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2520:. Following his optical operation in 1923, Monet returned to his style from before a decade ago. He forwent garish colours or "coarse application" for emphasised colour schemes of blue and green. Whilst suffering from cataracts, his paintings were more broad and abstract—from the late 1880s onwards, he had simplified his compositions and sought subjects which could offer broad colour and tone. He increasingly used red and yellow tones, a trend that first started following his trip to Venice. Monet often travelled alone at this time—from France to Normandy to London; to the
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2495:. He was to further use this study in the painting of the effects of mist and rain on the landscape. The study of the effects of atmosphere was to evolve into a number of series of paintings in which Monet repeatedly painted the same subject (such as his water lilies series) in different lights, at different hours of the day, and through the changes of weather and season. This process began in the 1880s and continued until the end of his life in 1926. In his later career, Monet "transcended" the Impressionist style and begun to push the boundaries of art.
2480:, spending much time on the River Seine in a little floating studio, were formative in his study of the effects of light and reflections. He began to think in terms of colours and shapes rather than scenes and objects. He used bright colours in dabs and dashes and squiggles of paint. Having rejected the academic teachings of Gleyre's studio, he freed himself from theory, saying "I like to paint as a bird sings." Boudin, Daubigny, Jongkind, Courbet, and Corot were among Monet's influences and he would often work in accordance with developments in
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488:, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disapproved and wanted him to pursue a career in business. He was very close to his mother, but she died in January 1857 when he was sixteen years old, and he was sent to live with his childless, widowed but wealthy aunt, Marie-Jeanne Lecadre. He went on to study at the
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1513:, who published an article on Monet. Despite his qualms, Monet's paintings were sold in America and contributed towards his financial security. In contrast to the last two decades of his career, Monet favoured working alone—and felt that he was always better when he did, having regularly "long for solitude, away from crowded tourist resorts and sophisticated urban settings". Such a desire was recurrent in his letters to Alice.
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1006:". Conservative critics and the public derided the group, with the term initially being ironic and denoting the painting as unfinished. More progressive critics praised the depiction of modern life—Louis Edmond Duranty called their style a "revolution in painting". Leroy later regretted inspiring the name, as he believed that they were a group "whose majority had nothing impressionist".
2189:'s botched surgeries—stated that he would rather have poor sight and perhaps abandon painting than forego "a little of these things that I love". In 1919, Monet began a series of landscape paintings, "in full force" although he was not pleased with the outcome. By October the weather caused Monet to cease plein air painting and the next month he sold four of the eleven
2468:. From the 1870s onwards, he gradually moved away from suburban and urban landscapes—when they were depicted it was to further his study of light. Contemporary critics—and later academics—felt that with his choice of showcasing Belle Île, he had indicated a desire to move away from the modern culture of Impressionist paintings and instead towards
1385:, Monet discussed his revitalised interest: "I am working like never before on a new endeavour figures in plein air, as I understand them. This is an old dream, one that has always obsessed me and that I would like to master once and for all. But it is all so difficult! I am working very hard, almost to the point of making myself ill".
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cataracts on his output has been a topic of discussion among academics; Lane et al. (1997) argues the occurrence of a deterioration from the late 1860s onwards led to a diminishing of sharp lines. Gardens were a focus throughout his art, becoming prominent in his later work, especially during the last decade of his life.
1404:. She died the next year. Her death, alongside financial difficulties—once having to leave his house to avoid creditors—afflicted Monet's career; Hoschedé had recently purchased several paintings but soon went bankrupt, leaving for Paris in hopes of regaining his fortune, as interest in the Impressionists dwindled.
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enable them to hire two servants and a gardener by 1872. Following the successful exhibition of some maritime paintings and the winning of a silver medal at Le Havre, Monet's paintings were seized by creditors, from whom they were bought back by a shipping merchant, Gaudibert, who was also a patron of Boudin.
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on 5 December 1926 at the age of 86 and is buried in the
Giverny church cemetery. Monet had insisted that the occasion be simple; thus, only about fifty people attended the ceremony. At his funeral, Clemenceau removed the black cloth draped over the coffin, stating: "No black for Monet!" and replaced
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noted, in 1874, that he was "little attracted by rustic scenes...He particularly drawn towards nature when it is embellished and towards urban scenes and for preference he paint flowery gardens, parks and groves." When depicting figures and landscapes in tandem, Monet wished for the landscape to not
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exhibited their work independently; they did so under the name the
Anonymous Society of Painters, Sculptors and Engravers for which Monet was a leading figure in its formation. He was inspired by the style and subject matter of his slightly older contemporaries, Pissarro and Édouard Manet. The group,
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Under the Nazi regime, both in
Germany from 1933 and in German-occupied countries until 1945, Jewish art collectors of Monet were looted by Nazis and their agents. Several of the stolen artworks have been returned to their rightful owners, while others have been the object of court battles. In 2014,
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The canvases dedicated to the water lilies evolved with the changes made to his garden. In addition, around 1905, Monet gradually modified his aesthetics by abandoning the perimeter of the body of water and therefore modifying perspective. He also changed the shape and size of his canvases by moving
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Monet made light the central focus of his paintings. To capture its variations, he would sometimes complete a painting in one sitting, often without preparation. He wished to demonstrate how light altered colour and perception of reality. His interest in light and reflection began in the late 1860s
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In 1899, he began painting the water lilies that would occupy him continuously for the next 20 years of his life, being his last and "most ambitious" sequence of paintings. He had exhibited this first group of pictures of the garden, devoted primarily to his
Japanese bridge, in 1900. He returned to
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Monet wrote daily instructions to his gardener, precise designs and layouts for plantings, and invoices for his floral purchases and his collection of botany books. As Monet's wealth grew, his garden evolved. He remained its architect, even after he hired seven gardeners. Monet purchased additional
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Monet's study of the Seine continued. He submitted two paintings to the Salon in 1880, one of which was accepted. He began to abandon
Impressionist techniques as his paintings utilised darker tones and displayed environments, such as the Seine river, in harsh weather. For the rest of the decade, he
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for $ 32 million to a Swiss buyer. The said Monet paintings, along with two others, were acquired by Imelda during her husband's presidency and allegedly bought using the nation's funds. Bautista's lawyer claimed that the aide sold the painting for Imelda but did not have a chance to give her
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The stylistic change was likely a by-product of the disorder and not an intentional choice. Monet would often work on large canvases due to the deterioration of his eyesight and by 1920 he admitted that he had grown too accustomed to broad painting to return to small canvases. The influence of his
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mentions Monet's financial worries, and tells him that both the stockbroker
Theodore-Charles Gadala and Georges Clemenceau have purchased paintings. Monet's struggles with creditors ended following prosperous trips; he went to Bordighera in 1884, and brought back 50 landscapes. He travelled to the
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and Boudin. After developing methods for painting transient effects, Monet would go on to seek more demanding subjects, new patrons and collectors; his paintings produced in the early 1870s left a lasting impact on the movement and his peers—many of whom moved to
Argenteuil as a result of admiring
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Monet and
Camille were often in financial straits during this period—they were unable to pay their hotel bill during the summer of 1870 and likely lived on the outskirts of London as a result of insufficient funds. An inheritance from his father, together with sales of his paintings, did, however,
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Monet refined his palette in the 1870s, consciously minimising the use of darker tones and favouring pastel colours. This coincided with his softer approach, using smaller and more varied brush strokes. His palette would again undergo change in the 1880s, with more emphasis than before on harmony
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The family worked and built up the gardens, and Monet's fortunes began to change for the better as Durand-Ruel had increasing success in selling his paintings. The gardens were Monet's greatest source of inspiration for 40 years. In 1890, Monet purchased the house. During the 1890s, Monet built a
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After meeting Boudin, Monet dedicated himself to searching for new and improved methods of painterly expression. To this end, as a young man, he visited the Salon and familiarised himself with the works of older painters, and made friends with other young artists. The five years that he spent at
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Depictions of the water lilies, with alternating light and mirror-like reflections, became an integral part of his work. By the mid-1910s Monet had achieved "a completely new, fluid, and somewhat audacious style of painting in which the water-lily pond became the point of departure for an almost
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at 1000 francs but failed to sell it. The exhibition was open to anyone prepared to pay 60 francs and gave artists the opportunity to show their work without the interference of a jury. Another exhibition was held in 1876, again in opposition to the Salon. Monet displayed 18 paintings, including
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These canvases were created with great difficulty: Monet spent a significant amount of time reworking them in order to find the perfect effects and impressions. When he deemed them unsuccessful he did not hesitate to destroy them. He continually postponed the Durand-Ruel exhibition until he was
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Monet has been described as "the driving force behind
Impressionism". Crucial to the art of the Impressionist painters was the understanding of the effects of light on the local colour of objects, and the effects of the juxtaposition of colours with each other. His free flowing style and use of
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Monet's second wife, Alice, died in 1911, and his oldest son, Jean, who had married Alice's daughter, Blanche, Monet's particular favourite, died in 1914. Their deaths left Monet depressed, as
Blanche cared for him. It was during this time that Monet began to develop the first signs of possible
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In 1887 and 1889 he displayed a series of paintings of Belle Île to rave reviews by critics. Monet chose the location in the hope of finding a "new aesthetic language that bypassed learned formulas, one that would be both true to nature and unique to him as an individual, not like anyone else."
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marked what was likely the first time Monet had cultivated a garden for the purpose of his art. The house and garden became the "single most important" motif of his final years in Argenteuil. For the next four years, he painted mostly in Argenteuil and took an interest in the colour theories of
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the following year. Around this time, he was trying to establish himself as a figure painter who depicted the "explicitly contemporary, bourgeois", an intention that continued into the 1870s. He did evolve his painting technique and integrate stylistic experimentation in his plein-air style—as
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to acceptance. Thereafter, he submitted works to the Salon annually until 1870, but they were accepted by the juries only twice, in 1866 and 1868. He sent no more works to the Salon until his single, final attempt in 1880. His work was considered radical, "discouraged at all official levels".
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in the past three months, the first time he had "synced as many paintings of the same site, carefully coordinating their scenes and temporalities". The paintings were well received by critics, who especially praised the way he captured the arrival and departures of the trains. By the fourth
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Speaking of Monet's body of work, Wildenstein said that it is "so extensive that its very ambition and diversity challenges our understanding of its importance". His paintings produced at Giverny and under the influence of cataracts have been said to create a link between Impressionism and
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From the 1880s onwards—and particularly in the 1890s—Monet's series of paintings of specific subjects sought to document the different conditions of light and weather. As light and weather changed throughout the day, he switched between canvases—sometimes working on as many as eight at one
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be a mere backdrop and the figures not to be dominate the composition. His dedication to such a portrayal of landscapes resulted in Monet reprimanding Renoir for defying it. He often depicted the suburban and rural leisure activities of Paris and as a young artist experimented with
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2181:, from 1914 to 1918 to great financial success and he would later create works for the state. His work on the "cycle of paintings" mostly occurred around 1916 to 1921. Cataract surgery was once again recommended, this time by Clemenceau. Monet—who was apprehensive, following
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Following his return from London, Monet painted mostly from nature, in his own garden; its water lilies, its pond and its bridge. From 22 November to 15 December 1900, another exhibition dedicated to him was held at the Durand-Ruel gallery, with around ten versions of the
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land with a water meadow. White water lilies local to France were planted along with imported cultivars from South America and Egypt, resulting in a range of colours including yellow, blue and white lilies that turned pink with age. In 1902, he increased the size of his
657:, from 1861 to 1862. His time in Algeria had a powerful effect on Monet, who later said that the light and vivid colours of North Africa "contained the gem of my future researches". Illness forced his return to Le Havre, where he bought out his remaining service and met
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In the following years, his perception of colour suffered; his broad strokes were broader and his paintings were increasingly darker. To achieve his desired outcome, he began to label his tubes of paint, kept a strict order on his palette and wore a straw hat to negate
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in different conditions of light, weather and atmosphere. The paintings do not focus on the grand Medieval building, but on the play of light and shade across its surface, transforming the solid masonry. For this series, he experimented with creating his own frames.
2170:. He approached painting by formulating the ideas and features in his mind, taking the "motif in large masses" and transcribing them through memory and imagination. This was due to him being "insensitive" to the "finer shades of tonalities and colors seen close up".
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and lasted throughout his career. During his first time in London, he developed an admiration for the relationship between the artist and motifs—for what he deemed the "envelope". He utilised pencil drawings to quickly note subjects and motifs for future reference.
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2162:. He was prescribed new glasses and rejected cataract surgery for the right eye. The next year, Monet, encouraged by Clemenceau, made plans to construct a new, large studio that he could use to create a "decorative cycle of paintings devoted to the water garden".
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and Gasny at Giverny. There was a barn that doubled as a painting studio, orchards and a small garden. The house was close enough to the local schools for the children to attend, and the surrounding landscape provided numerous natural areas for Monet to paint.
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On 1 April 1851, he entered Le Havre secondary school of the arts. He was an apathetic student who, after showing skill in art from young age, began drawing caricatures and portraits of acquaintances at age 15 for money. He began his first drawing lessons from
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describes the work as "a blizzard of white, grey, purplish paint ... a terrible blizzard of loss which will forever efface her features. In fact there can be very few death-bed paintings which have been so intensely felt or subjectively expressive."
907:'s surrounding area. He acquired a sailboat to paint on the river. In 1874, he signed a six-and-a-half year lease and moved into a newly built "rose-colored house with green shutters" in Argenteuil, where he painted fifteen paintings of his garden from a
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Frequently exhibited and successful during his lifetime, Monet's fame and popularity soared in the second half of the 20th century when he became one of the world's most famous painters and a source of inspiration for a burgeoning group of artists.
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461:, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions of nature, especially as applied to
3352:, following lengthy negotiations with the French government. Because his later works were ignored by artists, art historians, critics, and the public, few attended the showing. In the 1950s, Monet's later works were "rediscovered" by the
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lenses, Monet was laudatory, although his left eye soon had to be entirely covered by a black lens. By 1925, his visual impairment was improved and he began to retouch some of his pre-operative works, with bluer water lilies than before.
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3413:) has been stolen on two occasions, once in 1998 (in which the museum's curator was convicted of the theft and jailed for five years and two months, along with two accomplices) and again in August 2007. It was recovered in June 2008.
2433:—he believed that his only "merit lies in having painted directly in front of nature, seeking to render my impressions of the most fleeting effects" Wanting to "paint the air", he often combined modern life subjects in outdoor light.
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778:. There he immersed himself in his work, although a temporary problem with his eyesight, probably related to stress, prevented him from working in sunlight. Monet loved his family dearly, painting many portraits of them such as
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that his need to analyse colours was both a joy and a torment to him. He explained: "I one day found myself looking at my beloved wife's dead face and just systematically noting the colours according to an automatic reflex".
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paintings, despite his then-reluctance to relinquish his work. The series inspired praise from his peers; his later works were well received by dealers and collectors, and he received 200,000 francs from one collector.
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Monet's portrayal of landscapes emphasised industrial elements such as railways and factories; his early seascapes featured brooding nature depicted with muted colours and local residents. Critic, and friend of Monet,
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Monet's ambition to document the French countryside led to a method of painting the same scene many times so as to capture the changing of light and the passing of the seasons. Among the best-known examples are his
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and influenced Bazille, Sisley, Renoir, and Pissarro. Monet is now the most famous of the Impressionists; as a result of his contributions to the movement, he "exerted a huge influence on late 19th-century art".
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896:. In the spring of 1871, his works were refused authorisation for inclusion in the Royal Academy exhibition and police suspected him of revolutionary activities. That same year he learned of his father's death.
