallery 6203:Markowitz, Douglas. 5516:15 July 2022 at the 5257:"Vuitton And Kusama" 5237:20 June 2022 at the 5036:"Is She Famous Yet?" 4731:Smithsonian Magazine 4609:. 12 November 2019. 4209:on 20 September 2016 4052:26 June 2022 at the 3574:15 July 2022 at the 3193:Blackwell Publishers 2927:awardees in 2023 by 2844:Museum of Modern Art 2763:Museum of Modern Art 2462:July–November 2018: 2444:May–September 2018: 2192:Eternity – Modernity 2139:Museum of Modern Art 2086:Infinity Mirror Room 1271:Beverly Gardens Park 1027:Museum of Modern Art 640:Museum of Modern Art 419:, then embroiled in 386:extramarital affairs 56:Yayoi Kusama (草間彌生) 7690:Natalie Jeremijenko 7332:Food for the Spirit 7195:Yayoi Kusama/artnet 6779:The Washington Post 6638:"WCA Past Honorees" 6589:4 June 2012 at the 6071:"Dial F for Father" 5989:www.mori.art.museum 5809:. 22 October 2016. 5699:Trebuchet Magazine 5631:25 May 2012 at the 5294:on 31 October 2013. 5202:12 May 2022 at the 4891:The Washington Post 4254:Archive, Asia Art. 3985:Soul under the moon 3762:Bayly, Zac (2012), 3474:. 20 January 2012. 3195:. pp. 127–160. 2840:Yayoi Kusama Museum 2813:Yayoi Kusama Museum 2657:, jeju island KOREA 2275:, São Paulo, Brazil 2243:purchased the work 1125:My Doggie Ring-Ring 942:Yayoi Kusama Museum 940:Later in 2017, the 908:Helsinki Art Museum 865:Jardin de Tuileries 689:to her enterprise. 500:, Kusama has said: 223:contemporary artist 8069:Viennese Actionism 7946:COUM Transmissions 7865:Carolee Schneemann 7710:Ragnar Kjartansson 7484:Three Weeks in May 7156:Phoenix Art Museum 7032:"Kusama: Infinity" 6371:on 25 January 2021 6020:The New York Times 5838:The New York Times 5472:Setouchi Triennale 5441:The New York Times 5343:Women's Wear Daily 5143:Film International 4702:. 6 January 2020. 4643:on 19 October 2017 4539:The New York Times 4481:. 16 August 2016. 4391:on 19 January 2012 4337:on 5 November 2011 4291:The New York Times 3914:9 May 2015 at the 3862:Midori Yoshimoto, 3580:The New York Times 3050:The New York Times 2984:In popular culture 2879:Praemium Imperiale 2817: 2775:Phoenix Art Museum 2736:, Toronto, Ontario 2615:Phoenix Art Museum 2374:Seattle Art Museum 2226:The Mirrored Years 2145:, Minneapolis and 2120:Video Gallery SCAN 2105: 2097: 2089: 1332:Select exhibitions 1302:London Underground 1196:Angels in Cape Cod 964: 890:and continuing to 849: 834: 745:Singapore Biennale 659:Homosexual Wedding 621:, often involving 453:, staging several 201: 198:Speaking Portraits 169:Praemium Imperiale 8082: 8081: 8054:Participatory art 7895:Melati Suryodarmo 7780:Charlotte Moorman 7428:Seven Easy Pieces 7175:Louisiana Channel 6955:The Brooklyn Rail 6731:on 12 March 2017. 6725:The Art Newspaper 6454:. 16 March 2019. 6341:on 19 August 2018 6075:www.bookforum.com 6056:978-0-8478-6839-1 5243:Los Angeles Times 5221:KDDI Corporation. 