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temperament", 1584), 「律呂精義」("A clear explanation of that which concerns the equal temperament", 1595/96), and 「算學新說」("Reflection on mathematics", 1603). His work has been described as "the crowning achievement of two millennia of acoustical experiment and research" (Robinson 1962:224) and he is described as "one of the most important historians of his nation's music".
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Zhu wrote on music theory and temperament (five treatises survive), music history (two treatises survive), dance and dance music (five treatises survive), and several other works. Three music theory works in particular are associated with the ideas of equal temperament, the「律學新說」 ("on the equal
245:. Zhu inherited the title the Prince of Zheng in 1593, but quickly resigned it to his cousin. On the emperor's order, he was granted a new princely title in 1606, the year he delivered a set of ten musicological treatises to the court, establishing his scholarly merit. His posthumous name was
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Helmholtz，Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik . p 258, 3rd edition, Longmans, Green and Co, London, 1895
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A critical study of Chu Tsai-yü's contribution to the theory of equal temperament in
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541:. New Brunswick, New Jersey, Rutgers, The State University of New Jersey.
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Woo
Shingkwan (January 2017). Floyd K. Grave; Nancy Y. Rao (eds.).
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Complete Works in Yuelu
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