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560:. He was the second son of Claude Adolphe Monet (1800–1871) and Louise Justine Aubrée Monet (1805–1857), both of them second-generation Parisians. On 20 May 1841, he was baptised in the local Paris church,
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3445:(from the water lilies series) sold at Christie's 24 June 2008 auction in London for £40,921,250 ($ 80,451,178), nearly doubling the record for the artist. This purchase represented one of the top 20
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In 1901, Monet enlarged the pond of his home by buying a meadow located on the other side of the Ru, the local watercourse. He then divided his time between work on nature and work in his studio.
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exhibition his involvement was by means of negotiation on Caillebotte's part. His last time exhibiting with the Impressionists was in 1882—four years before the final Impressionist exhibition.
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ended up opening on 6 May 1909. Comprising forty-eight paintings dating from 1903 to 1908, representing a series of landscapes and water lily scenes, this exhibition was once again a success.
1877:—to resolve his frustration. These series of paintings provided widespread critical and financial success; in 1898, 61 paintings were exhibited at the Petit gallery. He also began a series of
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3290:, which had a pronounced influence on his art. The house and garden, along with the Museum of Impressionism, are major attractions in Giverny, which hosts tourists from all over the world.
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1490:—who he would marry in 1892, following her husband's death the preceding year—a desire to die. In 1881, he moved with Alice and her children to Poissy and again sold his paintings to
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3286:, the house and gardens were opened for visits in 1980, following restoration. In addition to souvenirs of Monet and other objects of his life, the house contains his collection of
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In April 1883, looking out the window of the train between Vernon and Gasny, he discovered Giverny in Normandy. That same year his first major retrospective show was held.
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paintings it had acquired burn. The large scale nature of Monet's later paintings proved to be difficult for some museums, which resulted in their altering the framing.
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is an example of the "fundamental" Impressionist principle of depicting only that which is purely visible. Monet was fascinated with the effects of light, and painting
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606:" (outdoor) techniques for painting and take Monet on painting excursions. Monet thought of Boudin as his master, whom "he owed everything to" for his later success.
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Monet, with a scientific precision, has given us an unparalleled and unexcelled record of the passing of time as seen in the movement of light over identical forms.
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Monet, Renoir, Pissarro, Morisot, Cézanne and Sisley proceeded to experiment with new methods of depicting reality. They rejected the dark, contrasting lighting of
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focused on the elemental aspect of nature. His personal life influenced his distancing from the Impressionists. He returned to Étretat and expressed in letters to
1381:. His interest in the figure continued for the next four years—reaching its crest in 1877 and concluding altogether in 1890. In an "unusually revealing" letter to
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473:, which was first exhibited in the so-called "exhibition of rejects" of 1874–an exhibition initiated by Monet and like-minded artists as an alternative to the
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was made for Claude Monet's 161st birthday, depicting the Google logo in Monet's signature style. It was the first Google Doodle made for someone's birthday.
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In 1877 a series of paintings at St-Lazare Station had Monet looking at smoke and steam and the way that they affected colour and visibility, being sometimes
774:. Monet's father stopped financially supporting him as a result of the relationship. Earlier in the year Monet had been forced to move to his aunt's house in
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At his house, Monet met with artists, writers, intellectuals and politicians from France, England, Japan and the United States. In the summer of 1887 he met
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whose title was chosen to avoid association with any style or movement, were unified in their independence from the Salon and rejection of the prevailing
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In 1857, his mother died. He lived with his father and aunt, Marie-Jeanne Lecadre; Lecadre would be a source of support for Monet in his early art career.
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during the spectacular discovery of a hidden trove of art in Munich, a Monet that had belonged to a Jewish retail magnate was found in the suitcase of
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1174:, which features Camille Doncieux and Jean Monet, was rejected by the Paris Salon of 1870 but included in the first Impressionists' exhibition in 1874.
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The dispute over the Monet is framed by the saga of Max Emden's persecution once the Nazis took power in 1933 and the seizure or sale of his property.
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3575:, have been the object of restitution claims. "La Mare, Snow Effect" ("La Mare, effect de neige") was the object of a settlement with the heirs of
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7036:"Cultural Plunder by the Einsatzstab Reichsleiter Rosenberg: Database of Art Objects at the Jeu de Paume: Owner: Fernand Halphen — Paris, France"
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Upon his return to Paris, with the permission of his father, he divided his time between his childhood home and the countryside and enrolled in
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helped change the perception of the paintings and inspire an appreciation that began to take shape in 1956–1957. The next year, a fire in the
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proved to be a struggle. Now "able to see the real colours", he began to destroy canvases from his pre-operative period. Upon receiving
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and grocery business, but Monet wanted to become an artist. His mother was a singer, and supported Monet's desire for a career in art.
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Dissatisfied with the limitations of Impressionism, Monet began to work on series of paintings displaying single subjects—haystacks,
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3492:. Monet's documented attack of hysterical blindness is reimagined and cured through hypnosis by the dream collector, Julie Forette.
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1845:, which provided him domestic stability he had not yet enjoyed. The house was situated near the main road between the towns of
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series that he had "reached the ultimate degree of abstraction and imagination joined to the real". This exhibition, entitled
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auction in New York on 6 May 2008. The previous record for a Monet painting stood at $ 36.5 million. A few weeks later,
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a painting of his wife, alongside other projects; the Gaudiberts were for two years "the most supportive of Monet's hometown
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series as homage to the French fallen soldiers. He became deeply dedicated to the decorations of his garden during the war.
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whose experimentation with figure painting out of doors intrigued him; the pair went on to frequently influence each other.
1228:, 1868–1869. Musée d'Orsay, Paris; one of Monet's early attempts at capturing the effect of snow on the landscape. See also
564:, as Oscar-Claude, but his parents called him simply Oscar. Despite being baptised Catholic, Monet later became an atheist.
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503:. His early works include landscapes, seascapes, and portraits, but attracted little attention. A key early influence was
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Paul Durand-Ruel, "Letter to Claude Monet", Correspondence with Claude Monet, May–November 1884, accessed March 29, 2024.
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where Monet painted several "studies" of the harbor and the mouth of the Seine. Monet often painted alongside Renoir and
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displays the garden of the villa, and what some have argued to be Camille's grief upon learning of her father's death.
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exhibited. This same exhibition was organized in February 1901 in New York City, where it was met with great success.
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would help him break through into the Salon of 1866. He could not finish it in a timely manner and instead submitted
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Monet's home, garden, and water lily pond were bequeathed by Michel to the French Academy of Fine Arts (part of the
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1869, Metropolitan Museum of Art, New York; a small plein-air painting created with broad strokes of intense colour.
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When Durand-Ruel's previous support of Monet and his peers began to decline, Monet, Renoir, Pissarro, Sisley,
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Dawn of the Belle Epoque: The Paris of Monet, Zola, Bernhardt, Eiffel, Debussy, Clemenceau, and Their Friends
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Daniel Wildenstein, Monet ou le Triomphe de l'Impressionnisme, Cologne, Taschen, 1996, p. 362
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Impressionism: A Centenary Exhibition, the Metropolitan Museum of Art, December 12, 1974-February 10, 1975
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7276:"Monet painting sold by Jewish owner after fleeing Nazis to be auctioned after settlement with heirs"
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in Giverny—which had grown decrepit over fifty years—was restored and opened to the public. In 2004,
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For the third exhibition, on 5 April 1877, he selected seven paintings from the dozen he had made of
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became subjects of a legal case in New York against New York-based Vilma Bautista, one-time aide to
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and was impressed by Turner's treatment of light, especially in the works depicting the fog on the
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784:. This painting in particular shows the first signs of Monets' later famous impressionistic work.
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satisfied with the works. After several postponements dating back to 1906, the exhibition titled
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respectively, the former being his "first sustained campaign of painting that involved tourism".
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467:(outdoor) landscape painting. The term "impressionism" is derived from the title of his painting
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With help from the art collector Louis-Joachim Gaudibert, he reunited with Camille and moved to
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A sympathetic portrait of Claude Monet can be found in R. W. Meek's historical fiction novels
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and realist paintings, in favour of the pale tones of their peers' paintings such as those by
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The chronicle of impressionism: an intimate diary of the lives and world of the great artists
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The Beach at Sainte-Adresse from Monet Paintings and Drawings at the Art Institute of Chicago
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near Paris, was bought by an anonymous telephone bidder for a record $ 41.4 million at
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Looking to Connect with European Paintings: Visual Approaches for Teaching in the Galleries
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1858, private collection; an early work showing the influence of Corotà Sainte-Adresse and
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in his garden in Giverny that occupied him continuously for the last 20 years of his life.
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7214:"Heirs battle estate over $ 30m Monet painting from Emden collection sold during Nazi era"
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Khan, Soraya; Thornes, John E; Baker, Jacob; Olson, Donald W; Doescher, Russell L (2010).
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Monet made a study in oils of his late wife. Many years later, he confessed to his friend
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from left to right: Claude Monet, Alice Hoschedé, Jean-Pierre Hoschedé, Jacques Hoschedé,
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5592:. Christoph Becker, Kunsthaus Zürich ( ed.). Ostfildern-Ruit, Germany: Hatje Cantz.
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3917:"The Face of Impressionism in 1870: Claude Monet's "Camille on the Beach at Trouville""
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The texts of seven police reports, written on 2 June – 9 October 1871 are included in
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7114:"Plainte d'une famille juive contre UBS pour des oeuvres d'art pillées par les nazis"
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noted that Monet's works after 1880 were increasingly receiving scholarly attention.
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1002:(1872), a hazy depiction of Le Havre port and stylistic detour, he coined the term "
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7084:"Art - Le tableau de Monet attendait depuis 50 ans Le Nymphéas était là ...(photo)"
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colour have been described as "almost ethereal" and the " of impressionist style";
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Lane, Russell; Carey, Nessay; Orrell, Richard; Moxley, Richard T. (8 March 1997).
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4957:"Impressionism and the Standardization of Time: Claude Monet at Gare Saint-Lazare"
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noted a "seamless" continuity in his paintings that was "enriched by innovation".
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in 1871, where he, influenced by his time with Dutch painters, mostly painted the
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6436:"Arrival of the Normandy Train, Gare Saint-Lazare – The Art Institute of Chicago"
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Monet's output decreased as he became withdrawn, although he did produce several
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Hidden in the Shadow of the Master: the Model-wives of Cézanne, Monet, and Rodin
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Masterpieces of Impressionism & Post-impressionism: The Annenberg Collection
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453:; 14 November 1840 – 5 December 1926) was a French painter and founder of
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815:". Monet would later be financially supported by the artist and art collector
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From 1858 to 1860, Monet continued his studies in Paris, where he enrolled in
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time—usually spending an hour on each. In 1895, he exhibited 20 paintings of
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greenhouse and a second studio, a spacious building well lit with skylights.
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Netherlands in 1886 to paint the tulips. He soon met and became friends with
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1271:, London. The left figure may be Camille, on the right possibly the wife of
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5281:"Claude Monet - The Beach at Trouville - NG3951 - National Gallery, London"
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Charles Stuckey "Monet, a Retrospective", Hugh Lauter Levin Associates, 195
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2158:. In 1913, Monet travelled to London to consult the German ophthalmologist
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by nearly 4000 square metres; the pond was enlarged in 1901 and 1910 with
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7152:"Heirs of Holocaust victim to get compensation from sale of looted Monet"
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4472:"What Did This $ 1.4M Painting Have To Do With Monet's Suicide Attempt?"
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published a paper providing evidence that these were painted in situ at
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The Chronicle of Impressionism: A Timeline History of Impressionist Art
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Jeffrey Meyers, "Monet in Algeria", pp 19–24 "History Today" April 2015
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the money. The Philippine government seeks the return of the painting.
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consisted of 42 canvases, his "largest and most unified series to date"
1155:("Jardin à Sainte-Adresse"), 1867, Metropolitan Museum of Art, New York
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Brettell, Richard; Hayes Tucker, Paul; Henderson Lee, Natalie (2009).
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Bailey, Colin B.; Rishel, Joseph J.; Rosenthal, Mark Lawrence (1989).
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Corot to Braque: French Paintings from the Museum of Fine Arts, Boston
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3319:(1952). Monet has been called an "intermediary" between tradition and
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Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self
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Distel, Anne; Dayez, Anne; Hoog, Michel; Moffett, Charles S. (1974).
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paintings were an homage to the fallen French soldiers of World War I
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noted in a review of Monet's successful 1909 exhibition of the first
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installed all around to allow different perspectives to be captured.
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from rectangular stretchers to square and then circular stretchers.
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He married Camille on 28 June 1870, just before the outbreak of the
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Claude Monet, Joconde, Portail des collections des musées de France
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Claude Monet was born on 14 November 1840 on the fifth floor of 45
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and began a vast landscaping project, including a water-lily pond.
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At the first exhibition, in 1874, Monet displayed, among others,
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8402:(son-in-law, married Monet's step-daughters, Suzanne and Marthe)
6222:"What Monet Meant: Intention and Attention in Understanding Art"
5455:"Le Grand Tout: Monet on Belle-Île and the Impulse toward Unity"
1916:. Monet's final journey would be to Venice, with Alice in 1908.
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6913:. Associated Press. 17 October 2013. Retrieved 17 October 2013.
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In 1876, Camille Monet became seriously ill. Their second son,
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newsfromrussia.com, 5 November 2004. Retrieved 6 January 2007.
5980:"The effect of cataracts and cataract surgery on Claude Monet"
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Les Impressionnistes, ces peintres français tapis dans Londres
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3385:; 1904), sold for US$ 20.1 million. In 2006, the journal
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Several of his paintings had been purchased by Gaudibert, who
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London, Houses of Parliament. The Sun Shining through the Fog
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Study of a Figure Outdoors: Woman with a Parasol, Facing Left
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Claude Monet, Ministère de la culture et de la communication
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Ex-Imelda Marcos aide on trial in NYC for selling Monet work
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it with a flower-patterned cloth. At the time of his death,
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920:. For three years of the decade, he rented a large villa in
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The Dream Collector, Book II Sabrine & Vincent van Gogh
6608:
Chilvers, Ian; Glaves-Smith, John (2009). "Monet, Claude".
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Falaise a Pourville soleil levant, 1897, private collection
1904:—in 1899 to produce a series that included 41 paintings of
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6974:"Cornelius Gurlitt: Monet found in art hoarder's suitcase"
6495:(Paperback). Canberra: Rowman & Littlefield. pp.
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6133:(10th Reiss ed.). Harcourt College Pub. p. 669.
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Londres, le Parlement, trouée de soleil dans le brouillard
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3715:. Encyclopaedia Britannica. 1 January 1974. p. 347.
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1498:, would become Monet's "preferred model", after Camille.
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Color, Chemistry, and Creativity in Monet's Water Lilies
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Le port de Trouville (Breakwater at Trouville, Low Tide)
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which showcased multiple Impressionist characteristics.
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The total attendance is estimated at 3500. Monet priced
7514:(2 ed.). University of Chicago Press. p. 66.
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The Dream Collector, Book I Sabrine & Sigmund Freud
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Japanese Footbridge over the Water-Lily Pond at Giverny
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6657:"Virtual Monet Thumbnails Pg 1 | Special reports"
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Monet and His Muse: Camille Monet in the Artist's Life
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In May 1927, 27 panel paintings were displayed in the
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The Art Newspaper - International art news and events
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Guardian News, 30 May 2002. Retrieved 6 January 2007.