4425:978-1-85437-939-9 4012:978-0-8135-4105-1 3942:978-0-7112-6465-6 3017:Magnolia Pictures 2925:Asia Game Changer 2904:to make her 2017 2825:Mary Beth Edelson 2771:Walker Art Center 2632:Humlebæk, Denmark 2489:Museum Voorlinden 2410:Obliteration Room 2252:Museo Reina Sofía 2143:Walker Art Center 2082:Obliteration Room 2006:978-3-7913-5594-8 1985:978-0-714-87345-9 1960:978-4-872-42174-3 1939:978-4-916-09470-4 1918:978-0-714-83920-2 1897:978-4-872-42023-4 1869:978-2-840-66115-3 1848:978-0-226-46498-5 1827:978-0-965-33042-8 1806:978-0-965-33043-5 1785:978-4-891-94130-7 1756:ISBN 9-780711 264 1739:978-0-754-66974-6 1718:978-3-835-30423-9 1697:978-1-405-13460-6 1685:Pollock, Griselda 1665:978-0-141-19730-2 1650:Illustration work 1615:978-0-989-98093-7 1576:978-1-854-37939-9 1549:978-1-932-59894-0 1522:978-0-955-45644-2 1497:978-4-568-10353-3 1470:978-4-048-53741-4 1446:978-0-714-83920-2 1425:978-3-852-47034-4 1398:978-0-875-87181-3 1374:978-0-944-68058-2 1366:Yayoi Kusama Now. 1347:978-0-262-54081-0 1322:Thousands of Eyes 1188:Aching Chandelier 369:Matsumoto, Nagano 190: 189: 156:environmental art 73:Matsumoto, Nagano 8258: 8166:Feminist artists 8123: 8122: 8121: 8111: 8110: 8099: 8098: 8097: 8090: 8001:Kusama: Infinity 7880:Barbara T. Smith 7855:Rachel Rosenthal 7800:Pauline Oliveros 7520:Marina Abramović 7224: 7217: 7210: 7201: 7200: 7108: 7107: 7105: 7103: 7084: 7078: 7077: 7075: 7073: 7058: 7052: 7051: 7049: 7047: 7028: 7022: 7008: 7002: 7001: 6999: 6997: 6978: 6972: 6971: 6969: 6967: 6945: 6939: 6938: 6937: 6935: 6918: 6912: 6893: 6887: 6877: 6871: 6855: 6849: 6827: 6821: 6820: 6818: 6816: 6801: 6795: 6794: 6792: 6790: 6770: 6764: 6763: 6761: 6759: 6739: 6733: 6732: 6727:. Archived from 6716: 6710: 6709: 6707: 6705: 6686: 6680: 6679: 6677: 6675: 6660: 6654: 6653: 6651: 6649: 6634: 6628: 6627: 6625: 6623: 6604: 6598: 6581: 6575: 6558: 6552: 6535: 6529: 6528: 6526: 6524: 6505: 6499: 6498: 6496: 6494: 6483:The Toronto Star 6474: 6468: 6467: 6465: 6463: 6452:The Jakarta Post 6444: 6438: 6437: 6435: 6433: 6413: 6407: 6406: 6404: 6402: 6397:. 23 August 2018 6387: 6381: 6380: 6378: 6376: 6367:. Archived from 6357: 6351: 6350: 6348: 6346: 6337:. 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London: Tate. 4411: 4405: 4399: 4393: 4392: 4379: 4373: 4367: 4361: 4360: 4354: 4345: 4339: 4338: 4331:Gagosian Gallery 4321: 4315: 4314: 4312: 4310: 4282: 4276: 4275: 4273: 4271: 4251: 4245: 4244: 4243: 4241: 4224: 4218: 4217: 4216: 4214: 4197: 4191: 4190: 4189: 4187: 4167: 4161: 4160: 4158: 4156: 4136: 4130: 4129: 4127: 4125: 4106: 4097: 4096: 4068: 4062: 4043: 4037: 4036: 4034: 4032: 3996: 3990: 3980: 3974: 3973: 3965: 3953: 3947: 3946: 3928: 3919: 3906: 3897: 3896: 3894: 3892: 3873: 3867: 3860: 3854: 3853: 3852: 3850: 3841:, archived from 3828: 3822: 3819: 3813: 3812: 3810: 3808: 3789: 3783: 3782: 3781: 3779: 3759: 3753: 3734: 3723: 3717: 3708: 3707: 3705: 3703: 3683: 3677: 3664: 3645: 3644: 3642: 3640: 3620: 3611: 3610: 3608: 3606: 3590: 3584: 3567:(12 July 2012), 3562: 3549: 3548: 3546: 3544: 3524: 3515: 3514: 3512: 3510: 3494: 3488: 3487: 3485: 3483: 3464: 