Knowledge

Documentary photography

Source đź“ť

90: 190: 105: 444: 212: 2357: 2368: 48: 404:, whose ideas and the accompanying bodies of pictures he produced, influenced a generation of "new new documentary" photographers, whose work was philosophically more rigorous, often more stridently leftist in its politics. Sekula emerged as a champion of these photographers, in critical writing and editorial work. Notable among this generation are the photographers 245:. Riis was a New York police-beat reporter who had been converted to urban social reform ideas by his contact with medical and public-health officials, some of whom were amateur photographers. Riis used these acquaintances at first to gather photographs, but eventually took up the camera himself. His books, most notably 231:
The development of new reproduction methods for photography provided impetus for the next era of documentary photography, in the late 1880s and 1890s, and reaching into the early decades of the 20th century. This period decisively shifted documentary from antiquarian and landscape subjects to that of
485:
Since the late 1970s, the decline of magazine-published photography has led to the vanishing of traditional forums for such work. Many documentary photographers have now focused on the art world and galleries as a way of presenting their work and making a living. Traditional documentary photography
459:
Documentary photography generally relates to longer-term projects with a more complex storyline, while photojournalism concerned more breaking news stories. The two approaches often overlap. Some theorists argue that photojournalism, with its close relationship to the news media, is influenced to a
122:
applied to photography antedates the mode or genre itself. Photographs meant to accurately describe otherwise unknown, hidden, forbidden, or difficult-to-access places or circumstances date to the earliest daguerreotype and calotype "surveys" of the ruins of the Near East, Egypt, and the American
203:
Both the Civil War and USGS photographic works point up an important feature of documentary photography: the production of an archive of historical significance, and the distribution to a wide audience through publication. The US Government published Survey photographs in the annual
260:
Riis's documentary photography was passionately devoted to changing the inhumane conditions under which the poor lived in the rapidly expanding urban-industrial centers. His work succeeded in embedding photography in urban reform movements, notably the
412:, whose "The Bowery in Two Inadequate Descriptive Systems" of 1974-75 served as a milestone in the critique of classical humanistic documentary as the work of privileged elites imposing their visions and values on the dis-empowered. 240:
reproduction around 1890 made low cost mass-reproduction in newspapers, magazines and books possible. The figure most directly associated with the birth of this new form of documentary is the journalist and urban social reformer
171: 349:
among others. This generation of documentary photographers is generally credited for codifying the documentary code of accuracy mixed with impassioned advocacy, with the goal of arousing public commitment to social change.
604: 22:
usually refers to a popular form of photography used to chronicle events or environments both significant and relevant to history and historical events as well as everyday life. It is typically undertaken as
393:
proposed in that exhibition that a new generation, committed not to social change but to formal and iconographical investigation of the social experience of modernity, had replaced the older forms of
361:
is generally credited with developing a counterstrain of more personal, evocative, and complex documentary, exemplified by his work in the 1950s, published in the United States in his 1959 book,
274: 400:
In the 1970s and 1980s, a spirited attack on traditional documentary was mounted by historians, critics, and photographers. One of the most notable was the photographer-critic
257:
of 1892, used those photographs, but increasingly he also employed visual materials from a wide variety of sources, including police "mug shots" and photojournalistic images.
253: 2398: 2325: 89: 2267: 127:, for example, traveled to Nubia in the early 1850s to photograph the major ruins of the region. One early documentation project was the French 135:
to develop an archive of France's rapidly disappearing architectural and human heritage; the project included such photographic luminaries as
2315: 2262: 283:, are generally credited with strongly influencing the development of child-labor laws in New York and the United States more generally. 2042: 714: 912: 622: 486:
has found a place in dedicated photography galleries alongside other artists working in painting, sculpture, and modern media.
1018: 770: 170:. A huge body of photography of the vast regions of the Great West was produced by official government photographers for the 2320: 162:, resulted in a major archive of photographs ranging from dry records of battle sites to harrowing images of the dead by 415:
Since the late 1990s, an increased interest in documentary photography and its longer term perspective can be observed.
2257: 1804: 2013: 2393: 1980: 662: 159: 2299: 2277: 1766: 431:
photographed a wide variety of subjects, including Mongolia's street children for the Museum of Natural History.
