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In perhaps the most memorable episode of the series, Bleasdale shows the complete disintegration of Yosser's life as his children are taken into care (after he is beaten up in his own house by four policemen), he is made homeless and finally tries to commit suicide in a lake. Constantly trying to run
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In the final episode, Yosser pays a visit to George Malone, possibly the only person to treat him with any degree of understanding, although George is now too ill to offer anything more than token advice. He has been taken in by his mother and there seems little chance that he will see his children
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is also apparent in a scene in which a distraught Yosser and his three children enter a confessional where a priest named Father Daniel Thomas is listening, and telling him "I'm desperate, Father!" When the priest tries to calm him and sympathetically urges Yosser to call him Dan, Yosser blurts out
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Yosser attends George's funeral and loudly sniggers at the priest's banal eulogy. In the pub afterwards, he raises a cheer when he headbutts a vicious former bouncer into unconsciousness. In the very final scene, as three of the main characters watch a controlled demolition of a
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and making an unexpected appearance at an illegal building site, organised by a corrupt Irish contractor called Molloy. When Molloy takes him to task over a badly built wall, Hughes headbutts him and kicks down the wall, storming off with his much-loved children in tow.
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The pilot of
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the gauntlet of psychiatrists, social workers and creditors, Yosser makes numerous pathetic attempts to re-establish his identity and sense of self-worth, at one point gatecrashing a charity event to meet his apparent lookalike
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Yosser is a tall man in his mid-thirties who wears predominantly black clothes and has a distinctive bushy moustache. He always appears unkempt and unshaven. He had a wife called
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The episode was filmed on 16mm film, contrary to the rest of the series (which was filmed on OB tape), in order to evoke a darker atmosphere, although the original TV movie
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who frequently berated him and who had an affair with another man, the likely father of their three children (played in the drama by Alan
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factory, Yosser's hopeless refrain of "gizza job" ("give us a job") is almost a requiem for the old working-class community that is being destroyed.
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insecurities that make his redundancy especially hard to take. When the boys are swindled out of their savings in
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