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way that I kind look at the "Owner of a Lonely Heart" thing-- even though that was just myself-- and see this melancholic, slower edge that I heard in it. Not that it was exactly the same because this was obviously the four of us working on it, but I took the song and said, "Look everybody, I'm not sure how we'll do this, but it will be really cool if we slowed it down and tried to give it our own spin." Luckily, everyone was really into it, but it was very much a blank page for a few days.
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Dan wrote and 'My love's another kind' could be interpreted that way, and I think he's very open to that interpretation, too, even though he was thinking of it as something else. That's why I relate to it when I sing those lyrics, because I'll sing those parts with him on the song. I think we all
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Well, the whole "Marla" story of my great aunt being this failed musician that dies at an early age in the 1940s was, basically, I got this CD a few years ago from the last remaining sibling of hers, who had finally decided to transfer this stuff to disc. For me, this was the one song. Much in the
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at a later date, with Bear noting, "After the initial basic tracking month, a lot of things were added individually by everyone and a lot of those sounds were very time intensive. I couldn't imagine doing some of those things with everyone around, or feeling like you're on the clock at a studio."
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The first single, "Knife", was released on 7-inch vinyl with the exclusive B-side "Easier" (alternate edit) on May 21, 2007. A music video for "Knife" was produced by
Encyclopedia Pictura in 2007. A music video for "Central and Remote," directed by Jesse Graziano, was also released in 2007.
798:, we were so young and so excited about the first record we made as the four of us. We were so deep in it, it was such a special thing at that time, such a romance releasing it. I don't know if it was like that for everyone but it certainly felt like it."
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stated, "A lot of the stuff we'd end up recording was really late at night, after voices had really warmed up, or after properly loosening up at our religious cocktail hour." Following a month of initial tracking, each band member added individual
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stated, "A lot of the songs are composed by Daniel and the way that he writes brings out another side of how the band interacts. In general, having four people with different ideas and strengths has changed our sound the most."
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stated: "There is not really a theme with the lyrics but the theme of the album is us figuring out how to work together and recording in that house, which is what brought it together in that weird way." Regarding his
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was a solo effort by Droste, this record is truly the band's "debut" as it features all members contributing to the writing and production of the album.
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Though there is no indication on the packaging, the original vinyl pressing is intended to be played at 45 RPM.
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Many of the demos for the album were what the band refers to as "sketches," done by mostly singer/guitarists
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stated: "I kind of like vague lyrics. Sometimes they are gay, but they're not overt. A lot of the lyrics on
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s best albums of 2006 list, as well as a similarly high placement in the same list of the New York Times.
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The album received critical acclaim from several major publications, and ranked No. 8 in
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to
Grizzly Bear resulted in two primary songwriters existing within the band. Drummer
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score of 79, based on 19 reviews, which indicates "generally favorable reviews".
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rating out of 100 to reviews from mainstream critics, the album received an
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With the four-piece band line-up in place, Grizzly Bear began recording at
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The album is the first to feature both Taylor and vocalist and guitarist
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Regarding the album's lyrical and thematic content, Droste and bandmate
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The string arrangements on "Marla" were composed and performed by
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Yellow House - Grizzly Bear | Songs, Reviews, Credits | AllMusic
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1379:"Chin up, cheer up: interview with Chris Bear of Grizzly Bear"
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used several songs from Yellow House as background music for
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Albums produced by Chris Taylor (Grizzly Bear musician)
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has received universal acclaim from music critics. At