1945: 1433: 1220: 394: 154:(1861-1865) by photographers for at least three consortia of photographic publisher-distributors, most notably 353:
During the wartime and postwar eras, documentary photography increasingly became subsumed under the rubric of
1854: 1786: 1539: 1066: 2287: 2282: 322: 65: 2292: 1564: 1071: 495: 363: 435:
sought to reflect the realities of the most underprivileged peoples of different third world countries.
189: 2018: 1706: 1609: 907: 338: 605:"Africa united: Photographer Pieter Hugo casts a new light on tired stereotypes of his home continent" 1985: 1935: 1895: 1748: 1634: 1584: 1281: 1225: 1081: 838: 763: 452: 460:
greater degree than documentary photography by the need to entertain audiences and market products.
2191: 1781: 1514: 1306: 500: 247: 179: 163: 128: 686:
Hoffman, R. T. (1995). The form of function: Salt documentary photography. In H. T. French (Ed.),
2151: 1955: 1859: 1723: 1574: 1411: 959: 848: 69: 2372: 2211: 2186: 1990: 1975: 1910: 1890: 1796: 1718: 1549: 1473: 1468: 1443: 1371: 1361: 1311: 1301: 1235: 1198: 1126: 1101: 104: 699:
Price, D. (2004). Documentary and photojournalism: issues and definitions. In L. Wells (Ed.),
306:
screenings and were critical in changing public perceptions of slavery and eventually forcing
2272: 2062: 1970: 1965: 1950: 1940: 1915: 1900: 1761: 1694: 1664: 1624: 1534: 1524: 1366: 1245: 1208: 1131: 307: 298:(a missionary). There she photographed Belgian atrocities against local people with an early 183: 1819: 2361: 1960: 1930: 1925: 1920: 1905: 1559: 1483: 1453: 1406: 1351: 1341: 1266: 1091: 1038: 756: 644: 479: 468:
The art worlds opinion of this type of photography changed markedly in 1967 during curator
376: 8: 2057: 2030: 2000: 1654: 1569: 1478: 1356: 1336: 1326: 1321: 1291: 1183: 1096: 924: 919: 346: 287: 2206: 1864: 1814: 1639: 1499: 1458: 1438: 1376: 1331: 1296: 1271: 833: 798: 513: 428: 295: 208:, as well as portfolios designed to encourage continued funding of scientific surveys. 151: 124: 97: 93: 443: 2171: 2107: 2094: 2025: 1689: 1614: 1604: 1594: 1579: 1448: 1416: 1276: 1111: 882: 554: 270: 167: 630: 273:, whose systematic surveys of conditions of child-labor in particular, made for the 140: 2231: 2176: 2134: 2119: 2102: 2072: 2067: 1711: 1669: 1619: 1386: 1346: 1286: 1141: 318: 291: 225: 2332: 2236: 2139: 1756: 1509: 1391: 1086: 1033: 1028: 996: 981: 939: 469: 408:, whose 'Health and Safety Game" of 1976 became a model of post-documentary, and 390: 372: 368: 354: 144: 27: 2008: 1834: 1776: 1544: 1230: 1136: 1121: 1116: 1011: 823: 813: 803: 570: 416: 334: 221: 216: 178:), during the period 1868–1878, including most notably the photographers 738:"A New History of Photography" Könemann Verlagsgesellschaft/Michel Frizot 1998 577:(Albuquerque, New Mexico: University of New Mexico Press, 2006), pp. 271-348. 551:
American Frontiers: The Photographs of Timothy H. O'Sullivan, 1867–1874
2387: 2161: 2129: 2114: 2079: 1839: 1684: 1649: 1240: 1213: 1193: 1161: 1106: 474: 409: 405: 385: 311: 303: 299: 266: 262: 136: 1599: 379:(MoMA), which brought those two photographers together with their colleague 321:
brought a new wave of documentary, both of rural and urban conditions. The
2337: 2226: 2221: 2216: 2166: 2052: 2047: 1701: 1426: 1396: 1178: 1173: 1156: 1001: 828: 818: 808: 432: 427:
engaged in documenting art traditions with a focus on African communities.