3455: 3454: 3446: 3437: 3436: 3434: 3432: 3416: 3401: 3389: 3380: 3379: 3377: 3375: 3356: 3350: 3349: 3347: 3345: 3323: 3317: 3316: 3314: 3312: 3293: 3284: 3283: 3281: 3279: 3263: 3257: 3256: 3254: 3252: 3233: 3227: 3226: 3224: 3222: 3203: 3197: 3196: 3184: 3178: 3177: 3175: 3173: 3154: 3148: 3142: 3109: 3108: 3106: 3104: 3089: 3083: 3076: 3061: 3059: 3057: 3026:Kusama: Infinity 2850:(2012), and the 2836:Hirshhorn Museum 2783:Stedelijk Museum 2619:Phoenix, Arizona 2586:Mattress Factory 2433:March–May 2018: 2421:Flower Obsession 2365:, Washington, DC 2322:, Houston, Texas 2066:Stedelijk Museum 2000:Washington, DC. 1561:Gagosian Gallery 1247:Matsudai Station 1243:Tsumari in Bloom 1221:in her writing. 1133:KDDI Corporation 1050:while holding a 919:Hirshhorn Museum 867:in Paris, 2010. 861:Whitney Biennial 857:Narcissus Garden 830:Narcissus Garden 812:Naoshima, Kagawa 733: 724: 691:Narcissus Garden 686:Narcissus Garden 584: 525:Georgia O'Keeffe 498:Flower (D.S.P.S) 455:solo exhibitions 445:painting at the 411:and fabricating 220: 218: 212: 211: 196:Yayoi Kusama in 186: 183: 181: 110:installation art 69: 65: 63: 46:Wax model (2012) 44: 28: 27: 8266: 8265: 8261: 8260: 8259: 8257: 8256: 8255: 8131: 8130: 8129: 8119: 8117: 8105: 8095: 8093: 8085: 8083: 8078: 8007: 7980: 7924: 7660:Newton Harrison 7600:James Lee Byars 7560:Rebecca Belmore 7535:Laurie Anderson 7506: 7500:Untitled , 2008 7372:One & Other 7233: 7231:Performance art 7228: 7166:Wayback Machine 7117: 7112: 7111: 7101: 7099: 7086: 7085: 7081: 7071: 7069: 7060: 7059: 7055: 7045: 7043: 7038:. 11 May 2018. 7030: 7029: 7025: 7020:Wayback Machine 7012:blog spirit.com 7009: 7005: 6995: 6993: 6980: 6979: 6975: 6965: 6963: 6946: 6942: 6933: 6931: 6920: 6919: 6915: 6904:Wayback Machine 6894: 6890: 6878: 6874: 6865:Wayback Machine 6856: 6852: 6841:Wayback Machine 6832:(20 May 2012), 6828: 6824: 6814: 6812: 6802: 6798: 6788: 6786: 6771: 6767: 6757: 6755: 6740: 6736: 6717: 6713: 6703: 6701: 6688: 6687: 6683: 6673: 6671: 6662: 6661: 6657: 6647: 6645: 6636: 6635: 6631: 6621: 6619: 6606: 6605: 6601: 6591:Wayback Machine 6582: 6578: 6568:Wayback Machine 6559: 6555: 6545:Wayback Machine 6536: 6532: 6522: 6520: 6507: 6506: 6502: 6492: 6490: 6475: 6471: 6461: 6459: 6446: 6445: 6441: 6431: 6429: 6414: 6410: 6400: 6398: 6389: 6388: 6384: 6374: 6372: 6359: 6358: 6354: 6344: 6342: 6329: 6328: 6324: 6314: 6312: 6303: 6302: 6298: 6288: 6286: 6278: 6277: 6273: 6263: 6261: 6253: 6252: 6248: 6238: 6236: 6228: 6227: 6223: 6213: 6211: 6209:Miami New Times 6201: 6197: 6187: 6185: 6175: 6171: 6161: 6159: 6146: 6145: 6141: 6131: 6129: 6120: 6119: 6115: 6105: 6103: 6093: 6089: 6079: 6077: 6069: 6068: 6064: 6057: 6043: 6039: 6029: 6027: 6012: 6008: 5998: 5996: 5983: 5982: 5978: 5968: 5966: 5951: 5947: 5937: 5935: 5922: 5921: 5917: 5907: 5905: 5896: 5895: 5891: 5881: 5879: 5870: 5869: 5865: 5855: 5853: 5830: 5826: 5816: 5814: 5805: 5804: 5800: 5790: 5788: 5779: 5778: 5774: 5764: 5762: 5749: 5748: 5744: 5734: 5732: 5717: 5713: 5708:Wayback Machine 5698: 5694: 5684: 5682: 5677:. Tate Modern. 