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Two paintings from a series of grainstacks, 1890–91:
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provided short-lived relief. He eventually underwent
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5887:". Metropolitan Museum of Art. Retrieved 6 June 2021
4637:, Éditions Jean-Paul Gisserot, 2002, pp. 38, 106-107
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1465:, Michel Monet, Martha Hoschedé, Germaine Hoschedé,
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wrote a hostile review. Taking particular notice of
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Fondation Monet – Giverny home, studio, and gardens
1938:He would ultimately make over 250 paintings of the
436:
430:
418:
412:
383:
380:
6098:
5696:"Monet's gardens a draw to Giverny and to his art"
5098:"Search the Collection » Norton Simon Museum"
4911:"The First Impressionist Exhibition, 1874 – Notes"
8489:Claude Monet Painting in His Garden at Argenteuil
6894:
6733:"Monet and Others Stolen in Museum Heist in Nice"
5128:"Musée d'Orsay: Claude Monet Women in the Garden"
4723:Fourny-Dargère, Sophie, and Claude Monet (1992).
3801:Fourny-Dargère, Sophie, and Claude Monet (1992).
3792:
3378:London, the Parliament, Effects of Sun in the Fog
2595:in 1891. In 1892 he produced twenty-six views of
717:, his first successful large-scale painting, and
9225:
8176:The Doge's Palace Seen from San Giorgio Maggiore
8040:Arrival of the Normandy Train, Gare Saint-Lazare
7817:The Road in Front of Saint-Simeon Farm in Winter
7594:
5931:Guggenheim Collection. Retrieved 6 January 2007.
4650:, the catalog of an exhibition in the Amsterdam
4304:
4246:
4217:
4148:. New Haven, Conn: Yale University Press. p. 5.
3735:
3549:, whose vast collection was looted by the Nazis.
3481:, is part of Monet's famed Water Lilies series.
2670:Arrival of the Normandy Train, Gare Saint-Lazare
2601:. Between 1883 and 1908, Monet travelled to the
2528:—in search of new and more challenging subjects.
1681:, 1875, National Gallery of Art, Washington D.C.
1349:
683:and Camille Doncieux, first wife of the artist,
8008:Woman with a Parasol – Madame Monet and Her Son
7243:"A Nazi Legacy Haunts a Museum's New Galleries"
6290:Brettell, Hayes Tucker & Henderson Lee 2009
6124:
6122:
4664:Brettell, Hayes Tucker & Henderson Lee 2009
4112:Brettell, Hayes Tucker & Henderson Lee 2009
3672:. "Monet: un œil... mais, bon Dieu, quel œil!"
1678:Woman with a Parasol - Madame Monet and Her Son
1373:Woman with a Parasol - Madame Monet and Her Son
7650:Union List of Artist Names, Getty Vocabularies
5646:Monet's Years at Giverny: Beyond Impressionism
5397:. New York: Pantheon Books. pp. 194–195.
5188:"Das Städel Museum – Kunstmuseum in Frankfurt"
4702:Poulet, Anne L.; Murphy, Alexandra R. (1979).
515:, also in northern France, where he purchased
8570:
7696:
7004:"Monet Landscape Found in Gurlitt's Suitcase"
6759:"French police recover stolen Monet painting"
6637:"Monet's masterpiece reaches record high bid"
4727:. New York: Konecky and Konecky. pp. 58, 64.
3521:La Seine à Asnières/Les Péniches sur la Seine
3516:Examples of Nazi-looted Monet works include:
1396:where they shared a house with the family of
1370:In 1875, he returned to figure painting with
8213:
6751:
6119:
5453:Athanassoglou-Kallmyer, Nina (3 July 2015).
5395:The Eyes of Claude Monet from Sense of Sight
5337:
5335:
3878:10.1093/benz/9780199773787.article.B00124536
3235:Reflections of Clouds on the Water-Lily Pond
3131:
1881:which portrayed the dawn hours of the river.
1307:, 1872. Metropolitan Museum of Art, New York
1292:, 1871, Metropolitan Museum of Art, New York
734:
718:
668:
126:
20:"Monet" redirects here. For other uses, see
7371:Nineteenth- and Twentieth-century Paintings
6610:A Dictionary of Modern and Contemporary Art
6566:
6388:
6369:
6226:The Journal of Aesthetics and Art Criticism
5643:
4905:
4903:
4880:
4878:
4629:
4627:
4625:
4623:
3609:conversely describes the exile as forceful.
3323:—his work has been examined in relation to
2769:Grainstacks in the Sunlight, Morning Effect
2445:Claude Monet Painting by the Edge of a Wood
2276:, 1916–1919, Sale Christie's New York, 1998
457:painting who is seen as a key precursor to
8577:
8563:
7703:
7689:
7486:
7211:
5915:
5740:
5560:
5546:: CS1 maint: location missing publisher (
5084:
5061:
5049:
5021:Brigstocke, Hugh (2001). "Monet, Claude".
5020:
4954:
4939:
4579:
4577:
4331:
4234:
4123:
3861:
1438:second wife of Claude Monet and mother of
781:child with a cup, a portrait of Jean Monet
47:
7304:
7183:"Heirs to get share of looted Monet sale"
6725:
6680:
6583:10.1093/gao/9781884446054.article.T063148
6486:
6237:
6180:
6013:
5995:
5867:, 9 February 2021. Retrieved 6 June 2021
5332:
5158:"Claude Monet – Garden at Sainte-Adresse"
4864:
4862:
4826:
4760:(1st ed.). Greenwood Press. p.
4738:
4520:Bulletin of the Detroit Institute of Arts
4354:
4275:
4074:10.1093/gao/9781884446054.article.T059077
3914:
3652:
3650:
3628:
2800:Falaise a Pourville soleil levant, 1897,
7595:Tinterow, Gary; Loyrette, Henri (1994).
6096:
5561:Je Bradley, Alexander (6 October 2016).
5518:. Claude Monet, Éric Sander. Montreuil.
4900:
4875:
4620:
4509:
4507:
4505:
4503:
4501:
4499:
4497:
3805:. New York: Konecky and Konecky. p. 30.
3330:
3257:
2556:
2530:
2497:
2435:
2405:
1967:, 1895, Collection E. G. Buehrle, Zürich
1887:
1824:
1445:
1426:
1406:
1353:
939:
830:
823:, although creditors still pursued him.
750:
675:(right section), 1865–1866, Paris, with
663:
611:
7976:Argenteuil Basin with a Single Sailboat
7581:
7531:"Monet's Series: Repetition, Obsession"
7240:
6545:
6409:
6268:
6219:
6128:
5977:
5693:
4574:
4057:
4053:
4051:
4049:
4047:
4045:
4043:
4041:
4039:
4037:
4035:
4033:
4031:
4029:
4027:
4025:
4023:
4021:
4019:
4017:
4015:
4013:
4011:
4009:
4007:
4005:
4003:
2753:The Pyramides at Port-Coton, Sun Effect
2536:Rouen Cathedral, the Façade in Sunlight
1900:London—now residing at the prestigious
868:, and befriended his first and primary
826:
598:. In around 1858, he met fellow artist
507:, who introduced him to the concept of
273: 1892; died 1911)
250: 1870; died 1879)
9226:
8120:The Pyramides at Port-Coton, Rough Sea
7528:
7509:
7489:Techniques of the Great Masters of Art
7441:
7391:
7241:Hickley, Catherine (11 October 2021).
6765:from the original on 30 September 2020
6357:
5973:
5939:
5937:
5565:. United States: Blurb, Incorporated.
5448:
5446:
5444:
5442:
5440:
5392:
5016:
5014:
5012:
5010:
4950:
4948:
4859:
4586:
4411:
4350:
4348:
4346:
4344:
4342:
4340:
4271:
4269:
4267:
4265:
4263:
4261:
4259:
4257:
4255:
4001:
3999:
3997:
3995:
3993:
3991:
3989:
3987:
3985:
3983:
3974:
3857:
3855:
3853:
3851:
3849:
3847:
3845:
3843:
3841:
3839:
3699:
3687:
3647:
3644:, page 2, Yale University Press, 1998.
2730:The Pyramides at Port-Coton, Rough Sea
2714:Sailboats behind the needle at Etretat
1731:Flowers on the Riverbank at Argenteuil
1275:, whose beach scenes influenced Monet.
547:
8558:
7684:
7666:Impressionism: a centenary exhibition
7193:from the original on 15 February 2021
7162:from the original on 11 February 2021
7132:from the original on 14 February 2021
6984:from the original on 10 February 2021
6848:. Christies of London. 24 June 2008.
6813:
6156:
6154:
6152:
6150:
6092:
6090:
6069:"Kimbell Art Museum, Weeping Willows"
5971:
5969:
5967:
5965:
5963:
5961:
5959:
5957:
5955:
5953:
5781:
5779:
5639:
5637:
5624:. University of Chicago Press, 2010.
5585:
5563:The Gardens and House of Claude Monet
5511:
5291:from the original on 24 December 2013
5198:from the original on 24 December 2013
5108:from the original on 20 December 2013
4789:
4787:
4785:
4783:
4781:
4753:
4513:
4494:
4407:
4405:
4403:
3910:
3908:
3906:
3904:
3837:
3835:
3833:
3831:
3829:
3827:
3825:
3823:
3821:
3819:
3425:Le Pont du chemin de fer à Argenteuil
1892:Monet at work in the large studio at
1837:In 1883, Monet and his family rented
1377:after effectively abandoning it with
582:, wanted him to go into the family's
448:
8505:Portrait of the Painter Claude Monet
7825:On the Bank of the Seine, Bennecourt
7761:A Cart on the Snowy Road at Honfleur
7064:from the original on 7 February 2020
7016:from the original on 28 January 2021
6947:
6922:
6882:from the original on 11 October 2008
6852:from the original on 13 January 2009
6826:from the original on 2 December 2016
6546:Morelli, Vivian (28 February 2024).
6523:. Fondation-monet.fr. Archived from
6446:from the original on 5 November 2013
5764:from the original on 30 January 2022
5702:from the original on 2 February 2009
5228:from the original on 24 January 2022
5168:from the original on 30 January 2022
4921:from the original on 10 January 2014
4897:, Thames & Hudson, Limited, 1993
4808:from the original on 13 October 2004
4793:
4482:from the original on 23 January 2023
3921:Yale University Art Gallery Bulletin
3759:from the original on 9 February 2017
2609:. In London he painted four series:
2017:Water Lilies and the Japanese Bridge
1932:Waterlilies, a Series of Waterscape,
1417:Portrait of the Painter Claude Monet
1205:On the Bank of the Seine, Bennecourt
888:. He repeatedly painted the Thames,
632:
511:painting. From 1883, Monet lived in
8497:Claude Monet Painting in his Studio
8396:(step-daughter and daughter-in-law)
8024:The Studio Boat (Le Bateau-atelier)
8016:A Corner in the Garden at Montgeron
6816:"Record Price for Monet at Auction"
6795:from the original on 3 January 2023
6739:from the original on 21 August 2007
6415:
6037:Bailey, Rishel & Rosenthal 1989
5984:British Journal of General Practice
5943:Forge, Andrew, and Gordon, Robert,
5934:
5910:Bailey, Rishel & Rosenthal 1989
5714:
5682:Bailey, Rishel & Rosenthal 1989
5437:
5327:Bailey, Rishel & Rosenthal 1989
5023:The Oxford Companion to Western Art
5007:
4945:
4827:Brodskaya, Nathalia (1 July 2011).
4691:Bailey, Rishel & Rosenthal 1989
4679:Bailey, Rishel & Rosenthal 1989
4414:"Why Monet Gave up Figure Painting"
4337:
4252:
3980:
3452:In October 2013, Monet's paintings
3018:, 1908, Museum of Fine Arts, Boston
1698:, 1876, Museum of Fine Arts, Boston
1602:Coquelicots, La promenade (Poppies)
1504:In a letter sent to Monet in 1884,
13:
8513:Monet: The Mystery of the Orangery
7042:from the original on 14 June 2018.
6589:from the original on 17 April 2023
6324:from the original on 23 April 2021
6147:
6087:
5950:
5947:, page 224. Harry N. Abrams, 1989.
5776:
5634:
5345:. New York: Mallard Press. p. 16.
5278:
4955:Dombrowski, André (2 April 2020).
4847:from the original on 17 April 2023
4796:"Impressionism: Art and Modernity"
4778:
4400:
4355:Groom, Gloria; Shaw, Jill (2014),
3901:
3816:
3527:Le Repos Dans Le Jardin Argenteuil
3447:highest prices paid for a painting
3035:Fine Arts Museums of San Francisco
2587:His first series exhibited was of
2274:Water-Lily Pond and Weeping Willow
1338:Ships Riding on the Seine at Rouen
31:, another painter of the same era.
14:
9325:
9279:Deaths from lung cancer in France
8584:
7619:
7400:. Yale University Press. p.
7305:Auricchio, Laura (October 2004).
7094:from the original on 19 July 2021
6872:"Monet work auctioned for £40.9m"
4278:50 Modern Artists You Should Know
4186:from the original on 31 July 2020
3589:List of paintings by Claude Monet
1695:Madame Monet in a Japanese Kimono
9211:
9199:
8675:
8160:Le Jardin de l'artiste à Giverny
8136:The Valley of the Creuse, Sunset
7710:
7676:exhibition at Kimbell Art Museum
7569:from the original on 20 May 2021
7474:from the original on 2 June 2021
7319:from the original on 2 June 2021
7268:
7234:
7205:
7174:
7144:
7106:
7076:
7046:
7028:
6996:
6966:
6941:
6916:
6864:
6838:
6807:
6777:
6761:. artforum.com. 1 October 2009.
6713:from the original on 6 June 2021
6674:
6649:
6630:
6601:
6560:
6539:
6513:
6480:
6467:
6458:
6428:
6394:
6239:10.1111/j.1540-594X.2004.00150.x
6075:from the original on 3 June 2021
5834:from the original on 3 June 2021
5812:10.1111/j.1475-4762.2009.00913.x
5493:from the original on 5 June 2021
5218:"Claude Monet – La Grenouillère"
4995:from the original on 5 June 2021
4608:from the original on 2 June 2021
4562:from the original on 22 May 2021
4452:from the original on 6 June 2021
4389:from the original on 2 June 2021
3943:from the original on 2 June 2021
3713:The New Encyclopaedia Britannica
3571:, formerly in the collection of
3509:official dealers of looted art,
3388:Proceedings of the Royal Society
3227:
3201:
3182:
3162:
3143:
3124:
3065:
3041:
3023:
3008:
2990:
2979:The Houses of Parliament, London
2969:
2951:
2932:
2913:
2895:
2876:
2861:
2840:
2820:
2808:
2793:
2775:
2760:
2745:
2721:
2706:
2688:
2661:
2643:
2383:
2365:
2347:
2328:
2301:
2281:
2266:
2245:
2141:Monet in his garden at Giverny,
2131:
2120:
2111:
2086:
2063:
2045:
2027:
2009:
1991:
1972:
1957:
1798:
1780:
1761:
1742:
1723:
1703:
1686:
1669:
1651:
1632:
1613:
1594:
1584:The Artist's House at Argenteuil
1576:
1561:
1542:
1521:
1450:The Monet and Hoschedé families
1330:
1312:
1297:
1280:
1257:
1238:
1216:
1196:
1179:
1160:
1143:
1122:
1101:
1083:
1064:
1046:
935:
924:for a thousand francs per year.
727:La Pointe de la Hève at Low Tide
408:
376:
351:
7968:The Poppy Field near Argenteuil
7358:. London: Chatto & Windus.
7180:
6785:"Claude Monet's 161st Birthday"
6735:. artforum.com. 8 August 2007.