420: 401: 358: 330: 233: 155: 24: 2342: 2201: 2196: 2124: 2037: 1874: 1849: 1679: 1674: 1659: 1519: 1401: 1381: 1250: 1151: 1043: 1006: 976: 929: 897: 892: 858: 779: 741:"Down the Line; Light Rail's First Day; Getting off on the right track"; 424: 380: 342: 326: 310:
to cede control of the territory to the Belgian government, creating the
211: 1844: 1824: 1738: 1728: 1589: 1554: 1529: 1463: 1203: 1188: 1168: 1050: 986: 902: 853: 279: 242: 197: 112: 16:
Form of photography used to chronicle significant and historical events
688:
Maine: a peopled landscape: Salt documentary photography, 1978 to 1995
559:
William Henry Jackson and the Transformation of the American Landscape
2241: 2181: 1809: 1771: 1733: 1629: 991: 954: 949: 934: 887: 875: 594:(New York and Cambridge, England: Cambridge University Press, 1989). 575:
Silver Cities: Photographing American Urbanization, 1839–1939
1829: 1644: 1146: 1076: 944: 870: 865: 506: 237: 58: 1869: 1023: 969: 31: 1421: 843: 793: 748: 438: 150:
In the United States, photographs tracing the progress of the
2084: 1504: 964: 690:(pp. 156-160). Hanover, NH: University Press of New England. 549:(New York: Metropolitan Museum of Art, 1975); Joel Snyder, 590:(New York: Oxford University Press, 1973); Maren Stange, 419:
extensively documented issues surrounded by American life.
367:. In the early 1960s, his influence on photographers like 325:, a common term for the Historical Division, supervised by 269:
movements. His most famous successor was the photographer
175: 536:
New York and Oxford, England: Routledge, 2007, pp. 619-622
329:, funded legendary photographic documentarians, including 172:
Geological and Geographical Survey of the Territories
123:
wilderness areas. Nineteenth-century archaeologist
302:camera. The images were widely distributed through 2399:Museum of Modern Art (New York City) exhibitions 2385: 30:, or real life reportage, but it may also be an 561:(Philadelphia: Temple University Press, 1988). 534:Encyclopedia of Nineteenth Century Photography 463: 64:There might be a discussion about this on the 764: 645:"Photojournalism and Documentary Photography" 588:Documentary Expression and Thirties' America 277:and published in sociological journals like 2316:Conservation and restoration of photographs 439:Documentary photography vs. photojournalism 375:resulted in an important exhibition at the 2043:Comparison of digital and film photography 771: 757: 663:"Michael Rababy: Folsom Street Food Court" 194:Power house mechanic working on steam pump 2268:Photographs considered the most important 232:the city and its crises. The refining of 706: 553:(Millerton, New York: Aperture, 1981); 442: 210: 188: 103: 88: 2386: 447:Contemporary documentary photography: 236:methods, and then the introduction of 752: 449:National Guardsman in Washington D.C. 701:Photography: a critical introduction 133:Commission des Monuments historiques 41: 2263:Museums devoted to one photographer 13: 1805:Timeline of photography technology 532:Will Stapp, "John Beasly Greene", 14: 2410: 703:(pp. 69-75). New York: Routledge. 34:, artistic, or academic pursuit. 