20:
108:
In the years which followed, Nat toured and performed extensively. However, he retired from concert life in 1937 to devote himself to teaching in the Paris
Conservatoire and composing. He emerged from this retirement in 1953 to play a small number of highly successful concerts. The last of these, on
196:
Nat's strong technique and rich sonority suited the larger-scale
Beethoven sonatas admirably. However, he was far from a bravura pianist - indeed, although his concerto has some formidable technical difficulties, it avoids the classic virtuoso approach, and instead tries to be what Nat himself
192:
piano sonatas. For a French pianist of his age, this recorded repertoire was unusual. Most French pianists who developed artistically in the years during and after the First World War tended to champion French composers and to avoid the staple German repertoire. No recordings survive of Nat's
208:
His compositions reveal a composer who has a talent for framing simple melodic lines in imaginative harmonies, best illustrated by the slow movement of his piano concerto. His orchestral style is reminiscent of the style of
50:
and showed an early aptitude for both piano and composition. By the age of seven he was allowed to improvise each Sunday at the organ of Béziers' cathedral during mass. At the age of ten he conducted his own
432:
243:
422:
447:
442:
462:
427:
350:
118:
437:
457:
318:
452:
417:
293:
258:
93:. In 1911 he made the first of a number of tours of the United States. He was mobilised in the course of the
110:
362:
248:
67:
63:
412:
407:
338:
189:
154:
150:
8:
162:
346:
314:
289:
264:
254:
90:
146:
122:
205:, which might be translated as "Everything for the music, nothing for the piano".
142:
59:
299:
272:
185:
181:
82:
71:
177:
114:
375:
401:
210:
158:
126:
97:, around which time he produced the first of his published compositions, the
86:
75:
303:
276:
138:
220:
Beside the concerto and solo piano works, he composed chamber music and an
130:
134:
94:
214:
47:
109:
4 February 1954 was the première of his own Piano
Concerto, with the
221:
74:, receiving the class first prize in 1907. He dedicated himself to
35:
268:
379:
31:
79:
121:
in Paris. His most notable pupils include
Fabienne Jacquinot,
19:
313:, Claude Jouanna, Editions L'Harmattan, Univers musical,
345:, Neva Editions, 2015, "Solo nec plus ultra", p. 52.
311:
Yves Nat, du pianiste compositeur au poète pédagogue
188:. Between 1951 and 1955, he recorded all 32 of the
111:Orchestre National de la Radio-diffusion Française
197:described in a radio interview as a concerto for
176:His repertoire particularly covered the works of
30:(29 December 1890 – 31 August 1956) was a French
399:
433:Academic staff of the Conservatoire de Paris
171:
66:encouraged him to pursue his studies at the
423:20th-century French male classical pianists
233:
203:Tout pour la musique; rien pour le piano
18:
16:French pianist and composer (1890–1956)
400:
89:and appeared frequently in a duo with
168:He died in Paris, aged 65, in 1956.
283:
78:, undertook concert tours with the
70:in the master class of the pianist
13:
376:"Complete Beethoven piano sonatas"
14:
474:
448:20th-century classical composers
236:Yves Nat, un musicien de légende
443:French male classical composers
227:
201:. He summed up his approach as
368:
356:
332:
240:Yves Nat, a legendary musician
213:, with a notable fondness for
1:
463:20th-century French composers
428:Conservatoire de Paris alumni
325:
288:(in French) (Alba ed.).
193:extensive French repertoire.
41:
7:
113:under the conductorship of
10:
479:
438:French classical composers
321:, November 2005, 248 pages
199:piano within the orchestra
119:Théâtre des Champs-Élysées
458:Burials at Passy Cemetery
172:Repertoire and reputation
365:on Bach Cantatas website
343:88 notes pour piano solo
234:Reverchon, Mona (2006).
99:Six Préludes pour Piano
453:French piano educators
68:Conservatoire de Paris
28:Yves Philippe Avit Nat
24:
339:Thiollet, Jean-Pierre
103:Six chansons à Païney
23:Nat (1 February 1914)
22:
155:Olive Nelson Russell
151:Jean-Bernard Pommier
418:People from Béziers
242:] (in French).
141:, Frederic Gevers,
64:Camille Saint-Saëns
382:. 28 November 2020
284:Nat, Yves (2006).
163:Jean-Marie Beaudet
25:
351:978-2-3505-5192-0
470:
392:
391:
389:
387:
372:
366:
360:
354:
336:
307:
286:Notes et Carnets
280:
252:
244:Le Bord de L'eau
147:Lucette Descaves
123:Jacqueline Eymar
46:Nat was born in
478:
477:
473:
472:
471:
469:
468:
467:
398:
397:
396:
395:
385:
383:
374:
373:
369:
363:Frédéric Gevers
361:
357:
337:
333:
328:
296:
261:
246:
230:
174:
95:First World War
83:Jacques Thibaud
55:for orchestra.
44:
17:
12:
11:
5:
476:
466:
465:
460:
455:
450:
445:
440:
435:
430:
425:
420:
415:
410:
394:
393:
367:
355:
330:
329:
327:
324:
323:
322:
308:
294:
281:
259:
229:
226:
173:
170:
115:Pierre Dervaux
43:
40:
15:
9:
6:
4:
3:
2:
475:
464:
461:
459:
456:
454:
451:
449:
446:
444:
441:
439:
436:
434:
431:
429:
426:
424:
421:
419:
416:
414:
411:
409:
406:
405:
403:
381:
377:
371:
364:
359:
352:
348:
344:
340:
335:
331:
320:
319:2-7475-9139-5
316:
312:
309:
305:
301:
297:
291:
287:
282:
278:
274:
270:
266:
262:
256:
250:
245:
241:
237:
232:
231:
225:
223:
218:
217:instruments.
216:
212:
206:
204:
200:
194:
191:
187:
183:
179:
169:
166:
164:
160:
159:Pierre Sancan
156:
152:
148:
144:
143:Geneviève Joy
140:
136:
132:
128:
127:Reine Gianoli
124:
120:
116:
112:
106:
104:
100:
96:
92:
88:
87:George Enescu
84:
81:
77:
76:chamber music
73:
69:
65:
61:
60:Gabriel Fauré
56:
54:
49:
39:
37:
33:
29:
21:
384:. Retrieved
370:
358:
342:
334:
310:
285:
239:
235:
228:Bibliography
219:
207:
202:
198:
195:
175:
167:
131:Santos Ojeda
107:
102:
98:
91:Eugène Ysaÿe
72:Louis Diémer
57:
52:
45:
27:
26:
413:1956 deaths
408:1890 births
386:20 November
247: [
135:Jean Martin
402:Categories
326:References
295:2911751442
269:2007353893
260:2915651531
215:percussion
139:Jörg Demus
304:20159452M
277:19273413M
190:Beethoven
117:, at the
80:violinist
42:Biography
222:oratorio
182:Schumann
178:Schubert
101:and the
53:Fantasie
36:composer
380:YouTube
48:Béziers
32:pianist
349:
317:
302:
292:
275:
267:
257:
186:Brahms
251:]
238:[
211:Ravel
58:Both
388:2023
347:ISBN
315:ISBN
290:ISBN
265:LCCN
255:ISBN
184:and
161:and
85:and
62:and
34:and
404::
378:.
341:,
300:OL
298:.
273:OL
271:.
263:.
253:.
249:fr
224:.
180:,
165:.
157:,
153:,
149:,
145:,
137:,
133:,
129:,
125:,
105:.
38:.
390:.
353:.
306:.
279:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.