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reflected on its release, stating, "When we finished
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in July 2006, with bassist and multi-instrumentalist
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2102:Horn of Plenty (The Remixes)
1653:"Grizzly Bear: Yellow House"
1580:"Grizzly Bear: Yellow House"
1552:"Grizzly Bear: Yellow House"
1507:"Grizzly Bear, Yellow House"
1406:. Pitchfork. October 9, 2006
1321:"Grizzly Bear: Yellow House"
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1879:"AcTN Last Chance Saloon"
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1192:Patryce Bak β photography
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1266:"GRIZZLY BEAR: SHIELDS"
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974:"On a Neck, On a Spit"
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1829:"AS and You - Street"
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1920:on Subterranean Blog
1195:Ben Tousley β design
1182:Chris Coady β mixing
1152:Additional musicians
1115:β vocals, keyboard,
918:"Central and Remote"
847:, except where noted
387:Professional ratings
2059:Sorry for the Delay
1908:"Knife" music video
1327:. December 21, 2006
1204:From 2007 to 2011,
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2094:Remix albums
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2020:Yellow House
2019:
2018:
2011:
1995:Chris Taylor
1993:
1986:
1979:
1971:
1961:Grizzly Bear
1888:December 17,
1886:. Retrieved
1882:
1873:
1863:December 17,
1861:. Retrieved
1857:
1848:
1838:December 17,
1836:. Retrieved
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1813:December 17,
1811:. Retrieved
1807:
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1788:December 17,
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1512:The Guardian
1510:
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1490:September 4,
1488:. Retrieved
1474:
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1434:. Retrieved
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1352:, retrieved
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1269:
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1247:. Retrieved
1217:
1203:
1186:
1185:
1177:Chris Taylor
1170:
1169:
1161:Owen Pallett
1151:
1150:
1133:Chris Taylor
1108:glockenspiel
1084:Yellow House
1083:
1081:
845:Chris Taylor
830:
821:
817:Jamie Lidell
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804:
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375:Yellow House
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319:Owen Pallett
316:
311:
295:
277:Chris Taylor
266:
253:Chris Taylor
244:
234:
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220:
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206:Chris Taylor
202:Warp Records
198:Grizzly Bear
192:by American
190:studio album
185:Yellow House
184:
183:
182:
167:
160:Yellow House
159:
158:
149:
138:Grizzly Bear
131:Chris Taylor
44:Grizzly Bear
39:Studio album
24:Yellow House
15:
2241:2006 albums
2220:Discography
2027:Veckatimest
1976:(2002β2020)
1305:October 17,
1277:October 16,
1043:Lead vocals
861:Lead vocals
323:remix album
169:Veckatimest
2235:Categories
1883:BumpWorthy
1858:BumpWorthy
1833:BumpWorthy
1808:BumpWorthy
1783:BumpWorthy
1758:BumpWorthy
1630:The Skinny
1585:PopMatters
1459:Metacritic
1436:October 4,
1388:October 5,
1325:PopMatters
1271:PopMatters
1226:References
1206:Adult Swim
1002:"Colorado"
886:"Lullabye"
764:normalized
760:Metacritic
604:The Skinny
554:PopMatters
406:Metacritic
283:. Drummer
229:Background
140:chronology
88:indie folk
58:2006-09-05
2148:Yet Again
2127:Two Weeks
1973:Ed Droste
1924:Interview
1804:"One Way"
1669:March 16,
1591:March 16,
1563:March 16,
1557:Pitchfork
1410:March 16,
1249:March 16,
1145:saxophone
1104:lap steel
1100:xylophone
1078:Personnel
988:"Reprise"
776:Pitchfork
542:Pitchfork
382:Reception
371:Ed Droste
367:sexuality
302:Ed Droste
269:Ed Droste
263:Recording
241:Ed Droste
210:Ed Droste
69:July 2006
1665:(9): 102
1485:AllMusic
1354:March 7,
1331:March 7,
1137:clarinet
1119:, guitar
1117:autoharp
1028:Japanese
872:"Easier"
429:AllMusic
331:(2005).
290:overdubs
281:producer
273:Cape Cod
126:Producer
66:Recorded
51:Released
41: by
2112:Singles
2034:Shields
1913:YouTube
1518:May 15,
1464:May 16,
1210:bumpers
1187:Artwork
946:"Plans"
786:Release
768:average
173:(2009)
164:(2006)
155:(2004)
56: (
2066:Friend
1245:. SPIN
1219:Reaper
1214:The CW
1057:Rossen
1046:Length
1005:Droste
991:Rossen
977:Rossen
963:Droste
949:Droste
935:Rossen
921:Droste
907:Droste
875:Rossen
864:Length
547:8.7/10
423:Rating
420:Source
410:79/100
400:Rating
397:Source
222:Friend
97:Length
2120:Knife
1687:Uncut
1216:show
1141:flute
1127:banjo
1070:54:51
1040:Title
1018:50:00
902:Knife
858:Title
813:Pivot
780:'
680:Uncut
196:band
114:Label
75:Genre
1890:2022
1865:2022
1840:2022
1815:2022
1790:2022
1765:2022
1731:2012
1671:2012
1658:Spin
1638:2018
1593:2012
1565:2012
1536:Mojo
1520:2015
1492:2020
1466:2015
1438:2012
1412:2012
1390:2012
1356:2021
1333:2021
1307:2022
1279:2022
1251:2012
1090:Band
1060:4:51
1008:6:14
994:3:20
980:5:46
966:4:56
952:4:16
938:6:24
924:4:54
910:5:14
892:5:14
878:3:42
642:Spin
559:8/10
504:Mojo
300:and
194:rock
119:Warp
2051:EPs
1911:on
1704:URB
1051:11.
1036:No.
999:10.
854:No.
718:URB
334:As
2237::
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104::
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