2366: 2356: 2355: 712: 46: 2367: 778: 693: 667:The Eye of Photography Magazine 545:Weston Naef and James N. Wood, 357:. Swiss-American photographer 275:National Child Labor Commission 680: 655: 637: 615: 597: 580: 564: 539: 526: 395:social documentary photography 1: 1855:Painted photography backdrops 1787:Golden triangle (composition) 1067:35 mm equivalent focal length 519: 323:Farm Security Administration 7: 1565:Intentional camera movement 496:Black and White Photography 489: 464:Acceptance by the art world 10: 2415: 2258:Most expensive photographs 1610:Multi-exposure HDR capture 732: 131:organized by the official 57:contain a large number of 37: 2351: 2308: 2250: 2150: 2093: 1999: 1883: 1795: 1747: 1492: 1259: 1059: 786: 453:Inauguration of Joe Biden 423:documentary photographer 254:The Children of the Slums 2192:Digital image processing 501:Conservation photography 248:How the Other Half Lives 166:and evocative images by 129:Missions Heliographiques 55:This article appears to 2394:Documentary photography 2300:Photography periodicals 1860:Photography and the law 20:Documentary photography 2212:Gelatin silver process 1236:Science of photography 1221:Photographic processes 1199:Perspective distortion 456: 286:In 1900, Englishwoman 228: 200: 174:(a predecessor of the 115: 101: 1665:Schlieren photography 1209:Photographic printing 1132:Exposure compensation 592:Symbols of Ideal Life 446: 308:Leopold II of Belgium 214: 192: 184:William Henry Jackson 107: 92: 1454:Straight photography 1092:Chromatic aberration 623:"Antonin Kratochvil" 480:Museum of Modern Art 377:Museum of Modern Art 141:Edouard Denis Baldus 70:improve this article 2326:photographic plates 2001:Digital photography 1184:Hyperfocal distance 1097:Circle of confusion 627:worldpressphoto.org 451:(2021), during the 347:Marion Post Wolcott 288:Alice Seeley Harris 1820:Autochrome Lumière 1815:Analog photography 1640:Pigeon photography 1434:Social documentary 913:discontinued films 547:Era of Exploration 514:Street photography 457: 429:Antonin Kratochvil 317:In the 1930s, the 296:John Hobbis Harris 294:with her husband, 229: 201: 180:Timothy O'Sullivan 164:Timothy O'Sullivan 152:American Civil War 125:John Beasly Greene 116: 102: 98:Abu Simbel temples 94:John Beasly Greene 2381: 2380: 2172:Collodion process 2108:Chromogenic print 2095:Color photography 1605:Multiple exposure 1580:Lo-fi photography 1112:Color temperature 715:"Documentary Art" 713:Malo, Alejandro. 555:Peter Bacon Hales 383:under the title, 271:Lewis Wickes Hine 168:George N. Barnard 160:Alexander Gardner 87: 86: 2406: 2370: 2369: 2359: 2358: 2232:Print permanence 2177:Cross processing 2135:CMYK color model 2120:Color management 2073:Foveon X3 sensor 2068:Three-CCD camera 1712:Miniature faking 1670:Sabattier effect 1287:Astrophotography 1142:Zebra patterning 773: 766: 759: 750: 749: 745:, June 27, 2004. 726: 725: 723: 722: 710: 704: 697: 691: 684: 678: 677: 675: 674: 659: 653: 652: 641: 635: 634: 629:. Archived from 619: 613: 612: 601: 595: 584: 578: 568: 562: 543: 537: 530: 389:. MoMA curator 319:Great Depression 292:Congo Free State 290:traveled to the 226:Great Depression 96:'s photo of the 82: 79: 73: 50: 49: 42: 2414: 2413: 2409: 2408: 2407: 2405: 2404: 2403: 2384: 2383: 2382: 2377: 2347: 2304: 2246: 2237:Push processing 2153: 2146: 2140:RGB color model 2089: 1995: 1879: 1791: 1757:Diagonal method 1743: 1488: 1392:Photojournalism 1255: 1087:Black-and-white 1055: 1034:Slide projector 1029:Movie projector 908:available films 782: 777: 735: 730: 729: 720: 718: 711: 707: 698: 694: 685: 681: 672: 670: 661: 660: 656: 643: 642: 638: 621: 620: 616: 611:. 