5669: 5668: 5664: 5655:Wayback Machine 5646: 5642: 5633:Wayback Machine 5624: 5620: 5610: 5608: 5600: 5599: 5595: 5579: 5578: 5571: 5569: 5554: 5547: 5533: 5529: 5518:Wayback Machine 5508: 5504: 5496: 5492: 5481: 5477: 5467: 5463: 5453: 5451: 5433: 5429: 5419: 5417: 5405: 5401: 5391: 5389: 5377: 5373: 5362: 5358: 5348: 5346: 5334: 5330: 5320: 5318: 5303: 5299: 5284: 5280: 5270: 5268: 5255: 5254: 5250: 5239:Wayback Machine 5229: 5225: 5217: 5213: 5204:Wayback Machine 5195:Midori Matsui, 5194: 5190: 5178:The Independent 5172:"All about Eve" 5167: 5163: 5153: 5151: 5134: 5127: 5096: 5092: 5082: 5080: 5072: 5071: 5067: 5032: 5028: 5018: 5016: 5008: 5007: 5000: 4990: 4988: 4980: 4979: 4975: 4965: 4963: 4948: 4944: 4934: 4932: 4917: 4910: 4900: 4898: 4883: 4879: 4869: 4867: 4857: 4853: 4843: 4841: 4831: 4827: 4817: 4815: 4807: 4806: 4802: 4792: 4790: 4780: 4776: 4766: 4764: 4755: 4754: 4750: 4740: 4738: 4723: 4719: 4709: 4707: 4694: 4693: 4686: 4676: 4674: 4661: 4660: 4656: 4646: 4644: 4631: 4630: 4626: 4616: 4614: 4601: 4600: 4596: 4586: 4584: 4579:. 15 May 2017. 4571: 4570: 4566: 4556: 4554: 4531: 4527: 4517: 4515: 4505: 4501: 4491: 4489: 4485: 4479:The Broad: News 4474: 4470: 4469: 4460: 4450: 4448: 4437: 4433: 4426: 4412: 4408: 4400: 4396: 4381: 4380: 4376: 4368: 4364: 4352: 4346: 4342: 4323: 4322: 4318: 4308: 4306: 4283: 4279: 4269: 4267: 4252: 4248: 4239: 4237: 4226: 4225: 4221: 4212: 4210: 4199: 4198: 4194: 4185: 4183: 4168: 4164: 4154: 4152: 4137: 4133: 4123: 4121: 4108: 4107: 4100: 4069: 4065: 4054:Wayback Machine 4044: 4040: 4030: 4028: 4013: 3997: 3993: 3981: 3977: 3954: 3950: 3943: 3929: 3922: 3916:Wayback Machine 3907: 3900: 3890: 3888: 3875: 3874: 3870: 3861: 3857: 3848: 3846: 3845:on 23 June 2011 3829: 3825: 3820: 3816: 3806: 3804: 3791: 3790: 3786: 3777: 3775: 3760: 3756: 3745:Wayback Machine 3735: 3726: 3718: 3711: 3701: 3699: 3684: 3680: 3674:Wayback Machine 3665: 3648: 3638: 3636: 3621: 3614: 3604: 3602: 3591: 3587: 3576:Wayback Machine 3563: 3552: 3542: 3540: 3525: 3518: 3508: 3506: 3497:Dailey, Megan. 3495: 3491: 3481: 3479: 3472:Financial Times 3466: 3465: 3458: 3447: 3440: 3430: 3428: 3417: 3404: 3390: 3383: 3373: 3371: 3358: 3357: 3353: 3343: 3341: 3324: 3320: 3310: 3308: 3295: 3294: 3287: 3277: 3275: 3264: 3260: 3250: 3248: 3235: 3234: 3230: 3220: 3218: 3205: 3204: 3200: 3185: 3181: 3171: 3169: 3156: 3155: 3151: 3146:kusamamovie.com 3143: 3112: 3102: 3100: 3098:The Japan Times 3090: 3086: 3077: 3068: 3055: 3053: 3039: 2986: 2937: 2906:Infinity Mirror 2805: 2787:Centre Pompidou 2773:, Minneapolis; 2769:, Los Angeles; 2759: 2743: 2707:, Massachusetts 2697:Love is Calling 2578: 2331:The Glass House 2254:, Madrid, Spain 2198:(touring Japan) 2177:Mori Art Museum 2166:Artsonje Center 2162:Kunsthalle Wien 2127:Venice Biennale 2080:Yayoi Kusama's 2074: 2072:Exhibition list 2034:Claes Oldenburg 2028:(both Judd and 2022: 1950:Kusama, Yayoi. 