6304:
6295:
6274:
6213:
6061:
6042:
5870:
5846:
5746:
5694:Garrett, Robert (20 May 2007).
5687:
5614:
5579:
5554:
5505:
5428:
5411:
5386:
5377:
5356:
5272:
5240:
5210:
5180:
5150:
5120:
5090:
4820:
4747:
4717:
4696:
4640:
4464:
4168:
4159:
4129:
3771:
3678:, Number 131, série Arts. p. 14
3600:
3535:, stolen by Nazis in 1940 from
3495:
3085:
2976:Two paintings from a series of
2783:Grainstacks, end of day, Autumn
2021:Princeton University Art Museum
1550:Camille Monet on a Garden Bench
926:Camille Monet on a Garden Bench
911:perspective. Paintings such as
270:
247:
8749:First Impressionist Exhibition
8152:Champ d'avoine aux coquelicots
8080:Anglers on the Seine at Poissy
7655:Claude Monet at The Guggenheim
7588:The Metropolitan Museum of Art
7120:(in French). 18 October 2014.
6548:"Reviving a Japanese art form"
5731:, (retrieved 16 December 2013)
5279:London, The National Gallery.
4794:Samu, Margret (October 2004).
4276:Weidemann, Christiane (2017).
3862:Oxford Art (31 October 2011).
3741:
3705:
3663:
3634:
3275:was "technically unfinished".
2925:National Museum of Western Art
1072:Mouth of the Seine at Honfleur
731:Mouth of the Seine at Honfleur
499:, where he was a classmate of
1:
9289:French Impressionist painters
8915:Marc-Aurèle de Foy Suzor-Coté
8473:The Improvised Field Hospital
8196:
8104:Garden at Bordighera, Morning
7901:
7442:Easton, Elizabeth W. (2009).
7212:D'Arcy, David (8 July 2020).
6182:10.1016/S0140-6736(05)60177-8
5852:Muir, Kim; Sutherland, Ken. "
5471:10.1080/00043079.2015.1023158
5364:Dictionary of Artists' Models
5253:Museum of Fine Arts, Budapest
4973:10.1080/00043079.2020.1676129
4744:Charles F. Stuckey, pp. 11–16
4706:. Boston: The Museum. p. 92.
4357:"The Beach at Sainte-Adresse"
3615:
3262:Monet family grave at Giverny
3238:
3212:
2871:, 1893, Musée Marmottan Monet
2562:
2503:
2142:
2097:
2074:
1532:
1451:
1360:Camille Monet On Her Deathbed
1350:Death of Camille and Vétheuil
1305:Jean Monet On His Hobby Horse
866:James Abbott McNeill Whistler
839:
567:In 1845, his family moved to
54:
9254:20th-century French painters
9249:19th-century French painters
8168:San Giorgio Maggiore at Dusk
7660:Monet at Norton Simon Museum
7487:Januszczak, Waldema (1985).
6567:Bohm-Duchen, Monica (2003).
6317:Solomon R. Guggenheim Museum
5978:Gruener, Anna (1 May 2015).
5644:Wildenstein, Daniel (1978).
4305:Tinterow & Loyrette 1994
4247:Tinterow & Loyrette 1994
4218:Tinterow & Loyrette 1994
4176:"Musée d'Orsay: non_traduit"
3915:Greenberg, Susan D. (2001).
3736:Tinterow & Loyrette 1994
3594:
3050:San Giorgio Maggiore at Dusk
2959:Charing Cross Bridge, London
2675:The Art Institute of Chicago
2613:Houses of Parliament, London
741:The Woman in the Green Dress
713:During this time he painted
618:The Woman in the Green Dress
542:
529:paintings of Rouen Cathedral
7:
9264:École des Beaux-Arts alumni
9084:French impressionist cinema
8481:A Studio at Les Batignolles
8072:The Cliff Walk at Pourville
7801:The Beach at Sainte-Adresse
7582:Perkins, Elizabeth (2013).
6952:. NY, NY: Historium Press.
6927:. NY, NY: Historium Press.
6814:Vogel, Carol (6 May 2008).
5362:Jiminez, Jill Berk (2013).
4872:, Bulfinch Press Book, 1993
4833:. Parkstone International.
3582:
3486:The Dream Collector, Book I
3220:Nelson-Atkins Museum of Art
3092:Water Lilies (Monet series)
2907:Museum of Fine Arts, Boston
2628:Views of Westminster Bridge
2544:Williamstown, Massachusetts
2256:and Reflections of a Willow
1035:Jean-Baptiste-Camille Corot
1016:The Beach at Sainte-Adresse
948:(Impression, soleil levant)
795:The Beach at Sainte-Adresse
762:In 1867 his then-mistress,
645:in 1859. He was called for
558:9th arrondissement of Paris
10:
9330:
9125:Pennsylvania Impressionism
8673:
7984:The Grand Quai at Le Havre
7952:Resting Under a Lilac Bush
7601:Metropolitan Museum of Art
7425:Metropolitan Museum of Art
7375:Metropolitan Museum of Art
7338:Philadelphia Museum of Art
7312:Metropolitan Museum of Art
7307:"Claude Monet (1840–1926)"
7297:
6681:Pickvance, Ronald (1981).
6475:Claude Monet: Life and Art
5922:Biography for Claude Monet
5758:Metropolitan Museum of Art
5222:Metropolitan Museum of Art
5162:Metropolitan Museum of Art
4801:Metropolitan Museum of Art
3658:Claude Monet: Life and Art
3155:Metropolitan Museum of Art
3089:
3079:Indianapolis Museum of Art
2834:Philadelphia Museum of Art
2755:, 1886, Private collection
2415:Claude Monet in Argenteuil
2197:In 1922 a prescription of
1820:
1554:Metropolitan Museum of Art
1494:. Alice's third daughter,
1095:Metropolitan Museum of Art
1054:View at Rouelles, Le Havre
733:to large praise, he hoped
18:
16:French painter (1840–1926)
9299:Legion of Honour refusals
9259:20th-century male artists
9179:Pays des Impressionnistes
9148:
9092:
9066:
8973:Giovanni Battista Ciolina
8948:
8886:
8829:
8757:
8741:
8715:
8684:
8594:
8539:Pays des Impressionnistes
8531:
8464:
8433:
8356:
8235:
8144:Boating on the River Epte
7793:Regatta at Sainte-Adresse
7729:
7720:
5720:Art Gallery of Victoria,
4855:– via Google Books.
3781:. London: H Books. p. 3.
3777:Arnold, Matthias (2005).
3642:Monet in the 20th century
3569:Poppy Field near Vétheuil
3293:
2944:Thyssen-Bornemisza Museum
2869:Rouen Cathedral at sunset
2849:Poplars at the River Epte
2401:
2338:, between 1917 and 1919,
1999:Flowering Arches, Giverny
1982:, between 1914 and 1926,
1773:Thyssen-Bornemisza Museum
858:Charles-François Daubigny
533:paintings of water lilies
492:, and under the academic
470:Impression, soleil levant
359:
350:
345:
341:
337:
306:
302:
283:
226:
216:
154:
146:
138:
127:
115:
93:
64:
46:
39:
9115:Decorative Impressionism
9110:California Impressionism
8096:The Valley of the Nervia
7873:Houses on the Achterzaan
7809:Garden at Sainte-Adresse
7597:Origins of Impressionism
6846:"Le Bassin Aux Nymphéas"
6683:"Paris. Monet Symposium"
6642:17 December 2006 at the
6487:McAuliffe, Mary (2011).
5883:15 December 2013 at the
5865:Art Institute of Chicago
5727:16 December 2013 at the
5698:. Globe Correspondents.
4412:Wagner, Anne M. (1994).
4365:Art Institute of Chicago
3749:"Claude Monet Biography"
3427:, an 1873 painting of a
3253:
2984:Art Institute of Chicago
2802:Magnani-Rocca Foundation
2787:Art Institute of Chicago
2630:. Helen Gardner writes:
2039:Art Institute of Chicago
1588:Art Institute of Chicago
1289:Houses on the Achterzaan
1210:Art Institute of Chicago
1152:Garden at Sainte-Adresse
836:Portrait of Claude Monet
801:On the Bank of the Seine
694:'s studio, where he met
27:Not to be confused with
9135:Synthetic impressionism
9100:Amsterdam Impressionism
8925:Helen Galloway McNicoll
8776:Frederick Carl Frieseke
8406:Jacques-François Ochard
7960:The Seine at Argenteuil
7928:Boulevard des Capucines
7748:Le Déjeuner sur l'herbe
7529:Levine, Steven (1986).
7510:Levine, Steven (1994).
7448:The Burlington Magazine
6909:17 October 2013 at the
6687:The Burlington Magazine
6614:Oxford University Press
6569:"Objective Abstraction"
6301:Jennings (1986), p. 132
6163:"Claude Monet's vision"
6129:Gardner, Helen (1995).
5927:20 January 2007 at the
5417:Charles Merrill Mount.
5027:Oxford University Press
4060:"Monet, (Oscar-)Claude"
3416:On 14 November 2001, a
3407:Falaises près de Dieppe
3354:Abstract Expressionists
3288:Japanese woodcut prints
3282:) in 1966. Through the
3222:, Kansas City, Missouri
3055:National Museum Cardiff
2373:The Japanese Footbridge
1625:National Gallery of Art
1569:The Seine at Argenteuil
1342:National Gallery of Art
1076:Norton Simon Foundation
991:Boulevard des Capucines
758:, 1868, pastel on paper
736:Le déjeuner sur l'herbe
721:Le déjeuner sur l'herbe
671:Le déjeuner sur l'herbe
659:Johan Barthold Jongkind
592:Jacques-François Ochard
8806:Walter Elmer Schofield
8394:Blanche Hoschedé Monet
8216:Le Bassin Aux Nymphéas
8214:
8128:Study of Rocks; Creuse
7849:Interior, after Dinner
6220:Rollins, Mark (2004).
6101:Impressionist Painters
6097:Jennings, Guy (1986).
6049:Let the light shine in
5586:Monet, Claude (2004).
5512:Goetz, Adrien (2015).
5285:nationalgallery.org.uk
4138:Monet: Nature Into Art
4058:Isaacon, Joel (2003).
3545:, previously owned by
3475:Le Bassin aux Nympheas
3470:Le Bassin aux Nympheas
3458:Le Bassin aux Nympheas
3442:Le bassin aux nymphéas
3345:
3284:Fondation Claude Monet
3263:
3176:Honolulu Museum of Art
3134:Le Bassin Aux Nymphéas
3132:
2963:Saint Louis Art Museum
2903:The Seine Near Giverny
2636:
2568:
2546:
2509:
2451:
2421:
2355:The Rose Walk, Giverny
2295:Columbus Museum of Art
1896:
1879:Mornings on the Seine,
1834:
1646:, Otterlo, Netherlands
1469:
1459:Blanche Hoschedé Monet
1443:
1440:Blanche Hoschedé Monet
1424:
1367:
955:
918:Michel Eugène Chevreul
860:lived in self-imposed
845:
819:, Bazille and perhaps
759:
735:
719:
687:
669:
653:(African Hunters), in
629:
594:, a former student of
22:Monet (disambiguation)
9314:Artists from Normandy
9304:Artists from Le Havre
9033:Władysław Podkowiński
8771:William Merritt Chase
8662:Pierre-Auguste Renoir
8456:Musée Marmottan Monet
8112:Haystack Near Giverny
8088:Stormy Sea at Étretat
8064:Portrait of Père Paul
8000:The Train in the Snow
7944:The Seine at Asnières
7936:Lilac Bush in the Sun
7897:Regatta at Argenteuil
7674:Monet: The Late Years
7392:Butler, Ruth (2008).
7354:Berger, John (1985).
7187:www.timesofisrael.com
5997:10.3399/bjgp15X684949
5393:Berger, John (1985).
5383:Berger (1985), p. 194
5366:. Routledge. p. 165.
5341:Milner, Frank (1991)
4893:17 April 2023 at the
4757:The History of France
4754:Haine, Scott (2000).
4143:17 April 2023 at the
3675:Découvertes Gallimard
3640:House, John, et al.:
3567:, and his 1880 work,
3334:
3309:Objective abstraction
3301:twentieth-century art
3261:
2696:The Cliffs at Etretat
2632:
2561:Monet in his studio,
2560:
2534:
2502:Monet in his studio,
2501:
2439:
2409:
2359:Musée Marmottan Monet
2336:House Among the Roses
2260:Musée Marmottan Monet
2105:Musée Marmottan Monet
2057:Musée Marmottan Monet
1891:
1828:
1754:Musée Marmottan Monet
1644:Kröller-Müller Museum
1449:
1430:
1412:Pierre-Auguste Renoir
1410:
1357:
1265:La plage de Trouville
952:Musée Marmottan Monet
943:
834:
754:
696:Pierre-Auguste Renoir
667:
649:and served under the
615:
562:Notre-Dame-de-Lorette
531:(1892–1894), and the
9294:French male painters
8940:Robert Wakeham Pilot
8930:James Wilson Morrice
8811:John Henry Twachtman
8446:Musée de l'Orangerie
8400:Theodore Earl Butler
8338:San Giorgio Maggiore
8314:Houses of Parliament
8298:Charing Cross Bridge
7630:Museum of Modern Art
7012:. 5 September 2014.
6980:. 5 September 2014.
6948:Meek, R. w. (2024).
6923:Meek, R. w. (2023).
6423:Art through the Ages
6131:Art through the Ages
6054:25 July 2008 at the
5788:"Monet at the Savoy"
5620:Mathews Gedo, Mary.
5423:Simon & Schuster
4633:Dominique Lobstein,
4516:"Monet's "Gladioli""
4514:House, John (2003).
4135:House, John (1986).
3553:Haystacks at Giverny
3505:, the son of one of
3454:L'Eglise de Vétheuil
3393:St. Thomas' Hospital
3362:Museum of Modern Art
3350:Musée de l'Orangerie
3342:Musée de l'Orangerie
3246:Museum of Modern Art
3074:San Giorgio Maggiore
2940:Charing Cross Bridge
2921:Morning on the Seine
2889:J. Paul Getty Museum
2677:, a part of Monet's
2651:La Gare Saint-Lazare
2619:Charing Cross Bridge
2395:Kunstmuseum Den Haag
2377:Museum of Modern Art
2205:in 1923. Persistent
1984:Museum of Modern Art
1910:Charing Cross bridge
1792:Aberdeen Art Gallery
1769:The Thaw at Vétheuil
899:The family moved to
827:Exile and Argenteuil
517:a house and property
480:Monet was raised in
9274:Burials in Normandy
9269:Painters from Paris
9053:Philip Wilson Steer
8905:William Blair Bruce
8692:Gustave Caillebotte
8612:Gustave Caillebotte
7889:Impression, Sunrise
7881:Windmill at Zaandam
7833:L'Enfant a la tasse
7785:Woman in the Garden
7777:Women in the Garden
7060:. 7 February 2020.
7054:"Met To Sell Monet"
6521:"Historical record"
6360:, pp. 866–867.
5859:6 June 2021 at the
5804:2010Area...42..208K
5754:"Water Lilies 1919"
5743:, p. 270, 306.