9 April 2011. 609:The Independent 603: 602: 598: 586:William Stott, 585: 581: 569: 565: 544: 540: 531: 527: 522: 492: 470:John Szarkowski 466: 441: 391:John Szarkowski 373:Lee Friedlander 369:Garry Winogrand 355:photojournalism 145:Gustave Le Gray 83: 77: 74: 63: 51: 47: 40: 28:photojournalism 17: 12: 11: 5: 2412: 2402: 2401: 2396: 2379: 2378: 2376: 2375: 2364: 2352: 2349: 2348: 2346: 2345: 2340: 2335: 2330: 2329: 2328: 2323: 2312: 2310: 2306: 2305: 2303: 2302: 2297: 2296: 2295: 2290: 2285: 2280: 2270: 2265: 2260: 2254: 2252: 2248: 2247: 2245: 2244: 2239: 2234: 2229: 2224: 2219: 2214: 2209: 2204: 2199: 2194: 2189: 2184: 2179: 2174: 2169: 2164: 2158: 2156: 2148: 2147: 2145: 2144: 2143: 2142: 2137: 2132: 2127: 2117: 2112: 2111: 2110: 2099: 2097: 2091: 2090: 2088: 2087: 2082: 2077: 2076: 2075: 2070: 2065: 2060: 2050: 2045: 2040: 2035: 2034: 2033: 2028: 2023: 2022: 2021: 2009:Digital camera 2005: 2003: 1997: 1996: 1994: 1993: 1988: 1983: 1978: 1973: 1968: 1963: 1958: 1953: 1948: 1943: 1938: 1933: 1928: 1923: 1918: 1913: 1908: 1903: 1898: 1893: 1887: 1885: 1881: 1880: 1878: 1877: 1872: 1867: 1862: 1857: 1852: 1847: 1842: 1837: 1835:Camera obscura 1832: 1827: 1822: 1817: 1812: 1807: 1801: 1799: 1793: 1792: 1790: 1789: 1784: 1779: 1777:Rule of thirds 1774: 1769: 1764: 1759: 1753: 1751: 1745: 1744: 1742: 1741: 1736: 1731: 1726: 1721: 1716: 1715: 1714: 1704: 1699: 1698: 1697: 1687: 1682: 1677: 1672: 1667: 1662: 1657: 1652: 1647: 1642: 1637: 1632: 1627: 1622: 1617: 1612: 1607: 1602: 1597: 1592: 1587: 1582: 1577: 1572: 1567: 1562: 1557: 1552: 1547: 1545:Harris shutter 1542: 1540:Hand-colouring 1537: 1532: 1527: 1522: 1517: 1512: 1507: 1502: 1496: 1494: 1490: 1489: 1487: 1486: 1481: 1476: 1471: 1466: 1461: 1456: 1451: 1446: 1441: 1436: 1431: 1430: 1429: 1419: 1414: 1409: 1404: 1399: 1394: 1389: 1384: 1379: 1374: 1369: 1364: 1359: 1354: 1349: 1344: 1339: 1334: 1329: 1324: 1319: 1314: 1309: 1304: 1299: 1294: 1289: 1284: 1279: 1274: 1269: 1263: 1261: 1257: 1256: 1254: 1253: 1248: 1243: 1238: 1233: 1231:Red-eye effect 1228: 1223: 1218: 1217: 1216: 1206: 1201: 1196: 1191: 1186: 1181: 1176: 1171: 1166: 1165: 1164: 1159: 1149: 1144: 1139: 1137:Exposure value 1134: 1129: 1124: 1122:Depth of focus 1119: 1117:Depth of field 1114: 1109: 1104: 1099: 1094: 1089: 1084: 1079: 1074: 1069: 1063: 1061: 1057: 1056: 1054: 1053: 1048: 1047: 1046: 1036: 1031: 1026: 1021: 1016: 1015: 1014: 1009: 1004: 999: 994: 989: 984: 974: 973: 972: 967: 962: 957: 952: 947: 942: 937: 932: 922: 917: 916: 915: 910: 905: 900: 895: 890: 880: 879: 878: 873: 863: 862: 861: 856: 851: 846: 841: 836: 831: 826: 821: 816: 811: 806: 801: 790: 788: 784: 783: 776: 775: 768: 761: 753: 747: 746: 739: 734: 731: 728: 727: 705: 692: 679: 654: 636: 633:on 2012-01-30. 