1887:Kusama, Yayoi. 1884: 1838:Kusama, Yayoi. 1775:Kusama, Yayoi. 1768:Kusama, Yayoi. 1765: 1680: 1652: 1592:Centre Pompidou 1539:Kusama, Yayoi. 1482:Mori Art Museum 1460:Kusama, Yayoi. 1436:Kusama, Yayoi. 1415:Kusama, Yayoi. 1334: 1275:Gare do Oriente 1269:(2007) for the 1265:), Anyang; and 1233:(1994) for the 1227: 1204:Nobuyoshi Araki 1160: 1109: 1088:Tokyo Decadence 1074:and the Second 1064: 1040: 1035: 1011: 934:Infinity Mirror 923:Infinity Mirror 873:Infinity Mirror 807:Venice Biennale 788:Jackson Pollock 776: 755: 754: 753: 752: 739:Yayoi Kusama's 736: 735: 734: 726: 725: 714: 682:Venice Biennale 619:Brooklyn Bridge 594:infinity mirror 590:Mirror/Infinity 586: 578: 552:Claes Oldenburg 512: 463: 425:air-raid alerts 365: 360: 320:. She moved to 299:Claes Oldenburg 206: 178: 160: 129: 114:performance art 79: 77:Empire of Japan 70: 67: 61: 59: 58: 57: 47: 35: 33: 24: 17: 12: 11: 5: 8264: 8254: 8253: 8248: 8243: 8238: 8233: 8228: 8223: 8218: 8213: 8208: 8203: 8198: 8193: 8191:Modern artists 8188: 8183: 8178: 8173: 8168: 8163: 8158: 8153: 8148: 8143: 8128: 8127: 8115: 8103: 8080: 8079: 8077: 8076: 8071: 8066: 8061: 8056: 8051: 8046: 8041: 8036: 8031: 8026: 8021: 8015: 8013: 8009: 8008: 8006: 8005: 7997: 7993:Mondo New York 7988: 7986: 7982: 7981: 7979: 7978: 7973: 7968: 7963: 7958: 7953: 7948: 7943: 7938: 7932: 7930: 7926: 7925: 7923: 7922: 7917: 7915:Robert Whitman 7912: 7907: 7902: 7897: 7892: 7887: 7882: 7877: 7872: 7867: 7862: 7857: 7852: 7847: 7842: 7840:Dorothy Podber 7837: 7835:Petr Pavlensky 7832: 7827: 7822: 7817: 7812: 7807: 7802: 7797: 7792: 7787: 7782: 7777: 7772: 7767: 7762: 7757: 7752: 7747: 7742: 7737: 7732: 7727: 7722: 7717: 7712: 7707: 7702: 7697: 7692: 7687: 7682: 7680:Tehching Hsieh 7677: 7672: 7667: 7662: 7657: 7652: 7647: 7642: 7637: 7632: 7627: 7622: 7617: 7612: 7607: 7602: 7597: 7592: 7590:Nancy Buchanan 7587: 7582: 7580:Stuart Brisley 7577: 7572: 7567: 7562: 7557: 7555:Matthew Barney 7552: 7547: 7542: 7537: 7532: 7527: 7522: 7516: 7514: 7508: 7507: 7505: 7504: 7496: 7488: 7480: 7472: 7464: 7456: 7448: 7440: 7432: 7424: 7416: 7408: 7400: 7392: 7384: 7376: 7368: 7360: 7352: 7344: 7336: 7328: 7320: 7312: 7304: 7296: 7288: 7280: 7272: 7264: 7258: 7250: 7241: 7239: 7235: 7234: 7227: 7226: 7219: 7212: 7204: 7198: 7197: 7192: 7187: 7182: 7177: 7168: 7153: 7147: 7142: 7137: 7128: 7123: 7116: 7115:External links 7113: 7110: 7109: 7079: 7053: 7023: 7003: 6973: 6940: 6913: 6888: 6872: 6850: 6830:Sarah Thornton 6822: 6796: 6765: 6734: 6711: 6681: 6655: 6629: 6599: 6576: 6553: 6530: 6500: 6469: 6439: 6408: 6382: 6352: 6322: 6296: 6271: 6246: 6221: 6195: 6169: 6139: 6113: 6087: 6062: 6055: 6037: 6006: 5976: 5945: 5915: 5898:"Yayoi Kusama" 5889: 5863: 5824: 5798: 5772: 5742: 5711: 5692: 5671:"Yayoi Kusama" 5662: 5640: 5618: 5593: 5545: 5527: 5502: 5490: 5475: 5461: 5427: 5399: 5371: 5356: 5328: 5297: 5278: 5248: 5223: 5211: 5207:Index Magazine 5188: 5161: 5125: 5090: 5065: 5052:10.2307/777932 5026: 4998: 4973: 4942: 4908: 4877: 4851: 4839:Time Out Miami 4825: 4800: 4774: 4748: 4717: 4684: 4654: 4637:The Japan News 4624: 4594: 4564: 4525: 4499: 4458: 4431: 4424: 4406: 4394: 4374: 4362: 4340: 4316: 4277: 4246: 4219: 4192: 4162: 4131: 4098: 4079:(4): 405–423. 