4532:10.1086/DIA23183126
3464:, wife of dictator
3031:Grand Canal, Venice
3016:Grand Canal, Venice
2700:Clark Art Institute
2639:Series of paintings
2593:Galerie Durand-Ruel
2540:Clark Art Institute
2441:John Singer Sargent
2427:Impression, Sunrise
1947:John Singer Sargent
1914:House of Parliament
1839:a house and gardens
1788:La Falaise à Fécamp
1750:Vétheuil in the Fog
1529:Effet de Brouillard
1517:Paintings 1873–1886
1250:Museum of Fine Arts
1131:Woman in the Garden
1110:Women in the Garden
1042:Paintings 1858–1872
1011:Impression: Sunrise
1000:Impression, Sunrise
981:Impression, Sunrise
946:Impression, Sunrise
850:Franco-Prussian War
817:Gustave Caillebotte
651:Chasseurs d'Afrique
596:Jacques-Louis David
548:Birth and childhood
525:series of haystacks
315:Gustave Caillebotte
165:Impression, Sunrise
129:Beaux-Arts de Paris
9162:The Impressionists
9130:Post-Impressionism
9008:Konstantin Korovin
8858:Frederick McCubbin
8702:Henry O. Havemeyer
8521:The Impressionists
8056:Beach in Pourville
7992:Snow at Argenteuil
7920:The Seine at Rouen
7740:View from Rouelles
7247:The New York Times
6822:. New York Times.
6820:The New York Times
6553:The New York Times
5419:Monet, a biography
5138:on 14 January 2015
4317:Distel et al. 1974
4282:Prestel Publishing
4180:www.musee-orsay.fr
3511:Hildebrand Gurlitt
3411:Cliffs Near Dieppe
3346:
3340:on display in the
3280:Institut de France
3264:
2569:
2552:Daniel Wildenstein
2547:
2510:
2452:
2422:
2313:Kimball Art Museum
2003:Phoenix Art Museum
1897:
1835:
1735:Pola Museum of Art
1474:Georges Clemenceau
1470:
1444:
1425:
1368:
1324:Walters Art Museum
1231:Snow at Argenteuil
956:
846:
760:
756:Three Cows Grazing
688:
630:
450:[klodmɔnɛ]
366:Oscar-Claude Monet
325:Georges Clemenceau
69:Oscar-Claude Monet
9187:
9186:
9120:Neo-Impressionism
8988:Antoine Guillemet
8968:Marie Bracquemond
8935:Laura Muntz Lyall
8801:Theodore Robinson
8796:Lilla Cabot Perry
8632:Armand Guillaumin
8552:
8551:
8516:(2000 video game)
8251:Cliffs at Étretat
8244:Gare Saint-Lazare
8192:Nymphéas en fleur
7723:List of paintings
7521:978-0-226-47543-1
7502:978-1-5771-7190-4
7454:(1281): 866–867.
7444:"Monet: New York"
7411:978-0-300-14953-1
7384:978-1-5883-9349-4
7364:978-0-7011-3006-0
7347:978-0-8763-3079-1
7280:www.lootedart.com
6959:978-1-962465-34-2
6934:978-1-962465-13-7
6574:Oxford Art Online
6506:978-1-4422-0928-2
6271:, p. 73, 88.
6140:978-0-15-501141-0
6112:978-0-7064-2660-1
6105:. Octopus Books.
5630:978-0-226-28480-4
5525:978-2-35340-217-5
5404:978-0-679-73722-3
5260:on 8 January 2015
4771:978-0-313-30328-9
4693:, pp. 46–48.
4478:. 2 August 2012.
4374:978-0-86559-269-8
4065:Oxford Art Online
3977:, pp. 65–75.
3887:978-0-19-989991-3
3869:Oxford Art Online
3722:978-0-85229-290-7
3503:Cornelius Gurlitt
3468:, after she sold
2883:Rouen Cathedral,
2680:Gare Saint-Lazare
2179:French Government
2160:Richard Liebreich
1922:Claude Roger-Marx
1717:Barnes collection
1712:Le Bateau-atelier
1663:Barnes collection
1659:Camille au métier
1627:, Washington D.C.
1023:Gare Saint-Lazare
994:. The art critic
838:, Carolus-Duran,
633:Paris and Algeria
627:Kunsthalle Bremen
363:
362:
208:List of paintings
180:London Parliament
139:Years active
87:Kingdom of France
9321:
9309:People from Eure
9216:
9215:
9204:
9203:
9202:
9195:
9164:(2006 TV series)
9156:Wilfrid de Glehn
9028:Nadežda Petrović
8993:Nazmi Ziya Güran
8892:
8835:
8786:Alphonse Maureau
8763:
8733:Ambroise Vollard
8723:Paul Durand-Ruel
8679:
8657:Camille Pissarro
8602:Frédéric Bazille
8588:
8579:
8572:
8565:
8556:
8555:
8424:Paul Durand-Ruel
8388:Suzanne Hoschedé
8364:Camille Doncieux
8219:
8201:
8198:
7906:
7903:
7714:
7705:
7698:
7691:
7682:
7681:
7645:Monet at Giverny
7614:
7591:
7578:
7576:
7574:
7525:
7506:
7493:The Quarto Group
7483:
7481:
7479:
7438:
7415:
7399:
7388:
7351:
7328:
7326:
7324:
7291:
7290:
7288:
7286:
7272:
7266:
7265:
7263:
7261:
7238:
7232:
7231:
7226:
7224:
7209:
7203:
7202:
7200:
7198:
7178:
7172:
7171:
7169:
7167:
7148:
7142:
7141:
7139:
7137:
7110:
7104:
7103:
7101:
7099:
7088:L'Orient-Le Jour
7080:
7074:
7073:
7071:
7069:
7050:
7044:
7043:
7032:
7026:
7025:
7023:
7021:
7000:
6994:
6993:
6991:
6989:
6970:
6964:
6963:
6945:
6939:
6938:
6920:
6914:
6901:
6892:
6891:
6889:
6887:
6878:. 24 June 2008.
6868:
6862:
6861:
6859:
6857:
6842:
6836:
6835:
6833:
6831:
6811:
6805:
6804:
6802:
6800:
6781:
6775:
6774:
6772:
6770:
6755:
6749:
6748:
6746:
6744:
6729:
6723:
6722:
6720:
6718:
6678:
6672:
6671:
6669:
6667:
6653:
6647:
6634:
6628:
6627:
6612:(2nd ed.).
6605:
6599:
6598:
6596:
6594:
6564:
6558:
6557:
6543:
6537:
6536:
6534:
6532:
6517:
6511:
6510:
6494:
6484:
6478:
6471:
6465:
6462:
6456:
6455:
6453:
6451:
6432:
6426:
6421:Gardner, Helen.
6419:
6413:
6407:
6401:
6398:
6392:
6389:Wildenstein 1978
6386:
6373:
6370:Wildenstein 1978
6367:
6361:
6355:
6334:
6333:
6331:
6329:
6308:
6302:
6299:
6293:
6287:
6281:
6280:Jennings, p. 130
6278:
6272:
6266:
6260:
6259:
6241:
6217:
6211:
6210:
6184:
6158:
6145:
6144:
6126:
6117:
6116:
6104:
6094:
6085:
6084:
6082:
6080:
6065:
6059:
6046:
6040:
6034:
6028:
6027:
6017:
5999:
5990:(634): 254–255.
5975:
5948:
5941:
5932:
5919:
5913:
5907:
5888:
5874:
5868:
5850:
5844:
5843:
5841:
5839:
5783:
5774:
5773:
5771:
5769:
5750:
5744:
5738:
5732:
5718:
5712:
5711:
5709:
5707:
5691:
5685:
5679:
5664:
5663:
5641:
5632:
5618:
5612:
5611:
5583:
5577:
5576:
5558:
5552:
5551:
5545:
5537:
5515:Monet at Giverny
5509:
5503:
5502:
5500:
5498:
5459:The Art Bulletin
5450:
5435:
5432:
5426:
5415:
5409:
5408:
5390:
5384:
5381:
5375:
5360:
5354:
5339:
5330:
5324:
5301:
5300:
5298:
5296:
5276:
5270:
5269:
5267:
5265:
5256:. Archived from
5244:
5238:
5237:
5235:
5233:
5214:
5208:
5207:
5205:
5203:
5184:
5178:
5177:
5175:
5173:
5154:
5148:
5147:
5145:
5143:
5134:. Archived from
5124:
5118:
5117:
5115:
5113:
5094:
5088:
5082:
5065:
5059:
5053:
5047:
5041:
5040:
5018:
5005:
5004:
5002:
5000:
4961:The Art Bulletin
4952:
4943:
4937:
4931:
4930:
4928:
4926:
4907:
4898:
4885:Bernard Denvir,
4882:
4873:
4868:Bernard Denvir,
4866:
4857:
4856:
4854:
4852:
4824:
4818:
4817:
4815:
4813:
4791:
4776:
4775:
4751:
4745:
4742:
4736:
4721:
4715:
4700:
4694:
4688:
4682:
4676:
4667:
4661:
4655:
4648:Monet in Holland
4644:
4638:
4631:
4618:
4617:
4615:
4613:
4604:. 13 July 2018.
4590:
4584:
4581:
4572:
4571:
4569:
4567:
4511:
4492:
4491:
4489:
4487:
4468:
4462:
4461:
4459:
4457:
4418:The Art Bulletin
4409:
4398:
4397:
4396:
4394:
4367:, pp. 1–6,
4352:
4335:
4329:
4320:
4314:
4308:
4302:
4296:
4295:
4273:
4250:
4244:
4238:
4232:
4221:
4215:
4196:
4195:
4193:
4191:
4172:
4166:
4163:
4157:
4133:
4127:
4121:
4115:
4109:
4088:
4087:
4055:
3978:
3972:
3953:
3952:
3950:
3948:
3912:
3899:
3898:
3896:
3894:
3859:
3814:
3799:
3790:
3775:
3769:
3768:
3766:
3764:
3745:
3739:
3733:
3727:
3726:
3709:
3703:
3697:
3691:
3685:
3679:
3667:
3661:
3654:
3645:
3638:
3632:
3626:
3610:
3607:Khan et al. 2010
3604:
3477:, also known as
3466:Ferdinand Marcos
3401:Ronald Pickvance
3243:
3240:
3231:
3217:
3216: 1915–1926
3214:
3205:
3194:National Gallery
3186:
3166:
3147:
3137:
3128:
3069:
3045:
3027:
3012:
2994:
2973:
2955:
2936:
2917:
2899:
2880:
2865:
2844:
2829:Poplars (Autumn)
2824:
2812:
2797:
2779:
2764:
2749:
2725:
2710:
2692:
2665:
2647:
2567:
2564:
2508:
2505:
2387:
2369:
2351:
2332:
2305:
2285:
2270:
2249:
2203:cataract surgery
2147:
2144:
2135:
2124:
2102:
2099:
2090:
2076:
2067:
2049:
2031:
2013:
1995:
1976:
1961:
1894:his Giverny home
1810:Suzanne Hoschedé
1802:
1784:
1765:
1746:
1727:
1707:
1690:
1673:
1655:
1636:
1617:
1598:
1580:
1565:
1546:
1537:
1534:
1525:
1506:Paul Durand-Ruel
1467:Suzanne Hoschedé
1456:
1453:
1334:
1316:
1301:
1284:
1269:National Gallery
1261:
1242:
1220:
1200:
1183:
1164:
1147:
1126:
1105:
1087:
1068:
1050:
874:Paul Durand-Ruel
844:
841:
764:Camille Doncieux
738:
724:
700:Frédéric Bazille
681:Frédéric Bazille
674:
647:military service
643:Camille Pissarro
623:Camille Doncieux
575:. His father, a
452:
447:
443:
442:
439:
438:
435:
432:
427:
426:
423:
420:
417:
414:
407:
399:
398:
395:
394:
391:
388:
385:
382:
375:
355:
309:
274:
272:
251:
249:
236:Camille Doncieux
157:
132:
131:
100:
79:14 November 1840
78:
76:
59:
56:
51:
37:
36:
32:
25:
9329:
9328:
9324:
9323:
9322:
9320:
9319:
9318:
9284:French atheists
9224:
9223:
9222:
9210:
9200:
9198:
9190:
9188:
9183:
9144:
9088:
9062:
9058:Eliseu Visconti
9048:Joaquín Sorolla
9023:Francisco Oller
9013:Martín Malharro
8958:Eugène Baudouin
8950:
8944:
8910:William Brymner
8890:
8888:
8882:
8873:Arthur Streeton
8848:E. Phillips Fox
8833:
8831:
8825:
8791:Willard Metcalf
8761:
8759:
8753:
8737:
8711:
8707:Ernest Hoschedé
8697:Victor Chocquet
8680:
8671:
8590:
8586:
8583:
8553:
8548:
8527:
8508:(1875 painting)
8500:(1874 painting)
8484:(1870 painting)
8476:(1865 painting)
8460:
8429:
8418:Ernest Hoschedé
8390:(step-daughter)
8352:
8330:Le Palais Ducal
8306:Waterloo Bridge
8282:Rouen Cathedral
8231:
8199:
7904:
7865:La Grenouillère
7725:
7716:
7712:
7709:
7622:
7617:
7611:
7572:
7570:
7522:
7503:
7477:
7475:
7435:
7412:
7385:
7348:
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7320:
7300:
7295:
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7284:
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7274:
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7269:
7259:
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7239:
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7135:
7133:
7112:
7111:
7107:
7097:
7095:
7082:
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7077:
7067:
7065:
7052:
7051:
7047:
7034:
7033:
7029:
7019:
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7002:
7001:
6997:
6987:
6985:
6972:
6971:
6967:
6960:
6946:
6942:
6935:
6921:
6917:
6911:Wayback Machine
6902:
6895:
6885:
6883:
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6865:
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6853:
6844:
6843:
6839:
6829:
6827:
6812:
6808:
6798:
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6783:
6782:
6778:
6768:
6766:
6757:
6756:
6752:
6742:
6740:
6731:
6730:
6726:
6716:
6714:
6679:
6675:
6665:
6663:
6655:
6654:
6650:
6644:Wayback Machine
6635:
6631:
6624:
6606:
6602:
6592:
6590:
6565:
6561:
6544:
6540:
6530:
6528:
6527:on 20 July 2011
6519:
6518:
6514:
6507:
6485:
6481:
6472:
6468:
6463:
6459:
6449:
6447:
6434:
6433:
6429:
6420:
6416:
6408:
6404:
6400:Jennings p. 137
6399:
6395:
6387:
6376:
6368:
6364:
6356:
6337:
6327:
6325:
6310:
6309:
6305:
6300:
6296:
6288:
6284:
6279:
6275:
6267:
6263:
6218:
6214:
6159:
6148:
6141:
6127:
6120:
6113:
6095:
6088:
6078:
6076:
6067:
6066:
6062:
6056:Wayback Machine
6047:
6043:
6035:
6031:
5976:
5951:
5942:
5935:
5929:Wayback Machine
5920:
5916:
5908:
5891:
5885:Wayback Machine
5875:
5871:
5861:Wayback Machine
5851:
5847:
5837:
5835:
5784:
5777:
5767:
5765:
5752:
5751:
5747:
5741:Januszczak 1985
5739:
5735:
5729:Wayback Machine
5719:
5715:
5705:
5703:
5692:
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5680:
5667:
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5555:
5539:
5538:
5526:
5510:
5506:
5496:
5494:
5451:
5438:
5433:
5429:
5425:, 1966. p. 326.