614: 596: 579: 571:Peter B. Hales 563: 538: 524: 523: 521: 518: 517: 516: 511: 503: 498: 491: 488: 478:exhibition at 465: 462: 440: 437: 417:Nicholas Nixon 335:Dorothea Lange 222:Dorothea Lange 217:Migrant Mother 109:Bandit's Roost 85: 84: 68:. Please help 54: 52: 45: 39: 36: 15: 9: 6: 4: 3: 2: 2411: 2400: 2397: 2395: 2392: 2391: 2389: 2374: 2365: 2363: 2354: 2353: 2350: 2344: 2341: 2339: 2336: 2334: 2331: 2327: 2324: 2322: 2319: 2318: 2317: 2314: 2313: 2311: 2307: 2301: 2298: 2294: 2291: 2289: 2286: 2284: 2281: 2279: 2276: 2275: 2274: 2273:Photographers 2271: 2269: 2266: 2264: 2261: 2259: 2256: 2255: 2253: 2249: 2243: 2240: 2238: 2235: 2233: 2230: 2228: 2225: 2223: 2220: 2218: 2215: 2213: 2210: 2208: 2205: 2203: 2200: 2198: 2195: 2193: 2190: 2188: 2185: 2183: 2180: 2178: 2175: 2173: 2170: 2168: 2165: 2163: 2162:Bleach bypass 2160: 2159: 2157: 2155: 2149: 2141: 2138: 2136: 2133: 2131: 2130:primary color 2128: 2126: 2123: 2122: 2121: 2118: 2116: 2115:Reversal film 2113: 2109: 2106: 2105: 2104: 2101: 2100: 2098: 2096: 2092: 2086: 2083: 2081: 2080:Image sharing 2078: 2074: 2071: 2069: 2066: 2064: 2061: 2059: 2056: 2055: 2054: 2051: 2049: 2046: 2044: 2041: 2039: 2036: 2032: 2029: 2027: 2024: 2020: 2017: 2016: 2015: 2012: 2011: 2010: 2007: 2006: 2004: 2002: 1998: 1992: 1989: 1987: 1984: 1982: 1981:United States 1979: 1977: 1974: 1972: 1969: 1967: 1964: 1962: 1959: 1957: 1954: 1952: 1949: 1947: 1944: 1942: 1939: 1937: 1934: 1932: 1929: 1927: 1924: 1922: 1919: 1917: 1914: 1912: 1909: 1907: 1904: 1902: 1899: 1897: 1894: 1892: 1889: 1888: 1886: 1882: 1876: 1873: 1871: 1868: 1866: 1863: 1861: 1858: 1856: 1853: 1851: 1848: 1846: 1843: 1841: 1840:Daguerreotype 1838: 1836: 1833: 1831: 1828: 1826: 1823: 1821: 1818: 1816: 1813: 1811: 1808: 1806: 1803: 1802: 1800: 1798: 1794: 1788: 1785: 1783: 1780: 1778: 1775: 1773: 1770: 1768: 1765: 1763: 1760: 1758: 1755: 1754: 1752: 1750: 1746: 1740: 1737: 1735: 1732: 1730: 1727: 1725: 1722: 1720: 1717: 1713: 1710: 1709: 1708: 1705: 1703: 1700: 1696: 1693: 1692: 1691: 1688: 1686: 1685:Stopping down 1683: 1681: 1678: 1676: 1673: 1671: 1668: 1666: 1663: 1661: 1658: 1656: 1653: 1651: 1650:Rephotography 1648: 1646: 1643: 1641: 1638: 1636: 1633: 1631: 1628: 1626: 1623: 1621: 1618: 1616: 1613: 1611: 1608: 1606: 1603: 1601: 1598: 1596: 1593: 1591: 1588: 1586: 1585:Long-exposure 1583: 1581: 1578: 1576: 1573: 1571: 1568: 1566: 1563: 1561: 1558: 1556: 1553: 1551: 1548: 1546: 1543: 1541: 1538: 1536: 1533: 1531: 1528: 1526: 1523: 1521: 1518: 1516: 1513: 1511: 1508: 1506: 1503: 1501: 1498: 1497: 1495: 1491: 1485: 1482: 1480: 1477: 1475: 1472: 1470: 1467: 1465: 1462: 1460: 1457: 1455: 1452: 1450: 1447: 1445: 1442: 1440: 1437: 1435: 1432: 1428: 1425: 1424: 1423: 1420: 1418: 1415: 1413: 1410: 1408: 1405: 1403: 1400: 1398: 1395: 1393: 1390: 1388: 1385: 1383: 1380: 1378: 1375: 1373: 1370: 1368: 1365: 1363: 1360: 1358: 1355: 1353: 1350: 1348: 1345: 1343: 1340: 1338: 1335: 1333: 1330: 1328: 1325: 1323: 1320: 1318: 1315: 1313: 1310: 1308: 1305: 1303: 1300: 1298: 1295: 1293: 1290: 1288: 1285: 1283: 1282:Architectural 1280: 1278: 1275: 1273: 1270: 1268: 1265: 1264: 1262: 1258: 1252: 1249: 1247: 1244: 1242: 1241:Shutter speed 1239: 1237: 1234: 1232: 1229: 1227: 1224: 1222: 1219: 1215: 1212: 1211: 1210: 1207: 1205: 1202: 1200: 1197: 1195: 1194:Metering mode 1192: 1190: 1187: 1185: 1182: 1180: 1177: 1175: 1172: 1170: 1167: 1163: 1160: 1158: 1155: 1154: 1153: 1150: 1148: 1145: 1143: 1140: 1138: 1135: 1133: 1130: 1128: 1125: 1123: 