4063: 4038: 4011: 3991: 3983:Yayoi Kusama: 3975: 3948: 3941: 3920: 3898: 3868: 3855: 3838:Bitch magazine 3833:"Yayoi Kusama" 3823: 3814: 3784: 3764:"Yayoi Kusama" 3754: 3724: 3709: 3678: 3646: 3612: 3585: 3565:Holland Cotter 3550: 3516: 3489: 3456: 3438: 3402: 3381: 3351: 3318: 3285: 3258: 3228: 3198: 3191:. Malden, MA: 3179: 3162:guggenheim.org 3158:"Yayoi Kusama" 3149: 3110: 3084: 3065: 3064: 3063: 3062: 3038: 3035: 3034: 3033: 3030: 3014: 3007: 2997: 2985: 2982: 2936: 2933: 2889:. Venues from 2873:(2006); and a 2848:Whitney Museum 2804: 2801: 2758: 2755: 2754: 2753: 2750: 2747: 2742: 2739: 2738: 2737: 2727: 2721: 2711:Light of Life 2708: 2694: 2684:Phalli's Field 2681: 2671: 2658: 2644: 2634: 2621: 2606: 2604:Nancy (France) 2593: 2592:, Pennsylvania 2577: 2570: 2569: 2568: 2561: 2558: 2547: 2536: 2526: 2525:, New York, NY 2515: 2514:, Tokyo, Japan 2508: 2505: 2495: 2492: 2481: 2474: 2460: 2449: 2442: 2431: 2428: 2417: 2402: 2395: 2384: 2377: 2366: 2355: 2352: 2345: 2334: 2323: 2312: 2301: 2290: 2283: 2276: 2269: 2262: 2255: 2248: 2237: 2232:, Sydney, and 2222: 2207:Birrarung Marr 2199: 2180: 2169: 2164:, Vienna; and 2150: 2135: 2129: 2123: 2122:, Tokyo, Japan 2112: 2073: 2070: 2068:in Amsterdam. 2058:Gunther Uecker 2021: 2018: 2017: 2016: 1994: 1973:Catherine Taft 1969: 1948: 1927: 1906: 1883: 1880: 1879: 1878: 1857: 1836: 1815: 1794: 1773: 1764: 1761: 1760: 1759: 1748: 1727: 1706: 1679: 1676: 1675: 1674: 1651: 1648: 1647: 1646: 1636: 1633: 1630: 1624: 1603: 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8146:Living people 8144: 8142: 8139: 8138: 8136: 8126: 8116: 8114: 8109: 8104: 8102: 8092: 8091: 8088: 8075: 8072: 8070: 8067: 8065: 8062: 8060: 8057: 8055: 8052: 8050: 8047: 8045: 8044:Hunger artist 8042: 8040: 8037: 8035: 8032: 8030: 8027: 8025: 8024:Endurance art 8022: 8020: 8017: 8016: 8014: 8010: 8003: 8002: 7998: 7995: 7994: 7990: 7989: 7987: 7983: 7977: 7974: 7972: 7969: 7967: 7964: 7962: 7959: 7957: 7954: 7952: 7949: 7947: 7944: 7942: 7939: 7937: 7934: 7933: 7931: 7927: 7921: 7918: 7916: 7913: 7911: 7908: 7906: 7903: 7901: 7898: 7896: 7893: 7891: 7888: 7886: 7885:Michael Smith 7883: 7881: 7878: 7876: 7875:Aliza Shvarts 7873: 7871: 7868: 7866: 7863: 7861: 7860:Martha Rosler 7858: 7856: 7853: 7851: 7848: 7846: 7843: 7841: 7838: 7836: 7833: 7831: 7828: 7826: 7823: 7821: 7820:Nam June Paik 7818: 7816: 7813: 7811: 7808: 7806: 7803: 7801: 7798: 7796: 7793: 7791: 7790:Shirin Neshat 7788: 7786: 7783: 7781: 7778: 7776: 7773: 7771: 7770:Linda Montano 7768: 7766: 7763: 7761: 7760:Marta Minujín 7758: 7756: 7755:Eric Millikin 7753: 7751: 7748: 7746: 7743: 7741: 7740:Phoebe Legere 7738: 7736: 7733: 7731: 7728: 7726: 7723: 7721: 7718: 7716: 7713: 