5416:
5412:
5405:
5391:
5387:
5382:
5378:
5361:
5357:
5340:
5333:
5325:
5304:
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5277:
5273:
5263:
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5216:
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5211:
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5171:
5169:
5156:
5155:
5151:
5141:
5139:
5126:
5125:
5121:
5111:
5109:
5102:nortonsimon.org
5096:
5095:
5091:
5085:Januszczak 1985
5083:
5068:
5062:Januszczak 1985
5060:
5056:
5050:Januszczak 1985
5048:
5044:
5037:
5019:
5008:
4998:
4996:
4953:
4946:
4940:Januszczak 1985
4938:
4934:
4924:
4922:
4909:
4908:
4901:
4895:Wayback Machine
4883:
4876:
4867:
4860:
4850:
4848:
4841:
4825:
4821:
4811:
4809:
4792:
4779:
4772:
4752:
4748:
4743:
4739:
4722:
4718:
4701:
4697:
4689:
4685:
4677:
4670:
4662:
4658:
4652:Van Gogh Museum
4645:
4641:
4632:
4621:
4611:
4609:
4598:, 13 July 2018"
4594:"Henry Bellet,
4592:
4591:
4587:
4582:
4575:
4565:
4563:
4512:
4495:
4485:
4483:
4470:
4469:
4465:
4455:
4453:
4430:10.2307/3046059
4410:
4401:
4392:
4390:
4375:
4353:
4338:
4332:Januszczak 1985
4330:
4323:
4315:
4311:
4303:
4299:
4292:
4274:
4253:
4245:
4241:
4235:Januszczak 1985
4233:
4224:
4216:
4199:
4189:
4187:
4174:
4173:
4169:
4164:
4160:
4145:Wayback Machine
4134:
4130:
4124:Januszczak 1985
4122:
4118:
4110:
4091:
4084:
4056:
3981:
3973:
3956:
3946:
3944:
3913:
3902:
3892:
3890:
3888:
3864:"Monet, Claude"
3860:
3817:
3800:
3793:
3776:
3772:
3762:
3760:
3747:
3746:
3742:
3738:, pp. 417.
3734:
3730:
3723:
3711:
3710:
3706:
3698:
3694:
3686:
3682:
3668:
3664:
3655:
3648:
3639:
3635:
3627:
3623:
3618:
3613:
3605:
3601:
3597:
3585:
3565:Le Palais Ducal
3543:Au Parc Monceau
3498:
3395:over the river
3313:Ellsworth Kelly
3296:
3256:
3249:
3241:
3232:
3223:
3215:
3206:
3197:
3187:
3178:
3167:
3158:
3148:
3139:
3129:
3094:
3088:
3081:
3070:
3061:
3046:
3037:
3028:
3019:
3013:
3004:
2995:
2986:
2974:
2965:
2956:
2947:
2937:
2928:
2918:
2909:
2900:
2891:
2881:
2872:
2866:
2857:
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2836:
2825:
2816:
2813:
2804:
2798:
2789:
2780:
2771:
2765:
2756:
2750:
2741:
2726:
2717:
2711:
2702:
2693:
2684:
2666:
2657:
2648:
2624:Waterloo Bridge
2598:Rouen Cathedral
2579:showcasing the
2575:Rouen Cathedral
2565:
2506:
2419:Neue Pinakothek
2404:
2397:
2388:
2379:
2370:
2361:
2352:
2343:
2333:
2324:
2306:
2297:
2286:
2277:
2271:
2262:
2250:
2175:panel paintings
2151:
2150:
2149:
2148:
2145:
2138:
2137:
2136:
2127:
2126:
2125:
2114:
2107:
2100:
2091:
2082:
2079:Neue Pinakothek
2068:
2059:
2050:
2041:
2032:
2023:
2014:
2005:
1996:
1987:
1977:
1968:
1962:
1920:abstract art".
1906:Waterloo bridge
1875:Rouen Cathedral
1823:
1816:
1803:
1794:
1785:
1776:
1766:
1757:
1747:
1738:
1728:
1719:
1708:
1699:
1691:
1682:
1674:
1665:
1656:
1647:
1640:The Studio Boat
1637:
1628:
1618:
1609:
1599:
1590:
1581:
1572:
1566:
1557:
1547:
1538:
1535:
1526:
1511:Gustave Geffroy
1454:
1436:Alice Hoschedé,
1398:Ernest Hoschedé
1352:
1345:
1344:, Washington DC
1335:
1326:
1317:
1308:
1302:
1293:
1285:
1276:
1262:
1253:
1243:
1234:
1221:
1212:
1201:
1192:
1188:La Grenouillére
1184:
1175:
1165:
1156:
1148:
1139:
1127:
1118:
1106:
1097:
1088:
1079:
1069:
1060:
1051:
1038:his depiction.
938:
882:J. M. W. Turner
842:
829:
821:Gustave Courbet
745:Pavé de Chailly
715:Women in Garden
677:Gustave Courbet
639:Académie Suisse
635:
550:
545:
494:history painter
490:Académie Suisse
445:
429:
411:
402:
401:
379:
370:
369:
330:Sergei Shchukin
320:Ernest Hoschedé
307:
279:
276:
268:
264:
261:
253:
245:
241:
238:
212:
172:Rouen Cathedral
155:
122:Académie Suisse
111:
102:
98:
97:5 December 1926
89:
80:
74:
72:
71:
70:
60:
57:
42:
33:
26:
19:
17:
12:
11:
5:
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9102:
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9081:
9076:
9070:
9068:
9064:
9063:
9061:
9060:
9055:
9050:
9045:
9040:
9038:Valentin Serov
9035:
9030:
9025:
9020:
9015:
9010:
9005:
9003:Max Liebermann
9000:
8998:Dominique Lang
8995:
8990:
8985:
8980:
8975:
8970:
8965:
8963:Olga Boznańska
8960:
8954:
8952:
8946:
8945:
8943:
8942:
8937:
8932:
8927:
8922:
8920:Maurice Cullen
8917:
8912:
8907:
8902:
8896:
8894:
8884:
8883:
8881:
8880:
8878:Walter Withers
8875:
8870:
8865:
8860:
8855:
8850:
8845:
8843:Charles Conder
8839:
8837:
8827:
8826:
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8823:
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8813:
8808:
8803:
8798:
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8688:
8686:
8682:
8681:
8674:
8672:
8670:
8669:
8664:
8659:
8654:
8652:Berthe Morisot
8649:
8644:
8639:
8637:Johan Jongkind
8634:
8629:
8624:
8619:
8614:
8609:
8604:
8598:
8596:
8592:
8591:
8582:
8581:
8574:
8567:
8559:
8550:
8549:
8547:
8546:
8544:Monet (crater)
8541:
8535:
8533:
8529:
8528:
8526:
8525:
8517:
8509:
8501:
8493:
8485:
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8453:
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8428:
8427:
8421:
8415:
8409:
8403:
8397:
8391:
8385:
8379:
8373:
8370:Alice Hoschedé
8367:
8360:
8358:
8354:
8353:
8351:
8350:
8342:
8334:
8326:
8322:Le Grand Canal
8318:
8310:
8302:
8294:
8286:
8278:
8270:
8262:
8248:
8239:
8237:
8233:
8232:
8230:
8229:
8221:
8211:
8207:Weeping Willow
8203:
8188:
8184:Le Grand Canal
8180:
8172:
8164:
8156:
8148:
8140:
8132:
8124:
8116:
8108:
8100:
8092:
8084:
8076:
8068:
8060:
8052:
8048:Waves Breaking
8044:
8036:
8028:
8020:
8012:
8004:
7996:
7988:
7980:
7972:
7964:
7956:
7948:
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7877:
7869:
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7805:
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7757:
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7717:
7708:
7707:
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7693:
7685:
7679:
7678:
7670:
7662:
7657:
7652:
7647:
7642:
7637:
7632:
7621:
7620:External links
7618:
7616:
7615:
7609:
7592:
7579:
7547:10.2307/778519
7526:
7520:
7507:
7501:
7484:
7439:
7433:
7416:
7410:
7389:
7383:
7366:
7356:The White Bird
7352:
7346:
7329:
7301:
7299:
7296:
7293:
7292:
7267:
7233:
7204:
7173:
7143:
7105:
7090:. 4 May 1999.
7075:
7045:
7027:
6995:
6965:
6958:
6940:
6933:
6915:
6893:
6863:
6837:
6806:
6776:
6750:
6724:
6673:
6648:
6629:
6622:
6600:
6559:
6538:
6512:
6505:
6479:
6466:
6457:
6427:
6414:
6412:, pp. 35.
6402:
6393:
6374:
6362:
6335:
6312:"Claude Monet"
6303:
6294:
6292:, pp. 65.
6282:
6273:
6261:
6232:(2): 175–188.
6212:
6146:
6139:
6118:
6111:
6086:
6060:
6041:
6029:
5949:
5933:
5914:
5912:, pp. 58.
5889:
5869:
5845:
5798:(2): 208–216.
5775:
5745:
5733:
5722:Monet's Garden
5713:
5686:
5684:, pp. 57.
5665:
5658:
5633:
5613:
5598:
5589:Monet's garden
5578:
5571:
5553:
5524:
5504:
5465:(3): 323–341.
5436:
5427:
5410:
5403:
5385:
5376:
5355:
5331:
5329:, pp. 54.
5302:
5271:
5239:
5209:
5179:
5149:
5132:musee-orsay.fr
5119:
5089:
5087:, p. 258.
5066:
5064:, p. 158.
5054:
5052:, p. 276.
5042:
5035:
5006:
4944:
4942:, p. 192.
4932:
4899:
4874:
4858:
4839:
4819:
4777:
4770:
4746:
4737:
4716:
4695:
4683:
4681:, pp. 52.
4668:
4666:, pp. 66.
4656:
4639:
4619:
4585:
4573:
4493:
4463:
4424:(4): 613–629.
4399:
4383:j.ctt1vjqpmr.1
4373:
4336:
4334:, p. 126.
4321:
4319:, p. 131.
4309:
4307:, p. 419.
4297:
4290:
4284:. p. 20.
4251:
4249:, p. 420.
4239:
4237:, p. 154.
4222:
4220:, p. 418.
4197:
4167:
4158:
4128:
4126:, p. 304.
4116:
4114:, pp. 63.
4089:
4082:
3979:
3954:
3900:
3886:
3815:
3791:
3770:
3740:
3728:
3721:
3704:
3702:, p. 202.
3692:
3680:
3662:
3646:
3633:
3629:Auricchio 2004
3620:
3619:
3617:
3614:
3612:
3611:
3598:
3596:
3593:
3592:
3591:
3584:
3581:
3577:Richard Semmel
3561:
3560:
3550:
3540:
3537:Paul Rosenberg
3530:
3524:
3497:
3494:
3429:railway bridge
3373:Monet's garden
3364:would see the
3295:
3292:
3266:Monet died of
3255:
3252:
3251:
3250:
3233:
3226:
3224:
3207:
3200:
3198:
3188:
3181:
3179:
3168:
3161:
3159:
3149:
3142:
3140:
3130:
3123:
3121:
3090:Main article:
3087:
3084:
3083:
3082:
3071:
3064:
3062:
3047:
3040:
3038:
3029:
3022:
3020:
3014:
3007:
3005:
2996:
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2975:
2968:
2966:
2957:
2950:
2948:
2938:
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2919:
2912:
2910:
2901:
2894:
2892:
2882:
2875:
2873:
2867:
2860:
2858:
2846:
2839:
2837:
2826:
2819:
2817:
2814:
2807:
2805:
2799:
2792:
2790:
2781:
2774:
2772:
2766:
2759:
2757:
2751:
2744:
2742:
2735:Pushkin Museum
2727:
2720:
2718:
2712:
2705:
2703:
2694:
2687:
2685:
2667:
2660:
2658:
2649:
2642:
2640:
2538:, c. 1892–94,
2491:and sometimes
2461:Théodore Duret
2403:
2400:
2399:
2398:
2389:
2382:
2380:
2371:
2364:
2362:
2353:
2346:
2344:
2334:
2327:
2325:
2321:Weeping Willow
2309:Weeping Willow
2307:
2300:
2298:
2290:Weeping Willow
2287:
2280:
2278:
2272:
2265:
2263:
2251:
2244:
2242:
2241:Late paintings
2234:Weeping Willow
2183:Honoré Daumier
2140:
2139:
2130:
2129:
2128:
2119:
2118:
2117:
2116:
2115:
2113:
2110:
2109:
2108:
2092:
2085:
2083:
2069:
2062:
2060:
2051:
2044:
2042:
2033:
2026:
2024:
2015:
2008:
2006:
1997:
1990:
1988:
1978:
1971:
1969:
1963:
1956:
1954:
1912:and 19 of the
1822:
1819:
1818:
1817:
1804:
1797:
1795:
1786:
1779:
1777:
1767:
1760:
1758:
1748:
1741:
1739:
1729:
1722:
1720:
1709:
1702:
1700:
1692:
1685:
1683:
1675:
1668:
1666:
1657:
1650:
1648:
1638:
1631:
1629:
1619:
1612:
1610:
1600:
1593:
1591:
1582:
1575:
1573:
1567:
1560:
1558:
1548:
1541:
1539:
1527:
1520:
1518:
1488:Alice Hoschedé
1402:uterine cancer
1383:Théodore Duret
1358:Claude Monet,
1351:
1348:
1347:
1346:
1336:
1329:
1327:
1318:
1311:
1309:
1303:
1296:
1294:
1286:
1279:
1277:
1263:
1256:
1254:
1244:
1237:
1235:
1222:
1215:
1213:
1202:
1195:
1193:
1185:
1178:
1176:
1166:
1159:
1157:
1149:
1142:
1140:
1128:
1121:
1119:
1107:
1100:
1098:
1091:The Green Wave
1089:
1082:
1080:
1070:
1063:
1061:
1052:
1045:
1043:
968:Berthe Morisot
937:
934:
878:John Constable
828:
825:
776:Sainte-Adresse
692:Charles Gleyre
634:
631:
584:ship-chandling
549:
546:
544:
541:
501:Auguste Renoir
497:Charles Gleyre
361:
360:
357:
356:
348:
347:
343:
342:
339:
338:
335:
334:
333:
332:
327:
322:
317:
310:
304:
303:
300:
299:
298:
297:
292:
285:
281:
280:
278:
277:
266:
262:
259:Alice Hoschedé
257:
256:
254:
243:
239:
234:
233:
230:
228:
224:
223:
218:
214:
213:
211:
210:
205:
198:
191:
184:
176:
168:
160:
158:
152:
151:
148:
147:Known for
144:
143:
140:
136:
135:
134:
133:
124:
117:
113:
112:
103:
101:(aged 86)
95:
91:
90:
81:
68:
66:
62:
61:
52:
44:
43:
40:
15:
9:
6:
4:
3:
2:
9326:
9315:
9312:
9310:
9307:
9305:
9302:
9300:
9297:
9295:
9292:
9290:
9287:
9285:
9282:
9280:
9277:
9275:
9272:
9270:
9267:
9265:
9262:
9260:
9257:
9255:
9252:
9250:
9247:
9245:
9242:
9240:
9237:
9235:
9232:
9231:
9229:
9219:
9214:
9209:
9207:
9197:
9196:
9193:
9180:
9177:
9175:
9172:
9170:
9167:
9165:
9163:
9159:
9157:
9154:
9153:
9151:
9147:
9141:
9138:
9136:
9133:
9131:
9128:
9126:
9123:
9121:
9118:
9116:
9113:
9111:
9108:
9106:
9105:Boston School
9103:
9101:
9098:
9097:
9095:
9091:
9085:
9082:
9080:
9077:
9075:
9072:
9071:
9069:
9065:
9059:
9056:
9054:
9051:
9049:
9046:
9044:
9041:
9039:
9036:
9034:
9031:
9029:
9026:
9024:
9021:
9019:
9016:
9014:
9011:
9009:
9006:
9004:
9001:
8999:
8996:
8994:
8991:
8989:
8986:
8984:
8981:
8979:
8978:Lovis Corinth
8976:
8974:
8971:
8969:
8966:
8964:
8961:
8959:
8956:
8955:
8953:
8947:
8941:
8938:
8936:
8933:
8931:
8928:
8926:
8923:
8921:
8918:
8916:
8913:
8911:
8908:
8906:
8903:
8901:
8898:
8897:
8895:
8893:
8885:
8879:
8876:
8874:
8871:
8869:
8866:
8864:
8861:
8859:
8856:
8854:
8853:Elioth Gruner
8851:
8849:
8846:
8844:
8841:
8840:
8838:
8836:
8828:
8822:
8821:J. Alden Weir
8819:
8817:
8816:Robert Vonnoh
8814:
8812:
8809:
8807:
8804:
8802:
8799:
8797:
8794:
8792:
8789:
8787:
8784:
8782:
8781:Childe Hassam
8779:
8777:
8774:
8772:
8769:
8768:
8766:
8764:
8756:
8750:
8747:
8746:
8744:
8740:
8734:
8731:
8729:
8728:Georges Petit
8726:
8724:
8721:
8720:
8718:
8714:
8708:
8705:
8703:
8700:
8698:
8695:
8693:
8690:
8689:
8687:
8683:
8678:
8668:
8667:Alfred Sisley
8665:
8663:
8660:
8658:
8655:
8653:
8650:
8648:
8645:
8643:
8642:Édouard Manet
8640:
8638:
8635:
8633:
8630:
8628:
8625:
8623:
8620:
8618:
8615:
8613:
8610:
8608:
8607:Eugène Boudin
8605:
8603:
8600:
8599:
8597:
8593:
8589:
8587:Impressionism
8580:
8575:
8573:
8568:
8566:
8561:
8560:
8557:
8545:
8542:
8540:
8537:
8536:
8534:
8530:
8524:(2006 series)
8523:
8522:
8518:
8515:
8514:
8510:
8507:
8506:
8502:
8499:
8498:
8494:
8491:
8490:
8486:
8483:
8482:
8478:
8475:
8474:
8470:
8469:
8467:
8463:
8457:
8454:
8452:
8451:Musée d'Orsay
8449:
8447:
8444:
8442:
8439:
8438:
8436:
8432:
8425:
8422:
8419:
8416:
8413:
8412:Eugène Boudin
8410:
8407:
8404:
8401:
8398:
8395:
8392:
8389:
8386:
8383:
8380:
8377:
8374:
8372:(second wife)
8371:
8368:
8365:
8362:
8361:
8359:
8355:
8348:
8347:
8343:
8340:
8339:
8335:
8332:
8331:
8327:
8324:
8323:
8319:
8316:
8315:
8311:
8308:
8307:
8303:
8300:
8299:
8295:
8292:
8291:
8290:Mount Kolsaas
8287:
8284:
8283:
8279:
8276:
8275:
8271:
8268:
8267:
8263:
8260:
8256:
8255:Massachusetts
8253:(1885–1886 -
8252:
8249:
8246:
8245:
8241:
8240:
8238:
8234:
8227:
8226:
8222:
8218:
8217:
8212:
8209:
8208:
8204:
8194:
8193:
8189:
8186:
8185:
8181:
8178:
8177:
8173:
8170:
8169:
8165:
8162:
8161:
8157:
8154:
8153:
8149:
8146:
8145:
8141:
8138:
8137:
8133:
8130:
8129:
8125:
8122:
8121:
8117:
8114:
8113:
8109:
8106:
8105:
8101:
8098:
8097:
8093:
8090:
8089:
8085:
8082:
8081:
8077:
8074:
8073:
8069:
8066:
8065:
8061:
8058:
8057:
8053:
8050:
8049:
8045:
8042:
8041:
8037:
8034:
8033:
8029:
8026:
8025:
8021:
8018:
8017:
8013:
8010:
8009:
8005:
8002:
8001:
7997:
7994:
7993:
7989:
7986:
7985:
7981:
7978:
7977:
7973:
7970:
7969:
7965:
7962:
7961:
7957:
7954:
7953:
7949:
7946:
7945:
7941:
7938:
7937:
7933:
7930:
7929:
7925:
7922:
7921:
7917:
7914:
7913:
7909:
7899:
7898:
7894:
7891:
7890:
7886:
7883:
7882:
7878:
7875:
7874:
7870:
7867:
7866:
7862:
7859:
7858:
7854:
7851:
7850:
7846:
7843:
7842:
7838:
7835:
7834:
7830:
7827:
7826:
7822:
7819:
7818:
7814:
7811:
7810:
7806:
7803:
7802:
7798:
7795:
7794:
7790:
7787:
7786:
7782:
7779:
7778:
7774:
7771:
7770:
7766:
7763:
7762:
7758:
7756:) (1865–1867)
7755:
7751:
7749:
7745:
7742:
7741:
7737:
7736:
7734:
7732:
7728:
7724:
7719:
7715:
7706:
7701:
7699:
7694:
7692:
7687:
7686:
7683:
7677:
7675:
7671:
7668:
7667:
7663:
7661:
7658:
7656:
7653:
7651:
7648:
7646:
7643:
7641:
7638:
7636:
7633:
7631:
7627:
7624:
7623:
7612:
7610:9780870997174
7606:
7602:
7598:
7593:
7589:
7585:
7580:
7568:
7564:
7560:
7556:
7552:
7548:
7544:
7540:
7536:
7532:
7527:
7523:
7517:
7513:
7508:
7504:
7498:
7494:
7490:
7485:
7473:
7469:
7465:
7461:
7457:
7453:
7449:
7445:
7440:
7436:
7434:9780870990977
7430:
7426:
7422:
7417:
7413:
7407:
7403:
7398:
7397:
7390:
7386:
7380:
7376:
7372:
7367:
7365:
7361:
7357:
7353:
7349:
7343:
7339:
7335:
7330:
7318:
7314:
7313:
7308:
7303:
7302:
7281:
7277:
7271:
7256:
7252:
7248:
7244:
7237:
7230:
7219:
7215:
7208:
7192:
7188:
7184:
7177:
7161:
7157:
7153:
7147:
7131:
7127:
7123:
7119:
7115:
7109:
7093:
7089:
7085:
7079:
7063:
7059:
7058:archive.today
7055:
7049:
7041:
7037:
7031:
7015:
7011:
7010:
7005:
6999:
6983:
6979:
6975:
6969:
6961:
6955:
6951:
6944:
6936:
6930:
6926:
6919:
6912:
6908:
6905:
6900:
6898:
6881:
6877:
6873:
6867:
6851:
6847:
6841:
6825:
6821:
6817:
6810:
6794:
6790:
6786:
6780:
6764:
6760:
6754:
6738:
6734:
6728:
6712:
6708:
6704:
6700:
6696:
6692:
6688:
6684:
6677:
6662:
6658:
6652:
6645:
6641:
6638:
6633:
6625:
6623:9780199239665
6619:
6615:
6611:
6604:
6588:
6584:
6580:
6576:
6575:
6570:
6563:
6555:
6554:
6549:
6542:
6526:
6522:
6516:
6508:
6502:
6498:
6493:
6492:
6483:
6476:
6470:
6461:
6445:
6441:
6437:
6431:
6424:
6418:
6411:
6406:
6397:
6391:, p. 11.
6390:
6385:
6383:
6381:
6379:
6372:, p. 12.
6371:
6366:
6359:
6354:
6352:
6350:
6348:
6346:
6344:
6342:
6340:
6323:
6319:
6318:
6313:
6307:
6298:
6291:
6286:
6277:
6270:
6265:
6257:
6253:
6249:
6245:
6240:
6235:
6231:
6227:
6223:
6216:
6208:
6204:
6200:
6196:
6192:
6188:
6183:
6178:
6175:(9053): 734.
6174:
6170:
6169:
6164:
6157:
6155:
6153:
6151:
6142:
6136:
6132:
6125:
6123:
6114:
6108:
6103:
6102:
6093:
6091:
6074:
6070:
6064:
6057:
6053:
6050:
6045:
6039:, p. 84.
6038:
6033:
6025:
6021:
6016:
6011:
6007:
6003:
5998:
5993:
5989:
5985:
5981:
5974:
5972:
5970:
5968:
5966:
5964:
5962:
5960:
5958:
5956:
5954:
5946:
5940:
5938:
5930:
5926:
5923:
5918:
5911:
5906:
5904:
5902:
5900:
5898:
5896:
5894:
5886:
5882:
5879:
5873:
5866:
5862:
5858:
5855:
5849:
5833:
5829:
5825:
5821:
5817:
5813:
5809:
5805:
5801:
5797:
5793:
5789:
5782:
5780:
5763:
5759:
5755:
5749:
5742:
5737:
5730:
5726:
5723:
5717:
5701:
5697:
5690:
5683:
5678:
5676:
5674:
5672:
5670:
5661:
5659:9780810913363
5655:
5651:
5647:
5640:
5638:
5631:
5627:
5623:
5617:
5609:
5605:
5601:
5599:3-7757-1439-1
5595:
5591:
5590:
5582:
5574:
5572:9781367106147
5568:
5564:
5557:
5549:
5543:
5535:
5531:
5527:
5521:
5517:
5516:
5508:
5492:
5488:
5484:
5480:
5476:
5472:
5468:
5464:
5460:
5456:
5449:
5447:
5445:
5443:
5441:
5431:
5424:
5420:
5414:
5406:
5400:
5396:
5389:
5380:
5373:
5372:1-135-95914-5
5369:
5365:
5359:
5352:
5351:9780792455066
5348:
5344:
5338:
5336:
5328:
5323:
5321:
5319:
5317:
5315:
5313:
5311:
5309:
5307:
5290:
5286:
5282:
5275:
5259:
5255:
5254:
5249:
5243:
5227:
5223:
5219:
5213:
5197:
5193:
5192:Städel Museum
5189:
5183:
5167:
5163:
5159:
5153:
5137:
5133:
5129:
5123:
5107:
5103:
5099:
5093:
5086:
5081:
5079:
5077:
5075:
5073:
5071:
5063:
5058:
5051:
5046:
5038:
5036:9780198662037
5032:
5028:
5024:
5017:
5015:
5013:
5011:
4994:
4990:
4986:
4982:
4978:
4974:
4970:
4967:(2): 91–120.
4966:
4962:
4958:
4951:
4949:
4941:
4936:
4920:
4916:
4912:
4906:
4904:
4896:
4892:
4889:
4888:
4881:
4879:
4871:
4865:
4863:
4846:
4842:
4840:9781780422978
4836:
4832:
4831:
4823:
4807:
4803:
4802:
4797:
4790:
4788:
4786:
4784:
4782:
4773:
4767:
4763:
4759:
4758:
4750:
4741:
4734:
4733:9781568522487
4730:
4726:
4720:
4713:
4712:0-87846-134-5
4709:
4705:
4699:
4692:
4687:
4680:
4675:
4673:
4665:
4660:
4653:
4649:
4643:
4636:
4630:
4628:
4626:
4624:
4607:
4603:
4599:
4597:
4589:
4580:
4578:
4561:
4557:
4553:
4549:
4545:
4541:
4537:
4533:
4529:
4526:(1/2): 8–17.
4525:
4521:
4517:
4510:
4508:
4506:
4504:
4502:
4500:
4498:
4481:
4477:
4473:
4467:
4451:
4447:
4443:
4439:
4435:
4431:
4427:
4423:
4419:
4415:
4408:
4406:
4404:
4388:
4384:
4380:
4376:
4370:
4366:
4362:
4358:
4351:
4349:
4347:
4345:
4343:
4341:
4333:
4328:
4326:
4318:
4313:
4306:
4301:
4293:
4291:9783791383385
4287:
4283:
4279:
4272:
4270:
4268:
4266:
4264:
4262:
4260:
4258:
4256:
4248:
4243:
4236:
4231:
4229:
4227:
4219:
4214:
4212:
4210:
4208:
4206:
4204:
4202:
4185:
4181:
4177:
4171:
4162:
4155:
4154:9780300043617
4151:
4147:
4146:
4142:
4139:
4132:
4125:
4120:
4113:
4108:
4106:
4104:
4102:
4100:
4098:
4096:
4094:
4085:
4083:9781884446054
4079:
4075:
4071:
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4046:
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4024:
4022:
4020:
4018:
4016:
4014:
4012:
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4008:
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4004:
4002:
4000:
3998:
3996:
3994:
3992:
3990:
3988:
3986:
3984:
3976:
3971:
3969:
3967:
3965:
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3959:
3942:
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3934:
3930:
3926:
3922:
3918:
3911:
3909:
3907:
3905:
3889:
3883:
3879:
3875:
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3865:
3858:
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3838:
3836:
3834:
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3828:
3826:
3824:
3822:
3820:
3812:
3811:9781568522487
3808:
3804:
3798:
3796:
3788:
3787:9781904950004
3784:
3780:
3774:
3758:
3754:
3753:biography.com
3750:
3744:
3737:
3732:
3724:
3718:
3714:
3708:
3701:
3696:
3689:
3684:
3677:
3676:
3671:
3670:Patin, Sylvie
3666:
3659:
3653:
3651:
3643:
3637:
3630:
3625:
3621:
3608:
3603:
3599:
3590:
3587:
3586:
3580:
3578:
3574:
3570:
3566:
3558:
3554:
3551:
3548:
3547:Ludwig Kainer
3544:
3541:
3538:
3534:
3531:
3528:
3525:
3522:
3519:
3518:
3517:
3514:
3512:
3508:
3504:
3493:
3491:
3487:
3482:
3480:
3476:
3471:
3467:
3463:
3462:Imelda Marcos
3459:
3455:
3450:
3449:at the time.