1120: 1118: 1115: 1113: 1110: 1108: 1107:Color balance 1105: 1103: 1100: 1098: 1095: 1093: 1090: 1088: 1085: 1083: 1080: 1078: 1075: 1073: 1072:Angle of view 1070: 1068: 1065: 1064: 1062: 1058: 1052: 1049: 1045: 1042: 1041: 1040: 1037: 1035: 1032: 1030: 1027: 1025: 1022: 1020: 1019:Manufacturers 1017: 1013: 1010: 1008: 1005: 1003: 1000: 998: 995: 993: 990: 988: 985: 983: 980: 979: 978: 975: 971: 968: 966: 963: 961: 958: 956: 953: 951: 948: 946: 943: 941: 938: 936: 933: 931: 928: 927: 926: 923: 921: 918: 914: 911: 909: 906: 904: 901: 899: 896: 894: 891: 889: 886: 885: 884: 881: 877: 874: 872: 869: 868: 867: 864: 860: 857: 855: 852: 850: 847: 845: 842: 840: 837: 835: 832: 830: 827: 825: 822: 820: 817: 815: 812: 810: 807: 805: 802: 800: 797: 796: 795: 792: 791: 789: 785: 781: 774: 769: 767: 762: 760: 755: 754: 751: 744: 740: 737: 736: 716: 709: 702: 696: 689: 683: 668: 664: 658: 650: 646: 640: 632: 628: 624: 618: 610: 606: 600: 593: 589: 583: 576: 572: 567: 560: 556: 552: 548: 542: 535: 529: 525: 515: 512: 509: 508: 504: 502: 499: 497: 494: 493: 487: 483: 481: 477: 476: 475:New Documents 471: 461: 454: 450: 445: 436: 434: 430: 426: 422: 421:South African 418: 413: 411: 410:Martha Rosler 407: 406:Fred Lonidier 403: 398: 396: 392: 388: 387: 386:New Documents 382: 378: 374: 370: 366: 365: 364:The Americans 360: 356: 351: 348: 344: 340: 336: 332: 328: 324: 320: 315: 313: 312:Belgian Congo 309: 305: 304:magic lantern 301: 300:Kodak Brownie 297: 293: 289: 284: 282: 281: 276: 272: 268: 264: 263:Social Gospel 258: 256: 255: 250: 249: 244: 239: 235: 227: 224:, during the 223: 219: 218: 213: 209: 207: 199: 195: 191: 187: 185: 181: 177: 173: 169: 165: 161: 157: 153: 148: 146: 142: 138: 137:Henri Le Secq 134: 130: 126: 121: 114: 110: 106: 99: 95: 91: 81: 71: 67: 61: 60: 53: 44: 43: 35: 33: 29: 26: 21: 2338:Polaroid art 2227:K-14 process 2222:Instant film 2217:Gum printing 2167:C-41 process 2152:Photographic 2053:Image sensor 2048:Film scanner 1702:Sun printing 1635:Print toning 1427:space selfie 1397:Pictorialism 1327:Ethnographic 1316: 1307:Conservation 1179:Guide number 1174:Focal length 743:Star Tribune 742: 719:. Retrieved 708: 700: 695: 687: 682: 671:. Retrieved 669:. 2020-01-20 666: 657: 648: 639: 631:the original 626: 617: 608: 599: 591: 587: 582: 574: 566: 558: 550: 546: 541: 533: 528: 505: 484: 473: 467: 458: 448: 433:Fazal Sheikh 414: 402:Allan Sekula 399: 384: 362: 359:Robert Frank 352: 331:Walker Evans 316: 285: 278: 259: 252: 251:of 1890 and 246: 234:photogravure 230: 215: 205: 202: 193: 156:Mathew Brady 149: 132: 119: 117: 108: 75: 56: 25:professional 19: 18: 2343:Stereoscopy 2202:E-6 process 2197:Dye coupler 2125:color space 2038:Digiscoping 2031:camera back 1946:Philippines 1875:Visual arts 1865:Glass plate 1850:Heliography 1749:Composition 1724:Ultraviolet 1680:Stereoscopy 1675:Slow motion 1660:Scanography 1575:Kite aerial 1520:Contre-jour 1412:Post-mortem 1402:Pornography 1382:Neues Sehen 1317:Documentary 1251:Zone System 1226:Reciprocity 1152:Film format 1082:Backscatter 1060:Terminology 930:beauty dish 834:rangefinder 799:light-field 780:Photography 649:harvard.edu 425:Pieter Hugo 381:Diane Arbus 343:John Vachon 339:Russell Lee 327:Roy Stryker 267:Progressive 72:if you can. 2388:Categories 