7711: 7708: 7706: 7703: 7701: 7698: 7696: 7693: 7691: 7688: 7686: 7683: 7681: 7678: 7676: 7673: 7671: 7670:Lynn Hershman 7668: 7666: 7663: 7661: 7658: 7656: 7653: 7651: 7650:David Hammons 7648: 7646: 7643: 7641: 7640:Cai Guo-Qiang 7638: 7636: 7633: 7631: 7628: 7626: 7623: 7621: 7618: 7616: 7613: 7611: 7608: 7606: 7603: 7601: 7598: 7596: 7593: 7591: 7588: 7586: 7583: 7581: 7578: 7576: 7573: 7571: 7568: 7566: 7563: 7561: 7558: 7556: 7553: 7551: 7548: 7546: 7543: 7541: 7538: 7536: 7533: 7531: 7528: 7526: 7523: 7521: 7518: 7517: 7515: 7513: 7509: 7502: 7501: 7497: 7494: 7493: 7489: 7486: 7485: 7481: 7478: 7477: 7473: 7470: 7469: 7465: 7462: 7461: 7457: 7454: 7453: 7449: 7446: 7445: 7441: 7438: 7437: 7436:Shot Marilyns 7433: 7430: 7429: 7425: 7422: 7421: 7417: 7414: 7413: 7409: 7406: 7405: 7401: 7398: 7397: 7393: 7390: 7389: 7385: 7382: 7381: 7377: 7374: 7373: 7369: 7366: 7365: 7361: 7358: 7357: 7353: 7350: 7349: 7345: 7342: 7341: 7337: 7334: 7333: 7329: 7326: 7325: 7321: 7318: 7317: 7313: 7310: 7309: 7305: 7302: 7301: 7297: 7294: 7293: 7289: 7286: 7285: 7281: 7278: 7277: 7276:Body Pressure 7273: 7270: 7269: 7265: 7262: 7259: 7256: 7255: 7251: 7248: 7247: 7243: 7242: 7240: 7236: 7232: 7225: 7220: 7218: 7213: 7211: 7206: 7205: 7202: 7196: 7193: 7191: 7188: 7186: 7183: 7181: 7178: 7176: 7172: 7169: 7167: 7163: 7160: 7157: 7154: 7152: 7148: 7146: 7143: 7141: 7138: 7136: 7132: 7129: 7127: 7124: 7122: 7121:Official Site 7119: 7118: 7097: 7093: 7089: 7083: 7067: 7063: 7057: 7041: 7037: 7033: 7027: 7021: 7017: 7014: 7013: 7007: 6991: 6987: 6983: 6977: 6961: 6957: 6956: 6951: 6944: 6929: 6925: 6924: 6917: 6910: 6909: 6905: 6901: 6898: 6892: 6885: 6882: 6876: 6869: 6866: 6862: 6859: 6854: 6847: 6846: 6845:The Economist 6842: 6838: 6835: 6831: 6826: 6811: 6807: 6800: 6784: 6780: 6776: 6769: 6753: 6749: 6745: 6738: 6730: 6726: 6722: 6715: 6699: 6695: 6691: 6690:"安吾賞-第9回受賞者" 6685: 6669: 6665: 6659: 6643: 6639: 6633: 6617: 6613: 6609: 6603: 6596: 6592: 6588: 6585: 6580: 6573: 6569: 6565: 6562: 6557: 6550: 6546: 6542: 6539: 6534: 6518: 6514: 6510: 6504: 6488: 6484: 6480: 6473: 6457: 6453: 6449: 6443: 6427: 6423: 6419: 6412: 6396: 6392: 6386: 6370: 6366: 6362: 6356: 6340: 6336: 6332: 6326: 6310: 6306: 6300: 6285: 6281: 6275: 6260: 6259:David Zwirner 6256: 6250: 6235: 6231: 6225: 6210: 6206: 6199: 6184: 6180: 6173: 6157: 6153: 6149: 6143: 6127: 6123: 6117: 6102: 6098: 6091: 6076: 6072: 6066: 6058: 6052: 6048: 6041: 6025: 6021: 6017: 6010: 5994: 5990: 5986: 5980: 5964: 5960: 5956: 5949: 5933: 5929: 5925: 5919: 5903: 5899: 5893: 5877: 5873: 5867: 5851: 5847: 5843: 5839: 5835: 5828: 5812: 5808: 5802: 5786: 5782: 5776: 5760: 5756: 5752: 5746: 5730: 5726: 5722: 5715: 5709: 5705: 5702: 5696: 5680: 5676: 5672: 5666: 5659: 5656: 5652: 5649: 5644: 5637: 5634: 5630: 5627: 5622: 5607: 5603: 5597: 5589: 5583: 5567: 5563: 5562:David Zwirner 5559: 5552: 5550: 5542: 5541: 5537: 5531: 5524: 5523: 5519: 5515: 5512: 5506: 5499: 5494: 5487: 5484: 5479: 5473: 5470: 5465: 5450: 5446: 5442: 5438: 5431: 5416: 5415: 5410: 5403: 5388: 5387: 5382: 5375: 5367: 5360: 5345: 5344: 5339: 5332: 5316: 5312: 5308: 5301: 5293: 5289: 5282: 5266: 5262: 5261:British Vogue 5258: 5252: 5245: 5244: 5240: 5236: 5233: 5227: 5220: 5215: 5208: 5205: 5201: 5198: 5192: 5184: 5180: 5179: 5173: 5165: 5149: 5145: 5144: 5139: 5132: 5130: 5121: 5117: 5113: 5109: 5106:(1): 105–27. 