3448:
3444:
3443:
3438:
3434:
3431:spanning the
3430:
3426:
3421:
3419:
3418:Google Doodle
3414:
3412:
3408:
3404:
3402:
3398:
3394:
3390:
3389:
3384:
3380:
3379:
3374:
3369:
3367:
3363:
3359:
3355:
3351:
3343:
3339:
3338:
3333:
3329:
3326:
3325:postmodernism
3322:
3318:
3314:
3310:
3306:
3302:
3291:
3289:
3285:
3281:
3276:
3274:
3269:
3260:
3247:
3236:
3230:
3225:
3221:
3210:
3204:
3199:
3195:
3191:
3185:
3180:
3177:
3174:, 1917–1919,
3173:
3172:
3165:
3160:
3156:
3152:
3146:
3141:
3136:
3135:
3127:
3122:
3119:
3118:
3117:
3115:
3109:
3105:
3102:
3100:
3093:
3080:
3076:
3075:
3068:
3063:
3060:
3056:
3052:
3051:
3044:
3039:
3036:
3032:
3026:
3021:
3017:
3011:
3006:
3003:
3002:Musée d'Orsay
2999:
2993:
2988:
2985:
2981:
2980:
2972:
2967:
2964:
2961:, 1899–1901,
2960:
2954:
2949:
2945:
2941:
2935:
2930:
2926:
2922:
2916:
2911:
2908:
2904:
2898:
2893:
2890:
2886:
2885:Morning Light
2879:
2874:
2870:
2864:
2859:
2855:
2851:
2850:
2843:
2838:
2835:
2831:
2830:
2823:
2818:
2811:
2806:
2803:
2796:
2791:
2788:
2785:, 1890–1891,
2784:
2778:
2773:
2770:
2763:
2758:
2754:
2748:
2743:
2740:
2736:
2732:
2731:
2724:
2719:
2715:
2709:
2704:
2701:
2697:
2691:
2686:
2682:
2681:
2676:
2672:
2671:
2664:
2659:
2656:
2655:Musée d'Orsay
2652:
2646:
2641:
2638:
2637:
2635:
2631:
2629:
2625:
2621:
2620:
2615:
2614:
2608:
2604:
2603:Mediterranean
2600:
2599:
2594:
2590:
2585:
2582:
2578:
2576:
2559:
2555:
2553:
2545:
2541:
2537:
2533:
2529:
2527:
2523:
2519:
2516:
2515:warm and cold
2500:
2496:
2494:
2490:
2485:
2483:
2479:
2473:
2471:
2467:
2462:
2456:
2450:
2446:
2442:
2438:
2434:
2432:
2428:
2420:
2416:
2412:
2411:Édouard Manet
2408:
2396:
2393:, 1920–1925,
2392:
2386:
2381:
2378:
2375:, 1920–1922,
2374:
2368:
2363:
2360:
2357:, 1920–1922,
2356:
2350:
2345:
2341:
2337:
2331:
2326:
2322:
2318:
2314:
2310:
2304:
2299:
2296:
2292:
2291:
2284:
2279:
2275:
2269:
2264:
2261:
2258:(1916–1919),
2257:
2255:
2248:
2243:
2240:
2239:
2238:
2236:
2235:
2230:
2225:
2222:
2219:
2215:
2212:
2208:
2204:
2200:
2195:
2192:
2188:
2184:
2180:
2176:
2171:
2169:
2163:
2161:
2157:
2134:
2123:
2112:Failing sight
2106:
2095:
2089:
2084:
2080:
2072:
2066:
2061:
2058:
2054:
2048:
2043:
2040:
2036:
2030:
2025:
2022:
2019:, 1897–1899,
2018:
2012:
2007:
2004:
2000:
1994:
1989:
1985:
1981:
1975:
1970:
1966:
1965:In the Garden
1960:
1955:
1952:
1951:
1950:
1948:
1943:
1941:
1937:
1933:
1929:
1928:
1923:
1917:
1915:
1911:
1907:
1903:
1895:
1890:
1886:
1883:
1880:
1876:
1872:
1867:
1865:
1861:
1855:
1851:
1848:
1844:
1840:
1832:
1827:
1815:
1814:Musée d'Orsay
1811:
1807:
1801:
1796:
1793:
1789:
1783:
1778:
1774:
1770:
1764:
1759:
1755:
1751:
1745:
1740:
1736:
1732:
1726:
1721:
1718:
1714:
1713:
1706:
1701:
1697:
1696:
1689:
1684:
1680:
1679:
1672:
1667:
1664:
1660:
1654:
1649:
1645:
1641:
1635:
1630:
1626:
1622:
1616:
1611:
1607:
1606:Musée d'Orsay
1603:
1597:
1592:
1589:
1585:
1579:
1574:
1570:
1564:
1559:
1555:
1551:
1545:
1540:
1530:
1524:
1519:
1516:
1515:
1514:
1512:
1507:
1502:
1499:
1497:
1493:
1489:
1483:
1480:
1475:
1468:
1464:
1460:
1448:
1441:
1437:
1433:
1432:Carolus-Duran
1429:
1423:
1422:Musée d'Orsay
1419:
1418:
1413:
1409:
1405:
1403:
1399:
1395:
1391:
1386:
1384:
1380:
1376:
1374:
1365:
1364:Musée d'Orsay
1361:
1356:
1343:
1339:
1333:
1328:
1325:
1321:
1315:
1310:
1306:
1300:
1295:
1291:
1290:
1283:
1278:
1274:
1273:Eugène Boudin
1270:
1266:
1260:
1255:
1251:
1247:
1241:
1236:
1233:
1232:
1227:
1226:
1219:
1214:
1211:
1207:
1206:
1199:
1194:
1190:
1189:
1182:
1177:
1173:
1169:
1163:
1158:
1154:
1153:
1146:
1141:
1137:
1133:
1132:
1125:
1120:
1116:
1115:Musée d'Orsay
1113:, 1866–1867,
1112:
1111:
1104:
1099:
1096:
1092:
1086:
1081:
1077:
1073:
1067:
1062:
1059:
1055:
1049:
1044:
1041:
1040:
1039:
1036:
1032:
1027:
1024:
1019:
1017:
1012:
1007:
1005:
1004:Impressionism
1001:
997:
993:
992:
987:
983:
982:
976:
974:
969:
965:
961:
953:
949:
947:
942:
936:Impressionism
933:
929:
927:
923:
919:
914:
910:
906:
902:
897:
895:
891:
887:
883:
879:
875:
871:
867:
863:
859:
855:
851:
837:
833:
824:
822:
818:
814:
810:
805:
803:
802:
797:
796:
792:evidenced by
790:
785:
783:
782:
777:
773:
769:
765:
757:
753:
749:
746:
742:
737:
732:
728:
723:
722:
716:
711:
709:
708:Alfred Sisley
705:
701:
697:
693:
686:
685:Musée d'Orsay
682:
678:
673:
672:
666:
662:
660:
656:
652:
648:
644:
640:
628:
624:
620:
619:
614:
610:
607:
605:
601:
600:Eugène Boudin
597:
593:
587:
585:
581:
578:
574:
570:
565:
563:
559:
555:
540:
536:
534:
530:
527:(1890–1891),
526:
520:
518:
514:
510:
506:
505:Eugène Boudin
502:
498:
495:
491:
487:
483:
478:
476:
472:
471:
466:
465:
460:
456:
455:impressionism
451:
441:
405:
397:
373:
367:
358:
354:
349:
344:
340:
336:
331:
328:
326:
323:
321:
318:
316:
313:
312:
311:
305:
301:
296:
293:
291:
288:
287:
286:
282:
260:
255:
237:
232:
231:
229:
225:
222:
221:Impressionism
219:
215:
209:
206:
204:
203:
199:
197:
196:
192:
190:
189:
185:
183:
181:
177:
175:
173:
169:
167:
166:
162:
161:
159:
153:
149:
145:
141:
137:
130:
125:
123:
120:
119:
118:
114:
110:
106:
96:
92:
88:
84:
67:
63:
50:
45:
38:
35:
30:
29:Édouard Manet
23:
9234:Claude Monet
9161:
8983:Eva Gonzalès
8868:John Russell
8647:Claude Monet
8646:
8622:Paul Cézanne
8617:Mary Cassatt
8519:
8511:
8503:
8495:
8487:
8479:
8471:
8382:Michel Monet
8366:(first wife)
8346:Water Lilies
8344:
8336:
8328:
8320:
8312:
8304:
8296:
8288:
8280:
8272:
8264:
8250:
8242:
8225:Water Lilies
8223:
8205:
8190:
8182:
8174:
8166:
8158:
8150:
8142:
8134:
8126:
8118:
8110:
8102:
8094:
8086:
8078:
8070:
8062:
8054:
8046:
8038:
8032:La Japonaise
8030:
8022:
8014:
8006:
7998:
7990:
7982:
7974:
7966:
7958:
7950:
7942:
7934:
7926:
7918:
7910:
7895:
7887:
7879:
7871:
7863:
7857:The Red Cape
7855:
7847:
7839:
7831:
7823:
7815:
7807:
7799:
7791:
7783:
7775:
7767:
7759:
7747:
7738:
7713:Claude Monet
7711:
7673:
7665:
7626:Claude Monet
7596:
7583:
7571:. Retrieved
7538:
7534:
7511:
7488:
7476:. Retrieved
7451:
7447:
7420:
7395:
7370:
7355:
7333:
7321:. Retrieved
7310:
7283:. Retrieved
7279:
7270:
7258:. Retrieved
7246:
7236:
7228:
7221:. Retrieved
7217:
7207:
7195:. Retrieved
7186:
7176:
7164:. Retrieved
7155:
7146:
7134:. Retrieved
7117:
7108:
7096:. Retrieved
7087:
7078:
7066:. Retrieved
7057:
7048:
7030:
7018:. Retrieved
7007:
6998:
6986:. Retrieved
6977:
6968:
6949:
6943:
6924:
6918:
6884:. Retrieved
6875:
6866:
6854:. Retrieved
6840:
6828:. Retrieved
6819:
6809:
6797:. Retrieved
6788:
6779:
6767:. Retrieved
6753:
6741:. Retrieved
6727:
6715:. Retrieved
6693:(945): 760.
6690:
6686:
6676:
6664:. Retrieved
6661:The Guardian
6660:
6651:
6632:
6609:
6603:
6591:. Retrieved
6572:
6562:
6551:
6541:
6529:. Retrieved
6525:the original
6515:
6490:
6482:
6474:
6469:
6460:
6448:. Retrieved
6439:
6430:
6422:
6417:
6410:Perkins 2013
6405:
6396:
6365:
6326:. Retrieved
6315:
6306:
6297:
6285:
6276:
6269:Perkins 2013
6264:
6229:
6225:
6215:
6172:
6166:
6130:
6100:
6077:. Retrieved
6063:
6044:
6032:
5987:
5983:
5944:
5917:
5878:Water Lilies
5872:
5848:
5836:. Retrieved
5795:
5791:
5766:. Retrieved
5757:
5748:
5736:
5716:
5704:. Retrieved
5689:
5650:Abrams Books
5645:
5621:
5616:
5588:
5581:
5562:
5556:
5514:
5507:
5495:. Retrieved
5462:
5458:
5430:
5418:
5413:
5394:
5388:
5379:
5363:
5358:
5342:
5293:. Retrieved
5284:
5274:
5262:. Retrieved
5258:the original
5251:
5242:
5230:. Retrieved
5221:
5212:
5200:. Retrieved
5191:
5182:
5170:. Retrieved
5161:
5152:
5140:. Retrieved
5136:the original
5131:
5122:
5110:. Retrieved
5101:
5092:
5057:
5045:
5022:
4997:. Retrieved
4964:
4960:
4935:
4923:. Retrieved
4915:artchive.com
4914:
4886:
4869:
4849:. Retrieved
4830:Claude Monet
4829:
4822:
4810:. Retrieved
4799:
4756:
4749:
4740:
4724:
4719:
4703:
4698:
4686:
4659:
4647:
4642:
4634:
4610:. Retrieved
4601:
4595:
4588:
4564:. Retrieved
4523:
4519:
4484:. Retrieved
4475:
4466:
4454:. Retrieved
4421:
4417:
4391:, retrieved
4360:
4312:
4300:
4277:
4242:
4188:. Retrieved
4179:
4170:
4161:
4136:
4131:
4119:
4063:
3945:. Retrieved
3920:
3891:. Retrieved
3867:
3802:
3779:Claude Monet
3778:
3773:
3761:. Retrieved
3752:
3743:
3731:
3712:
3707:
3695:
3690:, chapter 6.
3683:
3673:
3665:
3657:
3641:
3636:
3624:
3602:
3568:
3564:
3562:
3555:belonged to
3552:
3542:
3532:
3526:
3520:
3515:
3499:
3496:Nazi looting
3489:
3485:
3483:
3478:
3474:
3469:
3457:
3453:
3451:
3440:
3424:
3422:
3415:
3410:
3406:
3405:
3386:
3382:
3376:
3370:
3366:Water Lilies
3365:
3358:André Masson
3347:
3337:Water Lilies
3335:
3317:Tableau Vert
3316:
3305:abstract art
3297:
3277:
3272:
3265:
3234:
3209:Water Lilies
3208:
3190:Water Lilies
3189:
3171:Water Lilies
3169:
3151:Water Lilies
3150:
3120:Water lilies
3114:Les Nymphéas
3113:
3110:
3106:
3103:
3099:Water Lilies
3098:
3095:
3086:Water lilies
3072:
3048:
3030:
3015:
2997:
2977:
2958:
2939:
2920:
2902:
2884:
2868:
2847:
2827:
2782:
2768:
2752:
2728:
2713:
2695:
2678:
2668:
2650:
2633:
2627:
2623:
2617:
2610:
2596:
2586:
2573:
2570:
2548:
2535:
2511:
2486:
2474:
2457:
2453:
2449:Tate Britain
2444:
2431:en plein air
2426:
2423:
2414:
2390:
2372:
2354:
2335:
2320:
2308:
2288:
2273:
2254:Water Lilies
2252:
2232:
2226:
2196:
2191:Water Lilies
2190:
2187:Mary Cassatt
2172:
2164:
2152:
2094:Water Lilies
2093:
2071:Water Lilies
2070:
2053:Water Lilies
2052:
2035:Water Lilies
2034:
2016:
1998:
1979:
1964:
1944:
1939:
1935:
1931:
1927:Water Lilies
1925:
1918:
1898:
1882:
1878:
1868:
1860:water garden
1856:
1852:
1836:
1831:water garden
1805:
1787:
1768:
1749:
1730:
1710:
1693:
1676:
1658:
1639:
1620:
1601:
1583:
1568:
1549:
1528:
1503:
1500:
1484:
1471:
1435:
1415:
1387:
1379:The Luncheon
1378:
1371:
1369:
1359:
1337:
1319:
1304:
1287:
1264:
1245:
1229:
1223:
1203:
1186:
1168:The Luncheon
1167:
1150:
1129:
1108:
1090:
1071:
1053:
1028:
1020:
1015:
1010:
1008:
999:
989:
986:The Luncheon
985:
979:
977:
960:Paul Cézanne
957:
944:
930:
925:
912:
898:
856:. Monet and
854:conscription
847:
835:
809:commissioned
806:
799:
793:
786:
780:
761:
755:
744:
740:
730:
726:
714:
712:
689:
636:
616:
608:
604:en plein air
588:
566:
554:rue Laffitte
551:
537:
521:
508:
479:
468:
462:
365:
364:
200:
193:
188:Water Lilies
186:
179:
171:
163:
156:Notable work
99:(1926-12-05)
41:Claude Monet
34:
9244:1926 deaths
9239:1840 births
9218:Visual Arts
9169:Louis Leroy
9067:Other media
9043:Max Slevogt
9018:Henry Moret
8863:Tom Roberts
8742:Exhibitions
8627:Edgar Degas
8595:Originators
8349:(1897–1926)
8341:(1908–1912)
8317:(1900–1905)
8309:(1900–1904)
8301:(1899–1904)
8285:(1892–1894)
8200: 1914
7905: 1872
6450:15 December
6358:Easton 2009
5295:22 December
5264:22 December
5202:21 December
5142:18 December
5112:18 December
4602:Le Monde.fr
3975:Levine 1986
3700:Butler 2008
3688:Levine 1994
3557:René Gimpel
3399:. In 1981,
3303:and modern
3273:Waterlilies
3268:lung cancer
3242: 1920
2982:, 1900–01,
2566: 1920
2507: 1920
2493:translucent
2482:avant-garde
2466:still lifes
2311:, 1918–19,
2229:World War I
2146: 1917
2101: 1915
1940:Waterlilies
1902:Savoy Hotel
1536: 1872
1492:Durand-Ruel
1479:John Berger
1455: 1880
996:Louis Leroy
973:academicism
964:Edgar Degas
922:Saint-Denis
843: 1867
58: 1899
9228:Categories
9079:Literature
8900:Henri Beau
8832:Australian
8465:Portrayals
8376:Jean Monet
7912:Springtime
7841:The Magpie
7197:8 February
7166:8 February
7136:8 February
7098:8 February
7068:8 February
7020:8 February
6988:8 February
6830:19 January
6531:19 January
6473:P. Tucker
6168:The Lancet
5706:13 October
4925:10 January
4486:23 January
4190:2 February
3763:7 February
3656:P. Tucker
3616:References
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