2333:Lomography 2154:processing 2103:Print film 2019:comparison 1986:Uzbekistan 1936:Luxembourg 1896:Bangladesh 1845:Dufaycolor 1825:Box camera 1782:Simplicity 1739:Zoom burst 1734:Xerography 1729:Vignetting 1719:Time-lapse 1707:Tilt–shift 1600:Mordançage 1590:Luminogram 1555:Holography 1550:High-speed 1530:Fill flash 1515:Burst mode 1493:Techniques 1474:Vernacular 1469:Underwater 1464:Toy camera 1444:Still life 1372:Monochrome 1362:High-speed 1312:Cloudscape 1302:Conceptual 1204:Photograph 1189:Lens flare 1169:Film speed 1051:Zone plate 997:wide-angle 982:long-focus 721:2012-11-16 717:. ZoneZero 673:2020-04-09 520:References 280:The Survey 243:Jacob Riis 220:(1936) by 198:Lewis Hine 196:(1920) by 113:Jacob Riis 111:(1914) by 2278:Norwegian 2242:Stop bath 2187:Developer 2182:Cyanotype 1810:Ambrotype 1772:Lead room 1695:Slit-scan 1630:Photogram 1625:Panoramic 1535:Fireworks 1367:Landscape 1012:telephoto 960:reflector 955:monolight 950:lens hood 935:cucoloris 876:safelight 787:Equipment 118:The term 78:July 2016 66:talk page 59:buzzwords 2362:Category 2058:CMOS APS 1956:Slovenia 1884:Regional 1830:Calotype 1767:Headroom 1645:Redscale 1560:Infrared 1510:Brenizer 1484:Wildlife 1407:Portrait 1352:Forensic 1342:Fine-art 1277:Aircraft 1267:Abstract 1147:F-number 1127:Exposure 1102:Clipping 1077:Aperture 945:hot shoe 871:enlarger 866:Darkroom 510:magazine 507:Raw View 490:See also 238:halftone 120:document 2373:Outline 2309:Related 1991:Vietnam 1976:Ukraine 1911:Denmark 1891:Albania 1870:Tintype 1797:History 1762:Framing 1655:Rollout 1620:Panning 1570:Kirlian 1479:Wedding 1357:Glamour 1337:Fashion 1322:Eclipse 1292:Banquet 1214:Albumen 1024:Monopod 1002:fisheye 970:softbox 824:pinhole 814:instant 804:digital 733:Sources 206:Reports 38:History 32:amateur 2371:  2360:  2288:street 2283:Polish 1971:Turkey 1966:Taiwan 1951:Serbia 1941:Norway 1916:Greece 1901:Canada 1500:Afocal 1459:Street 1439:Sports 1422:Selfie 1377:Nature 1332:Erotic 1297:Candid 1272:Aerial 1260:Genres 1162:medium 1039:Tripod 1007:swivel 920:Filter 898:holder 893:format 794:Camera 345:, and 143:, and 100:, 1854 2293:women 2251:Lists 2207:Fixer 2085:Pixel 2014:D-SLR 1961:Sudan 1931:Korea 1926:Japan 1921:India 1906:China 1690:Strip 1615:Night 1595:Macro 1505:Bokeh 1449:Stock 1417:Ruins 1157:large 987:prime 965:snoot 925:Flash 903:stock 844:still 829:press 819:phone 809:field 2321:film 2026:MILC 1525:ETTR 1387:Nude 1347:Fire 1246:Sync 1044:head 992:zoom 977:Lens 940:gobo 888:base 883:Film 859:view 371:and 265:and 182:and 176:USGS 158:and 2063:CCD 854:toy 849:TLR 839:SLR 472:'s 2390:: 665:. 647:. 625:. 607:. 573:, 557:, 482:. 397:. 341:, 337:, 333:, 314:. 186:. 147:. 139:, 772:e 765:t 758:v 724:. 676:. 651:. 455:. 80:) 76:( 62:.

Index

professional
photojournalism
amateur
buzzwords
talk page
improve this article

John Beasly Greene
Abu Simbel temples

Jacob Riis
John Beasly Greene
Missions Heliographiques
Henri Le Secq
Edouard Denis Baldus
Gustave Le Gray
American Civil War
Mathew Brady
Alexander Gardner
Timothy O'Sullivan
George N. Barnard
Geological and Geographical Survey of the Territories
USGS
Timothy O'Sullivan
William Henry Jackson

Lewis Hine

Migrant Mother
Dorothea Lange

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