5105: 5101: 5094: 5079: 5075: 5069: 5061: 5057: 5053: 5049: 5045: 5041: 5037: 5030: 5015: 5011: 5005: 5003: 4987: 4983: 4977: 4961: 4957: 4956:Hyperallergic 4953: 4946: 4930: 4926: 4925:Hyperallergic 4922: 4915: 4913: 4896: 4892: 4888: 4881: 4866: 4862: 4855: 4840: 4836: 4833:Wood, Falyn. 4829: 4814: 4810: 4804: 4789: 4785: 4778: 4762: 4758: 4752: 4736: 4732: 4728: 4721: 4705: 4701: 4697: 4691: 4689: 4672: 4668: 4667:David Zwirner 4664: 4658: 4642: 4638: 4634: 4628: 4612: 4608: 4607:Hyperallergic 4604: 4598: 4582: 4578: 4574: 4568: 4552: 4548: 4544: 4540: 4536: 4529: 4514: 4510: 4503: 4484: 4480: 4473: 4467: 4465: 4463: 4446: 4442: 4435: 4427: 4421: 4417: 4410: 4403: 4398: 4390: 4386: 4385: 4378: 4371: 4366: 4358: 4351: 4344: 4336: 4332: 4328: 4327: 4320: 4304: 4300: 4296: 4292: 4288: 4281: 4265: 4261: 4257: 4250: 4235: 4231: 4230: 4223: 4208: 4204: 4203: 4196: 4181: 4177: 4173: 4166: 4150: 4146: 4142: 4135: 4119: 4115: 4111: 4105: 4103: 4094: 4090: 4086: 4082: 4078: 4074: 4067: 4060: 4059: 4055: 4051: 4048: 4042: 4026: 4022: 4018: 4014: 4008: 4004: 4003: 3995: 3988: 3986: 3979: 3971: 3963: 3959: 3952: 3944: 3938: 3934: 3927: 3925: 3917: 3913: 3910: 3905: 3903: 3886: 3882: 3881:www.artsy.net 3878: 3872: 3865: 3859: 3844: 3840: 3839: 3834: 3827: 3818: 3802: 3798: 3794: 3788: 3773: 3770:(interview), 3769: 3765: 3758: 3751: 3750: 3746: 3742: 3739: 3733: 3731: 3729: 3721: 3716: 3714: 3697: 3693: 3689: 3682: 3675: 3671: 3668: 3663: 3661: 3659: 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2853: 2849: 2845: 2841: 2837: 2833: 2832:retrospective 2828: 2826: 2822: 2814: 2809: 2800: 2799: 2796: 2792: 2788: 2785:, Amsterdam; 2784: 2780: 2776: 2772: 2768: 2764: 2751: 2748: 2745: 2744: 2735: 2731: 2728: 2725: 2722: 2720: 2716: 2712: 2709: 2706: 2702: 2699:(2013/2019), 2698: 2695: 2693: 2689: 2686:(1965/2016), 2685: 2682: 2679: 2675: 2672: 2670: 2666: 2662: 2659: 2656: 2652: 2648: 2645: 2642: 2638: 2635: 2633: 2629: 2625: 2622: 2620: 2616: 2612: 2611: 2607: 2605: 2601: 2597: 2594: 2591: 2587: 2583: 2580: 2579: 2576:installations 2575: 2574:Infinity Room 2566: 2562: 2559: 2556: 2552: 2548: 2545: 2541: 2537: 2534: 2531: 2527: 2524: 2520: 2516: 2513: 2509: 2506: 2504: 2500: 2496: 2493: 2490: 2486: 2482: 2479: 2475: 2473: 2469: 2465: 2461: 2458: 2454: 2450: 2447: 2443: 2440: 2436: 2432: 2429: 2426: 2423:, Triennial, 2422: 2418: 2415: 2411: 2407: 2403: 2400: 2396: 2393: 2389: 2385: 2382: 2378: 2375: 2371: 2367: 2364: 2360: 2356: 2353: 2350: 2346: 2343: 2339: 2335: 2332: 2328: 2324: 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